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Irrational Waves Comes Back With astral Reunions', A Cassette Mixed By Label Boss Etienne Dauta Aka Solune. The Content Of The Mix Was Thought As A 1 Hour And 30 Minutes Long Trip Of Timeless Music To Immerse To. It Was Peacefully Gathered, Recorded And Mixed As He Was Head Of Bass Cadet Records Store In Berlin In 2016. Carefully Selecting The Vinyls From His Crates And Other Discovers He Dug Out While Touring, The Mix Features A Concotion Of Spiritual Jazz, Abstract Electronics, Soul Music, Krautrock, Fused With Percussions, Sacred Sounds And Textures Which Will Set The Listener Into An Introspective And Soulful Sound Experience.

Hard to believe its been about 16 years since I last put a compilation together and nearly 20 years since I was asked to raid my collection to put together a selection of rare hard to find music from days gone by.. The music on this compilation is for me a very personal journey tracing back to my earliest experiences as both a DJ and collector on the jazz dance scene. Early memories of frequenting clubs like Jaffas above The Horseshoe on Tottenham Court Road hearing Paul Murphy play these amazing records and then going to his shop pick up tracks like Johnnie Walker's "Dipping" and Jayne Cortez - I See Chano Pozo. DJ'ing on a Monday night at The Wag in Wardour Street was really special. Working with the likes of Gilles Peterson, Sylvester, Bob Jones and Chris Bangs was a musical education.
The on going friendly DJ competitiveness to break and play recently discovered 'old tunes' like Reverie 'In Every Way', Irakere's 'Chekere Son' and Olli Ahvenlahti's dancefloor fusion classic 'Grandma's Rocking Chair' was all part of the appeal. When Gilles Peterson, Bob Jones and myself originally started the Talkin Loud Sunday Afternoon at Dingwalls sessions little did we know what a major part that would play in the history of jazz dance culture. Again it became a 'one-stop' to hear exciting and up until then undiscovered gems from both the jazz and soul scene. Tunes like Kamal Abdul Alim's head nodding funk 'Brotherhood', The Pharoah's 'Freedom Road' and Roy Porter's 'Jessica' all became 'Camden anthems' mainly because of the open-mindedness of both the DJs and the Sunday afternoon regulars as well as the hunger to hear new music. So here is my 'Private Collection'. I hope the music on it moves you in some way, whether you know the tracks or not, as it still does me. (Kev Beadle, 2013)

Bio
DJ, radio presenter, music producer and event promoter Kev Beadle's bio reads like a journey through the halcyon years of the jazz, jazz funk and soul scene in the UK from the early 80s right through to today's various musical manifestations. From early DJ experiences working with fellow spinners Paul Oakenfold and Trevor Fung in the early 80's, and then hooking up with Gilles Peterson and playing alongside him at various residencies including Dingwalls, The Wag, Special Branch, The Fez and the legendary Sunday night jazz sessions at The Belvedere Arms in Richmond. Through the early nineties Kev put together a serious number of compilations for various labels. These included six albums for the 'Essential Argo/Cadet Grooves' series for Charly Records, which also included two 'Best Of's - Terry Callier and Lou Donaldson and also the very successful 'Capitol Rare' series for Blue Note.After a period of working at Timewarp Records in Croydon he then went on to working at
two of the West End's top vinyl outlets - Soul Jazz Records (now Sounds Of The Universe) and Mr Bongo.

Mercurial bassist and bandleader Charles Mingus was signed to Columbia Records for the briefest of time during 1959. His Columbia recordings, however, remain some of the most inspired, mood-jumping jazz in history. The flowing sadness of "Goodbye Porkpie Hat" rings like a funeral chorus that pitches headlong into a celebration of Lester Young's life and improvising flexibility, rather than his death. And there's the funky furnace blast of "Boogie Stop Shuffle" , which reaches its glory with Booker Ervin's Texas tenor sax, wrapped tight in bluesy tone. With the index of emotions captured, these songs nail why Mingus is possibly the most relevant jazzer for the '90s generation. He swings and shouts and hollers and somersaults. His tunes either induce foot-stomping with their intensity or reach for poignant yearning with their lyrical tapestry of orchestral colors. --Andrew Bartlett

This is the legendary Monk's appearance at the legendary Newport festival in 1963 when the so-called "High Priest of Bop brought one of his greatest quartets featuring master Charlie Rouse on tenor sax, Butch Warren on bass, and Frankie Dunlop on drums. This is a great performance based on five of Monk's classic compositions: Criss Cross, Light Blue, Nutty, Blue Monk, and Epistrophy. This is pure Monk's essence, don't miss it

Justin Thurgur has been at the heart of the UK's World Music scene for over twenty years, primarily through his collaborations with the Afrobeat maestro Dele Sosimi (former keyboardist for both Fela and Femi Kuti) and with the pianist Kishon Khan. Most recently in Khan's projects Lokkhi Terra and the Afrobeat/Cuban crossover, Cubafrobeat.

