House News

Continuing the label's special 7"s releases that capture the nascent 80s post punk, dub, funk and pop - as examined on releases by The Jellies, Woo, Phantom Band, 4AM and more - here a discovery of unheard demos from Dislocation Dance's Midnight Shift album.
As part of the eighties Manchester scene, the band's pop and jazz sensibilities have continued to garner attention, offering a rightful place in the city's rich music history.

With the closure of Richard Boon's New Hormones label in 1982, they came to the attention of Geoff Travis' Rough Trade. Creating a home studio in the basement of an old rambling farmhouse in Withington, Ian Runacres (guitar, vocals), with lyricist Paul Emmerson (bass), set to work creating demos to garner a deal.

Inspired by the funk-disco of Dr Buzzards Original Savannah Band debut album, Here Comes Love was written using Roland TR-606 drum machine, guitars, bass and (cheap) keyboard, its magical and lo-fi charmed quality melts hearts.

On Mr Zak, the fun Runacres had is evident. Written as an "indie" song, but with Aztec Camera and Burt Bacharrach on his mind, with Andy Diagram (trumpet) and Kathryn Way (vocals), hides a structure matching the album version, but which in its rudimentary instrumentation and production is unique and outshines the later version, to encase a specific period and innocence, of time.

Robert Torres Psych-Funk, unreleased Kungfu flick theme tune, saved from the last remaining cassette copy Left, lost and almost forgotten. First time on a 45 and flipped with an Afro-Disco banger from China featuring MC Didjelirium. This limited edition picture cover release features special artwork from Mark Cursa.

The relationship between Calypso and Vilnius is quite strong. This is why this time they invited local talent Plot Pilot to share a release with label boss Thomass Jackson. The A side is Jackson's time to deliver his two edits. First one is a bongo driven, afro robotic vocals, breakish trance extravaganza. While the second one goes straight for the chin with it's vocals who comand you to work work work! The lithuanian boys deliver a cosmic bomb full of psicodelic guitars and bleepy noises on their first one and for the second one the pay tribute with a to the lithuanian seaside where every summer the famous Ant Bangos festival takes place.

Making a return to the Editorial Waxed series is none other than Mexico's Hotmood. Having been lighting up the world with his reworks for a minute now, he splits the EP with the label’s own Ed Wizard & Disco Double Dee for the 'Funk Brothers' EP.

Opening the record is a newcomer to Editorial, the UK’s very own Thatmanmonkz . He kicks things off with a remix of Ed Wizard & Disco Double Dee's slo-mo classic 'Shades of Blue', pushing the tempo and taking it into a fabulously darker club workout.

Next up, Ed Wizard & Disco Double Dee dial the tempo way back in customary style, with slinky hi-hats, funky claves and flute melodies. They top things off by adding their own Fender Rhodes to the mix resulting in a sunny, poolside cocktail number on 'Cantina'.

Flip the plate and Hotmood's side kicks off with the disco dance floor monster 'Chico Shake'. A bouncy bass line leads with a vocal urging you to 'shake it', as a horn line drives the point home. His second track 'El Artista', leverages the same groovy flute riff as seen on 'Cantina' while this version retains the decidedly uptempo dance floor aesthetic.

All in all, this EP touches on a number of flavours while providing tastemakers the tools to keep any discerning dance floor shaking!

WOLF Music reissue offshoot, Nothing Is Lost, strike gold again with their second release. The four track sampler cherry picks some of the greatest dub mixes to grace the legendary Easy Street label’s hall of fame, reissued and remastered.

Side A serves up two proto-house bombs dubbed out to the high heavens by the one and only Paul Simpson. Firstly, Sleeque’s sumptuous ‘One For The Money’, gets a tougher makeover with Simpson’s classic touches to the drums, echoes in all the right places and delicate splices of choice vocal refrains and piano stabs. Likewise for the A2, Simpson focuses in on that peach of a bassline from Paradise Girls – Holding Back, coupling it with Special-Intention-esque synths and cascading percussive ripples.

On the flip side, it’s a Blaze masterclass. First up, Alexander Hope (aka Josh Milan / one half of Blaze) ‘Let The Music Take You’. Produced alongside Blaze counterpart Kevin Hedge, the track gets the remix treatment from Klub Head – a further alias the two held. Honing in on the vibraphone mastery and bumping house rhythms they juice up the original with all the ethereal soul you could ever want.

