House News

New Verraco resurfaces from insurgency with rare sensitive excursions of techno & electro. High Tech bleeping directly from the guts of Medellín

Incl. DJ Central & Priori Remixes!

It’s ten down for Haŵs, and what better way to celebrate than to have Adam Pits step up for ‘Element X’, a relentless, cutthroat EP that will no doubt leave you gasping for more. With three killer originals and two first-class remixes on the menu, the musical craftsman and his guests deliver a rally of transcendent dancefloor moments exploring the true power behind tension and release.

The inaugural ‘Gazza’ – made in memoriam of the talented selector and Adam’s late friend Alex T – is a murky, cunning opening containing a rumbling bassline that plumes outwards like the smog over a late-night crowd. ‘Solar Wave’ provides a trippy fusion of acid and euphoria, cresting and diving with an irresistible peak-time groove. On the titular ‘Element X’, the pace slows right down to a nonchalant meander, taking delicate melodies and slinging them above a surly-faced beat.

Moving onto the remixes, DJ Central dismantles the exultations of ‘Solar Wave’ and revises it into a techy, taut number with a new magnetic drive. Priori’s final offering is delightfully subversive to Adam’s sound; his take on ‘Element X’ is both pensive and anthemic, with a keen sense of space and the sort of epic mood that could easily crown a culminating set.

All in all, no nonsense goodness from Adam and his team. We couldn’t think of any other way to celebrate this milestone. Indeed, the night is always darkest before dawn.

We are delighted to welcome for this 5th release, two great new talents!

The A side will be taking care of by Aymeric, a young producer from Lille.

The B side by the Frankfurt artist Benjamin Milz under is new alias EOC.

Vinyl only

There is not much information to be found online about Bliss Inc., whose Hacking the Planet EP comes out on Radiant Love this summer. Beyond the fact they’re named Alexander and hail from Saint Petersburg, the project is cryptic – somehow this is fitting for a set of songs that could’ve fallen out of an obscure 1994 catalogue. This is the year of Robert Leiner’s Visions of the Past, Opus III’s Guru Mother, and Paul Oakenfold’s BBC-1 Essential Mix: an aesthetic region in which tech and new age spirituality braid together, a time before this synthesis reached Silicon Valley; while it still lingered in the rave, incredibly sincere, everything sounded kind of wet, and the efficiency of spirit was means to no end but a state of bliss.

What keeps Hacking the Planet from falling into pure nostalgia is its tuning – the palette of 1994 has been lifted and run through a delicate sensibility. The title track is a piece of buoyant, airy trance, with orbiting filters and a set of loopy, very vocal synths. It bumps along at 130 BPM, but feels slower because of the ease and clarity with which the track progresses. “Infinite” has got the aquatic motifs and soft, panning cymbals of a set-opener, or a comedown jam. The break that swings in after a minute-thirty feels less like a punctuation than another stream of sonics joining the flow. Picking up the pace a little, “Transitions” opens with a whir that could issue from a field of crickets or a stack of hardware. The entrance of the bassline was the first moment in this EP one could call nasty. But its drive and weight is also tempered, played against by a clever drum break, a run of piano keys, and the ethereal reverb-washed vocal sample we expect in a piece of classic mid-90’s trance – absent, however, is any kind of signalling to Goa, “exoticism” or indigenous aesthetics. (1994 was also the year of Jean Paul Gaultier’s Les Tatouages collection, which, for all its romantic nomadism and deft tailoring and syncretic spirit, has no need of a 2020 update).

Bliss Inc.’s songs stream, rather than track – one gets a sense that the elements flow in and out rather than ride a structure. Sansibar, who provides a remix of “Hacking the Planet” to round out the EP, is solidly a producer of tracks: often electro-derived ass-shaking material that hits, and hits in recognisable sections that progress serially. His version of the title cut brings in a hefty acid baseline, jungle-style stretched vocals, and kicks out of the 4/4 grid. But let there be no mistake, this is a producer also quite capable of coaxing delicacy out of hardware. The chimes of the lullaby-like breakdown halfway through the remix sound like nothing but a ghost in the machine.

Following the release of their critically acclaimed second album, ‘Isles’, Bicep continue to develop their Feel My Bicep imprint with a 12” from a fresh signee, Fasme. The French producer makes his debut on the label with a new 3-track EP ‘Home’.

