Pop & Rock Новости

Two of the best tracks from one of the Rarest 70s soul LPs on the planet, 500 copies only with a nice brand free label. One time press. The finest floaty modern soul you can buy.

Kalita are happy to announce the first ever 12” reissue of Henry Turner Jr.'s hugely sought-after 1980 disco single, "Music", backed by the first ever re-release of his 1984 boogie single "Forever Us".

Attic Salt Discs proudly presents the official re-issue of the Belgian synth-pop evergreen ‘Love In Motion’ (1984) by 1000 Ohm. The band kicked-off in 1979 with their successful debut A.G.N.E.S. / Look Around and later on developed their style from New Wave to Italo-Disco influenced Synth-Pop (‘The Claim’) and a decade later even touches of New Beat (‘You’re The One’). ‘Love In Motion’ is a beautiful mixture of 1000 Ohm's repertoire. The release comes with remastered versions of the original 12″ version, instrumental and on top a DJ friendly ‘Vanzetti & Sacco’ edit.

First volume of Ear Clips series curated by Chez Emile Records. A various artists compilation focus on dance and mind music. This one go dig into disco, synth pop and Krautrock with 4 artists from Lyon. Leo, Guillaume Des Bois, Caissard DJ and Abschaum.

Who put the dance into Factory Records?”

Be With would like to refer you to FAC 59.

Working with founding member Tony Henry, we’re honoured to present the reissue of 52nd Street’s crucial debut single “Look Into My Eyes”, backed with “Express”. Originally released on Factory Records in Summer 1982, this ultra-rare 12" is a double-sider in the truest sense. Unrivalled Manchester jazz-funk-boogie-soul.

Both “Look Into My Eyes” and “Express” came out of a five day recording session in the spring of 1982 at Revolution Studios in Cheadle Hulme, just outside Manchester. Rob Gretton had just signed the band to Factory, snatching them from under the noses of RCA and WEA Records who had been sniffing around and seemingly ignoring Tony Wilson’s concerns that Factory might not be the right home for a black soul act. Rob clearly thought different.

The band of Tony Henry on guitar and vocals, bass player Derek Johnson, drummer Tony Thompson, lead vocalist Beverley McDonald and John Dennison on keyboards were put in the studio with A Certain Ratio’s drummer Donald Johnson producing the sessions. The band also found themselves with an interesting new member.

The back cover of the finished record credits synth F/X to a mysterious “Be Music”. Turns out that’s Bernard Sumner. Yes, that one. Tony Henry explains that bringing Bernard in was another part of Rob Gretton’s plan, “Barney was a real soul boy at heart and had always wanted to produce and work with black artists… with 52nd Street, he was an honorary member”. The results suggest he fit right in.

“Look Into My Eyes” squeezes so much aural pleasure into one side of a 12" single. A strutting, rich, soul-gliding funk with bass and guitar high in the mix above twisted, bubbling synths. Like Nile and Barney drenched outside the Haçienda that first summer. How can something be this liquid loose whilst sounding so, so tight? The hypnotic, naïve-cum-insouciant vocals from McDonald, backed by her fellas, only add to the track’s charm. Put simply, it sounds like nothing else.

On the flip, “Express” is sheer drama on wax. Tony’s opening lesson in good manners (“Excuse me miss, is this seat taken?”) sees us strapped in for a wild, chaotic, rhythmic ride. All bold keys, synth brass blasts, insistent bells and a galloping groove giving *that rush* atop a bassline to die for. No surprise it was a Frankie Knuckles favourite. Blistering heat.

The 12" was Paul Morley’s single of the week in the NME but his approval did little to get daytime radio play or to sell the record when it was released. It probably didn’t help that, in Tony Henry’s words, Factory were a label “notorious for not promoting their bands, not wanting any communications with the written press and not answering their office phones.” It came and went with none of the fuss that music this good deserved.

But in the near-40 years since they were released, these two tracks have gone on to become cult underground hits for those in the know. Of course that means those original 12"s have gotten rare and pricey. So here’s your chance to own this particular piece of post punk Factory Records funk.

