House News

South Londons Henry Wu makes his HoTep debut with the Negotiate Ep, his most comprehensive release to date.

Spanning five cuts the Ep journeys through loose soulful grooves, dusty fingered beats and bumpy analog house. Bringing that redlight, basementality throughout, title track 'Just Negotiate' featuring Simeon Jones on vocals moves above street level, adding bitter sweet dancefloor/radio vibes to proceedings.

On the whole.... Some abstract jazz type sh*t!

Next up on fresh, percussion-loving Canadian label, Breathing Room Records, is the Aquarius EP. It comes from a relative newcomer in Bixi, the new alias for Basel, Switzerland-based producer and multi-instrumentalist Lokke aka Modern Trash Quartett. The output for Bixi will be home to more sample & house-oriented tracks while Lokke will continue to lean more towards the downtempo and jazzy end of the spectrum.

Best known for his smooth 7' releases on Amsterdam's INI Movement, Berlin's Beatbude and Cologne/Berlin's Laut & Luise, this time the German producer takes us on a warm and tropical excursion for his first 12' release. 'Aquarius' instantly brings us Southward with a groovy rhythm, bird calls and a fluttering flute that transport you beachside. Rounding out the A side is 'Bicho De Pé' a deeper number with a brooding melody, thundering bass and textured atmospheres.

On the flip, 'Cosmic Water' is the most dancefloor friendly excursion with swelling synths, a hard hitting low end and a combination of both expertly sampled and finely performed parts. Continuing the trip into the tropics is 'Ryu Santos' with its deep jungle-inspired leanings and percussive workout. Closing out the record is 'Bunga Bunga', a sensual cut to close your eyes and get lost in.

The Aquarius EP is a medley of deft live instrumentation such as Rhodes keys, bass and percussion all mixed in with an adept use of samples. Additional percussion performed by Florian König. Artwork for the release is once again expertly curated by 3D and visual artist Maks Pihs, perfectly matching the theme of the release.

After their first release on DEEPBLAK in 2017, Lars Bartkuhn and Aybee return as THE ASTRAL WALKERS with a brand new 12", this time on the incomparable NEEDS (not wants) imprint. The two friends continue to break boundaries of nowadays often narrow minded dance music by using the broadest palette of musical ingredients they could possibly put together for their special studio session.
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DON'T FEAR THE SOUND comes in two different versions.

While ASTRAL STROLL is a spaced out groover featuring some of Aybee's trademark rhythms and mysterious pads, FULL EXPANSION
explores in nearly 15 minutes what dance music is ideally about for the duo. A fearless journey that begins with esoteric waves of sound blending into futuristic jazzfunk worlds where the dancer can get
truly lost. Elevating choirs, virtuous bass lines, sparkling guitars and lush pads altogether flow into a grand finale that can only be described as a true anthem and epic journey.

In times where one can repeatedly hear that music doesn't really matter anymore, Aybee and Lars made a record to prove the opposite is true. DON'T FEAR THE SOUND is a sincere and bold statement by two pioneering producers and an invitation for the dancer to get lost in every note and moment of the music.

Nach Einem Album Und Mehreren Eps Auf Matthew Herberts Accidental- Und Floating Points' Eglo-label Veröffentlicht Das Londoner Trio Hejira Nun Sein Zweites Album Auf Dem Eigenen Imprint Lima Limo. "thread Of Gold" Ist Ein Sanft Orchestriertes Pop-noir-werk, Bei Dem Rahel Debebe-dessalegnes Stimme Über Einem Rhythmischen Teppich Aus Electronica, Jazz Und World Music Schwebt.

Gifted Culture reveals the last EP of the trilogy featuring three improvised jam sessions of the collective. This time the ghetto beat maker Christopher Rau joins the crew in Berlin Mitte. Christopher, Autre and Two Thou start diving into slow, detached dreamy atmospheres eventually exploding into frenetic floor killer breaks. The music recorded in the session represent the perpetual dialog between the artists, resulting in an eclectic and variegate piece of music.

