House News

100 YEARS is a new label and venue set up by esteemed Sheffield promoter, producer and studio engineer Liam O'Shea - the fist release features two tracks by him as LoShea
'To commemorate this Sheffield invention, which has to be Sheffield's most widespread and successful international export, I have set up a new record label to release the finest techno music I can from around the world' beams LoShea himself. 'Techno is the sonic manifestation of industry in my eyes... not only in its sound and the places it is played, but in its enduring quality. It's hard and resistant to the ebbs and flows of scene changes and fashion, it will always be with us, it's primal and rooted in industrialisation... from Detroit to Berlin to Sheffield.'

As for the first release, it couldn't be more Sheffield or more techno, frankly. Lo Shea took himself into the heart of Forgemasters Sheffield - a huge steelworks - and made field recordings that he then took away and turned into two powerful tracks that evoke the feeling of their environment - sweaty men in overalls lugging lumps of steel into blast furnaces, rumbling cranes, tumbling 100 tonne pipes and a generally oil stained air of coal fuelled industry. 'Steel City' starts of with the hum and throng of huge machines and blasts of hot air bursting through. Then come the pummelling, over sized kicks and ticking, jostling percussive sprinkles to form a wiggling but heavyweight groove straight from the heart of a smoggy factory.

Flipside 'Prang' is just as stern and all consuming, with juddery snares and metallic hits peppering a monstrous bottom end. Throughout its course, the track breaks to grimy found sounds and field recordings before kicking with a renewed energy once again. Both tracks are hugely evocative, stuffed with industrial imagery yet speak to Sheffield's long love of abstract electronica. In another interesting historical tie up, artwork for the label is by The Designers Republic, the same company who worked on the early art for another of Sheffield's most famous and finest sons, Warp Records.

To celebrate all this there will be a launch party at Hope Works on 20th April featuring NonPlus boss Boddika and precision technoist Trevino, as well as Lo Shea himself and local legend Chris Duckenfield. This happens to be National Record Shop day, a fitting coincidence given that Hope Works will be a vinyl only label. The venue itself will double as an art space and rave centre akin to Manchester's Warehouse Project or Bristol's In: Motion. It's a former WWI gun barrel factory, part of the same industrial area in which Harry Brearley was working, so comes drenched in history. Its raw open spaces and looming industrial atmospheres make it the perfect place for people to enjoy techno in its native environment.

Hot Creations hit us with another monster of a release this time from Tom Dinsdale (ex-Audio Bully's) under his new project Minéo. Title track 'Turn Out The Lights' is an intoxicatingly deep groover with a dense low riding bassline, punchy warm chords and an infectious dark male vocal adding a real standout element for the dancefloor. Over on the B-side label head Jamie Jones is on remix duty to deliver one of his best, picking up the pace and turning it into a deep and powerful techy monster, twisted and dark, perfect for the later hours. On a more uplifting tip, the second track from Minéo 'Off The Handle' again carries that distinct UK sound. Bass heavy with perfect underlying swing the track twists and turns through different percussion patterns with captivating distorted vocals riding through the many layers.

Tom Dinsdale aka Minéo has been buried away in the studio for the past eighteen months working on music for his new solo project. Sending the tracks to Jamie Jones and Lee Foss as demos, they were soon snapped up and have become a staple part in both of their sets, smashing dancefloors worldwide from Ibiza to Burning Man festival.

Busier than ever with his hectic schedule, Jamie Jones has been touring as a solo artist but also along with Lee Foss, Ali Love and Luca C as their Hot Natured band, headlining their own events at the likes of Brixton Academy and festivals including Sonar and Glastonbury. Along with this Jamie has been running his Paradise night at DC10 in Ibiza for it's second year with huge line ups featuring big names like Richie Hawtin and Loco Dice but also the new artists Jamie is pushing such as wAFF and Patrick Topping. Finding the time somehow, Jamie has also been hard at work in the studio producing music with the Hot Natured crew with a recent debut album release and also doing a number of remixes for his three record labels.

For the next release on One Records we see a welcomed collaboration from label head Subb-an and Ibiza resident Tuccillo. Together they bring you the exceptional 'Day Motion', a tight rolling and intricate groover with balearic ambience, clearly showcasing both producers talent and style. On the flip side One Records are proud to welcome the legendary french producer Point G who delivers a heavy duty remix like only he can. With a pounding bass the track progresses gritty and dense, never dropping with an array of vocal haunts, melodic keys and carnivalesque FX, swelling and falling throughout. Distinctively different, the original and remix make the perfect soundtracks for the summer dance floor, each for a different moment in time.

