House Новости

This artist from the New York imprint MISTER SATURDAY NIGHT has been making huge waves after his debut EP and his remix for FOUR TET. On his second 12" he brings two mixes of this tune with the A-side holding down a sweet deep house mix while the flip bangs out a relentless techno mix. This is hot!

Use of Weapons 5 lands noisily in your back yard with five house marauders hotter than Salma Hayek eating a hot apple pie. Five different artists bring the bacon: label heads Deep Space Orchestra remixing themselves, ex-Cosmic Boogie overlord Asok, Perseus Traxx, Other Worlds and Wet Play executive board member Ruf Dug. Don't forget to bring a towel.

Produced by Yass, Rony Breaker & Alexandre Destrez for Foliage Records.

Written, composed and arranged by Matlhatsi Nickson Phala, Tivadar Horvath, Yass & Alexandre Destrez. Lyrics performed by
Matlhatsi Nickson Phala. All keyboards by Alexandre Destrez.
Additional bass guitar by Guy N'Sangue. All drums and percussion programmed by Yass.
AA1 & AA2 Produced by Yass and Alexandre Destrez.
All tracks mixed by Kiki at Sam-K Studios, Paris, France.
All tracks mastered at Optimum Mastering, London, United Kingdom.

It's only so long before Liam Geddes becomes a name you'll start hearing on the worldwide underground stage. Having already churned out a number of uncompromisingly deep house tracks over the past couple of years, he comes armed with another exceptional EP on MIL - the third release on the new Music Is Love sister label - that further demonstrates his genuine dynamism as a producer. The With Closed Eyes EP should win this very talented producer the recognition his fresh beat work deserves Into the Wild gets proceedings underway; a ripping bassline paves out over rattling percussion shakes while oscillating dream like jingles play out during the course of the track. Chopped vocal samples are introduced and tease against the shuffling drums which elevates the track with real drive and groove. Close Ya Eyes for the Journey packs the same layer of heat with its similarly groove-heavy bassline - a staple of Geddes' well-crafted sound. Firmly footed, intermittent chimes seep into the track and are complemented by siren-like chords which grow truer in presence, until a hypnotic vocal snippet fulfils the deep terrains of the track. A Saint is a tumultuous techno-fused roller with it's rip-roaring bassline and percussive loops which rhythmically swing out over shuddering pads, sustained chords and a cut up female vocal, brining a twist of colour to the arrangements of the track. There's a keen sense of tension and release, elevating this above your average and confirms Geddes does depth and darkness with real conviction. Broke will surely prove a high point for any decent DJ set, and sounds like a cut you'd expect from someone like Delano Smith. Strings faintly play out over looped key chimes and a funk-like riff, while ticking hi-hats and a careful use of vocal sample gives the track extra heat, each element powered by the rumbling bassline.

One to watch Ibellini makes an imprint with his brilliant debut 'Wide Soul EP' on Crosstown Rebels off-shoot RebelLion. Title track 'Wide Soul' is intensely mystifying with a deep bass, warbling synths and warmth flowing through the atmospherics. Following suit 'I Dream Of Funk' unfolds on a more uplifting tip with powerful melodies, solid groove and layered synths. On the B-side Desolat favourite Guti remixes 'Wide Soul' taking it deeper and more rolling for the early hours of the morning. Rounding off the EP 'Milk & Honey' is exactly the type of track you'd love to hear at BPM festival or Burning Man, luscious and hypnotic with plenty of grit and groove.

Bassam Ibellini started mixing records from a very young age, playing parties by the time he reached the age of 14. Living in London in 2006 he managed to secure a residency at Cuckoo Club which still stands to this day. Ibellini's musical direction at Cuckoo helped influence booking some of the biggest names in electronic music.. Damian Lazarus, Jamie Jones, as well as playing back to back sets with Seth Troxler and Guy Gerber.

Ibellini set out to put his stamp on the scene, creating the 'Peculiar' parties, which are held at warehouses across the east and west of London, cultivating a loyal following and booking the biggest names in the business. This year Ibellini has played at the likes of BPM festival in Mexico and at WMC where he played a memorable set at Get Lost.

Argentinian Guti is extremely accomplished as a producer and live artist. His releases can be found on the likes of Crosstown Rebels, Desolat and Supplement Facts.

