House Novedades

"Rare Wiri Records" strikes back with this new sampler wax.
It includes 4 funktastic reworks by label head Rayko.

100% Bootylicius vibes to move any disco dancefloor! DJ Feedback: Dicky Trisco: some classic low slung sleazy Rayko disco vibes here Hifi Sean: Body Language & Revenge of the Rare wiri are FIRE Bill Brewster: Really like the dude Dj Rocca: Really lovely boogie edits.

I´m going to play some for sure. Pete Herbert: Loving Body Language and revenge. Will play for sure. 80’s Child: Classic Rayko. Loving this release and Bonononos wins for me. Peza: Loving these. Please send me vinyl bro! Rabo & Snob: sweet sound Get down Edits: very nice Jaegerossa: sweet edit of Q Alkalino: will drop them Markus Makossa: great quincy rework Anthony Mansfield: noice! Trujillo: Body Language is groovy as fuck! Thomas Fraudental: nice as always! Limpodisco: killer bassline over there. Love this ‘dude’ on steroids mood!

Klasse Wrecks is pleased to present a collection of old and new music from longstanding producer Steven Horne aka The Horn. The Horn's productions date back to the mid 90s, his series for Mark Pritchard's Evolution label being a stand out and signifier of a true studio obsessive. Steven Horne's back catalog of unsigned demos runs deep and ranges wide in style and tempos and after remixing his 'Villager' track Luca Lozano quickly signed up to sign on a collection of tracks. The 'Counter Counter Offer' EP collates music produced in-between the years 1994 and 2018 and offers them up as an introduction into the world of the The Horn and his music making process. Melodic and simplistic in style, Horne's music ranges from trippy and playful to deep and ethereal, employing his orchestra of various studio hardware pieces, all working in perfect unison.

Faze Action return with the 3rd instalment of their 4 part series featuring Zeke Manyika. "Sununguka", sung in Zeke's native Shona, is literally translated to mean, "To unravel oneself and unlock yourself".

It's set over an infectious reggae, boogie rhythm, with an early proto house feel. Featuring backing vocals from Sharon Manyika and heavenly keyboard solos from Rob Lee, this EP is set to take us into summer and beyond.

The package comes with a stunning remix from Alan Dixon who has been lighting up dance floors with his releases on Running Back and more. Here he turns the original into an Italo/electronic Aend of night classics, managing to seamlessly Amerge Zeke's African vocals with a serious bass line, ahead of the curve, contempory production whilst placing the release firmly in the credible main room department.

On "A2" we have Rwendo where Zeke really stretches his songwriting skills as the whole track manages to fuse a variety of rhythms together to create a beautiful downtempo masterpiece.
Finishing off we have the "Special Extended Dub Mix" which strips back the original and turns it into a balearic house gem made for the summer ahead.

Continuing the vibe set in motion by number 003, and in a timely shift away from the elevated tempos of the club, Startree slows it down just a bit more for its fourth go-round, raising its sonic ceiling and lowering its floor. The sensuous, broad-minded sound on offer here is the brainchild of one Mr. Eugene Tambourine, a name one can expect to be hearing a lot more from in coming months, given his distinct, energetic-yet-calming amalgam of musical delicacies, perfect for these shifting times.

“A Rising Sign“ somehow recalls salsa without using any drums, as it does house music without employing a kick. Don’t ask how, just let it groove and try to figure out why your ass wants to move despite the absence of almost all of the hallmarks of today’s “dance music”. All except for the outsize bassline which holds it all down firmly to the floor while playful electric piano chords punctuate and add blocks of color to a an idyllic soundscape animated by cascading chimes, glockenspiel, bell, synth and zither. This is a warm, sonic bath you’ll no doubt wish lasted longer.

“Le Lagon Noir” began for Eugene as an instrumental rendition of Laurie Anderson’s “Blue Lagoon” but is, here, reincarnated in the form of a louche, mystical, serpentine groove which wouldn’t sound out of place at an aquatic rollerdisco. Its lyrics have been revived, translated into French and voiced by the inimitable Camille Vourzay in her smoldering, dusky spoken tones. Bright and mysterious synth textures wash the rich, mid-tempo jam in a lunar haze while pattering percussion adds earth to compliment the water.