Loure supplies a deep & classy EP full of jazz influenced instrumentation. With beats ranging from warm house through to smooth breakbeat.

Austalia's Analogue Attic has grown to become one of the most beloved purveyors or emotive deep house, ambient and electronica in recent years via a steady stream of releases from the likes of label heads Albrecht La'Brooy, Sleep D and a selection of up and coming artists from their homeland.

Thomas Gray & Liam Ebbs:
"The tracks on the record were inspired by a journey to Barrington Tops, a national park in the Hunter Region of New South Wales. The music itself has a physical link to this area through the field recordings present in the songs and is also imbued with with many vague and wistful memories of the summer trip.
Sitting Atop Mount Allen as the sun rose over the distant hill tops, we were struck by the cyclical beauty of nature.
We were visitors in this place, where everything would continue as it was whether we were there to see it or not.
It is this feeling that perhaps influenced us the most in the writing of the record. It infuses organic with electronics, whilst also mimicking the concurrent sense of happiness and melancholy that is often associated with experiences of nature."

'Ladies Well' leads with plucked strings, airy ethereal chords, hypnotic field recordings at its core whilst organic percussion, jazzy piano lines and warm subs ebb and flow within.
'Heatherbrae' follows next, retaining a similarly dreamy aesthetic with swirling atmospherics, twinkling keys and jangling strings while tipping the rhythmic focus over to bumpy, broken, jazz-tinged drums.
Opening the flip side is 'Mount Allyn' which edges into a more psychedelic realms with billowing vocal textures, murky bass tones, shuffled drums and squelching 303 licks ahead of closing track 'Elegy For Nick's Car', which - as the name would suggest - employs a cinematic, orchestral feel with dynamic evolutions of strings, percussion and piano lines throughout.

Rotterdam-based Pole, Richu M, has been impressing with his scuzzy, eclectic output on Young Adults and Astropical that mixes dusty samples with hazy synths, ranging from wonky slo-mo house grooves to jazzy downtempo cuts.

He brings his colourful patchworks of sound to Monologues for a beautiful mini-album, complete with superb artwork from the man himself.

Label boss G. Markus aka Ben Gomori steps up to give 'Sorry, I'm Not A DJ' a kick up the booty with a garage house flex.

'Willow' has been his most anticipated record to date, and its release will mark more than 12 months since Viken Arman's last EP 'Aragatz'. As you step into the musical world of Viken you will soon find out that the musician has taken an interesting turn in his sound.The EP is building a bridge between the electronic music and the artistic environment Viken grew up with. Whether it
was Jazz or Classical, music was omnipresent in his family, and this EP gives you a chance to catch some of these colours.Viken searches through these cultures to create a powerful musical dialogue giving the impression that these influences are talking to each other. Throught his EP, Viken explores his own identity as both an Armenian and a Parisian, as both a musician and a producer.

After releasing three powerful edits of Fly Free in November 2017, Jon Dixon is back with a new Sampa EP. Inspired by the strong culture and rhythmic grooves of Sao Paulo Brazil, Dixon delivers 4 tracks sure to be a tool for any DJ. With the title track 'Paulista Avenue' already in the rotation of Derrick May, Radio Slave, and Gilles Peterson.

repressed !

RFBCOLOURS 002 bring L'Atelier on board. This pair from Amsterdam bring you a 4 track EP with a digi only bonus. It starts off with Again, which hits that great sample hard and gets the party started on a disco vibe with a house twist. Then theres XTC which carries on where the A1 left off. On the flip we see a serious piano workout on top of a a grooving drum arragement. To finish off the vinyl package we see Times Are Ruff take the remix on a deeper tip with some seriously crunchy basslines and rolling groove. Then if that wasnt enough theres a digital bonus that will warm up any willing club room.

Feedback:

Telonius (Gomma)
'thanks nice one'

Laurin Fedora (Sleazy McQueen (Morris Audio / Paper Recordings))
'I'm looking forward to this vinyl. Nice return to late 90s filter disco!'

kostas tassopoulos (Ekkohaus (2020 vision, morris audio, cargo edition, liebe detail))
'Solid house record, loving it, thanks....'

