House News

Disposición Asoleada (spanish for sunny disposition) is the moniker of the Ecuadorian music citizen³ David Jarrín. Active in the Brussels psych and noise scene since 2003, his explorations range between acoustic lo-fi experiments to eerie soundscapes, from glitch electronics to raga oriented transfigurations on a six string banjo.
Lexi Disques is proud to present his first vinyl: Two atmospheric and tense pieces haunted by Andean ghosts and the evocation of hidden voices in the spoil piles of history. Lexi Disques is a microlabel based in Brussels since 2008 and specialized in 7'. It explores the possibilities of the short format on experimental or adventurous
usicians from psych-pop to straight electronics, from local fresh
faces to underground heroes.

Back to Life strikes again with another hidden jam from the past. Originally released in 2006 “Going Home” EP was signed by a side-project of John Beltran called Nostagic.

This new 2021 edition includes: “Placid Angles”, “Detroit Moments” and “Going Home”.

Highly recommended for all 'Detroit Ambient Techno Lovers' !

Already a renowned live band on the London gig circuit, Lunch Money Life make apocalypse music, impossible to categorise, rich in texture, immersing the listener in a world of disgust and yearning. Their debut album 'Immersion Chamber' is the perfect embodiment of that. Full of foreboding energy, restless beats and agitated noise: it's mardy electronics married with tense jazz-tinged and combative drumming.

Lunch Money Life are Stewart Hughes (drums) Sean Keating (guitar) Luke Mills-Pettigrew (bass) Jack Martin (electronics/trombone) Spencer Martin (electronics/saxophone). A few years ago, Spencer wrote to 50 churches in East London looking for a job as an organist - one responded, All Saints Haggerston, where he still plays every Sunday. In a city where traditional rehearsal is near unaffordable, this was a lifeline for the band during its early, experimental period. It is the results of this period that make up 'Immersion Chamber'.

The band initially featured 10 members, a loose collective now (somewhat) sharpened ahead of album release, as documented in an electric Boiler Room set at the end of 2019.

Bubbling on the fringes of the London music scene for years, between them creating & sculpting Church of Sound, Total Refreshment Centre, Touching Bass & Tiff’s Joints. In the wake of 2018’s sold-out collaboration with Jamaican outfit Equiknoxx - Living3000 EP - the group has released lunchmoneylife STYLES™, a label compilation in the form of a cereal box, and Unlimited Ice Cream Palace EP on Kaya Kaya Records, featuring remixes by King Knut and Captain Terence McDonagh.

The album is coming out via Scenic Route. A label that started in October 2019 after beginning life as a regular south London party. Previous releases include Desert Sound Colony: expect more releases, parties and, in their own words, "there'll be a melancholic and introspective thread running through everything we release".

Stewart Hughes - drums
Sean Keating - guitar
Luke Mills-Pettigrew - bass
Jack Martin - electronics / trombone
Spencer Martin - electronics / saxophone

Mixed by Danalogue the Conqueror
Mastered by Frank Merritt
Artwork by Aurelie Michaud

Alterazione presents a critical statement – distinguished by its technical execution and breathtaking artistry. The album itself is a cathedral of sound, each cavernous chamber an exploration of space and consciousness. Presented in four movements (one track per side), altogether they extend as a transportive experience of evolution for the listener.

Iniziazione – a steady departure that unfurls like the opening of a portal; a process of molecular transfiguration commences. Panoramic landscapes begin to stretch wide, glistening with an exotic beauty, before the shamanic incantations of Rituale draws things deeper. Pulsating rotations push through the next phase of transformation, now drenched in hyperspace white-noise. The procedure continues through the quiet ethereal orbit of Metamorfosi, before finishing with the three-part Evocazione/Contatto/Risveglio; uplifting synth motifs drive forward with optimism, before fading back into the great expanse.

Alterazione is both cerebral and meditative, and one cannot help but be pulled at the core by its potency.

