House Новости

Yellow Vinyl

A Franco-Italian production of the latest vinyl de-luxe of Ryan Paris, recently released in a strictly limited edition in three colors (yellow, spottled, fuchsia). On the side A of the EP we find ''Tarzan Boy'' (Baltimora) which peaked at # 2 for 5 weeks in Musicbox live France and the 80's remake of ''Always On My Mind'' (Pet Shop Boys). On the flip side the Club Mix Version and the 80s disco-club remake of ''Dream'' by P. Lion (# 8 also in Musicbox live France)- The release also contains the autographed postcard of the Italo-disco icon Ryan Paris (Dolce Vita) for all the aficionados of the fantastic music of the 80s.

Released in 1980, "Speed Cross" by Thunder is an adventurous dancefloor epic seeing octave basslines and galloping disco beats supporting galactic pads, kinetic guitars, and flamboyant talk box solos. The track was originally backed by the pastoral prog of "The Game," wherein jangling acoustics and funky clavinets give way to charismatic vocal magic, as a sun-soaked classic rock groove cruises down some endless summer highway. And now, in reissuing both tracks, Best Record Italy has also invited in Mystic Jungle and Whodamanny for a spaced out remix of "Speed Cross." Acidic basslines flow through dub delays, Hi-NRG chords flash like a heatwave mirage, and disco beats crack beneath celestial synths and star-seeking funk licks before the track erupts into a sinister guitar solo soaked in psychedelic fuzz.

Who is she? Who, who, who is she? Bordello A Parigi is celebrating 10 years of existence!

We’re more than happy to celebrate this with a recently discovered unreleased Spanish vocal version of Mata Hari from the deep and dusty Blanco Y Negro vaults…and of course proud to re-issue our most favorite italo-not-italo-spanish-italo-track-with-spanish-vocals! Special thanks to Sergi and cin cin to the next 10…

Milano 84 is the italopop musical project by Fabio Di Ranno and Fabio Fraschini, authors, musicians and producers who play with iconic and transversal elements of the Italian 80s to bring them closer to contemporary taste.

The six songs of this 12” define style and influences: “Milano, l’amore” is the song that all fans of the 80s did not know they wanted: romantic, elegant but with sweaty bpm. “Fanatic” is a modern classic, which takes the Italo disco and transports it into the future. New wave echoes characterize “Suspiria on TV”, “Awesome” lights up the sound of Milano 84 with sunny colors, “Play” flirts with the elegant italian synthpop and cinematic suggestions. “Lola”, finally, is a homage to Krisma and to the sign that their music and their creativity has left: a hit revived with love and new sounds that closes “Monochromatic”, quality songs for italopop hearts.

Numerous featurings embellish the 12”: from the queen of the new Italo disco Killme Alice, who interprets “Milano, l’amore” and “Awesome”, to Vanessa Elly and Laura Serra who add soul and charm shades to the groove of “Fanatic” and “Play”.
“Suspiria on TV” sees the elegant participation of Eleonora Cardellini and Gianluca Divirgilio. The voice of Eugene, electro songwriter this year on tour with Garbo and Gazebo, gives “Lola” refinement and passion.

Much in demand album from 1986.

Not much is known about the mysterious pop sensation Vumani or his short musical career. Originally from KwaZulu Natal he made his way to Johannesburg in the mid 80’s to follow his dream of becoming a recording artist. He was able to make that dream come true when talent scouts from Decibel Music came across the charismatic youngster. At the time Decibel was still a small fish trying to make waves and the label believed in Vumani they had found the star they were looking for. Being a label with mostly groups signed to the catalog they needed a Front Man to push into the growing demand for Solo Artists that were dominating the airwaves and catching the hearts of youngsters.

