House News

Greenhouse Recordings label head and long-time master of deep house Andrew Macari steps up to his own imprint with a bunch of fine originals. The opener is a deep tech cut with steely drums that are tight and compelling and offset by smooth chords. Manuel Sahagun then steps up to remix and brings a touch of jazz to his chords which swirl around over heavyweight bass rumbles. 'U Got Me' is then a house sound that harks back to the DIY heyday of Nottingham with its bumping drums and lush chord work and 'When I Want' closes out with more fresh synths and an alluring female vocal.

Going beyond materialism and old-fashioned cliche, Amsterdam's very own Boris Werner returns to Vatos Locos right after his remix for David Gtronic earlier last year with "New World Order" EP. This time, Boris brings his signature twisted sounds to a whole new level, starting the package with the mighty dancefloor rampant anthem "Fast Forward" while keeping things tighter and stripped back on "Rave Date". B-side means deeper affairs. "Party It's Like Your Studio" brings back some dusty and breakbeat old-school feels, while "Todo El Mundo" moves along with echoing dubby notes and crystal clear textures for the perfect afterhours tool.

Fully sonic, percussive & heavily dubbed skeletal tribal-acid-techno with hints of industry as well as digital insects fills DJ Sotofett's A-side. Juxtaposing rumble and lightness the drone landscapes of Vera Dvale features Merel Laine on vocals travelling through the mix & narration of the B-side's entire 13 min. Rather than flabbergasting this split 12" presents the core Wania sound!

Next up on Tofistock comes a MYKI release. tofistock home runner and producer energizing with 4 tracker dynamos programmed for a pure sense-floor bizz. Bringing up a rave thunderstorm A-side filled with rhythmic juggling work, crunchy stabs, and silky sneaky basslines. The elegantly rude B-side contains samples from the timeless UFO by ESG and his own reso master trademarks. This boutique toolpack is the essential firebone starter and the 1st in tofistock’s sense-floor new dance series.

Nuiton is back on Exit and has come along with three timeless pieces riding through constantly building rooms of merciless sounds. In - Out Of Prism', he maintains the mystery surrounding his character, and manifesting his place as a chameleon of today's electronic music scene.

Sasha Pervukhin (also known as Alex Pervukhin) whom you should recognise from his Laconica label, is starting a new one, called Pixel. The orientation is simple – modern, dancefloor-orientated house music, with a little twist. The twist is – the Ukrainian voice presence on every release.

Pixel is a new Carpet sub-label with our very own Sasha at the helm, officially establishing him as part of the Carpet and Snares family!

All the proceeds will go to Ukrainian donation initiatives.

Vicent, an electronic music producer, unveils his debut EP titled “Find Yourself”, offering a deep dive into a techno universe subtly infused with Japanese influences. This innovative project features four mesmerizing original tracks, complemented by remixes from BXTR, Swooh, and Iannis Rezgui. Notably, a unique ambient piece crafted exclusively from sounds recorded in Japan is included. For enthusiasts of authentic soundscapes, a limited edition vinyl release is also available.

After another long hiatus, BEAM is excited to present the vinyl debut from rising star and nebulous neurocranker, al dente. Over 4 tracks, ‘Running and Falling Over’ captures the stylistic fluidity we have come to know and love from Naarm/Melbourne. Ever present traces of Dozzy refract through millennium-bug tech-house, summoning atmospheres of deep yet ever playful psychedelia. Opening the A-side on ‘Ripple Effect’, pulsating drones and echoes of organic percussion slither through the undergrowth. ‘Soft Steps’ explores fractal resonance amid expansive, evolving textures. Flipping to the B-side, ‘Unfold’ melds paranoiac psy with a wiggly tek swagger. Slow-burner ‘Blue Trial’ closes out the EP – a proggy roller for the eternal sunrise.

Mixed by Declan Vadasz
Mastered by Marco Pellegrino @ AnalogCut
Artwork by Rudi Schmidt
Type by Studio Joel

Smalltown Supersound’s Le Jazz Non Series returns with a collection of pure, emotional club bangers, on a tip somewhere between Aphex Twin’s first Analogue Bubblebath and Drexciya’s most direct The Other People Place romancers.

