House Новости

Come To Canada You Will Like It is a record about slowing down while finding a balance between rural and city living. Inspired by subjective memories and ideas about things and places: Looking back and moving forward.

Sano ha vuelto!

Latino Body Music continúa en 2019 -
LBM Volume Tres, es un disco para damas y caballeros
que están enamorados. Sí, eso es correcto!
'Oi Papito - Hola Mamacita'

Fresh from 1986, another slo-mo Disco / Boogie / Garage banger from the Easy Street catalogue. That's right, this is that downtempo electrified sleazy Funk that keeps dance-floors pulsing. It has all the trademarks of the time, dope futuristic synths, slamming low-key drums and a sassy vocal performance from Kim Marsh lamenting a useless guy and her heartbreak! Classic Disco subject matter indeed. This one stands head and shoulders alongside the Tanaa Gardners, Barbara Masons and all the other heavy hitters of the time.

'Main Thing' is a true rarity today and used copies command a collectors price on the second hand record market. Every home should have a copy of this, no proper Disco collection is complete without it. A record that will never go out of style & will always provoke some buckwild reactions on any dance-floor it's dropped on!

Shout out to Easy Street, %100 legit re-issue, re-master & re-press, essential wax!

For their next trick, Get Physical treats everyone to a taste of their latest big project, India Gets Physical, with a single from Kone Kone that includes remixes from Reboot and Todh Teri (who will be curating and mixing the bumper forthcoming compilation). Mumbai's Kone Kone has an unconventional DJ style, creating audio-visual productions that are 'a new route to discover old media.' Kone Kone's electronic sounds explore Indian musical practices with a lo-fi finish, including references taken from disco, funky basslines and rolling toms. This superb latest track is a tribute to Indian cinema's '80s dance music. Entitled 'Come Closer,' it is a brilliantly loose and louche house track propped up by elastic bass. A whole world of instrumentation and exotic percussion enrich the groove while female vocal coos and soulful pads bring rich colours to lift the listener. Remixer Todh Teri is behind the acclaimed Deep In India release series and is at theheart of the revival of Indian cinematic sounds, where Bollywood sounds are reworkedfor the modern dance floor. His brilliant version has heavier drums doing big loops and pulling you further in each time as the synths bring cosmic vibes. Last of all, label stalwart Reboot's Muscleflexx Remix is darker and more edgy, with late night dance floors in mind as the pulsing synths and slippery drums gradually unravel. This is a great introduction to the next exciting chapter in Get Physical's country- focused compilation series.

Social Lovers return to the dance-floor with a stunning white label release of "Lover's Flame / The Light" on Hobo Camp to close out 2018, following up their ltd 7" "Can't Get Enough". "Lover's Flame" is a mixture of street funk and freestyle, evoking classic 80s NYC synth feels, accompanied by Doherty's playful vocals. "The Light" channels soulful garage house feels, and keeps the vibe sensual, spiritual, and heavy. A true dance 12" with an additional 'Instrumental' version of the A side, and 'Keypella' of the B side, DJs are already banging these tracks out on systems worldwide.

Led by head-producer Matty P, and the sultry voice of Megan Doherty, Social Lovers are a collaborative group that sprung up from the desert of Phoenix, Arizona and soon to spread to both coasts. Now with their core members sharing home-bases in both New York City and Los Angeles, their smooth sound is best defined as 'street funk with a splash of class'.

A regular at Cocktail d'Amore, Bell Towers is a Berlin-based Australian producer best known for his long-lasting collaboration with Munich's Public Possession. Next to that, a number of projects under different monikers - namely Rim Boys, an evolving b2b with Andras.

"I'm Moving To Berlin" is his first EP for Cocktail d'Amore Music. It's a sparkling celebration of the party; its influence on the city and on the producer's life tangents. "It's too late now / There's no turning back / I gave it all for Cocktail d'Amor..." Rohan confesses, while a hybrid EBM-synth pop sonic adventure unfolds.

What happens next is presented in "Sexual Intruder Alert" and "Approach and Identify". The first comes through as a quirky multidimensional future-disco tale, while the second plunges deep into the cosmic hole with punchy percussions and an euphoric groove pattern.