Closing out the EP, a onetime collaboration between Blaze and Otis Vick, System VIII’s super soulful ‘Underground (Untouched Dub)’. Josh Milan’s exquisite and iconic vocals marry with sweet sax licks providing the perfect late night groover or, just as equally, the ultimate beachside roller.

Venice-based producer, DJ and sound designer, Bottin puts his Italian flavour on this package of supercharged disco edits for Wonder Edits that moves from cosmic to tribal, forest throwdown to jungle march.

"Love Can't Turn Around" is a Chicago House ANTHEM! A true classic of the genre. Universally recognized and loved, it made history as the very first House record to reach the UK singles charts in 1986 and continues to find new fans today.

Inspired heavily by Isaac Hayes' underground Disco smash "I Can't Turn Around", a record that was very big in various Chicago clubs getting plays from DJ's like Ron Hardy, Frankie Knuckles and more. With "Love Can't Turn Around" Farley and Jesse re-appropriated Hayes' Disco vibe and updated it with drum machines, synths and of course, Mr.Darryl Pandy's unique vocal performance centering around the desperation of a lover who has been wronged. A truly influential track that opened the doors for many producers and DJ's in the decades to follow.

Here, for the first time, the definitive mixes of this all time classic record are available in one place.
Re-mastered and re-issued in conjunction with Trax Records this essential Chicago record lives on.

"Now this is how it started"

First 'Disco Fruit Sampler' release is here. All-star Disco Fruit artists for the first release : Hotmood, Evil Smarty, Mitiko and Loshmi. Disco Fruit offers up a suitably juicy re-edits, tasty revisions and sun-ripened reworks. As you'd expect, there's plenty to get your teeth into from start to finish.

Imago Sessions Vol.1 opens with a short spoken word piece where the speaker reflects on embracing the many different moods &, sounds depending from a versatile DJ and producer.

The remaining 3 instrumental tracks are best suited to be played for those on the dance floor that can recognize good house music as soon as they hear it, or even for those that enjoy soulful house on a proper sound system in their living spaces.
Started in 2011, Soul Imago has been selective on what to press on vinyl, and this latest offering from Soulphiction was definitely worth the wait. Enjoy !

Coming as the third edition, ‘EP3’ stays true to the series, committing Defected’s biggest digital releases to wax, and delivering upfront packages of house heat previously unavailable on vinyl. The A-Side is comprised of classic tracks that have been given fresh life for with new remixes, kicking off with Mousse T.’s re-work of Dennis Ferrer’s ‘Hey Hey’, followed by Dario D’Attis’ remix of Kings Of Tomorrow’s ‘Finally’. The B-Side opens with one of the label’s current biggest releases, Purple Disco Machine’s remix of the unmistakable ‘Praise You’ by Fatboy Slim, an effortlessly sophisticated re-work and guaranteed dancefloor knockout. Closing the release is Mattei & Omich’s ‘I’ll House U’, maintaining the theme this series has established, celebrating Defected’s classic house roots in time for label’s 20th anniversary year.

Debut release on Legofunk Records for two Italian dj's producers, Tommy The Rebel & Pcj Project. Pressure disco stuff on 7".

Street Meat Records returns with a release from label head Ghosts of Venice. Featuring the Disco stompers “Feel The Heat” and “Shoot Me With Your Love”. Backed with the sleazy Funk workout of “Feel The Fire”, and dance floor filler “I’ll Do Anything”

Masterworks Music are back on the vinyl trail with their 15th 12" release, with Italian disco stallion Gledd in charge of the disco funk.

While some EPs might offer some down time and lower-tempo numbers, Soul Shapes goes for the dancefloor jugular with all four cuts designed to get you up and grooving.

Lead track 'Light of Florence' cleverly builds with strings and stylish background synths before dropping into a soul-searching vocal and gorgeous keys. With driving percussion, a walking bassline and cleverly restrained dynamics, it builds and bubbles with endless groove.

Follow up 'I Just Want You' builds on that teasing disco funk by upping the tempo and adding in blaring horns, a sizzling Rhodes breakdown that will have you playing air keys and yet more disco groove. Peak time, warm up, opening slot, closing track - this will work anywhere.

