House Novedades

Traxx Underground back to old time with the launch of Traxx Underground Limited, a new sub label for vinyl only releases. Its pleasure to have The Groove Victim start the series with 4 underground house cuts!

Arbiters of the finest sonic skullduggery, Foot & Mouth returns with a slice of Summer Madness, featuring four highly effective fresh cuts of summer sonic edits from four clandestine movers and shakers.
The A side kicks off the super edit of PYT 'Addicted To Love' a monster of an edit by an artist with his own unique Vision. A2 is guaranteed to eat into your very soul with 'Big Portions' of Mange Tout.
On the flip and Russ Yallop delivers a sublime edit Oskar Offermans' 'Fluffer' heavily in demand and causing chaos on the summer dance floors. Finally H&T work their weird magic on Howard and try to get to know you!

Menacing beats by New York's DJ Spider are presented here in a double vinyl package. There is plenty of material here for dance floor damage as well as mental!!!

The Skokie Intruder EP is the first ever release by the French / American producer Royer. His productions reflect astounding sampling skills and a penchant for Detroit style grit and groove. Skokie Intruder was mastered and cut by Helmut Erler at Dubplates and Mastering and will be a hand stamped red label in edition of 300. Featured on the release is a remix by Brian Leeds (Huerco S., Royal Crown of Sweden) under a new alias: Independence Ave. Orchestra.

Russian house queen Nina Kraviz executed a mass seduction with her deep and sexy, spaced out debut LP on Rekids earlier this year. Now the label drops the single 'Aus' featuring a trio of stirring remixes by legends DJ Qu, The Rhythm Odyssey and of course, Matthew Edwards aka Radio Slave.

One of the deeper tracks on the album, 'Aus Feat King Aus On The Mic' is full of bubbling Rhodes, jazzy tones and organ melody interlaced with ice cool funk, while the incredible vocal, reminiscent of Foremost Poets, unfolds on the top line, penetrating the smokey atmosphere. The three remixers on board each deliver a more dancefloor ready interpretation with Rhythm Odyssey bringing more hiss and bass along with trademark wiggly acid permutations. Label boss Matt Edwards injects a sharp kick and transforms 'Aus' into a chugging drum tech roller while DJ Qu supplies a moody, fluid mix with trippy FX and deeply constructed layers.

The name on everyone's lips in 2012, Nina Kraviz is a star that can more than back up the hype - her unique expression, intricate production style and crate-digging skills earning her major attention from clubbers and industry insiders alike. Having wowed with EPs on home label Rekids, Underground Quality, Naif and BPitch Control previously, the eponymously titled album (on Rekids) cemented Nina's status as a true original andsaw Nina gracing the cover of leading music magazines and receiving near flawless reviews. Recently delivering a special BBC Radio 1 Essential Mix featuring many unreleased tracks and rarities, Nina has the dance music world at her feet.

Part Four in the series sees Mosaic return to its signature sound of the late 90's : deep techno-tinged house.

First up is UK house legend Nail , who was in hiding in London and Suffolk for a while , but is now back in his bunker in Nottingham making music once again.

His offering, "Pharoah," was created on Boxing Day 2013 especially for Mosaic and contains all the hallmarks of classic Nail productions of the 90's whilst maintaining a foot firmly in the present. If you like your house deep and sample heavy this cut is definitely worth checking out...

On the flip we have two tracks from newcomer Annie Errez. Annie is a resident DJ at the Mint Club in Leeds and has been developing her production skills over the last few years with appearances on Holic Trax , Saints & Sonnets as well as a very fine release on Strobewax which she co-runs with fellow Mint Club resident Bobby O'Donnell.

If deep techno- house is your cup of tea then put the kettle on and listen to the sublime "Bell Curve" and the dubbed out bass monster that is 'Auguste." We are sure that you will agree that there is no doubt that she will be a producer to keep an eye on in the future ...