“Keep my Light” beautifully reframes a lyrical reference to the pop-gospel standard “I’ll Keep my Light in my Window” within a deceptively empty-yet-full bed of softly-rendered drum machine programming and shimmering metallic textures. Its wistful synth work hits that ever-elusive, melancholic magic spot between loneliness and abundant love.

Eugene's composition "Love Is On The One (No Rues It's True)" concludes the record, bringing the sentiment back home to where the heart is. Yevhen Bubon's vocals lead this softly jubilant celebration of a bond between souls. Using a palette which suggests both Logg and Larry Heard and lyrics which may provoke a tear, this is space-y, groove-laden music for both earthly and cosmic lovers alike.

Startree is delighted to present Eugene’s unique sound to the world as a continuing statement of its musical intentions and its simple desire to inspire and have a good time.

Taana Gardner's s/t NYC disco classic from 1979 is celebrating its 40th anniversary! Happy birthday!

Nicely repressed, remastered and spread across 2 x 12" sides of wax we have this mammoth, benchmark record back on the streets.

All the 12" mixes are here, in their full glory. Pressed nice and loudly from all master sources. It's all here. RSD 2020 sees this special west end product available for you, the lovers of this incredible, disco music. Still sounding as amazing and bombastic as it did in '79, you'd be hard pressed to find another, more solid collection of cuts, produced by the incomparable Kenton Nix, mixed by Larry Levan - need we say more?

If you dig your classics, and you love the disco sound, this one is unmissable. You're welcome! Produced in collaboration with Sony / Above Board distribution, 2020.

Cardiology have already set themselves apart from the disco edit pack with their excellent previous entries, and now their fourth installment continues in fine style with another batch of smartly selected edits. You can't go far wrong when dealing with Mad Dog Fire Department's insanely funky "Cosmic Funk", which they nudge a little closer to the house side of the dance music spectrum without losing the original's killer groove. Next up is "Ms Brown", which is equally slick and bumping. Then on the flip things get smouldering with the gorgeous "We Do It" - one for contemplative wind-down moments rather than the peak of the night. "Fresh Groove" completes the set with a heavy-rolling instrumental cut to take you deep into the heart of the dance.

For his return to Make Mistakes, Derek Russo ventures into the Belly of the Whale with three pieces of beautiful, retro future, dance floor chic.

Embryonic Speck opens up the record, evoking classic rave beats, in a crisp, clear, modern style. With this cut, Derek has crafted a late-night slayer for the discerning dance floor. A relentless groove drives the track along, creating the hypnotic, smoky dreams of rave’s past.

Night Sea Journey takes it down into disco depths. A wandering bassline swaggers through the track, crashing through dark waves of sound. Sexy and mysterious, made to drag the sweaty sea on the dance floor through the night.

Straddling, a piece of timeless, familiar house music, rounds things out by bringing in a touch more warmth and whimsy. Still for the darkness, but with a lighter mood, and booty wiggle bass. Deep, and grooving, with a playful sexiness, what more could you ask for?

“Consider the subtleness of the sea; how its most dreaded creatures glide under water, unapparent for the most part, and treacherously hidden beneath the loveliest tints of azure. Consider also the devilish brilliance and beauty of many of its most remorseless tribes, as the dainty embellished shape of many species of sharks. Consider, once more, the universal cannibalism of the sea; all whose creatures prey upon each other, carrying on eternal war since the world began.

Consider all this; and then turn to the green, gentle, and most docile earth; consider them both, the sea and the land; and do you not find a strange analogy to something in yourself? For as this appalling ocean surrounds the verdant land, so in the soul of man there lies one insular Tahiti, full of peace and joy, but encompassed by all the horrors of the half-known life. God keep thee! Push not off from that isle, thou canst never return!”

― Herman Melville, Moby Dick

LA’s Pleasure of Love edit series is back, after a brief hiatus, with an eye towards the sounds of Italodance, New Beat, and late 80s acid.