4 unreleased cuts by Nail, echoing perhaps the more jacked-up moments of his ""Big D's Lounge"" lp that was released on DiY that same year. Speaking from his tent pitched outside the Oswestry service station goods entrance, he recalled; ""I have no memory of making these tracks"". 300 on clear vinyl, no repress

'The things you own end up owning you.' Chicago's Ike Release strikes out on his own for a 5-track EP for Machining Dreams. Hakim Murphy remixes. Limited hand-stamped white label. Vinyl only, no digital.

Two hot-ass jacked-out cheeky edits for summer, courtesy of Foot & Mouth. The A Side is a great-take on a early house classic that get caught in the strobe light. On the flip pearls getting ripped up as every get's wet!

Plak is really proud to announce monster heart driver debut 12". Like Agoria, the
driver is from Lyon and has really good taste for raw techno and detroit excursions.
The A-side "Raw As Fuck" is straight from the mid 90's with a small detour via the
year 3000. An analog session recorded on the fly, loud kick, phat toms, oversized
nasty hats and a rave gimmick for your head, forget the forward thinking depressive
thing, this shit is a perfect big room techno tool, you gonna smile, dance and sweat !
On the flip side "The Path" is your late rainy sunday companion, it will show you the
road off detroit,UR and Shakir are at the corner, to Bristol dubby thingÖunreal
excursion that worth the trip. Welcome home m0nster heart driver !

After remixing Chupacabra's "the bigger man" for us already in 2006 the Oslo label mastermind and our dear friend Federico Molinari is now releasing his first solo single for our label. Federico has been constantly upgrading his studio over the last two years and by this of course also has gained even better production skills. Combining modular Sounds and lots of effects with his own very well structured and characteristic rhythms can be described described as his new way working. We think that he is doing great and truly hope that you like his stuff as much as we do.

supported by: Ryan Elliott, Ben Klock,
DVS1, Dustin Zahn, Andrew Grant,..
EDEC presents its 10th release - The Heat - with three dance floor burning cuts from Jon Hester. Lights Down:
Tough tom-driven rhythms and a resounding vocal hook
set off a soaring synth crescendo. Heater: Big rig classic
techno vibe with a huge synth line, ricochet drums, and
a break that brings the heat. Tension Wire: Enveloping
kicks, booming percussion, and sparking claps are met
with a surge of energy for electric rooms.

Love Fever, the infamous and erogenous East London discotheque and record label returns with some late night works in the form of Ron Jason and Kim Ann Foxman's 'The Dream Project EP'. After Ron Jason's Paradise Garage evoking and much played "Paradise Lost" (with Love Fever regular Larry Heard remixes) caught the ear of label bosses Alex & Andy last year with its depth and sincerity, Ron was tracked down, discovered as Italy's enigma Simoncino and connected with Brooklyn's fly girl and modernist diva Kim Ann Foxman to explore possibilities in house. The outcome is a raw 5 track EP drawing inspiration from classic Chicago house with the Master C&J evoking "M", a Blue Jeans interpretation on "R" and a melodic yet somber lead Track "E" where you find a modern bassline chugging below analogue synth lines and Kim's individualistic approach to vocals. The record pays hommage to an era in house lost, deepest Chicago and New York with a not so subtle dedication to long time friend of Ron's, Dream 2 Science. With water droplets and sexual intensity harking back to early 90s masterpiece 'My Love Turns To Liquid' on "A".

Early support by: Tobias.(Ostgut Ton, Curle,..), Brendon Moeller (Abstract Theory, Pomelo,..), Raffaele Attanasio (Non Series, Affin, Telrae), Monomood (Etuit, Abstract Animal), Mattias Fridell
(Affin, Gynoid Audio Jun Akimoto (Fuse, Karton),..
The already 4th production of the record label Freakadelle, founded in 2013, represents a very special release this time. The vinyl only release includes 6 exclusive tracks of 6 well-known personalities from 6 different nations. All of the artists have performed as live acts or DJs at Freaksound Klubhaus in the last two and a half years. Hence, the record also embodies a unique
memento of a moving time in Salzburg's club history and subculture. The release unites various styles of House and Techno, but at the same time proves to be a lively mixture of young emerging talents as well as renowned artists. Freaksound Klubhaus is the home of the vinyl/digital record label Freakadelle and is run by volunteers of the cultural association Freaksound
Salzburg. Inspired by a frequent musical interchange among the members, as well as the boisterous parties in the association's own club, the label serves to foster local music producers and to place non-commercial electronic music on the market.