Groove Dis Exclusive. PRE RELEASE. THIS TITLE IS NOT AVAILABLE YET. The Chicago house legend strikes again with three more killer re-edits: FREDA PAYNE's "PULLIN' BACK (GU EDIT)" on the A-side, b/w "EASY TO LOVE (GU EDIT)" from MOTOWN SOUNDS SPACE DANCE and LENNY WILLIAMS' "MIDNIGHT GIRL (GU EDIT)" on the flip. Strictly limited pressing.

Its time for Local Talk to go local again with another Swedish producer, Eric Ericsson. With numerous releases out in labels like Planet E, Fragile and Freerange he's one of those producers with one foot in the techno scene and another in the more soulful house scene. Basically, he’s not a one trick pony!
For his release on Local Talk we would say he lands somewhere between classic Chi-Town house and thumping NYC house groove but without sounding too retro or washed out. Its simply real house music ! We begin with Love It, a real bumpy house track with analogue basslines and swinging fender grooves that will work both stateside and in the european house clubs.
The second track The Chi is as the title suggest a homage to Chicago with a slight old school Boo Williams fee. - dope!
But thats not all, to give the release a broader twist we got man of the moment Oskar Offerman (Berlin) to remix Love It for us.
Oskar goes more deep with his trademark sound and gives us a dark mix that will sound amazing in your favourite Berlin club of choice.

Having marked himself out as a producer to keep an eye on with his previous releases on Tusk Wax, Hot Waves & Glasgow Underground we're proud to welcome Lee Webster to the Local Talk family.
Lee keeps it pretty much straight forward on All Night Vibes EP and delivers a neat package of four to the flour house tracks, bouncy with strong vocal hooks and memorable melodies all the way.
Punch A Crocodile's wonky bassline, the airy chords in Get Lost, the vocal samples in Wax Your Body and lean rhythm in All Night Vibes are all fine indicators of where Lee's real talent lies and makes him a great fit for Local Talk.
Sometimes simplicity is the key to make your tracks memorable and this young cat knows how to work it like that.

We're overjoyed to get two of our favourite house producers onboard the Local Talk family for an amazing release.

With two jack'ed up house cuts that goes perfect with the Local Talk sound it feels like we got a winner on our hands.
First we go deep, real deep! Sunday Morning is the ultimate end of the night house cut that brings back memories of those melodic Bobby Konders productions. Its a beauty!
On the flip we jack things up with Misdirection, a thumpin deep house cut with a Chicago inspired groove that aims more for the floor but without loosing character.

Together the two tracks deliver the perfect Local Talk release. Deep, old school, funky but most of all...100% house!

LTX is back with an explosive third release !
Following releases for Sneaker Social Club and Telefonplan, the up-and-coming producer Zoe Zoe hits new syncopated heights with 'Bust The Wifes', a a pulverising slab of shuffling rhythms and vocal cuts. B Side activity comes from Chesus & Timmy P as the energy ramps back up with 'Vitamin C' from these two longtime Local Talk members.
Together they've made a a truly brilliant dance track that packs a serious punch and will wriggle those speaker screws loose.

CD VERSION. Leave it up to Kenny Dixon Jr. aka Moodymann, to give us the last jab of 20


























27. Heaven

Snakepiss is a Detroit, MI electronic producer. "Arson" features downtuned choral voices, four-on-the-floor rhythms and ambient soundscapes dragged through dirty alleyways. Frantic energy bubbles over on lead single "Set Fire To The Living," while "King" and "Wind/Water" return to Snakepiss' signature sound of dark ambient creep hop. Arson is both a reaction and a rejection to the dark emotional palette from Snakepiss's first EP, Toil. Arson is about taking your feelings you've confined and swallowed - the miserable dread of wandering - and burning it to the ground. "These are not my limitations. I reject this way of life."

20 years of Peace Feast Industries - original dusted and funky 12inch output of Tim Love Lee. On PAX2020 Peace Feast presents a shimmering, balearic and blossoming epic 13 minute A-side feat. DJ Sotofett, on the B a slow-paced & synth-spaced disco modulation with a trotted break. Solid old school analogue synth excursions from the NYC Tummy Touch studio.