’Slay Tracks’ is Bratten’s 6th album and perhaps the closest to Smalltown’s heart, personally selected from his swelling hard drive by label bossman Joakim Haugland. You can see the tip he’s on too, opting for a sort of refracted view of ‘90s electronics, propulsive but always emotionally driven.

‘Res’ hits most closely to classic Richard D James with its doe-eyed, single note bassline, while screwed acid vignette ‘Tunnel’, reminds us of Sockethead and Michael J. Blood with its slow, square bass grind. ‘Repair’ gives it all gossebump-inducing melodies in a mode not far from classic Titonton Duvanté or even The Black Dog’s earliest, many-monikered excursions, while ‘A Fog’ craftily dices with a vibe redolent of Phoenicia or the Miami lot, and the closing couplet of ‘The Returner’ and ’Strayed’ smartly extend that analogue on a low- down, offbeat bent like some classic Push Button Objects.

Elissa Suckdog's first full release arrives via her own imprint, the counterpart to Klon Dump's KLON series. DOG001 follows her Girls/Dudes Try white label edits and features an itchy A and a soothing B, watched over by F1's last female competitor Giovanni Amati and historian Michael Parenti.

DJ K-1's (Keith Tucker - AUX88) re-release for modern electro heads Direct Beat Classics label.
1) "K-1 Intro" -Fine metallic percussion and Jeep beats define the groove of this EP's introduction from the year of 1996 featuring Anthony 'Blaktony' Horton (vocals) on this legendary Keith Tucker production. K-1's hauntingly dark strings emerge as you are informed by its mission statement. Mental.

2) "K-1 Agenda" (Instrumental) - Purposely added to enhance variety and balance, this instrumental holds its own. Highlighting his production skill, 'DJ K-1' cuts loose in the minimal groove with traditional Detroit escapism that makes the EP the fine concept it is. Made to dream & jam.

3) "K-1 Agenda" (Vocal Mix) -Written and executed by longtime cohort, 'Blaktony' (AUX88, Alien FM) on vocals. The tune transforms into a classic global jam with android-like vocals planted between the hand-crafted Detroit electronic backdrops. A mainstay in electro bass crates since its release, this track is the description of a man on a mission to jam this world and beyond. Rubbery 'K-1' signature bass lines and strings ride the perfect beat.

4) "The Future I Can See" - K-1's laid back robotic lyrics describe a look into the future paired with thunderous beats and electro bounce. Visionary rocking, Tucker provides the weight to the project that would bare his signature flavor. Hot.

5) "The Future I Can See" (Instrumental) - Focused on an atmosphere of eerie and moody Detroit dark electro, the energetic bass line weaves amongst jamming drums. Imaginative and compelling material made for global dance floors. 100% Electro.

6) "Unreleased track" - A short newly added bonus cut from the original sessions, laced with experimentation in the Motor City Electro sound.

The pianist, arranger and producer Raffaele Attanasio signing the first record of the newcomer label Envlp Imprint.
The releases includes two versions of the song 'Der himmel uber Berlin', an "original" and a 'solo piano'.
With 90s of last century, Detroit Techno had begun to take root outside of its traditional American soil, affecting many European artists. This record is the confirmation, the influences are palpable for this track that contains: solid groove, kick in 4/4, drum machines, analog symphonic melodies and flavors. The version of 'solo piano' pushes the artistic expression of the producer to a higher level and gives the disc a double face, one for the listeners and the other for the DJs.

Following the success of their first release, Amanita Gems is back with another four track sizzler featuring the ever-growing, Ukrainian talent - Victor.B!

Roll your sleeves and grab your kicks ‘cause this one is directly inspired by urban grooves and back alley bass-lines with a guarantee to pack a punch and deliver high caliber hip movements on the dance floor.

Victor.B is an emerging name from the Ukrainian electronic music scene. His prominence grew locally by dispensing a range of styles that were seamlessly stitched into a gnarly live set - showcasing his vivid taste and ability to possess the room during performances.

Don’t hold back on grabbing your copy!