Dino Soccio takes over editorial duties and delivers a darker, playful take on early rave meets disco edits. “Chimay Groove” is a thumping new beat number reminiscent of Lola’s Wax the Van, while “Acid5 Finale” is a lighthearted, rolling acid workout.

On the B side “Bump Theme” is a peak-time, driving Italodance DJ tool for rooms big and small. Rounding out the release is “Nana’s House,” an uplifting early 90s french-afro revision.

Rickard Jäverlings music can deservedly be described as playful and searching but for that sake not fumbling or too loose around the edges. On Album 4, the second album release from Jäverling on Höga Nord Rekords, he dwells more in dub than on his prior album release, and Jäverlings skillful songwriting is carried smoothly by the soft and fluffy production: the rhythm section sounds as if resting upon a sun warm bed of moss and elements flows in and out of the production like a freshly rippling stream of water deep in the summer forest. Echoes shoots through the pines, the hills and the valleys and makes the album a premium dub experience which dominates large parts of the album.

Aside the obvious references to nature that comes in mind listening to Jäverlings music, this album is more than a romantic view on the Swedish wilderness. It flirts, like all quality dub from the seventies and eighties with science fiction and space with broad synthesizer sweeps and delay drenched clouds like imploding and exploding stars somewhere in the outskirts of the Milky way, spreading dust over the Swedish forest. On the final three tracks, Ganjaman_72 takes the album out of the galaxy with spaced out-remixes on some of the songs.

With his feet steadily grounded in jamaican music tradition whit a non sentimental and curious view on production, Rickard Jäverling have together with Johan Holmegård (Dungen, Goran Kajfes), Andreas Söderström (ASS, Goran Kajfes) och Ganjaman_72 created the natural follow up to Album 3.

New 2LP instalment from Ministry Of Sound’s ‘Origins Of’ series.

Die beiden JEUDI-Records Künstler Deo & Z-man sind zurück und leisten ihren zweiten musikalischen Beitrag für das Label. Die beiden beweisen mit ihrem neuen Werk einmal mehr ihre Einzigartigkeit innerhalb der Szene. Um sich komplett auf ihre Musik konzentrieren zu können, schließen sich die beiden aus einer Musikerfamilie stammenden Künstler in ihr Studio ein und isolieren sich so von allem, was auf dieser Welt passiert. Das Ergebnis dieser Session ist ein neuer inspirierender 2-Tracker.
Um den beiden gerecht zu werden, brauchten wir natürlich Remixer mit dem selben hohen Anspruch an ihre Werke. Diese sind mit - Zombies in Miami', deren letztes Release - Love On The Rocks' sehr viel Aufmerksamkeit erregt hat und - Eddie C', der regelmäßig in der Berliner Panorama Bar auflegt, gefunden worden.

Jiaolong and Now Again team up for this special limited 12" featuring the Daphni edit of Luther Davis Group's disco classic 'You Can Be A Star' fresh from its inclusion on Daphni's Fabriclive 93 mix and heard in the dj sets of Daphni and his friends at festivals all over this Summer.
The evergreen original is included in all it's glory on the B side.
The 12" comes housed in a gorgeous hand screened sleeve by Tazelaar Stevenson

‘New Horizons’ is the second single from the brand-new album ‘Metamorfosi’ by Joseph Capriati.

True to its title, the track explores directions we’ve never heard before in the music of the Southern Italian producer from Caserta. It is far away from the 4/4 kicks and from the usual techno territory where Capriati is a master and a worldwide pillar. ’New Horizons’ looks somewhere else, and to head to these new horizons, Joseph joins an extraordinary travel mate: musical legend James Senese. Senese is a saxophonist who has crossed some of the most important adventures of Italian music during his long career. From Napoli Centrale to the historical and mythical band of Pino Daniele, a backbone of the famous Neapolitan Sound of the ‘80s, with whom Senese has surpassed the boundaries of Italian fame to become a worldwide reference of a fresh and new take on pop, funk and jazz.

