House News

Samosa Records return with another four top-grade disco edits to kick off your new year with. Lego Edit recently hit #1 on the JunoDownload Chart and continues his fine run of form with the none-funkier 'Say Yeah', driven by a beefy, rugged breakdown and infectious guitar licks with some standout piano and synth solos. C.Da Afro gets busy with some P-funk naughtiness on 'The Disco Freak', all trembling synth squeals and raucous vocals. Will Hofbauer ploughs some super-cool funked-up soul for his slick 'Work It', with some great horns complimenting the layered vocals. Shit Hot Soundsystem finish off with something very purple and very useful indeed on 'Shit Goes 2 Minneapolis'...

After 4 Years Promoting Events And Spreading Happiness All Over France, It's Time For The Lyon Based Crew To Extend Its Artistic Vision Through Their Own Label. If You've Already Been To One Of Their Parties You Know What To Expect. If Not, Look Forward To The Happiest Vibe Around !

Bosconi gives a warm welcome to the new sonic adventure by label founder Fabio Della Torre and Ennio Colaci better known together as Minimono.Setting aside their old school funk injections for the moment, this time they deliver a fresh, crispy and more synthetic set of tracks where all their recent influences are melting together within an original blend of electro funk, deep n proggy tech house dense of catchy arpeggios, tight grooves for the dance floor and trippy fm synths textures condensed into this Binary Pocket EP.This killer 4 tracker record begins with the smooth journey of "Himself When" through its peaceful mood and driving beat, while second cut named “My Eye On You” goes more into a mental, hectic, broken, acidic and electroish direction. Flip side sees instead the arrival of the arabic and sinister riff of the proto bleep tech track "Please Repeat" and the more spiritual atmosphere of the Nu Era styled jam of "Jacked Pocket" which close up the EP.All the flavor you need here, Minimono knows how to do it, indeed!

The award winning compilation series Future Disco returns with it’s 14th instalment ‘Dance Club’, an embodiment and celebration of dancing, unity and togetherness, packed with key artists such as Dimitri From Paris, Dr Packer, Gerd Janson, Aeroplane & more.

Following a year of club closures and festival cancellations, 2020 was a year unlike any other. And our separation from the club environment was a reminder of its inherent beauty, empowering nature and community of dancers. ‘Dance Club’ is a symbol of this embodiment, that draws people to one common purpose - to dance.


Following the series’ 10th anniversary, the release of 2020’s highly regarded ‘Visions of Love’ album garnered widespread support and the aptly named successor ‘Dance Club’ follows suit. Also scheduled to take the concept to spaces across the globe as we get back to dancing together again in your own Future Disco Dance Club.

And of course, the eighteen carefully curated tracks by label owner and curator Sean Brosnan featured on the album are some of the finest selections of disco, and club ready DJ tools to soundtrack the summer of 2021 and beyond. The album also features a raft of exclusives, edits and unreleased tracks from Theo Kottis, New World, Antenna, and The Showfa.

Phonk D is back on Exploited’s hallowed Black Jukebox series following the success of his #29 takeover earlier this year. You just can’t keep a good man down...

‘Let’s Shake’ leads the way with serious funk intent, mixing a thumping MJ-esque bassline with some of that late ‘70s / early ‘80s synth magic. Phasing guitar licks sidle up against spunky horn swells and sassy vocal blasts. It’s a track that has ‘party-starter’ written all over it.

‘Reality Dance’ is a chuggier beast, building slowly through looping guitar-and-bass plucks until a feel-good melody emerges. This low-slung, low-tempo groove is in no hurry to lay out its funky machinations, making for a perfect early-evening floor-filler as cocktail glasses clink and glitterballs bling.

‘Players Anthem’ chunks things up with conga-inflected groove and an arpeggiated bassline throb underpinning swooning female vocal harmonies. It rocks a simple arrangement that lets the groove do the talking, with sustained string notes adding an element of tension at the requisite moments.