Thurgur has worked with Cuban giants Giraldo Piloto, Changuito and Julito Padron, with the Nigerian drum legend Tony Allen and with Damon Albarn's Africa Express project; which included Cheick Tidiane-Seck and Fatoumata Diawara. He's also worked with the likes of Bukky Leo, Francis Fuster, Pandit Dinesh, Baby Akhtar, Inemo, Tony Kofi, Kodjovi Kush, The Soothsayers, The Levellers and The Selecter.

He is perhaps most known as the trombonist from the multi-award winning 'folk' group Bellowhead. Their split in 2016 led to him forming his own band and releasing his debut album as a bandleader, 'No Confusion'.

The album features original compositions written by Thurgur in collaboration with double bassist Max De Wardener, piano/rhodes/Hammond organ player Kishon Khan and guitarist Phil Dawson, with band members including the likes of Graeme Flowers on trumpet, James Allsopp on bass clarinet and Oreste Noda on congas.

Thurgur promoted 'No Confusion' throughout 2016 and 2017, culminating in an enthusiastically received performance at Love Supreme Jazz Festival in 2017. Jazz FM, in particular Chris Philips, gave extensive airplay to the album as well as streaming a live performance from the Jazz FM studios and doing an interview. They subsequently playlisted two of Thurgur's single releases. Lopa Kothari played a track on BBC Radio 3's show 'The World On 3'. The band did a live interview and performance on DJ Ritu's 'A World In London' show on Resonance FM. Beyond this Thurgur has been developing relationships with various other digital radio stations, including Gordon Wedderburn, John Waugh and a number of Global music stations based in Europe.

Nick Walters & The Paradox Ensemble are back with their third studio album “Implicate Order” the first release on Nick Walters brand new label - D.O.T. Records.
The eleven piece group continues to break the mould of big band jazz, combining spiritual and eastern jazz moods with West African rhythms and a fusion of electronics. “Implicate Order” follows up the bands highly acclaimed “Awakening”
LP released on 22a in January 2019.
The album kicks off with The Underdog - a sprightly tribute to Charles Mingus, inspired by his classic album 'The Black Saint and the Sinner Lady’. Walters’ lofty trumpet takes the lead,
conducting the 11 piece band along a catchy hook, brought to a head by the excellent Richard Foote on Trombone.
Volta Region continues the vibrant start to the album. Named after a beautiful region in Eastern Ghana bordering Togo. The main riff to the song came to Nick whilst travelling in that region, after a
few years of playing around with it and experimenting he managed to use it as the basis for this extended composition.
Be Seeing You rounds up the a-side - inspired by the classic 60s tv show The Prisoner, an attempt to write a piece with a similar sense of energy, drama and excitement that could accompany an action scene from the show. Featuring a stand-out solo from Sam Healey on alto saxophone.
The b-side sets a much darker and more spiritual tone, kicking off with the epic Diminishing Returns - an exploration of the different harmonic sounds thrown up by the symmetries of the diminished scale. Ruby Rushton keys player Aidan Shepherd bestows one of the highlight moments on the album with an accordion solo that is as good as it is scarcely heard in jazz music.

The Cinematic Orchestra kündigen eine limitierte Vinyl-Reissue ihres erstmal 2003 veröffentlichten Klassikers 'Man With A Movie Camera’ an. Im Rahmen der Filmfestspiele zur Europäischen Kulturstadt Porto im Jahr 2001 wurde Jason Swinscoe vom Cinematic Orchestra beauftragt, einen Soundtrack zu einem Stummfilm zu komponieren, der einmalig aufgeführt werden sollte. Bei dem Film handelte es sich um Dziga Vertovs Experimentalwerk „Der Mann mit der Kamera“, einen frühen Dokumentarfilm aus der Ukraine von 1929, den viele, darunter das British Film Institute, fast 100 Jahre nach seiner Entstehung als einen der besten Filme aller Zeiten bezeichnen. Die Aufführung fand im historischen Coliseu do Porto statt und endete mit stehenden Ovationen von 3.500 Menschen. The Cinematic Orchestra hat die Show im Laufe der Jahre auf internationalen Tourneen aufgeführt, unter anderem im Barbican in London, im Winter Garden des World Trade Centers in New York und im Sydney Opera House.

“University Challenged are Ajay Saggar (“Bhajan Bhoy”), Oli Heffernan (“Ivan The Tolerable”) and Kohhei Matsuda (“Bo Ningen”). The trio began in 2019, playing shows in Holland, where they gained a reputation for delivering highly dynamic sense-rattling shows, ranging from gentle melodic orchestral spinouts to epic power jams, all backed by beautiful self-made films in the background.

The plan had always been to record an album, and get the collective musical force and spirit cemented to vinyl. Many months of hard work and focus paid dividends with the majestic eight track double album “Oh Temple!” ready to be delivered to the world at large. Mixed and produced by Ajay Saggar at his Soundation Studio in Holland in the summer of 2020, and mastered by Oli Heffernan in England.

