House Новости

Yes, the busiest house label on the planet got another bangin' release ready to drop.
Oxford based Timmy P got a fierce House nugget that will drop hard in clubs where the mood is deep, dark and 100% raw.
The original track "What You Sayin" comes across like an ol' school K.O.T or Nice & Ripe house dub...the sick bassline alone will surely make you bump!
If the original doesn't do it for you we're pretty confident that our boy Chesus will deliver with his killer 90's inspired rework.
Last but not least Timmy teamed up with Stefano Esposito for a sweet and sweaty Garage jam to finish off this fine EP in style

Always hard at work unearthing interesting new projects or forgotten old gems, Opilec Music is now serving up a retrospective compilation of highly esteemed Chicago producer Jordan Field's best work from 1986 - 1991.

Field has been active now for some thirty years (on labels like Rush Hour, Headphoniq and Mo Wax) but his best work was arguably done in his first decade or so. Now Opilec boss I-Robots has been given access to a collection of Field's early recordings and has selected, compiled & conceived this project himself. It will be presented as a full-length album but will also arrive in a few select EP parts, with this being the first one.

Says Jordan about the project "This album is one of my most important works to date, as it contains recordings captured during a very special moment in my life circa 1986-1991. At this point I had much knowledge about DJ culture and the art form of house music, I was a product of my environment. I was young, but I had already experienced so much in my first 5 years of absorbing it all! While that may not seem like a lot of time, you have to understand House Music was not even a decade old at this point. What's important for me to explain is I had already gone through my baby steps by the time I was recording the trax that are on this album. This is the point where I was at the next level, chapter 2." Up first is the classic jack of 'That's How It Is' with its perfectly analogue synths and drums conjuring a warm, human and organic mood. Acid lines and slapping percussion all interact and ooze Chicago house authenticity.

'The Answer' is a much rawer and more dishevelled sounding affair with lumpy, rough hewn drums and crisscrossing percussion that screams to be played loud in a warehouse. 'Future Thought's' is alive with the sound of classic Roland cowbells and shuffling drums. It's deep and mystic and sounds as if it's come from somewhere far off in deepest darkest space. Finally, 'Rhythm of Romance' gets a little sleazy with its tight loops, thumping kick drums and mechanical metal hooks. They sound all out of control but are off set by some seriously sombre chords in the latter half.

Often imitated but never bettered, this is the true sound of Chicago house music in all its forms from one of its finest sons.

After five years of throwing parties under the name Green Villain, the label Green Village was founded in 2014. Their second release, Come Through For Me features a single from New York City based DJ/Producer, Policy. Following his two recent albums on 100% silk in 2013, and Rush Hour in 2012, this will be his last release for 2014. The flip features a more dance floor friendly remix by London based, Thefft which focuses on predominant percussion and off beat bass stabs.

The ICEE HOT label has never been busier, and that active streak is set to continue with another new addition to the roster: San Francisco producer Roche (a.k.a. Ben Winans). Having previously released music on Hieroglyphic Being's Mathematics imprint and 100% Silk, Roche comes to ICEE HOT with quite an impressive resume, and this two­ track outing is the latest chapter in what's quickly becoming an excellent body of work.

The a­-side offers an enticingly tripped­ out journey; full of swirling synths and twisting techno rhythms, "Depths" clocks in at more than 11 minutes in length, but every second is worth savouring. On the flip side, "Seers" brings the proceedings back to Earth with its snapping snares and insistently funky bassline, although the track's alien melodies do keep things enjoyably odd.

Strong Detroit influenced techno EP, feat. remixes by Steven Tang, Stojche & Vidinovski!

***repress in red vinyl***
Brand new twelve where Levon confirms not to be just a 1 (or 2) hit producer, for those who where still in doubt. This is some serious club tracks. Recommended!