‘No Limits’ sees Phonk D team up with old sparring partner Sascha Ciminiera for another hot collab. The bouncing off-beat groove pumps pleasingly in classic disco fashion, with a joyous mood built through Rhodesy chords and a scintillating synth line. Swelling horns are buried deep in the mix in the second half to help propel the track highe

Washington collective, The 3 Pieces, privately-pressed Iwishcan William on their own DL Records in 1982. The 12 has Discogs, for one, confused. Is it soul, rap, jazz, go-go, funk, electro, or educational? By nature of its birthplace and date of birth, it`s all of those.

Synths shimmer in harp-like glissando. The bass grumbles, rumbles, machine-made. The beat pops and locks. The whole thing grooving and exuding positivity. One part the cosmic funk of say Cloud One`s Patty Duke. Another, the balearic chug of Will Powers` Adventures In Success. Like Brother D it looks to “agitate, educate, and organize”, and stirs in the sentiments of Razzy`s I Hate Hate. Imagine if the Last Poets jammed with sister Sarah Webster Fabio. Keys parp like car horns, a real trumpet blows a Don Cherry solo, but the track really revolves around its sweet Sesame Street call-and-response chorus:

“I wish love. I can love. I will love. I am love.”

Swiss gentleman DJ and Phantom Island resident, Lexx, produces a killer remix - smoothing out the OG`s jerky edges, upping its sophistication. Making clear the contributions of Lexx` new bubbling electronics. rescuing a clipped guitar, previously lost deep in the mix, and moving the children’s voices to the fore. Ensuring you’ll remember that

““I am” is the glory of a wish come true.”

Idjut Boy Dan Tyler then ties up the package, well he actually kinda sends it out into space - expanding everything in echo. NYC Peech Boys-esque delay. The result is a mind-blowing, psychedelic, almost ambient, Larry Levan-like, Paradise Garage dub. Where fragments of song fly at you from four corners. Trippily pan from left to right. The horn blasts now paying tribute to King Tubby`s Hi-Fi. François Kevorkian going bang!

All carefully mastered with love from the original master tapes by Sam Berdah at The Wall studios.

MAJOR HARRIS, one time member of the Delfonics, kicks off 2016 with a 'major' slab of Northern Soul in the shape of his dancefloor anthem 'Call Me Tomorrow'. Recorded in 1968 for Okeh Records this non-hit rarity has soared in value in recent times changing hands for up to £500 and making it a worthy debut for the new season. After leaving Okeh in 1974 Harris signed to Atlantic Records and scored a string of R&B hits including his top ten gold disc 'Love Won't Let Me Wait'.
WALTER JACKSON is no stranger to the rare soul scene but perhaps his least likely dance floor hit is his 1965 soulful rendition of Pete Seeger's political folk song 'Where Have All The Flowers Gone'. First introduced at Manchester's famed Twisted Wheel club and packed the floor at Wigan Casino circa 1977.

Fresh Retro Disco Boogie Cuts With Cheesy Synths Riffs, All Tainted With An Early Groovy French House Style. Hand Played Keys, Bass And Guitars Makes It A Ready To Dance Harmonic And Rhytmic Cocktail

Deep druggy dancefloor business from a well known crew from the east, not so much an edit, more of a rebuild, flipped with some JazzDisco™ business for those who know.

Real heads know the deal, 300 only so quick if you want a feel.

Under the banner elusive of PBR Streetgangs 'Lost Property'
These 'found items' are rumored to be the work of Bonar Bradberry from his secret vault of special edits, rare works and oddities. This Volume may contain:
A1 An Original work 'Montego' is still very much a loving tribute to Metro Areas classic 'Miura'
A2 is an edit that may be more familiar to most. The Chaplin Bands 'Il Veliero' faithfully edited for club play.
On the flip side we have another faithfully crafted re-edit of Cymande - Brothers On The Slide Then finishing things off, B2 is a is a remix of a rare gem, officially commissioned and then lost to the world of library music 'Restless' is a track from Bernard Fevre's highly prized 1977 album, the original now changing hands for nearly £300.

Full colour original sleeve artwork housing an aqua coloured 12 inch vinyl. A fully remastered reissue tribute release of the 1983 Kenny Lynch disco floorfiller, 'Half The Day's Gone And We Haven't Earne'd A Penny' complete with a new remix by Ashely Beedle.