This is a beautiful collection of tracks where the pioneering spirit of the three artists allowed them to cross musical boundaries with their bold and accomplished playing to forge 8 unique and mesmeric numbers. While there is commonality in the artists approach to music, there are a wide variety of styles - kosmische musik, electronic experimentation, deep spiritual jazz, modern classical, pastoral guitar soli, and more.

These tracks sound fresh and revealing now, and will certainly do so for a long time to come.”

Alder Ego on We Jazz Records complete package including the new "III" plus the previous "II" (2018), either as color vinyl bundle (orange+white) or on black vinyl. Bound together with "Japanese style" inner sleeve, includes sticker.

Alder Ego on We Jazz Records complete package including the new "III" plus the previous "II" (2018), either as color vinyl bundle (orange+white) or on black vinyl. Bound together with "Japanese style" inner sleeve, includes sticker.

Helsinki bassist Antti Lötjönen follows up his 2020 We Jazz Records debut LP with a new 7" introducing a fresh version of key album cut "Erzeben Strasse" and throws in a wild treatment by Petter Eldh's Koma Saxo on the flipside. "Erzeben Strasse" presents Lötjönen's Quintet East lineup in fine form, swinging steadily but also adding enough sideways movement to blur the lines just a little bit. The band features a stellar Finnish cast in Lötjönen (bass), Verneri Pohjola (trumpet), Mikko Innanen (baritone sax), Jussi Kannaste (tenor sax) and Joonas Riippa (drums).

The Koma Saxo treatment of the track, dubbed here as "Erzeben Koma" is full of fire. Uplifting, a bit hectic, beat-driven and jubilant, Eldh's band of brothers double the ensemble heard on Side A, both sampling and adding new recording into the mix. The entire Koma Saxo live band is featured here: Eldh (bass/production), Otis Sandsjö (tenor sax), Jonas Kullhammar (tenor sax), Innanen (alto sax) and Christian Lillinger (drums). The modern sound of Helsinki meet Mauerpark Liquid Jazz.

This time we give you an Apparel Wax bottle opener while from the cover you can get a panel to play battleship, with the hope of making these complex days a little lighter and more playful.

The eighth chapter of the Apparel Wax saga brings with it, as always, a multitude of sounds and suggestions. The masked producer always manages to renew himself, bringing something new and special to each record but always remaining faithful to his musical line. APLWAX008 will be released in January and consists of four tracks: the first is a track with a very marked dynamics and is characterized by a solid rhythm section, a bass line that recalls the UK garage, vocal samples and a beautiful harmonic evolution produced by evolving chords. The second track, A2, winks at Jazz and Soul with a production rich in rhythmic virtuosity, keyboard solos and an almost hypnotic vocal loop while the second side starts with B1, which takes us back to an imaginary dancefloor with a powerful beat and airy disco chords. The EP closes with B2 that softens the tones giving a more intimate, classy and deep end, with references to Funk and R&B. In short, an EP that touches many genres while remaining compact as a whole. Another small masterpiece of production and music selection by Apparel Wax. Out in January 2021, to warm up your winter.

Manchester has produced some of the UK's greatest rock bands from Joy Division to the Stone Roses, but it isn't just the indie scene that thrives there, from the likes of Jon Thorne and Stuart McCallum to the Beats & Pieces Big Band and trumpeter Matthew Halsall, Manchester's jazz scene has produced some of the UK's brightest and most original jazz groups. Now with its eighth release Matthew Halsall's Manchester based Gondwana record label shines a light on another of Manchester's well kept musical secrets, the expansive, brilliant piano trio GoGo Penguin. Featuring pianist Chris Illingworth, bassist Grant Russell and drummer Rob Turner (all still in their twenties), GoGo Penguin, draw on a heady brew of influences from Aphex Twin to Brian Eno, Debussy to Shostakovich and Massive Attack to EST. GoGo Penguin who have already developed a growing cult following in the North West as well as turning in storming performances at the Gateshead International and Manchester Jazz Festival's first came to Halsall's attention when he heard them at a friends night (Norvun Devolution) at the Roadhouse in Manchester. He was immediately drawn to their sublime collective empathy and the seamless fusion of jazz, classical and electronica influences in their music. 'I was blown away the first time I heard them, for me tracks like Last Words and HF are modern anthems and I knew immediately that I wanted to release their music". I am very proud to welcome them to the Gondwana label"

GoGo Penguin met whilst studying music at the RNCM in Manchester. After doing frequent gigs together with various other bands and musicians they started jamming together and started creating new music. They had no specific sound in mind, but just wanted to be free to create freely and honestly. The new band quickly became a vehicle to combine all the best bits from the music they where influenced by and loved. Individually Illingworth brings a lyrical and melodic style influenced heavily by classical piano music and electronica. Turner brings a driving modern style of drumming influenced by jazz, electronica, ambient, classical and dance music. Russell brings a gritty energetic double bass style influenced by the likes of Charles Mingus but also more modern electronic producers. The band's modus operandi is to have one of them bring an idea to rehearsal. Then there's a lot of experimentation, they try out as many different ways to play the piece as they can think of, until it begins to sound like something they all like.