Fasme is the project of Tom Ferreira, who only dropped his first EP in April last year and quickly caught the attention of Bicep after discovering the track ‘ICI’ on YouTube. Bicep first played these tracks in their FMB Radio show on Apple Music and a Friday Guest Mix for Mary Anne Hobbs on BBC 6 Music.

His melodic sound is created on analog synths, evolving between acid, electro and braindance. Describing himself as “more of a live performer than a studio man”, Fasme will be supporting Bicep in Paris in October to celebrate the EP release.

Earlier this year, we whet the world's appetite with BUSZTM's first album sampler. Now, to wave goodbye to 2017, we're teasing you again via a 2nd sampler EP - a vinyl-only story of 'Dubai'.

The original's moaning bassline, conversational synth lines and enslaving rhythm precedes 3 amazing remixes, spanning industrial techno, twisted acid and patient progression.

With House Warming - Andy Vaz returns with his 3rd full lenght album on his own Yore Imprint. Due to Andy's half Indian roots, he is lucky enough to owe a Beach House just outside of Mangaluru, South India in the State of Karnataka. - where most parts of the Album were written over a period of 6 months. In this totally isolated, entirely tourist free hidden spot, which had become Andy's second home over the past years, he found himself away from the usual routines of western life, to find himself in a position to simply sit down and create. The result is House Warming". As the Title suggest's - think of house, sure and no doubt- but here on this album, thought all the way thru from beginning to end. The result then is House Music in all it's aspects: The Soulful, the deep and the raw or if you want - Deep House, Acid House, Garage/Vocal House - the joints range from downtempo, elektro and even hip hop beats. Oldschool you may think Maybe in spirit, as entirely produced with analogue synths & the roland series from 808, 909, 505, 606 to the original 303, but used in a modern studio environment. Andy Vaz is someone who has been around long enough to know how to programme his very personal idea's into the music - without denying influences such as Detroit, Chicago and New Jersey, to create something that goes further than a simple reflection of the past. Deep isn't a genre, it's a feeling. A warm feeling most of all. Be invited to come and see if you'll find it here.

Our 14th Release Comes From None Other Then Italian Mastermind Ivan Iacobucci, Known Under Many Aliases Over The Years. Ivan Always Managed To Amaze Us With His Own Unique Sound. We Can Say That Lmml14 Is A Very Special Release For Us From An Artist We Very Much Admire And From A Friend We Are Happy To Welcome To The Lmml Family.

LIMITED EDITION RED VINYL REPRESS X 300 UNITS

Phuture only released a handful of tracks (plus an album a full decade after their debut), but have remained a legendary act in the development of Chicago house for their stomping 1987 single "Acid Trax", the track that began and defined the acid house sound. The group was formed by DJ Pierre, synthesizer fan Spanky and Herb J in 1985 as a recording entity to produce records for Pierre to mix into his sets at several crucial Chicago clubs. After being turned on to the high-pitched squelch of the Roland TB-303 synthesizer (marketed as a bassline machine for solo guitarists), the trio emerged from the studio with a track they called "In Your Mind". Ron Hardy previewed the track at his legendary club the Music Box - where it became known as "Ron Hardy's Acid Track" - and Phuture re-made the cut with production by Marshall Jefferson. Released on Trax Records in 1987, the single created a dividing point between the Chicago sound before and after it, with hundreds of "Acid Trax" imitations flooding the local market. After it caught on in Britain as well, the single soundtracked the wave of club madness which coalesced in the rave movement by the end of the decade.

Re mastered for 2014 and re released in original 1987 artwork. Released in conjunction with Trax / Harmless.

Tribe Recordings drops its third superb release. This time their own team member D.A.B is delivering 4 bombs, ready to smash any dancefloor. Essential!

Luxury Hits is an open-hearted love letter to possible futures. Trans-temporal projection through pop music for dancefloors. The music is about breaking through the limitations of our surroundings, not through escapism but defining a new reality on our own terms and breathing it into existence.

The record is a tropal soup of sonic utopias - balearic, acid, italo, synthpop, psychedelia - served in the mercurial bowl of HERE AND NOW.

