House News

From the heart of Macedonia comes Herzel with his first EP for Uncanny Valley. The four tracks point him out as an expert for creating tracks on the blurred line between Rave and darkness. If you are listening on a proper sound system, it is almost impossible not to be moved by the mighty drones of FORMS that almost feel like tectonic shifts. GLIDE runs in similar veines and brings power to the dance floor with rolling bass synths and sublime pads. A little more straightforward is GLOWWORMS with sharp drums and an acidic synth theme only to finally merge into an elegiac climax. Finally, TWO hits hard with slapping synths and a dubby bass line, a gripping yet somehow nasty track.

Snuff Cuts Vol.1" is here! We're thrilled to announce it's debut and to pay tribute to the vinyl lovers out there with this compilation of 4 great tunes from the first 4 digital releases of Snuff Cuts.

Aaron J. Cunningham leads us off, pulling us into darkness with his hypnotizing "Blood In The Streets". Moralez then works the body with a groove monster called - Zardoz .

On the flip, Finland's fantastic acid aficionados Happo Pistoolit go crazy with their - Pikkujoulu Acid and Hughes Giboulay serves a wonderful and smooth blend of deep house,

named - Renaissance , to round things out.

Enjoy the music!

Killekill House Trax is going strong - this time with a 4-tracker by the incredible Andreas Gehm alias PUKEMASTER GEHM.
He sent us the music shortly before his death and said we could pick any of his artist names and his only condition was that the music was released on vinyl. Only after his death we realized that he had obviously already taken a decision then...
So we are releasing this record now as an homage to one of the most creative and funniest persons in the electronic universe of the last decade. We picked the artist name Pukemaster Gehm as it reflects his humor the best and also because it's the most suitable for the tracks we picked: The EP ranges from hard jacking Acid House over weirdo Electro House to old school Chicago-leaning Piano House. A timeless record for all situations.
May you rest in peace, Andreas, and thanks for still rocking our floors, even when you are long gone!

PE012 is a label friends & family junction, a 12” summoning the distant yearning of otherworldly sonic release. Ciel and D. Tiffany unite as new collaboration Psychedelic Budz, long time friends who share a mutual affinity for prog and a desire for elevated states; offering Faerie Stomp, it’s internal reworking plus remixes from Ludwig A.F. and Adam Pits. The aural synergy of the record is laced throughout, tripped out spooky tech-trance, evocative dark imagery conjured at different speeds and energies. Like most of the Planet Euphorique catalogue, these tracks can duly be heard echoing throughout the night sky through forest or bush, as bodies flicker and move in hypnotized, unleashed states.

The A side; the Origin Mix of Faerie Stomp and the Enchanted Mix by the Psychedelic Budz themselves sets the tone; tweaked atmospherics and field recordings, scurrying textures creating rhythmic collage. Drama and tension build through drones and bubbling 303 lines, villainous cackling and delay consuming the introduction in anticipation as the track develops into a stomping four to the floor promenade. Snares roll and chop in dizziness, encouraging your surrender to the lucid melodic synth lines, twirling in transfixion. The alternative mix could almost fit entwined into the original, slightly murked and more rhythmically rigid with metallic snares cutting through the denser timbre. Overall an expanded aura and creative opportunity for the deejays and those inhibiting dance space.

Flip to the B side for the remixes, firstly Ludwig A.F.’s Haunted rendition. Keeping the eerie attitude in check he morph’s Faerie Stomp into a bombastic bass heavy club anthem, playing with build ups and stripping back elements for effect, the track is always propelling forward, shuffling shakers and scratches making it impossible not to move with it. Adam Pits also maintains the essence of the original whilst offering a whole new translation for his Undergrowth Mix, gargling baselines and whip crack percussion - buckle up for a hard and fast trip to new heights. Sweet relief is brought from floating stabs and melodic subtlety, softer break chops rolling over the brutal low end before the end of the record dissolves down to the encompassing swirling modulation and charging drum work.

Four different devilish dance workouts for this unprecedented time. The power lies in the mesmerization. Lose yourself to the supernatural environment in the sonic texture.

pH 1 released his "Technicolor Vision" cassette album on Help Recordings in 2016, but is also part of the
group Hi Mount along with Central and DJ Sports. The three have released together on Regelbau. The
name pH 1 bear a less than subtle reference to the sound of acid, and his productions definitely reflects
early UK house and break beat with elements of acid jazz. He first crossed paths with Multiplex while
performing a live set in his hometown before Steen Kong was to DJ. The two quickly connected and we
are happy to welcome pH 1 to the Multiplex family.

