House News

Supported by Yak, Roger Gerresen, Laksa, Gabriella Vergilov, Eric Cloutier, John Osborn, Oxyd, Sonns, Philip Sherburne, Laurent Garnier and re:ni.

Pretty Pink is still back on track! Her new interpretation of one of the famous dance tracks of the 90's is massive. There is also an incredible remix by Aka Aka on the limited vinyl edition.

Through a mutual friend we received a friendly message from the city of Heidelberg: "Hey, our boy made some tunes, maybe you like em."
... Well, we worship them! 19 years old - David Jackson 'out of the blank collective' makes music that is more than just tasty.

If you like your dance uplifting, trancy & dreamy: don't go anywhere else. Broken hearts (with the help of DJ Handelsgold) will be healed and dancefloors lit.
A free Swedish language course is included and when it comes to "Eire 2000", Pete Tong even votes for, Essential New Tune'.

... Thanks David, to a bright future!

Workhorse from Vakula for plowing dance floors

"BRUK" is a new platform for fresh variations on the soundsystem ethic, in particular where high-end sound design intersects with formidable bassweight. It's an artist-focused endeavour geared towards producers with range, depth and ingenuity in their sound.

The first transmission comes from FFT, the latest alias from accomplished producer Josh Thompson. Thompson established the Super Hexagon label with long time friends J. Wiltshire and Arthur Scott-Geddes and he's also released on heritage label R&S (as Alma Construct) and the excellent offbeat techno upstarts Power Vacuum, and more recently developed the FFT moniker via essential drops on The Trilogy Tapes as well as Super Hexagon.Thompson helps launch BRUK with a two-pronged attack that shows off the breadth of his artistic scope.

The lead 12" is a dynamic club release that pivots between razor-sharp drum programming, hyphy synth acrobatics, breakbeat science and dub-loaded atmospheres. If there's one constant that runs through all Thompson's work, it's a resounding confidence with melody, and that comes through even in the rowdy chops of "Month" – a track that exudes hope even in its gnarliest bars. From the dreadweight minimalism of "Fask" to the expansive electronica shock out of "Sacrifice (The Truth Mix)", this is a head-twisting release that feeds into the vital new energyreverberating around the 150+ axis.

Accompanying that 12" is a cassette album which provides that polar opposite side to FFT – a collection of compelling beatless ruminations under the banner of Total Self-Fulfilment. Gliding from low frequency industrial textures to expressive synth modulation, this is far from static music, even as it moves without the aid of a traditional rhythm section.

It's a strong first chapter for BRUK, with future releases lined up from artists similarly poking at the fabric of contemporary club music to find their own unique spaces for expression.

Mancunian Hidden Spheres has showcased himself as one of the most innovative producers out there, releasing across the likes of Lobster Theremin, Rhythm Section International and his own imprint Fruit Merchant, all of which have been the perfect outlets for his inspiring blend of house and jazz. Church now features as the latest addition, who continue their stellar discography with 'Words Can't Explain', a collaborative EP which sees Hidden Spheres alongside singer-songwriter and guitarist, Oscar Jerome.

The collection begins with the original mix, lowering you into slick jazz guitar licks and echoing vocals, before Hidden Spheres provides a tight groove to lock around the melodies in fine form. The hybrid creation of jazz meets house binds perfectly as warm keys hang effortlessly in the air and popping guitar lines carry you onwards, supporting the sublime vocal from Oscar.

The dub version opens up room for the guitar licks and synth top lines to take centre stage, a real opportunity to marvel at the arrangement here.

On the flip is Yu Su's rework who ups the tempo and dims the lights for a punchier rework.. The half way point welcomes a percussive led break before the hats return and pick up the groove once again, closing the 'Words Can't Explain' EP in style.

Having pinned to perfection the sonics of the Adriatic, Croatia's Love International Festival bottles up their blissed out rhythms and sunrise sessions for the inauguration of Love International Recordings, fittingly, with a first release from UK producer Begin.

Introduded to 140 by his uncle's Dub Pressure experience, Somah credits DMZ & Skream as his early influencers.

"Buying Skream's Watch the Ride Mix changed everything".

Dark Arts

Hebrew Flip ft Rider Shafique

How we move

Binural w/Surreal

12"Vinyl & Digital

06.03.2020

Nour Mobarak: voice and FX. Bana Haffar: modular synthesizer. Mastered by Juliette Amoroso. Illustration: Nour Mobarak.

This cassette tape is a document of two live performances by the Haffar/Mobarak duo. Their mutual pleasure in variable tunings, granular synthesis, and structured improvisations shaped their collaboration.

A lifelong expatriate, Bana Haffar was born in Saudi Arabia in 1987 and spent much of her childhood in the GCC. Through her switch from 10 years of electric bass to modular synthesizers in 2014, Bana is attempting to dismantle years of institutional "conditioning" in traditional systems of music theory and performance. She is interested in exploring sonic disintegration and coalescence into new forms and synthesized experiences.

