House News

Rare Warehouse find

One-year-and-a-half after landing on earth with its first eponymous EP, The Outsider Syndrome is back from its exploration of the vast Techno universe with more musical UFO’s.

Through “Social Engineering”, the Lyon-based duo – composed of E-care and Don Jo –, is about to deliver another dose of rock-influenced electronics, delving its dark-energy into a not-so-sci-fi-anymore dystopian future made of totalitarianism, supranational control.

Four raging tracks of analog techno and electro, with a huge space given to narration and improvisation, as a fight against boring, repetitive standards.

To be published once again on Beyond Techno Musical UFO’s on limited-edition vinyl.

Peach Discs is delighted to kick-off a busy 2022 with a five-track EP from one of our favourite new artists. buen clima’s Transferencia Electrónica is an exploration into pared-down dance music, where interlocking rhythms, percussive synthesis and quasi-looping delays meet to form smooth, efficient and pointed club tracks.

In his own words:
“Stylistically the tracks on this EP owe a lot to the great Black musicians from Chicago and Detroit, namely Herbie Hancock, Mr. De', DJ Rashad, Lil' Louis, Frankie Knuckles, James Stinson and Gerald Donald. I feel like the EP is kind of a love letter to the styles they pioneered, done in my own way, which in turn has been influenced by my background in classical music and improvised music but also so, so heavily by my friends and teachers: I've learned so much just from interacting, working and just plain witnessing eggglub, Lorelei, Maxi Cat, il sentimento, Hola Papá/Annunaki, Lavina Yelb, Jorge Pepi, and the whole music scene I belong to in Santiago.”

Frankfurt based duo not even noticed is up next on Chat Noir Rec !
not even noticed is a project dedicated to broken beats, dreamy pads and ravy sounds, founded in early 2020 while the world was going crazy due to the corona virus. The Persistent Textures EP catches several vibes that not even noticed stands for with liquid acid lines in Quaisen and Backyard Dreams, dreamy pads in Backyard Dreams and a rave feel in Access Mode.

The first vinyl release from s2i Recordings introduces Fader Cap (previously Sedgwick). An existential trip across 3 tracks recorded in one 12 hour session, with the source material written for live-performance in early 2021. Heavy on the 303, with rhythmic propulsion for the breaks-inclined heads. Tinged with heavy nostalgia for the atmosphere of DIY sound systems in the Australian bush.

Dojo Zone comes through with his first EP. Four cuts drifting between melancholic electro to more driven beats infused with breaks intended for the dance floor. Born in the UK and raised on the balearic island of Mallorca, Dojo has been keeping a low profile for quite some time, both working on the craft of programming drum machines, and finding a balance between reality and his beloved synth induced voyages. Mastered at Analogcut.

Emerging from the Bristol underground in original style, Ramu proves definitively that three is the magic number with this head turning 3-tracker for Magic Carpet’s third record.

Mist Or Cloud on the A-side is pure alchemy, a soaring force majeure infused with graceful atmosphere. Best enjoyed at 10,000 feet! The B-side brings us back down into our bodies for two kinetic tracks that conduct raw energy and movement for the dancefloor. A stellar debut from a promising talent.

limited to 25 copies

Chicago Bee 007 sees the First EP from A-Eno-Acid in over 3 years.

4 dirty and danceable Chicago acid house tracks.

If you have never tried popping candy listening to the track Space Dust will probably be as close you will get to the experience. Adhering to the warning on the record is recommended !

Introducing Tread Records, a fresh new imprint from London. Taking the reins for the debut release is the unique Guava, whose previous releases on labels such as R&S and Holding Hands, has made him one of the big names to watch in the leftfield electronic world. Collaborating on the release are two of London’s finest session guitarists, Alex Blake and Leo Abrahams. Their impressive CVs include work with artists such as Jon Hopkins and Skepta, respectively. Things open up with ‘In Cloud’, a blissed-out slab of broken techno, spaced out with guitar riffs played by Blake. Both ‘Libelle’ and ‘Equinox Meaning’ continue on this theme with a cut of bass weight with more silky guitar, performed by Abrahams, on the latter. Dublin-based Sputnik One is on remix duties, turning ‘Libelle’ into a beefed-up club weapon fit for any sound system.