Jordan GCZ, aka Jordan Czamanski, aka Jordash from Juju & Jordash delivers an insane EP for Future Times! TIP

He released his last beast, "Crybaby J" via his own Off Minor label last year, and joins us for another solo move.

A-Side "Swingonoguitaro" hits a very unique place. Far from chopping up typical disco guitar licks, J runs a fierce house rhythm through varying six-string zones, from rainy day Slippertronics and Cocteau strums to the dusted, poly-rhythmic bends that warp the song's ending. This track is a world of its own.

The B-Side leaves the galaxy altogether. "Digitalis" starts as cold, snake-charmer funk that gets washed away in outrageous keys and hovering, molten electronics. In GCZ's hands the track pulses and morphs; the production makes you feel like the song is filtering your brain. "Fusionfuk" closes the EP with a barrage of library gusto. Bizarre assembly-line cartoon rhythms compete with all the wild instrumental strokes of the song's namesake. Jordan showcases his amazing synth work on this one, destroying and rebuilding melodies at will.

After teasing us over the last two years with compilation and split EP releases on labels such as Let's Play House, Horn Wax and Throne of Blood/Black Catalogue, acclaimed visual artist and filmmaker Sean Dack drops his first solo EP as Pixelife for Throne of Blood.

Deftly navigating the grey areas in between house, techno and acid, Pixelife delivers two original tracks built to move the dancefloor at strobe-saturated warehouse parties.

"Waves of Titan" lulls you into a false sense of security with a steady minor chord groove before slipping into a doomsday Doppler effect siren freakout. Meanwhile Pittsburgh Track Authority return to TOB, refreaking 'Waves' into a highly functional piano jam suspended between deep house and still deeper techno..

On the flipside, "DC to Daylight' moves from a push/pull groove anchored by a tense Juno bassline through an unraveling breakdown, building back up into a peak hour acid techno jam complete with snarling FM bass and laser ready swells. Fresh off his recent 'Moon Temple' EP with his bandmate Vito Roccoforte, The Rapture's Gabriel Andruzzi anchors his propulsive yet soulful remix to the track's original bassline, effortlessly building 'DC to Daylight' into a joyful acid house rave-up.

MYSTERIOUS WHITE LABEL RELEASE ON JOLLY JAMS !!! A SIDE FEAT A RELIGIOUS HOUSE GROOVE B SIDE FEAT A PARADISE GARAGE DISCO VIBE TRACK WHO DID IT WE DON'T KNOW! AMAZING 12INCH GETS MASSIVE ROTATION THAT'S FOR SURE.

Italian producer Giorgio Luceri has released a reliable stream of records since 2011, developing relationships with labels like Seven Music and Hieroglyphic Being's Mathematics. For this Blame It EP he points the finger at Spanish label Bucketround and provides a three-track single featuring a remix from Dubbyman. Vocals crossed between Romanthony and George Michael dominate the title-track, while all chords and atmospheres are stripped from the 6D22 Beats version, offering a beefy tool for the adventurous DJ. After two previous releases for the label Dubbyman appears in remix form supplying a sultry remix best listened to in the accompaniment of summer a cool summer breeze.

Two Scoops. a new collaboration from the people behind the scenes at Retrofit, serve up 4 rough and ready house cuts that have been rocking dance floors across the world in Jay Shepheards DJ sets for the past few months.

Brand new 4 tracker by Anton Zap on Jus-Ed's Underground Quality label

Chi Town don drops 2 loaded jak bombs over L.A....it's all over...TIP!