Bleach Cult is the musical nom de plume of Vytis Puronas, singer-songwriter and film sound designer, formerly one half of lo-fi synth pop outfit Soy Farm. His music is deeply textural and direct, with a genre-bending approach that explores post-punk aesthetics, minimal wave soundscapes and intriguing hooks with a sweet retro vibe.
Summertime Whiteout is a debut Bleach Cult album - the quirky ambient pop record that fantasizes about 1960s surf culture and romanticizes the neverending dilemmas of teen life. It is all about raw imperfections and beautiful spontaneity, captured live on a modular synthesizer, often relying on single takes and instinctive executions of tracks that leave little to no room for extensive tweaking and post-processing. Recorded in the living room at night it shies away from sophistication and complexity instead employing rough, rock and roll inspired ideas. Raw drifting analog sequences, pulsating textures and polychromatic vocals. No guitars or drum machines, however.

Islands, volcanoes and instrumental exile stories... From Overseas is the experimental ambient project by Kevin Sery.

Originally from the tiny French overseas department and region, Reunion Island, he routinely bounces between his home island, a small port town on the east coast of the US & Continental Europe picking up fresh ideas & inspiration along the way.

With a beautiful master by Stephan Mathieu (12k, Shelter Press, ... ) From Overseas Releases his first full length album "Home" on PITP. "Home" is a journey through beautiful soundscapes where dark and light intertwine, where ambient tones give way to post-rock guitar craft, then segway to melodic drone, noise and back again.


These soothingly powerful songs evoke emotions on a full spectrum, dreamy unplanned travels and inspire us to question the nature of the place that each of us calls home. The fourth track, Maloya Tales, is a personal tribute to Sery's homeland 'Reunion Island' and gives the listener a glimpse of the mystical rhythms of traditional Reunionese Maloya music.

With this collection of deeply personal tracks, I wanted to reconnect to my inner emotions and to my love of melody, showing my most introspective and passionate side. Locking myself away in my studio, surrounded by vintage analog machines and acoustic instruments, my desire was to create a late night journey of contemplative experiences in music.

Drifting away from the harder, dancefloor oriented sound, this concept album reveals a thoughtful observation on the state of our world today and on these times of turmoil and uncertainty, ending with a positive message of hope and peacefulness".

Central Scotland native Craig Birrell steps up for the latest Temporize 12″ installment. Many moons in the making, the debut release from a producer who cares less for rules and even less for creating a conventional sound. Outsider and off-kilter rhythms throughout the
4 tracks with a smattering of love for the dancers and a healthy dose of gloop for the afterparty.

With Kontrapunkt 05 we bring you a record packed with songs
for every different occasion. It opens with the majestic and
overwhelming Propagate by Humanoid, continues with All
True's dirty, harsh and rough Suspended Sisterhood and
closes the A-side with Doc Sleep's straightforward, withoutcompromises MJF. The B-side comes in a more gentle yet
spacey approach. It starts its journey to the universe with
Deeper Call by Hedon The Cat followed by a trip back to earth
for Carmel & Nikita's summery Nebenan and lifting you back to
space with the atmospheric Last Interstellar Transmission by
Adel Akram

“Abstract Forms” is a selection of rare as yet unreleased in any physical format Sandro Brugnolini recordings from the late Eighties and early Nineties. The sixteen electronic tracks were produced for television background use or synchronization and, thanks to their great intensity and suspense, are still perfect to be scored in any number of thriller sequences, connecting smooth jazz memoirs filtered with machines overplayed on videogame sounding backgrounds. The majority of these experiments are not only characterized by their use of electronic instruments, as dictated with the requirements of the time, they also have a specific rhythmic inventiveness that gives them their identity. One more time the Italian brilliant composer follows his strong drive in drawing inspiration from what technology can offer him.

Smooth Swede Sune’s follow-up to the beloved Butter Love EP is equal parts bright and bittersweet. Elevator Connoisseur boasts the producer’s knack for sampling and crafty layering in unison with his trademark dusty drums.