With both Subb-an and Tuccillo being fans of each others music it was a natural force that brought them together in the studio. Top class DJ, producer and live artist, Subb-an is really staring to see the benefits of his many years of hard work. Although still young he's released on an impressive selection of labels including Spectral Sound, Visionquest, Crosstown Rebels, Culprit and Tsuba whilst playing at all of the reputable clubs and parties such as DC10, fabric, Womb and Panorama Bar. This year also saw him travel the globe as Damian Lazarus' right hand man in the '10 Years Of Crosstown World Tour' and with an album on the way we are sure to see his career only moving upwards.

Born Italian, Tuccillo now resides in Ibiza where he spends most of his time in the studio, which is where he teamed up with Subb-an for this special collaboration. With his notably distinctive style he has released on labels such as 2020 Vision, Holic Trax, Drumpoet, Rebirth and Freerange. Already working on a part 2 to this release, and with plans for him to play at One Record parties in the future, its safe to say he's now a staple part of the crew.

Recently making a powerful comeback, Point G aka DJ Gregory has been taking things by storm with an EP on Real Tone and a rerelease of the epic 'Underwater' on Apollonia. Starting his own Point G Recordings he has also delivered two sell out releases that are strictly vinyl only limited pressings both making it to number one on decks.de. With everyone waiting in suspense for his next release it seems One Records have managed to snap him up just the right time.

Fast building up an exceptional list of artists on the label and with hugely successful label parties at the likes of fabric, Watergate, Off Sonar and Bob Beaman, One Records are creating a solid platform to really take things to the next level...

Detroit House legend Terrence Parker on Planet E. Features remixes from Carl Craig and Master At Work Louie Vega.

Echo 106/COCO & CHERRY CD MATHEMATICSCD15 EXC $9.99 COMING SOON. PLEASE PREORDER NOW.
Groove Dis Exclusive! ECHO 106 debuted with the well received "BROKEN HIHAT MACHINE" and returns with this masterful full length. He grabs influence from classic electro, Chicago house, Detroit tech and throws down a distinct sound and flavor true to his own. 17 tracks total.

Debut release from L.A. Club Resource (label owned and operated by Delroy Edwards) Dark & ruff beat tracks for the club. no frills..straight from L.A. TIP!

Mini LP of unreleased MOVE D tracks. GOLD! Lovingly selected by Off Minor. Prepare to be surprised! Very Limited Edition..TIP!
Click This To Check The Dope Promo Video!

Washerman's last 12" was an overwhelming club hit, prompt sold out while nowadays vinyl copies fetching more than 30 Euros. Also this 12" went into the top 100 deep house charts of the year 2012 at Traxsource, Beatport and Juno. Now there's a brand new Washerman 2-tracker which might be exceed the success of its predecessor. The "Raw Poet EP" is a first preview of Washerman's upcoming long-awaited full length album.

Washerman is a story at its best. The humble Gianni Siravo has been around since many years under different names. He released his first records in 1998 as Sequel on labels like Straight Ahead and Sonar Kollektiv. In 2008 he introduced us to his Azuni project and released the album "City Look" on Agnès' label STHLM Audio as well as 12"s on Morris Audio, Quinessentials and Drumpoet. In 2012 he decided to release his music as Washerman. His first single for DPC became one of the most played records that summer/autumn and gained him a big reputation, followed up by countless remixes and releases on labels like Nite Grooves, Saft and Deso. He also started his own label Deep Down Slam, where he is championing music which is inspired by the early house groove of New York and Chicago. The Drumpoet Community people were simply blown away when they heard the album first. It's simply underground dance music in its purest way and straight to the point.

Next to the regular catalogue number, here comes a strictly limited 3LP handmade package including represses of all parts from daniels "in days of old" voyage. Kann locks the awesome project with a complete collection of all tracks from "#one - #nine" that teases out Daniel Stefaniks many-faced shining talents in techno and housemusic. Welcome full edition "days of old" - Hello Future!

