House News

Setting out to create a future Balearic anthem while doffing a cap to street soul and synth-heavy Italo-disco B-sides of the early 1980s, Orbs of Light’s debut single, ‘Billion Days’ lands on Leng after a tip-off from Mind Fair duo Dean Meredith and Ben Shenton, who booked the duo to play live at their Rotation festival last summer.

Orbs of Light’s Baz Bradley and A Girl Called Kate have been friends for decades and have collaborated musically in the past, though it was only a couple of years ago that they dreamed up this project. It was first trialled via a 2021 remix for Andres y Xavi on Hollis Recordings (‘Perfect Timing’) on which Kate added new vocals to Bradley’s interpretation of the track. Since then, regular recording sessions have taken place, with the duo first crafting tight instrumental tracks before – in Bradley’s words – “dream up the best songs we can” with “melodies that will hopefully stay in your head all day”.

It would be fair to say that they’ve achieved that goal on ‘Billion Days’, a hooky and addictive affair whose vocal hooks and strong chorus could well inspire Balearic sing-alongs in the months ahead. Their original mix (B1 on the vinyl version of the EP, track 2 on the digital EP) is joyous, cheery and kaleidoscopic, with steel pan style melodies, bouncy synth stabs, jaunty lead lines and Kate’s wonderful lead vocal riding a shuffling, post street soul beat and a bubbly bassline.

The accompanying remix package is naturally very strong too. San Francisco crew 40 Thieves, fresh from dropping a killer single of their own on Leng (‘The Gift’, with disco legends Gary Davis and Cinnamon Jones), step up first with a take that stretches out and builds on Orbs of Light’s original mix – think wobbly nu-disco synth bass, fresh flute sounds, dubbed-out vocal snippets and a locked-in groove that’s just perfect for sun-soaked alfresco dancing.

Fittingly, the second and final revision comes from Mind Fair, whose email to Leng HQ about Orbs of Light got the ball rolling. Opting for a rubbery, body-popping beat inspired by vintage electro, they deliver a joyful, effects-laden Balearic dancefloor ‘Dub Mix’ that somehow makes a genuinely life-affirming record even more loved-up and saucer-eyed – despite the presence of only a fraction of Kate’s addictive lead vocal.

This is the genesis point for Yugambeh Country (Burleigh, Queensland) based imprint 100 FOLD. Forward facing yet with a respectful, almost romantic eye tuned into the deepest echelons of electronica and dance music so desperate for a revisit. Healthy doses of deep, esoteric atmosphere and high-tech abstraction are treated with care and precision equally.

We are softly welcomed with the peaceful entrance of Development (Imposter Syndrome B Side Mix), guided by native fauna field recordings and foley. Electronic dub energies are glued together with tropical island paradise level ambience, waves of effortlessly full pads and lush bass pulses evaporate into mist. A moment of reflection and centring before a second act of chunky and bombastic beats, dancing in harmony with the soothing nature of it’s humble beginnings. Prototrek brings us a fat slice of deep space pastoralism, high functioning trip-hop from the deepest reaches of the cosmos. The soundtrack to an interstellar journey towards unknown frontiers and endless paradigm-shifting possibilities. starting off the B side is Liquid Rats (Environment Mix). True downtempo and psybient of the highest order. Tranquil, dynamic and effortless.

Finishing up on the B side is the insanely warehouse ready Beach Goth (A.D.H.D Re-work). Straight up late 90’s/early 00’s electro and big beat with genius level intellect, a “Need For Speed: High Stakes” type beat. High octane drums, nitrous infused breaks and laser accurate bleeps all riding a bassline with infinite torque. Sounds for hitting the accelerator deep in the night and not looking back. Big “Tokyo Drift” energy on the tubular bells near the end, sending this piece high into the stratosphere. Full dichotomous flip on the records finisher; Smoking With Laraaji. Digital whip-birds announce your arrival at this atmospheric finale, warm synthetics and naturalistic percussion closes this pentalogy in the only way that feels right. With a sense of triumph and optimism. Something we could all use more of in our lives.

This record is a deeply human experience, meticulously crafted by the artist and lovingly mastered by Smallville records alumni Moomin. The energy of the natural, terrestrial moments are shared effortlessly with an otherworldly, cosmic vision of a utopic rave society.

Colleen ‘Cosmo’ Murphy serves up a second helping of Balearic Breakfast with another phenomenal compilation for Heavenly Recordings. Like 2022’s acclaimed first Balearic Breakfast album, this one features eleven tracks that drift between space rock and soul, disco and deep house, ambient and electronica, old and new, fast and slow. In the words of Cosmo herself, these tracks are a “hodge-podge of chill out, spiritual jazz, deep soul, percussive house, quirky disco, indie-dance and what may ‘traditionally’ be called ‘balearic’ (whatever that may be).” In the words of Heavenly, these albums are horizontal masterpieces that should be prescribed on the NHS as they’re filled with the kind of blissed out music that’s guaranteed to lift you out of the mundane and the everyday, wherever you are.