Moodymanc´s Dubble D project lands on the Rebellion imprint, paying tribute to
the funk mecca of early Detroit and expressing a different kind of worship with 'Church' featuring the legendary Ashley Beedle on remix duty.
Danny Ward AKA Moodymanc is one of the most well respected names in house music. His first foray on Rebellion is a truly religious experience. A superb slice of Detroit/Chi-town infused house with spiritual appeal. Ashley Beedle provides the ReVersion of the flip like only he can.. a killer double header!
Danny Ward was christened Moodymanc by his peers at 2020 Recordings due to his heavily jazztinged productions and Mancunian roots. His Jazz musician credentials have led him to work with such beat luminaries as Rae and Christian, the Pharcyde, Fila Brasilia and many more before taking the drum and production seats in 2020 soundsystem with Ralph Lawson and Silver City.
Two widely acclaimed albums and many 12"s under the name Dubble D and as part of 2020 Soundsystem. Also released on labels Dessous, Tsuba, Third Ear, 2020Vision and most recently Dark Energy Recordings.

There are instances where people love certain pieces of unpredictable art.

AMR prepares its 28th release, "Our Ways" by Birmingham, UK producers LAAK (of Austere Recordings).
The release features four deep, melodic house tracks for your listening pleasure.

The Black Key team step up once again, this time with the third in their limited, vinyl-only series, with Freerotation resident and established producer, Tom Ellis, delivering 4 sublime tracks of subtle and hypnotic house music, in the form of the simply titled "Limited Volume 3".

Now undoubtedly an established and respected label, Brighton (UK) based Black Key Records are approaching their third year in the business, having released records from the likes of BLM, Iron Curtis, Pawas, Flori and Ugly Drums, all of which have gained attention for all the right reasons.

Here, Tom Ellis delivers an excellent and intelligent EP, with all 4 tracks displaying the talent this man posses for creating a unique and instantly likeable take on deep house music... the right kind. There is no question that this limited release will appeal to the real heads among us - quality stuff. This EP is yet another statement from the Black Key camp, proving their worth in true style.
Jimpster : "Tom seems to be going from strength to strength these days. I really like the lo slung swampy deepness on Dream Like. good stuff."
Maya Jane Coles : "Wicked EP, nice dreamy tracks."
Mosca: "'Worlds' and 'Dream Like' are cool thanks - perfect for the after parties and warmups. Thanks for sending!"
Mark Farina : "Top shelf deepness! Full support."
Tim Green : "'Clean and Thirsty' is the one!! love it! great groove and held back kinda vibe. Will play it out for sure ;)"
Laurent Garnier : "Ohhhh yesssss, what superb deepness. Full support on the whole EP. Thanks a lot."
Leif : "Great work as ever from Tom Ellis."

Vinyl only, culture hub returns to invisible circles great support as previous releases, hypnotic percussion and mysterious layered sounds as exspected!

FBNM is very excited to announce its next EP. As always the label tries to do more than just release music, instead adding things like tote bags, limited colour pressings and boutique artwork to make sure every package is extra special. This next red, vinyl only EP is from the vaults of pioneering 90s house producer, Rheji Burrell, one half of the ubiquitous Burrell Brothers.

At every point since house music's birth in the 80s, there have been key figures associated with its furtherance. For a period in the late 80s and early 90s, the most exciting releases of the day were coming from the New York studios of twins Rheji and Rhano Burrell. It was deep, rich stuff that touched on gospel influences and laid the foundations for the famous NYC sound we know today. Released on the label they helped co-found, Nu Groove, as well as working under their own names the brothers had countless aliases including New York House'n Authority, Tech Trax Inc and Utopia Project, with each one exploring some of the most accomplished house music of all time. Famously the label only lasted four years, but in that time it released an absolute wealth of material that still gets mined by real diggers to this day.

Ensuing years saw the brothers become go to producers for people from all musical backgrounds, but more recently the ever studious revivalists at Rush Hour have introduced the brothers to a whole new generation of fans. Testament to the quality of their vast output was how well it stands up today, so for FBNM to be offering up an EP of jams from Rheji's tape archive is an event indeed.

The two tracks offered up are typical warm, rich and full-blooded house affairs that bang with a real human heart. There are jazz chords, kinetic kicks and tons of raw drums all made on authentic old school gear.

On the flip is an edit of the A1 from a modern day pair of house talents. The Rimshooters are Italian/Brazilian duo Massimiliano Pagliara and Rotciv and together they have released on labels like Skylax and Jack Off. Their edit here is a delightfully well-swung and bouncing bit of dubbed out house.