Nour Mobarak (Lebanese-American, born 1985 in Cairo, Egypt) is an artist working with writing, music, performance, sculpture, and film making. Performances include the Hammer Museum, Los Angeles; Miguel Abreu Gallery, New York; Museum of Contemporary Art, San Diego; Stadslimeit, Antwerp; Cafe OTO, London, and Cambridge University, Cambridge; among others. Mobarak has participated in exhibitions at Miguel Abreu Gallery, Cubitt Gallery, Rodeo, Taaffe Place, LAXART. Her writings have been published by De Appel/F.R. David, The Claudius App, and The Salzburg Review among others. Her music has been released by Ultra Eczema (Antwerp) and Recital (Los Angeles).

Recorded by The Pathfinders – Roger Cleghorn and Malcolm Garrett – "Imagine Something Yesterday" is a compendium of playful explorations with analogue synthesisers and distorted found sounds, made without an actual release in mind.

Former art and design students at Manchester Polytechnic, The Pathfinders were sharing a flat together in London when Malcolm was establishing his graphic design studio, Assorted iMaGes, on Tottenham Court Road and Roger was studying for a Fine Art MA at Chelsea.

These experiments from the 15th floor of a tower block in the Isle of Dogs, London were captured directly on a reel-to-reel tape recorder over a period of a few months at the tail end of 1980 and the beginning of 1981. Further embellishments were made at Chelsea School of Art. The equipment used included Yamaha CS-10, ARP Axxe, EMS VCS3, TEAC A-3340, Bang & Olufsen Beogram 1202 and Beolab 1700.

Listeners may identify the aural influence of electronic pioneers such as Cluster, Tangerine Dream, Brian Eno, Cabaret Voltaire or Throbbing Gristle and they would not be wrong as these were indeed some of the musicians whose records were frequently played at home by The Pathfinders around that time.

With almost 40 years having elapsed since recording, memories are sketchy with regard to who made what noise where – The Pathfinders could hardly be described as being musicians who jammed together – but everything ended up compiled onto a couple of cassette tapes, where they have languished ever since – the 'master' reel-to-reel tapes seemingly lost forever. Only one track from these sessions, "Long Shadows", was previously published, on Touch's 1983 "Meridians 1" compilation. "Imagine Something Yesterday" features almost all of the other surviving recordings. A tantalising additional 14 minutes of sound remains unreleased, the full running time being just too long for comfortable release on one cassette.

The Pathfinders remain Roger Cleghorn and Malcolm Garrett.

Roger Cleghorn bought his first synthesiser in 1978 after having seen The Human League at the Russell Club in Manchester. He moved to London to study for his Master's degree in 1979 and began experimenting with sound painting – using synthesisers to generate wave forms that were then combined, colourised and edited together. This work naturally led to the creation of The Pathfinders and the subsequent recordings which became "Imagine Something Yesterday". An award-winning designer and account director, Roger continues to work in the design industry having been taught his trade by Malcolm while working at the nascent Assorted iMaGes.

By 1980 Malcolm Garrett was already making a mark in a rapidly evolving music industry. He was one of a number of innovative new graphic designers coming to prominence, having designed ground-breaking record sleeves for Buzzcocks, Magazine, The Members, John Foxx and many others. In the following year he was commissioned by Kasper de Graaf (later to become his creative partner at Assorted iMaGes) to be the Art Director of youth culture magazine New Sounds New Styles. 1981 would prove to be a pivotal year for Malcolm as his Assorted iMaGes design studio expanded to accommodate working with an increasing number of emerging bands such as Duran Duran, Simple Minds and The Human League.

Malcolm has since enjoyed a successful career at the cutting-edge of communication design, delivering pioneering work for digital and interactive platforms. In 2000 he was honoured to become the first Royal Designer (RDI) in multimedia design. Working to this day as Images&Co with partner Kasper, and with a small Manchester-based team, he is founder and Artistic Director of the annual Design Manchester festival.

Austra aka Katie Austra Stelmanis announces her
fourth album, ‘HiRUDiN’, via Domino.
 Alongside making changes in her personal life,
‘HiRUDiN’ saw Austra taking an entirely different, freespirited approach to making a record. Seeking out all
new collaborators (including c_RL, Kamancello,
Pantayo and a children’s choir), Katie accumulated a
vast and vibrant mass of source material, which she
then took to a studio in the Spanish countryside.
 ‘HiRUDiN’ additionally saw her work alongside coproducers for the first time, Rodaidh McDonald (The
xx, David Byrne) and Joseph Shabason (The War On
Drugs) and she brought in David Wrench (FKA Twigs,
Caribou) and Heba Kadry (Björk, Beach House) to mix
and master the record respectively.
 While Austra’s third album, ‘Future Politics’, was
concerned with the external power structures that
shape society, ‘HiRUDiN’ points inward. It traces a
deeply personal journey towards regeneration, dealing
with the fallout of toxic relationships, queer shame
and insecurity along the way.
 CD in jewelcase with 8-page booklet.
 LP with printed inner sleeve with digital download
card.