It was during one of their many trips that the two artists, the famous DJ Luciano and the multifaceted composer and performer, Lulu Gainsbourg, met for the first time in Amsterdam. The friendly love at first sight was such that the two artists decided a year later to collaborate on a remix project: Lulu² .

Taken from Lulu Gainsbourg’s latest album Replay, Luciano gave life to two remixes: Opening Remix and L'enfance Remix. This architect of sound has so generously shared his knowledge of clubs and his experiences in electronic music, that in spite of his classical training and his studies at the Berklee College of Music in Boston, Lulu Gainsbourg wanted to embark on a new challenge: The planet of electro. This beautiful project will be released this fall 2022, with a limited edition vinyl version, via the independent label Why Music. Made with a magical atmosphere and sensational energy, these remixes will take you on a journey to these two different worlds that meet to become one. Indeed, these two great travelers love to express their love for different cultures through their creation. Between Amsterdam, Switzerland, Ibiza, Chile and the United States, the two artists managed to find each other: they share the same first name and the same deep passion for music. So even if the two “Lucien” did not know each other a few years ago, we can be sure that now, with so much in common, the two artists are starting a very beautiful journey together…

Beyond Paradise returns with a sumptuous slice of tripped out business from the mind of Richard Hardcastle aka Solid State, complete with two stunning remixes from Richard Sen and The Veteran Delinquents.

Over 35 years in the game, as a club DJ, radio presenter and producer since the late ‘80s, Richard Hardcastle is a true veteran of the scene and certainly knows a thing or two about what works on the dancefloor. ‘Seven More Minutes Of Funk’ delves into the psychedelic side of his production with a club-ready cosmic stomper complete with twisted guitars, hypnotic synths and wall shaking bassline.

‘Rhodes To Nowhere’ is more beachside than basement, a funked up retro electro cut with dazzling keys, ‘80s snares and a serious shot of feel-good flare.

On the flip, the title track gets the remix treatment from Richard Sen and The Veteran Delinquents, the former warping the original into an EBM powerhouse whilst the later turns into an end of the night, electro-infused chugger.

Four new and reworked songs from Wave Temples delivered on a beautifully exotic 7".

Further into the jungle, the submissive touch of the deepest thicket. Of beachside oracles and openers to the path of penetrating rituals of night. Moist treasure; Exotic dream.

We were thrilled when our friends and heroes came to our jamboree and created unique remixes for Hubbabubbaklubb's "Drommen Drommerne Drommer Remixed" LP. Axel Boman's version of "Et Annet Sted" was in high demand, leading us to invite another hero, Superpitcher, to create a Mega Mix of "Fjellet" for our "AxelSuperKlubb" 12" record.

The new EP cruises into the aforementioned track with the Lerosa remix of "The Swim Meet" which applies Italo and melodic electro influences while maintaining a booming kick-drum and elastic bassline throughout.

Next up is a 10 minute hardware based acid house remix of "I'm Dreaming Again" by Detroit house luminary Scott Ferguson. This track builds from start to finish where slick and emotional production breathes life throughout.

Next up and for their first released remix legendary Irish electronic music duo Dechord (Decal + Americhord) provide a hypnotic and club ready techno/electro remix of "Stay Offline" where glistening emotional synths combine with a pulsing kick and percussion section to create a dynamic remix.

Maintaining the EP's variation Westcoast Goddess provides a crisp and intelligent instrumental deep house remix of "Pitchshift" featuring musical interplay between deep bass. jazz influenced chords and the SH101.

Rounding off the EP Toby Kaar contributes an organic downtempo remix of "Minimal Nelson" where clever formulation of various elements eases out the EP in fine style.

There is no better way to end the year than with the warm, soothing and magic sounds of Christos Fourkis. Buddha-Bar is teaming again with the Internationally renowned Greek producer and DJ, a regular guest of the Buddha-Bar musical collection who has produced some of its greatest tracks. His poetic and airy signature, his serene and cool vibe, combined with his positive energy, have made him a key player of the Aegean Lounge & Chill scene. His unique style blends perfectly with the artistic sensibility of our resident DJ RAVIN, the man behind our compilations for more than 20 years!

Heels & Souls Recordings step back to 1988 for their sixth reissue, relicensing and remastering Flair's anthemic soul number 'Chasin' The Rain.' For the uninitiated, strap yourself in for six blissful minutes of heavy bass licks, soaring vocals, and infectious synth lines.

Consisting of Janet Rose (aka UK Soul queen JB Rose), Joe Matz, Peter Bielig, and Peter Shindler, Flair was a predominantly German affair, with Rose being the only UK band member and Bieling living in London during the late '80s. This is a curious detail considering 'Chasin' The Rain' is often lauded today as a UK Soul classic - partially due to its release on the prolific UK label Champion. However, it's squeaky-clean production values, and the fact it was mixed and mastered at the famous Jankowski studio in Stuttgart by three Germans, reveals a somewhat different story.

The track has that UK street soul heavy low-end, but with a synth-pop flavour sprinkled in the mix - swinging synth lines and gated snares aplenty. Yet from chatting to Peter Bielig, who's been instrumental in getting this record reissued, the sounds sweeping across the Atlantic from the likes of Jam and Lewis, who blended R&B, funk, soul and pop, were clearly a big influence too.

