House News

Making their first appearance on the label, Venezuelan deep house masters Sergio Munoz and Israel Sunshine aka Fur Coat are the next to release on the mighty Hot Creations. Title track 'There's No Time' sees the darker side of the talented duo for an epic experience on the dance floor with deep growling basslines complemented with powerful electronic keys and dramatic builds. On the B-side Hot Creations favourite wAFF delivers a stellar and storming 'Warehouse Remix' picking up the pace with added vocals and percussion, packed with all the sonic energy we have come to expect from the young producer. Last up the Fur Coat duo deliver another golden original. 'Together' takes it deeper once again with a rumbling bassline and hypnotic synths and keys flowing through the layers to stimulate the senses.

Fur Coat previously remixed Russ Yallop's 'The Crossroads' followed by their debut EP 'Space Ballad', featuring an unforgettable edit by TEED. However it would be their release 'You and I' featuring vocals from Cari Golden that would put the name Fur Coat on the map. At the end of 2012 they released their huge debut album 'Mind Over Matter' on Crosstown Rebels, with further ventures on labels such as Bpitch, Rebellion, Southern Fried Records, Noir, Get Physical and My Favorite Robot.

wAFF has rapidly gone strength to strength in the past few years after being taken under the wing of Jamie Jones, Lee Foss and Richy Ahmed. First coming to everyone's attention with the huge 'Jo Johnson' EP, wAFF has gone on to acquire a heavy touring schedule and his more recent 'Puke It Up' EP released on the label only cemented his career in the industry further. Alongside his home label wAFF has also been releasing and remixing for labels such as Cocoon Recordings, Resonance Recordings and Rinse.

Yoruba Records is honored to bring to you the incomparable Lady Alma. Coming from the roots of that Philly soul sound, quickly became synonymous with House Music. Her powerful voice and empowering lyrics lifts generations to fully understand self worth and self-love. Osunlade is a force within the foundation of house music. Born at the intersection of funk, jazz, blues and rock n roll, he injected new sounds into house with his pristine production and respect for the harmonizing roots of all music. These two dynamic souls join forces in an explosive song, 'It's House Music'

'It's House Music' takes us back to a time when one would stand in the alley of the warehouse district in sub zero weather to hear the latest grooves of the night. Dancing till dawn emerging only for breakfast and a bed. 'Its House Music' will have you dancing all night long with it's infectious hook and anthem to house music itself

Osunlade gives us 'its House Music' the 'Feel it Mix' transporting the listener straight to the gospel roots of soul music. This iconic St. Louis sound incorporates layers of funky bass lines, Sunday morning hand claps and the good ole' church organ. Proving that indeed house is spiritual thing on the dance floor. Lady Alma's soul stirring powerhouse vocal perfectly marries the mood and movement of this multidimensional sonic offering. This mix will have the world passing the plate from the dance floors of Chicago, Detroit. New York and Philly to shores of Cape Town and Nigeria. 'It's House Music' is simply a song that moves the body and connects souls to the diasporic journey of music.

First of three samplers celebrating Mood II Swing's seminal original tracks and dubs from NYC's finest King Street Sounds.

Mr G returns to his Phoenix G imprint to drop his new LP, 'Personal Momentz', on November 10th 2014.

2012's 'State of Flux' on Radio Slave's Rekids imprint was the last full-length from Mr G, along with his '
'Retrospective' compilation in 2013 the prolific British producer has spent the last four years delivering stand out singles on the likes of Running Back, Toi Toi and Don't Be Afraid as well as a renewed focus on his own, long running Phoenix G label.

The album itself is a sublime deliverance of the sound that has become so closely associated with the UK selector and artist - twelve raw & robust cuts that keep you locked from start to finish. As the title suggests the new project stems from particular inspiration and is best illuminated by the man himself.