With interest in Disco as strong as ever, we continue to mine the SAM Records catalogue for Disco treasures. “Free” by Rhyze is one of the catalogue’s lesser known titles, but with its inspired rolling horn hits sprinkled throughout the song and its funk based organ and keys, it’s got all the elements for a current hit among disco and house afficionados. World renowned and Grammy award winning producer Louie Vega recognized this a few years back even before disco was back in the spotlight and gave it a massive injection of modern dancefloor energy. And now the universally recognized “King Of the Edit” Danny Krivit has put his unique musical touch on this disco funk jam. On the B Side is another disco treasure from legendary Phillie based producer John Davis. “Love Magic” had all the memorable and classic elements of the late 70’s disco era. Produced at Sigma Sounds in Phillie, the song is embued with lush strings, over-the-top funky lead guitar and throbbing bass combined with sulty female vocals singing to one of the John’s consistently superb tunes. Danny Krivit brings out the hottest elements for the special 45 RPM 7" release.

In the mist of the night, a driver locks his rimmed glasses to his face, fasten his seatbelt and stomps his foot on the gas. An array of beams and city lights flow in a continuous spectrum that dissolves into lines as the car speeds up.

It's only a matter of time before his journey turns into a tunnel of light? Off he goes into the distance to test the space time continuum limits of speed and sound with aboard of his car only courage and humility. For his first EP, Romain FX digs deep in his emotions to pull out four Italo & House infused tracks full of musical surprises.

Vinyl Only

The oriental wind brings 4 exquisite cuts of scrub from the lefty quarters of the Hamam. Soap of emotion, towels by synergy. Don't look back. Release your inner gumption.
Note: This aura twisting exercise on wax might just take u on a journey through time and space.

"2020" and 'Bordello A Parigi' hitting the ground running with new music. 'Hypnotique' is the newly minted moniker of synthesizer star Sergio Mesa (IAMNOTAROBOT) and David Jornet alongside the mellifluous vocals of Maia J. This debut is centred around one very special track "La Pénombre".

A steady kick introduces the piece, Maia’s words circling the rumbling rhythms. Vocoder breathes, care of Jornet, steady the percussion before bright and bold keys strike. The optimism of those notes is balanced by the lyrics, heartfelt and pierced with a romance laden lament to produce a simply sublime piece of synth wave.

The flip is occupied, in true maxi single style, by the instrumental version. Those incandescent chords take centre stage and are given space to radiant their warmth as snares support in this brilliantly joyful work.

Detroitalo merges the best of both worlds - Detroit and Italo. The proclamation of an entirely new genre is accompanied by Bungalo Disco`s latest outing - the Detroitalo E.P. Italo Brutalo`s latest masterpiece on your favorite label. Detroit stands for innovation and its unique character - always several steps ahead. In contrary `Italo Disco` songs are simple, basic and catchy - and therefore appealing to the masses. Combining these two genres might feel like inbreeding of the most severe degree : It´s so obvious and at the same time so unimaginable. It almost feels like two lovers who had been at war for generations and now-after reconciliation- have the urge to finally let go their mutual desire.
All songs on this release are legitimate descendents of Italo Disco and Detroit Techno. Starting off with "La Bambola" which can literally be called the big sister of the Detroitalo offspring, it´s gripping arpeggio line leaves nothing to be desired and instantly indicates in which direction Detroitalo is heading. The record`s second and eponymously named track perfectly reflects the new style with its restless bassline. More Detroitalo siblings are to be found on the flipside of the release. "Down the Drain" with its acid elements and techno-ish Italo arpeggio, sounds like it was
directly transferred from the 80ies to the year 2020 and far beyond. Ultimately, you can get a glimpse of what driving in the "Motor City" looks like. On the one hand stop-and-go-traffic on the other speeding through endless alleys of the grim and bleak City of Detroit. A murky bassline combined with apocalyptic strings and effects set the perfect mood for rollin through the D at nighttime.

Mermaids return to the sacred black wax after a five year break. It appears to have been time well spent, as their sound has matured into a rhythmic, expansive feast.

Coming on like a psychotropic, hallucinatory distillation of their anything-goes More Ritual show on Netil Radio, this action-packed EP is an evocative, cosmic journey that defies classification. There are sprinkles of deep house, disco and bass with a tropical, outward looking feel.