But this record isn’t just a vital slice of Manchester soul history. Tony’s not shy about just how important he thinks the collaboration between 52nd Street and Bernard Sumner was: “this worked out quite well for us in the band but even better for New Order and Factory Records as Sumner studied grooves, rhythms and how to write and construct funk and dance music from 52nd Street and producer Donald Johnson”. You just have to listen to Blue Monday to hear what Bernard did when he started putting what he’d learnt into practice.

“Look Into My Eyes” and “Express” come from a chapter of the history of Factory Records that no-one seems to have gotten around to writing. Working with Tony to reissue the original 12" is the start of putting that right. The story of 52nd Street is more than just a footnote.

We are proud to welcome the latest members to our ASW family: Digital Afrika.
Digging deep into the depths of African rhythms and melodies, and influenced by international club music from Lagos to New York, DIGITAL AFRIKA is pushing the frontiers of live dance floor orientated Afro House in Australia and beyond.
Digital Afrika’s second EP and single “Asiko” is due to drop on Record Store Day 24th October 2020.

This vinyl exclusive release features Digital Afrika’s trademark rhythmic fusion and high octane vocals from African-Australian artists Remi, Thando Sikwila, Olugbade Okunade and Cazeaux Oslo.

Asiko showcases the production powers of two Australian producers: Future Roots and Si Fixion.

Limited White Label is getting ready for the summer season
with a 6 track EP by Bootie Grove and A Most Wanted Man.
Bossa-Nova, Jazz and straight forward House tunes can be
found on this one. As always limited and hand-stamped
edition!

Here's one very rare early 80's soul and boogie LP, as clean original copies now fetch well over $500, if you can find it... This brand new and first official reissue ever contains the now classic modern soul dancer 'Not About That (Show Me Some Respect)' alongside some very attractive ballad material for the more dedicated soul fans. The elusive Van Jones from Pughsville, VA continued to record - as he did since 1976 - several 7' and 12' singles into the decade. But this highly sought after album from 1981 is widely considered as the definitive moment in his short though fruitful recording career. - Marc Janssen

Heavily thought after in the digging community, "Alien" is an exquisite oddball reggae meets electro production by Jamaican maestro Willie Lindo. Originally released as part of the Jamaican first issue of the "Revealed" album from 1984 and never included in later re-issues, now made available again on MISSYOU as a single.

The 1976 self titled Tommy Stewart LP is one one of the most sought-after disco albums in the world. Recorded at Sound Pit Studios, Atlanta, Georgia.

Musical legends Marlin McNichols, Bill Wright and Tommy Stewart’s super funky disco productions went way past the usual disco sound at that time.

We are thrilled to select for the first time ever on a 45, two of the album’s highlights: ‘Fulton County Line’ and ‘Riding High’.

Christian 'Kon' Taylor's KonTemporary imprint goes from strength to strength! This, the third release sees the Boston crate diggin' selector, producer and remixer extraordinaire reworking the mighty sounds of L.T.D.'s roof-raising 'Love To The World'.

L.T.D., an acronym of Love, Togetherness and Devotion were a highly respected and dope 70's Soul and Jazz Funk outfit fronted by the powerful Gospel-tinged vocals of one Jeffrey Osborne, whose powerful tenor voice gave their music some serious weight! Heavily revered among music lovers and often sampled throughout hip-hop and dance music (check out 'Cuttin it up', Llove ballad', 'Holdin on' & 'Back in love' for proof!) One of the group's biggest and most well-known cuts was 'Love to the world', a track that got love from the hardcore dancers, B-boys and old-school heads alike. As usual, Kon has taken this classic into a new realm with his own unique arrangement and use of ad-libs and unheard instrumentation, all taken from the master tapes and lovingly reworked. It's a difficult task to breathe new life into the classics, but Kon always comes up trumps with his fresh ideas and expert ear. Now you can catch these super heavyweight 12" versions, including an epic 9 minute plus instrumental mix, all expertly tweaked by Kon and mixed by Scott 'Supe' Stallone at Found Sound, Philadelphia.