Cyber Dance Records are back on the attack with a fresh release from the legendary Perseus Traxx aka Nigel Rogers, a 4-track EP entitled after recent scientific developments 'An Apparent Horizon'. It's a firmly machine-based and totally jam-packed affair reflecting diverse sounds from the UK's own rich history of electronic dance music, with elements from the classic Warp "deep space sound" prominent as much as the more usual 303-jacking acid house grooves in the vein of Baby Ford or Bam Bam. 'Lost Dreams' opens the record with a floaty dream-like hipnosis from the depths of space and sets the tone in magnificent style, followed up on Side A with the irresistible roll of 'Reverse The Trend' that takes the groove harder, further and deeperstraight off to the beyond. Dark strings reminiscent of old LFO, B-12 or Autechre vinyls from the early 90s propel us into Side B on 'Darkness Stalks', and then we're transported onto the concluding track on the EP, 'Distances'; an epic closer that opens with beautiful reverbed claps and acid squelches before diving into an inky black void of timeless space-travelling and slow-building tension that could surely echo hauntingly around any M25 rave in the depths of a late 1980s night.

**Special ltd flexy disc & 12" !!**
West Coast meets the fat beat and obsessive bass of the kitchenstudio3 crew.

First ever electronic release of Alan Sellers that, with the precious help of Dj Pezzo, fix the point of a new and never heard before , luscious and juicy stile.

Do not play loud before the sun rise on the dancefloor.

Soon available, 'Into the Bones' will be sold in 100 limited special pack including a copy of a never seen before X-ray flexi disk. Really recycled x-ray films specially manufactured to give you a fetish collectible. A must have object .

With this new four-track EP by Rai Scott the slowly emerging producer moves away from being the enigma that appeared on a split 12" with Brad Peterson that launched the Inner Shift imprint in 2012. And by the sounds on this EP, she's someone to be noticed. Preceding her forthcoming debut on Ornate, Scott provides another four-track called Wave Sound for Inner Shift Music. It's the fourth release for the label this year and "We Love You" certainly earns its place as the record's A1; sweet and meaningful deep house. "Keep On" is a dubbed out, bassline driven tribal journey of drums and low-end rhythm completed by emotional chords that eventually takeover, while "Cats and Water" is on a funky, stripped-back and loopy '90s techno tip. And for some ambient fun that then turns house: "Sky In The Clouds" is a perfect B2. An exciting producer house communities worldwide should be talking about in the second half of this year

* Quotes: Lakker - Lovely stuff, lovely package. My favourite is the Killawatt track. Great groove and production, as with all his stuff. The Soft is a grower too.'
Tonka - if there's been a stronger debut than this in dance music I've never fucking heard it'
Jimpster - Just wanted to say a big thanks for the lovely vinyl that arrived this morning. Just listening now and the ThermalBear track has me hooked!Throwing Snow - Rarely do I have such a nice surprise through the post than when your record arrived.
I'm now on my third play through and it's stunning, I genuinely love every track Norman Nodge - thanks for sending me D001, I like every single one of them in its own way. If I had to name a favorite it would be The Soft´s track.
Andrew Ryce - I quite like it! All three tracks are nice in their own way... it definitely sounds like artists who don't normally do techno doing techno, and that has its pros and cons. Sounds pretty fresh' Tommy Four Seven - yes feeling all 3, esp Killawatt!'

* Derelicht provide evidence of their shackles-off approach' to producing exceptional electronic music in this their first sampler EP. Featuring The Soft, Killawatt & ThermalBear there is clear emphasis on an artist controlled environment where there are no constraints, no bias and no timelines.

* D001, Derelicht's first EP steers clear of any preconceived musical formulae, not catering directly for an insurgent techno or house crowd but for the lover of a more abstract and considered aesthetic.

* THE SOFT - ICARIA. Icaria is this live pulsating jam that we've played in our recent gigs but have not had the chance to record. The track has changed hugely since we first played it out but we wanted it to retain the same atmosphere it had as a live piece, so it's grown exponentially. We recorded the track at home in London using both live samples and hardware. The track focuses on the more hypnotic aspects of electronic and dance music, and draws influence from Krautrock and Minimalism as well as contemporary electronic artists such as Walls, Jon Hopkins and The Field.

* KILLAWATT - AEOLIS MONS. My main inspiration for 'Aeolis Mons' was a load of random field recordings that I've had in a folder for the last 3 years that I never did anything with. Since the only brief for this project was that there was no brief, I just dived into a track without thinking about anything, it was very spur of the moment and natural. Structure wise, I wanted to create something that built up and up in terms of energy, building to a climax and then breaking back down and fading away into the distance. It actually felt like I was writing the entire process of an intense trip condensed down into a few minutes.