Opening track Crystal Eyes patiently broods it’s way up the energy ladder, winding around birdsong, field recordings, flamenco guitars and ear-worm grade drum patterns that grow into a propulsive, bass-driven finale.

Find The Light merges a driving a low-end with plaintive keys and sparkling percussion; high-energy dreamer music for weary-legged dancers.

The B-side kicks the mission off into a voodoo state with Raising The Altar; a mysterious and intrepid slo-mo juggernaut that carries the listener through a shamanic odyssey with enough sway to topple a pyramid.

Gilded Key closes the set with an uplifting, strings and percussion drenched groover that will leave you grinning widely, still drenched in the steam-heat of the ritual.

With early support from The Revenge, Rune Lindbaek, Andrew Thomson, Esa, Auntie Flo, Jaye Ward & more.

The award winning compilation series Future Disco returns with it’s 14th instalment ‘Dance Club’, an embodiment and celebration of dancing, unity and togetherness, packed with key artists such as Dimitri From Paris, Dr Packer, Gerd Janson, Aeroplane & more.

Following a year of club closures and festival cancellations, 2020 was a year unlike any other. And our separation from the club environment was a reminder of its inherent beauty, empowering nature and community of dancers. ‘Dance Club’ is a symbol of this embodiment, that draws people to one common purpose - to dance.


Following the series’ 10th anniversary, the release of 2020’s highly regarded ‘Visions of Love’ album garnered widespread support and the aptly named successor ‘Dance Club’ follows suit. Also scheduled to take the concept to spaces across the globe as we get back to dancing together again in your own Future Disco Dance Club.

And of course, the eighteen carefully curated tracks by label owner and curator Sean Brosnan featured on the album are some of the finest selections of disco, and club ready DJ tools to soundtrack the summer of 2021 and beyond. The album also features a raft of exclusives, edits and unreleased tracks from Theo Kottis, New World, Antenna, and The Showfa.

It's an honor for MM Discos to i ntroduce you to one of the artists that has i nfluenced us the most, still remember l istening to the first edits that Mori-Ra posted on his soundcloud page and since then on here at MM Discos we've always had an eye on every single thing that he
has put out on the streets.
An artist that flees from fashions, vinyl l over and a true tastemaker. Eclecticism i s probably the word that i t could define him better, and that's exactly what we will find on this EP. 4 underground edits where Mori-Ra does his best by showing his particular vision of Free-Jazz, Disco-no-Disco and Wave.
Enjoy the trip! :)

13 years ago, while Jerome Derradji was Djing in Liverpool, he was approached by a young lad named Andy Ash.

Andy handed Jerome a CD. It was so great that all the tunes ended up on “Carnival De L’Spirit”, his (now legendary) debut D12” for Stilove4music.

In the last decade, Andy has been releasing critically acclaimed House and Disco 12”s on some of the best labels on the planet such as On The Prowl, Delusions of Grandeur, Dessous, People Must Jam and many others.

Finally on March 29th, Andy will drop “Not At Home”, his first (official) full length on Still Music.

In more than a decade, Andy’s production has matured and evolved. It is now more sonically subtle,
superbly arranged and it seamlessly brings you straight to Detroit, Chicago and New York with the perfect blend of Disco, Garage, Acid and House.

“Not At Home” is a fantastic DLP with 6 songs that showcase how much Andy has mastered his craft while staying true to his roots. This is how real house music sounds like.

To top it off, Andy, who is also a fantastic painter, created his own artwork which perfectly matches his music. (Fans of Keith Haring will not be disappointed….)

With “Not At Home” Andy demonstrates incredible maturity, creativity and talent.

As usual, this release is limited to 500 copies on vinyl.

Local NYC boy Eli Escobar makes better than good on his debut release for RNT with a 4-tracker of secret heat from his personal arsenal!

The EP bursts out of the gate with Bullfight of Love, blazes through the percussion heavy Everybody, hits full stride with the reworked Paradise Garage staple The Music, then lets us down nice and easy with Seven Eleven.

Pay your fare and take a ride on the NYC underground!

Leoparden dive into the summer with the warm, lovely space anthem "hoyt oppe" and the dancing synth-disco groove "Lopebass" on the B side.