Fanfares opens with the wistful tribute Seven Sons of Bjorn, written by pianist Illingworth as an act of catharsis shortly after the untimely death of Esbjorn Svenson. The dreamy Last Words was written by drummer Turner and is inspired by Aphex Twin. The melancholic Unconditional is influenced by the harmonic ideas of Kenny wheeler and the Miles Davis cool school and melodic contours of Chopin, originally written by Russell as a piano ballad, Illingworth heard it and asked him to bring it to a trio rehearsal, the resulting arrangement is by all of them. The forceful title track Fanfares comes from an original idea that came to Illingworth while improvising with some ideas from the etudes of Ligeti and Einojuhani Rautavaara. Turner's drumming adds a real bounce and vibrancy to the music that propels this piece forward. I am That was wriiten by Turner and features a lot of unusual prepared drum sounds. Akasthesia started life as a reflective bass groove written by Russell after playing with the harmonics that he was hearing played by Jaco Pastorias, Miroslav Vitous and Anders Jormin. Finally HF opens with a distinctive piano riff written by Turner and developed by Illingworth. The middle section is a free drum and bass style collective improvisation and it is this unique ability to synthesis and develop each others melodic and harmonic ideas while drawing on music from classical to electronica that makes GoGo Penguin's music so enthralling and their debut album such a powerful opening salvo from a powerful new voice in UK music.

This new 45 by Soul Supreme pays homage to Mf Doom and Madlib with a rework of raid and a cover of a 70s jazz-funk gem by Cortex on the flip side. While the music was already being pressed on vinyl, reality caught up with the release: the devastating news of MF DOOM's passing turned this 45 into an unintended posthumous tribute of sorts.

On the A-side, you find Soul Supreme's take on the classic "Huit Octobre 1971" by Cortex, a track that was sampled by Madlib (for MF DOOM's "One Beer," Jaylib's "No Games" and the intro to his first Mind Fusion project), among many other producers. The rework also appeared on Soul Supreme's self-titled LP, which was released late last year.

The B side features Raid, a jazz-fusion rework of the Madvillain track. Spaced-out keys and off kilter drums transfer Raid into different territories far away from the average 'hip hop cover'. The track features a great line-up of musicians getting free-form like a DOOM flow.

After the near-instant sold out 45s of The Message / Umi Says (and last year's repress) and the A Tribe Called Quest reworks Check The Rhime / Lyrics To Go, better act fast to not miss out on this third record.

For a good number of Spanish musicians, attracting attention from somewhere outside of Madrid was a mission impossible for several decades. While the Movida Madrileña, commonly referred to as the “Madrid scene” in English, stirred things up and made front page news on the basis of new wave music, musicians that were on the fringe or directly beyond it had few platforms from which to be heard.
Although Javier Segura has been recording music in his studio almost continuously since the 70's, his relevance and recognition as a musician has been limited to underground music circles. The fact
that he worked outside of the country's spotlight of power kept his name relatively unknown for years, something which even the arrival of the internet could not illuminate. Only the appreciation of a few collectors and disc jockeys kept the light on.
Passat Continu delivers here the first ever compilation by the spanish musician Javier Segura (born 1955), who worked as an isolated cell from his home studio in San Cristóbal de La Laguna, in the Canary Islands. Working for decades from the underground, Segura build up some brilliant ideas producing dozens of richly textured songs, stretching borders on ambient, experimental rock, dreamy folk or concrete music. Using guitars, rhythm boxes, trumpets synths or simply pedals, Segura managed his own career and produced while published a handful of albums by himself: El ser y el tiempo (1976), No mires atrás (1983), Nostalgia de lo humano (1986), Lamento bereber (1989), El ángel caído vol I, la lluvia azul (2004), Levántate (2005) and El orden y el caos (2006).
He also teamed up with Juan Belda on only impro project Arte Moderno (1981-1982), using the Roland TR-808 rhythm box as a main actor for the first time in the post-Franco’s Spain era.
'El sol desde oriente' uses three of that songs and add six more previously unreleased productions from 1980 to 1990, probably his most active period of time. Available on vinyl and digital through
Bandcamp. Digital version includes two extra tracks. Vinyl comes with insert with unseen photos and liner notes by Javier Segura and Passat Continu’s curator David G. Balasch.
All music written by Javier Segura except Jardín marroquí, written by Javier Segura and Juan Belda
under the name of Arte Moderno.

Five track EP of previously unreleased drum heavy Gallic hard-bop and risqué acidic folk.

The long-lost Parisian skin flick ‘Jeunes Filles Impudiques’ (AKA ‘Schoolgirl Hitchhikers’) marks a particularly vulnerable period in the career of one of the most underrated and misunderstood directors to emerge from the rising smoke of the 1968 Parisian social explosion.

From a director with early links with the Paris underground, the letterists, the surrealists, improv theatre and the free-press comes the reclaimed audio tracks from one of his rarest celluloid moments - but let’s not confuse this for high-art. Finders Keepers make no bones, this is Jean Rollin’s maiden voyage into adult entertainment, directed under the pseudonym of Miche Gentil with a flimsy plot, questionable acting skills and an awesome little schizophrenic soundtrack.