A glorious live disco workout harking back to the spirit of New York's heyday when love and inclusivity ruled the dancefloor. Featuring additional remix by Rahaan.

You need this in your life! You know that feeling when you hear a killer melody and it just sticks in your head and makes you wanna dance Call it disco, call it what you want, this song is packed with soul, emotion and a righteous hook, boasting a stunning vocal performance from US singer Angela Gooden and comes armed with heavy percussion, funky bass, and some serious Rhodes.

As part of a three track vinyl package on Madrid label Lovemonk, New York/Madrid DJ, producer and vinyl vendor Oli Stewart, better known as Casbah 73, goes back-to-boogie-basics on the lead track, along with a B side re-fix by Chicago's don of the disco edit, DJ Rahaan, and a full-on Percussion Jam instrumental cut.

'Love Saves The Day' is a joyous tribute to open-minded and inclusive clubs past and present with a sly nod to the seminal New York institutions like The Loft and the Paradise Garage. But this record isn't some banal exercise in faithful reproduction, rather a exhuberant slice of soul-disco that reignites the spirit of these underground nightclubs, lofts and warehouses. Casbah 73 has handpicked key musicians from around the globe and threaded all these together for a smack-you-on-the-lips belter, reverberating with positivity - love really is the message.

Rahaan's on-the-spot offer to remix 'Love Saves The Day' came about after a chance meeting with Casbah 73 in Madrid. A couple of days were spent checking out records and drinking wine - Oli is one of Europe's leading disco, soul and jazz vinyl dealers - when he played Rahaan an early demo. The rest, as they say, is history...

Milton Wright's perfect deep Soul classic "Keep It Up" has always been a top shelf record, everything about it is almost flawless! Whether it's Milton's silky vocal delivery, the incessant guitar driven back beat or the total space Funk vibe of his omnipresent ARP-2600 synthesizer this record has it all. Originally released on TK Disco's more Soul and Funk orientated Alston label which was home to many legendary artists and records, this 1975 sunshine classic never fails to make people move. A classic rare groove indeed. "The Silence That You Keep" takes up side-B, a jazzy, flute driven love song that again features Milton's perfect voice and some fantastic arrangement. A real gem of a record, with the original 45 changing hands for over £100 a time in used condition.

This is the first time "Keep It Up" has been re-issued in it's original 45 rpm format with the original Alston label artwork. It's been re-mastered, re-pressed and made available again with the permission of TK Disco / Alston Records, Miami Florida, USA.

Two giants of Brazilian music back-to-back!

Jorge Ben can do it all - vocalist,songwriter, musician, producer and to many their ‘all-round’ favourite Brazilian artist. Jorge has had an amazing career, involved in music from the early 60's through to the current day, writing countless classic songs for him and other artists.

This awesome samba-disco-funk joint 'Waimea 55.000’’ is a lesser-known production, taken off a 7” B-side released on Som Livre in 1978. This is a gem which needed to be dusted off and given the
wider audience it deserves.

Baby Consuelo with her distinctive voice is one of Mr Bongo’s favourite Brazilian singers. The only female founding member of the mythical group Os Novos Baianos, Baby is a real innovator andpioneer, changing her persona and musical styles over the years, but still staying unique.
Here we have Baby at the start in raw psychedelic hippy mode,
giving a powerful vocal delivery where she manages to sound simultaneously badass and lovable. This early song was released in 1970 on RGE records on a compacto 7” credited to Baby Consuelo and additionally featured on OsNovos Bahianos’s debut album 'É Ferro Na Boneca!’ in the same year (re-issued on Mr Bongo in 2019).