Up to this point Decibel had one major hit record. In 1986 they released a single by an artist named David Thanzwane. The music was a direct rip off of the first hit Single by Shangaan Disco pioneer Paul Ndlovu. Copying the music of both sides of the original single the “covers” offered different lyrics and hooks also sung in xiTsonga. This was enough to trick the masses and the single led to record sales for the small label. The unintentional outcome of the single was that from then on the producers and label had one sound they wanted to pump out in hopes of recreating that magic. This desire to create another Shangaan Disco hit would be the backbone of the Vumani sound and what makes his music so special and collectable after all these years.

That same year Vumani would release two Singles, Black Mampatile and Guy Fawkes. Musically these playful and fun singles would have great appeal to youngsters as they sung of daily life in the Townships. Black Mampatile being a game of Hide and Seek, Banana Kari referring to the trucks that would go around the Township exchanging chips and snacks for glass bottles and of course every child’s favourite reason the dress up on November 5th, Guy Fawkes Day. Both singles were received well and a few more tracks were later recorded to create the full album Isiqedakoma. Although he would sing in Zulu the music was unmistakable for Shangaan Disco. The synth heavy bass lines and happy melodies along with relatable fun lyrics were a perfect blend for an album that would make people dance if they were out at a Tavern or Shabeen on a weekend or just enjoying at home with family and friends.

Vumani quickly became the Label’s top priority with managers making sure he always had the freshest clothing styles to go along with his persona, and he never missed any performances or opportunities to impress a crowd. His popularity grew in the Township’s but with that came the unfortunate and all too common problems with fame. He started getting mixed with wrong crowds. He would record another album for Miracle Music, the Decibel sub label that had emerged to focus on the more underground sounds of the post synth pop era. Musically things were going well for Vumani but it would be his life off the stage that would catch up with him. Always known for his commitment to his music and fans one day he uncharacteristically failed to show up and was never heard from again. His body would later be found in a burnt car on the outskirts of Soweto. What led to his tragic death was never known but with the company he kept it is not hard to imagine what one of the many situations that led to that horrific ending could be. His funeral was attended by the entire Township it seemed as people packed the service and flowed out onto the streets, a testament to his popularity and the love the people had for one of their own.

The Balek Band and Abstrack Records’s first album, Médecines, is the product of a magma of influences, the emanation of large decade of music infused lives. The emotional tessitura is wide: the dark meadows of “The Balek Bad” reach us through like a mantra from the end of a dark tunnel, while just three track earlier it was a caribbean Zouk euphoria which ruled the world. Inbetween, it’s a wide spectrum of hybrid epiphanies : Hagen & Again is a progressive Dub jewel, even Krauty to an extent, where the instruments play the lead role. Cosmic Barry is across the Channel : thick and broken club music, sweating with subs, yet always disputing it to the Funk accent of the the keys and the slap bass. This list of Geographical and stylistic hybridations simplys goes on, and it’s the 54 minutes of the album that put an end to it. But beyond the never-ending list, this first album is alive : its gets us breathing the therapeutical air which fills the world of its creators.

After the first output by Volantis, Alzaya is back with homeboy Nicodemo delivering a full EP with the remix cured by the Amsterdam-based producer, Heist regular and Quartet Series honcho, Nachtbraker. Ranging from Balearic vibes to tropical percussions, this release shifts through different moods and blurry edges, building up a classy combination of rhythm and atmosphere. Jumbled grooves moving in style from dreamy to sunset, while boogie basslines flail away next to analogue synth patterns and hypnotic sounds. This listening will feel you comfortable, tailored to those searching for dreamy textures, soulful sounds and disco-infused pads.

limited

Originally released in 1987 ‘Pretty Face’ by Stinger J has become highly sought after in recent years,