This 1983 album was one of Donna Summer’s most popular, reinforcing her status as a major pop/dance star.

Besides the title track major hit, the album includes well-known songs “Unconditional Love” and the soulful “Love Has a Mind of Its Own.”

COLLECTOR'S EDITION LIMITED TO 1.000 COPIES WORLDWIDE.

YELLOW VINYL.

First released as a limited cassette and now
available on vinyl in uncoated matte jacket
designed by Michael Flanagan.
 For fans of Japanese ambient, environmental and
new age, privately-pressed American new age
from the 1980s, Brian Eno’s Ambient works.
 This release was written with the intention of
transforming the listening environment and
augmenting domestic space. The music is
designed as a communication with both plants and
the people who care for them.

Little Dragon - die bahnbrechende schwedische Band um die rätselhafte Sängerin Yukimi Nagano, den Multiinstrumentalisten Håkan Wirenstarnd und Fredrik Wallin an Keyboard und Bass und Erik Bodin an Schlagzeug und Perkussion - kehren mit ihrem sechsten Studioalbum „New Me, Same Us“ zurück.

Für eine Band, die stolz darauf ist, abseits gängiger Hörgewohnheiten zu stehen und die sich mit aller Entschlossenheit dafür einsetzt, die Dinge zu ihren eigenen Bedingungen zu verwirklichen, haben sie bislang nicht gerade wenig Anerkennung im Mainstream bekommen. Mit dem Grammy für ihr Album „Nabuma Rubberband“ im Jahr 2014 nominiert, gelten Little Dragon seit langem als eine der gefragtesten Gruppen für Kollaborationen. Im Laufe der Jahre ist eine beneidenswerte Liste an Künstlerinnen und Künstlern zusammengekommen, mit denen sie zusammengearbeitet haben, darunter bspw. BADBADNOTGOOD, Gorillaz, SBTRKT, Flying Lotus, Flume, Kaytranada, Big Boi, De La Soul, DJ Shadow, Tinashe, Mac Miller, Future, Raphael Saadiq oder Faith Evans. Ihre berühmt-berüchtigte Live-Performance hat eine mittlerweile zehnjährige Tourneekarriere nach sich gezogen, in dessen Verlauf sie kürzlich gemeinsam mit Flying Lotus als Co-Headliner eine Show im Hollywood Bowl in Los Angeles gespielt haben, sowie auf einigen der weltweit angesehensten Festivals wie Coachella, Glastonbury, Bestival, Lollapalooza, Melt!, Dour, Sónar und dem Festival von Tyler, The Creator, „Camp Flog Gnaw“, aufgetreten sind.

Vollkommen alleine und ohne Unterstützung von außen im langjährigen und selbstgebauten Heim-Studio in Göteborg produziert und aufgenommen, repräsentiert „New Me, Same Us“ ein weiteres Kapitel in der kontinuierlichen Entwicklung von Little Dragon. Mit ihrem einzigartigen Stil finden sie eine neue Richtung von gemächlichem, unkonventionellem R'n'B, Pop und Elektronik und klingen damit so verjüngt und energiegeladen wie eh und je. Die Platte zeugt auch von einer reflektierenden Stimmung, mit Yukimis unverwechselbarer Stimme, die von Übergängen im Leben, Sehnsüchten und Abschieden sinniert.

2024 Repress
Transparent Blue Vinyl

Little Dragon - die bahnbrechende schwedische Band um die rätselhafte Sängerin Yukimi Nagano, den Multiinstrumentalisten Håkan Wirenstarnd und Fredrik Wallin an Keyboard und Bass und Erik Bodin an Schlagzeug und Perkussion - kehren mit ihrem sechsten Studioalbum „New Me, Same Us“ zurück.

Für eine Band, die stolz darauf ist, abseits gängiger Hörgewohnheiten zu stehen und die sich mit aller Entschlossenheit dafür einsetzt, die Dinge zu ihren eigenen Bedingungen zu verwirklichen, haben sie bislang nicht gerade wenig Anerkennung im Mainstream bekommen. Mit dem Grammy für ihr Album „Nabuma Rubberband“ im Jahr 2014 nominiert, gelten Little Dragon seit langem als eine der gefragtesten Gruppen für Kollaborationen. Im Laufe der Jahre ist eine beneidenswerte Liste an Künstlerinnen und Künstlern zusammengekommen, mit denen sie zusammengearbeitet haben, darunter bspw. BADBADNOTGOOD, Gorillaz, SBTRKT, Flying Lotus, Flume, Kaytranada, Big Boi, De La Soul, DJ Shadow, Tinashe, Mac Miller, Future, Raphael Saadiq oder Faith Evans. Ihre berühmt-berüchtigte Live-Performance hat eine mittlerweile zehnjährige Tourneekarriere nach sich gezogen, in dessen Verlauf sie kürzlich gemeinsam mit Flying Lotus als Co-Headliner eine Show im Hollywood Bowl in Los Angeles gespielt haben, sowie auf einigen der weltweit angesehensten Festivals wie Coachella, Glastonbury, Bestival, Lollapalooza, Melt!, Dour, Sónar und dem Festival von Tyler, The Creator, „Camp Flog Gnaw“, aufgetreten sind.