HOMEGROWN. boss Rossi. makes his Hot Creations debut as he drops four long-awaited cuts across his ‘Get On The Floor’ EP.

Emerging to become a regular fixture at key venues across the globe including Club Space, Printworks and Pacha while playing for the likes of Music On and Paradise, London’s Rossi. continues to showcase his unique spin on minimal-leaning house music and prove why many, including DJ Mag, tipped him as one to watch from the start. A top-selling talent on Beatport, with releases via FUSE, No Art, Eastenderz and more, while recently launching his label and platform HOMEGROWN., mid-July sees him head to iconic imprint Hot Creations as he uncovers a selection of heavily-requested productions across his ‘Get On The Floor’ EP.

Fusing rumbling low-ends, slinking metallic drums and evolving electronic beneath hooky hip-hop samples, title cut ‘Get On The Floor’ is a signature Rossi. track made for big dance floor moments, while ‘Mode’ is a skippy, playful production bringing a bumping groove guided by trippy vox interjections. The B-side brings further fresh flavours as ‘Pass The Blunt’ builds from crisp percussion arrangements and cheeky samples for a rolling terrace number, before the slick ‘I Wanna Dance’ shapes up the package with another trademark slice of bubbling late-night house.

Another fantastic project from a mysterious producer from Chicago. Vinyl Only, 300 copies, limited Edition !

Alex Niggemann's 2012-defining long player 'Paranoid Funk' dropped in June to a rapturous response from DJs, dancers and home listeners alike. Here, Poker Flat Recordings revisits some of the exceptional highlights of that record, and deliver a remix package sure to be as equally sought-after by those in the know. 'Paranoid Funk' saw the Berlin resident explore a variety of grooves and textures, an experiment that won him many new admirers and a great deal of critical acclaim. Here, some of the hottest remix talent in the scene get their hands on the originals and twist them into new shapes. Following on from releases on Cocoon, Kling Klong, Circle and two strong EPs on Poker Flat ("Dinosaurs' and 'This") renowned producers Alex Flatner and LOPAZZ take on 'Don't Wait' and drop a growling, main room monster that will standout in any set. Francys, the young Italian making quiet a name for himself on the underground house and techno circuit, lends his skills to 'Back 2 Basics feat. Benji' - channeling the spirit of the early 90s into seven ecstatic minutes. Next up is Salvatore Freda - the highly respected Swiss DJ and producer who injects Niggemann's 'I Don't Care' with a narcotic groove that sits somewhere between Detroit and Berlin - the dubbed out vocals adding an element of otherworldliness that work in perfect compliment to the track's twisted (paranoid) funk. Berlin's own Andre Lodemann picks out 'Lovers' for his excursion, a deep bomb that grows and grows around an exceptional vocal from John Rydell - this is one for the very late nights or early mornings. What is clear from this release is that Alex Niggemann's star continues to rise - the classical pianist turned producer and DJ extraordinaire is moving on to the next phase of his career - and with the slew of outstanding releases to his name already, who is to say where that could lead. Tracklist:

Will you unlock the mysteries concealed within the Silverplan?

The 5th release from Drifted comes through featuring Anna Wall & Corbi who have collaborated for DR005 and it’s a banger.

The release opens with the title track, "Satellite", a thumping 4x4 style club cut that immediately sets the tone for the rest of the EP. This track has a relentless beat that will keep the club jumping. "XTC" follows on the A2, a composition that showcases true rave textures. On the flip side, "Mind Sweeper" is a real bad boy that is sure to melt the dance floor. Rounding off this latest output on the London based imprint is "Basement Damage", a beautiful atmospheric design with fierce break drums.

This EP is a true testament to the power of collaboration and creativity in the

3rd! Vinyl only, no digital promo.

Football player love vinyl (new season)
Another vinyl from a FOOTBALL PLAYER,
these are 4 groovy tracks that were tested on different venues!

Taking reality as the starting point, Picasso exhibits Volume 1 of the Abstract Groove. A sound collage of jazz, dub and electronica by Samuel Andrews.

Poloponnèse is a house producer and DJ, exploring a range of affiliated styles including hip house, breakbeat and acid house. Based in Paris, he is always on the lookout for new musical and aesthetic experiences.