Stinger J was a one time alias used by Detroit Producer Kevin McCord, formerly of legendary American R n B and funk band One Way. As a writer & producer Kevin has had an illustrious musical career working with Alicia Myers (‘I Want To Thank You’), Oliver Cheatham (‘Get Down Saturday Night’) and Mariah Carey (‘Make It Happen’). Featuring the vocals of Jonathan Haywood, ‘Pretty Face’ is a melting pot of Soul, Disco, Garage and Detroit house. B Side ‘Wonder Land’ pairs the vocals of Jonathan Haywood with Kevin himself, a soulful ballad with classic 80’s production and live keys, strings and percussion. ‘Pretty Face’ is a unique example of an intended crossover record from a mainstream producer who soaked up the influences of his home town Detroit around the birth of House & Techno. Self released at the time on Kevin’s own Chance label, it was hard to get momentum without major label backing so the project fell by the wayside. Now officially reissued for the first time in partnership with Kevin McCord with Artwork by Bradley Pinkerton.

8 reworks of rare and unexpected italian disco and funky pop music from the 1970ies. Not the usual electronic Italodisco classics, but here come some more organic sounding band-disco music from the time of 1976 - 82. Positive vibrations and high quality dance pop reworked for today's advanced dancefloors by Toy Tonics head honcho KAPOTE and his Italian friends BPlan and Paul Older. Some of these edits already have been released as bandcamp only, but because of extreme demand for vinyl Toy Tonics did this limited edition double vinyl release.

Der französische Star-DJ und Produzent Kungs veröffentlicht am 18.03.22 sein lang erwartetes zweites Album „Club Azur“.

”Club Azur“ ist ein von Kungs initiierter digitaler Club, den Valentin Brunel, so Kungs bürgerlicher Name, während der Pandemie ins Leben gerufen hat. 2016 wurde Kungs durch seinen Hit „This Girl“ weltweit bekannt: Die Single erreichte die Nr. 1 der Singlecharts in 46 Ländern, darunter auch in Deutschland, wo der Track zudem mit Doppel-Platin ausgezeichnet wurde. Das Debüt-Album „Layers“ (2016) gewann den NRJ Music Award in der Kategorie „Electronic“ und verkaufte sich über 1 Mio. mal. Es folgten weltweite Festivalauftritte und Remixe für Superstars wie Coldplay, Axwell ^Ingrosso und Dua Lipa.

Der im Sommer 2021 veröffentlichte Song „Never Going Home“ wurde zum globalen Sommerhit und erreichte die Nr. 1 der Airplaycharts in Frankreich und Italien sowie Platinstatus in Frankreich, Italien,
Belgien und der Schweiz. Es folgten die Single „Lipstick“ und die aktuelle Single „Clap Your Hands“, die vom Discovibe seiner „Club Azur“ Parties inspiriert ist und mit einem Boney M. Sample daherkommt.

Das 11 Track starke Album „Club Azur“ enthält Features von Boys Noize, Good Times Ahead, The Knocks und Victor Flash und erscheint auf CD und Vinyl.

When Bollywood meets Italo. Mysterious dance floor destroyer that put some parties on fire last months through the sets of Job Jobse, Palms Trax and Skatebård… to name a few!

Daniele Ippolito compose songs of Ambient, Synthwave, New Age, Dark-wave, Progressive and Soundtrack styles. He dislike to define himself under a specific style cause his influences goes from Italo-Disco to classic music and from SoundTracks to Dark-Wave. He already collaborated for some artists of Pop and Techno music. But his foundations will stay on the 80’s style sound called also 80s revival, one of his phylosophy is to work with only vintage synthesizers hardwares who will give to his songs a warm and unique.

transparent-red vinyl 12' (500 copies hand-numbered

Roman Flügel’s debut on Running Back under his given name (Roman IV doesn’t count) is a wonderful confirmation of his outstanding position in the past, present and future of electronic music. Needless to mention all his merits (or monikers for that sake) and excessive in almost any style, „Garden Party“ highlights his competence in the dance hall and sees Flügel in a jovial mood. Presented by someone who knows the roots of it all, you can hear and envision traces of disco, stories of Manchester’s Hacienda, memories of the night life in Frankfurt as well as the reflections in and of US-American mirror balls. But simultaneously, the rich content here also shows the blossoms of the seed, if one avoids the danger of retromania. This is serious fun and as uplifting as a garden party should be. Or based loosely on the creator’s thoughts: if ABC’s blue-eyed soul stems from punk and new wave, Flügel’s „Look of Love“ is a direct result of more than 25 years of kick drums .