Vinyl that is based on this kind of Latin rhythm known as the
Bossa nova but it’s not really Bossa nova, but we think you will
dig this

The debut album from the American female trio, originally released in 1973 on the Philly Groove Label

Classic Philadelphia sound featuring the disco anthem and title track that peaked at #28 on the Billboard Hot 100 and #16 UK charts. Other highlights include the hit singles ‘Smarty Pants’ (UK #9), ‘Newsy Neighbors’ and Northern Soul Classic ‘This Is The House’

Demon Music are proud to reissue this soul classic on 180g heavyweight vinyl, with printed inner sleeve and original artwork

Danny Krivit's fine re-edit of Gary's Gang classic "Let's Lovedance Tonight" first surfaced on Nervous Records back in 2007, and has been something of an in-demand item with disco DJs ever since. This, then, is a more than welcome reissue. The genius of Krivit's scalpel job is that it merely emphasizes the sections of the original that dancefloors want to hear; specifically, the acoustic guitar and organ-heavy groove, killer drum breaks and winding saxophone lines. It's simple but devilishly effective.

"Let’s Do It" by Convertion is another era defining soul-infused disco classic from the Sam Records catalogue. Danny Krivit similarly works his magic bringing out those elements that make the track – originally produced by Greg Carmichael and featuring the legendary Leroy Burgess on vocals – such a must-have item for all collectors.

Another all-time classic from the extensive back catalog of the legendary Miami songstress Gwen McCrae.

"90% Of Me Is You" is instantly recognizable, it's been sampled countless of times by some of the most seminal Hip Hop artists ever (Large Professor, Jaylib, Mobb Deep & more) & is a bonafide "Rare Groove" sure-shot that never loses it's appeal & is always in demand with DJ's & producers. Perhaps it's the pairing of the languid guitar & strings, or Gwen's sultry vocals & that steady breakbeat that keeps people hooked some 40 years after it's original release Whatever it is, it's classic material from start to finish!

Backed here with it's original b-side slow jam "It's Worth The Hurt" this super-rare 45 has been re-mastered, re-pressed & brought back for 2015's dance-floors in conjunction & with the permission of T.K. Disco / Henry Stone Music, Miami USA.

Another all-time classic from the extensive back catalog of the legendary Miami songstress Gwen McCrae.

"90% Of Me Is You" is instantly recognizable, it's been sampled countless of times by some of the most seminal Hip Hop artists ever (Large Professor, Jaylib, Mobb Deep & more) & is a bonafide "Rare Groove" sure-shot that never loses it's appeal & is always in demand with DJ's & producers. Perhaps it's the pairing of the languid guitar & strings, or Gwen's sultry vocals & that steady breakbeat that keeps people hooked some 40 years after it's original release Whatever it is, it's classic material from start to finish!

Backed here with it's original b-side slow jam "It's Worth The Hurt" this super-rare 45 has been re-mastered, re-pressed & brought back for 2015's dance-floors in conjunction & with the permission of T.K. Disco / Henry Stone Music, Miami USA.

The Eastern European Cut Outs, the spin off series of The Very Polish Cut Outs, that launched last year moves smoothly into the second round.

The new vinyl only release contains 4 obscure tracks from Czechoslovakia, GDR, Hungary and the Soviet Union that have been tweaked and looped by some brilliant native talents.
Langsamer East German disco not disco? Check!
Soviet aerobic dance pop? Check!
Psychodelic hungarian rock chopped to sound like hip hop? Check!
Enigma influenced Czechoslovakian proto-house? Check!

In the album's music we find vintage influences, recalling the faded charm of 70s erotica, warm tones also rooted in psychedelia, disco, yéyé, and French chanson. The Montreal trio Le Couleur, created by Laurence Giroux-Do (vocals), Patrick Gosselin (bass), and Steeven Chouinard (drums), delivers rich and irresistibly danceable performances. Le Couleur polished their sound until it shined as bright as the late Studio 54's spotlights with EPs Voyage Love (2013) and Dolce Désir (2015), and then P.O.P. (2016), their critically acclaimed debut album. Thanks to precious advice from Giorgio Moroder, with whom the band had the opportunity of sharing the stage, Le Couleur recorded their new album adopting a completely different approach. Concorde takes its name from the legendary Franco-British airplane from 1965, nicknamed the "beautiful white bird" for its sleek and modern design. This avant-garde project that ended in tragedy has always held a certain fascination for Laurence Giroux-Do ; a deadly "crash" that inspired in her a sense of macabre sensuality. In the album's music we find vintage influences, recalling the faded charm of 70s erotica, warm tones also rooted in psychedelia, disco, yéyé, and French chanson.

