House Новости

Over the course of his first two releases, Jeunesse 7 wants to tell the tale of the 6 Jeunesses that preceded him.

'Hobbies galore', an effort to describe the lives of Jeunesse 5 and 6, is the logical follow-up to Nividic. These lives happened to be longer than the previous ones; successes and failures led to fuller, richer and more exciting chapters. The two sides of the tape patiently narrate a journey through different landscapes and let you follow the two Jeunesses as they spend their days with various hobbies, from calmer, soothing ones to more active and exhausting ones.

The tracks are charmingly lo-fi and warm; the beats slow and crackly.

The entire tape was made using a cursed Roland Sp404 sx, filled with broken beats, warped vocal samples and playful synths and glitches. The sounds range between meditative ambient, lo-fi beats to study to and jungle. The composition is relaxing and zen, but in the meantime will give you enough quirky details to hold on to.

Remixes of a track from the forthcoming new Cantoma album. Noche epanola turn in an uplifting summery balearic disco winner , with handy bonus beats for anyone wishing to do their own cheeky extended mix. Upcoming dj speedy boarding goes straight for a small, smoke filled jacking dance floor vibe , compete with a trance inducing top line. Japans mysterious duo karel arbus and eiji takamutsu complete the package with a nod to that sublime moment when the sun just dips and disappears into the sea.

* Five years have passed since the first release of Nowadays Records.Launched with Fakear's signature (seen on Ninja Tune), the label founded by oOgo and Chomsky from La Fine Equipe has seen the growth of many projects such as Clément Bazin, Everydayz, Phazz (who produced for Travis Porter, did remixes for Soulection, Interscope and Mad Decent), Leska, Jumo and many others, all of them carried by the irreplaceable quartet of La Fine Equipe.

Five years during which Nowadays Records released 75 EPs and LPs, toured in and outside of France, and generated several hundred millions stream plays.With its heart in the right place, its eyes on the emerging scene and its ears open on the world, Nowadays built itself a singular and racy identity through the time. Fed by inspirations like Stone Throw, Ninja Tune or Warp, the label places itself as an ambassador of a fast growing scene, defending it through its shows, releases, and events like the two Boiler Room shows in Paris and London.Without sticking itself to a musical gender, Nowadays keeps on widening its horizons by working with foreign artists and mixing the inspirations through its releases, driven by its sound and visual trademarks and aesthetics.

In order to celebrate those five years spent defending as many projects as musical crushes they had, and to thank its community made of more than 150 000 followers around the world, Nowadays unveils the 'Nowadays V', double album with a digital and physical release on November 30th.Through this compilation, Nowadays gathers on one side the tracks that marked its history and, on the other side, unreleased tracks that sometimes lead to collaborations such as the one between Clément Bazin and Leska, or the one between Fakear and La Fine Equipe.

Das technisch versierte Naturtalent Leafcutter John (Planet Mu, Staubgold)präsentiert sich mit seinem siebten Album auf Border Community in Höchstform. "Yes! Come Parade With Us" ist ein kleines, perfektes, freudiges, utopisches Folk-Electronica-Kunstwerk, erstellt aus mehrschichtigen, gefühlvoll-modularen Synths, gelegentlichen Drum-Features (von Tom Skinner/Hello Skinny und Sebastian Rochford/Polar Bear) und Field Recordings, aufgenommen im Sommer 2017 auf einem 60-Meilen-Spaziergang entlang der Norfolk-Küste. Limitierte Formate.

Fresh from 1986, another slo-mo Disco / Boogie / Garage banger from the Easy Street catalogue. That's right, this is that downtempo electrified sleazy Funk that keeps dance-floors pulsing. It has all the trademarks of the time, dope futuristic synths, slamming low-key drums and a sassy vocal performance from Kim Marsh lamenting a useless guy and her heartbreak! Classic Disco subject matter indeed. This one stands head and shoulders alongside the Tanaa Gardners, Barbara Masons and all the other heavy hitters of the time.

'Main Thing' is a true rarity today and used copies command a collectors price on the second hand record market. Every home should have a copy of this, no proper Disco collection is complete without it. A record that will never go out of style & will always provoke some buckwild reactions on any dance-floor it's dropped on!

Shout out to Easy Street, %100 legit re-issue, re-master & re-press, essential wax!