This long-lost movie has been buried for some 40 odd years, with a musical score bursting to jump out of the can and down your tone arm, now made possible by a recently renovated negative print and new source material. These original Pierre Raph (of ‘Requiem For A Vampire’ infamy) compositions from the publishing Library Of Paris’ Musicale Editions Dellamarre (of Acanthus / Unity fame) come straight from Rollin himself as an introduction to Finders Keepers’ new Rollinade series documenting some of the finest musical moments of the director’s career as an avant-gardener, counter-culture vulture and Gallic vamptramp, all housed in their original hand-painted promotional artwork.

Alkisah is the new album by Indonesian duo Senyawa. Alkisah is co-released by a multitude of independent record labels from all over the globe each with different packaging and design, with multiple version of remixes by various artists.

Senyawa is an experimental music duo made up of Rully Shabara (extended vocal technique) and Wukir Suryadi (homemade instrument). The music that they create is a combination of extended vocal technique and a homemade instrument. The instrument was handcrafted by master instrument builder Wukir out of one long piece of bamboo, it is a string instrument with guitar pick-ups—it is amplified and processed through several effects pedals but at times is played as an acoustic instrument, percussion and string instrument.

They are located in the ancient city of Jogjakarta, Central Java, Indonesia and their music is a reflection of their traditional Javanese heritage filtered through a framework of contemporary experimental music practices. Senyawa try to push the boundaries of both traditions in an attempt to mix the musics’ of the east and the west to create a new sound.

As a duo they have been performing and playing together extensively for the last 3 years and we have toured Indonesia several times over. Last year they were invited to perform internationally for the first time at the Melbourne International Jazz Festival sharing the stage with many great musicians such as Faust, Yoshida Tatsuya, Tony Conrad and Charlemagne Palestine.

In the summer of 1978, an ambitious twelve-day experimental jazz project was undertaken at the ancient amphitheatre, Tasso della Quercia, on the slopes of Rome’s Gianicolo hill.

The idea was to assemble the leading players from Italy’s avante-garde jazz scene, revolving around members of Grande Elenco Musicisti (or GEM), such as saxophonists Tommaso Vittorini, Eugenio Colombo and Maurizio Giammarco, trumpeter Alberto Corvini and trombonist/composer Danilo Terenzi, together with visiting American players such as saxophonists Steve Lacy, Steve Potts and Evan Parker, trombonist Roswell Rudd, pianist Frederick Rzewski and drummer Noel McGhee, among others.

Different group configurations were enacted each day and the final gala concert formed the basis of this super rare and highly playful double album, which captures the delightfully messy proceedings. In keeping with the openness of the Roman jazz scene of the day, the project sought to push the boundaries, aiming to break big-band traditions whilst still emphasizing the collective nature of the experience.

Enrico Rava’s opening “Tromblues” emphasizes the disparate approaches of these trans-Atlantic teams and Terenzi’s “Dialogando” uses dual trombones to heighten musical discord; in mutated big-band mode, Giammarco’s thrillingly complex “Vortex Waltz” and Vittorini’s “La Legge E Uguale Per Tutti” both speak to the limitless
potential that the project was aiming for.

THE DEFINITIVE RE-ISSUE - supervised by Arthur Verocai from the original Continental master tapes. Limited Edition gatefold sleeve red vinyl

For a very long time, we have been trying to re-issue this record; a true and complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre.

Recorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai. Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, this album gave him the chance to do his thing in it’s most pure form.

The 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, basslines, synthesizers, vocals from the wonderful Célia and percussion from Pedro Santos. Bossa nova, samba, jazz, MPB, psychedelics and funk sit side by side effortlessly.

The album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris & Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others.

The original Continental versions of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision.

Hailing from Leicester, of Afro-Caribbean descent, classically trained artist Marcus Joseph started playing clarinet when he was just 7 years old. After numerous academic achievements in music, he began playing in Leicestershire Arts County bands and orchestras. He gained airplay on BBC 1Xtra as a hip-hop DJ and MC and was subsequently inspired to pick up the saxophone and study jazz at universities in Leeds, London and New Orleans. His instrumental repertoire also includes alto-sax, aerophone and piano.

He has since played at landmark events such as Love Supreme and We Out Here.

Marcus has supported the likes of Oscar Jerome, Blue Lab Beats as well as The Blackbyrds and has also worked with such luminaries as Dennis Rollins, Arun Ghosh, Dave O'Higgins, Abram Wilson, Gary Crosby and Eska.

His work has been supported by Tom Robinson (6Music) and this, his new album released on Jazz re:freshed, is a warm fusion of jazz, reggae, hip-hop and contemporary music.