Those were heady days for four young twenty-something musicians, with Peter recalling cherished memories these tracks bring back, telling of his and JB's PA sessions at London's Gulliver's nightclub. However, while 'Chasin' The Rain' had all the hallmarks of a chart-breaking hit, Champion prioritised other projects and the record never broke. Sadly the group disbanded after only two releases, and this musical gem was consigned to the crates of those in the know. Soon after, Peter Bielig went to Jamaica to work at Tough Gong Studios, working on albums for Rita Marley Music. He now lives in Brazil, producing local artists in his studio in Salvador.

Unfortunately, the master tapes were nowhere to be found, so we had the maestro, Sean P, rip and restore a mint copy of the record, with award-winning mastering engineer Cicely Balston working her studio magic for that added punch.

Another big-hitting, small format slice from the PINA Crew!

Funk-heavy & crisply rendered workouts across A/B here...

Simple, effective jams on limited edition 7"
Floor food for all moods...TIP !

Celebrating twenty-five years of Aficionado as a place to play away from suffocating mainstream club culture, DJs Jason Boardman and Moonboots have compiled a contemplative set of 16 tracks that holds a deep meaning to both themselves and attendees of their now legendary parties. The compilation includes two new tracks exclusive to the release: J Walk’s ‘Cool Bright Northern Morning’ and Begin’s remix of Canyons ‘Akasha’.
Reflecting on how it all started 25 years ago, Moon considers their no-plan-plan to be a makeshift plateau which evolved organically: “All we did was try to play good records one after the other without any consideration for fashion. And people wanted that”. Alternative approaches were not unknown at the time, but Aficionado, as Jason and Moon’s Sunday sessions became known, pressed the reset button with unique resolve.
Jason elaborates: “It was 1998 when we started. It was our own 'fuck you’ to the Super Club regime - almost everywhere then. The ‘anything goes’ Balearic ethos was in abeyance. It wasn’t cool at the time, but we both just wanted to keep that original spirit alive. ‘Keep it open’ had always been my approach to DJing - even from playing at Youth Clubs as a teenager. No rules or generic constrictions. Play anything that you like from any era, any style from any time. We always encouraged our guests to dig deep and play outside of their comfort zones, their usual styles”.
The lovingly crafted musical mystery tour of this compilation, considering its pleasantly hypnagogic intent, may not reflect the madness of these now distant memories. This is an older and considerably more responsible collection and this is what we need right now - a temporary respite from a world almost capsized. A mood, a meditation created by masters of their craft. Odd socks from disparate global locations making new sense side by side. An assemblage, if you like. A thread through many different kinds of thinking. A new picture pieced together from the lost pieces of many jigsaws.

The 11-track album titled “Needledrop” provides a suite of both uplifting and easy-listening moments, refined and understated individually yet cohesively crafted with the honest musicianship and inarguable credentials that we know of production duo Session Victim.

The German pair of Hauke Freer and Matthias Reiling are no strangers to releasing quality long-format albums and while rising through a discerning community of DJ’s have previously released three consecutive albums on tastemaker label Delusions of Grandeur culminating in 2017’s “Listen To Your Heart”.

Their latest and fourth studio album via the label Night Time Stories (the London based sister label to the coveted LateNightTales) marks a notable move towards the home listening dynamics of their career counterparts such as Nightmares on Wax and Portishead that have played such a strong influence in Session Victims variety of output over the last decade.

As accomplished producers, Session Victim have been intent on delivering a characteristic body of work for uninterrupted easy listening and with Needledrop have landed with significant inspiration from the engaging jazz and soul compositions that found their way into early 2000’s trip hop.

Fusing downtempo beats, smooth tones and hedonistic grooves via their intuitive sampling sessions, Session Victim’s fourth album succeeds in actively engaging the listeners mood and intellect in equal measure.

The albums clear stand out is "Made Me Fly” which presents a soothing yet expressive live vocal performance by singer songwriter Beth Hirsch, best known for her collaboration with French duo Air on their 1998 album Moon Safari.

As self-confessed semi-reclusive studio geeks, Session Victim have turned their 2020 album focus towards a large arsenal of dusty influences which has inspired them to rediscover the intuitive and playful side of their production personalities while also demonstrating their cherished music knowledge.

'Smoke City' was an English band that blended acid jazz and trip-hop, best known for their single "Underwater Love", which was a major hit in 1997. It is featured on their successful debut album 'Flying Away'.
Other tracks as "Numbers" and "Dark Walk" are just as strong and they're covering almost every style of music on the record.

If you ever run across "Underwater Love" and you've been wondering if these guys are any good, take this album out for a spin.
You'll find out that they have a lot more to offer.

'Flying Away' is available as a limited edition of 1000 individually numbered copies on green, white and black marbled vinyl.