'Well, ain't this a surprise Took me a year to do the last album and this one wrote itself over 10 days - my first times back in the studio ( aka The Heightz) since losing my Dad! As ever with me the music never lies and, through it, you'll see the twists and turns I take - outpouring inner vibez and hoping to get to a new destination .........., what/wherever that may be. These are Personal Moments rough rugged and Raw..... pushing some good air. Ohh, and I can hear the mixer needs a service so yep LoFi. Now I'm feeling as though I can see light showing it rays readying me to do battle again with that thing called life....... Hope you enjoy My collection of Personal Momentz.... Dedicated to those who have lost or in-pain and suffering!"

First release on my brand new label 'Rett I Fletta". Vinyl coming out shortly. All exclusive stuff, none tracks found on my new album 'III". Prins Thomas From previous conversations i know that Thomas mentioned this to be his 'tekno' label. Which is ,listening to the first releases, not too far off the beaten track if, you allow the bonmont. Oslocope Version of pretty cool and sturdy basslined Boogie (rarther than Bluesy)Techno with a fantastic neanderthalistic ebb,flow and break scenerey, chunky, wonkly, wombaty and oh so tasty would also describe it perfectly well. our third mutual label after full pupp & internasjional. but that was then and that then is now to be said: i am Rett I Fletta !

Take us on a journey w/deep spacey & etherial grooves f/tracks from some recognizable artists Orion 70 (aka Aybee), Ryo Murakami, & Fred himself, + fresh names, on his Boards sub-label.

Heidi gets set to release a pumping house EP of the highest order from one to watch Rob Amboule featuring industry legend Derrick Carter and Clone heavyweights Serge & Tyrell. 'Cracks' kick starts the EP with high energy, ounces of groove and an intoxicating bassline with Derrick Carter on vocals adding that perfect element. Next up 'Tension' continuously creeps and rises with soaring synths and a gritty electronic bline guaranteed to lock you in the groove. Serge & Tyrell bring their bumping house power to deliver a stomping remix of 'Cracks' like only they can and last up is original track 'Bank Holidayz', a whomping dance floor bomb to round off a very solid release. Londoner Rob Amboule is a classically trained pianist who certainly knows his way around a studio. After generating a great deal of underground hype through a critically acclaimed white label 'Kerri001, he released his debut EP on legendary Leeds label 2020 Vision last year. This next release continues his consistent run of form and with appeara ces on the likes of Boiler Room and Rinse FM already, we will be hearing a lot more of his name over the next 12 months. House legend Derrick Carter also featured vocal drops on Heidi's first Jackathon mix compilation. A big fan, Heidi crowns him as having the sexiest voice in the business. Serge is the owner and founder of one of the most respected labels around, Clone Recordings. Since the early 90s he has been one of the most influential DJs on the Dutch underground being well known for playing quality music and not conforming to trends. Alden Tyrell is pro in the studio and spends a lot of his time mastering music for Clone and it's sub labels. His music has also seen him take his live show on the road performing all over the Europe and the US.

!!!! CASSETTE / TAPE !!!!
(LIMITED EDITION OF 50)

finally repressed!

Following on from their 'Seraphim / Firebird' single which picked up heavy hitting support from the likes of Seth Troxler, Skream and Steve Bug the multi-talented duo deliver a sublime offering in 'Worship', along with a deeper remix from Lance De Sardi. The impressive and unique artwork accompanying the release is based on a woodcut by What's great grandfather Conrad Felixmuller.
'Worship' pulsates into life through dusty percussion and shimmering atmospherics; Qzen's spoken word vox gracefully dominates proceedings for the most part (the words of which are taken from a poem by British poet Patience Agbabi) while mechanic modulations and a cosmic sh101 hook combine to dish up a warm off-kilter techno cut with an subtle yet infectious groove.
Lance DeSardi has built up quite the back catalogue over the last decade on labels such as Black Catalogue & Planet E along with his own imprint Legwork, as a close friend of Dan and James he steps up to remix 'Worship'. His re-imagining picks up the pace somewhat by resonating a snippet of Qzen's vocal uttering "straight to my heart" over shifting percussion, soft pads and whirring atmospherics which lend themselves perfectly to her silky voice in this excellent final offering.