Free Love is the latest manifestation of Scottish duo Suzanne Rodden and Lewis Cook (FKA Happy Meals) - a continuation and progression of their utopian dance pop experiments released on Night School Records and Optimo which have seen them shortlist nominated for Scottish Album of the Year and performing across the globe. Touring across Europe supporting Liars and The Flaming Lips, and with festival shows as far as Austin, Moscow and Bangalore, the band have become notorious for their sensual live ceremonies. Using a table of all-hardware electronics, Free Love harness a charismatic chaos and unpredictable energy that sets them apart as one of the most exciting artists of 2018.

Lostsoundbytes is a brussels based young and fresh producer. He is one of the owners of 'Vaste choses', an atypical music label that has released several tapes. His previous release was a split record on 'Land Of Dance Records', named 'From Sci-Fi to Lo-Fi'. On Willi's Adventure, he worked with machines and push all his gear beyond the limits. Raw and weird chicago inspired Acid tracks, distorted voices that could make a hole in any heart, slow and oppressive industrial tunnel. Keep an eye on him because Lostsoundbytes is a prolific and tireless musician ; he could soon play near you... Enjoy.

The continued rise of Alan Fitzpatrick is the biggest story in UK techno right now. Having enjoyed a rapid ascent since his emergence as the new kid on the techno block in the latter half of 2009, Fitzpatrick now enjoys a status as a highly respected and in-demand producer. By releasing his debut album for Adam Beyer's globally renowned Drumcode label, Alan became the first act to record an album on Drumcode since 2005. The well-received 'Shadows In The Dark' long-player marked the culmination of a run of productions that saw Fitzpatrick publically name-checked as a one of the most exciting producers in techno by Adam Beyer, Dubfire, Carl Cox, John Digweed and Len Faki and being awarded a BBC Radio 1 Essential New Tune for his anthemic Reflections single on Bedrock. 2011 will see Alan evolve an already impressive production CV via collaborations with Adam Beyer, Cari Lekebusch and Joseph Capriati as well as remixes of Mark Broom, Funk D'Void and Alex Bau.

It has been Alan's partnership with Adam Beyer's Drumcode label that has produced his most significant work to date; releasing three chart topping EP's (Static, Face Of Rejection, Insurgent Series) on the label in addition to his 'Shadows In The Dark' LP and being one of a select handful of producers invited to remix Beyer's classic Remainings III. Elsewhere, Fitzpatrick's studio services have been recruited by the likes of John Digweed & Nick Muir, Slam, Joey Beltram, John Digweed, Dustin Zahn & Joel Mull and Pascal Mollin. Indeed, such has been Fitzpatrick's dominance of the techno scene in the last eighteen months that his productions have regularly filled the top positions of Beatport's techno Top 100 chart at the same time.

The same unstoppable momentum has come to characterize Alan's style of techno; powering demand for his music worldwide, and filling his gig diary with weekends spent touring all over Europe as he completes the transition from being a highly regarded newcomer to a bonafide member of techno's producer vanguard. Focusing on his trademark sound of tough, hooky grooves and incendiary beats, An intuitive and dynamic exponent with Native Instrument's Traktor software, his big-room techno sound has seen him draw crowds in Germany (Berghain, Cocoon, U60311, Maria Ostbahnof), France (Rex, Inox, Le 25, S'Kandalo) The Netherlands (Awakenings, Paradiso, Catwalk, Doornroosje, Poema), UK (Fabric, The Arches) Italy (Old River Park, Rasmonan), Switzerland (La Zoo, D-Club, Das Schiff) and Eastern Europe (Kiwi Lithuania, Forsage Ukraine) plus key festivals like Kazantip Ukraine, Streetparade Zurich, SW4 London, Boom Portugal and Sziget Hungary.

Already well passed the landmark of 25 releases, Alan Fitzpatrick's 8 Sided Dice Recordings label keeps on pushing forward as one of the most exciting new techno labels to emerge in recent times. Established as both an attractive home to high profile artists and a outlet for emerging talent the labels output continues to strike a balance between original tracks and remixes from Alan himself, as well as featuring productions from Cari Lekebusch, Slam, Heiko Laux, Gene Le Fosse, Dustin Zahn, Sasha Caressi, Harvey McKay, Nicole Moudaber, Rich Jones, and Chris Colburn.