Hot on the heels of ‘Mordechai’, the critically acclaimed third album from US psych-rockers Khruangbin, the Texas trio are set to become the latest act to present their own LateNightTales in the popular, long-running musician-curated album series.
Having first come to prominence in 2013 when producer and D.J. Bonobo included Khruangbin’s ‘A Calf Born in Winter’ in his own collection of songs for the series, the little known Houston trio had yet to release an album, but have since gone on to become international superstars forming their own exotic, individual sound. “The LateNightTales series is such a special thing to be a part of because we wouldn’t have made it if it wasn’t for Bonobo’s LateNightTales, because that’s how we got into the LNT family – and got a break.”

12” debut release for Homies Cuts imprint. 3 tracks ep with a
classfull sexy vintage disco edit, a thug cumbia psychedellic trip
and a swedish classic funky boogie .

Homies presses in vinyl all their musical universe to be heard in
their monthly house parties at the legendary Pikes Ibiza or in
any of their itinerant house parties. An edit collection of gems
that crossover genres under a balearic state of mind to fullfill
the dancefloors and make love to your ears.

Following the release of a number of EPs on Swiss, German, British and Australian labels, Trinidad will release their debut album ‘Palm Trees & Thirty Degrees’ on October 16th 2020.

The album draws on the Swiss-based trio’s experience of sustaining the energy of festival and club shows, while also providing the perfect background to a relaxed summer evening with friends.


The project provides an opportunity for the trio to indulge in a range of musical influences, blending together a mix of synthesizers with the haunting tones of a church organ, the warmth of a string quartet and regality of an opera singer. The album grew organically, with inspiration taking hold beyond the confines of the studio: the bonus track recorded with a Jamaican reggae singer in the back of a VW bus in Greece. Soundscapes from Colombia to India were captured and embedded.

With "Palm Trees & Thirty Degrees" Trinidad guide listeners on a journey to a tropical paradise; to a wonderful, perhaps peculiar place of confidence, created and shaped by the mental theatre of the moment.

The soft kiss of a warm breeze hits you as you adjust to your new surroundings ("Desembarco"); leaving the static chatter of your thoughts behind in the "Lobby" (feat. MonoAbe) of your mind; you allow yourself to imagine what the evening holds in store (“Kopfkino”); But first, there’s a drink in the “Sunset Bar”, a refreshing cocktail "Luciola" that serves as a gateway for you to plunge into the night. A night of unlimited possibilities, the first instances a blur ("Sagrada"), as time starts to lose its meaning ("Tempus Fugit"); everything spins, everything is possible, everything is ("Elevate"). Suddenly, hours (or is it days?) have passed – it doesn’t matter; what matters is the first sign of dawn, the unmistakable warmth dissolving the darkness (“Alma”); the beat slows, and you feel the "Libération" of the new day; looking around you see the moments you’ve shared etched on the faces of your friends ("Fleeting" feat. Julia Portmann); It is not goodbye, it is only "Au Revoir".

The album was produced by Trinidad in their own studios in Bern and Zurich. It features collaborations with a number of artists: Cornelia Aeschbacher Firmin (Hang), MonoAbe (Mallets & Percussion), Jack Williams (text of "Fleeting"), Julia Portmann (vocals), Zenyth (vocals) and Michael Meier (electric bass). The songs were mixed by Marcel Schneider, mastered by Benjamin Fay. Raïssa Lara Lütolf was responsible for the graphic design.

We make a return to the musical world of vinyl with a 4 track release of sublime musical proportions which comes courtesy of Lena C; who's Promenade E.P. transcendences the Smokey basements & subterranean dance floor dwellings we often inhabit. It's all aboard the Zen-Express for this release that incorporates the musical & cultural influences this French born (but now Hebden Bridge based) DJ and music producer has experienced so far on her journey.

Each vinyl is individually numbered and has hand stamped centres with a screen printed sleeve featuring artwork by Luke Martin along with an insert featuring an original image by French photographer Coralie Monnet.

Shokran (from the Arabic 'Shukran' meaning 'thank you') is a breathy affair with hooky arp lines and a chest warming bass with almost playful synth lines joining in along the way. Percussion keeps up the chug factor but never derailing from its beauty.

Haku takes in the sounds of Japan with a hypnotic bass melody wrapped around soft synth stabs, soothing strings and a dream inducing percussion arrangement which when all wrapped up together is destined to be played/heard in the sun with waves crashing, breeze blowing & a mental reset taking place.

Breeze blows in (see what we did there?) & continues to take us into the unknown and cranks the audible wonderment up to 11.
A broken beat carries spaced out synth lines & bass melody with skippy percussion which all sounds like it would be frantic but in Lena's hands its a perfect delivery of aural beauty.

Azur closes off this trip in perfect harmony and we'd maybe even book this under the 'balearic chuggers' category (though the jury is out!). Hooky melodies with a warped vocal sample (which we think is Lena but she swears it isn't!) and some truly uplifting synth & pads make this the only way to close off this stunning E.P.

Lost & Found Recordings is pleased to announce a collection of previously unreleased tracks. The title joins iconic producers celebrating the 99th release.

The Lost & Found founder Guy J casts a wide net to find the next big wave of sound in electronic dance music. The search resulted in this collection of future classics.