** HIGH QUALITY REPRESS OF A TRUE JAZZ FUNK HOLY GRAIL **

Originally released in 1971, "JESSICA" by ROY PORTER SOUND MACHINE is nothing but jazz-funk at its very best! Something you rarely find - unless it's on MO-JAZZ!


key-selling points:
* limited to 500 copies
* deluxe vinyl LP with old school tip-on cover
* incl. full album download code
* officially licensed

** HIGH QUALITY REPRESS OF A TRUE JAZZ FUNK HOLY GRAIL **

Originally released in 1975, "INNER FEELINGS" by ROY PORTER SOUND MACHINE is nothing but jazz-funk at its very best! Something you rarely find - unless it's on MO-JAZZ!


key-selling points:
* limited to 500 copies
* deluxe vinyl LP with old school tip-on cover
* incl. full album download code
* officially licensed

Introducing the first 7" single from bassist & composer Shay Hazan and his quintet from Tel-Aviv, Israel.

Dedicated to saxophonist Albert Beger, a mainstay of Israeli jazz and Hazan mentor, 'Berber's Cha Cha' is an uptempo piano-led waltz, redolent of classic Prestige Records soul-jazz, especially when some urgent horn charts turn up the heat. It's a corker!

While on the underbelly, 'Old Tart' sounds like nothing less than a lost gem from the Brecht/Weil songbook. Lugubrious and magnificent, this world-weary vocal cut is more than a match for the nominal A-side.

Destined for the hippest jukeboxes in the hippest joints in the country, this milestone tenth release in Jazzman's estimable JAZZ45 series keeps standards impossibly high.

Our JAZZ45 label features original artwork and original music on each and every release, and are limited to just 600 copies worldwide!

Few would challenge the claim that the 1960s and 70s have been the most fertile two decades in the history of popular music ever - a period which, regardless of genre, laid the foundations for everything that has followed. What is more, this period was so fertile that the speed with which tastes changed left a colossal amount of incredible music to gather dust - perhaps most famously a profusion of funk, soul and jazz. It was a musical legacy that lay mouldering until the rise of sampling in late 80s hip-hop precipitated a mad scramble for lost crates and suddenly, the music that became known as 'rare groove' - for obvious reasons (it was rare and very groovy) - experienced a phoenix-like rebirth.

A quarter of a century on and a million funk, soul, jazz-funk and 'rare groove' compilations, re-presses and re-releases later, you'd think that cupboard was bare and yet, even now, there are gems to be found. PT is re-releasing the rarest of cuts that often were originally only limited runs or private pressings and new compilation Down & Wired is just such a collection.

Always soulful, this features everything from mod groovers and northern stompers, to funky bumps and latin heaters. Yet while the quality of all cuts is immediately apparent, only one of the eleven has ever been previously been compiled because when PT 'do' rare, they don't mess around. In fact, if these tracks were steaks - they'd still be walking around eating grass.

After Francis Harriis third album 'Trivial Occupations' gained magnificent resonances during press and listeners - his 'meandering, spine-tingling loveliness' (DJ Mag, USA) became an album of the year in several publications - here is the Remix-EP with two very special reworks. While the left-field ambient waves of 'Trivial Occupations' still linger in the ears, Joaquin Joe Claussell and LNS tamper with the two bit more beat-driven 'Minor Forms' and 'St. Catherine And The Calm' for two new interpretations that totally break the chains. New York based DJ, musician and producer Joaquin Joe Claussell, label-owner of both Spiritual Life Music and Sacred Rhythms Music is looking back on a list of countless works on Labels like Vega Records, Brownswood Recordings and Wonderwheel Recordings. Famous for his percussion-driven Afro-House tracks which are influenced by his Puerto Rican background, he also has a deep connection into New York's local Jazz Scene. Claussell's Cosmic Arts Version of Minor Forms features the outstanding Jazz-pianist Bennett Paster with skillful and organic Piano lines. The track opens up with indistinct vocal chants and distant piano-tinkles alongside scattered drum hits. This moody, steady swelling beginning follows on the vibe of the original's jazzy trumpets. As the bass, played by Claussell, hits at some point, the whole track turns into a fusion of virtousic synth and piano melodies, underlined with excentrical drum rolls. A turn back into the lighter ambient-spheres finally ends the wildness. 'No different than how I approach producing remixes,' says Claussell, 'my goal first and foremost is to initiate a connection with the original composition. What this allows me to do is become intimate with the piece in a way that it almost becomes one of my own. Once the rel

Limited Edition of 450 12" Vinyl LPs, handstamped, inner & outer protection sleeves ,cover inlays plus info sheet

JISR is bandcamp weekly LP of week, إن شاء الله ! "Bandcamp Weekly October 6, 2020 Essential debut albums by Lex Amor and The Quiet Ones, plus JISR mash Munich and Morocco on our LP of the week" ♡

next shipping is on 7th December 2020 !

Attention US customers: due to the COVID-19 pandemic transatlantlantic safe shipping takes almost 4 weeks, no faster shipping available at the moment.

Includes unlimited streaming of JISR جسر too far away (free soul inc.006 / spirits high above series I ) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

oralle startet ins neue Jahr mit dem Release seines zweiten Albums „Fonografie“.