Rotterdam-based Pole, Richu M, has been impressing with his scuzzy, eclectic output on Young Adults and Astropical that mixes dusty samples with hazy synths, ranging from wonky slo-mo house grooves to jazzy downtempo cuts.

He brings his colourful patchworks of sound to Monologues for a beautiful mini-album, complete with superb artwork from the man himself.

Label boss G. Markus aka Ben Gomori steps up to give 'Sorry, I'm Not A DJ' a kick up the booty with a garage house flex.

Dichotomy Records opens up its 2019 account with a four track extended player from Mary Yalex, the German born producer who has made big strides with her music over the last few years.

With a catalogue than spans numerous singles and two albums for her own Yalex Recordings label, as well as 2018 releases for Kann Records and ADSR Collective, Yalex delivers the fourth release on Danny Clancy's imprint.

Industrious beats and waves of ethereal pads define 'Here And Nowhere Else', as deft melodies and chords ripple over this reflective mood piece. This deep sound aesthetic continues through 'Remember When', as blankets of warming tones envelope the tribal percussion and considered groove.

IDM soundscapes are abound on 'Ambient Floor', whilst 'Dream Chasers' offers up a beatless ambient passage that sparkles and dazzles with electronic splendour.

'CHREAL01' is the debut project by Scottish producer Chaotic Reality exploring a meditative side to techno. Written over the course of several months spent living in New York as a resistance to the frenetic pace of a busy environment, 'CHREAL01' contains four tracks that repeat, oscillate and soundtrack a more centred existence.

Inspired by Shinichi Atobe, Avalon Emerson, Newworldaquarium / Ross154 & The 7th Plain. Each track in this self-released record is named after its sequence and operates on a slower tempo, focussing on melody and sound design, with aim to investigate the space between dub techno and early trance.

Track 'One' opens with gentle dancing chords developing over 7 minutes, with subtle nods to Echospace and Black Dog's 'Otaku' over a punchy kick and warm sub. Reverb-licked stabs pass softly in and out the mix and ride over a homogenous chord range, highlighting points in the melody and meandering back into the ether. 'Two' has an introspective focus, rarely reaching more than two kicks per four bars. An arpeggiated lead centres the composition, slowly developing over a thick bassline. Distant snaps and pops season the track and highlight the empty breathing space intentionally left in the production. On the B-Side, 'Three' is characterised by heavily saturated kicks softly thumping under a bubbling melody, broken by echo-delayed stabs varying in form, filter depth and feedback timing. On the closing song 'Four', Chaotic Reality develops and sculpts a stack of delayed chords creating a progressively elevating soundscape. The lead melody chords layer and discord - changing thickness, shape and form throughout - with pseudo kicks acting as a complimentary melody. Here, CR plays with space to creating a hypnotic spacial production akin to Digital Justice or The Orb, with the intention to take the listener to a transcendental state.

Musically and emotionally, Superpitcher's third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

And full-length it is:

The Golden Ravedays is an epic album of 24 tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period.

The fifth piece of The Golden Ravedays puzzle will be released on Hippie Dance in May 2017.

Number 5 of the series introduces two further tracks of the sound adventure that Superpitcher is taking us on this year.

The djembe drum on the cover and the two titles of the tracks hint that this edition could potentially include stuff that was inspired by the rhythms and melodies of Africa - a sound legacy that is of great importance to Superpitcher. Side A features Bluesin.

Rumor has it that Superpitcher visited South Africa and adventurously traveled into the deep bush-bush where he met new friends with captivating voices who speak in enchanting tongues. Initially, Bluesin is bursting with aching, longing and the oldest story of sorrow but there is also comic relief and pride in this story; typical of the emotional signature of the sound of Africa and the Blues that it gave birth to later on.

Side B features Burkina.

It all starts rather innocently with Burkina.

One gets carried away by the funky, ethnic drumming thinking yummy yes, this is going to be a virtual trip to the Brazilian amazon, or maybe a corner of the Congo, Cameroon perhaps, and one is not even side-tracked by the arrival of birdsong and something that hypnotizes, like beautiful sirens because it is all too groovy for any dictionary, and then, oh boy, then their Mother Superior arrives and all hell breaks loose.

Frogs, kudu horns, rattlesnakes, things that hiss and croak and the haunting voice of Her.