Masters within the evolution of ambient and experimental music over the past forty years, Michal Turtle and Suso Saiz come together for the first time for ‘Static Journeys’, a full-length collaborative album. Unfolding over six diverse tracks, Turtle and Saiz imagine the memories, journeys and textures of half-a-dozen cities borne only of their imagination. Developed closely alongside Swiss agency and label PLANISPHERE, the music was premiered in it’s completed form during a performance installation for ON at Kunstmuseum Basel, a transdisciplinary event designed that featured live visuals from Ezra Miller and more.

While both wildly prolific, the music of both Turtle and Saiz was previously the domain of specialist collectors and obsessive record enthusiasts. Since 2015, a series of reissues on labels such as Music From Memory and reinterpretations of Turtle’s music on Planisphere have brought the back-catalogue of these artists to a much wider audience, and to each other. Far from nostalgic and fundamentally curious as expected, ‘Static Journeys’ captures these innovators transferring their unique chemistry into an ambient tete-a-tete rich in detail.

‘Static Journeys’ was recorded throughout 2019 over two individual recording sessions, each lasting a number of days. The first took place in Turtle’s infamous ‘living room’ studio, his cosy and domestic atmosphere providing the initial foundation for the pair’s long-form improvisations; Saiz focused on synthesis and modulation, Turtle providing hypnotic, looping percussion. Later, in a studio in Madrid, the roles became less defined. Saiz’s textures, musical time standing still began to kindly interweave with Turtle’s offbeat melodies.

The results of these meetings are blissful and adventurous. Following the welcoming undulations of opening track Buonovintra Beckons, ‘Missing Papotl’ dives into soaring, new-age percussion underscored by wistful melancholy. ‘ Returning to Brendelton’ unfolds as analogue tropicalia, static indistinguishable from tropical birdsong. ‘Hattalcuia Awaits’ is bound by mystery and anticipation, whereas ‘Leaving Okovozi’ presents a quietly spectacular exercise in minimalism, led by yearning bass and whistling chimes. Finally, ‘Caravan to Inek’ allow for a dense, hopeful finale, incorporating electronic guitar and the afterglow of new connections forged.

Blissful, diverse and occasionally sublime, ‘Static Journeys’ combines experimentation and creative trust to deliver a timeless musical meeting.

Clear Vinyl

Beautiful deep atmospheric techno and ambient tracks on this Styrax sublabel.

After a long break of around seven years, Drivecom the Spanish label based on advanced electro conducted by Boris Divider is back again to the scene delivering a minimal concept (as stated on its first roots) but with avantgarde elements to keep a vibe on the contemporary edge. This is the first episode of a new project under the name of “Generative Operations”. A project born from a new vision and workflow at the B. Divider’s studio.



From the technical side, the use of massive modular synthesis and generative sequencing make the tracks to be different each time are being played, so here you have a unique recording of a certain moment as if it was and imprint of an instant. Also the minimalistic percussion tries to be slowly developed in an electro rhythm structure. In the other hand all the tracks have a cinematic vibe, it seems as they were composed thinking about to fit in any hi-tec sci-fi thriller movie. Granular sythesis pads, background noises, experimental compression routines help to fullfill the vision. At the moment of this info three volumes are being planned to be released in this year 2020.

Hailing from Suuns, Canadian Ben Shemie offers up his first solo work, 'A Skeleton' - an experimental pop album of cold synthetic sounds with touches of psychedelia.

Based on his live, itinerant experiments, the whole album was recorded in a single take with no overdub. Shemie has left traces of the atmosphere of each recording space, adding an element of chaos and unpredictability alongside his masterful/dexterous manipulation of the equipment.

The voices and instruments sound as if they were drawn from a not-too-distant future in which artificial intelligence has taken over human life and mutated into an artist. The album recounts the random wanderings and metaphysical rêveries of a skeleton - the fantasy muse of the machine, devoid of sex or race, a neutral entity.

The refined, minimal sonic narration is executed with astonishing precision and sensitivity. With 'A Skeleton', Shemie has definitely painted us a refreshing avant-garde picture.