Born and raised in Aarhus, Denmark but often traveling to UK where he also spent his teens. He started
playing guitar at age eight, but once he'd felt wax on a 1210, saved up for a pair of Technics.

His Lucid EP opens with "Time of Day" a beautiful house production, "Infinite Pressure" presents a deep,
cinematic journey, while "Bonafide Platter" is a playful, acidic tune. Titonton Duvanté delivered the
amazing Futurity EP for Multiplex in 1998 with four funky acid tracks, the perfect candidate to add to pH
1's universe. Titonton has remixed "Make Your Reality" on the B-side and the original mix of that track
gets the final word of the EP.

Inspired by the early white label house music releases.
Vinyl only, limited copies, no digital promotion.

Here is the 10th anniversary release from the irresistible AcidWorx producers, with more funky, squelching acid cuts for your brain.
This time we venture into the lands of Japan, Australia, Netherlands and Switzerland for our doses of acid supply. Njoi!

From the ashes of a devastated vinyl industry 10 years ago Paranoid London Records & Paranoid London the band emerged & immediately began bucking the trend in falling vinyl sales. With zero promotion, no interviews, no photos & no downloads their line in stripped down, dirty, sleazy tracks made directly for dancers & DJs caught the imagination of a scene bored shitless of the way things were.

The records started to become instant modern classics, going for silly money on sites like discogs. They would sell out before they even hit the shops leading to frenzied pre-orders & people squabbling over the few copies that made it on to the racks.

When they began to do live shows people began to get their first glimpses of the, until then, anonymous band. The atmosphere at those gigs was electric, the crowds surging forward with excitement as the show would start. The live show, like the records, was different to everything else on offer at the time. Combining a rare talent for dancefloor dynamics made with original analogue equipment spitting out often brutal shards of electronic funk with the Alan Vega/preacher -esque vocal rants of Mutado Pintado. Very quickly rising to the top of the disco chain they headlined everywhere from Panorama Bar, Block9 at Glastonbury, Sonar, Dekmantel as well as supporting bands like Fat White Family, The Chemical Brothers & Soulwax.

The first album outsold just about every other electronic album on vinyl that year, again with zero promotion.
Second album now complete, the secret well & truly out, new live show on the way.

Dawl + Sween are back on Klasse Wrecks with a follow up to their well received 'Rise of the Humanoids' EP from 2018. The UK DJ-Producer combo is back with more of the same classic Electro-Break sonics that had the fans of the first EP feinding so hard. The mantra seems to be similar too, no frills and direct to the point with equal parts Bleep and Rave thrown in resulting in a no brainer buy of a record. SWITCH!

Armec returns to Nebulae and chooses the Spirograph Nebula as the inspiration to deliver 5 gorgeous cosmic landscapes, where mellow textures combine with ghostly atmospheres, sparkling drum sequences and crunchy acid basslines.

For that 15th Acid Avengers split EP, we welcome two providers of acid music who know each other very well, as they're also associated in the duo Nite Vision.

On the A-Side, English producer Perseus Traxx, known for his raw house & electro bombs on Bunker, Solar One, I Love Acid or his own imprint Future Flash.

On the B-Side, Barcelona-based producer Mantra, also know under his aliases Myriadd or Acid Phreex, and responsible of several ravey bangers on Pinkman, Creme Organization, Bunker and Polybius Trax.

Two virtuoso producers for five acid pearls!

Purple Vinyl

Opening with "Absolut Bond (Sascha Müller My Name Is Acid Mix)" the pairs first collaboration effort weighs in a deep, hypnotic take on spiralling Acid music for strobe-lit underground raves whereas their second conjunctional joint "What I Mean (Great Evening Mix)" brings forth a darker, more pumping and minimalist approach whilst employing a creepy little motif that gets under your skin like the main theme from your favorite horror flic. On the flip we see Sascha Müller going on a double solo tip with "Work My 303", another masterly crafted Acid piece harking back to the finest twisted clubbing moments of the 90s, before the final cut "Generator Man" explores grinding, distorted Broken Techno / Wonky Techno realms, sucking each and every listener into a cold dystopian, post-apocalyptic future within seconds. Get this.