Harri (Sub Club)
'liking afew of these'

Gameboyz (Clouded Vision / Relish)
'we dont usually play this kind of house music, but this is very nice! will try! thanks!'

Sebastian Wilck (Sebastian Wilck, Watergate)
'times are ruff remix is strong! support'

Jonny Cade (2020 Vision / Leftroom)
'great house ep'

Tensnake
'wow, that's quite a killer, downloading thanks!'

Lauhaus Lanting (Polder / Intacto)
'nice ep guys, also diging the times are ruff mix. thanx!'

Julien Barthe (Plaisir de France, Pro-Zak Trax)
'yeah remmeber 2000'years'

Julien Sandre (Morris Audio)
'nice music'

Doc Martin (none)
'XTC for Me!!!!'

Tom Findlay (Groove Armada)
'great EP, a little bit of everything and in all the right places....'

Andrew Claristidge (Acid Washed (Records makers))
'good stuff...'

Mihai Popoviciu (Highgrade, Fear Of Flying, Hudd Traxx)
'again is cool for me!'

Dorian Paic (Raum Musik)
'xtc times are ruff remix is the one for me ! cheers Dorian.'

Hector Couto (Tribal Sessions)
'full support for this release! good music!!!'

Gianluca Pandullo (I-Robots)
'LAtelier - XTC (Times Are Ruff Remix) ! I-Robots approved!'

Local Talk is proud to present the second 10" release featuring music by Kyoto Jazz Sextet.

Mission is another track taken from their second album 'Unity' released on Blue Note in 2017.
This time the remix torch is passed from Ron Trent to Jaxx Madicine. The Milanese trio remix has a feel of confidence and charge which allows it an accessibility and artistic integrity that shines through immediately, it takes you to another place.

Berlin-based producer and DJ Kevin Over has been on the rise over the past few years with a steady stream of output on the likes of Gerd's 4Lux, Dj Steaw's House Puff and of course Madhouse where he returns to here following last years 'Where To Begin' EP.

The original mix of 'Penthouse Boogie' opens with jangling metallic percussion, thunderous sub tones and dusty drums driving the groove whilst an amalgamation of choppy chords and stabs ebb and flow amongst hypnotic pads, hooky vocals and jazzy marimba tones.

Seven Davis Jr's remix of 'Penthouse Boogie' follows, taking a more raw and stripped-back approach with a gritty drum groove, skippy hats at the forefront whilst easing in the original's vocal chant, resonant pad swells, wandering marimba tones and a fresh, bumpy bass line.

Title-track 'Lavender' then rounds out the package on a Garage tip with swinging broken drums, hooky vocal phrases, murky bass tones and organ stabs.

In another tight and consistent projection, Paxton Fettel actualizes his assertion for independence, eclecticism and voodoo - with a collection of delightful enchanting vibes.

Familiarly neat and energetic, house beats and crystal-clear chords accord to accompany the melodic dawdling, while insatiable and unbelievably facetious talkative babblings of all kinds stretch out into organic gliding laces.

The purposefully optimistic and spirited atmosphere is the echo of the ceaseless quest for serious lightness, relaxed ecstatic states, truth and wonders.