Reach Recordz Are Back With Their 4th Release With The Return Of The Mysterious Charm Sneak. Five Unique Tracks Of Moody, Dark Ambient Tunes, To Heads Down Late Night Techy Business Laid Out Across Both Sides.

From the left coast of Norway, Bergen, Eirik Moberg has been making music for years without releasing any of it.

His production value is organic and it sure shows in Rusk; his first release, and Balsawood’s first wax. All things analog, recorded on tape, Eirik Moberg quirkily feeds his affinity for a large range of electronic music whilst maintaining his love for the human ingredient in odd oldies.

Eirik Moberg has a lot of special projects lying around, we feel that the cluster of tracks selected for Rusk will provide a worthy introduction to Moberg’s capacity for producing solid original electronic music. He also plays an acoustic guitar on 09.
We are humbled to have our friend Nachbraker on board with a remix. He fell in love with the release and has done a bangin’ interpretation of Groin Kicks.

Where Is Your Toughness Now (No Forgiveness) finds the listener surrounded by a sense of dread and imminent doom, a collection of shrilling glimpses and brooding ambiances, distant broken memories made sound and sudden disturbances. At the end of the track added piano notes will increase the creepiness, preparing us for what will come next. More More More More (Courting Insanity) dwells in deep power electronics territory, and we will find ourselves in a bleak sea of chaos and madness. Obsessive rhythmic patterns and majestic effects impose a robust march, evoking a mechanical world inside our vicious mind. Just when you think this is it an eerie melody complete the scenario. Breasts In Sight (Demand A Choice) surprises with delicate ambient synth sounds and crystalline atmospheres in a droning course, reaching after a while a stomping movement with martial innuendos and distorted kick drums. The listener finds himself in a complex mix of emotions underlined by melancholic notes and ominous soundscapes, perhaps showing us personal facts from the author’s life.

Lifestyle (After The Rise Comes The Fall) is a rhythmic noise affair with cinematic elements and abrasive atmospheres with suspended parts and heavily manipulated vocals. A nightmarish voyage into anarchic assaults and controlled darkness reaching orchestral greatness. Monogamy Rules (Not Belonging To Anyone) uses suspense as a device showcasing broken sounds and shrilling lines, conjuring an alarming sonic world for us. The tension grows as the highly cinematic crescendo reaches an industrial climax with sci-fi qualities. Inner thoughts and ideas become a compulsive soundtrack to the demise of our preconceptions and in-built credos, leaving us with a sense of uneasiness. The last track Masculine Norms (The Many Faces Of Manhood) drives the message home by the means of eerie soundscapes and cut-up sounds, giving us a crawling movement with sparse rhythms and soothing hidden melodies. Distant laments evoke a deeply disturbing portrait of struggle and mixed emotions.
credits

Having previously brought together world-renowned Theremin soloist Carolina Eyck and electronic producer Eversines for a specially commissioned collaborative mini album, yeyeh founder Pieter Jansen has now conjured up another unlikely but inspired joint album, this time featuring award-winning free-jazz vocalist Greetje Bijma and leftfield house, techno and ambient producer Oceanic.

The project has its roots in a chance meeting between Jansen and Bijma, a legendary figure on the Dutch jazz scene who in 1990 became the first woman to win the country’s top jazz accolade, the VPRO/Boy Edgar award. Apart from having previously worked with the likes of Anna Homler (aka Breadwoman), Jasper van ’t Hof, Han Bennink, Louis Andriessen and Willem Breuker and her own solo projects, she’s in a league of her own.

Jansen is a big fan of Bijma’s 1996 heavily electronic collaboration with Jasper van’t Hof and Pierre Favre, Freezing Screens, and was with the friend who first introduced him to it when he bumped into Bijma.
Excited to meet someone who had made one of his favourite records, Jansen took the opportunity to ask Bijma if she would be interested in working with young electronic music producers. To Jansen’s delight, Bijma quickly agreed.