The opening track, Metal Dreams, had been Guy J's secret weapon for years before he finally decided to release it on this extraordinary album.

The following piece, Dreams For Breakfast by Chicola, delivers arpeggiobased music with Middle-Eastern aesthetics and a contemporary approach.

The third track on the album, Love in a Bottle, is a seductive piece by the award-winning artist Guy Mantzur who takes the uncertain route while
keeping the rhythm patterns dancefloor friendly.

Eli Nissan reveals his skills through the Valley of The Winds, a timeless cross-genre piece with a film-score potential.

Luka Sambe and Roy Rosenfeld join forces to create Bunggul, an ultimate dancefloor track.

The Athens-based producer Yariv Etzion, better known under his stage name Stereo Underground, presents his magical trance-inducing sonic ride, The Last Dance, fusing elements of disco, electronica, and psychedelia.

Illusion is another ballistic missile from the silo of Guy J's secret weapons, finally becoming available for the masses.

Before It Ends is Sahar Z's song featuring Snarky GreenMan. It smoothly concludes a conceptually designed whole.

Witness music history in the making!

San Fran based, Spencer Brown is a leader in the new generation of progressive house and techno. Whether it be his releases on world-class imprints such as Anjunadeep, Bedrock, Last Night on Earth, Factory93, and his own burgeoning diviine imprint, through to his legendary DJ sets, Spencer Brown is an artist who’s going the extra mile to deliver an uncompromised sound and experience to his fans.

Spencer got his start touring and releasing with Avicii and Above & Beyond, with his records soon frequenting sets of tastemakers including deadmau5, Sasha, John Digweed, Calvin Harris, Dubfire, Fisher, and Hernán Cattáneo.

After two #1 progressive house albums, here he presents ‘Equanimity’, his third LP and first on his own diviine label. A triumphant release that draws influences from all across the board. Take for example the lead single ‘Awu Wemadoda’ featuring Wilt Claybourne & five-time Grammy Award-winning South African male choral group Ladysmith Black Mambazo, that blends an afro house flavour with Spencer’s expansive, richly layered sonics.

Elsewhere Spencer’s signature progressive and trance-tinged sound is on show in tracks like ‘SF to Córdoba’ in collaboration with Ezequiel Arias and ‘Amber Leaf’ where Spencer joins forces with ilan Bluestone. Head to ‘Loccou’ for a slice of ethereal breakbeat or ‘Papi’s Cenote’ and ‘Curve’ for those eyes-closed, spine tingling moments.

‘Equanimity’ flies the flag as Spencer’s most accomplished work, showcasing his mastery in the art of writing absorbing dancefloor focused tracks, that pull you in from the off and never let go.

Luciano has arranged a special series of four releases as part of the celebrations for the fifteen years anniversary of his own Cadenza Records, launching the first one to begin the festivities. Each episode is coming out in a different season of the year; the first one, with the catalogue number 118, is the chapter dedicated to the summertime and contains 5 enchanting tracks with an exquisite sound. Thisseries is just one of the astonishing surprises that Luciano has set aside for the birthday of his beloved label.
The show begins with "The Amazing Lilou", a crispy ariose tune with elaborated percussions and calypso-flavored synthesizers. "Hiding Hearts" is a latin prelude with pleasant guitars and restful melodies, flowing with joy and peace. "Nabusima" is another Caraibic spell, with noteworthy carefullymixed drums and elevating harmonies. "Magik Mechanics" explores complex broken beats andelectronic textures, drawing a colored narration in between a fairy tale and a sci-fi movie. Finally,"Tirana del Oriente", as disclosed by the title, is a trip into the Oriental ardent magic. A collection offive long summery compositions to accompany our hot pleasing days from the dawn till the dusk,holding our hands during a never ending daydream.

Guiding weary travelers through an enchanting interdimensional odyssey, Work The Peripheral’s debut long player ‘Like Lava’ finds a treasured home on Companion. Building on the foundation of four exceptional self-released EPs, WTP continues his exploration into the world of ambient trance. ‘Like Lava’ unfolds across nine tracks that expand and contract through imagined astral landscapes, showcasing WTP’s deft ability to create deep and absorbing techno trips. Hypnotic in manifold ways, ‘Like Lava’ is a release made for getting lost in. Each track referencing the next, this hour-long journey glides through blissful realms of trance, ambient techno and house - deep basslines, muted breaks and spacious subdued percussion are unified by WTP’s characteristic ubiquitous and sparkling atmospheres.

This is an expert expression of the Companion ethos. By drawing inspiration from the likes of Robert Leiner, Speedy J and Index ID, WTP wields the language of tripped out 90s electronica to allow spellbound listeners the time to contemplate, space to travel and a place to dream.

The sequel came to light. The cohesion between past and present tools forms a pure and emotional intertwining that unites generations.

Tracks A1, A2, B2 and B3 were composed in 1998, 2010, 2001 and 2000 respectively.

300 copies available only 12" vinyl format.