To celebrate its 10 years of existence WeMe Records have asked to 13 artists of its catalogue to create unreleased tracks.

We are more than proud to announce the first LP on SlapFunk Records, by Chris Carrier. The LP will be called 'True Step Locomotion' and contains two 12" records full of dopeness. Chris has been releasing records for over 10 years, on labels like Robsoul, Adult Only and Apollonia, so it's an honor to welcome him to the SlapFunk Family!

clear vinyl!

For their next trick, the anonymous R-Zone crew turn out three darkly engaging cuts that once again look back to a ravey heyday for their inspiration, but at the same time conjure up some refreshing contemporary ideas that will no doubt have dancefloors in raptures. EP opener 'Onefourone' is an epic end of the night track with big drums, melancholic chords and a sombre sense of finality that makes you think the world could end anytime. 'Gravity' sounds like an invasion from space, with falling synth lines, buried deep drums and clattering percussion all making for a foreboding atmosphere. 'Stolen Birds' fills up the flip side with a groaning and darkwave synth line and cooing birdcalls. As big hi hats come in and glassy tinkles fill in the airwaves, it turns into a stormy affair that is both dancey and cerebral at the same time. As always with R-Zone, this is compelling, creative music that bristles and brims with all sorts of occult charm.

Robinn is clearly a name/act to discover, watch, and follow. When it comes to modern hybrids of post-dubstep, nu broken soul, eerie downbeat combined with this genuine spirit of the vocals by Nathaniel Pearn (Natural Self / Tru Thoughts) it's soothing and challenging in one go. Check Robin's debut album - Multiphonia' which was released on Compost in October 2013.

Press quotes:
- When Robinn streches his wings, `Multiphonia´is a thing of sheer beauty' (Clash Magazine)
- Hazy, honeyed downtempo electro featuring soulful vocals from Nathaniel Pearn. It's an enticing taster for the full album, Multiphonia.' (METRO News / The Games Is Now Over in `Breaking tracks)

Cocolores comprises Jason Heath and Manuel Garay, two talented youngsters from Munich, currently living and working in London. Already getting love support from Maja Jane Coles, Luciano, Joakim, Ewan Pearson, Trickski and many more, their debut EP "Heart Quest" on Exploited is a blend of 90s house, with a delectable tinge of urban funkiness. Last year they released a Compost Black Label 12'. With the Inside EP on Dirt Crew Recordings they went deeper and darker to their usual sound,

Anushka, a Brighton-based duo Max Wheeler (producer) and Victoria Port (singer/songwriter) are a classic British concoction of jazz-inflected heady dance floor thrills. Maestro Gilles Peterson discovered them early enough and signed them for his Brownswood imprint. Check the awesome first two single releases.

Lukas Bohlender's track Club Château (Black Label #94) was a surprising stunner of last year, gaining much much respect from a lot of big names. His deep production skills just perfectly nestle to Nathaniel Pearn's moody vocals.

After a creative but very frustrating phase of combining their different musical styles (a broad variety from Drum 'n' Bass, to House, Techno, UK Garage and Post-Dubstep) they threw all of their initial ideas away and started from scratch. As a result, Tobi and Basti aka Heitzberg Theorem now concentrates on what's really important to them: producing bassy, heavy and danceable UK-influenced house music.

Hot on the heels of his 'Sweet & Spicy EP' on The W Label, DJ W!LD now unleashes Rainbow in my pocket EP. The four tracks see W!LD at his most underground and dirty; it's 3am music for when the freaks come out. Lead cut 'Rainbow In My Pocket' has a title which belies the deep, dark and thumping nature of the track, perfectly at home on the darkest, sweatiest dancefloors. 'Beats 2' is a DJ's dream tool - scattered percussion and a 'jack me till I start to scream' vocal loop relentlessly. On the B side, 'Tokyo 9am' has an impossibly deep bassline, energetic jacking beats and a vocal sample you may just recognise, while 'Murder City' is classic W!LD, featuring another intoxicating jacking beat and excursions into floaty breakouts. Another must have EP from a man at the very top of his game.