On the flipside, 'Of Rainbows' is a brilliantly-worked filter disco track, cleverly teasing in the disco loop with drop-dead-gorgeous strings before dropping back down to a deep house (and we mean deeeeeep house) bassline that carries the track from start to finish.

Gledd closes out the all-killer EP with 'Your Mind.' With Chic-style wah-wah guitars, clever drum fills and yet another stonking bassline, it's another beautifully crafted disco groover that cleverly blurs the line between peak-time heater and perfect warm-up material.

Ministry of Sound’s Origins series is taking us right back to where it all began, with the sound of the 1970’s Disco, emerging from the US nightlife scene. This 2x LP release explores the origins of the genre from its early beginnings with likes of Barry White, The O’Jays, Chic, Earth, Wind & Fire, The Jackson and many more. You will be taken on a colourful journey filled with dancing that we all still relish today.

Magic Feet are back after an extended break with a various artist EP.

On the EP you will find the bona fide modern day Balearic classic, Femi Vs KCRW - ‘Eh Oh’, The 6th Borough’s remix of Craig Bratley’s - 'Birdshell', Rich Lane's fantastic cover of New Beat classic ‘Flesh’ and for the first time on vinyl, Craig Bratley’s remix of Billy Cobham’s’ ‘One More Day To Live'.

In the spirit of cultural pride, Rune Lindbaek provides the audio tour guide into the unexplored back streets of Norwegian Disco

His deep knowledge of Disco delicacies from the frozen north may be a revelation to those who've heard his more mediterranean outings,
however here we have an extended EP on untapped treats, leading with three hefty slabs of late seventies, matured Brunost on the A &
moving into more obscure territory on the flip, where the sought after I Dekning is followed by two more idiosyncratic jams, which possess the dancefloor heft of a well roasted reindeer shank

SUPER LIMITED !

Mono Han are brothers Alessandro and Davide, who collectively have a deep and long understanding of electronic music. Davide is a co-founder of N.O.I.A, one of Italy’s first electronic live acts to perform and record with drum machines and synths as early as 1978. He was also behind seminal Italo outfit Klein + M.B.O and proto-house hit “Dirty Talk”. Alessandro, following in his brother’s footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.

Since then they have released under an array of aliases, have clocked up numerous club hits and this project brings them back to their 80’s roots.

James Greenwood of Manchester DJ collective, Supernature Disco, launches his new, vinyl only label, Semi-Skimmed Edits.
A label dedicated to the traditional style of re-editing. Nothing added, just precision sliced disco for modern day dance floors.
Edits for the underground.

The cobblers are back with a fresh collection of bespoke 80’s edits. This second installment dives foot-first into swirling synth-pop, muscular Italo chug, and dubbed-out rhythms. The perfect soundtrack to Balearic sunsets and hazy late-night discos. Another limited vinyl-only release, get em quick before these boots have all danced off the shelves.

Gator Boots returns with two dancefloor ready edits of African legend Fela Kuti brought to you by Rudimental member Piers Aggets’ new Rotate38 project.

Super limited jazz reworks on a peak time dancefloor tip from Aroop Roy. Very limited pressing. Vinyl only. Big support from Gilles Peterson!

Low-slung house with that dusty sampled soul on one side and a disco house pumper on the other, JARC Sounds return with another double header you need in your life.

‘Brooklyn Baby’ hits all the right chords from the off. With that New York skyline in sight, jazz infused keys, dream-like pads and swooning vocal snippets take you to a rooftop blowout looking out over the Kings County.

Flip it over, for a thumping, disco channelling, house belter aptly named ‘Love Ecstasy’, that’s sure to become a staple across the scene.

Giorgio Records is really proud to present the first official reissue of the experimental project GAG, from 1983, which includes two very different songs. Flyin’ Bolero is spacey and hypnotic while P.T. Dance is lively, and perfect for disco nights. Unknown and obscure, these two tracks are cataloged as Italo Disco tracks but go further. As always, Giorgio Records enriches the reissue with two remixes. Flyin’ Bolero has been entrusted to Armonics, Bari producer and great artist. P.T. Dance to Kid Machine.

2020 sees Future Disco release number 13 in the eagerly anticipated compilation series. Displaying a fresh cover from the new artistic direction as part of their 10 year celebration in 2019, the album Visions of Love also shows off fresh sounds and exclusive tracks from a selection of exciting talent.