FWe are delighted to announce our next release from Blind Jacks Journey and Crow Castle Cuts daddy, LUV JAM.

The welsh born 58% Rabbit / 16.1% Hedgehog / 4% Squirrel / 3.7% Fox / 3.4% Badger / 1.6% Rat / 1% Deer / 1% Stoat, Weasel, Polecat, Mink has produced 2 original tracks for only our second vinyl release.

BLYP EP will add to Luv Jams already extensive catalogue with previous releases on We Play House Recordings, Throne of Blood, Tsuba Records, Phonica White and Lany Recordings and collaborations with Dynamodyse, Matomic and Gnork.

Luv Jam called upon the Blind Jacks Journey and Bokhari Records regular, GNORK to remix 'Anti Tracksuit Party' and VERNON from Glasgow imprint Dixon Avenue Basement Jams to mix 'Over Draught Facility'

A solid 4 track EP of which we are extremely proud of.

Stellar deep dub techno from Detroit's Sly Fox Crew!

Having featured international house heavyweights Kez YM and Andres on their previous release it's no surprise that the 'Late Night Blue Sound' EP was a monumental success with demand outweighing supply and a repress sought. However, as at the forefront of the house revival City Fly continue their quest in discovering and nurturing hidden house talent...
So for their seventh release City Fly are proud to present Bartellow aka Benedikt Brachtel. Hailing from Munich, Benedikt was educated in classical composition and has worked as a film soundtrack producer. Having found a kindred spirit in the form of fellow Munich-based producer Amos, the duo formed successful avant-garde electronic pop act 'Columbus' awash with analog synth stylings, infectious pop melodies and neo-futurism.
However, it's under his 'Bartellow' alias which has seen him gain further recognition as a visionary virtuoso. Initially appearing on Michel Baumann's (Soulphiction) revered Philpot label with partner in crime Roman Rauch, he has since gained the attention of influential tastemakers such as Gilles Peterson and Rainer Truby with his 'The Bartellow Thrill' EP. Last year proved just as productive too with a release on City Fly favourite Red Rack 'Em's 'Smuggler's Inn' imprint, a remix for Philly marvel King Britt and two releases on his own conceptual 'SVS Records' featuring the cream of Munich's mercurial production wunderkids .
Always on the lookout to showcase those left in the shadows, it looks like City Fly have unearthed another raw diamond in the form of Bartellow...

HUMMING BIRDS

Kicking off the EP is the title track 'Hummingbirds'. Starting off with stuttering hi-hats skipping over a kick-drum a la Theo, it's not long before synths and a bouncy, syncopated bassline drop in to add more depth. A dusty de rigeur male soul vox singing 'hummingbirds' then glides in, hovering over the bass and juxtaposing against the building complex instrumentation effortlessly. Add to this an arresting, ethereal breakdown with a dream-like yearning female larynx and you have all the ingredients for an inimitable style and distinctive flavour that's synonymous with Bartellow's productions - definitely one to take the dancefloor in a different direction...

HUMMING BIRDS (UGLY DRUMS ACID DUB)

Having been on their radar for some time, City Fly have finally snared producer du jour Ugly Drums to contribute to the label with a remix. The cologne native's inimitable production style has seen him appear on a diverse array of prestigious house labels such as Rush Hour, Freerange, Kolour, Black Key, and Fifty Fathoms Deep - not to mention his debut 'Saturn Memories' LP on the discernible Quintessentials imprint - and with an upcoming guest spot at City Fly's renowned club night, it was only a matter of time and natural progression that he would feature on their next release. On to the remix and as the title implies, Ugly Drums adds some Chi-town flavour in giving some acid-induced indigestion complete with 303 squelches, handclaps and cowbell that wouldn't sound outta place on an old, battered Trax record. Add some eerie synths and warbling vocal and you've got a typically idiosyncratic take on house that only Ugly Drums can concoct - from Cologne via Chicago...