Chicago anthem from Maurice circa 1988... All 4 mixes re mastered for 2014... Gonna give you acid!

Welcome to a science fiction nightmare helmed by the legend that is DJ Overdose. Alien prey, DNA in test tubes. Who is being regrown Will the town survive Who has been replaced In these present times of truth vs fiction it's easy to become paranoid. We have the soundtrack HAEX-HRLL's Further From The Truth: An abductee saga by replicons from beyond the moon. Chiming in between hot electro, Vangelis dream scapes, XTRO drone. This is one of OD's most fascinating records to date. Art by a mysterious figure. Mastered by Alek Stark.

Sex Tags UFO is back with this special ten year label anniversary release, with XI. SVN and PE's (DJ Fett Burger) long running left-field house project.
This 12 " contains two smashing underground club oriented tracks, both produced ten years ago at Neues Deutschland. A release that catches the vibe of Sex Tags UFO in non but a perfect way! True, underground and stylish!
Limited edition release, not to sleep on!

Griffé is back with a new uncompromising release. For this second EP, the Corsican born P.O presents his very first (almost) solo record. Eminent member of the duo Solär Sound System with Jimmy Batt (who comes to lend him a hand on the powerful A2 track "Reveille toi").

For this release, P.O offers 5 tracks oscillating between several styles, flirting with EBM, break, techno and many others. There are tracks designed for the dancefloor as well as the UFO "I Don't Feel Anything" which comes as a breath between the other tracks. The whole is linked by a dark and powerful atmosphere, common between each track and which will give the title of the EP, aptly named "Dark Phase Cylcle EP".

vinyl only

After BienAimer Records first releases sold out in record time the London based imprint returns with a fresh 4-track VA aimed squarely at the dancefloor. Carlos Sanchez kicks things off BARWAX003 with a tough, bass heavy slab of garage tinged weaponry in ‘Eliptico’ while Steve Butcher smoothes things out on ‘Day By Day by day’. Ghini-B jacks things up on a garage tip and Thomas Roland and Tarek Charbonnier close out the perfectly balanced third release when they combine on ‘Music Story’ for a reduced percussive excursion.


Already supported by Raresh, tINI, Loren Lo Sung, Miroloja, Traumer, Jef K, Cinthie, Voigtmann and more

Double pack by Dewemer.

Physical Delight is the embodied extension of Diego Moreno & Sishi Rosch Digital Delight imprint. This first release is a 2 tracks double sided limited edition (100 copies)

Side A: Diego Moreno "Puff", is a Break Beat track with Minimalistic, Acid and Classic House characteristics. A solid simple production that turns an twists as it develops. The vibe of the track is quite deep and eerie, it's one of those tunes that you can feel it in your gut.

Side B: Sishi Rosch "Lose it", is a classic House inspired composition, a hypnotic and quirky vibe is given by an Acid baseline that marks the progression of this track, complemented with deep vocals, minimalistic sounds and topped with some classic 808 and 909 percussion.

ACID DESERT is the second chapter of the record series produced by KAKOFONICO for the Milan label INTERSEZIONI Rec

The unique sound setting created by the evocative power of music will lead you into a magical desert that make you feel immersed in a sort of an ancestral rite. The sounds of the Turkish musical tradition are mixed with tight rhythmic patterns and electronic elements, giving a definitely dance-floor imprint to each tracks, where past and modernity merge to create a perfect harmony. But the original and authentic vibe of this EP are the beautiful voice of the Turkish singer Beyza Cakir and the percussions of Lorenzo d'Erasmo, who played a decisive role in the creation of the album.

In addition to the three original tracks, the EP includes also a Remix of the single "Acid Desert" by the Italian duo "Underspreche", with more House influenced beats. All we can do now is wish you a good listening and a nice trip!

Limited

The 8th release on BLKMARKET MUSIC is the second part of Dystopian Future series on the label. Samuel Jabba, one of Bogota’s finest locals, takes a more four on the floor approach with Dystopian Future Part II. We will let the music do the talking. We are thrilled to have this follow up EP as our next release. Featuring tracks Dynamo, Syndrome of You, Ionide in My Head and Acid Rain.