Mysterious white label release 'ALFA EP' coming from new kid on the block 'Alfa Cornae'.

This EP is all Italian, recommended listening: cruising through the Tuscany countryside, riding shotgun in a vintage Alfa. If the above is not at hand, then any local nightclub with a decent sound system will do.

Ok so you climb into your Alfa, a thing of beauty, you rev the engine, it sounds like your ex... in a good way.... This is a serious roadster, we're not talking Ford Mondao, we're talking all Italian smooth V8 engine, luxury leather upholstery, the real deal!

You're on your way to the best party in town, driving down the freeway toward Milan, 120 mph, roof down, a virgin Negroni in the passenger seat, casually smoking on a fat Toscano cigar; you're on the way to the biggest discotheque this side of the river Po.

Now you're in a hot tub. You don't know who's it is but it has bubbles. You turn to your right; next to you is Roberto Baggio. You take a big drag on your cigar and smile at him, he responds with a cheeky wink. Next thing you know you're dressed as a goalkeeper and everyone's dancing. Negronis all round, even for the reserves. Everyone is dishing out high fives; there's been one too many cigars smoked. Gerd Janson is dressed as a lama and the crowd is loving it.

Good Block have been throwing parties in and around London for the past six years. Nomadic and sporadic in form and function, their parties are centred around danceable odd-ball gems and have hosted the likes of Jamie Tiller, Jon K, Esa, John Gomez, Selvagem, DJ Nomad, Bradley Zero, DJ Okapi, Jonny Rock, Apiento, DJ Vegetable and Cosmic Slop.After a series of DJ friendly edits issued gratis, Good Block finally put out their first fully fledged EP of original material; a composite soup of influences and styles from around the Orb, trekking through slow jungle chug, cosmic Caribbean Juno jams, Japanese synth pop snares and New-Age meanderings.

INFODUMP recordings hits back with the mysterious MONDO DUMP. Japanese edits at its finest, blended with an obscure b-sider.
Limited copies of gray colored vinyl.

The Black Pony Orchestra 004 mystic limited release. No promo! Already in the hands of the usual suspects.

South African Mbaqanga And Bubblegum Instrumentals For The Dance-floor. First Time Available Outside South Africa. Cult Favorite Among Collectors. Follows The Successful Reissue Of bafana Bafana' Last Year. Professor Rhythm's 1991 Recording Professor 3 Is A Vivid Reflection Of Urban South Africa As Apartheid Was Ending. Thami Mdluli's Production Project Had Young And Old Dancing To A Sound That Sought To Unite Blacks Within Southern Africa. our Music Gave Hope To The Hopeless,' He Says. Mdluli's Third Instrumental Album (which Contains Some Background Vocals, To Be Exact), Portrays The Moment When The Dominant Mbaqanga And American R&b-based Bubblegum Sounds Being Produced In Johannesburg And Other Urban Centers Were Transforming Into House And Hip-hop-inspired Kwaito. The Pop Of The 80's And All That Went With It—from The Models Of Synths And Drum Machines To The Lyrical Style—gave Way To A Changing Melodic Emphasis And New, Much Slower Tempi Using A Completely Different Rhythmic Skeleton. Upbeat, Chipper Bubblegum, Often With Double-time Breakdowns And Upstroke Syncopations, Faded And The Sounds Began To More Closely Resemble Those Of Contemporary Black America—where Hip-hop Was Slowing Down And The Bass-lines And Melodies Were Getting Moodier, Darker In General. At The Same Time House Music Had Briefly Reached Mainstream Acceptance In The States And That Popularity Continued To Feed Into Awareness Overseas. These Two Influences Blended With The Burgeoning House Music Scenes In Johannesburg And Pretoria As Professor Rhythm 3 Was Being Produced In March 1991 (the Same Year Apartheid Ended). Mdluli Explains, we Were Influenced By Foreign Bands And So People Updated Their Sound.' According To Mdluli, The Evolving Sound Was Bolstered By Widening Availability Of House And Rap Records From Abroad While, Most Importantly, An Increasing Sense That Apartheid Might Soon Be Finished Was Met With A New Positivity Vibe Society. 1991, '92, '93... Mandela Was Released. People Were Upbeat, They Were Happy, The Music Was Good.' Professor 3 Came Out On Vinyl As The Lp Business Was Dying In South Africa And Sold Around 20,000 Copies. It Was Mainly Distributed On Tape, Which Sold Closer To 100,000. With The Help Of Engineer Fab Rosso, The Recording Features Backing Vocalists From Mango Groove. After Making A Half-dozen Records As Professor Rhythm, Mdluli Once Again Shifted His Focus Musically. By The Mid-90's He Had Veered Off Gospel Music— And Left Playing In Bands And Started Making His Own Solo Recordings. His Enormous Success In The Gospel Realm In The Years Since Is A Remarkable Story In Its Own Right, But For Now We Are Only Dancing.