RAW MATERIA

Commencing with a heavy, thumping bass and jittery hi-hats, as the title 'Raw Materia' suggests one begins to feel that the track is of a more basic, rawer ilk. However it's not long before warm, swirling synths interject adding a dose of more depth and dimension - intertwining effortlessly against the raw elements. Relentlessly building, the track culminates into an arresting crescendo with the synths going into overdrive and infiltrating the uncompromising bass. Like on this occasion sometimes less is more - time to get back to the raw...

RAW MATERIAL (FRED P RESHAPE)

Not content with just one remix, City Fly have enlisted the transatlantic touch of deep house deity Fred P to add further gravitas to the EP. Though a veteran of the scene, it wasn't until he started releasing tracks on his Soul People imprint under his 'Black Jazz Consortium' alias that heads took notice with his deep and transcendent productions. Along with fellow New York Natives such as Levon Vincent, DJ Qu, Joey Anderson and Anthony Parasole, he was a major player in helping revitalise the NY house scene and has since released on esteemed labels such as Undergound Quality, Strength Music, Esperanza, Mule Electronic, Finale Sessions and The Corner - also remixing the likes of peers such as Nina Kraviz, DJ Qu, Basic Soul Unit and Lady Blaktronica. With this particular reshape it's another soul-charged ethereal excursion full of depth and emotion - one to submerge the dancers into a dream state...

After the great release from label owner "Samann", Traxx Underground is proud to serve you a name that all of you will know for sure "NY's Finest" a guy from New York who did many releases in the 90's with different alias (Victor Simonelli, Cloud 9, Groove Committee ect) one track among the strongest "Do You Feel Me". Back now after 20 years with these three sensational tracks!

Die Roh are the legendary dj Octopus (Enlightened Wax/Hypercolour) and the mighty Sagat (boss of Noho Records). For the fourth release of Muscle Records they have hosted in the Brenta Studios a southern talented musician known as Okee Ru (Enetrbt/ Deependence). The fruit of their occasional encounters are 3 craggy dancefloor cuts of disco infected technoid shuffled 808 beats and quirky samples; together they have blended old-school uncouthness with modern lechery. Their dissolute country fellow Lucretio (Restoration/Machines State) has delivered a methane-fuelled remix of "Non è la Rai", adding illicit 90s happiness to the original beats. A remix that could easily cross-refer to his hard-to-find tunes on Warm Sounds..

One of the UK's most established and consistent deep house producers, Jimpster, is due to drop his eagerly anticipated Porchlight And Rocking Chairs LP on 20th May 2013. His first studio album in six years sees him continue where he left off on the 2006 masterpiece Amour by taking the blueprint of House music and infusing it with an attention to detail and musicality often lacking in much of today's more disposable dance music.
As Jimpster himself admits, much of the inspiration for Porchlight And Rocking Chairs came from the countless hours spent exhausted or hungover in airport lounges on the way back from gigs. It's during this early morning never never land that he would seek solace in his ipod or start creating tracks on his laptop. Anything too challenging or abstract would be an irritation. Anything too ambient could sedate to the point of missing flights. So normally it would be the kind of lo-slung, emotive, deep shit with enough groove to get into but also just the right amount of warmth and soul to keep spirits lifted in those tiring, and often solitary hours.
On returning to his studio we see Jimpster lean heavily on his hardware synths and drum machines, rediscovering their quirks and foibles after too many years working with convenient but sometimes sterile plugins. This hands on approach runs right through tracks such as Brought To Bare, featuring the vocals of Jonatan Bäckelie, where a simple, sparse and honest quality help make this one of the LP's highlights. Hold My Hand or Rollergirl show off Jimpster's innate talent for dubbed out, late-night deep house whilst elsewhere we find more raw and bass heavy downtempo tracks such as Cracks In the Pavement and The Glowing Embers. A true journey from start to finish, the LP draws to a close with an alternate LP version of Jimpster's recent single These Times featuring Beauty Room vocalist Jinadu. Here we see the producer incorporating acoustic guitar for the first time ever on a glitchy yet beautiful reworking of this future classic, making a fitting close to a fresh and forward-looking album from a long-standing yet still completely relevant artist.