Clear Vinyl

Acidic Groove Music translated into the Czech language is Kyselá Drážkovací Hudba. 11/17/2019 is the 30th anniversary of the Velvet Revolution in the former country Czechoslovakia. The anniversary falls on a Sunday this year so this record will be released a day before the eve of the revolution’s anniversary. It was a peaceful revolution and happened just weeks after the fall of the Berlin wall. Why the translation and the release date? This release was a long time in the making, just like the protestors who gathered in secret, planning, days before that historic event. Acidic Groove Music is anticipated to be a revolutionary release for Vibenotic Recordings. Some of my ancestors are from Bohemia, a country that became part of Czechoslovakia and soon after that, the Soviet Union. So it’s a tribute to them and their old country. In an uncertain time in America where the establishment openly looks down on immigrants, I want to embrace my immigrant heritage and show it off even more. Additionally, some of my ancestors were involved in the dance music of their eras and I would like to continue their legacy since I’ve been a part of dance music as a DJ for approximately 30 years. I have spent some time in the Czech Republic which contains the former country, Bohemia and amid all of the historic castles and landmarks you really do hear a lot of House Music, Techno and Downtempo. It’s really a vibrant place with something for everyone. Just over 30 years ago it was impossible for westerners to see what is considered to be the jewel of Europe. What I hope you will find when listening and grooving to it is a smooth, modern and free journey into Deep House, Techno and Downtempo. All the material is 100% original and made with hardware synthesizers and drum machines. The songs are different styles but all include that magical, mysterious, battery operated, silver plastic, instrument; the legendary Roland TB- 303. Since Czech like English, is one of the most difficult languages to learn and speak Kyselá Drážkovací Hudba is also known as Acidic Groove Music.

Shadow of Self – Influenced by the deep electronic sound of Chicago’s pioneers Fingers Inc. and Armando of the 1980’s this song is stripped down to Acid House with lush pads and classic drum programming. It was made with a Devil Fish modified TB -303, Elektron MachineDrum SPS 1UW, Casio RZ-1, Korg Minilogue and Clavia Nord Lead 3.

Aberdeen – A 90’s influenced House track with a sliding TB-303 bass line, swinging/shuffling drums and a chord that evolves as the track plays with pad swells and swirls. Aberdeen is named after a street on the south side of Chicago that had a bar on it where I introduced this neighborhood to the deeper Northside sound of the 90’s.

Metrics – Detroit Techno meets Chicago House with a futurist approach to the acid sound we know and love. Acid, drums and a bending pad start this one off and then it evolves into a panning clap sound reminiscent of 80’s Farley tracks.

LoFi Lounge Music – A downtempo track with a break beat that steadily introduces additional melodies. Is it downtempo or is it some type of drum and bass hybrid? You decide. It actually has multiple tempos throughout and it is complex. After Anthony Nicholson received the promo he replied that this track is “Brilliant”. I wish to thank him again.

Tel Avivian producer Spark O first E.P for the Confused Machines imprint - Variations in Intensity delivers 5 cuts + 2 remixes (by dutch producer Klankman & long time musical partner Mule Driver) freeing House and Techno from any convention by using live to tape hardware jams and placing them in an intuitive and 'under produced' form of electronic dance music that keep the result as live and dirty as possible

Witness the expression of sound beyond actuality or reality.

Drivetrain (Detroit, USA) - Concerto In Acid

Derrick Thompson begins with an impassioned string orchestration

that morphs into a rocket powered symphony of acid.

DJ Sinjin (Columbus, USA) - The Fear Of Darkness

A sinister offering complete with a mysteriously macabre discourse

atop the bass line of fire and brimstone.

Jani Ho (Melbourne, Austrailia) - Fast Cars

This Soiree Records debut unleashes pure pandemonium merging the organic noise from dow nunder with legitimate Detroit dexterity.

Teknobrat (Ottawa, CANADA) - Rail Transfer

Deep techno meets acid intellect for a riveting blitz of beat aggression and sonic commotion.