Once again, Johnny takes you on that house music journey you love so much, blending those Chicago inspired grooves and acidic basslines with crooning digital voices to form a perfectly balanced EP that will make you go absolutely bonkers, whether you're on the dancefloor or in your living room. Limited to 100 copies.

Berlin based record store and label, Kimchi Records invite you inside their world for a third time this winter, with the next EP from the label landing imminently.

Heading up the release is co-founder of everything Kimchi, Patamamba. The South American producer makes his debut on the label showcasing a genre-straining five tracker meandering between classy breaks and innovative electro, all with a certain refined ambience, similar to the energy you feel when visiting their store.

Originally a digital-only release, this album carries the Toronto electronic music artist's body of work into a temporal loop of sorts, uniting a bond with Wave Science, his June 2021 EP on Pacific Rhythm. City of Rooms was completed in February 2021 and written as an escape during pressurized times. It invites an abstract style of listening in which any given sound links to various moments throughout the album.

The EP flows like scenery on a long train ride. Track lights pass with a rhythmic certainty as foreground and background twist around each other. Listeners will be transported through a geography of sounds that function as independent parts of a whole. Triangulations occur as elements fall into different forms of relief against each other.

A sense of technologically alienated mystery envelops the wings of this album in the distant clicks and hums that churn beneath jeweled synth extremities. Rings of Roland toms and hi-hats pierce clouds of ambient pads, the signature chaotic truth of acidic 303 patterns cross time kept by a twitching rhythm section rendered in field samples from the local grocery store. Arpeggiated slopes built off of echo and fuzz ascend, a remote whistle answers the syncopated call of a güiro before transforming into a cricket in flight and revealing that there is a latin backbone to much of the percussion on City of Rooms.

In a few instances Emissive hides gemlike hooks beneath minutes of intricate construction.The album opens with Quartz Register, a steady and intricate gallop of servos and circuit noise at times verging on conga.On Natural Springs, an acid riff announces an amazingly perplexing synth güiro solo. Sunset Yellow sees tubular horn-like barks emerge in a flurry before pulling off to form a sparse alternating backbeat that haunts the rest of the track. The final track, Constellation of Friends, is an arrangement of familiar 808 samples treated to an exquisitely measured mix that turns an 808 cowbell sample into an otherworldly clock.

Mental techno deep digger !

After the success of critically acclaimed debut, SOS Music Volume 1 (praised by The Wire - ‘There isn’t a weak link’, RA, Gilles Peterson, Maryann Hobbs, Rough Trade, Love Injection, Mixmag, DJ mag, Basndcamp, Vinyl Factory etc.), the cutting edge Los Angeles electronic label are back with their sophomore release, another explosive compilation comprised of brand new female and female identifying talent.
The release, available on beautiful clear vinyl and digital features 7 of the most exciting emerging names in global dance music; Aura T-09, Closet Yi, Regular Fantasy + Yazzus to name a few. As dance floors open, SOS co-founders Maddy Maia and Tottie wanted to curate something positive, uplifting and reflective of sweaty summer dance floors, whilst retaining the edge that permeated their debut.
The release will be accompanied by an SOS tour North American + Europe at some of the most iconic global clubs - and expect mainly female, female identifying and non-binary artists on the bill.
Though only founded in 2020, SOS Music has been making waves in the independent dance community, and has helped to highlight the global underground dance scene growing rapidly in Los Angeles. The release made end of year lists including Bandcamp’s Best of Electronic and Rough Trade NY compilation of the year. SOS Music also hold a residency on Worldwide Fm, which continues to highlight ground breaking electronic talent with a female focus.

After two stellar Split EPs with Das Komplex, Brazilian sound wizard ROTCIV delivers his first Solo EP on Luv Shack Records. With 4 intricate original cuts and a Massimiliano Pagliara remix, the Elev8tion EP is a bold testament to modern EBM.