As if that is not enough to make you believe you have been propelled to a new continent, wait until the ending of Burkina!

It will transport you to another universe altogether!

Musically and emotionally, Superpitcher's third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

And full-length it is:

The Golden Ravedays is an epic album of 24 tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period.
The sixth piece of The Golden Ravedays puzzle will be released on Hippie Dance in June 2017.

Number 6 of the series introduces two further tracks of the sound adventure that Superpitcher is taking us on this year.
Side A features Protest Song. If music is a way of transporting us to other places, Protest Song takes us to a desolate, scary and loveless environment, a burnt-down, burnt-out place where the flesh of its former inhabitants is smouldering, void of goodwill and kindness in a cloud of toxic and greedy smoke. It's all Kafka and Orwell and Suffering - the most twisted and eerie track so far in The Golden Ravedays saga. What is undeniably clear is an acute sense of regret and loss - a warning that it could have been avoided, had we only listened to our hearts and protested.
In the same vein on Side B we hear powerful Resistance. Produced after the Paris attacks of 2015 Superpitcher outdid himself with this strong message of Resistance. Where Protest Song paints a picture of under-worldly doom, Resistance's techno beat and insistent refrain sweeps us to the surface of the muck of hatred and intolerance we've politically been dumped in. A voice that seems like a trapped animal is calling out to us. What is it trying to say Is it crying out for help Is that animal all of us Resistance represents hope and encouragement and could be the perfect marching track to any demonstration against negative forces. Much needed in this age of bigotry where it seems like time has leaped backwards to a darker side of history. As for the dancefloor - Resistance is irresistible!

Deep, raw and real Then NY*AK is the man! Andrew Scott has been releasing superb bottom heavy deep house groovers for many years on various top labels (like Local Talk, Paper or Ninja Tunes Technicolor). Now its time for Quintessentials! The A-side features after the sun, a deep, minimalistic and sexy groover, and mind, a blissfull and rich low BPM tune for an early morning come down. The B-side starts with vice, a proper Detroit track bassline, strings, rims and snares - and finishes off with the funky and mellow onions. Deep, raw and real NY*AK anytime!

Just in time for summer, RNT drops a 3-tracker of tropical heat from Brazilian outfit Balako. Although relative newcomers, their production prowess has been known to their Rio de Janeiro musical community and beyond for some time, and is on full display here.

The A-side showcases their knack for modernizing the canonical Brazilian MPB sound, from the deceptively demonic build of Batuque, to the acidic-leaning lilt of Deixa Acontecer.

The flip side takes a hard turn left of field with Honey Honey Honey, a 9 minute opus of Afro-Brazilian disco insanity, primed for those balmy summertime roof parties.

Jumanjí is the joint persona of RAMZi and Priori. This eponymous album is a deep adventure in Houti Kindom, featuring a cast of colorful characters practicing interspecific altruism in communion with the invisible world. All songs written and produced by Francis Latreille and Phoebé Guillemot at Jump Source Studios in Montreal, Canada.

Deep introvert yet powerful groovers by Ruffien on his second Deeptrax EP. In this one, he finds a perfect balance between club and bedroom-oriented heaters. The tracks on side A "Burner" and "Full Measure" have enough force to pack a punch, yet still carry that sense of intimacy which he has been known for. The B side is an 18 minute dub-techno trip named "Nada" that was previously released digitally on his label HLF/PIN, but has been re-issued and re-mastered for vinyl in all of its immersive glory. Winter music at its finest.

British producer Ross From Friends aka Felix Clary Weatherall is the newest signing to Flying Lotus's Brainfeeder family. The 24 year old has a fistful of releases under his belt, the distillation of myriad influences from hip-hop cut 'n' paste culture, 80s Eurobeat, Hi-NRG and Italo into lithe, irresistible, raw dancefloor trax. He made his debut on Breaker Breaker in 2015, followed by outings on Lobster Theremin and sister imprint Distant Hawaii, Lone's Magicwire and recently: Molten Jets.

'It's honestly an absolute rush to sign to Brainfeeder,' he explains. 'It has always been pushing such a forward thinking sound, one that constantly grabs my attention with every release. I put these 4 tracks together with Brainfeeder in mind, I wanted to explore the music that I've been developing over the past 7 years as Ross From Friends whilst trying to explore the explosive sound that the label is best known for.'