Immerse yourself in blissed-out melodies, masterful sampling and improvised synthesis in four diverse clubready tracks by Melbourne based producer and live electronic artist Skinny Wizard. With a background in keyboards and improvisation, and a strong career in the Australian live music scene, Skinny Wizard ¦rst emerged in 2019 with a live show featuring a collection of drum machines, sequencers and synthesisers, and quickly became a sought-after live artist and DJ in the Melbourne club scene. "Off Lead EP" showcases his further development in bridging the gap between his unique improvised live sound and studio productions.

This July the esteemed scribe, proper DJ, and discreetly deft twiddler Bill Brewster, drops the latest instalment in his ‘After Dark’ series, for Late Night Tales.

A throbbing, louche and leisurely affair, groove is very much at the heart of this freestyle selection, a vibe which Bill de- scribes as “a basement, a red light and a sound system. Or, as the Beastie’s once rapped, slow and low, that is the tempo”.

There’s Hawaiian drum machine bossa balearica from Island Band, percussive afro post punk from Czech jazz singer Jana Koubkova, and breathy-bubbling-dubwise-slap-bass-soul from Debbe& The Code.

There’s also sultry deep house mood music from Lanowa, infectious bouncy jazz funk breaks from Canada High, and Nail’s life affirming re-edit of singer songwriter Gilbert O Sullivan’s electro pop gem ‘So What’.

Bill’s own studio skills are present and correct too, featuring an undulating bassy version of country troubadour Jeb Loy Nichols, reworked along Alex Tepper under their Hotel Motel moniker, and a chugged-up squelchy disco take on Khruang- bin, this time paired with Raj Gupta, as Mang Dynasty.

Chock full of exclusives, tracks are either completely brand new, or available digitally for the first time, whilst others are wallet-rinsing rarities if purchased elsewhere. Whichever way you slice it though, every tune is a highlight, working equally well as standalone nuggets, or within Bill’s fluidly cohesive mix.

Whether he’s taking the roof off a club with his unique selec- tion of deep and tough house music, enchanting a backroom with a genre-bending set of disco, Balearic, rock and hip hop or playing chillout music in a bay in Croatia, Bill Brewster is the man for all occasions.

In a former life, Bill was a punk rocker, a chef and also the co-editor of football magazine When Saturday Comes but has been a record nerd all of his life. He began DJing in the 1980s, but came into his own in the early 1990s, particularly during a two-year stint in New York running DMC’s office, where nights at the Sound Factory and hanging out with Danny Tenaglia gave him the musical grounding you can still hear in his music today.

Bill was also one of the founding residents at Fabric in London, a position he held for five years. There are few still playing regularly today that have his dedication, eclecticism and encyclopedic knowledge of music.

His parallel life is as a writer, and with his long-term part- ner-in-crime Frank Broughton, they have written four books together, including the acclaimed ‘Last Night A DJ Saved My Life’ (latest edition published last July), ‘How To DJ (Prop- erly)’ and ‘The Record Players’.

He has been working in the industry’s fringes for over 40 years including the running of various labels from Twisted UK and Forensic in the ’90s to Disco Sucks and Anorak in the noughties.

He is one of NTS radio’s new residents for 2023 and his ‘Low Life Loves You’ show is available on the first Tuesday of every month.

Invisible Inc is back with another remarkable release, this time diving even further into ambient, spiritual and folk-infused psychedelia.

“Mondo Organico”, as the name suggests, is a concept compilation that captures the “organic” side of Invisible Inc. The use of non-electronic instrumentation is a familiar theme explored by the label previously with the likes of Komodo Kolektif, Immaculate Rivombo and Peter Power...but this time the instruments and voices, tranquil and meditatively hypnotic in places, display an even deeper spirituality.

Featuring the talents of Andi Otto and his fello (electronic cello), Anna vs June's ethereal vocals, Tyler Ov Gaia's zoned-out mantra rhythms, Pieter Kock's 8-minute bass and guitar psych odyssey, as well as label favourites Sordid Sound System and Puma & The Dolphin, the record is enthralling and mesmerizing from start to finish - and yet another notch in Invisible Inc's rather idiosyncratic belt.

This record was pressed on eco vinyl. Everything from the sleeve to the inks are recycled too, in an attempt to address some the environmental issues we face today, albeit fractionally.

“Mondo Organico” is the future.

Ahead of their European tour, Turkish electronic group islandman announce the release of the EP Popsicle Obstacle, out October 13 on Music For Dreams.

The new material collected on the EP tracks a musical pathway from archaic folk traditions and regional acoustics through the electronic sequencer. From the spiritualist dream of primitive past to the glossy utopia of digital future.

The core members of Islandman are multi-instrumentalist & producer, Tolga Böyük and Eralp Güven (percussion) and Erdem Başer (guitars). Islandman have become known for their live performances, as anyone who has witnessed their live streams from Istanbul for the London Jazz Festival and Boiler Room can attest to.

The Popsicle Obstacle EP follows the group’s third album Godless Ceremony of 2021 and their 2022 EP Bahar.