The titular track sets the stage with a firework of dramatic synths, brash elektro beats and a fluttering acid line, finding a perfect balance between dancefloor appeal and leftfield quirkiness.

Italian maestro Massimiliano Pagliara remixes "Elev8tion" in a straightforward fashion, opting for a percussion heavy drummachine pattern, a driving bassline and additional synth melodies, yet incorporating the original 303 to great effect.

On "Unbelievable", ROTCIV lays out a complex carpet of alternating arpeggios, heavily automated synth melodies and an array of weird vocal snippets, atop a minimalistic electronic drum track. "Muquifo", which literally translates to flophouse or dump (or shack?), is a slow burning breakbeat track with eerie strings and tripped out acid melodics, making it a hot contender for future afterhours.

"The Morning After" is a similarly low slung track, with a broken beat and a distinct industrial flair, yet the synth melodies strike a more hopeful chord and have an almost

Calling all blowhards, cosmic-jesters and techno-goons:Bintus is back at the juggernaut’s wheel, belching flames and generally causing a right old stink. After a five-year hiatus adrift in the fusion zone the angry behemoth returns to bring the pain. Grinding his gears hard on this toxic two-tracker, old man Bintus throws down a barbaric acid gauntlet; guaranteed to satiate the inner panel beater in even the most battle-hardened rave warrior.

In true Power Vac tradition Bintus bows out with a brace of scree-face electro grinds. "Rag It!" gets medieval on your ass then quits the scene in a wheel spin of cosmic dust; leaving your brain to cessate in rapturous turmoil. Millennium Speaker Stand slaps a gutsy acid line against a pock-marked 7/8 beat, while in the background the fabric of society breaks down - a not unwelcome aural distraction in these turbid times.

So, enjoy one last night ride thru babylon with Thee Prince of The Retail Park. As the tyre smoke recedes we are left in a haze of joy, sensory disorientation and the hope that visionary lunatics like Bintus will continue to rescue our souls from the stasis grip of consensus reality that threatens to consume us all.

RAWAX proudly welcomes Miguel Herrnandez to the family!
We are very happy to present you "Inchowax" on HOUSEWAX.
Springtime music for a hopefully better 2021!

Dublin area rapid trax from DART on Hot Haus Recs In Effekt! Previously spotted on Shall Not Fade’s Basement series & turning heads with his brilliant Feel My Bicep mix, here we get a showcase of emotional-deep-house over 3 tracks.

Join us on HUA3000’s second hike through imaginary worlds of extroverted introspection. As we haven’t seen any clubs from inside for way too long we felt an even greater urge to put out a record with a clear connection to its home turf: a dark & sweaty basement with vibrating walls. Feet on the dance floor. Heads somewhere in the low orbit of Venus. Closing in to the perfect altitude of 55 km above ground.

Incoming, a massive EP from Anderson.

After his recent easter eggs EP, this four tracker is a blend of trance, breaks, drum & bass and experimental electronica.

Starting off the A side with the ‘Jelly Bean (Virus Outbreak Mix)’, this monster of tune will rattle your subs (and brain) with his crunchy kicks and trancey sequencing. This track will blast you off into oblivion eventually bringing you right into A2, ‘Level Quest’, a trancey chugging progressive tune building energy from the moment the first kick ignites.

After a much needed break, the B1 puts you in an immediate trancestate lasting just a few minutes and before you know it you will be blasted into drum and bass land with ‘Tasteful Nudes’ closing out the EP.

See you on the other side..

After his first record “Alamogordo/The Optimist“, Flood is back on Hanover’s “Kein Rauch Ohne Feuer“ label with his second EP. Following the heavy, hard-hitting debut, the new record now explores a more 80s-inspired sound between italo disco and electronic body music that despite its playfulness doesn’t lack the clarity and straightforwardness of Flood’s older productions. While the energetic title track, centered around catchy synth lines and Dave Gahan-esque vocals, grows into a mesmerizing tribute to the glamourous, fun side of dance music, ,“Digitalpakt“ takes a turn to the darker side: Punchy drums, a sinister bassline and estranged vocal bits won’t fail to move your body.