We don’t really know Bruno “Patchworks” Hovart’s secret but we’re always thrilled to get a taste of his proven production skills. After two acclaimed LP’s as Mr President released over the last decade, the Disco ruler is back with some groovy ideas to put the country into clubs again. One Night is indeed a shiny celebration of the genuine spirit of Soul and Disco, always coming with Bruno’s modern touch, fitting all the criteria to become an instant club classic. From start to end, Mr President’s blend of grooves and subtle jazz harmonies brings a definitive Roy Ayers’ feeling to the compositions. Developing his vision along six titles, Mr President certainly knows how to produce hits for modern dancefloors. Just like on his previous albums, Bruno plays most instruments, when not even singing catchy vocals. One more time, he also brought incredible lead singers in the studio, some you may know from different projects already released on Favorite Recordings, like Jennifer Zonou (Hawa), Cindy Pooch & Celia Kameni (Saving Coco) and Sabba MG (Mr President’s previous releases). Thanks to exciting arrangements, they carry the songs to a certain climax which reminds the great US era of disco and house
divas. Along the original compositions, Mr President also tackles the challenge of covering Roy Davis Jr. & Peven Everett’s house anthem “Gabriel”, bringing the track into even deeper jazz territories. Of course you may know Mr President from his previous LPs, Number One (2011) and Hips Shaking (2014), however you might also know him under many of his other projects, such as Voilaaa, The Dynamics,
Uptown Funk Empire, Metropolitan Jazz Affair or Taggy Matcher to name just a few. Patchworks has been a ubiquitous artist since more than 25 years now, from the House years in the nineties to his recent involvement on different Favorite’s releases like Joao Selva, Pat Kalla, or the last EP of Leroy Burgess & Saving Coco. More globally, through all these years and various projects, Bruno “Patchworks” Hovart’s established himself as an unequalled producer, both in term of quantity and quality, fulfilling his wide passion for music and groove.
Some could compare his path to famous predecessors such as Patrick Adams, Pierre Jaubert, Patrick Cowley or Jean-Pierre Massiera, who like him, have all stayed quite underrated and in the shade of the many classics and hits they gave birth to. Who knows where the future will bring him, he’s not finished yet feeding our ears!

A SUPER RARE LATIN AMERICAN SQUIRREL TO PUT SOME CHA CHA CHA BACK INTO YOUR LIFE AND SET FIRE TO YOUR DANCE FLOOR.

THE RODENT MASTERS OF UN-CLASSIC, NIGHT TIME GROOVES DIG DEEP TO PRODUCE ONLY THE BEST VIBES AROUND.
CLIMB HIGH EVERYBODY!!! X

'Music For Us' is Italo-Disco in its pure state! If the two original versions on this 12inch reissue's main side by House of Music are "untouchables" as the "purists" rightly claim, the rebuilt version by Danilo Braca on the flip must also be considered a masterpiece! The original vocal is hot, Helene has a very sexy voice, while the instrumental has a strong groove, thanks to the excellent synthesizers and bass. It seems that Junei's 1987 'Let's Ride' was inspired by this milestone published five years earlier by Stefano Zito.
The sequences of this song, which has become legendary, now sound good, precise and without the distortion of the previous reissues.
By turning the vinyl you'll find a later work by Stefano Galante, the same composer and arranger who, along with Claudio Casalini, at the end of the 80s created a song renamed 'Music For All Of Us'. 13 sumptuous minutes completely rebuilt by Danilo Braca. The Italian DJ based in the Big Apple is a true magician in radically transforming a song without losing its original charm. His version, renewed with a more modern and universal taste, will certainly please everyone. Very captivating, it will attract many new young Italo-Disco fans.

After massive support from MCDE, Feel my Bicep, Mike Huckerby, and many many others we are over-the-moon to be re-releasing the all-time party classic, My People - (Disco Nights Mix) released some years ago on Landed, it's high time this track was repressed, but this time switched to black vinyl and given a full side for a louder press.

Ignition has its own side too, a deep bubblin' groove typical to Jensen's native Detroit.