Senese, the tradition. Capriati, the innovation. A legacy, a musical heritage of Neapolitan and Italian music, from the roots to the present and projected into the future for a surprising and unexpected collaboration. In ‘New Horizons’ the electronic production of Joseph Capriati coexists with the tradition and the mastery of a champion like James Senese's sax, in a smart and sophisticated, downtempo beat. A track intended to leave an indelible mark on International music.

After surpassing 100k plays on Soundcloud, it became clear
that Ren Riz's disco jam Marmalade deserved an official
release. Accompanying the laid-back, sun-kissed original mix
is the “Late Night” version – a chopped up disco house
reinterpretation with a higher tempo and dance floor appeal.
Jupiter Direct locks the house groove in with its dubby filtering,
rolling bass-line and funky guitar loop. Saving dessert for last -
Pudding is a summery nu-disco tune with a choppy disco
bass-line and Rhodes chords for days. This release is all about
summer sunsets & aperitifs! Ren Riz is a Melbourne based
producer with hip-hop production roots. He began dabbling
with house & electro in the mid 2000s, whilst maintaining
sampling as a backbone to his sound. Along with a string of
remixes and popular re-edits, Riz has released 4 EPs on
various labels, with 2014 seeing him establish his own imprint
Casual Sparks

Texan, The Silver Rider takes time away from farm-life to drop two heart-tender disco missives, while splitting the slab with Londoner, Bustin' Loose, who makes his Whiskey Disco debut.

Kicking things off on the a-side is The Silver Rider with 'Roundhouse,' a reworking of a stone-cold classic that injects club ready beats and high energy vibes into some very recognizable sample sources. Next up, TSR keeps the energy, but adds a sunkissed breeze to the mix with 'You're The One,' a super smooth and groovy number perfect for top-down cruising or pool side jamming.

Flip it over for a powerful pair of cuts from Bustin' Loose... the founder of London's, The Disco Express party series and a burgeoning producer with previous releases on Toy Tonics and Roux Records. 'These Ol' Days' gets us started with proper warm up tackle as a silky, filtered loop evolves and opens atop funky guitar loops and sultry vocals. Move the needle to the inside cut and we take the energy up a notch with 'Home Way Phase,' who's galloping percussion creates an urgency for shimmering strings and horn stabs to perfectly punctuate... PROPER!

Take two monster tracks and apply the ‘Heavy Disco’ ethos to them. Then get on the dance floor and let the music take control. Remember – Heavy Makes You Happy.

Love Drop has released some absolute dance floor bombs over the years on labels like Disco Deviance and GAMM.
Here he decides to let loose on his own imprint.

Keeping up the quality, he drops two deadly cuts that blend Disco inspired sounds with those trademark Love Drop delays and his masterful feeling for what really drives a crowd wild.

Drop some love.

The series 2 of NewYork House Edits. Monchan edited 90's NY Garage House from the legendary record label & Shop "Vinylmania".
“Vinylmania" Owner Charlie Grappone opened the Vinylmania’s doors in 1978. He opened the store with a sparse selection of Rock records
but after crowds from the Paradise Garage started showing up he realized his market was with the house heads. Vinylmania quickly became the goto spot for house in NYC eventually spawning a record label under the same name and it’s legacy began. Sadly Vinylmania closed its doors in 2007 after almost 3 decades of business.

A key fixture in the record bags of DJs throughout the past few decades, best known for their unforgettably odd house anthem ‘He Not In’, it’s been some years since Andy Meecham and Dean Meredith last collaborated as Chicken Lips. As such, it’s with no little delight that Phantasy welcomes them back into the fold with one of their most mind- bending tracks yet, accompanied by a remix from a fellow stalwart of the underground, DJ Sotofett.

Instant and assured, ‘Goldenlips’ unrolls like licorice over ten blissful minutes, mining an undercurrent of post-acid house euphoria into a dreamy analogue jam-turned-trip, a soft and rhythmic vision of dancefloor euphoria that demonstrates a mastermind session of tension and release from two individuals with decades of experience in tipping dancefloors upside-down.

On the flip, DJ Sotofett continues to deliver the unexpected with a more truncated but no less compelling ‘Golden Funk’ mix. Suddenly rolling back the musical clock to the sun-drenched West Coast of the mid-nineties, the result is an oozing, bottom-heavy rework so delicious, it might even have united Puffy and Snoop.