AKMÊ is now called RODMIN, nothing else is changing.
We’re delighted to present the first full artist-ep release of our resident. With good reason, of course, it could be asserted that this is a great, deep and timeless techno record, which never loses sight of the dancefloor but still is sophisticated enough to listen it outside the clubs.
The first track love has a good acid drive, which—because of it’s echo chamber—will feel more at home at larger floors. The second track of the A-side reflect is a rather introvert and very hypnotic one and according to really lives to its name.
Coins opens the B-side with a heavy peak time breaker, which gives and demands everything! With his riot version, ALEX.DO puts the pressure even higher.
Rave on, ravers!

After his exciting album Elasticity' on his own imprint Elastic Dreams, A Sagittariun delivers the equally fascinating three track Oxidize EP' for german label Couldn't Care More. While Heights' is a stripped-down basic-channelish techno ride, rough, edgy and with a hint of hypnotic melodies, the title track heads in a quite different direction: still it's raw expressionistic techno, but the flow is ever-changing, mesmerizingly shifting and twisting between hissing beats and enlightened synths. For the remix of Oxidize' Golden Pudel Club resident and odd-house virtuoso RVDS fires up the acid machine and does it Detroit style, warm and cold, uplifting and melancholic.

Reissue of a mix of sought after tracks from the label’s past releases, by MICROLITH and FAH, limited to 100 copies on purple vinyl.

Thomas´ APOKALYPSO marks his return to Rett I Fletta almost exactly 3 years after he started it with BLUSJKETUTA and ÅPNE SLUSA. And following a now famous Winston Churchill saying: 'This is not the End, not even the beginning of the End. This ("Apokalypso") is ... the End of the Beginning! And the rest is History. Or simply great Tekno not Tekno. All available on Full Pupp's 'techno not techno' offshoot Rett I Fletta!!!

After launching with Jaxe’s acid bomb Seekings earlier this
year, Dom Trojga is back with a bang (and five smiles). Uniting
artists from Ukraine and Poland, and ditching genre
considerations in favour of a shared wavelength, Domownicy
Różnoracy Cz.1 is all about further revelation of the imprint’s
purpose. First up is synth enchantress Poly Chain with the
storming ostinato of Moonhaze (first track ever signed to the
label, but not her last, by any means), followed by the beaming
legend SLG and his soother-shaker Hello Utopia. On the B-side
Jaxe strikes back, teaming up with the uncanny Bejenec
(CHECK OUT HIS LIVE SHOW, FOR REAL), for a hefty slab of
tekno-funk that is Seamless. Finally, label founder Eltron
rounds things up with his own quirky Rym Cymcym. The
beautiful label art has been drawn by the inimitable Martyna
Bolanowska. Playing this record is good for you, so don’t
hesitate.

Tom Akman & Nacho Bolognani - Nowadays EP BARWAX002 BIOUK label BienAimer Records returns with their second release from Parisian producer Tom Akman who delivers the shimmering 3-track ‘Nowadays’ EP.The analogue driven EP begins with title track ‘Nowadays’ and combines lush pads with an irresistible bassline to form the soundtrack to any dancefloor sunrise moment. Argentinian hotshot artist Nacho Bolognani smooths out lead track on A2 while over on the B side Akman further demonstrating his knack for drum programming and an ear for a funky bassline on‘You Know’ and ‘Several Directions’ respectively.

Vin Sol has arrived back on the scene with his outstanding and varied album on Dark Entries. On his debit Craigie Knowes EP however it's back to the gritty stuff. Acid, ghetto tech and slammin' house jams. It is an EP of club rocking beats from beginning to end.

Craigie Knowes continue their long-running War Child fundraiser series with a new 2x12" release featuring tracks from Eluize, DJ Python, Stellar OM Source, Innnershades, No Moon, The Burrell Connection and more. From ambient and downbeat through to techno and electro, the release spans the sounds that Craigie Knowes have embraced over the last 5 years. The fourth installment of the project also sees a completely new sleeve and center label design by Kyle Morrison. All profits donated to War Child UK, a charity helping children in areas of conflict around the world.

This first EP is inspired by earlier prodcutions adding in the mix today’s codes and references.

Listening to the EP, one can hear samples and Lo-Fi works as well as the sound of mythical machines like the TR909 and TB303.

For this first realease, we have been eager to put the spotlight on artists we strongly believe in, who are rising talents

of the French House music scene: Madcat, who is often featured on the Pont Neuf label, and Deborah Aime La Bagarre

who is close to the Parisian crew Vryche House.

The artists and founding members Basile de Suresnes and Ten Fingerz complete the roster.