Proudly introducing this second instalment in the Hardacre label series:

Harnessing the sounds of UK rave, breakbeat, techno, trance and acid are four must have tracks ready to take your sound systems to the outer limits of time and space.

The journey begins with ‘Control’, an intergalactic dancefloor shaker fuelled by its ruthless 303 acid line and breakbeat percussions. ‘Dream Sequence’ then takes you deeper into the cosmos, intertwining hypnotic melodies and pads with a coruscating bass line.

‘Future’ then delivers a juggernaut for your bass bins packing a pacey concoction of breakbeat and bass before ‘The Awakening’ concludes the voyage through its trance melodies and otherworldly pads.

Infinity – Judgement © 1994 Miracle Records

Mastered and Cut by Marco Pellegrino.
Design by AJAM.

Paul Wise aka Placid is the driving force behind ‘We’re Going Deep’ – a radio show, online community and record label born out of a lifelong affair with the many shades of electronic rhythms, alongside an obsession for collecting records since 1988.

During 2021, it’s safe to say that he’s certainly shown no signs of letting up. Known to many in underground House and Techno circles, Paul has spent the last few decades moving heads and feet at select venues, parties and festivals across the UK as well as further afield. His mission is all about sharing and releasing new music: for the dance floor, front room or even just your headphones. His reputation for serving up the best in new Acid, Electro, Techno, Deep House alongside the odd slice of Downtempo really does precede him.

Readying the 2nd WGD “Solo Series” edition to compliment the label’s growing catalogue – he’s called on the talents of emotive Electro producer Gennadiy Manzhos, better known as Low Tape, with impressive results. Offering up four tracks of sumptuous sounding machine led grooves, there really is something quite magical about Manzhos’ work that sets his sound apart from so many.

A master of understatement and muted grooves, this latest set of works are no exception. From the opening expanse of ‘Analog Electro’, metronomic snares give way to washes of delay soaked melody that subtly build and weave delight as simple combination of bass notes roll. Coupled with the pensive mood and cyclical melody of ‘Romancelectro’, we dive deeper into the fold as twinkling piano and strings unfurl: conjuring something ever so slightly in the shade of Select Ambient Works, a sheer slice of bliss.
Hitting the flip, the snappy percussion and perfectly restrained 303 of ‘Arctic Orbital Station’ bring to attention Manzhos’ability to hold everything back as he introduces additional layers of texture without overloading the senses. Last but not least, ‘13th Floor’ offers yet another moment of ethereal delight: rubbery bottom end and enticing melody leaving you feel all the more fuzzy as they take hold.

RDS plumbs the depths of analogue texture on his Kalahari debut proper. Following a guest appearance on Eversines’ ‘Plooi’ EP, the Amsterdam artist returns to explore the more expansive integers of his hi-tech sound across four deftly crafted tracks.It's exactly the sort of enveloping, sophisticated material we’ve come to expect from a De Lichting member.

Straight deep space manoeuvres on the opener. Setting billowing widescreen pads against solid, tight groove, ‘2312’ feels as if it’s escaping the eye of some turbulent solar event. Then, landing with a sensitivity absent from the harsh climes of its predecessor, ‘BBsuite’ leaps from translunar to tenderness with dappled keys and lithe breakbeat intricacy. Saying that, there’s still something undeniably explorative and sc-fi in its mood, almost reminiscent of Orbital or Future Sound of London.

There’s more refined deepness on the flip, starting with ‘Silky’s supple, slinky flex. Forlorn, exquisitely widescreen ambient techno, it treads between the warm optimism of early Detroit modes and a certain somber melancholia. And finally, ‘Autechrein’ finds RDS smudging his palette on a dusty, downtempo overhaul of the after-hours formula.