Weeks later, Bijma stepped into the studio with Oceanic, a rising star of the Dutch electronic underground whose releases as Oceanic for Nous’klaer Audio and BAKK Plafond revolve around mechanical rhythms, opaque ambient textures, minimalist melodic movements and effervescent electronics. The pair quickly connected on an emotional and musical level, with Bijma taking her cues from Oceanic’s electronic sounds and rhythms, and Oceanic drawing inspiration from Bijma’s dexterous, mind- bending and otherworldly vocalizations.

After two hugely productive days, the cross-generational duo had completed a couple of mesmerizing songs – breathlessly haunting album opener “Swallow a Party” and chilly ambient closer “A Window Drifting” – and recorded several hours or improvisations that Oceanic later edited, layered-up and re-modelled.

The results are little less than spellbinding. The range and versatility of Bijma’s vocalizations is breathtaking, while Oceanic’s music – which cleverly incorporates the free-jazz singer’s vocal notes, tones and proclamations – swings between becalmed beauty and breathless intensity.

Some of the set’s most striking moments are those where Oceanic re-contextualizes Bijma’s varied vocal sounds with the dancefloor in mind. On the pulsating “Technicolour Memories”, up-tempo “Step Snakes” and hypnotic “Never Done”, Bijma’s scat outbursts not only ride Oceanic’s rhythms, but also form part of the densely layered percussion tracks beneath.

Like the release’s more downtempo and ethereal moments, these hybrid organic- synthetic compositions defy easy categorization, offering a unique brand of alien electronic/acoustic musical fusion that lingers long in the memory.

Persistent Illusion

2lP bundle of Helium - The Works reissue, the original as well as the unreleased mixes.

Long out of press, Helium’s seminal 1993 masterpiece ’The Works’ E.P. eventually sees the light of day again on Kalahari Oyster Cult. A head-turning slab of visionary house and trance music, ’The Works’ hasn’t aged one bit and its dancefloor appeal sure hasn’t lost any of its high-impact melodic beauty. Driven by the subs-towed harmonics of the wistful ‘Out There’ and fun-loving cowbell rides meet gut-churning 909 kicks of ’Try Me’.

An off-kilter ambientoid trip, B-side opener ‘Clouds’ draws closer to The KLF’s chromatic blends, whereas ‘We Are The Future’ expands the scope to further utopian apexes with its soothing assortment of nu-agey panpipes and slo, Sino-flavoured chug. Rounding off that mini-odyssey, breaksy pastoral closer ‘What Is The Human Machine’ takes us on a trip-hop-informed, acid-friendly ride in the wild.

3 unreleased mixes that have nothing to envy to the originals that have been unearthed: If ’Try Me (More Mix)’ does exactly what’s written on the tin, i.e. expanding the scope to further spacious, ambient-informed horizons, ‘Clouds (Captain’s Mix)’ opts for a more abstract, ASMR-like rendition, while ‘Out There (Jody’s Mix)’ reels out as a proper hypnotic, sense-awakening comber that’ll send off dancers straight into a blissed-out daze.

The collaboration between Gino Pavan and Guido Frezzato began in 1995, with the creation of the soundtrack of Giancarlo Marinelli's movie "Scano Boa - Dannazione".

Gino Pavan recorded and produced, in his own "Noi Studio", the music of Frezzato, then given to an ensemble of 15 musicians, among them a strings quintet, and the folk ensemble Marmaja, along with the ethnic suggestions of the percussions by African Brothers. In the following two years, their collaboration would lead to the production of two albums for African Brothers: "N'der Tangana" and "Voodoo".

Followed by the soundtrack of "Alla ricerca dell’uno” (Searching for the One) with the musicians of the Compagnia dei Popoli, and the music for the dance-theatre performance of Belgian dancer Thierry Parmentier. Also worth mentioning, the album by Luca Xodo & Frezzato "Didjeridu", later to be used as a soundtrack for the movie "Case" (Homes) by Rodolfo Bisatti (Ipotesi Cinema). After twenty years spent piling up autonomous musical experiences, Pavan offered Frezzato to try their hands at a musical project that sees them, for the first time, composing music together.