After The First Wave Of Artists That Have Broken The Ice With Their Way Of Combining Contemporary Symphonic Music With Electronica And Jazz On The European Side (olafur Arnalds, Nils Frahm, Max Richter) - Now There Is A New Generation Of Young Musician Breaking Boundaries On A New Level. Especially In Germany There Is A New Wave Of Artists That Bring The Thing On A Whole New Level. These 20 - 25 Year Old People Don't Just Imitate What The Bigger Names In The Scene (the Fathers) Have Done But Develop The Style To A Totally Different Level And Add New Ideas Instead Of Just Copying What The Older Guys Did. This New Wave Of Artists Have A Huge Musical Knowledge, Have Studied At The Best Music Academies, Learned To Play "classical" Instruments And Know How To Improvise On A Very High Level. They Have Been Raised In 2 Different World: Studied The History Of (contemporary) Classical Music And Also Been Influenced By What's Happening In Electronica Evolution Of The Last 25 Years. Ralph Heidel Is One Of These New Kids In The German Scene. Coming From Munich, The 25 Year Old Extremely Talented Musician Studied Saxophone And Composition At The Munich Academy Of Music (known For Being The Best Music School In Germany. Think Julliard Or Berklee). He Graduated In 2018.leering Everything About The Music Of 20th Century Composers (charles Ives, Alfred Schnittke, Giöyrgi Ligeti Etc). At The Same Time He Grow Up With The Music Of Electronic Producers Like Alvo Noto, Boards Of Canada, Jon Hopkins, Jan Jelinek, Four Tet Since Early Days. And: He Comes From A Jazz Musicians Family And Has Grown Up By Listening To The Jazz Collection Of His Father. Studied Saxophone Since Age Of 12 With A Big Passion For The More Advanced Jazz. In His Own Music All This Comes Together. "moments Of Resonance" Are Seven Compositions Full Of Brilliant Little Ideas, Harmonic Complexity, Unheard Music Surprises, Clever Citations, Dramatic Evolutions, Big Explosive Moments, Meditative Moments And Euphoric High Points. This Album Is An Extremely Emotional Work Of Art For Strings, Saxophone, Drums, Bass And Electronics. Ralph Heidel And His 7 Piece Ensemble Homo Ludens Connect Contemporary Chamber Music With Electronica, Ambient, Post Rock And Avant-garde Jazz. On A Highest Possible Musical Level - Without Getting Too Abstract And Incomprehensible. Everything Is Composed And Improvised. Nothing Is Sampled. You Find Wild Punk-jazz Parts That Recall John Zorn Or Mahavishnu Orchestra And Romantic Passages That Make You Think About European Impressionistic Composers Like Ravel Or Debussy. But Nothing Is Imitated, Everything Gets Broken Up Through An Expressive New Way Of Using Harmonization And Melodic Composing. Sometimes The Band Flies Through An Ambient And Drone Universe But One Moment Later The Music Evolves Into An Explosive, Impossible To Describe Musical Moment. One Of Heidel's Biggest Ability Is To Melt Electronic And Organic Elements Into A New Unheard Sound.

Reigning vibe-wave don of the City of Roses returns to the SILK chalet bearing four fresh afterhours anthems ripe for repeat rinsing. Midnight takes its name from Body San's special-ordered strain of Nag Champa, and exudes a similar air of nocturnal promise, streetlights reflected in glass brick fountains and condominium windows. Brandon Knocke's knack for Memphis design funk and skymall fusion hits an apex here, flexing a full spectrum of rhythmic reveries: fluid, jazzy, joyous, sensous. Song to song and side to side Midnight flaunts a panoramic rooftop view of leather interiors, fern-accented foyers, and supreme motion software. Midnight is 12 AM, 12 inches of bump 'n' bounce 'n' body euphoria, music for low lit silhouettes unified in emotional response. Somewhere a clock strikes, a ball drops, and day turns to dawn.

Recorded and mixed by Brandon Knocke in Portland, Oregon. Mastered by Eric Hanson in Los Angeles, California. Design by Britt Brown.

Whether he is Sample Jesus, MPC-Man or just Cuthead from the block, the Dresden based artist is here to help you discovering your body's potentials. With his latest EP "Can't You See" for Uncanny Valley he proves himself once again as a master in producing music that is both punchy and playful. You might not know how it feels to be on the moon but it's safe to say that "Lunar Lander" is an astral experience and a programmatic intro for the EP with heavy bass work and Trap Hi-Hats from space. "Can't You See" and "Sweet" is Cuthead to the core. Warm samples are combined with hard-hitting drum work and bass lines to remember. The results are House inspired dance floor stompers which you won't be able to resist. While "Kimono" and "Too Dark To See Tomorrow" shows off his Hip-Hop roots in typical head-nodding fashion, "Tranquility Base" is another kind of thing. Still based deeply in Hip-Hop, the track establishes a much gloomier feel with its meandering synths. Those of you that long for life-affirming House music will be very pleased with "Mount Platti". And on "Schlagzeug faellt die Treppe runter" various sharp synths und percussions are having a party that is as infectious as it's frisky.