“Rhythm is a dancer
It‘s a soul‘s companion
You can feel it everywhere
Lift your hands and voices
Free your mind and join us
You can feel it in the air”

Who does not remember the legendary lyrics? The synth sounds, the drum echoes, the pumping beat and the vocals starting with „Rhythm Is A Dancer“?

On March 30th, in 1992, German Eurodance act Snap! released the single „Rhythm Is A Dancer“, which soon turned out to be a worldwide hit, charting on #1 in several countries across the world. The track had been originally released as part of the platinum long-player „The Madman‘s Return“ on March 24th. With their iconic single Snap! ultimately started the Eurodance wave and created a hype which continues to this day.

Celebrating 30 years the 30th Anniversary 10“ EP „Rhythm Is A Dancer“ will be released on a limited, sun yellow vinyl (45 rpm) on June 3rd 2022 including the hit 7” edits Rhythm Is A Dancer, Exterminate, The Power and Ooops up.

We welcome Stasis to De:tuned! UK techno pioneer Steve Pickton has dug deep into his DAT tapes collection to unearth 2 previously unreleased recordings from the golden era '92-'93. Both rarities offer a trademark lush and retro-futurist Detroit inspired sound that is totally unique. Fellow Likemind legend Nuron provides a stunning remix. The track was built up from scratch as no stems were available, giving you another sneak peek of the genius musical mind that is Nuron.

The vinyl version comes with impeccable sleeve and label artwork by Abdul Haqq (Third Earth).
Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl.
A separate digital release will also be available at the usual digital shops.

Stay tuned!

Time for some serious Dancefloor Bombs >>>180g Vinyl only! <<<

Debut record by a mysterious new label hailing from the West Coast of Portugal. 200 copies. Vinyl only. No repress.

Octave One's deep and downtempo 90s project Never on Sunday will be back later this year with another EP. Before that, they tease with a lead single that comes with remixes from Skream, P41 and the legendary Detroit brothers themselves.

Though best known for their electrifying live shows and stadium-sized techno productions as Octave One, the Burden brothers also started the electronic band Never On Sunday back in 1991. It saw them put out one solo EP, and one with MK, before the success of the Octave One project took over. Aside from an experimental audiovisual live show in Rome in 2018, it has laid dormant... until now. During the pandemic and no doubt inspired by more time at home and away from the energy of the dance floor, the brothers have cooked up a wealth of deep and thoughtful new material that is rich in detail and atmosphere, as this new single proves.

The Bearer (Original Instrumental) is still defined by scintillating angle sounds, from the meandering synths to the crunchy broken beats, but the tempo is slowed so you have more time to gaze at the cosmic pads and sink deep into the otherworldly sonic landscapes. First to remix is party-starting UK DJ and multi-faceted producer Skream. He lays down rock solid kicks with rib-rattling bass rumbles that make for an incendiary techno track. Add in the spine-tinglingly chilly vocal performance from Karina Mia, and you have a track designed to make a huge impact in even the largest of warehouses.

Next up is P41, the Italian electronic-engineer who worked with Francesco Tristano on his famed live shows and has himself played everywhere from Off Sonar to Studio 80 in Amsterdam. His remix is hugely emotive, with chunky drums laced with subtle melodic bleeps and a futuristic atmosphere that will hypnotize all who hear it. Finally, the Octave One remix is six minutes of perfectly well-swung deepness. The hits are dry, the vocal becomes more warm and soulful and the mid-tempo groove is irresistible.

This is a superb new EP that re-introduces the Never on Sunday in fine style.

R.A.N.D. Muzik Recordings presents, The Future Was
Visible... a brief introduction to the music of 90’s San
Franciscan label, Visible Records with a paritcular focus on
the productions of label co-owner, Seofon feautring reissued
material along with material previously unreleased on vinyl

Grey Vinyl

Polymorphism Records continue their intercultural and cross-genre work with their third release E Source. Female vocals return to the label with four original tracks by Russian artist Sestrica, who brings in her characteristic emotional narrative. A remix by Konx Om Pax and
a rework by Antwood make up the crew boarding on a galactic grey/silver vinyl.