* THERMALBEAR - CARPE NOCTEM. We're not going to blow smoke northwards on this one, or describe the deep inner adventure the 'artist' endured to discover this sound. Carpe Noctem is a simple sequence of tones and frequencies presented with (relative) harmonic sense against a backdrop of solid bottom end.... And while there might be a slight overuse of his new studio toy in here, we understand he has to justify the purchase to his better half or he'll be out on the street. If you have eyes I would recommend checking the vid, and the following buzzwords may help any budding journos out there, analogue delay, restraint, filters, pensive, phaser, cassette tape saturation, BOC.

* Press / Promotion: In House campaign, 100 vinyl hand-distributed to leading editors, artists and tastemakers. Key editorials through Inverted Audio, Ran$om Note, Slate The Disco, Magnetic Magazine, DJ Mag, Noise Porn, Mind Grub Audio, Portals, Elevated Culture. 3 x videos produced to support each track all hosted on Derelicht vimeo channel

DUST returns with 2 brand new mutant acid house tracks on Mannequin Records. Limited edition of 250 copies . . on clear vinyl. TIP
DUST is a contemporary ouroboros of acid house, combat techno, and late italo. A collective consisting of avant garde Korean noise goddess Greem Jellyfish, psych musician/model Angela Chambers, dungeon wizard/tech genius audio engineer Michael Sherburn, and DIY nightlife entrepreneur /DJ John Barclay, they are headquartered at infamous psychedelic/art/techno mansion Trip House in the jungles of Deep Bushwick. DUST utilizes both vintage hardware (909, 303, Juno 60) and HD cinematic soundscapes to create a heavy, lavish experience.

Strongly recommended to fans of Phuture, Cybotron, Gatekeeper, Legowelt, International Music System, Future Sound Of London.

repress soon!
Produced by Pablo Mateo & S. Hoffmann

All you need to know:
tr-909 + waldorf q = love

"Outer space funk LIVE from planet Earth..."

Second of three samplers celebrating Mood II Swing's seminal original tracks and dubs from NYC's finest King Street Sounds.

Contains their seminal cut 'Closer' (vocal + dub), 'Lip Stick Bitch' & 'Heart Attack Track'.

a1/ jogging barrientos
write by pier bucci and zakhar ivachev , produce by pier bucci
b1/ Alban
write by pier bucci and Alban Hajdini produce by pier bucci
albanian melody by Nevruz Nure (Lulushi) Kaba

The super versatile, fantastic Theo Parrish album which was just elected by the listeners of the Gilles Peterson worldwide show as best album of 2007 now for the first time on 2xCD

Here is the new single by Rachel Giannini aka Camilla Green, the fourth with Wonder Wet Records. Side A is a classic deep house track where begins the collaboration with Carola and her beautiful voice. Side B is in an hypnotic techno influenced trip, featured by Altarboy.

NEW DOLO! Max D's Dolo Percussion alias follows up last year's white label on LIES with a new collection of bugged out drum tracks for Future Times! Max milks primo technoid junk, Sumo tom hits, ricochet chants, and new wave jungle blasts. Nasty stuff built for DJ sets!

Roland Tings is Melbourne's jack-track anomaly with a penchant for acid coastlines and nebulous rhythms. Still fresh off 12 releases for 100% SILK and Club Mod, the Melbourne producer dropped the stunning 'Who U Love' EP with us last spring, to critical acclaimand in anticipation for his debut whoch is finally here now. and what we are truly excited to present. Forged by Melbourne's forward-thinking nightlife institutions, Tings made his debut with the Milky Way EP on 100% SILK - the enigmatic dance imprint founded by Not Not Fun's Amanda Brown. Having laid the groundwork of a raw-satin aesthetic inspired by that of Larry Heard and Robert Hood, his sound was solidified on the Club Mod-released follow up Tomita's Basement, featuring remixes from Future Times' Maxmillion Dunbar and Junior Boys' Jeremy Greenspan. Functioning as club-ready oddities with neon finesse, his releases thrive as rhythmic visions pushing dancers into his very own modular oasis. Having toured across much of Australia and Europe, he's backed up headline club shows with appearances at MONA FOMA and The Meredith Music Festival as well as support slots for the likes of of Tim Sweeney and Juan Atkins for Modular's Sydney Festival showcase. Now riding with a tight community of Australian producers enjoying recognition around the world, Roland Tings' custom texture continues to fold into a vibrant late-night fabric accessed around the world and you will see this reflected by the goodness and versatility of the 10 tracks on this CD.