Up first, 'John Cage' encapsulates both his desire to experiment but also maintain a sense of fun. 'It originally began life as a tune for this goofy hip-hop project that me and my pal Guy from back home always do when he's in London,' explains Felix. 'I'd be making the beat and he raps. It's always a refreshing approach making tracks in that atmosphere because we're both always on such a spontaneous tip. When I'm making music alone, I'm obsessive and everything takes hours, whereas with Guy, we'd try and get as many tracks finished as possible in like a few hours. That's him freestyling a relaxation tape in the intro.'

Limited edition black vinyl 12' housed in an uncoated white board sleeve with product sticker.

1x each customer!

Four stunning remixes of Front De Cadeaux by our Fabrizio Mammarella. Comprising Hugo Sanchez from Rome and DJ Athome from Bruxelles, Front De Cadeux serve up three brand new tracks of 4/4 leaning crackling, static dance-mechanics that will fit straight in to your peak time selection. Touching on tribal house at points and the foggy basements of Berlin in others these remixes are joined by Mammarella's 'Pedé BPM' re-work - a gnarly slice of synthetic EBM that was previously only available digitally.

Metric Systems is the name of a covert project of over 20 years duration. It has moved across multiple continents, under multiple names. The 8 songs that make up 'People in the Dark' were recorded between 2000 and 2016 in various locations across Sydney, Melbourne and New York. The bright-eyed sci-fi fascination of Australia's Clan Analogue collective intertwines with the more sinister facets of modern technology - echoed voices pepper the album like fragments of a surveillance tape collected by our digital panopticon. A pervasive sense of paranoia and unease winds its way through these 8 tracks that move between techno, downtempo and more abstract strains of electroacoustic experimentation. Fittingly housed in a striking sleeve by American photographer Trevor Paglen, whose MacArthur-winning work revolves around these same themes of omnipresent surveillance and data mining.

'People in the Dark' opens with the wordless vocals of 'Your Room', drifting over the unspooling synthesizer sequence that seems to swell and recede from the foreground like the ebb and flow of a lapping tide, lapsing into dreamy ambience before the drums come back in. The smartly programmed drums are the focus of 'Chinatown Warehouse', whose hip-hop swing gives a distinct 'nod factor' to the otherwise hazy mechanics of the track. On 'Laika', a 303 line weaves its way across the subdued mid-tempo groove, gently recalling the ambient-acid of Susumu Yokota's 'Ebi' project. The penultimate track, 'Stellarwind' starts with a dark, foreboding drone before shining pads arc over like a glimpse of light through the track's murky darkness, the tension between these two poles moving together as the song unfolds.

This record reflect just a small selection from a large archive of recorded materials. All songs written and produced by Kate Crawford and Bo Daley.

La Fine Equipe blows this year the 10 candles of La Boulangerie.

An instrumental concept album about sampling, bringing together 35 producers (Fakear, Superpoze, 20Syl, Guts, Onra ...) on 3 volumes. A special anniversary box including 5 vinyls with 15 unreleased tracks.

Through this box that brings together the three opus of La Boulangerie (including an expanded version of La Boulangerie 1) and a bonus vinyl gathering unpublished tracks, La Fine Equipe remains faithful to his first love that are sample and beatmaking.

Diskotopia is extremely proud to kick-start 2019 with Girar, a four-track EP of new kaleidoscopic productions from Lisbon-born, London-based producer Silvestre.

Silvestre is no stranger to Diskotopia, this being his third release with the label, debuting with the gritty noise-and-thump Frank Pike EP in 2014, and following that up with the more buoyant, latinate Floresta EP in 2016. In addition to producing, Silvestre also co-runs the Padre Himalya imprint, putting out 2018's critically acclaimed Focus EP from tombak virtuoso Mohammad Reza Mortazavi, Renato's 2016 Alo Alo, plus his own Sport Theories and All The Things 12"s.

With the Girar EP, Silvestre presents four idiosyncratic cuts: the bubbling psychotropic mutant rhumba of Ir a Sagres, woozy spliff-house Deptford Bus, RC Surfer, a time-stretched reggaeton soundclash and the pseudo-jubilant breakbeat-house Everybody Is Happy; testimony of a truly unique and exciting artist in the modern current of electronic music.