After her incredible Changes EP on Crosstown Rebels earlier this year, new lady of house Francesca Lombardo continues to impress this time through the Rebellion arm of the enterprise with her Eyes of Nature EP.
'Eyes' is first up and opens with a slick percussive grove characterised by lots of organic elements coalescing to paint a mesmerising, ritualistic picture. Bells, shakers and cymbals rattle and echo while deep haunting synths climb and fall to create a real sense of drama. Francesca utilises her vocal training to devastating effect intermittently throughout the track, panning her own heavily FX'd vocals across the mix further adding to the suspense.
On the flip and Julien Riachi's vocal and a tabla drum riff set the tone on 'Wander and Wonder' before an ever returning woodblock melody signals the arrival of a killer baseline which takes the track straight to the dance floor. Exquisite production skills ensure that sonically and elementally the track is constantly going somewhere, whilst Lombardo's classically trained ear ensures that she can effortlessly make perfect musical sense of all the different parts within her tracks.

After a successful launch with tracks from Citizen and Ejeca, Loft Records returns with its
second single this March, entitled 'Ghana' by Dorsia, and backed with reworks from HNNY, Jay Shepheard and Roberto Rodriguez.
Dorsia is the collaborative guise of British duo Adam Reid and Andy Watson, both artists have been producing individually for quite some time, but have now joined forces and are set to release their debut single via Loft Records here. The pair create melodic, understated electronic music tipped towards the dance floor. Although newcomers under this title, working with such a promising young label and following the footsteps of Ejeca and Citizen, Dorsia are certainly ones to watch in 2014.
The original mix of 'Ghana' opens the single, a gritty, low-slung house number driven by raw analogue bass, crunchy rhythms, smoothly programmed reverb soaked vocal lines and tension building atmospherics to kick off the package in style. Let's Play House / Local Talk artist HNNY steps in first on remix duties next, reshaping the vibe entirely to generate a stunningly contrasting interpretation. The Swedish producer opts for ever-evolving saw wave bass, rugged drums, meandering melodies and a subtly blossoming dynamism to create a truly classy rework.
Then on the latter half of the 12'' we have two additional remixes of 'Ghana', first up is the ever onpoint Compost artist Jay Shepheard, who turns in a dubbed out house reshape, fuelled by stabbing bass hits, tension building strings and swirling echoes. While closing the package is Roberto Rodriguez, the Finnish artist delivers a stripped back version, which tips the focus solely towards the groove with bumpy bass tones and heavily swinging rhythms driving the track throughout.

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Featuring vocals from CHARLES MATLOCK this house song is a "strong message to the club scene". Along with mastermind GLENN UNDERGROUND's production you get a remixes by fellow Chicagoans ANTHONY NICHOLSON and LIL LOUIS on the flipside. A killer lineup of talent from Chicago's house scene. HOUSE

Hot and 'clean' new album from JJ&J...TIP!
Two years after the artistic statement that was their expansive third LP, famed live act and hardware lovers Juju & Jordash are releasing another full-length on Dekmantel. Clean-cut, a nine-track affair, comes lovingly pressed to vinyl in autumn 2014.

The duo fully embrace the album format, creating a tight tapestry of emotive and danceable sound that reveals more detail and depth with each new listen. Textures range from organic and lush to synthetic and arresting. Deep-space serenity gets juxtaposed with more urgent and alien paranoia.

"Clean-cut is tighter, more honest and there's less hiding behind a hazy screen of FX," say the pair.

The new release marks a clear evolution in the career of these singular artists. Clearly, Clean-cut is another feather in the already resplendent bow of Juju & Jordash.

Juju & Jordash have a longstanding and tight relationship with the Amsterdam based record label and event powerhouse Dekmantel. Juju & Jordash are a staple on Dekmantel clubnights and festivals. This is their third full-length on Dekmantel, a further consolidation of their 5 year bond.