Chaise Longue aka "Slikk Tim" delivers a fantastic deep cut with early deep house sound reminiscence of early Guidance Recordings, beautiful keys, deep baseline and a live guitar. Bittersuite - straight up late night house music, deep and emotional pads with amazing keys, perfect track to complete the side Side B delivers a exceptional track by a secret artist - not much needs to be said, just check the track & your understand what its all about. J's Gruv's is new guy from the French department, his track is deep groovy late night grover, accompanied by soulful keys and old school baseline, quality track - "deep for the heads"

only one per customer!!L.A.'s Gene Liquor take off with their own label... Laurent's first up and brings a massive slurp of finest to the table..

Mauser hails from Chicago, Illinois, but his production covers far more ground than Chicago's #1 import, house music. 'The Block' sees Mauser diving into his many influences, including house, techno, hip- hop, drum & bass, soul, and funk. Combining tight, funky drum programming with a digger's ear for samples, this diverse EP has a little something for everyone!

UK House produced by Paul Rose

Italian producer & Hot Mix label boss Nick Anthony Simoncino is back with "Some People", a collaboration with Chicago's legendary House vocalist Robert Owens. Simoncino's 3 original mixes sound just like tracks lifted off lost EP's straight from the mid 80's with deep, melancholy synths, driving analogue drum machine sounds and Owen's yearning vocal performance coming together beautifully while showing off Simoncino's versatility as a producer. "Some People" is perfect late night House music with a classic sensibility, for the deepest hours of the night or the morning.

On remix duties we have the UK's very own Chamboche who delivers a deep, rolling version of "Some People" keeping things nice and stripped back and adding a dubby quality to his mix while Finnish new school House head Trevor Deep Jr's "Warehouse Mix" keeps Owen's vocals right up-front with some killer drum programming and percussion rounding out the EP while keeping the old school vibe firmly anchored to the dance-floor...

Mastered at Dubplates & Mastering.

Romanthony "Let Me Show You Love" (2013 Remixes)

Following on from the much hyped (plays on Tong/Mosca/Todda T shows) and big selling re-works of "Bring U Up", Glasgow Underground dust off "Let Me Show You Love", arguably Romanthony's biggest club hit (outside of "One More Time", and hand it over to Gerd, Oliver $, Gavin Herlihy & Laura Jones, Mia Dora and label owner Kevin McKay for some 2013 touches. This 12' features Gerd, Kevin McKay and Oliver $.

Gerd is dutch producer Gert-Jan Bijl. Under one alias or another he's been making records for labels as varied as Universal Language and Rejected since 1994. Most recently his "Palm Leaves" 12" on Royal Oak (as Gerd) showed that he's up there with Andres & KDJ when it comes to soulful Detroit style house music. Recording as Geeeman his huge warehouse anthem "Bang't" - the kind of no-nonsense jacking groove that you'd expect from Dance Mania - was one of Phonica's records of 2012 and as NY Stomp he delivered "The NY House Trak" a slice of rolling house business that harks back to Black Traxx and Mijangos and forward to Bicep, Huxley and Ejeca.

On the subject of his "Let Me Show You Love" mix, Gerd said, "Best mixes of this ultimate classic are the Crooklyn Mix and Quick Dub. But both mixes do not contain the full vocal. When I was asked to do this remix, I decided to go for the same vibe but make use of the whole vocal (verses, chorus, etc). I thought there was no use trying to do something completely different. it's hard to beat this classic. Now there finally will be a Crooklyn Mix and/or Quick Dub with the amazing verses! I only received the vocal parts, no other parts, so it took me a while to rebuild the track with same sort of ingredients and especially to get the sounds very similar to the original"

Glasgow Underground owner Kevin McKay has been making records since the 90s. From remixing Andy Weatherall to producing Mylo, his discography runs to over 250 productions. Here he delivers a house groove with Romanthony's trademark M1 organs and classic piano hooks.