The 2nd release on DEEP SHIT - the label curated
by Edwin Congreave from Foals and Jack Savidge
from Friendly Fires - is the debut EP from Durrr
resident KIWI, aka Alex Warren.
KIWI's 'Llama' is a much more straight up offering
than the label's first 12', the epic "Heal" from label
head Congreave (which received support from
Radio 1 DJs Annie Mac, Heidi and Rob da Bank, as
well as widespread club and blog recognition). The
EP's title track, a classic slice of italo-house, was a
staple in Savidge's Australian tour at the turn of the
year - and seeing first-hand the overwhelming
reactions it received from small basement clubs to
festival main stages made it a no-brainer for him to
snap up for the label.
KIWI, meanwhile, has continued to win admirers as
established as Erol Alkan and Andrew Weatherall
(who both included his music in their recent BBC 6
Mixes), with further support coming from the likes of
Ewan Pearson and Daniel Avery. All this has
cemented itself with a booking at London's
prestigious Field Day festival, despite still having
released no original material to date.
'Llama....

Fresh off their recent single on Avotre, the California duo of Yooj and Steve Huerta return in fine form, this time with their Retrofit debut. The pair's creative partnership began back during their final year of university where they discovered a shared affinity for a sound quite divergent from the preferences of their 'EDM' addled peers.

'Take Your Time' opens the EP with myriad distinct influences. Thick progressing stabs, stuttering bass, and a plaintiff female voice make this a perfect peaktime track for the summer. 'Love Me Right' goes for a more heads down, late night approach with a deep rhodes line, guitar licks popping in and out, and a thick, chugging groove that rarely relents.

Best known for their work on labels like 2020vision and Exploited, the Amsterdam duo Homework lend their expert ears to the title track, spreading the original's chords out far and wide, surrounding it with several new melodic elements and a jacking Chicago groove - a combination that will find itself in many a set over the following months. To round things off, 'I Said' alternates boisterous upbeat moments alongside a moody, insistent groove.

With Local Talk release no. 30 we're moving further into territories of straight up no fuss dance floor action.
Already having releases on Dirt Crew Recordings, murmur & Hypercolour Elef knows a thing or two about delivering jacking tracks.
Wake Up Call comes in two versions. The original version is a kick & snare pattern driven monster track with heavy arpeggios and deep pads.
On the flip Brennan Green doesn't hold back either. The main melodic pattern together with percussions is unleashed straight on and as the tracks evolves he adds TR-303 lines making the track even more epic. As Elef described the remix 'perfect for a Panorama Bar set'. The remix is worthy enough based on that one side alone.

Little is known about mysterious producer Tommy Rawson.

Our first acquaintance was the aptly named 'Shy Track' on Red Rack'em's Smugglers Inn 001 release. We tried to find out more but the trail got cold pretty quick. It was not until hearing Gilles Peterson playing a version of Hugh Masekela's 'Don't Go Lose It baby' on his show that word got around, Tommy Rawson was back.

This particular anthemic track found it's way to Mats who then started playing it out and every time, in every club no matter where in the world the reaction was same, people completely lost it on the dance floor!
We had but no choice to release the track and luckily enought Tommy must have a sixth sense because at the same time Mats blasted the track at the Local Talk office to convince Tooli shouting 'this is the next big release for Local Talk, I'm telling you!!' another track made it into his mailbox, the soulful house jam Brenda Done Died With No Name. Both tracks ended up on this 12' of course.

Mr Rawson has delivered the goods here, warm, sunsplashed music all the way. A name to watch for this year and probably not mysterious for long.

After launching with the excellent Systems of Desire collaboration between Kowton and Hyetal, Happy Skull expand their remit with the introduction of a new artist. Describing himself as a "Caped conductor of a rusty, disobedient mechanical orchestra," little is known about London based producer Adjowa but his two original productions here hint that he won't remain unknown for long. Accompanying Adjowa's original heat is a remix from premier Eglo artist Funkineven!

NYC denizen arrives fresh off a stunning, singular album for L.I.E.S to deliver 3 tracks showcasing his swift growth as a producer. Widescreen techno, stern, cracking percussion , & feel good house all figure in.

Stenciled Sleeves....Limited Edition..... HEAT!

Hirofumi Goto AKA Rondenion made his debut releases on Still Music back in 2005. Shortly after, he released a streak of Detroit infused House 12 on Rushhour, Aesthetic Audio and more to great critical acclaim.