Visions of Love is for everybody seeking something new and exploring exciting opportunities. Future Disco has always managed to weave that line of interesting and partystarting and on this album it’s no different. Disco has always been about uniting the dance-floor and Future Disco embody this spirit with a cross selection of sounds and artists.



They find plenty of future rising stars with Stockholm’s Kornel Kovacs, Chicago’s Chrissy and Paris’s Yuksek all comfortably sitting alongside more established names as Kenny Dope remixing Moon Boots, Lane 8 and Kraak &Smaak.



There are plenty of exclusives too. Three Future Disco edits from head compiler Sean Brosnan and three exclusive tracks, one from Future Disco’s very own Ekkah, familiar names Lifelike & Musimeci and one from newcomer Gruvee.

Disco deliverance of the highest order once again from Moton Records Inc. Diesel and Dave Jarvis work their wonders on these three cuts with the A side taken in full by ‘US Lover’, a sleazed up, foot stomper of a boogie workout that’s straight sweltering from start to finish – just listen to that bass!

Flip it over to find two jazz funk gems made up of the beaming pinball concoction that is ‘Hysteric Glamour’, and the raw grooves, jaunty jazz keys and synth touches of ‘Marabou’. Essential, as always.

Fabrizio Esposito was born in Naples / Italy into a family of passionate musicians and vinyl collectors. His father played guitar in Tony Esposito's band who was responsible for some classic Italo tracks from the early 80's. He spent his early childhood immersed in his grandparnent's extensive vinyl collection which he has since inherited, this collection heavily influenced Fabrizio and made him a fan of Italian Wave, Italo Disco, Neapolitan Funk, Soul and Disco. After all these years working in clubs and with artists Fabrizio decided it was time to realise his other dream and become a DJ and producer himself fusing together his rich musical heritage combined with his clear vision for the future, creating his own unique sound. Fabrizio explains that since he was 14 he had always been behind the scenes of parties, from a PR to a promoter, always watching the djs and producers working to create the party around them. Since this time he has always been an obsessive vinyl collector, its in his blood, so now it's time for Fabrizio to share his own passion for music with the world.

Fast forward to summer 2019, Fabrizio made his Ibiza debut DJ'ing alongside DJ Harvey and Pete Gooding at La Torre and soon after Fabrizio finished his debut track 'This Way' which was premiered by Harvey at his now 'Mercury Rising' party at Pikes

Whether you are still locked down, meeting close friends or gathering with small groups of party people in this new post-corona world, you will find plenty to love in this new package of vinyl-only remixes from Hell Yeah. Keeping mellow acid lovers happy are Calm's Still Dreaming mix of his brother Kenkou's 2004 cut 'Everlasting Dreams' and then his very own Extended Mix of Deadbundy's 'Lorenz'.

Of course, Calm is Japanese artist Fukagawa Kiyotaka, someone who has been making deep house, ambient and downtempo grooves since the late nighties. He is a legend of the game famous for his deeply dug out and immersive mixes and his current Oasis @ Home series is vital for lockdown listening. He is compiling a collection of contemporary Japanese meets balearic jams due for release next year, when he will come over to Europe to tour in support of it. But first, this…

The a-side is a psychedelic balearic guitar jam for the evolved and mature DJ and it is steeped in gently acid lushness. Over 11 minus it washes away all anxiety and douses you in rippling guitars and sun kissed rhythms that transport you to the Med in an instant. The b-side is a remix of a cult cut by Japanese band Deadbundy from Gifu. Calm flips it into an unbelievably groovy and chunky number with great pop hooks. The rubbery drums do their thing down low to make you move, while the warmth of the bass and the funk of the riffs oil the groove. It's open air, hands in the air, heart swelling music for good times.

Vinyl only release.

You think you’ve heard anything? Strap yourself in and get comfortable for the journey! Payola’s first release is ‘Ugly Freedom’ (TOKA Remix) a collaboration between two adversaries – VEE VV and TOKA.

Two specialists in their own right, they have produced something special, something spellbinding, something entirely unique and uncompromising.