"So wir exist wit the bruderz aus der midi-East. You (& You) ze Cosmic jumpers. Dub de Dolphin groove. Francois iz de secret energie. Ze klassisch Eastrumental mit kick. Hier mit love !!

Toolroom is pleased to showcase two huge remixes of Basement Jaxx classics; 'Jump N Shout' and 'Rendez-vu'.

This EP from the french Tevatron has Detroit written all over it. It is a mature and intelligent EP that knows to create an intimate setting as well as a deep and pumping atmosphere.

repressed !

RFBCOLOURS 002 bring L'Atelier on board. This pair from Amsterdam bring you a 4 track EP with a digi only bonus. It starts off with Again, which hits that great sample hard and gets the party started on a disco vibe with a house twist. Then theres XTC which carries on where the A1 left off. On the flip we see a serious piano workout on top of a a grooving drum arragement. To finish off the vinyl package we see Times Are Ruff take the remix on a deeper tip with some seriously crunchy basslines and rolling groove. Then if that wasnt enough theres a digital bonus that will warm up any willing club room.

Feedback:

Telonius (Gomma)
'thanks nice one'

Laurin Fedora (Sleazy McQueen (Morris Audio / Paper Recordings))
'I'm looking forward to this vinyl. Nice return to late 90s filter disco!'

kostas tassopoulos (Ekkohaus (2020 vision, morris audio, cargo edition, liebe detail))
'Solid house record, loving it, thanks....'

Harri (Sub Club)
'liking afew of these'

Gameboyz (Clouded Vision / Relish)
'we dont usually play this kind of house music, but this is very nice! will try! thanks!'

Sebastian Wilck (Sebastian Wilck, Watergate)
'times are ruff remix is strong! support'

Jonny Cade (2020 Vision / Leftroom)
'great house ep'

Tensnake
'wow, that's quite a killer, downloading thanks!'

Lauhaus Lanting (Polder / Intacto)
'nice ep guys, also diging the times are ruff mix. thanx!'

Julien Barthe (Plaisir de France, Pro-Zak Trax)
'yeah remmeber 2000'years'

Julien Sandre (Morris Audio)
'nice music'

Doc Martin (none)
'XTC for Me!!!!'

Tom Findlay (Groove Armada)
'great EP, a little bit of everything and in all the right places....'

Andrew Claristidge (Acid Washed (Records makers))
'good stuff...'

Mihai Popoviciu (Highgrade, Fear Of Flying, Hudd Traxx)
'again is cool for me!'

Dorian Paic (Raum Musik)
'xtc times are ruff remix is the one for me ! cheers Dorian.'

Hector Couto (Tribal Sessions)
'full support for this release! good music!!!'

Gianluca Pandullo (I-Robots)
'LAtelier - XTC (Times Are Ruff Remix) ! I-Robots approved!'

Pleasure Planet is the latest musical venture of Kim Ann Foxman alongside Andrew Potter and Brian Hersey, and enables the trio to express and explore their unique and eclectic musical tastes. Their first release will drop on the brand-new Firehouse imprint, self:timer. 'Pleasure Planet is an extraterrestrial doomsday cult. They do whatever they want and their music is their message to Planet Earth. self:timer is their messenger. The rest doesn't matter.' — Pleasure Planet Pleasure Planet has been a little while in the making. Having worked together for five years sharing studios and late night synth experiments, their relationship naturally progressed into the band they present today. Pleasure Planet embody the psychedelic, weird, and wonderful. self:timer was created as an outlet for their band and they welcome other artists to share their own visions of utopia.