Part Two of a picture sleeve special release for RSD featuring new and exclusive remixes from Idjut Boys, Folamour, Ron Basejam and JKriv, all produced from original studio master tapes.

Top drawer cosmic-tinged, timeless jazz funk from Elixia, "Soho Phaze-/Soho Nights",
gets the remastered reissue treatment on "Record Shack".

"Soho Phaze" wasn’t going to be light on the effects was it? "Going heavy on the phaser" would have been an understatement, but what could have sounded like an endlessly swirling soup of effects turned into a breathtaking, intergalactic, early ‘80s jazz funk dream.

On the flip ‘Soho Nights’ keeps the effects subdued letting the squelching synth lines, feverish stabs and pure funk bass do the strutting. Both Sides still do the damage to this day, with DJs such as Nick The Record, Joey Negro, Mark Grusane, Medlar & Faze Action all regularly drawing for the mystique and mastery of this 12" big tip!

Making Covid-19-references when writing about popular culture can feel tiresome, living in the midst of it but let “Taken From A Fixed Point” by In Fields console you in this age of pandemic. This album pierces through you like sunbeams through the blinders of your quarantine-ridden apartments’ windows.

This isn’t In Fields first appearance on the label. In 2019 the artist released a collaboration with Golden bug and the exiting dynamics of that album resounds in this one. Though a little easier on the disco influences and a turn towards ambient, In Fields’ music is still “tension and release” dance music produced to perfection. In Fields characteristic sound contain contrasting elements where soft airy synth pads meet more frightening sounds dug up from somewhere deep and dark like in “Ghostnights”.

The tracks are dynamic where growing crescendos fast and suddenly fades out and you realize your mind have been focusing on a completely different part of the sound. Underneath those surprising elements sits a skeleton of well-sounding bones keeping the songs together tight and steady.

“Taken From A Fixed Point” is dance music for a dance floor in your head and triggers the muscle memory in quarantinenauts tired of hard lock-down. Though produced in a dark place, this album gives a somewhat positive vision of the future and life on the other side.

Norm De Plume makes a welcome return to Delusions Of Grandeur following up last year’s Castlecrag EP which boasted a remix from the mighty Folamour. The Londoner, now based in Sydney, has been quietly making a name for himself over the last decade with remixes for Tornado Wallace and Ben La Desh and EP’s for Kolour LTD and his own vinyl-only imprint Plumage winning him a solid following along the way.

His passion for all things disco and deep, dubby, underground house inspired by his musical hero Ron Hardy feeds through into his production style as well as his recently formed Analogue Discogue party which boasts an audiophile sound system and vinyl-only sets from the DJ’s.

For his latest release entitled the Squarker EP Norm gives us plenty of heat for the dance floor across three brilliant originals. The title track even manages to make a slap bassline sound good with a healthy dose of dub delays and some deep, epic chords building into the mix. A crunchy disco groove with live hihats and congas keeps things loose and organic whilst remaining fat and punchy.

Flipping over we have Love Me So which works up an 8th note live bass line to great effect, filtering chords adding a nice tension until the point where an off kilter synth sequences joins to add the icing on the cake.

Closing out the EP we have A Stone Thing which takes a more housey approach with classic 909 hats bringing a shuffle feel and layers of chiming chord stabs adding a deeper atmosphere for the warm up or afterhours.