A DJ and producer born in Japan. He began working as a recording artist in the late 90s under the name Hirofumi Goto, and released his global debut, 'Ameria EP'. It drew attention for its dark beats, unusual for a Japanese artist, and was played by top DJs like Derrik May. He changed his name to RONDENION to show respect to Chicago and Detroit, and began working on an overseas release. Ultimately, his 'Love Bound EP' was released by major labels such as 'Rush Hour' and became a big hit. It reached the top on the RushHourStore sales chart, and became popular in Europe. In 2012 he formed 'Ragrange Symphony' with his old friends NO MILK and KEZ YM, and he is currently working on a number of projects for his own record label, 'Ragrange Records'.


After being approached by Roundabout Sounds for a remix, discussions shortly after were directed towards a plan for releasing Rondenion's
debut album on both vinyl (Roundabout Sounds) and Digital (Plug Research). The result is the Luster Grand Hotel debut album, ready to drop in September 2013.


Luster Grand Hotel is the most accomplished project from Rondenion, an absolute blend of Detroit and Chicago house, reminiscent of the music from Moodymann, Theo Parrish and Rick Wilhite. A must have for any real house music fans.

Tin Man has been creating a stir on dance floors worldwide for many years with his unique vision of acid, techno and house.
In recent times he has opened his production toolbox to a wider variety of styles, also focusing on songwriting, often adding vocals.
The Underdog series, produced last winter in New York, emphasizes on deep killer techno -
This new release - the Underdog EP Part 2 - features three floor shaking techno cuts in different shapes.
On the A Side the aptly titled 'Swarm' features an epic minimal acid tune building over 10 minutes driven by twirling soundscapes resembling a swarm of killerbees on attack.
Flipping over there is 'Hack', which bows towards Soundhack with its dirty funked up sample chords and cut up groove.
The EP finishes off with 'Rocky', a masterpiece in reduction - hypnotic and deep techno.

For almost a decade now, Lovemonk has been releasing classy music and this new 12" is no exception. Damian Schwartz - who has previously released on the likes of Oslo, Apnea, Bass Culture and Hypercolour as well as running his own A Harmless Deed imprint featuring producers like Marcos Cabral and DJ F - presents a new two track EP that continues in that good tradition.
'Inwards' is a fullsome, rich and rounded house cut built on rambunctious basslines, dramatic percussive splashes and plenty of rhythm ingenuity. Blotches of melodic colour the rubbery bassline throughout and the whole thing is set alight by a neo-soulful diva vocal from Odille Lima that enriches the track no-end.

After the recent success of their expansive debut full length on Idle Hands and while they bask in the glory of their recently well received Resident Advisor podcast, Jacob Hodge and Matt Lambert push on with a new EP on Bristol's Futureboogie. To date Outboxx have fomented their own ebullient house style that is imbued with a keen sense of uplifting melody, plenty of analogue dust and some heavyweight bass, largely on Bristol based labels, and this new EP sees them continue in that fine form.
The EP kicks off with 'The Fade', a lively deep house cut with sandy hi hats and harmonic melody hits that surfs and skips with a subtle but sensuous energy. Growing increasingly garage in style as it rolls on, chopped up vocal patches add more oomph before 'Rikkies Groove' gets nimble within its authentically aged house framework. Serene and golden pads twist and turn behind frazzled melody stabs and twinkly colours add that late night feel Outboxx are such masters at evoking.
'Letting Go' is more in line with the downbeat trip-hop that made up the latter half of their debut: the glowing vocals of regular collaborator Naomi drift between loose drum hits, scattered beats and genuinely jazzy melody motifs. The results are inescapably dreamy and delightful.
Finally, 'Need You' is a cavernous construct of echoing claps and buried deep kicks that swells and subsides, implodes and explodes. The titles refrain is repeated over and over and bleeds seamlessly into the arrangements between big string sweeps, noodling horns and classic cymbal splashes.

Once again Outboxx prove that feel-good house music needn't be lowest common denominator or weak-ass house but that it instead can be as richly musical and artistic as any avant-movements.

S2 kicks off his new label w/2 new tracks that straddle the house / techno divide, catchy & warm on the A, sleek & contemplative on the B. Chicago's Defend:R takes apart the B to form a hybrid electro style remix.

Jamal Moss continues to channel the energy of the sun w/2 tough tunes that channel beats, melodies, & rhythms out that are typically celestial in nature. Sometimes harsh but always soulful & raw. That's how we like it over here.