Since 2011 and his ubiquitous, monstrous Beatport #1, "Doin' Ya Thing", Berlin's Oliver $ has been a huge name. There is an art to making records that are so effective yet at the same time so simple, and when it comes to putting them together, Oliver $ is one of world's best. For this remix, he doesn't mess with the formula and fixes Roman's paean to lost love to one serious tribal groove. Add a system shaking baseline and some special fx and there you have it. Simple. Effective. Massive.

Boutique beat outlet Black Key Records return with an eighth release, welcoming the SMPL pairing of German deep house don Iron Curtis, and Leaves into the fold for the Hello Ada! EP which comes brandishing a remix from AUS and Secretsundaze talent Youandewan. "Hello Ada!" is a nicely driven jam with louche hi hats racing atop nimble beats and bass which duck and dive as they bobble along deep below the surface. Fleshing out the nicely roughed up framework are synth hooks, more smeared pads and the occasion vocal yelp as well as some cute trumpet motifs that are oh so subtly stitched into the overall arrangement. It's archetypal deep house with a kick and is sure to be one the label's biggest to date. The remix from insular soundsmith, Youandewan, is just as good but for different reasons. His version has more emphasis on the big rubbery kick drum blobs, uses the vocal more frequently, and abstractly, but glows in the same way thanks to the aqueous, shiny and reflective synths that rise up and up through the mix. It's as elastic as it is fantastic and contains possibly his finest breakdown to date.

A-side with pounding worked up and almost gnarly techno by SVN, feat. vocals by Paleo. Flip-to-B and dive into a ultra deep chorded stabber by AU for those hours hanging in the air, also this side features Paleo on vocals - giving it a spiritual transit - from the energy in the room when produced. Heavy Deep Sleeper!

Bournemouth based Abstract Culture continue to add facets to their blooming imprint as it gradually gathers steam behind releases from Zoo Look and Ampers&. With support across these two releases from Maya Jane Coles, Huxley, Eats Everything, Jimpster, Dusky and Detroit Swindle, the next release comes courtesy of Brazil based Sara Garcia a.k.a Whim-ee.

Following up releases on labels such as Night Drive Music, Chilli Mint Music, Nite Grooves and TaoDan Records, Whim-ee carries influences primarily from Chicago and Detroit into her forward-reaching productions that are consistently suffused with a tough and gritty sense of soul.

'Streets Of Recife' is a course combination of concrete kicks, husky synths and mangled vocal snippets that are backed up with a remix from the lauded Frenchman - Anaxander.

The title track kicks things off with darting strobes and a swirling synth pattern sat above a rattling underbelly before Anaxander, who follows up releases on Dame-Music, Quintessentials and Local Talk offers up a warming take on the original rich with glowing piano lines and softly saturated bass tones.

'Sub' then drives it's whetted and cold percussion over a softly rotating drone before 'Before Considering' rolls out an elephantine groove behind forceful, plodding synths and a thickened kick and clap combo that bring another Abstract Culture coup to a close

This is DJ Jus-Ed and DJ Jenifa Mayanja's first co-produced
album...with special Vocal visit by there 2 lovely and talented children on track 8 Rainbow Nia 4 years old and Destin 8 year old. Jen and Ed hope that the music here in will some how effect you in a positive way.
Special thanks to Henry Maldenaldo for the mastering work!

Spain's Edu Imbernon continues his unwavering rise with yet another assured release, 'Fading Dawn' - his second for Culprit. Despite his young age (Edu is not yet 25), the Valencia-based artist is an accomplished producer already, with recent remixes for The XX and Hot Natured under his belt and the likes of John Digweed and Maya Jane Coles as his champions

- On 'Fading Dawn' Edu keeps his usual focus on the dancefloor intact, while also showing a deft melodic touch and a taste for epic sweep typical for his Culprit output.