PM003 takes off with electro-to-techno beats fuelled by a mild, wrapping acid melody in Today We Meet, where the uplifting countdown to launch can be felt. Sentimental Value gets
us deeper into the spatial trip. Darker samples and a heavier bassline give extra gravity to the anthem of the journey across sonic galaxies. Floating to slow, surrounding sounds and loops we land on a calmer planet called Intention. Its tidal sensation is created by an
orchestral combination of meditative vocals and other layers of composition. New Era enters an orbit of elegant syncopation within a rotating reverb stardust. Ancestral beeps subtly acknowledge legacy to be taken forward to the next odyssey.

Musician and graphical artist Konx Om Pax from Glasgow beautifully introduces nostalgia to New Era with playful breaks and scratches, getting us back to our roots in this excursion visiting alien territoires. Sestrica’s vocals from her original track are drawn into the remix as
echoing words rendering a mysterious aura, travelling through a deep trance of diverse yet harmonic rhythms and effects. A journey within a journey.

Canadian producer Antwood’s rework of side A jumps into an epic vortex of more experimental, unexpected sounds. The album-closer builds up towards absolute chaos, to then create a vacuum to emptiness. A supermassive (tribute to black holes intended) drop
leads to the last minutes of the EP: up tempo cyber-influenced sounds that bring us to a bright futuristic landscape ironically far from a dystopian prophecy.

Purely coincidental fact: the last track of PM002’s originals being Crisis Apparition and its homologue in PM003 New Era, hope seems to be peeking through current times to send an accidental message with this first series of the label.

Mind the overuse of Space metaphors; in this year 2021 where humans are going farther and further in exploring new places out there, it is a tribute and celebration to discover new musical journeys like this out here, on Earth.

Environmental sustainability and social justice are core values of Polymorphism Records. Following their strong interest in contributing to a good cause, shown from the early days, all Bandcamp digital sales are donated to projects such as Team Trees or The Ocean Cleanup.meet f B3 E Source side A (Antwood rework)

Producer, DJ and label head Darren Allen joins Albeit Records with a warm and classy techno ep made for the club and afters.

Vinyl only - Limited to 200 copies.

Last seen sharing vinyl space with 100Hz and Voightmann on his own E Numbers imprint a couple of years back, Bobby O'Donnell resurfaces via a collaborative outing with Reeshy, a fellow Leeds resident who is seen by many as a rising star of the Yorkshire scene. In keeping with the PILOT label's breakbeat-driven, retro-futurist feel, each of the four cuts on show doff a cap to turn of the '90s rave culture. This is arguably best exemplified by weighty, funky and spacey bleep & breaks jam '2', though the arguably even more sub-heavy, UK garage influenced opener '1' comes a close second. Elsewhere, '3' delivers subtle nods towards Rob Gordon and Richard H Kirk's short-lived XON project (look it up, kids) while '4' is an acid-flecked warehouse shuffler.

Introducing the Dansu Discs White Label Series…

A new vinyl only series of releases focusing on all things edits. First up is label regulars Wilfy D and Lavonz serving up their own individual flips.

Limited to 500 copies. No repress.

Jerome Hill returns to his ‘Itsu Uno’ moniker with a combination reissue of the sought after first two Fat Hop 7”s, unavailable for over 10 years !

Part 1 (Fat Hop 001) is a Hardcore/Funk crossover that borrows several beloved riffs (Total Confusion, Death Of The Kamikaze and Phantom) for a 1989/90 inspired B-Boy Break track while Part 2 (Fat Hop 002), lifts choice morsels from 1991/92 Hardcore and crunchy funk drum breaks alike with Shante on the mic and a horn section for added drama.

HC Records is proud to present its ninth vinyl release: Universos Infinitos, by a national electronic hero such as Dark Vektor.

Universos Infinitos is the first song published in the compilations of La Resistencia published during 2020 and 2021 in order to commemorate the XV anniversary of Hypnotica Colectiva that sees the light in an individual EP where, in addition, we find a total of six original songs and three remixes.