Four smoking hot disco tunes picked by Mr. Fonk and reworked by our veteran edit producer and KitKat resident Billy Idle. Sounding like the mid 70s and early 80s, these tracks have all been tested thoroughly on our Disco Bizarre floor to maximum effect. No fillers, just thrillers!

DISCO RUNNERZ 1 features underground disco edits from the legendary BOO WILLIAMS on limited & hand stamped wax. Vibes from Chicago’s Southside include “AINT NO NEED", “ROMEO & JULIET” & “TO BE WITH YOU".

File Under Disco revisit the 2013 Disco classic-in-the-making Make It Hot, one of the biggest tunes released on their 100% original Disco imprint.

The original track showcased the musical talents of NYC maestro JKriv and the wonderful vocal skills of Adeline Michele.
These days Jason is one of the faces behind the Razor-N-Tape label, co-songwriter and bassist with live NYC disco act Escort and the producer behind various big releases on Z Records and Glitterbox.
He really is a contemporary Disco Machine!

On this set of new remixes this fantastic production talent comes head to head with longstanding remixer extraordinaire and studio master Ray Mang.
The man called Mang opts to launch the original into the outer dub-sphere in his trippy and extended High Pressure Dub. This one puts out the disco fires with gasoline!

Meanwhile on the flip, JKriv himself launches a new and raw electronic interpretation that completely reignites the original vocal performance by Adeline into an ecstatic dance floor work out.

Last, but not least, old friends and disco compatriots Pete Herbert and Dicky Trisco deliver an Aperol-infused Balearic House rework of the original, which is the perfect soundtrack for those beach sunsets and summer nights that just refuse to end quietly.

Make it hot!

After his tour around the solar system Dj Barney is back on
Earth with his own label. A new project with international artists
around the most unexpected sounds. Time for true bangerspace disco.

JB Edits the edit project of Sydney, Australia based house DJ & producer Jerk Boy. He's now turned his focus to vinyl only dance floor edits of all his favourite Boogie, Balearic, Funk, Soul & Disco tunes cut, sampled, tried and tested for lower lights, bright nights and the ultimate dance floor jiggathon.

Hence the label SAM has decided to produce a 4th EP-in
line with Eddie's three releases: "Eddie & Friends" is a
musical tribute to him and a new opportunity to enjoy his
musical direction.

Tiago's wonderful INTERZONA13 storms into 2019 with a huge double A from STASERA !!

A duo of high intensity workouts constructed from strands of pure Disco DNA
The A transports us to a place where Nile Rodgers presses record on a jam session out in Nigeria, while on the B, a completely dismantled Donna Summer staple is bent into irresistible new shapes - both 100% guaranteeing hedonistic communion at high volume
As always, one limited pressing

Italoconnection is back on Bordello with a remix EP of the song 'Humanize', which appeared on their critically acclaimed Metropoli album in 2017. Accompanied with the beautiful voice of Francesca Gastaldi an all-star team of producers got on remix duties. On top a bonus track with a new version of 'Neon Disco' by the King Of The Cut!

When Mildlife’s debut album, ‘Phase’, was released in 2018 it didn’t so much explode on to the scene as ooze. Their mellifluous mix of jazz, krautrock and, perhaps more pertinently, demon grooves, was the word of mouth sensation of that year among open-minded DJs and
diggers searching for the perfect beat.

By the end of 2018 they’d been nominees for Best Album at the Worldwide FM Awards (Worldwide’s Gilles Peterson was a notable champion) and won Best Electronic Act at The Age Music Victoria Awards back home in Melbourne. Their progress post-‘Phase’ was cemented with a UK deal with Jeff Barrett’s Heavenly, who released ‘How Long Does It Take?’.