For the third volume of compilations curated by confrmed crate diggers, Spacetalk invites you to take a trip to the magical Mediterranean resort of Club Meduse in the company of Beachfreaks Records co-founder Charles Bals.
A creative director, designer and curator by trade, Bals spends the majority of his spare time searching for superb, unknown, small-run music releases made between the 1970s and 1990s. While some of these are made available for other enthusiasts to buy via Beachfreaks' mail-order service, many more make it into
the racks of Bals' private collection. With Club Meduse, Bals is sharing rare, hard-to-fnd and just plain brilliant gems from his personal stash for the very frst time. For Club Meduse, Bals was inspired by countless magic childhood summers spent playing amongst the rocks, beaches and warm seas of the Cote D'Azur. The compilation, then, is a soundtrack to the greatest soft-focus, sunlit teenage summer holiday you've never had, with a gaggle of forgotten musicians and overlooked artists for company.
Take a barefoot stroll from the campsite to the beach with Ara Macao, whose warm and lucid Canyon' is a softly-spun delight, before splashing in the crystal clear waters to the accompaniment of The Clean-Hands Group and their 1984 Balearic blue-eyed soul gems Night Fly' and Shake It On'.As the sun comes down, clamber across the cooling rocks with the tumbling, sun-kissed guitar solos and sparkling analogue synthesizer motifs of The
Keyboys' leisurely Savannah' ringing in your ears, before using the words of Gemini's Take A Chance' - undoubtedly the most Balearic record to emerge from Sweden in the last 50 years - to get firtatious under the moonlight.
Should you fancy a dance down the camp disco, Bals' selections will gently ease you onto the dancefoor and into the gaze of the boy or girl of your dreams. The fuzzy Italo-boogie of the C.V.Q Band's Whatever You Do (Instrumental)' will get you going, while Miss's 1984 French electro gem Hip Hop' should guarantee a
celebratory conclusion to the night's party. No perfect holiday evening is complete without a stolen kiss in a secluded cove, and happily Bals has it covered. Check the seductive, dub-powered Balearic synth-boogie of Gigi Flag's brilliant Nymphomaniac (Instrumental)', the steamy sweetness of Bals' own edit of The One O' Ones Radio Cosmo 101' - possibly the greatest tune recorded to promote an Italian radio station - and the undulating electronic rhythms and exotic synthesizer lines of Eddy La Viny's
overlooked '80s zouk classic Havan' Havac'. Another essential Compilation from Spacetalk records

Cult synth-pop album from 1984 repressed for the very first time. One of the most obscure Synth / Italo recordings from Germany with the Danny “Skorpio” Antonelli’s haunting vocals. Includes the obscure deep “Black Mercedes” and the hit “Long Hard Climb”. Limited edition.

"This limited release is a collaboration between Monkey Timers DISKO KLUBB and a Japanese record label from Amsterdam trusted by fans & artists around the world, Sound Of Vast.

Monkey Timers are gaining support in Japan and abroad as a DJ / production unit that is pioneering the next phase of the Japanese new house and disco dub music scene. They will be releasing their long-awaited full-length album ‘KLUBB LONELY’ in collaboration with DISKO KLUBB and Sound Of Vast as a 2LP set limited to 500 copies worldwide.