This first solo project from Poloponnèse is the first in a series due out in 2024, focusing on one of the many musical genres explored by the artist... Stay tuned!"

Hello roofers!

Here we go with the sixth release.

A 4-track record produced entirely by Roman Khropko.

Mystical atmospheres, mixed with syncopated, minimal aggressive drums and techno sounds characterise the excellent work done by the artist.

Amateur is the most original track, a must have in your collection.

Repress.

The love for Sally C’s sound and burgeoning label shows no sign of slowing down. Last year’s ‘Big Saldo’s Chunkers 002’ was a phenomenon. Led by ‘Downtown’, which became one of the most beloved tracks of the year, it secured over 30 BBC Radio 1 plays and genre-crossing support from Peggy Gou to TSHA and Bradley Zero. Critical acclaim came from Bandcamp, RA and beyond.

Launched in 2020 with ‘Big Saldo’s Chunkers 001’ that’s currently on its fourth repress, the Chunker sound is special to all those who know it. Taking influence from artists including K-Hand and Fast Eddie, Sally draws on the sensibilities of classic US house music, crafting unique dancefloor cuts that don’t compromise on quality.

Active on the release front over the last 12 months with well-received remixes of Obongjayar, LB aka LABAT and a fresh original on Rhythm Section, we witness a noticeable evolution in her sound with BSC003. “I wanted to challenge myself when writing this record. I still haven’t released a full EP on another label, so I wanted to pair straight up Chunkers with something a bit different to shake up the Chunker energy,” she shares.

The four-tracker opens with ‘All Love’, a joyous house banger that swaps out Sally’s trademark Chunker bassline for a sexier groove. When the euphoric piano breakdown kicks in, soon accompanied by the ‘dance’ vocal on repeat, we’re reminded of the exultant power of rave. ‘

Hit It’ follows, a proper Chunker to the core. A hip house-informed jam, it’s packed full of tight drums, stabs, sirens and one of Sally’s monster Chunker b-lines. An absolute tune!

‘Control’ is a low-slung roller, encapsulating her love for simplistic production principles that birth memorable results. A headsy offering ripe for the after-hours.

‘‘Get Up’ is an ice-cool slab born out of a jam on a drum machine that hits at 144bpm. “I wasn’t sure how this would fit on the record being this speed, but it’s exactly what I envisioned when I wanted to challenge myself more. It’s raw and rolling and as soon as I made it, I knew it fitted into the Chunker family,” Sally explains.

Deep and hypnotic. That pretty much sums up the new Nacreous-EP by Shoal on the Dutch imprint NOWHERE. The title refers to a certain glow or color that mother-of-pearl radiates. Shoal is the alter ego of Utrecht-resident Kenny Dean Kneefel. When you have a name that sounds like a famous stuntman, you are probably prepared to take more risks. And indeed that's exactly what this producer from the lowlands does on Nacreous. Shoal's four track EP combines hallucinant grooves with delicate sound design. Like on Bygone Drums, where ominous distant sounds from a nearby factory creep between the shadows. The same can be said of the title track, a tribalistic tune with a delicate dark undertone. Never Endings is more uplifting, with its dubbed out basslines and crispy hi-hats. Dubtechno that reminds us of both Monolake and Fluxion. Closing track Morning Float is indeed that, a trip in a blue tank filled with warm water, where you are comforted by beautiful strings and sounds of nature.

Fourth release for the Pennyroyal Rec label.

For the occasion a various artists was created entitled "TEAROOM VIBES."

Imagine a Tea Room where warm electronic sounds are ready to envelop the listener.

On Side A we find Lele Franza with dark and hypnotic sounds and spanish master Ildec with a real bomb from syncopated rhythms.

On Side B The Lumens and Luca Doobie pay special attention to the
dancefloor with two tracks to play in the middle of the party!

Football Player love vinyl (new season)
Another vinyl from a FOOTBALL PLAYER,
these are 4 groovy tracks that were tested on different venues.