Ways Of The Sun' war Frankey & Sandrinos Underground Hit im Winter 2015/2016 und ein Meilenstein in ihrer DJ- und Produzenten Karierre mit weiteren EP's auf Labels wie Mule oder Innervisions. Hier kommen nun saftige, frische Remix von Vienna's Wunderkind Peter Kruder, Jimi Jules, Zürich's Manuel Fischer, und Armitage. Peters Mis ist fein einfühlsam modern, Jimi Jules zaubert einen ganz tollen Dub-House Skank Groove, Manuel Fischer geht in Richtung klassischer Chicago/Detroit Vibe, und Armitage liefern diese rohe Old-School Techno Version. Die Jungs hinter Armitage sind super bekannt und Global Players, aber wer's ist bleibt mal

It's tape time again!
Proudly presenting you INEXTAPE002! Our next VA is coming out digital as well for you guys.

DJ Harvey's Mercury Rising at Pikes Ibiza celebrates its 5th year. To celebrate and in loving memory of Tony Pike Harvey's has compiled his second collection of music inspired by and that represents the party. Never Mind the Balearics Here’s DJ Harveys Mercury Rising volume II.

3 x 80s boogie disco & funk cuts , reworked for the dancefloor.

George Feely is back on Random Mind State an comes around with three slaming peaktime house
tracks and the Soul searching edit you know from his Boiler Room on top Cheers!

After his guest appearance on our last
Various Artits record, we couldn't help but
publish the Cologne producer's first solo ep.
The result is 4 detail loving deep house
tracks that have more than exceeded our
expectations. Don't sleep on this one ...

Limited Vinyl - Edits for the Dancefloor!

Mathias Modica's "Sonic Rohstoff" is the new album on Berlin-based label Kryptox Music, Toy Tonics' and Gomma Records' sub label for new forms of Jazz & Electronica. Over the past two decades, Mathias he has made a name for himself by discovering and breaking new talent and styles of music. He produced albums with James Murphy and Nancy Whang of LCD Soundsystem, Peaches, Asia Argento, The Rammellzee and WhoMadeWho just to name a few. The album is a journey through abstract downtempo vibes, lofi jazz and futuristic electronica. This is Modica's first album under his own name, following three albums under his monikers Kapote and Munk. All instruments are performed by Modica himself, embellished by guest musicians from the new Berlin Jazz scene. Most people might know Modica from his earlier works as a producer, keyboard player and founder/ creative mind behind Toy Tonics, Gomma and Kryptox.

Boogie Butt presents (Just) Remember, our last mainstream 80's Funk project pressed on Limited series of Vinyl 7inch.

We are pleased to introduce our last discovery Ella May, born and raised in Sweden. In the early 90's, she worked as backing dancer and singer for both Swedish and international artists such as Jazzy B, Papa Dee among others. Boogie Butt is currently working on our forthcoming projects featuring this gorgeous singer who has a grasp on Funk, Soul & Jazz. Her warm and charming tonality spectrum makes all the tracks really hot.

A side "Just Remember" is the original Funk version produced and arranged by Ian Ash as an tribute to Luther Vandross' mega hit "Never Too Much".

B Side brings a massive remix by renowned French producer Magoo. He fives the tracks the boogie sound just like in D Train productions. His versions gets straight into Modern Funk, just like the best of Prelude Records.

With an Arturo Micro brute synthesizer put through psychedelic effects, Modern Ruins keeps the flame of Andrew Weatherall and Suicide burning through times of isolation and disarray. This Synth Wave/New Wave experience of an album, released on LP on Höga Nord Rekords, sums up 2020 with its dark and cold sound.

The title speaks for itself: “Unemployment Disco Line” reflects the desperation in the sound and the reverb-drenched vocals in the back of the soundscape comes from deep within the Covid hole. Sick, fed up and restless!

Drawing influences from masters like the legends above,Rowland S. Howard, Johan Balance + Peter Christopherson et cetera, this debut album by Modern Ruins sums up four decades of underground club music and no matter how long this pandemic goes on we are in “Nothing Blues” until the dance floors open again.

The dream team pairing of The Mighty Zaf and Phil Asher are back once again with a triple dose of their highly sought after '80s edits. From rare feel good '80s boogie to a South African boogie disco dancefloor delight and topped off with a modern soul disco funk anthem, these edits are must haves in any collection.

Underground disco, soul, funk DJs will love this!