Vollkommen alleine und ohne Unterstützung von außen im langjährigen und selbstgebauten Heim-Studio in Göteborg produziert und aufgenommen, repräsentiert „New Me, Same Us“ ein weiteres Kapitel in der kontinuierlichen Entwicklung von Little Dragon. Mit ihrem einzigartigen Stil finden sie eine neue Richtung von gemächlichem, unkonventionellem R'n'B, Pop und Elektronik und klingen damit so verjüngt und energiegeladen wie eh und je. Die Platte zeugt auch von einer reflektierenden Stimmung, mit Yukimis unverwechselbarer Stimme, die von Übergängen im Leben, Sehnsüchten und Abschieden sinniert.

Soulful dance music on top quality vinyl for DJ's who know the deal.
Limited to 200 copies. Vinyl only. No mp3. No promo. No marketing. All vibe.

It's always unwise to judge a label that's still taking its' first steps, but Banoffee Pies has barely put a foot wrong since launching a couple of years back. Here, the Bristol-based imprint continues with its' successful split release formula, gathering together a quartet of tracks from up-and-coming producers. Beaner kicks things off with the bumpin', low-slung deep house grooves and delay-laden guitar samples of "It Takes Two", before Philou Louzolo raises the temperature with the looped horn samples and thumping beats of "Alter Ego". Flip for the dreamy Balearic house goodness of Ron Wilson's "Albino Turtle", and the bongo-laden, after-party deep house shuffle of Mome's "Assatta".

Longtime fans of Sheffield's Central Processing Unit may well remember Annie Hall. When CPU dropped her 2016 EP Tenured Positions it felt like a perfect union of label and artist - the atmospheric take on classic electro that Annie Hall had presented in her previous releases for labels such as Semantica and Detroit Underground was very much in sync with the CPU sound. Sure enough, Tenured Positions was an instant hit with CPU heads old and new, and the record remains highly sought-after to this day.

Now, four years on from Tenured Positions, the Barcelona-based Annie Hall returns to CPSmith's imprint with new EP Fum. Fum picks up where Tenured Positions left off. Snapping broken-beat electro grooves anchor Fum's midsection of 'D'un Altre Planeta' and its title-track. 'D'un Altre Planeta' is the most lively cut on the EP - there is real bite to the drums here which recalls everything from B12 to Star Eyes to early-90s hardcore - while 'Fum's beats are more low-slung and come bolstered by an electro-funk-flavoured bassline. These two tracks are bookended by 'Verd Mar' and 'Promeses De Fusta', joints which straighten out their rhythms into more linear IDM-techno beats.

As she exhibited on Tenured Positions, one of the main strengths of Annie Hall's style is the manner in which she layers up harmony, tone and texture. Reverb- and delay-drenched synths cascade across Annie Hall's tracks and serve to render her music in vivid colour. The combination of evocative atmospherics and grounded, stable beatwork is a technique which Annie Hall has inherited from experimental techno luminaries of the past - Autechre, Mark Bell, The Orb - and also something that she shares with other CPU artists like Tryphème and Nadia Struiwigh.

Annie Hall takes this approach once again on Fum. A fair bit of the record's soundworld tends towards science-fiction - from the whooshing pads of 'Verd Mar' through the zipping synths of 'D'un Altre Planeta' and on to the B-movie keys of 'Promeses De Fusta' there is certainly an alien quality to much of this EP. However, Annie Hall is also sure to ground her astral musings by introducing softer synth sounds like the twinkling chimes in the background of 'Fum' and the gently lilting lead-line of 'Verd Mar'.

For fans of Central Processing Unit, Annie Hall's Fum is the best of both worlds. Here we have a record which brings together the roughneck electro snap of CPU's club weapons with the melodic and textural deftness of its IDM-oriented releases.