Between the end of the 70's and the early 80's, a new sound appeared in London and its surroundings, a unique mix of Funk, Jazz-Funk and Disco labelled as Britfunk. Characterized by its raw energy that can put the needle In The Red, this up-tempo sound was a match for the UK's dancers and Jazz-Funk clubs.

This first release by French label Chuwanaga features some of the most exciting, rare and powerful tracks from that era compiled by the Parisian DJ and activist Saint-James, with bands such as Equa, Potion, Inch by Inch, Congress, Index and Spookey. It features also an insert with an in-depth focus on this musical era.

These young British musicians were equally inspired by the American Jazz-Funk productions and by Dub music and Reggae pushed by the Afro-Caribbean community who were at the heart of Britfunk's development. They gave Funk a unique British flavor. However, more than just a music genre or an enclosed expression of black Britishness, it was part of a genuine musical and social movement with its own dedicated labels, fashion sense and most importantly its own set of values that fueled the whole scene. Britfunk built itself within a multicultural evolution: black people, white people, straight and queer, all dancing in the same room to the same loud sound.

French duo Too Many Cars are launching their own label Too Many Cars Records in order to release the finest House, Italo, Breakbeat and Acid music. Side A is all about House and Breakbeat stuff while Side B shows off Italo's huge comeback in modern DJ culture. Perfect for club use!

Please say welcome to Dr Packer and Loshmi. Together on this 10" vinyl release.What a combination ! They brings two wonderful reworks from Disco era. Blurring the dots between Disco and House sound, Dr Packer and Loshmi have made a real dance floor bangers. Maybe we can expect more reworks from them in near future.

Jonny 5 returnz. Wandering inner and outta self he presents 3 bombaz. Bengali Dub will change livez. Simha will charge high fivez. Tum Tum will...well it just rockz Jonny ommmmm takeoverz !!

ncouraged by the high demand for 'Foundations Vol.1', which saw DJ Spinna and Kai Alce join forces to release the Cajmere classic 'Brighter Days' on 7' vinyl, the second volume of
'Foundations' sees the pair digging even deeper into House music history, selecting a pair of tracks from Chicago legend Tyree Cooper. The first cut on our strictly limited 7' pressing was
originally named 'Video Crash', then re-titled 'Acid Crash' on a bootleg version released around the same time. Whichever name you prefer, this 1988 track hails from an era of creative oneupmanship in the Chicago underground. The story goes that Marshall Jefferson and/or Lil' Louis created a jam called 'Video Clash' in the mid 80s (there's still some controversy about who made it, so we'll say no more). Keen to go one better, Tyree hit the studio to make a track called 'Video Crash' and in the process he created one of the most potent and recognizable Acid House tracks of all time. On the flip side and originally released back in '89 is Joe Smooth's 'Too Deep' mix of another Tyree classic: 'Hardcore Hip House'. A crossover anthem, Tyree's original version paired rap vocals and James Brown cutups with raw House beats. Fellow Chicago DJ Joe Smooth shows off the
flawless, crisp production abilities that would later see him producing for Destiny's Child, New Order and Whitney Houston with this superb, timeless Deep House remix

Local Talk is proud to present the second 10" release featuring music by Kyoto Jazz Sextet.

Mission is another track taken from their second album 'Unity' released on Blue Note in 2017.
This time the remix torch is passed from Ron Trent to Jaxx Madicine. The Milanese trio remix has a feel of confidence and charge which allows it an accessibility and artistic integrity that shines through immediately, it takes you to another place.

Nick The Record & Dan Tyler are back with the long awaited, much anticipated 4th release on their Record Mission imprint.
If you have heard Nick The Record play out during the past year you've probably heard Work & you've definitely heard Give Me More - which has been the tune Nick has been asked about the most over the last years busy DJ schedule. They had some technical difficulties which led to delays in getting this out... or did they just enjoy the exclusivity over the last year You decide!
Give Me More is a Squidgy Funky Disco winner for the discerning dancefloor and already a bit of an anthem.Work is a feel good vocal Disco tune in celebration of the weekend party time when the week's work is over.Play is a high speed Space Disco meets Jazz jam that sounds like there was a collision between Harry Thumann & Jason Lindh somewhere in space, or maybe underwater. Enjoy! .