2020 gleichte einer Achterbahn für den italienischen Beatmaker Koralle. Seine Heimat Bologna wurde schwer COVID-19 getroffen. Währenddessen war Koralle jedoch produktiver denn je und veröffentlichte bereits acht Singles von „Fonografie“, darunter Kollabos mit Kölner Beatschmied Twit One, Londoner MC & Aktivistin Isatta Sheriff, Houston Rapper Anti Lilly und Turt von den Summers Sons. Die Singles waren ein großer Erfolg und konnten bis dato insgesamt über 2,5 Millionen Streams generieren.

„Fonografie“ besteht aus 16 Tracks mit weiteren Features und wird als digitales Album und auf Vinyl erhältlich sein.

Kieron Ifill aka K15 has been releasing neck breaking music for quite a while now, wether on his own Esencia imprint or on established stables like Wild Oats, Eglo, Apron, Black Focus, WotNot and more recently Neroli. With the monikers K15 and Culross Close he has been honing his craft for years delivering a unique mixture of eclectic dancefloor grooves always infused with jazz elements, which clearly show his huge level of musical awareness. “Volume 1” is the first collaboration between Esencia and Mother Tongue, and prooves once again Kieron’s extreme sensibility and visionary approach with the songs ‘Elemental’ and ‘Intrinsic Value’. A jewel of a record and an instant classic so fitting for these trying times!

French avantgarde Jazz-Funk pioneers Cortex released three milestone albums during the seventies including the iconic Troupeau Bleu. Their music has been sampled by Hip Hop artists such as MF Doom, Wiz Khalifa, Lupe Fiasco and Rick Ross and as a consequence is still very much alive today.

Trad Vibe Records proudly presents a first time re-issue of their double sider 7inch single from 1976 Les Oiseaux Morts / Back To Life. We are sure that you will enjoy the melancholic beauty of “Les Oiseaux Morts” and the harmonica driven disco funk of “Back To Life”.

Timo Lassy & Teppo Mäkynen 3LP bundle including the new release "Live Recordings 2019-2020" + the duo's 2019 self-titled debut album. Available as a color vinyl bundle (white+clear) and as a black vinyl bundle.

Originally recorded direct to disc and released by Incus in 1978, this new edition from Treader is pressed from the original stampers. Hand-finished sleeve.

‘Parker uses rapid tonguing techniques and circular breathing to create a sound all his own, marked by the simultaneous intonation of multiple notes. One hears a note as well as all the residual tones around it; each breath ends up sounding like a battle between the different registers of the horn. At various times, Parker’s saxophone sounds like dolphin speech, electronic tape squeals, or human murmurs; namely, anything but what it actually is. His language on the instrument is essential listening for anyone interested in acoustic experimental music’ (AllMusic).

‘Eight years after Topography Of The Lungs, and two years after his Saxophone Solos, Monoceros was the most muscular statement of Evan Parker’s solo saxophone muse. Superbly recorded, it seemed to place the listener within the chaotic air flows of the saxophone’s own tubing. Philip Clark said: ‘Parker’s dialogue with the saxophone throws up so much that is unexpected, and indeed unknowable, that the problem he faces is how to keep pace with his own invention’’ (The Wire, Best Albums Of The Year).

The dynamic duo of tenor saxophonist Timo Lassy and drummer Teppo Mäkynen return with a double LP of live recordings captured in 2019 and 2020. The We Jazz Records release "Live Recordings 2019-2020" follows the duo's 2019 LP which was shortlisted for "Jazz Album Of the Year" at Gilles Peterson's Worldwide Awards. While the studio album versions were studies in improvisational brevity, the live album lets the long-time collaborators really let loose and build memorable sonic narratives around the compositions. The album is produced and edited by Teppo Mäkynen, also known as a sought-after producer with the knack for looking at the big picture.

From the subtle minimalism of "Fallow" via the ambient of "Aero" to the riff-heavy groove of "Calling James", Timo Lassy & Teppo Mäkynen breathe their music as one unit, building it based on a mutual trust as fellow musicians. Their duo shows have quickly become celebrated examples of what a long history of playing together can enable on stage when paired with the right mindset and a shared musical goal. This live album follows the ethos of both documenting what's happening and expanding on what was captured in the studio earlier.

Double LP gatefold on WHITE or BLACK vinyl.