Anomaly, Fred P's techno alter ego drops a hot bomb. As a producer renowned for melodic, ultra-deep house, it's no surprise that his techno is as deep as a well. 3 tracks.

Strut return to the archives of seminal Chicago house label Dance Mania in January 2015 for 'Dance Mania: Ghetto Madness'. The follow-up to Strut's acclaimed Dance Mania label retrospective 'Hardcore Traxx' from early 2014, this new instalment places the spotlight on the raw, stripped back, hyper bpms of ghetto house and the rise of the movement's fresh generation of stars during the mid'90s including DJ Deeon, DJ Funk, Jammin' Gerald and DJ Milton.

The album tells the story of the evolution of Chicago's sound during the era as mix tapes circulated through local stores and DJs developed their own underground following, playing local parties in the projects. Crowds began responding to faster bpms and gangsta rap-inspired X-rated lyrics. As DJ Deeon remembers, 'it bridged the gap. It made it OK for guys in the ghetto to like house again and it brought the women onto the dancefloor too.' Dance Mania was perfectly positioned to capitalise on the new sound - many of the DJs came regularly into Ray Barney's record store and, as Chicago's most trusted and respected label owner, he was offered the best tracks for commercial release at an early stage.

'Ghetto Madness' brings together some of the underground classics and enduring favourites that earned Dance Mania the title of 'Ghetto House's Motown'. Tracks include DJ Deeon's party-starter 'The Freaks', raw DJ Funk cut 'Computer Sex' and Nina Kraviz favourite, Paul Johnson's 'Give Me Ecstacy'. Other featured gems from the archive include the dark early Steve Poindexter outing 'Computer Madness' and Tyree's in-demand jam, 'Nuthin' Wrong'.

'Dance Mania: Ghetto Madness' will be released in 1CD unmixed, 2LP and digital formats. Physical formats are fully illustrated in raw ghetto style by James Wilson and also feature CD a fold-out poster featuring an exclusive James Wilson illustration featuring the Dance Mania DJs as tattoos!

Back from a brief hiatus from solo output, Lee Curtiss follows up the masterfully naughty 'Lunatic Fringe' EP with another heavy dose of dancefloor debauchery for own imprint Visionquest. Showcasing his undeniable flair for libidinous club music with a hint of the unusual, Lee takes time out from producing his upcoming album to deliver two killer originals for 'The Ride EP'. A­-side 'Drink Tickets' is a suitably dusky and contorted trip with a growling modulated bassline, pseudo-sinister vocal and kinetic groove while B­-side 'Dancing Girls', a collaboration with his Chicago partner in crime, Nick Bassett ­ is a simmering hypnotic summertime affair with a filtered 90s feel and dirty funk bassline combined with sonically sophisticated detail.

A veteran of the electronic music scene, Lee Curtiss has successfully straddled the industry's many contradictions, releasing hits as exquisitely crafted and mentally twisted as they are in global demand. As a founding father of Visionquest's forward thinking outfit and label and a DJ renowned for mining the depths of dance music's history at establishments such as DC10 and fabric, Lee Curtiss is a true eccentric and innovator guaranteed to deliver a sonic melting pot of humour, sex and funk.

Initially making his mark as a producer with releases on Spectral, Get Physical, Supplement Facts, and Wolf & Lamb, two of Lee's biggest hits, the Visionquest remix of 'Good Voodoo' remix and 'Smoking Mirrors' were in RA's top tracks of 2011 and out of the techno realm, Lee's remixed the likes of Tracey Thorne and David Lynch. Since then there have been massive releases on Culprit (Candy EP feat. Matt Tolfrey) and of course with the 'Lunatic Fringe EP' on Visionquest.