RIYL: LFO, Tryphème, André Bratten, Biosphere, Autechre, Nadia Struiwigh

Our debut vinyl-only is a VA which comes from different artists and places. At first Lowris and his solid bass line and drum metric changes on "Setup 6.0" are the perfect mix to atmospheric sounds and minimal vibes. Then arrives FÆR (The project leaded by the well-known artists Argenis Brito & Felipe Valenzuela) a cut plenty of raw sounds and acid brushstroke which fits perfectly when the euphoria is coming. Ema Remedi begins the B side with vocal slices, soft pads and devastating bass line, finally Jaffa Surfa comes with a timeless cut called "Iznot", a track lots of house vibes, breakbeats and dance floor focus.

Third EP in a row for the new Conte-Petrella project, which further explores the themes and sounds found on their previous collaborations, "Sun Song/Nigeria" and "African Spirits/New World Shuffle", with it's heavily West African influenced rhythms and cosmic-leaning musicality, once again with the participation of Bridgette Amofah and her incredible voice. A work suspended between joyous straight-up pary jam and spiritual atmospheres, where it's easy to get equally as lost in the driving groove as the intergalactic sound-palette that floats on top of it.

Created at the footstep of Mount Victoria, Groeni wanted to challenge themselves compositionally and sonically with Nihx. Nihx explores the characteristics of points of conflict between opposing forces. As in the past, and as with many electronic outfits, the music had been written 'in the box', so to speak. To counter this technique the three members of Groeni (Al, Mike, and James) each wrote numerous compositional sketches that were more or less complete as frameworks before entering them into the digital realm. With similar inspiration the band wanted to create unique and personalised sounds away from the computer to sample and use with most of the sonic treatment happening also away from the computer. The vast majority of the drum sounds are made from samples of Mike's ever expanding synth collection, numerous sounds are manipulated feedback from guitars or vocals among other things. The entire record was written and recorded across three home studios in Wellington, NZ and has been almost 2 years in the making.

'Nihx' comes out worldwide on limited black, white marbled vinyl (including download code) & digital.

Kohib is an important member of the Tromsø electronic music scene, equally as a club organizer, DJ, and producer. His debut was on the Prima Norsk 3 compilation in 2005, followed by an album, a remix-album, and a string of highly regarded EPs and singles. Kohib has had success both with his electronica-style releases (the track "Hear This" from his debut album was licensed to the Buddha Bar XIV compilation) as well as his dance floor releases for Beatservice, Sprechen, Cibicaldi, and SpinSpin NYC.

In Mountains is a desire to seek horizon. The album was written and recorded in November, December and January. A time when the sun is absent in Tromsø. However, the origin of lots of the rhythms in the music, are harvested during summer, from the same area. Sound samples are taken from Kohib's surroundings, from creaking in worn-out doors, to ambient silence along the coast. An electronic album, yes. But all the rhythms and instrumentation are analog. The goal has been to give leeway to all elements, by limiting the amount of information. So, if it follows a dogma with this album, it has been to limit the number of tracks to each song to the bare minimum. A sound weighs the most when alone.

The album will be promoted in UK / worldwide by Shine PR (UK) + social media marketing by Beatservice Records.

Cr2 Records are proud to present The Other Boys' by NERVO featuring Kylie Minogue, Jake Shears and Nile Rodgers.

The four super-heavyweights of the music world combine - highly talented electronic production duo NERVO form a sure-fire vocal dream-team with world renowned number 1 artist Kylie Minogue. Appearing alongside Scissor Sisters lead singer Jake Shears, and legendary Chic hit maker Nile Rodgers add their respective flair throughout - united The Other Boys' is feel-good summer anthem, bright and uplifting, rich in melody and good vibes.

The Other Boys' has been produced by industry respected studio producer Jim Eliot, who has an incredible track record of writing and producing countless radio hits, not least with Kylie in the past but more recently with artists including Ellie Goulding, Foxes, Sigma and many more.

This exclusive limited edition 12' clear heavyweight vinyl, individually numbered, features the brand-new UK edit plus remixes from Mr Gonzo, Rhythm Masters, and Mandal & Forbes. This is a strictly limited run, once they're gone, they're gone!

"NOON" One of the most prominent and widely acclaimed polish producers, returns after a two-year break with the new album called "Nobody Nothing Nowhere".

The fifth solo work of NOON was released by his own label called "Nowe Nagrania". The idea of "Nobody Nothing Nowhere" is connected to the various places in Poland and Europe: from the first sketches recorded in Gdynia, through Warsaw and London, to the final recordings in Łódź. Alan Kamiński is responsible for the graphic design of the album, based on NOON's own photos.

The atmosphere of working on "Nobody Nothing Nowhere" is similar to the aura of "Gry Studyjne" LP - NOON's sophomore album. However, this time NOON puts emphasis on much greater advancement, devoting himself to work alone with one analog beat making machine called Elektron Rytm Mk2.

Mikołaj Bugajak on "Nobody Nothing Nowhere" is accompanied by excellent musicians and also his regular concert partners - drummer Marcin Awierianow, bassist Piotr Połoz (both from polish post-punk band Psychocukier) and violinist Tomasz Mreńca. It is worth mentioning that NOON's part's contained on "Nobody Nothing Nowhere" were programmed on the machine in the shape of live performances, which gave the LP additional element of dynamism and life.