With a flying start to 2013 and more to come for B*Pitch Control, Rebellion (Crosstown Rebels), Rekids and Robsoul, the launch of his own DJ Bag, worldwide tours with Cocoon and Circoloco and a return to DC10, it's already turning into another suitably wild year for the Parisian.

About DJ W!LD & The W Label

A stalwart of the tech and deep house scene, DJ W!LD's career path began in the clubs of Paris in 1996. Working with Chris Carrier from 2005 under the name of Catwash (which also spawned the label) he became well known in the French house and techno scene. By 2009 he was touring the world, represented by the legendary Cocoon agency and playing their worldwide events, as well as landing a residency he retains for Circo Loco at DC-10 in Ibiza and becoming a regular feature on their international tours. The W Label launched in 2011 and was home to W!LD's critically acclaimed 'Palace' album and the club destroying singles it contained. The label is a place for W!LD's own productions, alongside that of his friends, allowing them reflect on experiences and musical influences. The label motto is 'we have W!LD records' and outings by Kerri Chandler, Art Department, Sis, Chris Carrier, Radio Slave, Phil Weeks and W!LD certainly back that up!

Leftroom continues its fine run of EPs (recent outings have come from Kate Simko, Sam Russo, William Djoko, Matt Tolfrey and others) with a first appearance on the label from Lil Mark. Born Mark Currell, Lil Mark has been producing top-notch house since 2001 when he appeared on Classic and Music For Freaks, and more than a decade later still puts most of his peers to shame. The two tracks he supplies here come with remixes from Matt Tolfrey and Matthew Styles.

First up is '1994', a house track with a heavily vocodered vocal that works to a peak with elastic synths and slapping claps helping to drive the thing along. Peppered with little pricks and ticks, bubbles and pops it's an arresting joint that pleasingly recalls the old school but in a less than obvious fashion.

It's boss Matt Tolfrey who tackles the re-rub. Naming it his 'Freedom To Party Mix' he opts to pin the whole ting around an undulating, neon glowing bassline as percussive. It's loose and malleable with FM tones and party-fuelled percussion helping to colour the overall picture.

Lil Mark's 'Dark of Pain' is another tight as hell house joint with finger clicks and buried deep synth line setting the early tone. Despite the pace and tightness of it all, there is a micro funk which emerges as the tune plays on that really gets under your skin.

It's Ostgut Ton amd Running Back associate and all round-revered producer Matthew Styles that turns in a 'Tropicana Remix' of this one. He ups the drum quotient and stiches in a bobbling, grubby bassline before unhinging things at the mid point with some nice filters, effects and colourful synth work.

A brilliant EP of no nonsense house music from Matt Tolfrey's Leftroom . House Music that goes its own way and is hugely refreshing as a result.

Squarehead, a Sheffield-based up-and-coming talent, is the lucky producer to nab LPH's 25th release, a landmark to say the least. (As such, the label is printed with touches of silver inks.)

Hot off a thrilling 12' for Manucci's Mistress and a nasty one for Shabby Doll, Squarehead's LPH contribution is, as one should now expect, all lean muscle and no fat. 'Dead Reyt' gets the record going at a feverish pace; a propulsive and peppy bass gets you moving straight away, with well-placed synth washes, vocal drops, and an arpeggiated, loopy melody making it playfully suspenseful and engaging. When it sputters out after seven minutes, you either hit repeat or eagerly move on the next cut, 'Got2Know,' an equally forceful and headfirst piano house boogie.

The B-side begins with 'Vishen,' an elastic, whimsical jam that's laced with a bouncy synth hook and sporadic bits of extra fills, claps, and supplemental bass licks. The 12' closes with 'Someday,' a rigid, square house tune built around a sprightly steel drum part and swinging hats that coalesce into a euphoric conclusion to this already lighthearted yet masterfully arranged and executed collection of originals.

Killer shit from the London Housing Trust featuring a remix from RAD favourite Bintus.

DJ W!LD is back, this time on Crosstown offshoot Rebellion with a stomping summer anthem featuring Cari Golden on vocals 'Shape U'. The original fuses the solid punch of a club weapon with the laidback feel of poolside disco, while the Fur Coat Remake gives the track an entirely different sheen all chugging disco bass-line, dark synths and pitched down vocals. An aptly named WILDER remix and dub from the producer ties up an unmissable EP.