All the beats, tracks, and harmonies that Vega Records release have a story behind them, 'UNION DANCE (LOUIE VEGA REMIX) - DJ CLOCK FEATURING MADAME-X's begins where most great things do as far as we are concerned.... under a mirror ball in a dark club! One night, (well really EARLY morning to be honest) while Louie Vega was vibbing in the booth, listening to Timmy Regisford work it out for a packed NYC dance floor a wild beat caught his ear. As Louie looked over and saw the crowd confirm exactly what he felt he turned to Timmy with a smile and said "that beat is hot, let me get that", and from that moment UNION DANCE's story began with Louie Vega.
No surprise to Louie, DJ CLOCK of Durban South Africa was the mastermind producer behind this fiery beat. DJ CLOCK is practically a house hold name in S.Africa since he first got into producing and djing in 2007. He's collaborated with some serious heavy hitters including Fistaz Mixwell, Euphonik, Oskido, Chynaman et al and has become the go-to producer for compilation albums across his continent and now with Louie Vega he's making his way to all of us. This gritty beat captured every emotion that makes you go in even harder at 3am... It had heat pumping out the system but it was missing something as far as Louie was concerned.
The missing element was the incomparable force that is MADAME-X, known to many as a sexy sultry vocalist by all accounts but there is a force living within HER expressed only as MADAME-X. She interprets the words of Maya Angelou with the utmost confidence and conviction. A powerful woman, with her raw, unapologetic edge MADAME_X pro claims "I WANNA DO THIS MY WAY" transforming a hot beat Louie heard one night into a FIERCE TRACK to ignite crowds around the world today!
UNION DANCE (LOUIE VEGA REMIX) - DJ CLOCK FEATURING MADAME-X reminds us that not only is it ok but its necessary to OWN THE DANCE FLOOR! This right here is for the djs, the dancers and all those who truly understand that HOUSE MUSIC IS A FEELING!
AVAILABLE AT YOUR NEAREST VINYL OUTLET. DISTRIBUTED BY ABOVE BOARD DISTRIBUTION, UK & MANUFACTURED BY OPTIMAL, GERMANY

West London’s Slip ‘n’ Slide was one of the UK’s original house imprints. With early releases from Kings of Tomorrow, Deep Dish, Masters At Work and X-Press 2, the label set the benchmark for house music in the UK and gave a platform for artists who went on to be all-time greats.

One of these artists was Blaze, who don their Funky People alias on this special 12” release, with vocals by Cassio Ware, one of the most revered and respected vocalists during this era.

Known for their gospel and soul tinged sounds, this double 12” delivers a masterclass in remixing with brand new versions by Jovonn and Hugo LX alongside classic mixes from Masters At Work, Knee Deep and 20:20 Vision, each bringing their unique sound to this record box essential.

Time to welcome an international champion of all things cosmic to Wrong Era, Slow Motion's international facing sister label. With releases on Clone and Viexlexx to name but two, Mr Pauli is one of the disco underground's favourite tastemakers and he doesn't disappoint with four slamming tracks of sublime synthesized funk.

Prolific Spanish producer Rayko brings you four slices of synth-tastic nu-disco with a prog twist here. The title track is a lazy, hazy affair in which untold layers of analogue sound oscillate their way in and out of the picture. "Drive" sees him join forces with fellow Spaniard Landerground to deliver a wonderfully fluid, fluttering chunk of synth-heavy Balearica. The title is clearly a nod towards the famous movie of the same name, and many of the electronic sounds are reminiscent of the film's legendary soundtrack 'Autopower' is a tad funkier in feel and, with its sense of repressed energy, would make a great building track. But for some truly out-there thrills, head for 'Oopart', a guitar-led affair that comes on like Ripperton jamming with space rock diehards Ozric Tentacles.


DJ Support:

Aimes (Wonder Stories ): Lovely Stuff
Oooft! Diggin' the slo-mo vibe on Space Pig Lover :)
Sold Out: love the slow 80s cosmic vibe here
Markus Makossa: solid tracks
Ilya Santana: Space pig lover is the one, really great slow mo retro killer track!
Gouranga: Autopower sounds powerful! :)
Venice Beach: oh yeah very cool EP, perfect for opening show !
Chris Massey: Love the almost ambient feel to the original (Drive)
Fingerman: Lovely Balearic goodness
Tonbe: Very good release. Support.
James Rod: Pure Cream
In Flagranti: nice Ep. Thanks
Get Down Edits: nice selection right here

New York's Will Buck is fast becoming one of the Whiskey Disco Family's most consistent artists and we're happy to present his new EP, NY Hustlin'. This time, he's brought along another Lovedancing alumni, Felipe Gordon and together, the pair deliver a stellar offering for our 15th release.