"Album called "Nobody Nothing Nowhere" is an album about escape, which turns out to be impossible. All these struggles and attempts to change destiny resemble a spiral journey. The albums consists of three parts, and is summarized by the song called "Spektrum".

My fifth album is released less than two years after "Algorytm" premiere in terms of experiences that I wanted to share with the audience." (NOON)

LTD Edition!

Little Dragon - die bahnbrechende schwedische Band um die rätselhafte Sängerin Yukimi Nagano, den Multiinstrumentalisten Håkan Wirenstarnd und Fredrik Wallin an Keyboard und Bass und Erik Bodin an Schlagzeug und Perkussion - kehren mit ihrem sechsten Studioalbum „New Me, Same Us“ zurück.

Für eine Band, die stolz darauf ist, abseits gängiger Hörgewohnheiten zu stehen und die sich mit aller Entschlossenheit dafür einsetzt, die Dinge zu ihren eigenen Bedingungen zu verwirklichen, haben sie bislang nicht gerade wenig Anerkennung im Mainstream bekommen. Mit dem Grammy für ihr Album „Nabuma Rubberband“ im Jahr 2014 nominiert, gelten Little Dragon seit langem als eine der gefragtesten Gruppen für Kollaborationen. Im Laufe der Jahre ist eine beneidenswerte Liste an Künstlerinnen und Künstlern zusammengekommen, mit denen sie zusammengearbeitet haben, darunter bspw. BADBADNOTGOOD, Gorillaz, SBTRKT, Flying Lotus, Flume, Kaytranada, Big Boi, De La Soul, DJ Shadow, Tinashe, Mac Miller, Future, Raphael Saadiq oder Faith Evans. Ihre berühmt-berüchtigte Live-Performance hat eine mittlerweile zehnjährige Tourneekarriere nach sich gezogen, in dessen Verlauf sie kürzlich gemeinsam mit Flying Lotus als Co-Headliner eine Show im Hollywood Bowl in Los Angeles gespielt haben, sowie auf einigen der weltweit angesehensten Festivals wie Coachella, Glastonbury, Bestival, Lollapalooza, Melt!, Dour, Sónar und dem Festival von Tyler, The Creator, „Camp Flog Gnaw“, aufgetreten sind.

Vollkommen alleine und ohne Unterstützung von außen im langjährigen und selbstgebauten Heim-Studio in Göteborg produziert und aufgenommen, repräsentiert „New Me, Same Us“ ein weiteres Kapitel in der kontinuierlichen Entwicklung von Little Dragon. Mit ihrem einzigartigen Stil finden sie eine neue Richtung von gemächlichem, unkonventionellem R'n'B, Pop und Elektronik und klingen damit so verjüngt und energiegeladen wie eh und je. Die Platte zeugt auch von einer reflektierenden Stimmung, mit Yukimis unverwechselbarer Stimme, die von Übergängen im Leben, Sehnsüchten und Abschieden sinniert.

Die zweite 12" des britischen DJ/Produzenten Alex "Kiwi" Warren (Optimo, 17 Steps, Disco Halal, Cin Cin, Correspondant, NeedWant, Futureboogie) auf seinem neuen Imprint Crossbreed ist eine Kollaboration mit dem Electro-Produzenten Ghost Culture aka James Greenwood, der damit erstmals außerhalb seines Kult-Labels Phantasy Sound veröffentlicht. Crossbreed ist eine immer populärer werdende, sex-positive Patrtyreihe in London.

Bastard Jazz is proud to present the sophmore solo album by one of the gems of the New Zealand underground soul scene, Isaac Aesili. Woven through electronic soul, with threads of jazz, funk, R&B and house music, Isaac's 'Hidden Truths' is the stylistic unification of all his previous projects (Karl Marx, Funkommunity, Sorceress) into a dazzling and diverse body of work. Three years in the making, its depth is clear from the first listen, and is peppered with some of New Zealand's finest soul and jazz musical talent, including two stunning female feature vocalists from New Zealand; Ladi6 and Rachel Fraser.

The album opens with an ominous instrumental 'Mirror' setting a dark a tone for the album the start, shimmering with shades of Dilla swing snapping over metallic chords and a graceful trumpet solo that enters midway through. Wild feat. Ladi6' is a heavy downbeat future soul joint with stratospheric synths layered over driving beats that build alongside the elegant vocal weavings of New Zealand's first lady of soul, Ladi6, while 'Player' sees Isaac's unique vocals tell a tale of dangerous seduction within a synth funk-driven dancehall cum house music that feels like the Gap Band on a tropical vacation. 'Jungles' is a deep, native and ocean-like soundscape that begins with syncopated synths and beats that collide dramatically into a frantic, sweeping synth outro, followed up by'Realms' , an intricately crafted song that has sonic elements from techno-house that are other-worldly accompanied by live drums that flip after the breakdown into a swinging conclusion of the album's first half.