It's rare to come across a debut album that delights and surprises in equal measure, but that's exactly what you can expect from Human Call, the first full-length excursion from daydreaming dancefloor fusionists Earthboogie.The East London-based duo of Izak Gray and Nicola Robinson has previous form when it comes to creating beautiful, funk-fuelled fusions of soundsystem-ready rhythms, humid instrumentation and intergalactic audio explorations. To date, they've released a pair of fine EPs on Leng, both of which did a splendid job in showcasing their unique musical vision.Even so, this vision has never been clearer than it is on Human Call, a vibrant eight-track missive that fixes the sticky tropical cheeriness of African and South American dance music - be it Afro-disco, Afro-funk or samba - with a wide range of complimentary sounds, styles and influences, from spacey analogue electronics, sun-kissed Balearica and hazy West Coast jazz-rock, to chunky dub disco, snappy retro-futurist house and bouncy, dub-fuelled club workouts.Throughout, Gray and Robinson showcase an impressive level of musicianship, variously combining crunchy drum machine hits and dusty old synthesizers with razor-sharp electric and acoustic guitars, rich bass, cascading saxophone solos and hazy, life-affirming vocal harmonies.The result is a string of memorable highlights, from the sticky tropical-house-meets-dub disco futurism of 'Human Call' and fuzzy disco-funk righteousness of opener 'Overground', to the post-punk disco jauntiness of 'Stargazing' and samba-infused dancefloor bliss of Nina Miranda collaboration 'Silken Moon'. Cheery, absorbing, imaginative and hugely entertaining, Human Call offers a perfect snapshot of Earthboogie's distinctive musical world.

Ichisan is Slovenian Igor Skafar, and Igor´s Trademark Sound is heavenly electronic blissed spaced out house with a sick amount of grooves layerd in. Fab earlier releases on the grand Airtight and Unter the Shade labels tell musical tales of this. And so it went that Hoppsa fascinatd us yet againy with it´s mesmerizing 80´s synth hook that you want to simply lock in and play away all day and night... while Kristina is an unmistakably Philly Affair with an edge, and edge, that means deep depth and a serious build between the woobly - and that is what we like! not being able to decide which one to favour, eventually, we released both. here´s to YOU!

all tracks w&p by Till von Sein & Alexander Krüger

Text (de)
Tilly Jam - die Erste. Eine elegant arrangierte Standortbestimmung. Ein Knall von einem Labeldebüt ähnlich dem Geräusch beim Aufprall der Schampusflasche an den jungfräulichen Schiffsrumpf. Drei Mail die unmissverständliche Ausformulierung, wohin hier die Reise geht: House, House, House! Und natürlich Kollege Till von Sein selbst an den Knöpfen.

Die A-Seite kommt lässig aus dem Hinterhalt und spätestens wenn von Sein den Bass eintastet, steht die Groove-DNS dieses Herz - und Hüft - wärmenden Openers. Rein - und rausgefilterte Stringflächen, seidig weiche Sample-Ware im Break und Vocals, die den letzten Zweifel zerstreuen: Wir befinden uns hier in 'Heaven'.

'Ambush 77' auf B1 lässt dann auch die letzten Hemmungen fallen und betätigt mehrfach die Peaktime-Fanfare. Ein von satter Kick, kolossaler Bassline und perkussiver Grundierung getragener Trigger für den Floor-seitigen Kontrollverlust.

Die B2 zieht sich daraufhin nur minimal ins Understatement zurück. Nach dramaturgischem Aufbau via spoken word verdichtet sich das Arrangement von 'Part Of The Solution' zu einem Groove aus grober Bassdrum, angezerrten, Acid andeutenden Synths und - im Kontrastprogramm dazu - zärtlich eingespielten Synthie-Miniaturen.