Recorded remotely in lockdown, Ashley Paul’s latest full-length is a celebration of downbeat jazz moods, flirting with pop sentimentality but existing entirely in its own space. Unassumingly gorgeous and unashamedly unique from beginning to end, it’s by some distance the most approachable and memorable release in Paul’s enviable catalogue to date.
Any music assembled in the last few months is bound to grapple with the stark reality of our amended global situation, whether that’s isolation, burnout, precariousness or uncertainty. For London-based American multi-instrumentalist Ashley Paul, music has been her way of coping with daily stress, “to cancel out the barrage of terrible news happening outside”.
A remote collaboration with friends Yoni Silver (on bass clarinet) and Otto Willberg (on double bass), tracks were shuttled from Ashley to her collaborators as sketches, leaving room for improvisation. The trio is so tight, though, that it’s hard to tell the players weren’t in the same room together. The music they make is intimate but ambitious; somewhere between Klezmer standards, Tom Waits’ weirdo lullabies and a sort of brittle modernism we associate with Margaret Fiedler’s work with both Moonshake and Laika, or even the childlike sophistication of brum mainstays Pram, often building from whisper-soft openings that hinge around Ashley’s free-form vocals, through to the prismatic slow-motion jazz that gradually envelops and shields us from any lingering anxiety of isolation.
These pieces are diaristic and tinged with sadness, but there is a generosity of spirit coarsing through ‘Ray’ that conjures warmth in hues of almost amniotic glowing orange and red, deployed with a kind of comforting tenderness that’s not typical of the experimental music scene Paul inhabits, and which is no doubt a symptomof her recent motherhood, reaching us here like a much needed balm for the soul.

An obscure and deep acoustic jazz-funk LP from 1974, remastered and repressed in an edition of only 300 copies !

“Profile” is the first and only Ken Rhodes LP as a leader. This intimate and rare recording captures an explosive concoction between blues, jazz and a touch of funky swing. Though an acoustic performance, this LP offers overwhelming grooves, breaks as well as introspective moments .
The upbeat and funky titile track “The Profile” forshadows the raw grooves of the session.The composition is driven by Rhode’s very soulful and bluesy improvasitions in a colorful dialogue with Joachim Knauer’s percussive and obsessive bassline which embraces the funky rhymthms of George Greene. However, this raw “in-your-face” formula is beautifully constrated in “Nothing New” and the piano solo “Robyn’s Lullaby” where the trio slows down to play deep, dreamy and hazy tunes.

Biography
Ken Rhodes was born August 14, 1945 in Memphis, USA and grew up in a family of excellent musicians. He attended the American Convervatorium of Music in Chicago, studied classical music and received Bachelors and Masters Degree. At the age of 16 he toured with his own jazzband throughout the eastern states. During this time he wrote classical compositions for symphony orchestras and organ-music. Gerry Mulligan called him for an extended tour. Studying at the University of Cincinnatti he received the Down-Beat Prize in 1970 as “Best Arranger”. In August 1970 he came to Germany and worked four years as writer, arranger and conductor at the theatres in Augsburg and Nürnberg. Besides that he played with wellknown european musicians at the famous “Domicle” club in Munich, he founded his own group and performed in Germany and Austria. Since July 1975 he works as a professional jazzmusician travelling Europe.

IZIPHO SOUL Limited edition picture sleeve 7"
KISS OF FREEDOM: The All Star Indie Soul & Jazz collaboration, fronted by writer/producer J.D's Time Machine, features some of the most currently talked about, new and celebrated artists, including Cleveland P Jones, AgapeSoul, & U-Nam. Within this live arrangement are singers and musicians on loan from amongst the biggest Grammy Award Winners & Nominees today, including Lalah Hathaway, Snarky Puppy, and Ledisi. The song is an inspiring love baptism - the perfect vehicle to free us to enter the hopeful new journeys we dream will begin in 2021.
On the B Side we present the ‘long version’, showcasing Cleveland P. Jone’s supreme vocals and incorporating his incredible jazz scat, exclusive to this 45!

Early summer 2019, João Lobo started recording his compositions at les Ateliers Claus in Brussels, with guitarist Norberto Lobo, bassist Soet Kempeneer and recording engineer Christophe Albertijn. The recording sessions were planned over the course of one week, however the job was mostly done in just a few takes. With the addition of some overdubs, the whole process was finalised in a spontaneous wave. It is too simplistic to define Joao Lobo’s compositions with one term, and the association of the album “Simorgh” with this ingenious partnership’s new creations, is inevitable.

While the mix of genres and styles may be easy to distinguish, the focus centres on the result of the mixing: a highly grooving and an occasionally paused and introspective music that seems out of time and out of space. It is difficult to grasp or define a specific period in time or a geographic origin in this fusion of references, as what you listen to is a bold creation of original and surprising elements. Drummers – such as João Lobo – employ a multi-layered concept in their music, weaving the different tracks into a linear wash of sound. He plays the song with the drum set while the other members fly in and out of the compositions, always gathering around their phoenix in order to attain enlightenment.

What João Lobo and many of his contemporaries are up to, can be explained through simple terms as a future exploration of the emotionally expressive possibilities of sound. It breaks away from the conventional order providing space for the discovery of a new order. Simultaneously it allows a more profound and broader expression of what the current reality of music is and represents. It was instantly clear for me that we had to share his music with our audience and create this medium for happiness.

This release is the trio’s debut record, which is the impetus for their personal development in the realisation that features João as a mentor in the creation process. The featured compositions highlight the musicians’ unique physical aspect to control their instruments and their hidden techniques that underlying these tracks. The result is an ongoing aural interplay. It was love at first sound.

This album is a co-release between Les Albums Claus and Shhpuma.