- With 'Fade it All Out' Edu matches Culprit's recent fondness for original vocals with his strong take. Instantly memorable and anthemic, the A side is bound to be a standout in many a set this summer.

- The B side, 'At Dawn,' is the dynamic synth-driven counterpart that balances the bite with a bit of feeling.

- After last year's 'Fayer' release that truly hit the mark with Culprit followers and this confident follow-up, Edu Imbernon's place in the LA label's pantheon is secured.

Classic NYC House from the Eight Ball label. Nicely re-issued by Slow To Speak

Following the inaugural 'Crossing Wires' compilation by Toronto trio My Favorite Robot, next to mix it up for the exciting series is global electronic music icon Timo Maas. Coupled with an imminent North American tour throughout cities including Miami, Austin, Denver, Washington DC, Montreal and New York, Maas will celebrate his forthcoming 'Crossing Wires 002' release.

Still riding high off the success of his latest and greatest full length release, 'Lifer,' back in 2013 (which blended trip hop with ambient, sleazy house with wonky techno, and included collaborations with the likes of Placebo's Brian Molko and Brighton chanteuse Katie Cruel as well as James Lavelle, founder of seminal '90s label Mo Wax) Timo has long been a pioneer in his field. Of course, he also runs his own influential label, Rockets & Ponies. The German producer has also appeared on My Favorite Robot Records before with standout track "Dancing For My Pleasure" from the first 'Crossing Wires 001.'

Timo is also a revered DJ and in 2013 celebrated 10 years as resident at one of underground house and techno's most mythologized clubs: Circo Loco at DC10 out in Ibiza. As such, this new 'Crossing Wires 002' compilation draws on his skills as both selector and sequencer and proves few can do it better than this long-standing talent. The mix features 14 brand new and exclusive tracks from a range of artists old and new - some are closely associated with MFR, some less so, but together they paint a perfect picture of the state of modern electronic music

At once foreign and familiar, Desert Sound Colony brilliantly scores a nostalgic journey through the proverbial looking glass. The plaintiff vibe of "The Way I Began" envelopes the listener in warm guitar licks and hushed vocals, transporting them to a time when innocence and insecurity gave way to transcendence. The road takes a turn with "Fire Egg", a classic stomper that drives introspection with looping guitar melody and bouncy bass. And before we return to size, "Iris" carries us further inward with scattered claps and a skipping kick, before releasing us into a deep and chugging, eyes-wide-shut, euphoric roller.

An esteemed selector, producer and Panorama Bar resident DJ, Steffi presents the fifth mix CD in the series. Reflecting all the angles of her classically inspired, raw and profound sound, we are treated to a rather grand lesson in House music.
To accompany the CD release this 12'' features 3 new and exclusive tracks selected for the mix, from New York's Fred P (a.k.a Black Jazz Consortium), Amsterdam's Juju & Jordash, and Detroits' Big Strick. Each track contributes its own special element to the equation, helping define the sound of Steffi's Panorama Bar DJ sets.
The technoid-Chicago sound of Fred P's 'Project 05' stands out beautifully, creating a melancholic and undulating mood with its pulsing bassline, smooth flowing pads and surprising non-linear arrangement. Here we find the producer, often aligned with Jus' Ed's Underground Quality crew, bridging the gap between classic US house and more modern, edgy club tracks.
A charismatic hardware-loving duo, Juju & Jordash have really come into their own in the last few years, with 2012's 'Techno Primitivism' LP solidifying their warm live-jam aesthetic. 'A Stab In The Dark' is a bubbling, acidic, freeform jam melting House and Disco into a shimmering, positively charged burner.
Steffi's love of the US's electronic legacy is clear, and so it's Detroit native and FXHE artist Big Strick who she picked as another exclusive for the mix. 'Hayday' is a classic string-led cut in the true Motor City tradition. Cool, calm and wonderfully succinct in its use of textural percussion and shuffling, intelligent rhythms, Big Strick guides us down a smokey path into his gorgeously reduced world.