Scissor and Thread regular Black Light Smoke returns to the Brooklyn label run by Francis Harris for a mini LP of raw, atmospheric house. The alias of Jordan Lieb, Emmy Award winning composer/producer/musician, Black Light Smoke drops City Life - six tracks of affecting, deep vibes.
'In Gold' is rich in analog warmth, a bubbling deep house roller that echoes some of the New York, Detroit and Chicago greats. Title track 'City Life' is a stripped down rhythm track, populated with stabs, melodic flourishes, and beautifully arranged pads - as well as a killer vocal. 'Make My Piece' is built around a vocal hook and roughneck drum track, before opening up with crunchy percussion and a sick bassline. Next one is 'Up In This', starting on a dreamy tip, but exploding into life with Lieb's signature feel for propulsive rhythms and deep, warm tones. 'Without You' is a tougher proposition, using heavy compression and distortion to texture the track, while the digital bonus track 'Every Beat (No Regrets)' is a fitting end to the release - a woozy, after-hours come down vibe, wrapping up this journey.

Moonshoe set their sights south of the border, shining a light on a collaboration between two vanguards of the Melbourne underground - Ziggy of 30/70 and Analogue Attic alumni Matthew Hayes. This EP bridges both their sounds while retaining a flavour all of its own, and Hayes' spacious production affords their ideas room to breathe. The result combines disparate influences from jazz, ambient techno, house music, and broken beat to form a musical vernacular that feels singular to these two.

3x12"

Originally from the United Kingdom, funky soul-jazz veterans The New Mastersounds have been touring USA, Europe and Japan for over a decade and return here with their twelfth studio album, recorded in New Orleans and Denver and featuring a slew of musical guests.

"Renewable Energy" expands on the NMS template while still providing plenty of the band's trademark sounds. Guitarist Eddie Roberts, drummer Simon Allen, bassist Pete Shand and keyboardist Joe Tatton are joined on this 11-track effort by a number of guests: Sam Bell, one of the founding members of NMS precursor The Mastersounds who also guested on two previous NMS albums, plays percussion on most of the tracks. Mike Olmos and Joe Cohen of the West Coast Horns once again provide added horn action as they did on "Made For Pleasure" from 2015, while Adryon de León from LA band Orgone contributes vocals on "Gonna Be Just Me". Uptempo numbers "Tantalus" and "Yokacoka" see the band flexing their playing chops over a tightly-wound rhythm, while "Green Was Beautiful" and "Groovin On The Groomers" are toe-tapping slabs of soul jazz. The band's cover of James Gang's "Funk 49" takes the album in a fuzzed-out psych-rock direction with Eddie singing the lead, while the moody Hancock-esque inflections of "Stash" and the sweet mellow vibes of "Swimming With My Fishies" add the final brushstrokes of colour to the canvas.

Originally from the United Kingdom, funky soul-jazz veterans The New Mastersounds have been touring USA, Europe and Japan for over a decade and return here with their twelfth studio album, recorded in New Orleans and Denver and featuring a slew of musical guests.

"Renewable Energy" expands on the NMS template while still providing plenty of the band's trademark sounds. Guitarist Eddie Roberts, drummer Simon Allen, bassist Pete Shand and keyboardist Joe Tatton are joined on this 11-track effort by a number of guests: Sam Bell, one of the founding members of NMS precursor The Mastersounds who also guested on two previous NMS albums, plays percussion on most of the tracks. Mike Olmos and Joe Cohen of the West Coast Horns once again provide added horn action as they did on "Made For Pleasure" from 2015, while Adryon de León from LA band Orgone contributes vocals on "Gonna Be Just Me". Uptempo numbers "Tantalus" and "Yokacoka" see the band flexing their playing chops over a tightly-wound rhythm, while "Green Was Beautiful" and "Groovin On The Groomers" are toe-tapping slabs of soul jazz. The band's cover of James Gang's "Funk 49" takes the album in a fuzzed-out psych-rock direction with Eddie singing the lead, while the moody Hancock-esque inflections of "Stash" and the sweet mellow vibes of "Swimming With My Fishies" add the final brushstrokes of colour to the canvas.