Still sitting comfortably? You shouldn’t be! An amalgam, a spark, a blistering fusion of purpose conjoined, sending shards of rhythmic shrapnel into the stratosphere. Pounding sub-bass, seamlessly executed edits of live drums, boiler-bass, searing guitar, soaring keys and vocals featuring a scintillating, lyrical dexterity and skilful phraseology delivered with a poignant authenticity. A totally unapologetic perspective on today’s social mores, “Sentiment, humanity, have no right to reside in this Betfred economy!”

Don’t take our word for it!

Disco-boogie benchmark release from the West End deep vaults. Mixed by Larry Levan this is a bonafide classic from the era.
Originally released in 1981 - this release has been digitally remastered for 2015 and releases in conjunction with the West End rights holders.
"My heart beats for the one I love"

Hibernation's over and deep cover resurfaces in these strange times with two tested tweaks from a fan beyond la manche... a sublime striped steed needs answers but the well's run dry in the big apple. zut alors!

Written in 2012 using just a MicroKorg and a mic, “Penguins Can’t Fly” is a magnificent slice of italo disco and a tribute to the Ghent based italo night Pingwing. It became a bit of a local underground hit which lead to Club Mayz performing it live at one of the parties at SMAK Ghent – once. The track never saw the light of day before so we’re stoked to announce this 7inch containing the original version backed with a powerful instrumental on the flip.

Techno, Disco, Italo, Electronics, House, Library, Cosmic and Ambient frequencies - These are the bedrocks of the Midnight Drive ethos and sound. A label shining a light on overlooked or unheralded creations and respectfully reissuing them for the contemporary audience. A label that respects and understands the connection between these disparate and sometimes forgotten forms of musical expression and celebrates them. Midnight Drive are extremely proud to present this most beautiful and unique of records - Makers 'Don't Challenge Me' - A truly idiosyncratic early 70's electronic oddity that has long been a coveted and highly prized piece of music by obscure music lovers for many years.

Makers was the moniker for another studio project by legendary euro-disco pioneer Boris Midney. Midney, a Russian ex-pat, explored his own sonic world and in the process crafted some of the biggest records during the most fertile times in the disco period, he created numerous projects including Beautiful Bend, USA-European Connection, Caress and many more.

A classically trained musician and jazz artist, his trail-blazing studio work meant he was one of the first producers to embrace the capabilities of multi-track mixing in a most creative way. Listening to this 45, a limited release on his own 'Midney' micro label, you can certainly hear genius at work, it's mind boggling that this record was crafted when it was (1972) as it sounds totally ahead of it's time and sounds exciting and original to this day. Truly one of the scarcest records of it's kind we were extremely humbled to be able to work with Boris and his organisation on this very special reissue that has been a collaborative effort all the way. This reissue has been repressed from Boris' own masters and every care has been taken to ensure that this lo-fi oddity sounds as good and clear as possible and the label artwork is a close rendering to the original as a respective nod to Boris and the Midney imprint by our friends Atelier Superplus. This is the very first time this record has ever been reissued (it was included on the most incredible 'Personal Space' compilation from a few years ago) and people will be very surprised to hear the b-side for the very first time - 'You're Shy' - A sweet soul number that almost recalls The Staple Singers and could easily have been released on Stax or any familiar labels of that ilk that somehow manages to retain the strange and overall DIY aesthetic of the 'Makers' sound.

Remastered by Optimum Mastering, Bristol UK. Artwork and design by Atelier Superplus. Reissued in conjunction with Boris Midney / Midney Records. 2018.

Rick Holmes’ breath-taking track, ‘Remember To Remember’ gets its first ever officially licensed, remastered reissue on Gold Mink Records. With prices of the original topping £60 this one will be a welcome sight for many.

Title track, ‘Remember To Remember’ is a celestial, emboldening downtempo cut. Beginning with the timeless line, ‘Pass the information, extend the knowledge…’ Rick dives into a spoken word stream of inspirational black artists and key figures whose most memorable words and song titles are framed into snippets of wisdom that get ever more significant the greater in number they become. A powerful monologue, in Rick’s warm reassuring tones, shining a light on those men and women who have made ‘strong contributions to mankind because of their compassion and humanitarianism’, laid over instrumentation you lose yourself in just as easily.

‘Remember to remember, to never forget.
How Long… how long… how long will it take man?
For us to come together.
It will take us as long as you make it…’

Words that ring just as true today, as they did 40 years ago, yet with a new sense hope in the air and prospect of progress approaching.