Serpentinenartige Grooves, rasselnde Bässe und clevere Melodien – die kraftvoll-hypnotisierenden Tracks des Pariser Produzenten Sylvere mit Wurzeln in Französisch-Westindien fangen die magnetische Kraft der Soundsysteme ein und machen ihn zu einer der aufregendsten neuen Stimmen der Bassmusik. Mit dem radikalen Kunstkollektiv LA CREOLE zelebriert er den unauslöschlichen Einfluss der Kultur und Identität der Karibik auf die moderne Dancemusik. Seine Parties und RinseFM-Radioshow schlugen schnell Wellen im globalen Untergrund (Dazed & Confused, The New York Times, u.a.). EP3 ist der letzte Teil einer EP-Trilogie für Monkeytown und der perfekte Abschluss einer Serie, die Sylveres Vielseitigkeit und Können als Produzent unter Beweis stellt.

Musique Pour La Danse is proud to present this 2 x LP limited edition reissue of THE PURPLE UNIVERSE, an album originally released in 1993 by Swiss duo SYNECTICS (Marco Repetto & Stefan Riesen) on legendary braindance label REPHLEX ran by Richard D. James (Aphex Twin) & Grant Wilson-Claridge. Bearing CAT number 06, this early release is one of Rephlexs best-kept secrets. We are re-releasing the album in a lush limited 2 x LP edition which includes 3 tracks from the CD version, never available on vinyl before.

The year is 1992. Electronic music is experiencing a golden age of sorts. Equipment, inspiration, people, and music are less and less tied to specific places and scenes. Cross-pollination has just begun. Marco Repetto is driving somewhere in Bern, the car stereo locked on Radio Couleur 3. The Young Gods are being interviewed, and the pioneering Swiss industrial band mentions the word psychedelic enough times for the driver to take heed. Inspired by a magical performance by the same band a few days later, he decides to experiment by injecting a dose of psychedelia into his techno productions. The result is The Final Moment, a 24-minute trip which begins as a club track before quickly turning into an ambient and yes, psychedelic tune, reminiscent of progressive rock forays but entirely synthetic, with an unusually long length for the era, clocking at 24 minutes.

Repetto then meets Riesen, and the pair produce more tracks in the same vein. While some are resolutely geared towards the dancefloor, others would not be out of place in a chill out context while some are more ambient, even experimental pieces. Demos are sent to labels with The Final Moment accidentally included in the package. Rephlex was enthused with all tracks on the release but was especially impressed by The Final Moment and released THE PURPLE UNIVERSE soon after.

This album is of course neither the first nor the only one to blend electronic music and psychedelia, nor is it the first attempt to push the limits of dance music through experimentation. However, its sincerity and candid approach are immensely touching. It is a reminder of the sort of naiveté and creativity prevalent in the pre-Internet era. Today, scenes, ideas and styles seem so porous, but there is no doubt that this record must have felt like the soundtrack of two worlds and two aesthetics colliding with glorious results, that of hedonistic club music on one hand and psychedelic experimentation on the other. It is ironic that a Swiss duo can be credited in part with writing the template for post-Detroit British techno, proto IDM and braindance. But it is not surprising either that this record was originally released by REPHLEX, a very logical decision in hindsight.

THE PURPLE UNIVERSE is a versatile album. It contains a few club-ready bangers full of emotion, some more experimental cuts that feel both introspective and forward-thinking as well as THE FINAL MOMENT, a universe in itself and a masterpiece of sorts, an important artefact of a time where it became more and more obvious that electronic music and dance music did not have to be safe, straightforward or tame. Much to the contrary.

Embark in an extraordinary odyssey with Ascot/ww debuts on La Sabbia, where dynamic beats and tangy acid melodies intersect. Unveil dance floor artillery as Techno and break intertwine, forging an unwavering and distinctive sonic experience.

Buckle up, explorers! With the third release on HUA3000, we focus on moments of bliss in the here and now. If you’re like us, a fan of the mid-90s, you'll enjoy the familiar unfamiliarity that these tracks bring to the dance floor - perfect to re-energize crowds in the early morning.

The groovy banger on the B2 is a remix by Welwert (aka. Man/ipulate)

What to expect:
4 tracks of the extended House family, 127-132 BPM, punchy kicks, lush pads and moving bass-lines (oh boy oh boy!)