This debut from longstanding East German maestro Mathias Kaden is no exception

A bucket-list EP for the Gera-based artist whose followed and collected from Winks label since inception, Nova is both a personal showcase and a homage to a label thats inspired his tension-heavy signature. Adding to a discography that boasts some of most respected techno labels possible (Vakant, Mule Musiq, Watergate, Desolat, Freude Am Tanzen), the Nova EP flexs Kadens darkest and deepest tendencies and includes certain signatures that many of the best Ovum releases share: acid, a direct and effective single word sample, versions and a DJ tool that will blow your dancefloors heads off.

The acid mix of Nova sets the scene. Acid through Kadens perception; its warm, its subtle, it strips right back to a naked groove before thundering back into a head-shoeing finale with devastating effect. Its complemented by Mathiass alternative version; an atmospheric mix where the acid is switched out for rippling, dubby synths and a relentless drive that has just a touch of a French kiss to it. Loaded with a sweet shuffle in the percussion, you could lose your head in this for hours. Throw in the acapella/FX DJ tool and Marco Faraones turbine acid beast and you genuinely can lose yourself indefinitely in this release. Laced with a classic spoken word theme throughout, Mathias sums up Ovum perfectly
Its how I always see Ovum: The past is the future. The future is the past. Ovum is one of the most Timeless Labels I know!

You could say the same about Mathias. Get to know.

AD and Worldline deliver Toy Opulent’s third release - and it’s first vinyl imprint.

Soft Serve Angel projects a clear and present sense of techno drive and a delightful symphony of melodic synths. The beginning is minimal and evolves into a full cacophony of beauty and craftsmanship, layered with the vocals of the mysterious Crisis Luxury. Here, meanderings of childhood tones echo from an East L.A. ice cream truck. From the hailed vehicle emerges the soft serve angel - with a vanilla cake cone prepared, just for you, on a sunny California day. This track is incredibly versatile.


A Soft Serve Angel remix is presented to us by a master of his art, Persuader. He shows us, once again, that minimal drive that we can all count on to provoke thought and movement with modern engineering skills and a familiar old school flair.


Bubble Gum Eyes is minimal perfectly pitched protocol of TR-909 love with a morphing bassline and epic-scale science-synth work. The track addresses both a question and an answer.


Rocket POP! I mean, who don’t love a good rocket pop? This dubby dub dub mix contains fragments of the entire release that sums it up, and finishes it off perfectly - the cherry on top of the soft-serve angel.

Four diverse acid-driven techno and house cuts from Vault Wax label boss, Beyun. With Detroit-influenced strings, gritty SH-101 pads, and emotive live acid lines, this introspective EP is ready for repeated listening and exploring altered states on 303.

Part two in his trilogy of what seems like an aural romp through dance music’s key components, Luke Vibert follows up his ode to the ‘Amen break’ on the sumptuous ‘Luke Vibert presents Amen Andrews’, with a pretty damn thorough modelling of rave roots, in ‘Luke Vibert presents Modern Rave’.

When it comes to bashing out creative, highly complex, yet seemingly simplistic rave bangers, Luke Vibert certainly has the chops for delivering the goods in spades. As an innovator in the field for labels like Ninja Tune, Warp and Rephlex, Vibert digs deep into his floppy disc collection for a glorious ride through familiar samples and hooks, breakbeats and funky basslines and earworm melodies for an indispensable collection of feel good modern rave.

XXX is back with an Split 12“ EP. On the A side we have Spencer Miles and on the AA side Zakmina. Once again XXX brings artists from all around the globe together on 12“. Spencer Miles brings us some dark brooding tracks all the way from Oregon, while Zakmina from Lithuania adds up to the heat with two bangers that for sure will shudder the dancefloor. The artwork is by upcoming photographer Joost Termeer, who is based in Utrecht in the Netherlands. When he heard the track he thought of fire, which was the inspiration for the artwork. We couldn’t agree more.

This 3rd of the Motordiscs opens with a slow and delighted beat by The JuanMacLean, which turns into an electro mesmerizing track. Is it slow trance or is it some kind of house ? Are we early in the night or late in the after party ? Are we still dreaming ? A2 « Mark 211 » by Javi Redondo takes the energy level up with some acidy synth and punchy snares, proving that the power of a track does not necessarily lies in its speed. It is now time to flip the disc, Naduve takes us later in the night, bringing a murky vibe, thanks to haunting pads and low frequency instruments, picturing a proper underground club. The sun now starts to rise on the Seine river, the last track sounds like an ode to the dawn, where voices and shiny synths will emerge and open the crowd’s eyes. It was « Peppi » by Fairmont. This was a night at Garage