The result is the "NOT LINEAR" project, a musical dialogue between electronics (Pavan) and acoustic instruments (Frezzato), using an "online" form of composition.

Recorded in separate locations, between December 2017 and February 2018 and subsequently mixed at "New Frontiers” studio by Ugo Bolzoni, "NOT LINEAR" collects, within these first 6 tracks, the fruit of this artistic collaboration.

"NOT LINEAR" is enriched by the collaboration of Pavan and Frezzato with two internationally-acknowledged, exceptional artists such as Giulio Aldinucci and Eraldo Bernocchi, each one interpreting a track of their choice out of all those initially selected out of the studio sessions, in a furrow of continuity of the "non-linear" concept that inspires this work. NOT LINEAR design has been curated by renowned visual artist Petulia Mattioli.

Second volume of the ambient anthology edited by No Way Records: Haunting Memories Vol. II is composed of tracks made by ten artists, some of whom already present in the label's stable. From the metaphysical liturgy of Amarcord to the industrial of Traversable Message, from the sci-fi excursions of TVS, Dj Datch, Lius & Light Spheres and Mark Strain to the analogue sequences of Atypikal and Matteo Di Cosmo, from the syncopated rhythms of WTTM to the IDM of Mokship, Haunting Memories is a collection that offers a heterogeneous overview of the world of the most cerebral and meditative electronic music.

In 2017 Brooklyn's Bryce Hackford spent a week at the PRAH Foundation in Margate (UK) recording rhythmic foundations and the environment around him. After his residency, eleven musician friends contributed their performances to what would become Safe (Exits). All of these contributions, however, were made in isolation and the task of mixing them together became the crux of the production.

Bryce's records largely explore improvisation with electronics, using recording as the compositional medium, and feature the occasional contributing musician. Eleven make Safe (Exits) more of a chance ensemble record, with players in unlikely combinations, from disparate backgrounds both personal and musical, pushing a collage aesthetic beyond sampling. The poetics of these sounds is the focus of this album.

Safe (Exits) attempts to create a rare space where rhythms get propulsive enough to make one dance yet become subtle enough to make them nod into the serene vistas of distant, contemplative waves.

Safe (Exits) is Bryce's first album since 2015 and second release with Spring Theory.

Featuring: Gabi AsFOUR, Brian Close, Matt Evans, Adrian Knight, Kiki Kudo, David Lackner, Frank Lyon, Camilla Padgitt-Coles, Bernardo Risquez, Viktor Timofeev and Justin Tripp

From their native St. Petersburg, Square Fauna evoke a score for imaginary protoplasmic oceans, surreal, sepia-tinged space operas and Russian sci-fi folk tales; lush, green landscapes littered with the burned out husks of automobiles, military vehicles, and askew telephone poles no longer in use though marked by pools of water in which can be found the debris of modern society. Primitive kosmische electronics and vintage spacescapes cascade around complex polyrhythmic percussion. Ethereal mists of gaseous reverb are scattered by windswept synths and white-noise striations.

‘Meet The Fauna’ is as much of a cheeky nod to The Residents and Coil (or even Haroumi Hosono and John Hassell) as it is to the likes of B12, Black Dog, Richard H Kirk.

A completely singular, modern sci-fi soundtrack for the discerning sofanaut.

Produced by Dices & Flaty.
Artwork by Al White aka Crud.

"QUINZE" -"fifteen" in Catalan- is the title of the new release from Barcelona’s Lapsus Records. Lapsus celebrates its fifteenth anniversary with the launch of a new compilation comprised of today’s most compelling, experimental and ground-breaking electronic music. Fifteen unreleased songs from artists that best define the Lapsus sound: Attraktta, Chevel, Gábor Lázár, Gacha Bakradze, Johanna Knutsson, Karen Gwyer, Leif, Machine Woman, Patricia, Pye Corner Audio, RRUCCULLA, Steve Hauschildt, Telefon Tel Aviv, The Belgium and Ylia. "QUINZE" will be released in late February and two different versions will be available: A standard double LP edition; and a collector's edition LP packaged inside a bespoke cement case of which only fifteen units will be manufactured.

splatter vinyl

Brock Van Wey returns as Earth House Hold and his third full album under the alias, continuing to explore the furthest influences of Ambient-infused, deconstructed Deep House in all its varying elements.