The titular track opens with slap bass loops and east-coast chants, moving swiftly into smokey chord stabs and bustling horn riffs. Shifting gears into 'Don't Wear It Out,' the energy is amped up with shuffling beats, dubbed out vocal chops and a relentless groove.

As we move to the other side, Will Buck and Felipe Gordon join forces for 'Can't Hold Me Back,' which features latin percussion and some lovely live bass from Mr. Gordon. Lastly, we have one final treat in the form of a Felipe remix for 'NY Hustlin' which sees the man impose his trademark style upon the title track and round out the package nicely.

Pure vibes for you next livestream!

Knight Fever is the second release on Bungalo Disco. The four songs are a mixture between childhood dreams driving K.i.t.t. and a time travel from the 80s to the 20s and back – each track on its very own way.
»Taniacid« is a Neo Italo track with some spices of acid that will make you feel like driving in „Super Pursuit Mode“.
»Trust doesn’t rust« is more or likely an Italo Disco song, hard to say when it has been created. Not even Italo Brutalo himself knows it. »Knightmares« – name is title. The psychedelic track contains just two elements. Less is more. An absolutely secret weapon on the dancefloor. »Not a drop to drink« has originally been written on a very hot summer day in the mountains of Ibiza, what you might not expect due to its dark atmosphere with elements of old school electro music.

Debut physical release from Scottish newcomer Andrew Greens AKA Ash Is. Hailing from Edinburgh and at the heart of club culture in his city, he is running parties and sharing stages with the likes of Baltra, Bwana, and other forward thinking international artists. This release comes packed with 3 affecting club tracks, each serving a different purpose. Ash Is fuses elements of rave, house, techno, and electronica to serve up moments of euphoria & tenderness. Fluttering arpeggios, dusty breaks, warm pads & feeling laden melodies often feature, capturing a sense of post-club emotion. These are three heavy hitting cuts that truly carve out a lane of his own.

*2017 repress, New Artwork* A remarkable follow-up to a timeless album that shows the band taking greater risks in songwriting and playfully experimenting with production techniques.
This album is Witch's stunning swansong before the fast-changing music industry and political environment in Zambia took its toll on the group. Again rooted in American FM radio, from soft rock ballads to boogie, this album sees the group embrace their Zambian roots to a greater degree, which is reflected in the rhythms and even the title of the album. This time around Patrick Mwondela pushes his synth work and electronic production to a whole other level. Kuomboka is the unforgettable last voyage of this legendary band.

Disco Bits are back with 4 more essential edits aimed at late night dancefloors...

Ancient rites of witchcraft and wisdom are the theme for Red Laser's 2nd release of 2020, with chief sound sorcerer Kid Machine consulting the eight schools of magic to create a spellbound opus of Manctalo mystery.

Across the 8 defined classes: Divination, Abjuration, Enchantment, Necromancy, Illusion, Conjuration, Evocation & Transmutation; Kid Machine renders these archaic energies into reactive musical matter. Much like mages and hierophants have kept centuries-old traditions and processes; the studio wizardry of Kid Machine reflects the various epochs of electronic music preceding it: the wistful yearning of vintage Italo coalescing with the charged energy of Northern English dance music and crafted via a meticulously sourced array of esoteric sound tools.

Side A's 'Magico', schooled in Divination, opens the LP.
A rugged rhythmic synth line nicely tweaked and with tasty clavs it's further expanded with glassy keys and a vocal refrain reminding us of its future-predicting powers.
'Make Me Feel Alright', protecting us with Abjuration, employs both squelchy and staccato synthesizer functions to construct its impenetrable gilded fortress. Banishing its foes to far-away lands with classico leads and a chord progression steeped in Italian nostalgia.
Snappy freestyle beats, galloping arps and searing melodies enchant 'S.D.M', an alchemical hybrid of electro-disco and pulsating EBM that would surely convince plenty, previous, non-compliers to frequent the poppers-drenched dark rooms of Europe's nocturnal underbelly.