'Run Every Way' is an epic percussion-driven electronic blues that begins with a vocal chorus from Isaac that could just as easily be interpreted lyrically as a warning about climate change as it could an expression of the inner-self, while "Refugee" is also a heavily percussion orientated joint that fuses romantic classical strings with otherworldly synth stabs and Isaac's haunting vocals moving climactically into a tender coda conclusion. "Rain Gods" feat. Rachel Fraser is a heavenly pathway into Rachel's luxurious vocals with clever lyrics merging the soaring synths and looped bassline into a short yet memorable chorus'and 'Steps' is classic Isaac Aesili production including deep Rhodes chord changes, a knocking beat with layers of percussion, synths and horns providing a warm emotive accompaniment to Isaac's vocals. 'Last Minute' is a simple yet sophisticated jewel of space and time that concludes the vocal tracks of the album in a proper soulful style, and 'Maureen' rounds out the album as an expressive instrumental outrolude that features Isaac's trumpet.

Isaac Aesili is an Internationally acclaimed solo artist and the producer and creative force behind Funkommunity, Sorceress and Karlmarx. Isaac's original productions have been supported internationally by DJs such as Gilles Peterson (BBC Radio 6 Music), Benji B (BBC 1), and Lefto (Belgium, Worldwide FM). His trumpet playing features on many collaborations including 'Layer' by Julien Dyne (Wonderful Noise/BBE) and 'Midnight in Peckham' by Chaos in the CBD (Rhythm Section). A world-renowned musician on both trumpet and percussion, Isaac is a member of the Lord Echo band. His music fuses Soul, Funk, Jazz, Afro and Latin styles with R&B, Hip Hop and Electronic music. Isaac's much anticipated sophomore solo album "Hidden Truths" is out on Bastard Jazz (NYC) in 2020.

Milwaukee's artist Chuck Brimley's cover of Michael Frank's classic "St. Elmore Fire. An extremely hard to find record that even Andy Noble who runs a second hand record store in Milwaukee Wisconsin where the record is from had not heard, despite knowing Chuck who was a customer. Andy kindly put me in touch last summer and Chuck was happy for us to reissue this rare version.

Artist

Debut release on Livity Sound October 2019.

Guest mixes for Livity on NTS1, Yak on Rinse, and c-.

Release

Supported by: Ben UFO (at Fabric/Sao Paolo/Rinse), Peach (on Pete Tong R1 mix/NTS1), Avalon Emerson, Peverelist, Leon Vynehall, Bake, Gigi FM, Laksa, Oli XL, Gigsta, Debonair, Joe, Oceanic, Gramrcy, Lurka... +

Stamp design by David Rudnick

States of Fugue SF02 is the adventurous & uncompromising new record from Zoë Mc Pherson. It follows the success of her critically acclaimed 2018 album String Figures SF01, an audiovisual project that earned her invitations to perform around the world.

States of Fugue SF02 also inaugurates her new hybrid label SFX, a collaborative project with fellow multimedia artist Alessandra Leone. The label presents an opportunity for the pair to fully embody their creative vision whilst building bridges between, and for practitioners working at the intersection of different creative fields.

Zoë Mc Pherson's recent recorded work includes collaborations with Rupert Clervaux and Christina Vantzou, and a remix for Contagious, which was released on Rabih Beaini's Morphine imprint. SoF features collaborations with Elvin Brandi and dutch free improv scene singer Greetje Bijma, a cast which reveals Zoë's punkish & deviant taste and who's vocal work provides moments of both ballistic & mystic power.

Brandi features on Learn Ur Language with a rabid diatribe, somehow flowing through Zoë's staccato barricades. On album closer Bug, Greetje's alien annunciations are neatly vaporised into the year 3000.

The album relentlessly toys with typical dance music meter, creating complex organic structures that activate forgotten muscles in those exposed at sufficient volume, puppeteering the obedient dancer into new patterns of movement. Tenace is the prime example, where wormhole rhythms pull you in with the gravity of an unknown planet.

The album within it's singular feeling for electro-naturalism is rich in humanity and personality, aided throughout by the diverse terrain of Zoë's voice - a tool she uses for full spectrum expression, from whispers to screams. With the launch of SFX and a clutch of multimedia collaborations alongside, we are witnessing her evolve in all directions.

SFX is a new hybrid label from Zoë Mc Pherson and Alessandra Leone. After collaborating for three years on their multimedia String Figures project, the label will build on this foundation, continuing to develop and release objects and experiences across various mediums.

The labels first release will be Zoë Mc Pherson's sophomore LP
States of Fugue, released February 20th 2020.