Borft proudly presents Anders 2nd vinyl on Borft, "Love Loser". As on "Tengdalsg. Acid Master" this is very Electronic and experimental Music but this time a more club oriented approach. Handstamped & Numbered to 300x

This ep is brought to you by serbian dj and producer Dejan Milicevic and is a reflection of a long period of music consumption and numerous attempts to find the right kick drum. The obvious clash between nu school in terms of editing and old school in terms of sample choice will make you dance with a tiny nostalgia as if you were a clubber back then. The sound of Roland 303, 808, 909 for sure will take you where it all began with an extra touch of sophisticated production width and a cracky neve on top of it. The tracks aligned tell the story of true and raw chicago influenced dance floor slammer and be sure to check all 3 tracks in your next dj set to see what happens with the crowd below. Stay tuned for more to come in the close future.

MIKE ASH'S NEW ACID TECHNO EP SOUNDS LIKE IT WAS MADE SOME TIME IN THE DISTANT PHUTURE, LONG AFTER THE FINAL HUMAN DOWNFALL BUT AT THE HANDS OF ARTIFICIALLY INTELLIGENT ROBOTS FROM A DISTANT GALAXY ROAMING THE EARTH DESTROYING THE MEGA CITIES AND ITS INHABITANTS WITH SONIC DEATH RAYS.

First compilation in the new era of the Spanish label Mystic & Quantum, 6 varied IDM tracks ranging from the slowest and deepest acid up to the the most danceable tracks. Quality inner sleeve with artwork by Fred Gambino. Limited to 300 copies on clear purple vinyl.

The sound of sound of T.E.W. is something out of time, with no context and far from any idea of business, all features that make their music so current. Every time someone put their records on a turntable, their music is able to open a way to suggestions, memories and reasonings that make us feeling their own language so deeply, a kind of sound that has really something to say.

On 2019 T.E.W. are back with a new Habitat release, iPHiiUNiCi 1/3, the beginning of a new musical phase from the duo that many people admitted as one of the absolutely most underestimate techno projects.

In 2020 the second episode: iPHiiUNiCi 2/3 and from the title we don't believe it will be the last of the series..

Chaotic Discord - Time Migration introduces the second vinyl-only release from Tsarskoye Selo record label.

The first in Wormhole Wisdom's trio of Grumptronix / Diode represses contains two highly sought after cuts from Diode and on the B-side, a previously unheard and unreleased Grumptronix cut. As Diode's efforts spell out over the A-side, Omar's hypnotic sound prove that they also have the ability to pack a punch. With spine-tingling industrial & artificial intelligence influences, both '06Funk' & 'Waterhole' swing mechanical with a firm nod to the future. This unique sound is what's had people reaching deep to own a copy for themselves. On the flip, 'The Witching Hour,' the first of 5 unreleased tracks in the series, takes an even deeper, mysterious turn, bringing things down a notch. It's an intoxicating sound, packed full of nostalgia, space and energy - prepare to glide over your dance floor, living room or stratosphere in the proceeding 9+ minutes as you soak up one of the most uncompromising, emotive and relevant electro cuts to never see the light of day - until now. All tracks have been mastered from the original DATs with care and love by the ears and hands of Simon?@?The Exchange.

Massive! Vinyl Only! Wound Music is back! Produced by Claudio & Gianmaria Coccoluto. Includes William Medagli remix! A mix of deep, dark and raw sounds. Not to be missed!

Our next Seven Hills release Skies Over Sheffield returns the label to its Yorkshire roots. God’s own county yields this long-lost gem of a track courtesy of Sheffield legends and Bleep pioneers Forgemasters, with three new, home-grown remixes from John Shima, Luca Lozano and 96 Back to complement.

The Forgemasters trio: Winston Hazel, Sean Maher and Rob Gordon first gained acclaim with their now iconic, Track with No Name and hold prestige as the first to ever release on Warp Records (WAP1). Skies Over Sheffield however, has been waiting in the wings ever since its conception back in the early 90s; for nearly two decades the sun had stayed set over the track which lay nestled in an old recording of Winston Hazel’s Sheffield Community Radio from 1992. So we’re very proud to announce the long awaited dawn break of Skies Over Sheffield on Seven Hills Records.

The provenance of this record has always been close to our hearts here at Seven Hills; accordingly, we wanted to have a concept for the remixes that kept close ties to the Sheffield music scene. As such, we have two tracks from born and bred producers - John Shima and 96 Back - alongside one from longterm resident and honorary ‘Sheffielder’ Luca Lozano.

Music fathoms the sky!