Fabio Monesi is back on his own platform with a classy house number, 'Love Letter', that will no doubt become an instant classic in 2020.
The Original Mix brings home the warm soulful feeling of those seminal older ‘Masters at Work’ pieces. Love Letter’s 'Dub Mix' is an extraordinary throwback to thattimeless Detroit sound – play this when you want to get the dancefloor start moving. On the flip, you will find a hypnotic, club-ready techno tool, a hard kicking, distinctively Kupfer-esque rhythm track making up B2 which is paired alongside the mysterious “Modern Sisters” who spin the track with their own thumping 80s Midas touch.

incl. A4 poster

Returning to Earwiggle for the first time since one of our early hits (his Midwest Whippersnappers EP with Paul Birken), the inimitable Freddy Fresh provides some choice material from the year 1996, remastered and ready for modern consumption.

We start with the tunnelling acid tour-de-force of "Abraxas", that first appeared on Freddy's "Analog Space Funk" album on Analog, followed by a similarly spaced out (yet previously unreleased) track of the same period, "Aerial". Originally released on Cari Lekebusch's Hybrid label, "Logical Grooves 1" is prototype supernatural techno on an almost morbid tip, while "Barogue" is a classic Freddy Fresh cut to wrap up (fittingly taken from his "Accidentally Classic" album on Harthouse), where weighty Mr. Fingers style chords play over an epic and deep-building exotic soundscape. "1996" marks a special snapshot in time - when Freddy Fresh did 'out there' techno in a way that no-one else did, techno that we believe will always stand the test of time. Also included is a special A4 poster of a young Freddy patching in the studio, giving a small glimpse of the Minneapolis great at his weird and wonderful work.

The year is 3030. Cruising from galaxy 2 galaxy with Artificial Intelligence @ the helm, intergalactic cruise liners have become so advanced that they have developed the ability 2 create their own personalities, feel emotions and ultimately fall in luv.

repressed !

UK producer Pierre Codarin launches his self-titled imprint with three rhythmic house cuts from himself this January.
Establishing a name in recent years by dropping solid releases on the likes of Leftroom, Resonance Records and Huxley & Jimmy Posters Saints & Sonnets, news of Pierre Codarins decision to form an imprint will please fans of his distinct sounding aesthetic. A burgeoning star that continually turns the heads of his industry peers, Codarins rise is indisputably envious having garnered early support from the likes of Mr. G, Rolando, Groove Armada, A Sagittariun, Laurent Garnier and Raresh.

The A side sees Codarin employ firm kicks and piercing snares in a mesmerising roller complete with a heady bassline, spectral atmospherics and various subtleties throughout the mix. B1 is then more understated in nature, featuring shuffling hats, chilling pads and intricate details, before the B2 delivers a fuzzy hook, acid licks and esoteric whirrs for a track geared for peaktime bedlam.

Amir Alexander's 2nd full LP lands, this time on the powerhouse of Just Jack Recordings - providing a journey through techno, acid and house.

From the space-age melodies and overdriven synths of "Lemmings Off A Cliff!", to the pounding acid & infamous "My House" vocal on"In The Beginning!", the LP starts with a bang. Halfway through the broken beat and blippy "Rude Boy!" stands out, along with the big room gospel house gold of "Blessed Are The Meek!".
"Weep Not!" takes it full circle - matching a similar distorted bass to the opener with some exquisite synth work. No wonder all the titles have exclamation marks - this is 8 tracks of serious tackle!

The Label from Fort Romeau and Ali Tillett present their first release of 2018 and the 10th in the catalog so far.
Lauer starts the year off on the right foot with two prime time slices of that signature Lauer Power™ sound he's known for from his releases on Running Back, Permanent Vacation and as one half of Tuff City Kids with Gerd Janson.On the flip The Golden Filter follow up an excellent long player on Optimo Music with 2 deep technoid excursions. Blackspray' pairs whispered vocals with warehouse shaking kicks while Aya' injects a little slinkiness into the proceedings. Sure to be enjoyed by discerning disk jockeys of all stripes the world over!

New imprint Jason, Jared & Brians’ Records delivers it's first offering with a release from Jared Wilson.

This record is dedicated to and influenced by Roland, Dinsync, Social Entropy Engine, and the Pacific Northwest. The three-tracks found on this EP are some of the first to come out of Jared’s new studio in Seattle. Refining and recommitting to a sound that reaches into the past and future with hints of acid, house, and techno while at the same time not being confined by any theme or style.