Khalab's 'Album of The Year' has been re-worked!

Ahead of a full remix LP (Summer 2019) On the Corner have opened the vault on 2019 hitters.
This 12' scorches the terrain built by 'Black Noise 2084'.
Hieroglyphic Being dominates the dancefloor with his 10 min sweater.
Afrikan Sciences launch off from Khalab's afrocentric soundscapes into a futuristic cosmos.
Blood, Wine or Honey strip it back, break it down and leave bassments trembling with the
weighty jungle blows.

After a stellar year for Khalab and On the Corner these three remixes bring knock-out blows
for 2019 dancefloors.

Hieroglyphic Being's 10 min sledgehammer shakes the floor as the mythical producer runs a
profound groove with three 808s pummelling the spine of Khalab's track.

On the B side, Afrikan Sciences uses the Afrocentric theme of the original to strip it back and
propel it into the cosmos.

Khalab's 'Black Noise 2084' has already racked up 'Album of the Year' status and we're giving
you a first glimpse of this earth scorching, dance destroyer that will prepare an onslaught for
2019.

Mystique Sound Explorer Scherbe Is Bursting Out Danceable Groove Science Between Epiphany And Delusion. Urban Misty Visions Of A Past And Current Future Deconstructed And Cludged Together Again, Twisted And Dubbed Into Danceable House.
The Ep Contains 6 Tracks In Mid Tempo, Each Of Them Having A Distinct Emotive And Dense Energy. Ready To Be Played In Clubs As Well As Tailored To Accompany You In Your Everyday Frenzy.
Steady Work By Dear Friends, A Heidelberg (germany) Based Label, Is Feeling Honoured To Disseminate His 3rd Release Featuring Scherbe, Who Used To Live A Long Time In Heidelberg And Is Now Based In Dresden. This Release Fits Well Into Scherbe¥s Discography Who Yet Released A Variety Of Records On Numerous German Underground Labels Like Uncanny Valley, Or*s, Kashual Plastik And Big Bait.

This New Record Occurs A Flawless Recipe, Featuring The Flavoursome Ingredientsused In Previous Releases, Seasoned With New Elements Which Brings His Sound To A Whole New Level. Bouncing Between Detroit Influenced Jazzy-house, Parisian 90's Friendly Grooves And Deep, Hazy Hip-hop Cuts.

Local Talk is proud to present the first of two 10" releases featuring music by Kyoto Jazz Sextet.Rising is taken from their second album 'Unity' released on Blue Note in 2017 and besides the beautiful original we've included a stunning remix by Ron Trent that catches you immediately.

A wide range of artists remixing tracks from Mr. Fingers latest album 'Cerebral Hemispheres' on this three part remix ep series. For the last in the series Aleksi Perala remixes both inner- and outer-acid according to the colundi scales. Part 3 of 3!

"Soul Jazz Records" are re-releasing keyboardist Eddie Russ's seminal debut deep jazz LP 'Fresh Out' in a limited edition - coloured vinyl of 1000 Copies worldwide. (Within download code)

Eddie Russ was an important figure to emerge from the vibrant underground jazz scene that thrived in Detroit in the early 1970's, existing in the cultural and economic desolation of the city after the departure of Motown in the late 1960's.

This scene included the musical collective Tribe (within members like Wendell Harrison, Marcus Belgrave, Phil Ranelin, Harold McKinney and Doug Hammond) and Kenny Cox's Strata Records. Eddie Russ's Fresh Out was first released in 1974 on the independent Jazz Masters record label.
 
As well as including the classic jazz dance cut The Lope Song, Eddie Russ's Fresh Out featured the debut of the group The Mixed Bag who subsequently recorded for both Tribe and Strata Records. Eddie Russ released two further classic jazz funk albums in the late 1970's, See the Light and Take a Look at Yourself. 