Electronic pioneers Rick Smith and Karl Hyde announce the conclusion of their groundbreaking fifty-two week DRIFT series: a new single, a new album and their biggest ever live headline shows

Released on October 25th 2019, the new album DRIFT SONGS marks the conclusion of their hugely ambitious 52-week DRIFT Series. During that period, music, film and text pieces are created and published every Thursday as part of the band’s on-going, very public recording process; a unique and visionary space Smith and Hyde have created for themselves to exist within. By the end of the DRIFT series, more new music and film will have been released by Underworld in its one-year duration than in the last fifteen years.

DRIFT SONGS expands and enhances a selection of the recordings the duo have released since they began their audio/visual experiment in November 2018. The album will be released as a single CD, double vinyl and crucially an all-encompassing box-set featuring the music, visuals and text pieces released throughout the entire 52-week DRIFT.

DRIFT SONGS is Underworld’s first album release since 2016’s Barbara, Barbara we face a shining future (“an album full of heart, soul and brilliant noise” The Observer ) and the first physically released music since 2018’s Q award winning collaboration with Iggy Pop, Teatime Dub Encounters (“Born of the friction from a restless need to create… others of their standing may choose the wallowing legacy of safety. These guys do not.” NME ).

Underworld are Rick Smith and Karl Hyde. The press say they are: “Electronic heroes” The Observer “Hugely ambitious and unimaginably relentless” Q “True mavericks” Prog “Thrillingly relevant” The Times “(Underworld) boast a breadth and attack largely lacking in contemporary laptop electronica ” The Guardian
“The Drift experience is one of a torrent of ideas, with its own internal logic… (where) instinct, experience and chance lead to a strange kind of harmony” Mojo

Ma Spaventi makes a slick return to Slow Motion Records with the captivating ‘Tornerò’.

Descending arps trickle into ‘Tornerò’ from the get-go. Vocoded vocals flutter through the masterful mix, weaving into inviting synth swells. Defined drums are firmly felt across this record.

‘Non Ce L’Hai Solo Tu’ is a Detroit-infused, fierce floor filler. Layering vocoder motifs with crisp synth stabs make for many a euphoric payoff. The intelligent entwining of electro, early Detroit house and Ma Spaventi’s effortless earworms are plentiful. His gift for haunting, strong melodic intonation is prevalent in ‘Costa Brava.’ A grounded, growling bassline rasps throughout the track, reeling you further and further into this whirlpool of brilliance.

‘Tornerò Reprise’ closes this magnificent EP beautifully. Whispering vocal lines are hauntingly blended with synthesiser noise, keeping in line with the swells across the record and resolving the first edition of ‘Tornerò’ with a more acidic conclusion.

The revered Italian producer, mixing and mastering engineer makes his abundant sonic expertise clear in this enticing LP. Encapsulating his talents, ‘Tornerò’ transports you to Ma Spaventi’s unmatched state of flow.

First time (commercially available) 12" pressing of this seminal U.K. House production. Originally released in 1989. For fans of Dream 2 Science / Sha-Lor ao. TIP!

"The United Kingdom has long been an ardent supporter and consumer of African-American music. Dating back to the electrifying earliest performances of blues artists like Big Bill Broonzy during the early 1950s – an influence on Eric Clapton and John Lennon – right through to the dawn of Chicago house and onwards. In fan clubs, like the Tamla Motown Appreciation Society, started by soul writer Dave Godin, to the numerous fan magazines that have documented dance music culture from Blues & Soul to Mixmag, there has been an extended obsession with black music culture.

This lineage continued into the house era, our generation’s defining dance genre, and one with which British producers were swift to adopt. This record is a prime example of this. Although Mother Tongue was a one-off project, its history is rooted in this long-standing culture stretching back decades. The main man behind Mother Tongue was a drummer and record producer named Richie Stevens. Stevens was steeped in music and the industry, thanks to his father, John Stevens, also a professional drummer. Stevens senior played in numerous jazz ensembles during the 1960s and onwards, including performing with Tubby Hayes, Ronnie Scott, Evan Parker, Derek Bailey and was a session player with John Martyn (among numerous others) during Martyn’s finest period (it’s John’s drumming you can hear on ‘Big Muff’).

His son, Richie, was playing professionally while still a teenager for the Dennis Bovell Dub Band and has subsequently backed everyone from Tina Turner and Simply Red to Hugh Masekela and George Clinton. He is also a long-term collaborator with Boy George. But the story of Mother Tongue begins with a band called Well Red. This group, effectively a studio creation by Richie and his then manager Martin Poole, recruited vocalist Lorenzo Hall, a fixture on the London reggae scene and sold the concept to Virgin Records. Well Red yielded two albums – Motion and Respect Due – but never really got the crossover success their songs perhaps deserved. “Virgin were very supportive of us,” recalls Poole, today. “They gave us a lot of money. They pumped money into it, and it never quite paid off, but we did okay. We recouped and got to make a second album with George Clinton. It was a good move, recording with him. It did us a lot of good here and in America. We did pretty well in the US. We were very well-supported over there.”