After a few months spent on planet Earth, taking inspiration from its best dancefloors, Antam Records is ready to serve you some tasty grooves served by the Madrid based producer Mostly James... Get ready for the intergalactic ride!

Next up on Curtea Veche’s serii speciale we have the legend that is Reboot ! 3 groovers for the dancefloor , tried and tested by some of the biggest names in the buisness!!
transparent 12”vinyl

EP with 90s and 00s UKG, Tech House and Speed Garage influences and samples. Support includes plays on BBC Radio 1 by Moxie, 1xtra by Conducta and NTS by Bradley Zero.

Factor City kicks off its third decade in full swing, led by Undo solo and accompanied by its usual partners Casiowaves and Vicknoise.

It all began in 2003 when Undo & Vicknoise laid the foundation for the label with "Noctámbula," and over the years, they continued to collaborate closely, managing the label and producing "hits" such as "Orca" or "Happy Monday." From 2011 onward, following an amicable parting, Undo began to run the label solo while maintaining the same spirit and distinctive sound of the Barcelona-based label, always at the forefront of dance music produced in Spain.

Now, in 2024, in a "digital” world where fewer and fewer things can be touched with our fingers and where 100,000 songs are uploaded to Spotify every day, Factor City is charting a different course and starts a new decade on the dance floors by returning to vinyl releases and persisting in their low key and relaxed approach, releasing few and carefully curated records from their artists each year.

“Ciudad Futura” opens with "Good Times," a track by Undo that radiates joy and positivity. An euphoric ride through landscapes of analog synthesizers and drum machines. The second track on side A is signed by Undo & Vicknoise, who hadn't produced together in 15 years. And we hope they won't take as long to get back in the studio together after hearing the fantastic track "Electric Rainbow." A delightful slice of electro-disco. The B side is signed by the recent combo of Undo and Casiowaves. The first track, "Secret Worlds," follows in the wake of their recent releases on Factor City and Melodize with that winning combination of retro 80s and 90s synths with vocoders and a more contemporary production. Closing out the record is "Astralia," a vibrant "power synth pop" anthem adorned with FM synths and acid-tinged melodies. Thanks for listening!

Our 12th release see's our second VA from another 8 super talented artists!

incl Kai Alcé Mix + Emanuele Inglese Rmx

GIM Records is back from the Moon bringing a new release "In The Music" signed by the Italian team "Groove In Mind" aka GIM Productions (Onda Records).

The original track is a dancefloor oriented anthem with a groovy bassline and a House vibe feeling, fueled by magnetic Rhodes keys and flute.

Included are a couple of very hot remixes by the well-renowned Kai Alcé (NDATL Muzik) and the Italian Dj Emanuele Inglese (Cocoon Rec).

Limited Edition 12 Inch - 140 grams standard black vinyl with generic jackets

BELFAST PARTY THE NIGHT INSTITUTE LAUNCHES NEW ELECTRONIC MUSIC LABEL

The Night Institute, the legendary cult club night at the forefront of Belfast's thriving electronic music scene, announces eponymous new record label.

Spearheaded by scene stalwarts Timmy Stewart of Black Bones fame and Jordan Nocturne, known for his contributions to labels like Correspondent and Polari, this new venture aims to showcase Belfast's true independent club scene on a global scale.
The Night Institute has long been synonymous with cutting-edge music, providing a haven for the city's electronic music aficionados.
With the label, the vinyl and digital project features tracks by both resident artists as well as global artists who've played at the party.
The inaugural release boasts a stellar lineup.

Alongside Night Institute residents Timmy Stewart (Ft. Northern Irish vocalist Megan Sylvan) and Jordan Nocturne, the record showcases guest appearances by Justin Cudmore, resident of New York's renowned The Bunker and regular contributor to Phonica Records, and Hifi Sean, who has been making waves with his collaborative project alongside David McAlmond while working with icons like Ce Ce Peniston and Yoko Ono.

The label aims to capture the essence of Belfast's underground electronic music scene, while joining the dots with global collaborators across four tracks of acid, odd-ball house and dance floor electronics.

Good Vibes for Uncertain Times