Nick Bassett is a true gentleman helping to shape the new chapter of Chicago's long history of dance music, a spokesperson for the futuristic sounds of modern deep house, and a devoted student of electronic music's past. Nick grew up in the academic cornfields of Urbana, Illinois, with extended visits to a village in West Africa. He's lived the last seven years as a proper Chicagoan in the Windy City. Nick's life has been influenced as much by art and design as it has by the explosion and reinvention of new house music and digging for classic 90s vinyls. Nick's music selection has been described as 'elegant yet understated...dripping with passion, sweat, and creativity.' Bringing these qualities to his music production promises to catapult his career another great step forward.

"What $ Love" is one of Romanthony's rarest songs. The original house mixes - only ever released on the fleeting US imprint Vinylmania - is one of his most sought after pieces of vinyl with pristine copies selling for upwards of £100. Roman did make an R&B version on his Glasgow Underground album but the house mixes with their low-slung dubby organ & bass grooves are the real dj deal.

The classic cut from the Vinylmania 12" (Roman's Remix) is included here, as are three new mixes from Supernova, Christian Nielsen and Those Beats.

Christian Nielsen delivers possibly the most club-friendly mix on the package, taking Roman's vocals on a tough, percussive, jacked-up house groove. Supernova add a touch of hypnotic beauty choosing to sample of Roman's voice and layering them over a sublime groove. Lastly, Glasgow's finest Those Beats add a touch of jazz giving this classic track the kind of workout you'd expect from someone like Pal Joey or the Rednail Kidz.

Supprt from: Support from: Pete Tong, Skream, Josh Wink, Bodden, Detroit Swindle, Claptone, Robert Dietz, Groove Armada, Tony Humphries, Oliver $, Chopstick, Lee Foss, Jacques Renault, Josh Butler, Justin Sloe, Doc Martin, Spiller, Emperor Machine, Leftwing & Kody, M.in, Florian Kruse, Philippe Zdar, Tocadisco, Chus & Ceballos, Panda, Kenny Dope, TCTS, Jimpster, Robert Owens, John Digweed, Kiki, Claude Monnet, Terry Farley, Droog, Jozif

More essential heat from the Priobito camp Hank Jackson, Alex Falk, Independence Ave. Orchestra and Jackson Lee step out for the first PRB compilation hit!

Roy Comanchero is a DJ/Producer. He doesn't like modern tool like laptop, but loves cheap and vintage machine instead.

He is traveling and looking for golden shiny beach like Cancun, Miami, Gold Coast and Nice... to make music everyday.

The house leaning off shoot of Fachwerk Records hits release number three here with a two track release from Reno Wurzbacher, the 'housemate cousin' of the crew who has already turned up on the label a couple of times. First up is the coy melancholia and pillow-y deep house of 'The Love You Got'. It's a grainy cut with grey scale textures and sultry voices contained with in the sparse groove. It strikes a nice late night mood before German master of the deep Sven Weisemann turns in his own remix. This version is more upright and weighty, with bulbous synth lines dropping into the mix, which is already awash with rippling pad puddles. Early in the evening, late in the night, either way both tracks here hit their intended mark perfectly....

Harbour City 2014. Sometimes people from different environmental backgrounds cross paths with one another through similar interests, and they notice that they have more in common then a certain taste in music alone. Boris Bunnik (aka Conforce) is hailing from the small scenic Dutch island Terschelling, that can be seen as the complete opposite environmental background as the dirty streets of Rotterdam's South Side that drew the first guidelines for Frustrated Funk's watchword: Mad Drama From Everyday Life. Although the background is opposite, the drama and struggle of daily life seem to have more similarities then one would expect. Struggling creative minds searching for correct paths, fighting to keep focused with daily routines, burning ships, moving forward, trying to bend negativity into something positive, writing music as an outlet for their compulsive need to create. This is our game. No hits, no hype, no bullshit, just the real deal, bringing timeless techno from the heart that will always stay untouched. So here's FR029, experimental techno from the young master mind that's Versalife. Small batch on crystal clear green mixed vinyl. Check!

A series of raw house tracks engineered for heavy DJ use. Three tight tracks inspired by 90s NY house music. Underground!