One year after Michigan-based artist Zach Saginaw released his third album as Shigeto, a genre-blending Detroit love letter called The New Monday, he returns with another eclectic display of affection for the musical community that makes Motor City music tick. The four new tracks on his Weighted EP, including a sumptuous remix from Detroit house luminary Andrés, continue to rene and augment the patchwork of jazz, hip-hop, and electronics that Shigeto has built his catalog with.

But far be it from Saginaw to repeat himself. Whether it's the heavy, disjointed beats of "Fight Club" or the vibey house roller "The Line Up (feat. Ian Fink)," Weighted drops as many low-key surprises as it does smokey grooves. A track as blown-out and deceptively simple as "Ooh Ooh" might at rst feel like an anomaly coming from Shigeto—once the cacophonous production settles in, however, it clearly bears the mark of a master producer exing new muscles. And that's true of Weighted as a whole. Saginaw is pushing his music into fresh spaces, forming imaginative shapes while keeping his focus on the city and culture that so deeply inspires him.

- Features remix from Detroit produces Andrés
- Transparent purple vinyl

Remastered 2017 version of the 2002 Thump mix with a new version on the flip, played with band and the addition of live instruments.. The legendary German House label NEEDS (not wants) returns after a long hiatus with a new release on the exclusive Gold Edition that is set up for revisiting their own classics to upgrade them with brand new versions and re-interpretations. Walkin Thru Circles - originally produced by Lars & Marek Bartkuhn - has always been a favourite for many of their fans. The original Thump Mix is a constantly building mover that is based on a massive beat, hypnotic soundscapes and highly energetic chord hooks, ready for taking off to outer space. For the Full Expansion Lars has gone back to the studio to recompose and re-record the whole thing over again, combining the skills of some excellent session musicians with lots of live instruments, drum & percussion and vocals all played and sung by the producer himself. The result is a complex, epic and fearless Jazzfunk odyssey, both musically expansive and heavily grooving at the same time.

RNT label co-head JKriv is in slicing and dicing mode on this special 10" RSD package, bringing the loving touch to a trio of 70's jams that run the gamut from funk, disco and soul. On the Razor side, So True is a bit of disco cheek given the dancefloor tweak, Put Your Money Down breathes life into the break from a ubiquitous funk classic, and the Tape side is a single slow-rolling burner of instrumental soul that builds to a hands-in-the-air peak!

Days & Times Debuts With Their First Vinyl Release. After 9 Digital Releases We Decided To Represent Our Sound On Our Most Loved Medium. From Funky Fresh Nu Disco, Over Sample Styled- To Jazzy Deep House.this 4 Tracker Is Limited To Vinyl Only, We Wont Release It Digital!

Goddard is next up on Church White with three hazy nuggets, alongside a remix from your fave house band Session Victim.

Collaborative album of absolute essentialness.... more info soooon...TIP!

Originally released in 1996, the 6-track REMnants EP was only the second record produced by Morgan Geist for his own Environ label. Now beautifully remastered, this heretofore hard-to-find EP is crammed with Geist's early influences: from intricately-programmed Roland orchestras that echo his early techno releases on Metamorphic to jazz- and R&B- listening tracks that would later inform the sound of his debut album.

One year only after the release of his debut EP Déclaration Préalable à l'Embauche, Tour-Maubourg quickly became one of the best promising producers of the French house scene (Trax
Magazine). After some other releases, including EPs signed on Folamour's imprint FHUO and on the English label FINA, the young Parisian producer is back with a new maxi Solitude Collective, still full of melancholic and jazzy house sounds.

Underground Detroit master Gari Romalis delivers something extraordinary for JD Records with his new alias "Detroit Soul Factory". All Dat Jazz EP features 4 deep and bouncing jazzy house cuts with perfectly executed basslines, next level Gari sound is here don't miss out!

The second installment of Argentinean record shop and label 'La Montaña Discos' includes one track of each of its founders.

Four club tracks straight from the heart of Rosario's city scene, each for a different and unique moment of a musical trip.

Ltd. to 300 copies, hand numbered.