“...from the second I descended those stairs, lived it for myself, and the events that followed, I knew my life had changed forever. A life that brought with it a beauty as infinite as its pain”.

Daybreak Basements and Broken Hearts explores a new aspect of Brock’s early Deep House influences, one that meticulous followers of this guise would have been patiently trying to guess since his last outing in 2018. If Brock’s debut Earth House Hold album (When Love Lived, 2012) took the grooves and danceability from Deep House, and his second, (Never Forget Us, 2018), highlighted the powerful progression of vocals and melodies, then Daybreak Basements and Broken Hearts continues to build on the many aspects and inspirations of the Deep House genre, with a raw, dirty and somehow deeper take on the sound that Brock grew up with many years ago.

Brock’s signature vocals once again provide the narration and backbone to an album that is designed to progress; from its patient and spacious beginnings to its energetic and emotional closing chapters. Reverberating synths fill cavernous spaces as basslines rumble, bringing a darker, more abstract, early-morning vibe to an album born from a place of both reflection, and personal experiences.

“This is a house album in the purest sense of the word - just as much as the furthest thing from one that ever existed. As much a deconstruction of what deep house means as an attempt to reconstruct a time, and a life, it built.”

This is the first in a series of remixes from Chari Chari’s new album “We hear the last decades dreaming” which was the first album in 18 years under the name of Chari Chari, a project by Kaoru Inoue who has been working as a DJ and producer for over 25 years.“Luna de Lobos”, originally over 10 minutes of deep house journey, is remixed by Kuniyuki - one of Japan’s world-famous creator from Sapporo - that is reminiscent of Jon Hassell’s african session leads us beyond 4th world. The other 3 tracks were reworked by Kaoru Inoue himself.

Rare Warehouse find

Motoko & Myers is the collaborative project of Bay Area-based duo Wonja Fairbrother and Daniel Letson. “Colocate” follows their 2018 debut release on the Open Hands Real Flames imprint, further developing their distinctive style which combines melodic, pop song structures with live improvisation and odd or no-meter approaches to rhythm and timing. It is a collection of bright, addictive listening, full of tracks that manage to feel at once hooky and aleatory, naive and rigorously arranged.

Recorded and assembled sporadically over a period of several years, the album’s idiosyncratic palette was achieved through much technical and methodological eccentricity: “4-handed” collaborative keyboard playing; 12-bit sampling and archaic presets; field recordings of cicadas in Louisville, Kentucky and church bells in Freiburg im Breisgau. The album’s nine tracks exude a homespun quality that is rare to find in contemporary electronic music – hazy, warm, and disarmingly organic.

*Repress*

ISLE008.5 shows Parisian artist D.K.'s concern for the nostalgia-tinged 90s electronica and second room IDM that inform not just his compositional practice but also our own tastes here at the label. Recorded live at the intimate South Korean venue The Edge, this limited 12" births fleeting moments in a late night music bar into physical form. Propulsive rhythmic tension, heavy doses of reverb and glassy, cavernous sound design across six movements.

Belonging is the second full length album by Berlin based producer Takeleave.

The multi-instrumentalist dedicates this release to an allegory of arrival and homesickness, after his first album Inner Sea focused on the journey itself. While the latest album was mostly written in different places, Belonging has been produced solely in the same place in Berlin, where most of the songs have evolved from intuitive jams on the instrument.

„This album turned out to sound as intimate and intuitive as it was for me when writing these songs. I feel like i got a little step closer to my own sound over the last year.“

After 3 years of silence around Earth based producer Aleks, he makes his return with an outspoken ambient journey through thick atmospheres and time-bend galactic pathways. "From Space with Love" is a rare exhibition of tracks from this artist that reflect an introspective journey that can be best described as an adventure on a familiar but unknown mystical planet.