This same team, working in a tiny studio near Richie’s house in Wood Green, north London, called The Watershed, produced ‘Message Is Love’. It features the vocals of Syn-Dee (Sindy Finn) and Lovebase (Louise Porter), who co-wrote the track with Richie and Alan Lane, another Stevens collaborator, and Ian ‘Spy’ Austin, who’d previously played in the same reggae band, The Instigators, as Lorenzo Hall from Well Red. “Remember it well,” says Martin Poole. “We were just writing it there and then in the studio. It was me, Richie, Spy, and I think Syn-Dee was there as well. When I got home later, Richie played it to me over the phone and I said, ‘That just sounds brilliant,’ from how we'd started it off, you know?” Thanks to their experience in the studio with Well Red, they managed to produce a song that has the timeless feel of all good music.

Mother Tongue was the opening track on a compilation called On The Loose Volume 1 on their own Furious Fish Records. Every track on the album, despite having different artist credits, was done by Stevens and Poole, often using a rotating cast of characters that had also appeared on ‘Message Of Love’. Although it did not sell especially well at the time, it’s become a collector’s item over the years. This is the first time Mother Tongue has appeared as a 12-inch single, a long overdue (but very welcome) happening. "

(Notes by Bill Brewster)

Very limited edition 180G heavyweight orange vinyl LP. Each unit is uniquely numbered

Balearic Blah Blah is Back! After a 4 year hiatus meditating in a Mediterranean cave to escape the pandemic, the incognito label re-emerges with aplomb delivering you 4 very special edits from man of the moment – Pete Blaker.

Pete Blaker is the man behind a bunch of magical edits which made their way into DJ Harvey’s record box and lit up the world’s best dancefloors including Barbarella’s and Pikes Ibiza throughout summer 2019 and 2021, 2022. Harvey attendees will be familiar with the sensational edits of ‘You Got the floor’ ‘Donna not Donna’ ‘One Of These Nights’ ‘Elkie’ and ‘You Don’t Fool Me’ and so many others which provided ‘moments’ on the dancefloors to remember.

Boasting a catalogue of distinctive music Funnuvojere turned two this year. Its eight release comes from Clarinets the new alias of Tbilisi based Gacha Bakradze. Invisible Path is the title of this EP, a name that seems to reference Gacha's own nimble movements across cities and genres. It started in 2015 with a rather ambient LP with Apollo Records, and has recently seen him releasing a third LP with Barcelona's Lapsus Records. Despite this new skin, Gacha's identity can still be strongly felt in Clarinets. The four tracks composing this EP highlight Bakradze's mastership in designing harmonies. Graceful frequencies rise from the title track, driven by a steady arpeggio that builds and explodes in multiple directions. 'Dry Bridge' uses classic balearic sounds to decorate a powerful bass line, evoking an accelerated sunset at sea. The same balearic iterations define the deeply emotional 'Knee', in which the sound breathes and expands skywards. The closing track 'Afternoon' is a warm house ballad to round-off the last moments of a long after-hours session.

Tunesday Recordings proudly presents its third release, bringing the two balearic pop originals "Brazilian Breeze" and "Mysterious Nights" from the sought-after 1986 LP "Leaving You" by Preludio to today's dance floors. The Italo-influenced songs mark the very ¦rst work of Peter LaSalle who has made a name for himself with several releases under the moniker Sound Surgeons in the 2000's. As a ¦rst endeavour
under the moniker DNA (standing for Danny, Norm & Andres), the trio centered around Andres Astorga aka Trujillo brings out their own vsionary reworks with nothing but the songs' titles as inspiration. On "Brazilian Breeze", they dive deep into an ocean-blue rippling with cool synthesizer sequences and steel drums. "Mysterious Nights" teases you into a Linn Drum-driven adventure in which hazy waves mingle with late 80's guitar licks and soothing brasses. Many thanks to Peter LaSalle for making this reissue possible and many thanks to
Santi Oviedo for literally revising the original artwork.

Re-issue of essential Larry Heard album from the early 2000's... Love's Arrival! Now in DJ friendly triple vinyl package adding some of the favorites from CD release like 'Deja Vu' and 'Missing you (Jazz Cafe Mix)' to the vinyl package. And bonus... 'Luminous Energy' from the same sessions.

Vinyl Only

New upcoming release from Homies Cuts, that continues to excavate those hidden gems around the world. As always the selection is as varied as it is exceptional. Bang in rhythm the dancefloor with this beauty!

Pejzaz (aka Bartosz Kruczynski) returns with a captivating new collage album. Divided into two records LIST I (set out to be released end of september) & LIST II (scheduled for end of November), it delves into the realm of 90s/Y2K Eastern European CD releases. Employing hundreds of samples, Pejzaz sculpts a mesmerizing and distinctive body of work.

LIST I, bathed in sun-drenched chords, seamlessly blends pop-rock guitars, soulful drums, and dreamy, pastoral folk elements with minimal music and ambient textures, reminiscent of Baltic Beat (the Polish incarnation of Balearic Music).

Notably, this marks Pejza's first foray into a fully instrumental album. Although devoid of lyrics, the bittersweet blend of samples infuses the music with a profoundly Polish essence, further enhancing its distinctive allure.