Dekmantel won the minds and hearts of electronic music enthousiasts throughout the world with their record label and club nights over the past 7 years. Dekmantel Festival -which saw its first edition in 2013- has seen unanimously glowing reviews for two years in a row now, further affirming the path Dekmantel chose to be the right one.

Darkstar announce a remix 12" featuring two remixes by the band themselves and a remix from the mighty Motor City Drum Ensemble

Boston Bun is back for 2015 with Just for Freaks, which is part 1 of a series of three EPs dedicated to unrestrained underground clubbing.

JUST FOR FREAKS 1 stays in the Chicago house revival that Boston Bun established these past 2 years. The right balance between deep and ghetto music.

A-side " PLEASURE " is a track that you can play very late in the darkest clubs. It drives us with unpitched voices and unleashed TR which succeed to a cut-up bass.

B-side " LEVITATE " flirts with lovely strummed music, almost nostalgic, interrupted by an harmonious and bouncy bassline. The lyric "You wanna play house some more" sounds like the anthem of a neverending party.

Kid Sublime's protégé J.A.N. drops his brand new debut 12''.
Amsterdam based J.A.N. got inspired by local DJ's in the Amsterdam nightlife scene at early age. Soon he started DJ'ing, and hooked up with fellow 'Amsterdammer' and DJ/producer Kid Sublime, who showed him the ropes of rocking a sampler. J.A.N. quickly caught the virus and invested in his own digital equipment, started digging for samples, and thereby widening his musical spectrum.

When Kid introduced J.A.N. to house music, he quickly felt drawn to the warm, deep sounds of the Detroit house scene. He describes his fusion style as B-Boy House, and incorporated this right back into his DJ sets.

Kid Sublime: 'Yess! I am very proud my main man J.A.N. is finally dropping his 1st ever 12'...nice basement B-Boy House music...deep and soulful..a very promissing future lies ahead for this youngbuck!'

'For the fans of that Amsterdam/Detroit sound, think the early works of Aardvarck/Rick Wade and you won't be disappointed!'

With more than 150 releases and many of them considered classics by now we're really proud to welcome Frédéric Blais aka Fred Everything to the ever growing Local Talk family.
The atmospheric deep house builder Brothers & Sisters comes in two different versions and is everything we could wish for, deep, punchy and masterfully produced house music, sounding right at home on Local Talk.
The PM Atlantic version will do the work for the early sets and AM Pacific is the perfect end of the nighter.
Finishing off is Legacy, a track where groove and dedication is the keywords, a guaranteed weapon in any DJ´s bag in the coming months.
All in all, three tracks of the kind of nuanced deep house we've come to expect from the brilliant Fred Everything.
Local Talk is talking to you!

Limited to 300 copies only !

'Treat Me Right', the third album from Trus'me, featured plenty of modern club anthems and was lauded by a gamut of the most respected DJs around, including Ben Klock, Guy Gerber, Tini and Maya Jane Coles. Reflecting the Trus'me musical palette and chosen by him for this very reason, Prime Numbers has now put together an undoubtedly excellent collection of seven remixes by a stellar cast of friends and collaborators.

From the U.S with Luke Hess & Truncate to Sweden with Skudge via the U.K with Truss & Alan Fitzpatrick, France with Marcelus and Germany with Roman Flugel, together these remixers make up an impressive team from the forefront of Techno and House including both bonafide veterans and the vibrant new school talents alike.
With remixes on Prime Numbers, the label always ask the producers to wholly reinterpret the tracks and that's what has happened here to devastating effect, with each artist bringing their distinctive style to the table and providing radically fresh tracks rather than just basic revamps.

In inimitable style, Skudge mould 'Moonlight Kiss' into a deep analogue roller. They maintain the chopped vocal hook and the dreamlike feel of the original but drive the tempo with crackling snares and thunderous kicks. Marcelus brings the pain to 'Hindsight' stripping the piece right back to the bare essentials. His rework fizzes and pops itself into the darkness whilst the bass and keys ride out a mesmeric and hypnotic groove.