English:
Tilly Jam - number one. An elegantly arranged announcement of where it's at. A bang of a label debut, not unlike the sound of a bub bottle hitting the hull. Three times the unmistakeable message where this is heading: House, House, House! And obviously the man Till von Sein himself on the keys and knobs.
You'll find the A side starting off rather cooled down, but as soon as von Sein keys in the bass, the groove DNA of this heart and hip warming opener is set. Filtered string-sequences, silky smooth sampling in the break and vocals that resolve even the last fraction of doubt: We are indeed in 'Heaven'.
'Ambush 77' on B1 is letting go of all remaining hold backs and activates the peaktime hooter several times. A funked up trigger for loss of control on the floor, sustained by a luscious kick, a colossal bassline and percussive priming.
B2 is backing down just a little bit into understatement. After an intro of spoken words, the arrangement of 'Part Of The Solution' consolidates into a groove of thick bassdrums, slightly distorted, Acid implying synths and - in contrast - tenderly installed synthie-miniatures.

With MEL15 - Melodies International is honoured to bring forward its latest disco 12 reissue single and another You're a Melody peak time classic: Shahid Wheeler - Just One Dance Before You Go.

This Rare Record Repress Opens With The Lysergic - Cosmic Disco Prototype - Anthem Chi Sei, Leaded By The Vocals Of Pietro Carrus And By Franco Montalbano's Hendrix-influenced Riffs On A Typical Disco Drum Beat.

The Real Jewel, Stratosfera, Was On The Flipside (the Dopeness Was Quite Often On The B-side Of Italy's Late '70s 7 Inches). A Mediterranean Delight Filled With Addictive Guitars And Covered By The Spacey Synths Of Piero Salis. This Is Certainly The Funkiest Track That Came Out From The Island!

Dualismo Sound Is Excited To Present The Official Reissue Of The Record, For The First Time On A 12inch, Including A Dynamic Edit By The Head Of Early Sound Recordings, Pellegrino.

In another tight and consistent projection, Paxton Fettel actualizes his assertion for independence, eclecticism and voodoo - with a collection of delightful enchanting vibes.

Familiarly neat and energetic, house beats and crystal-clear chords accord to accompany the melodic dawdling, while insatiable and unbelievably facetious talkative babblings of all kinds stretch out into organic gliding laces.

The purposefully optimistic and spirited atmosphere is the echo of the ceaseless quest for serious lightness, relaxed ecstatic states, truth and wonders.

French Disco auteur Dimitri From Paris' Le Edits imprint is back to bring you only the finest, most beautifully executed and lovingly reworked classics from the four corners of the discotheque dance-floor. Following on from the previous 3 highly sought after and collectible releases on the label, Dimitri has once again set the bar sky-high and pulled off yet another set of incredible versions, this time the legendary Ashford & Simpson are blessed with a little 'French chic' and their perennial feel good and uplifting classic 'Stay Free' gets the DFP treatment. Using only the finest materials available, sourced from multiple countries across the globe, as well as having access to the original master tapes, top shelf engineering and mastering.

'Stay Free' was the lead single from Ashford & Simpson's 1979 LP of the same name, a truly all-star album that included a who's who of Disco and Soul session luminaries within it's production credits including Jimmy Simpson, John Davis, Eric Gale, Ralph MacDonald and many more. This was the era of big major label Disco productions when there was huge budgets for the best studios, musicians and engineers. All of these factors teamed with the phenomenal song-writing and vocal performances of Nickolas Ashford and Valerie Simpson meant that 'Stay Free' would go gold on it's release and give the duo some of their most enduring songs including said title track and the anthemic gospel Disco classic 'Found a cure'. To have access and the permission to remix such classic records is a real honour, one that Dimitri does not take lightly, suffice to say then that the mixes you hold here in your hands are the very best, they've been put through the quality control channels, road-tested and listened to over and over before reaching you. A lifetime spent passionately in love with Disco and club culture has given Dimitri the correct perspective to present these future classic remixes to you and this is evident upon listening. Across 4 different versions we are treated to all of the wondrous elements that make up the Ashford & Simpson sound, the lush orchestration, the heavenly arrangements, mid-tempo, sultry grooves and of course, the absolutely top shelf vocal performances of what is surely, one of the greatest duos in the history of Disco and Soul music, steeped in wisdom, love and deepness it's no surprise that every single track here delivers - and then some.