Live and Raw retakes from the Crow Castle Cuts series with an unreleased bonus track too.
Black vinyl, black label, black bags, limited edition.
Llangollen's Dinas Bran Boys invited Marquis Hawkes, In Fields, Zoovox and Gnork to quite simply do their thing = CCCRAW.1

New We Play House summer special. Tracks by Kiani & His Legion, Metrobox and a remix of FCL by David Morales.

Cassy Britton's status as a DJ is hard to rival: she currently holds residencies at four top clubs—Panorama Bar, Trouw, Rex Club and Output—and used to work behind the counter at famed Berlin record shop Hard Wax. "The tracks on the mix all represent what I love about electronic music, and what I love playing," she says. "Simply, each track is individually beautiful-there is not much more to add." Her 17-track effort includes tracks from Norm Talley, John Talabot, Basic Soul Unit, Emptyset and Marco Zenker among others.

fabric 71 will be Cassy's fourth commercially released mix, following 2006's Panorama Bar 01 and two subsequent efforts for Cocoon. She adds: "The project has come at a perfect time for me in terms of me being able to communicate where I am at artistically. I have aimed to get back to the roots of what this should be about for every DJ—namely playing records for the love of playing records—and not because of anything else."

Principal Records follow up the superb debut from S & M with the 'M' from that partnership (That man Monkz) alongside the mysterious Mr. Vasir
As before it's the finest, roughed up soulful House which could just as easily have emerged from Detroit as Sheffield. Mr Moncrieff is going from strength to strength !
Fellow Steel City heavy-hitter and exciting new talent Squarehead handles the remix, turning in a rough and ready club workout that really hits home.

Released earlier this summer Rachel Row's beautiful single created a storm both on the White Isle and across the world, and this superb set of remixes look set to further elevate it to anthemic status. First up are Belgium duo FCL with their 'Gentil Mix'. Being a lover of prominent vocals in their own productions (see 'More Than Seven and the massive 'It's You' for further details) it's not surprising to see FCL really focus on Rachel Row's voice, with a square, bassy hook breaking up ambient synths and Row's silky vocals with mesmerising results. Next up is Breach, following on from the massive success of his own 'Jack' record. His effort is a killer production which contains deep and seductive garage vibes which merge together beautifully. Almost unrecognizable from the original, Breach Hood Remix is the Mr Hyde to Rachel Row's Dr Jekyll; transformed from a blissful summer anthem to a bassy dance floor monster. The original record's producer KiNK also returns to bring us his 'Bass & Beats Mix', a version which does exactly what it says on the tin by featuring prominent percussive elements that move towards a growing drop that is dominated by both bass and snare.

finally repressed!
Wonderful release by Kyle Hall on his new Detroit based label Wild Oats. Masterpiece 4 track EP, each track divine and Unique in its own way. Hot jazzy Kyle Hall fashioned deephouse that can serve a lounge and at the same time bang even harder on a dancefloor. Kyle Hall's Experimentalist off beat Antics meets smooth Jazz would be a way to describe the sound. Poly rhythms everywhere but at the same time a cohesive groovy soulful feel. Overall this EP is a Must Buy for anyone who is for the future of the electronic music genre and enjoys quality.

only one copy each customer !!

Warehouse Find!

Time to welcome Soul 223 to the label with his debut Delusions EP entitled Fear Of Stopping. Something of a complete legend in our eyes and ears, Steve Pickton has been releasing top drawer tuneage for over two decades both as Stasis on influential labels such as B12 and Peacefrog and more recently as Soul 223 on equally well regarded imprints like Delsin, Soul Jazz and Neroli. Always one to shy away from any limelight or self promotion it's true to say that this underrated British producer remains something of an anomaly, staying true to his underground roots where faceless, shadowy and obscure reigns supreme over the latest over-exposed cover star. This ethos naturally carries through into his music where you will always find both expansive beauty and unrefined rawness in equal measures ensuring his tracks always sound fresh rather than over produced or contrived.

Fear Of Stopping opens the EP with a low-slung disco groove providing the backbone for intermittent pad washes and reversing stabs. The focus here is firmly on the drums and simple conga riff with thankfully very little else to deter you from this sublime slice of abstract dance music.

Next up we have a remix from another ridiculously talented producer who chooses quality over quantity, having only ever had one release under his own name, albeit for one of the most respected labels in the world; Rush Hour. Maxi Mill came to our attention having released one of the tracks of 2011 namely To The Next. On this, his first ever solo remix he brings a brilliant bump to the EP with a raw, warehousey and bass-heavy workout. Just the right amount of strings and pads keep the deep vibe intact but the filtering bass and jacking drums definitely take this one to the floor.