ELSEWHERE CDXLIV is the third in soFa's carefully compiled series and the second release on the promising Brussels based Crevette Records. An exciting double LP containing 8 tracks which take the listener to a versatile journey from digital reggae over tropical balearic vibes to boogie and wave. Music which moves between styles, cultures and timezones, this time with a warmer overall flavor. A mind bending trip where 80's drum patterns bring you to exotic tribal workouts and where silky smooth synth lines lead to funky bass grooves. A spaced out affair for lovers of slow grooving music from elsewhere.

Demuja embarks on the thirteenth expedition into the exotic lands of palm trees and blue skies with the soulful and feel good 'Soul Brother' EP.Expedition thirteen features four jams packed of playful chord patterns, dark basslines and catchy vocals.

3x12"

Ay, caramba! Tropical dandy Rick Shiver's hot-yet-cool solo debut. The A-side has a sweet cha-cha de amor, take the chill of your chili and blush several shades of picante. The B-side adds some mariachi vibes for a 'stripped to the bone' dub. Blame it on the chili. Spicy!

vinyl only!

Eva Geist's music has the power to open doors. Her enchanting sounds are always an invitation to explore the most concealed nooks of our own perception. Therefore, it's not surprising to learn that, for her, music is often a way to answer some of her mental question marks. In the case of 'Urban Monogamy', this questioning refers to the diverse ways of understanding affective relationships in our time. She explains it in this way: "A sort of Pandora's box opened up, to offer me and pretty much everyone around me, a variety of relationship forms of all kind. Polyamory, open relationships, monogamy and whatsoever. It was very confused. I think this track represents that confused time." The feeling is perfectly conveyed through the track's restrained but steady groove. Eva's trademark occultist melodies and breathy lyrics that are both a celebration of freedom and an acceptance that, as emotionally complex creatures, we're destined to be dazed forever when it comes to figure out our feelings for others. In their remix, Velvet Season & The Hearts Of Gold transform the mysterious charm of the track into a weapon of dance floor seduction by adding a no-frills motorik beat and beefing up it's sub-low frequencies. It's not surprising that the remix has already been played by the emperor of cosmic sleaze himself: DJ Harvey. On the flip, 'Green Healing Highness' opens another type of gates, in this case of consciousness. As Eva recalls, the track was written in just one night after an acid trip in France in which the plants in a garden had showed her "something pure and magic", helping her understand "what it means to be healing". Overall, it feels like a more radiant take in her sound, with its whimsical arpeggios and melodies adding a bucolic touch to the psychedelic journey. The 12" comes housed in a sleeve by Barcelona-based artist Alicia Carrera.

Sun rises in the East & sets in the West!

Slow Motion's 38th (!!) Release Comes Courtesy Of Berlin-based Gallo Who You May Know As Part Of Balearic Gabba Soundsystem. Joining The Family For His Debut Solo Release Gallo Drops The Tempo For Three Deep-cuts Of Blissful Balearica. Backed Up With An Acidic, Chugging Re-rub Of 'faron' From Fabrizio Mammarella Which Is Perfect When The Sun Goes Down, Orange Stripe Arrives Just In Time For Summer. How To Get The Most Of This Track: Combine It With Blissful And Dreamy Beach-excursions Or With A Sunset Aperitivo. This 38th Release Has 'future Classic' Written All Over It.