The B side houses another of Rick’s mesmerising monologues – ‘To The Unknowledgeable One’ motivational, moving and smooth as you like.

Licensed from Uno Melodic Records, Inc, courtesy of Expansion Records.

Are you ready for a return to the past? To celebrate its 3rd anniversary and after the successes of its previous compilations “Habemus Paname”, Pont Neuf Records offers a jump in time with “3615 Disco”. Curated by Madcat, one of the spearheads of the Paris label, this new compilation sounds like a cry of love, a tribute to the French disco/boogie of the 80s revisited by those who are the faces of the new French house scene.

Ltd. Red LP+7"+Obi Strip

Back in 2009 My Rules label owner Justin Van Der Volgen released a mix cd done completely with his own edits titled Try To Find Me Vol 2. The mix was received incredibly well and had fans scrambling for years to try and spot the track list. It earned a 4.5 review on Resident Advisor, and had a certain rather known and respected DJ opening their sets with it. Since then the status has only grown and is now considered by some one of the best mixes of all time. So to mark the 10 year anniversary Justin has decided to finally release two of the most requested edits from it.
On the A-side you get a high powered vocal cut from Peggi Blu which comes on like a lost Chaka Khan anthem.
Flip over to the B side and you'll find Gregg Diamond's charging string-laden disco trip stripped back into a hypnotising euphoric roller. Two peak time cuts not to be missed. Fully licensed.

Moiss Music is pleased to announce it's first vinyl release, VA - 'Strawberry Jam', with four tracks of disco & funk goodness.

Kicking off the A side is The Funk District - 'Play The Game', what a way to kick start this vinyl release with its hooky vocal, funky chords and driving disco vibe perfect for the dancefloor.

Next up is Munky Fike - 'Oh Disco Baby' the title says it all... Bringing back that old disco vibe, beautiful keys and percussion with a vocal which flows through the track to give you that disco lift feeling with a catchy baseline.

Flipping over onto the B side we have C. Da Afro - 'Groove Definitio', funky guitar riff to get your feet stomping with a pulsating baseline groove and a guitar solo to fall in love to.

Finishing up this perfect first vinyl from Moiss Music is Alexny - 'Take You There' driving beat, disco filters and pumping vocal will take leave you wanted to play this track again and again

In 1982, Donna Summer’s ‘I Feel Love’ - which had re-defined dance music on its original release in 1977 - was remixed by Patrick Cowley and became a huge dance floor anthem once again.

The extended “Mega Mix” version, running to over 15 mins, has long been celebrated as one of the most essential dance music cuts of all time and now, for the first time since it's original release, we are proud to reissue this amazing track as a 12” single.

And to make this the best 12” single you could ever own, we have coupled ‘I Feel Love’ with another towering classic of the genre.
From 1979 we present the full 8-minute plus version of the breath-taking ‘Boogie Wonderland’ by Earth, Wind & Fire with The Emotions.

It's one of the best loved disco tracks of all time - and in its extended version here - not only is it a huge floor filler but it’s also a truly euphoric celebration in music. ‘I Feel Love’ the Patrick Cowley Mega Mix, and the extended version of ‘Boogie Wonderland’ together for the first time on one 12” single.

... Two essential anthems for every music collection.

We are happy to welcome UK-based producer Native Cruise on Slam City Jams. The guy was on our radar since his releases on No Bad Days and Fruit Merchant that easily combined house music with new-age synths, a wave/EBM touch and balearic sounds.
His „Human Nature“ EP is no exception with five outstanding tracks that differ in tempo and vibe.
The opener „Crew Talk“ is a percussion heavy tune with lots of cowbells, a funky DX7 bass line, deep pads and dramatic chords that build up and up towards the end.
„Elsewhere" is the most housey track on this record, with four-to-the-floor 808s and bittersweet strings that burst out into euphoria. Closing down the A-side is „Fooled Again“, a balearic cut that feels like a day in the sun with it's little synth blips and arps.
On the flip we find the title track „Human Nature“ that might be the hidden jam on this EP. Hard hitting Linn Drums, digital synth bells and those haunting vocals we can’t get out of our heads. Finally we have „Not Long Now“ a perfectly atmospheric deep tune, that sits somewhere between ambient and reggaeton and will make fans of DJ Python more than happy.