Subjoi returns to Shall Not Fade sister label Lost Palms with the beautiful ‘Me & U’ EP Subjoi’s latest offering ‘Me & U’ EP takes the listener on a voyage of tranquillity, through the use of dusty synth patterns, hazy broken beat drum sequences and catchy vocal hooks

Primarily rooted in a live performance approach, the Melbourne quartet Big Yawn embrace sonic curios from far-flung corners of
the globe and display them with pride.

Affectations for vintage krautrock, esoteric percussion and experiments in steady dance grooves merge with heavy low end frequencies to 'explore and exploit' those in-between spaces.

Clearly championing a hybrid vision of inter-genre harmony, their music manages to capture the sweaty spirit of DIY basement shows as much as it works on record.

Disorientating dub FX, off-kilter synth squelches and live re-sampling. Stoned meanderings mix with grinding propulsion. Prior to great unveiling of Big Yawn, the members were involved in the majority of the projects associated with the Fallopian Tunes imprint.

Written and recorded by south London producer Glasswear, EP1 features 3 late night rave tracks made in 2014 along with a remix from IVVVO whose track 'Forever Your Mouth' has recently been getting spins from Aphex Twin this year.

Artwork by Kit Grill

Edition Of 275, With Poster Insert In Polybag & Hand-stamped Centre Labels. "sombre Hits From Young Echo's O$vmv$m" Mastered And Cut By Lewis At Stardelta. Artwork By O$vmv$m.

die ANGEL, the duo project of ILPO VÄISÄNEN (ex-PAN SONIC) & DIRK DRESSELHAUS aka SCHNEIDER TM, starts its 3rd decade of sonic explorations with the release of album #10 which bears the programmatic title "Utopien I".180g LP and DL on KARL.

die ANGEL (or just ANGEL in the early days) was born in 1999during a joint European tour of PAN SONIC and SCHNEIDER TM with the aim to use electronics, string instruments and effect loops to develop a sonic world that goes beyond fixed structures and clearly defined genres. Coming from different musical backgrounds proved quite an advantage for the duo as it meant that ILPO VÄISÄNEN (ex-PAN SONIC) & DIRK DRESSELHAUS (SCHNEIDER TM) had to find their particular modus operandi: communication through noise and action, instant composition, spirit.

Over the course of over 2 decades now, die ANGEL crafted a catalogue of 9 albums released on labels like EDITIONS MEGO or EDITION TELEMARK that were recordings of either the core duo or featured like-minded artists like cellist HILDUR GUDNASDOTTIR, OREN AMBARCHI, LUCIO CAPECE or BJ NILSEN. die ANGELdelve deep into the microcosms of tones, shaping nuanced layers of abstract sound that integrate elements of Musique Concrète, Minimal Music, Industrial, Noise, Blues and Psychedelia, and yet bear the unmistakable die ANGEL signature.

"Utopien I" is not only the duo's latest effort (feat. OREN AMBARCHI) but also a clear political call: in a world of a general decline, we need new ideas and approaches to design the future.

All tracks performed & recorded December 2015 - January 2016

by Ilpo Väisänen & Dirk Dresselhaus at ZONE, Berlin

Overdubs on 'Cargo Cult'by Oren Ambarchi (Milano, Italy) April – May 2016

Edited & mixed by Dirk Dresselhaus May 2016 at ZONE, Berlin

Mastered by Helmut Erler at D&M, Berlin, December 2019

Ilpo Väisänen : electronics & effects

Dirk Dresselhaus : electric guitar & effects

Oren Ambarchi : electric guitar & effects

Legendary album of Jacaszek from 2009, first time on vinyl, 180g, gatefold, with downloadcode

PENTRAL (lat: inside, spirit, temple).

Michal Jacaszek's new project is an attempt to describe a gothic church interior by means of sounds. A temple owes its special atmosphere not only to visual elements but also to characteristic acoustics – reverb, enhancing and prolonging a slightest whisper into infinity. Jacaszek spent several days in three Gdansk historic churches (Oliwa Cathedral, St. Nicolas' church, St. Mary's Basilica) recording chanting, organs, and also a broad spectrum of accidental noises. Source sounds were were used only as a stimulus which releases the sound of the whole inside, and as such, they were consequently retouched in the post production process. Studio work and also the atmosphere of melody and arrangements were subordinate to the idea of portraying the church as a place filled with distant mysteries, a huge music instrument.

This is a second selection of independent disco records featuring rare and classic tracks originally released in the USA between the halcyon years of 1977 and 1985.

This release features only the finest disco, modern soul and boogie and is compiled by Disco Patrick who last year put together the mighty 'Disco: An
Encyclopedic Guide To The Cover Art Of Disco Records' 400+ page deluxe book for Soul Jazz Records, as well as the first installment of 'Disco: A Fine Selection Of Independent Disco, Modern Soul And Boogie.'