Simply put, only the finest Disco reworks are released on Le Edits. Special versions of classics and rarer than rare tracks, all lovingly re-touched and mixed from the reels and master tapes each time, fully sanctioned and created in conjunction with the artists, rights holders and Above Board Distribution. 100% official and essential. This is no 'under the counter' operation, Le Edit is here to bring back some quality and class to the re-edit game by doing things, once and for all, properly and respectfully. No re-press guaranteed. Utilising the highest end tip-on heavy duty sleeves, and outer protective sleeves, pressed onto 100% virgin vinyl. These new mixes have been legitimately commissioned and will not be available digitally. This product cost 4 times as much to produce than your average Disco edit 12'' because Le Edits believe in quality first and foremost. You really haven't heard these tracks like this before! A truly collectible and desirable item indeed.

After releasing the track Chillin at the 6th Floor on the vol 2 of our 'The Sweetest' VA, Dj Rou, originally Francesco Zaniboni, chief of L'Archivio record store in Bologna, makes finally his debut with his first full EP on Bosconi Extra Virgin named 'Vento EP'. Having released on Cognitiva, Red Rooster and Daphian the sound of Vento EP is a full immersion into two main factors: a strong passion for Jazz and Latin music in line with the love for his three favorite dusty gears Korg Electribe MX, MPC 1000 & his guitar, giving a cosmic and tribal atmospheres still embracing the classic nature of sampling. The record starts with the track which gives the title to the record, 'Vento', where its jacked out beats get enriched by some beautiful, romantic and memorable soulful vocals. After that we find on the second cut the laid-back, summery and deep sexy vibe of '4Phenia' while on the flip side Dj Rou changes directly the mood with the more driving and mysterious atmospheres of 'Dante Says Truth'. 'Not the Same' close up this release bringing back the smile with its chilled out groove and wicked gospel vocals intrusions,

delivering one the best and warmest example of House a la bolognese.

The 2nd single in this white label hand stamped remix series. This one brings the heat with a dope ass rewerk of ISAAC HAYES' "MOONLIGHT LOVIN'", a late night disco jam perfect for old skool house heads b/w "SCHOOL DAYS" from STANLEY CLARKE, a jazz funk cut time stretched for the dancefloor.

Cute Swedish Pop from 1984. A Gothenburg secret. Passed from Music For Dreams` Kenneth Bager to Cantoma`s Phil Mison to Rogue Cat Sounds` Dean and Ben. Pop that rocks a cool, faux-Reggae lilt with Bluesman licks and harmonica hooks. Cute like other sought after Rogue Cat favourites. Terry Crawford`s Gunfighter. Or Romie Singh`sDancing To Forget. Martin Caine`s Snowbird City. Its lyrics aSupercalifragilisticexpialidocious-like nursery rhyme front, framing "bad girl" playground reminiscences. A chorus of 'Eeniemeeniemacaracaairidominacchukabacalolliopuhunpush."
asking verses, more along the lines of "All I learnt at school was how to bend, not break the rules" (Madness). Or "Hey, Teacher! Leave those kids alone" (Pink Floyd). Than Mary Poppins excited by a day at the races. Smoking, groping, poking and "pushing" behind bike-sheds.

Take It Easy is one of the most lung-running and well-known parties of the italian scene. After developing the brand in the world of clubbing and hosts every saturday international artists such as Hunee, The Black Madonna, Kerri Chandler, Kink, Derrick May, Louie Vega and many others, Take It Easy announces the launch of its own label that will be managed by the resident djs of the party: Dirty Channels, Bugsy and DJLMP. TIE 001 comes from Dirty Channels, fresh of their big succes "Watchin Out" released on Athens Of The North with the support from Jeremy Underground, Dan Shake, Gilles Peterson and more. "Born in Douala" is an afro-disco sampled based stomper. "Those Days" with his epic filtered sample sounds like the perfect follow-up of "Watchin Out". "The Lord" close the ep with its classic house vibes. 100% Dirty Channels style.

Real Tone starts 2011 with Franck Roger's lastest effort : the highly dancefloor "Let's Go Down". As we say in France, one good news never comes alone: to remix Mr. Roger's latest track we are pleased to invite Sascha Dive for one of his deep and spicy performance.

Outernational sales pack including OUTNL002 / OUTNL003 / OUTNL004