Bernard Badie who is the creator the undisputed chicago house classic Time Reveals to many also know as I Can Feel It (original released 1994 on Night Club Records and re-released as Mojuba 010) returns to Mojuba after his most recent cooperation with the incomparable Dajae on Bones! We think this special catalog number Mojuba 020 deserves something very special, so the decision was easy after checking Bernards vault again and discovering another pure class chicago house gem! His Bernards Got The Funk 12 inch released way back in 1988 on his own imprint DJB Records as Jackin' Bernard Badie features the tracks Come To Me and My First Love and is a visionary example for Bernards interpretation of chicago house music and a very valuable contribution to whole genre! Enjoy and let you blow away!

Don't bother Googling Patricia. Not only will your results turn up fruitless, but you'll also be missing the point of the Chicago-born producer's own brand of hardware techno. The now Brooklyn-based artist makes tracks that sound as if they can only exist in a physical place—whether they're spinning around on a dusty 12" or thumping against your chest in a crowded basement club, Patricia's rough-edged tunes are tailor made for tangible, real-life experiences. This much was made evident in the smoky dancefloor transmissions of 2013's Body Issues release for lauded DIY label Opal Tapes (not to mention his various side projects with the likes of Jahiliyya Fields, Arp, and others), and Patricia takes that rugged reimagining of vintage Midwestern techno to new territories on his first EP for Spectral Sound, Side Piece.With three original productions and one hell of a jacking remix from Ghostly stalwart Tadd Mullinix's JTC moniker, Side Piece is a monstrous 12" built from cinderblock kick drums, soot-covered modular synths, hissy tape recordings, and equal parts early Aphex Twin and Underground Resistance. Opener "Drip Dawn" drops its submerged drum-machine groove like a burlap sack full of sewer sludge and rubbery eyeballs. Keeping things fresh, Patricia follows the workmanlike production with "Hulderhusan", a cut of deep, percussive techno that runs its 808 rhythms way into the red, while synth pads that could have been sourced from Selected Ambient Works drift around in the periphery. "Foie Gras" closes out Patricia's run of original tracks by marrying the best parts of the record's first two songs with dank acid sequences and skittery rhythms that sound as classic as they do vital to the contemporary landscape. It's obvious after just one spin of Side Piece that Patricia is a producer whose identity is merely an afterthought to the uncompromising music the artist makes.

Lazare Hoche Records push forward into 2014 with a brand new three-track EP from the collective known as Mandar. The three-man crew is made up of Lazare Hoche himself, along with his good friends Danish producer Samuel Andre Madsen and Dutchman Malin Genie. Those familiar with Lazare Hoche Records will recall that Mandar have already appeared on the label on I Don't Sync So Vol.II with 'Fouad' and 'St Eustache'. The 'Width' EP is the product of their continued working relationship; late-night studio sessions fueled by junk food, analogue gear and their combined passion for music that comes from the heart and soul. Across three tracks we witness the trio bear their souls on a collection of raw, uncomprimising music that refuses to subscribe to the latest trends. There is no bandwagon jumping here, just pure unadulterated club music. Take A-side 'Naughty Mandar' for instance, with its stripped down, barely there percussion and unrelenting bassline which trembles below softly swirling pads. In the background lurks the hushed whispers of a male vocal revealing his love for house music, it's dark and melancholy yet instilled with a feeling of hope. Title track 'Width' wastes no time in providing some bounce, kicking off with an energy which is maintained from start to finish. Sharp snares cut through celestial pads and jovial analogue stabs provide a bright juxtaposition to the morose bassline. Finally, '808 Ruffneck Business' lives up to its name aiming straight for the jugular with its minimalist composition - it's all about the beats.