Die Kraftvolle Soundwelt Des Ersten Songs Ist Eine Klare Aussage. Elektronische Musik Muss Nicht Dunkel Und Zwischen Vier Wänden Ohne Tageslicht Versteckt Sein. Rey & Kjavik Veröffentlicht Seinen Ersten Longplayer Namens "rkadash" Auf Katermukke Und Ist Vielseitig Und Unerwartet Erfrischend. Bekannt Für Seine Kraftvollen Dj Sets Zeigt Der Frankfurter Produzent Mit Diesem Release Einige Neue Fähigkeiten.der Track "ulima" Zeichnet Sich Durch Ethnische Reime, Einem Hypnotischen Gesang Und Interessanten Synth Akkorden Aus. "saraswati" Ist Der Track Zum Meditieren Während Getanzt Wird- Ein Bewegter Rhythmus, Der Jede Menge Raum Für Körperbewegung Bietet.
Eine Neue Version Von "baba City" Bringt Orientalische Rhythmen In Den Vordergrund. Inspiriert Von Seinen Reisen Zum Burning Man Und Anderen Berühmten Festivals Rund Um Den Globus, Ist Dieser Longplayer Eine Zusammenfassung Von Impressionen Und Klängen Auf Straßen, Hotels, Dunklen Flughafen-lounges Und Sonnigen Stränden. Der Main Track "rkadash" Bringt Mit Einer Groovigen Basslinie Und Dem Typischen Rey & Kjavik Sound Die Sache Auf Den Punkt. "escape" Ist Gekennzeichnet Durch Orientalische Grooves Und Housigen Passagen Gekennzeichnet Gefolgt Durch Den Track playa Sunset . Ein Typischer Katermukke-bounce Wird Dann Mit "akya" Eingeleitet- Ein Track Der Startbereit Ist, Um Die Bühnen Der Festival-saison Zu Rocken. Zu Guter Letzt Wird Es Zeit Sich Zurückzulehnen Und hare Sharanam" Beim Sonnenuntergang-egal, Wo Auf Erden- Zu Geniessen. Ab Juli Bei Katermukke Zu Bekommen.^

After 20 years in the lab Conny Frischauf releases her debut EP for International Major Label. - Effekt und Emotion is on point when it comes to songwriting, sound aesthetic and craftsmanship. Made with a deep understanding of soundscapes and pop culture, the musical language of Conny Frischauf breathes a magical and melancholic vibe that transfers itself into the subconscious of the listener without any comment. Full of unexpected moves and elegant references which disappear right before getting aware. Music for advanced dreamers. Discrete, unique, peerless and therefore a perfect match for the IML collection.

2x12"

An artist as versatile as Alex Krüger is a rare find these days, not only did he release numerous EP's and albums as Tigerskin or Korsakow since the mid 90s, he's also been on the forefront of the 'Dub Techno' movement since 1999 with outings on classic labels such as 'Raum...Musik", 'Force Tracks' and '3B/ United States of Mars". Now ten years after his last album on 'Opossum Recordings' Alex is back with this well crafted genre bending full length 'Caves & Cages". From deep techno cuts through rippling ambient excursions to funky reggae infused live jams with Haushausen this work is yet another milestone in the creative bubble Alex lives in (i.e. his studio). A predominantly analogue producer, Alex recorded most sounds for 'Caves & Cages' on his modular synths and vintage gear at Organic Domain during 2017 and early 2018. Throughout the album tension ebbs and flows effortlessly via syncopated subs, analogue improvisation, subtle chord stabs and sustained swells interspersed with textured field and home recordings. The ambient opener 'Intra' sets the tone for the album. Rich with alien atmospheres, distant soundscapes, out of reach voices and licks of live instruments dug up from numerous recordings dating back as far as 30 years, even before Alex started his electronic journey. The sojourn ventures deeper from there. Subaquatic dub techno is the mood on 'King's Cave", 'Helix' and 'In Air' only surfacing ever so slightly for moments of clarity where shimmering tops and glistening synth lines shed some light on the steady grooves. The tracks 'Future History' and 'Transition State CIV' border on deep house territory.

Anthony Fade embark on the fourteenth expedition into the exotic lands of palm trees and blue skies with the dreamy and ambient 'Fading' EP. Expedition fourteen features three jams packed full of spacey pads, gritty drum sequences and ambient soundscapes, accompanied by a industrial driven remix from TRP.

This 12", out on the limited-run LiveJam Limited imprint, wants to propose three club-oriented cuts exctracted from John Swing's debut album 'Assorted Moods', on a more DJ friendly format. The 4th track on the EP, "Bonus Track", is a previously unreleased raw house groover in typical John Swing's style. 350 hand numbered copies.

A wide range of artists remixing tracks from Mr. Fingers latest album 'Cerebral Hemispheres' on this three part remix ep series. For the last in the series Aleksi Perala remixes both inner- and outer-acid according to the colundi scales. Part 3 of 3!

LiveJam Records' backbones EMG and John Swing make their first appearance as Vinalog on the sought-after Limited series of the label. This promo release prepares the ground for an upcoming double 12' soon out on LiveJam Records. 300 copies of heavy duty analogue cuts.