The prolific DJ W!LD is one of France's longest serving underground house heroes. As part of the Cocoon family and as a Circo Loco resident, DJ W!LD under various aliases has released on labels such as OFF Recordings, Robsoul, and his own imprints Catwash Records and W including debut album 'Palace' in 2011. Second album 'D!RTY' landed on Cabin Fever last year.

Originally from Dijon, W!LD's passion for graffiti, street culture, disco, funk and hip hop led him into DJing, taking his name from cult 1983 film Wild Style. Relocating to Paris in 1996, DJ W!LD was instrumental in the French house scene, pouring his energies into the city's underground club community and later becoming a globally successful artist and fixture at the best international clubs and festivals.

Fur Coat have been blazing a trail since their mighty debut album in 2012 on Crosstown Rebels 'Mind Over Matter' also featuring Cari Golden on vocals on the massive hit 'You And I'. The fast-rising Venezuelan duo have been remixed by TEED and have a single forthcoming on Crosstown.

Rawthenticity is proud to present this new EP from Fulbert - where distorted raw drums meet soulful deep house. Powerful cuts.. slamming Detroit influenced 'Pernicious Planet', gritty deep ghetto-reminiscent 'Ideals', raw drum madness 'Meditation in a Forest of Shimmering Mirrors' and the ethereal 'Clouds of..' as a closing track for this EP. Maybe - or maybe not - Fulbert's most introspective release to date.

Following last year's "Unicursal Hexagram" lp Brooklyn producer Jahiliyya Fields enters a new realm with this four track ep. Taking elements from his past industrial fueled efforts and this time expanding upon them with the addition of the kick drum. One can hear a non-traditional and refreshing approach being brought to traditional beat driven electronics with piercingly harsh undertones and creeping melody. This ep explores the vast sonic elements which are designed to affect the body, the mind and the relationship between the two and the music. Big TIP!

The new Komplex De Deep just arrived... from the label chief himself and one of our big favs Master-H. STUNNING... again!
Do UR thang ! EP will be released vinyl only, with 4 Bomb tracks from the purest house music style to the deepest detroity techno dancefloor killer.
Master-H is now showing is own vision of Electronic music with Soul..Don't miss it!

the production outfit of Daniel Varga, Michael Kuebler and Sascha Hedgehog, earned their dance music stripes around the turn of the millennium with a series of strong releases, most notably on Frankfurt-based techno institution Playhouse. Describing their musical aesthetic as "cabaret-independent-house", the act forged a distinct sound that combines icy minimal structures with catchy euro-girl vocals, Anglo-French funk antics and a dash of dancefloor melancholy. This summer, Rework return to the fray with a two-sided affair for Paris-based Meant Records that shows they have not lost the electric energy that characterised their earlier work.
Lead single "Werewolf" evidences that that made early Rework productions shine still abounds in their newer material: with ticking drum machines, subtle filter work and no dearth of low-end éclat, it is clear that the Rework sound is still in full vigor. But, far from being a simple rehash, the track ventures into unexplored sonic territories, with shimmering synthetic high-end, buzzing and overdriven sawtooth bass and mantra-like vocal repetitions all contributing to an indelible party vibe.
B-side "Touch Yourself" also hearkens back to the Rework sound of old while, moving in exciting new directions. Shuffling hi-hats jitter along, acid-tinged bass gurgles and spits while aqueous digital washes moil in the sonic periphery, producing an atmospheric narcosis that looms over the track like an overdense cloud. Meanwhile, female vocal imperatives to perform the titular act inject a dose of playful hedonism.
Items & Things's Magda takes on remix duties of "Werewolf", and much like a feat of lycanthropy transforms the gentlemanly pulse of the original into an off-kilter stomp. With a soundscape populated by dissonant synth bursts, fluttering toms and reverb-laden hats and snares, the track reveals its tension and dynamism in its subtleties, and indeed the whole thing seems a knob-flick away from breaking into all-out chaos. Providing a Late Night remix of "Touch Yourself" is Meant label head Remain, who adapts the original's atmospherics to a slinky evening cocktail template. Cavernous bass, adenoidal sqelch and gauzy shimmers shellack the track in a cosmopolitan gloss, a deadly combination for humid summer dancefloors.