Pressed for Time are back and this time it's personal. That's right - four original, mouthwatering slices of deep and dancefloor beats with a side order of hi hats and snares. Ant Plate aka YSE kicks things off with the slick beats of 'Tomorrow's Yesterday' which is a throwback to the glory days of Chitown - think tough, relentless drums, chunky 909 snare fills, deep rhodes chords, hypnotic melodic riffs and a memorable spoken word vocal sample.

Ben Boe aka Madd Maxx Traxx debuts with the serious tech-house grooves of 'Lake Shore Drive' complete with crunchy drums, filtered pads and a low bassline. Label heads Rhythm Plate chip in with 'I, The Music' which is a proper old school deep house gem with 97% swing. Warm up anthem in the making.

YSE finishes the EP with 'Sidehacker' which mixes old and new school house FX to effective effect. Bleepy juno bass sounds, deep chords, weird harmonics and a rolling vibe.

cb sessions is the new label of christian burkhardt.
All music is recorded at his studio while jamming around with friends. the idea is to catch the certain feeling of a moment and print it like it is. no musical limits, the range is from house to techno, dub, trance or chill out.

Nail provides the lead track for FOF's latest vinyl only excursion - originally produced in the same time period as the classic tracks on the 'Ode Rammel' reissue ep earlier in the year, 'Glazed' lay dormant on one of Nail's DAT for many years before being rediscovered and given it's first airing now on FOF. Chunky roughed up house beats are the order of the day here, a real peak time groove. New talent 'Harry McCanna', resident at London's infamous 'Undersound' nights, debuts with 'Act 1', a beautifully subtle bassline driven groove that rises above the pack with it's super warm pad lending the track a warm and fuzzy hypnotic edge. Romanian talent 'Zece' kicks off the flipside with the most contemporary offering; a breakbeat laden groove with a fx laden vocal snatch underpinned by that all important b-line. 'Sonodab' rounds things off with a beautifully deep and melodic slice of electro on 'Brown Study', the percussive elements giving rise to a hazy melodic pattern for those early hour excursions.

Sneaky Music is the new imprint from Andy Bird, the man behind the infamous Love Fever parties, and producer Ranacat. To kick off the new label they've chosen Silk 86 to roll out the honours with an EP that showcases Silk 86's evolution from the well received Clear Waters debut on Manucci's Mistress. The Pleasure Venture represents a compelling package of crisp production meets gritty warmth with a splash of that 80's sleaze. The Pleasure Venture EP leads with "Felicity", a production oozing with warmth from the offset. Hypnotic vocal cuts pepper throbbing pads and bass stabs giving way to a meandering melody that weaves in and out. On the flip, "The Exchange" fuses classic percussion of the Windy City and a zig-zagging pad sample hinting at low slung 7am sleaze. "Nightdrive" is when the freaks come out, as Silk 86 hits eerie vocal snips to a twilight swansong that will disorientate and delight.

Sisterhood release their second EP for Tief Music following their hugely successful 'Call Me Ishmael' 12" in 2013. Tunnels features three original tracks showcasing the London based duo's versatility and maturity as producers with Bicep reconstructing the title track, morphing it into a punchy, bassline focused roller with piercing atmospheric pads!

DJ JUS-ED is a man of action and trys to be professional and kind to everyone. He loves music. He loves people. He is open minded. Having said that there are some things even Jus-Ed has to draw the line. This record is a witty way of Jus-Ed standing his ground...and delivering a 4 on the floor knock out!

Negghead and Lex Wolf form Acid Mondays and together the two have released music with 20:20 Vision, Circus, Deep Vibes and Illusion Recordings. Illusion give Acid Mondays the full treatment after the duo's Salvia Sessions 12" from last year sold out almost instantly. Smith, who appeared on the original 12", provides an additional 'unreleased' remix while Deepblak label head Aybee's 'reshuffle's' the original, burying it deep in chords and reflective vocal delays. Not to miss out on the production action Acid Mondays provide their own East End dub to Watching Eastwood and invite Z Records producer Dan Goldman to play keys over the top as JD73.