Available on limited edition LP, each physical album comes as a special package consisting of a gatefold with insert, 180g black vinyl and original cover artwork by photographer Alessio Boni.

CONCENTRIC RECORDS - the new ambient / cross-genres record label established in 2020 by Simone Merli (Soundwalk Collective) and Luca Calo (Born In 1986) - launches its introductory release as a record in three parts that features a wide range of works from established pioneers as well as emerging talents, whose sound combined evokes a new and yet-to-be-determined musical landscape.


b A2. Daniela Huerta Feat. Cornelia Thonhauser - LeitMotiv

unperson’s forthcoming ‘The Ghosts That Gave’ EP will be released digitally and on 12” vinyl via Negative Space Ma, kick-starting a new chapter for the enigmatic producer as he glides between ambient, techno, breakbeat, footwork and UK funky with unquestionable prowess across 6 varied but inter-woven tracks.

The EP is framed around the concept of juxtaposing moments of euphoria and melancholy found within club music, delicately expressing intricate textures and emotion for the quiet corners whilst maintaining a dance-floor sensibility.

“Ultimately, I wanted to build a body of work that explores and extends upon various corners of the Harcore Continuum. Through the juxtaposition of fleeting moments of euphoria scattered amongst twisted, melancholic soundscapes, I aimed to express fluctuating emotions which denote the spirit and energy of the club/UK sound-system culture”. unperson

Glasgow based Infinite Wisdom collect works from 5 Artists on the forthcoming cassette and digital release ‘A Thousand Promo Shotz Could Never Compare!’. Working in solace, free from mutual influence but drawing upon the same psychic energies coursing through the magick ley lines of Northern Britain. Ten Years Lost, Sarah Bates, World Crime League, Michael Mann & Fat Rab produce a total of 14 tracks of smudged electronic melancholy; a selection of Ambient, House & Boogie cuts reminiscent of Washington's PPU or Vancouver's now expired 1080p imprint but produced under the thick grey skies of Scotland, Preston & Manchester, power by yet thicker blooms of weedsmoke and lukewarm cups of tea.

YOKOCHO’s debut on Ransom Note Records sub-label, Insult To Injury (run by remixer Timothy Clerkin) is a low fidelity, nostalgic tour de force. Hailing from Antwerp, Belgium, YOKOCHO has inherited the New Beat mantle and run with it; putting his own, inimitable spin on it! The EP will also be available on cassette tape, where it truly belongs.

Lead single Everyday Diamonds is a feel-good summer hit, perfect to lift one’s spirits heavenwards, post-lockdown! Data brings us crashing back to earth with some distorted, visceral 303 action, providing a down & dirty antidote to the single.

Other Side Of The Mirror brings yet more lofi drum machine groove to the table, before we’re drowned in a sea of lush, ambient vintage synthesizers at the breakdown. See You There is the perfect way to close out – if robots in the 80’s dreamt of paradise islands, this was to soundtrack to their dreams. Sublime.

Label owner, Timothy Clerkin has produced a 303-propelled, Acid-House dance-floor destroying remix of Everyday Diamonds, which provides a counterpoint to the wobbly tape, slow-mo originals, ensuring that the YOKOCHO sound can be translated into any club environment.

LIFE, is a work to celebrate 20 years of the NEGOCIUS MAN project, rescuing 4 tracks recorded between (2010-2020) in a limited special edition of 500 Copies on black vinyl. In the coming days we will reveal the team of people who have been part of this work, LIFE hides many surprises that you will appreciate, many details, the most important being the sound, followed by the finishes, photography, design … with this work A cycle and an initial idea to create four vinyl releases are closed, but there is a desire, material and ideas for five more years.

For release #2 Kontrapunkt makes a journey into different fields of electronic music. French based producer Octave Diesis delivers an album full of melancholic yet thoughtful neoclassical songs. The songs live mostly from the enigmatic piano melodies paired with some well-thought synthesizer sounds he composed. Expect ambient environments and dramatic, soothing layers.