Meanwhile, channelling dark necromancy, 'You're Love' closes off disc one with some of the most authentic, Italo-inspired keyboard interchanges and spirit-raising sequences available on the album.
Next come the winds & tides of Illusion and Conjuration. 'NGAFFS's' anthemic licks emanate off the wax. Broken down to 'not giving a flying fuck', it's Kid Machine's most spine-tinglingly epic track to date; uniting all under its Tesla-like harnessing of zero-point energy. Add coital thrust and you find us physically trying to grab the holographic, multi-dimensional synth fractals from the air in front of us upon first listen!

'Muszic' continues with another grandiose Manctalo coup de grace, full of sentiment and yearning.

Inviting Evocation through smokes & strobes, 'Modera' sees amyl nitrates recklessly thrown into the cauldron, tantalizing arpeggios stroking our most erogenous zones with abandon.
Finally, 'The White Hotel', assigned: Transmutation - is a tribute to the infamous nightspot contained within Red Laser's immediate territory, and home for the crew's many spectacular parties.
It's a fitting homage as galloping analogue sequences march over sensual strings and moody chord progressions; evoking that irreplaceable feeling of being surrounded by your favourite homo sapiens in one of the most hedonistic locations on planet Earth.

"Those who don't believe in magic, may never find it...".

Dublin based disco imprint Fatty Fatty Phonographics return with the 4th instalment of their 'Downtownsounds Classics' series, this time throwing three stone-cold classics onto one 12, all given the re-edit treatment by in house producers Pablo and Shoey.
Voiced by Leroy Burgess, with drums by hip hop legend Marley Marl and production by The Aleem Brothers, 'Release Yourself' was a huge across-the-board anthem in the clubs of NYC on its release in 1984.
The lads have superglued elements of both the vocal and dub sides together for an epic end of night take on this beloved classic.The B side features two under appreciated classics from the pen of one Billy Nichols, a man known for his work with West End Records (the Levan mixed 'Give Your Body Up To The Music') and the funky band of brothers that was BT Express.
On 'Take Me...' Nichols' hooked up with disco master Patrick Adams for an emotional, string drenched disco belter that has found favour with the likes of Dimitri from Paris, Floating Points and Hunee.While 'Dance If Off' is a wonky proto Acid-Disco trip beloved of Rahaan and Eric Duncan of Rub 'n' Tug. With copies going for over 300 euros, you can do your bank account and your dancefloor a favour here...

Multi-instrumentalist/producer extraordinaire - Flevans has been on fire the last few months. With more plays across the BBC 6Music and Radio 2 than you can count on all your limbs combined, his recent singles have proved to be a huge success on the air-waves.

Following up this early enthusiasm with the stellar LP 'Part Time Millionaire' in March, the album was received very warmly by critics and fans alike.

With source material this good it was time to have some fun and at the end of March we released the undeniably brilliant Art of Tones Remix of Who's Got Me – featuring the brilliant Laura Vane on vocals. Deep delicious disco. That's how we'd describe it but don't take our word for it, listen to Todd Edwards, Bill Brewster, Kraak & Smaak, Hector Romero and Francois Kevorkian – all of whom are supporting it. Or listen to Diplo, Mistajam, Annie Nightingale, and Gilles Peterson who have all supported his past releases on the wireless..

Well good as that was, the fun doesn't stop there as the next instalment of remix magic has disco man of the moment Ray Mang giving the special treatment to It Just Goes (feat. Sarah Scott). He's always been a legend but his re-work of the phenomenal handclap band was THE remix of 2018 for the disco cognoscenti and he has turned in some of his very best work here.

Yes - we like to listen to music online and have the convenience of an endless collection always available but for the masochists who like to break their backs lugging heavy boxes of vinyl round to gigs – don't worry – we got your back (broke) by putting both of these killer remixes on one extremely desirable 12"





[a] A1. It Just Goes (Ray Mang Extended Remix) [feat. Sarah Scott]
[b] B1. Who's Got Me (Art Of Tones Extended Remix) [feat. Laura Vane]

[a] A1. It Just Goes (Ray Mang Extended Remix) [feat. Sarah Scott]
[b] B1. Who's Got Me (Art Of Tones Extended Remix) [feat. Laura Vane]