The album will be packed with collaborations with vocalists / producers / musicians from Japan and abroad including a cover of Dusty Springfield's ‘That's The Kind Of Love I've Got for You’ featuring Lisa Tomlins, who is known for her vocals on Lord Echo and Recloose albums. Also featuring are Berlin-based Mr. Ties; Keith Sano, a promising talent from Okayama who is gaining international attention; MIRRROR, an up-and-coming Japanese-American hip-hop unit; DJ Sammo Hung Kam-Bo (Omoide Baka Yarou ATeam); Marimba player Mami Tsunodou, who is a supporting member of cero, KIRINJI, etc. and many more.

Mixed and mastered by Justin Van Der Volgen (MY RULES). The cover design was done by C.E designer Sk8Thing. "

The Army Of God are on the march. Glorious slow-mo dark wave vibes on this debut cut, Salvation. The original is followed by a re-structured dub version. Spaventi D’Azzuro turns in a sophisticated re-make all over the flip – simultaneously exposing his Italian roots and the era he grew up in. Repress!

Italian master, London based Stefano Ritteri takes centre stage for the latest edition of Shir Khan presents Black Jukebox — number 32 in this illustrious series. This one is a chiefly electro-flavoured affair, joining the dots between the genre’s past, present and future across four slick tracks — with a dash of garage at the end.
‘Slow Tripping’ is a homage to the charismatic boogie sound of the early ‘80s, resplendent with beautiful melancholic melody and a wistful air. As the name suggests, the lazy beat perfectly compliments the array of dreamy sounds, and there’s a definite nod to French disco/electro/hip-hop fusions of days gone by.

‘Donna’ is a collab with Mytron (Bordello A Parigi, Multi Culti)which continues the chuggy theme, its gently swaying synth arpeggios and unhurried beat recalling some of Soulwax’s more pared back material. Its simple arrangement is kept engrossing with synth automation and subtle atmospheric touches.

‘Brutesque’ strips things back to an almost minimalist approach, where twanging, monotone sounds slowly morph over a taut backbeat and a variety of bleeps and blips. With its spoken word sounds and Krautrock-ish mixture of sounds, it recalls the work of Public Service Broadcasting.

‘Robot Love’ takes its cues from the sweeter side of 2-step garage, bubbled down to a more laconic pace. Cute melodic refrains and big reverbs adorn the stuttering rhythm to make for a colourful, atmospheric, reflective track.

In the studio of the small Italian town of Cremona, some of the famous but early representatives of a not-yet-named- music style called Italo Disco get together to record a song. Among them are the most active and influential singers, producers and arrangers of this musical movement from Cesare Pasquali to Jimmy Mc Foy including Ottavio Bacciocchi.

Most importantly, two friends, Larry Pignagnoli and the famous Ivana Spagna, were writing a song together. It has been unnoticed so far, but always had the power and stamina to make the dead dance.

Pardonnez-nous, but here it is !

Nuovo Testamento is the Los Angeles & Bologna-based trio featuring members of Horror Vacui, Sheer Mag, Tørsö, Terremoto and Crimson Scarlet.

With the addition of Chelsey Crowley on vocals, synthesists Andrea Mantione & Giacomo Zatti found that their initial coldwave tracks, originally written for the male voice, took on an undeniable synthpop feel. While still recording these songs for the debut Exposure EP in 2019, the band leaned into this evolution and their shared love of Italo disco, beginning to write what would become the New Earth LP.

Recorded in isolation during a global pandemic, New Earth is a dark Italo record dappled with light. For eight new tracks, dancing synths perfectly balance the rich dream of a charmed life with melancholy. Guitars have taken a step back, allowing disco beats to flood the floor and joyful fun to prevail. The record anticipates a return to dance spaces, imagines shared experiences and celebrates personal power.

Produced by sound engineer Maurizio Baggio (The Soft Moon, Boy Harsher and many more), with vocal recording by Riki and featuring guest vocals from B. Sven Gustavson (Spectres, Nouveaux), New Earth reflects international influences from the goth club scene to Hi-NRG classics, reminiscent of Italian Baby Records, Mute Records and the spaces in between.