With ‘Automatic’, the band have made a step-change from their debut. It’s more disciplined, directional and more danceable. As on ‘Phase’, they are unafraid to let a track luxuriate in length without ever succumbing to selfindulgence. The arrangements, tightly structured thanks to Tom Shanahan (bass) and Jim Rindfleish’s fatback drumming, permit space for the others to add spice to the stew, topped off with Kevin McDowell’s ethereal vocals as Mildlife effortlessly glide between live performance and studio songwriting.

“This is very pleasing” - Justin Robertson
“Love them all!” - Prins Thomas
"Great sound” - Severino (Horse Meat Disco)
“Special!” - Rob da Bank
“Heavenly rock” - Don Letts (6 Music)
LP pressed on heavyweight vinyl with printed inners.

After he hit their sweet spot with a little 3/4 psychedelia on the ‘Kraut Jazz Futurism’ compilation, new Berlin based imprint Kryptox founded by the Gomma & Toy Tonics crew (yes, that new label dedicated to new jazz electronica phenomenas from the uprising German scene) do the sensible thing and tie down nomadic percussionist Niklas Wandt for his first ever solo EP. Anyone with a dancing shoe dipped in the underground will recognize the dungareed Berliner from collaborative outings with Bufi-body popper Wolf Muller, synth shaman Sascha Funke or his NDW dream team Neuzeitliche Bodenbeläge (whose funky bassman Timo Hein helps out here), and now he’s rolling (mostly) solo with four tracks of far out head music. Largely built around improvised drum jams recorded in Wandt’s rehearsal space in Berlin, the sounds on the EP mutated and matured before assuming their final form under the mix

I Am, originally released in 1979, features “Boogie Wonderland” (featuring the vocals of The Emotions), which became one of the most popular disco and cross-over hits of that time. The hit ballad “After the Love Has Gone” did well too. Afraid to be labelled ‘Disco band’, Verdine White of Earth, Wind & Fire stated ‘we might have partied, but we didn’t dance!’. I Am is a good testimony to the solid combination of the band’s vocal strength and instrumental backup!

Earth, Wind & Fire, the R&B-Pop-Soul band from Chicago, have produced quite a number of hits during the 1970s and early 1980s. The biggest hits were “September”, “Boogie Wonderland”, “After the Love Has Gone”, “Let’s Groove”, and “Fantasy”. Having sold over 90 million albums worldwide and winning 6 Grammy Awards, the African-American band is ranked on the list of best-selling music artists. Main musical elements of EWF, led by founder Maurice White, are African and Latin American influences, mixed with Funk, Soul & Pop with hints of Rock and Jazz.

I Am is available as a limited 40th anniversary edition of 2000 individually numbered copies on flaming (yellow & orange marbled) vinyl.

Following their live performances at the latest two Dimension Festival Editions and vinyl releases on international labels such as Slices of a dog, Money Sex, Odd socks and Sorry For This featuring a remix by none other than mr. Marcellus Pittman, Nas1 are finally back on Bosconi Extra Virgin with a new album titled Polaris Time. It’s a multi colored sonic adventure, moving from their hip hop and detroit house roots to a new palette of sounds including afro percussions and fresher synth lines blended together into a unique electronic soundscape that creates exotic, psychedelic atmospheres and unconventional, raw midtempo dance-floor tracks. The Album begins with the enchanting ballad of “L’ isola di Serie B” , moving deeper with the spaced out vibe of Domino Skii , landing on the more tropical and frivolous scenarios of “Cicci Briucci” and on the laid-back interlude of “Il Sangue Non Serve A Niente”.
In the beginning of the flip side appears instead the jazzy and uplifting first cut named “Frigo Deca”, followed by the freaky jam of “Come Thru” and the adventurous balearic tune “Hector Savage” ending with the ethereal closing skit “Il Sangue Non Serve A Niente (outro)"
Fans of Kyle Hall, Theo Parrish as well as John Talabot or Nicola Cruz are warned, absolutely not to be missed if you have been following Nas1 music so far.