Flipping over we have Walberswick in it's Hoist Covert Mix incarnation. Almost thirteen minutes of spaced out, deep Detroit house music awaits you, ready to lure you in and cocoon you with it's warm and hypnotizing machine funk. Lovely to hear the old Stasis influence working it's way into this one sounding both decidedly old-school and completely futuristic and otherworldly as only the best tracks ever do.

Closing the EP we have Birdbrook Rain dropping the BPM's for a beautifully sparse track that brings with it an almost desolate and disconnected feeling, echoing synths providing a naive melody while a dusty pad shifts simply beneath. A little slice of magic concluding a fresh and interesting EP, we hope you agree.

Terrence Parker is a Detroit legend and to celebrate this first edition of 'Finally' (Terrence Parker Late Night Dub), in the pure house

tradition with shaking bass, glamourous vocals, strings and piano, we decided to asked a remix to the one in France that keeps the

House's flag high and strong: MANOO. Maya Jane Coles' remixer, mixed on Panorama Bar 04 by Nick Höppner, signed on such

Labels as Deeply Rooted House, Real Tone Record, ... With Manoo 's remix, the vocal has been changed in an hypnotic Mantra,
Synths are like rolling waves and the drum section is like a heartbeat.
Also two others remixers from the D!fu's team lead the track in real different directions: Laurent Caligaris choosed the Love and deep side:
nostalgic and beautifull. MaxCo found the Dark side of the deepness, miles away from the original reconstructed on rythmics,

A brand new label split between Stockholm and York, homes of the two artists on this first release. Despite the label name, this is far from being the final chapter, simply the beginning of a new collaboration to push raw club tracks and machine tones inspired by Chicago House and Detroit Techno. Full force, full quality electronic music, plain and simple.
Neville Watson - "Loving the original of Warehouse. Lovely booming kick and deep bass. Atmospheric pads, judicial use of those few elements really gives the track plenty of soul" -
John Heckle - "The Perseus Traxx remix of Warehouse is sounding really nice!"
Jared Wilson - "I dig this record. Good Stuff. My favorites are Final Chapter and the remix of Warehouse"
Lee Holman - "Really great Old Skool feelings on this EP. The Perseus Traxx remix and the original of "Warehouse" are doing the biz for me from this EP!"
Dan Monox / Dixon Avenue Basement Jams - "Feelin' this bro. really liking the classic sound of "Warehouse" and Perseus Traxx remix of it is a nailer too. Will def be dropping this"

Lethal Chicagoid acid madness produced by a team of rabid suburban producers who prefers to remain in the shadows. Just one side of extreme loudness. Vinyl only.

Chicago's Beau Wanzer known for his work with Mutant Beat Dance and Streetwalker makes his debut on L.I.E.S. with his first solo ep..absolute killer!
Wanzer who has been involved in the underbelly of American electronic music for many years, cut his teeth working at Magas' now defunct Weekend Records and Soap. Through that time Wanzer constantly worked on music amassing a sizable studio where he worked in various electronic strains creating an impressive body of work. These tracks come from different points of his career and are stripped down functional pieces made for the dj even if that was not their initial intention.

D.J. Maaco is back at it again by keeping D.I.E. on the MAP! With long over due favorites such as Dutch Friends and Move Yo Body, this will be a 12 inch you don't want to miss. Listen as he drops the bass in Break It Down and bring the funk Like No Other.

Plan B Recordings' Lola aka Dakini9 returns with another 10' in her series of favorite formats. Fans of her work will enjoy these two deep tracks with an outer- planetary vibe. 'Kuiper Belt' pumps along with synths and sounds appearing at random like asteroids in space while 'Plutonian Moon' plumbs the depths of inner and outer space with deep basslines, samples, and chords.

Sampler 1 from the Femme En Fourrure album.

Canadian producer Kevin McPhee made his Idle Hands debut back in 2011 with 'Sleep' and 'House 44'
Over a year on, he returns to the label with two floor friendly, house leaning cuts.
A- side 'Unwind' takes the bumping bottom end and swung drums of early Sneak and pairs it with punchy horn stabs and an
infectious vocal hook.
B-side, A-Jam is slightly more subdued but equally as jacking with McPhee's trademark loose percussion providing the foundation
for lush Uk house pads and a heavyweight bassline.