Both Alan Fitzpatrick & Luke Hess put their touch to 'I Want You'.
The Deeplab Detroit master Luke Hess turns out in much the same vein as his releases on FXHE and Planet E working the original into a subtler, more spacious groove. Whilst Fitzpatrick pumps the track with iron & steroids rocking some seriously insistent action for the wide-eyed, this is most certainly one for the top of the night and has all the right anthemic ingredients.

Truss toughens up 'Defunct', simplifying the track and giving it more friction for the dance floor. 'It's Slow' gets treated twice to Truncate's vision. Mix 1 is all minimal pumping Dance Mania type moves whilst Mix 2 is a nod to Todd Terry dubs with percolated bass and frayed keys.
Roman Flugel heightens the tension of the now classic 'Somebody' building the groove expertly with delay and a perfect flow very much in the style of his fantastic Jack For Daze release last year.

This limited triple vinyl release comes in a bespoke wide spine sleeve and includes a bonus CD featuring a selection of the remixes plus a few handpicked tracks from recent Prime Numbers vinyl releases including Fred P, Mosca, XDB & Adesse.

CD Tracklist:

01.ADESSE_METACHEMISTRY
02.ADESSE_BAAYI
03.TRUSS_REDBROOK (FRED P RESHAPE)
04.ADESSE_UNTITLED LOVE
05.TRUS'ME_SOMEBODY (MOSCA REMIX)
06.MASSIMO DI LENA_YOU BETTER HEAR
07.MOONLIGHT KISS (SKUDGE REMIX)
08.HINDSIGHT (MARCELUS FRICTION MIX)
09.TRUSS_REDBROOK
10.MASSIMO DI LENA_YOU BETTER HEAR (XDB REMIX)
11.IT'S SLOW (TRUNCATE RAW MIX 2)
12.I WANT YOU (ALLAN FITZPATRICK REMIX)

Veteran NYC synth master Gavin Russom joins L.I.E.S. with an outstanding three track ep. ...
Epic, tense, and driving Russom goes for the throat crafting beautifully produced functional club tracks that teeter on the edge of the deepest psychedelic realm. With hints of many different electronic strains creeping into his productions, we get the full specturm and see this talented producer doing some of his best work in recent times, the hidden gem being the b-side's closing track, The Telstar File.

180g Vinyl Music by Nicolas Jaar, Words by Thomas Kendricks
Nicolas Jaar has shared a new track from Chicago ghetto house/juke veteran DJ Slugo. It's called 'Ghetto", and it was produced by Jaar. That's it above via Other People. According to Jaar, it was made 'in light of recent events".

Special dub version of Mandingo's original track, 'Another Night on Earth." This is an extended alternate version of the original which appears on BC009_909 - Modern Underground V.3. It sounds like a spaced out house groove with some Chicago style stabs, Jamaica style rubs and Detroit style chords. This is a strictly limited one-sided 12' release.

Plus sized house hitmaker DJ Sneak has knocked together his second release for Exploited Records, laying down some serious swing on 3 club tracks which are destined to make dance floors sweat this summer, from Ibiza to points beyond. With Sneak's infamous grill and barbecue sessions in mind the "Night Dish EP" is a proper Doner Kebab and Satay Meal after a heavy night out in Berlin. Featuring artwork by Berlin-based street artist Nomad.

After a 12 year break the UK Techno label Solid Groove is back.
Kicking off with a collaboration with New York artist and Metroplex label manager Kimyon Huggins.


A1: Track one Sandy is a Detroit influenced track with noises recorded live by the man himself from hurricane sandy.
A2: Aubreys windy city remix is a more peacetime mix of the original with twists and turns and a dark groove throughout.
B1: Aubrey-Dust storm salsa, is a atmospheric journey with a hypnotic groove and has been tested at Panorama bar at peak time by various DJ's to great success.
B2: Kimyon's remix, taking a more dance floor feel with harder beats and driving metallic sounds.