Pink Skull is one of those delightfully weird and innovative under-the-radar acts that you'll wish you'd stumbled across far sooner. Beginning in 2004, based around the musical pairing of Julian Grefe and Justin Geller, Pink Skull has done its fair share of morphing over the years, working its way through experimental tech minimalism early on, becoming a five-piece live band playing electronic psyche-rock and alt. hip hop (racking up a collaboration with Wu-Tang's Ghostface Killah), and recently taming their multicoloured dance spectre into 303-hugging electronica and solid trip-techno, nailed on their 'Skin Game' and 'Braindance' EPs.

It's this latest Pink Skull incarnation that shines through in the group's bubbling, acidic mix for Clash, with electronica royalty like Aphex, 808 State and The Black Dog sitting alongside newer 303 warriors like SFV Acid (from ace Brooklyn label UNO) and Jared Wilson, putting in a fine, spooky and spiky take on Detroit techno. It's a cracking little selection, clearly chosen by a few informed musical minds.

Compilation of current Amsterdam house music featuring 12 exclusive tracks from Amsterdam based (or born) producers like Awanto3, San Proper, Tom Trago, Boris Werner and more.
If you want to get a piece of some top-notch, upfront action from the underground culture of Amsterdam, this compilation gives you a front row seat. The 12 exclusive tracks that together make up for this compilation take you straight to the heart of what's bubbling in the nightlife of Mokum town.

UK producer Mr. G is set to release a new EP on Don't Be Afraid later this month. 'The Tutonic' EP, made up of three tracks, will arrive on May 9th, becoming the imprint's third addition to its Special Editions series. It won't be the first time he appears on the label, having remixed label boss Semtek's 'Bells' in 2010, and follows the techno producer's mammoth 'Retrospective' album on Rekids last year

A diverse and damaging three track EP from Bone, exploring and exhibiting Detroit Techno musically, figuratively and spiritually.
A1. Here To Stay (Won't Fade Away)
A nod to Detroit as an ever-present - a marker by which others are measured, Bone's first track on The Detroit EP, Here To Stay (Won't Fade Away) makes a statement
above and beyond just being a fine example the music it refers to. The sumptuous melody that opens the track is accompanied by a substantial yet soft, almost warm, kick, a combination that somehow provides an atmosphere and depth way beyond merely the of the sum of its parts. More rolling percussion and drums are crisply ushered in before the Here To Stay (Won't Fade Away) vocal begins looping over the composition. Linear, straight up loops, grooves and rhythm give a consistent sense of railroad-esque motion atop of an ever-present vein of lush synth and melody. A track that is certainly hereto stay. A2. Detroit Is ... Soul With more of an emotional focus than symbolic this time, it's clear this one is from Bone's heart. Detroit Is ... Soul, ducks and weaves in the grey area between house and techno; the initial percussion that is brushed over the kick giving more of a house
swing than a techno groove. The on/off, cut-and-dry synth chords contrast with the looser fluidity in Here To Stay (Won't Fade Away), and gives a real sense of intent and desire. The real focal point however is the profound vocal that comes swirling over the top, "Detroit is what I love, Detroit is what I need, Detroit is where I'm from, Detroit's the air I breathe" No explanation necessary. B. Detroit Is ... Hard
Bone rounds off part 1 of his Detroit EP with aplomb. Where the previous two tracks have drawn on the emotional and symbolic significance of Detroit as a place and as an ideal, Detroit Is ... Hard, cuts straight to the chase. Utilizing the same vocal
sample as Detroit Is ... Soul, Bone feeds things through the grinder and comes out with a late night dancefloor destroyer that blends Millsian fury and Red Planet mystique with the archetypal Subject Detroit aesthetic. Chaotic arpeggiated melody, indignant claps and breakneck drums and percussion are the chosen company for Bone's words on this flipside to Detroit Is ... Soul. Detroit is ... Hard, undoubtedly to become a mainstay for
sweaty after-hours affairs the world over

First volume of house tracks picked from the Velocet catalogue, Nail's previous label, which he ran very badly between 1995 and 1997. Most of the unsold, OG copies now lay in his ex-wife's cellar, covered in mushrooms.
300 on clear vinyl, no repress.