House News

Here's a pairing you know will taste delicious, The Patchouli Brothers & Dino Soccio sharing two quick bites on a 7”, a cheerful tumble of great ingredients.

ATA proudly presents it's first foray into the world of disco with "United Disco Organisation's"Send The Rain/Funky Thing

Conceived by producer/bassist Neil Innes and guitarist/singer Chris Dawkins, United Disco Organisation present two sprawling dancefloor fillers reminiscent of the early underground disco explorations of philly soul and Joe Bataans Salsoul label.

A-side "Send The Rain" features the sinuous flute of label-mate Tony Burkill before Chris Dawkins vocals takes centre stage, while the instrumental features an extended flute solo from Tony.

Dawkin's guitar drives B-Side "Funky Thing" with Vibraphone bringing to mind Roy Ayers ubiquity's mid to late 70s disco tracks on the instrumental.

Scheduled to be played on 27th November by Craig Charles on his flagship BBC6 Music show, these 2 tracks have already garnered a great deal of interest including from DJ/Producer Smoove of Smoove & Turrell.

Örtmek comes back round, presenting another vinyl only pressing of three invaluable edits of vintage Turkish funk, rock and disco delicacies. Following the raw, percussive experiments of the first release. Opening track 'Özil Dans' rains down crashing cymbals and freak-out-worthy wah guitars, maintaining an irresistible and authentic groove that doesn't falter for five minutes of Eurasian hypnosis. 'Dokuz Sekiz' weaves traditional string elements alongside bursts of wild chanting. Finally, 'Mozart'in Davul' stitches a frantic, dense rhythm from the fuzz and feedback of an unknown slab of Turkish psychedelia.

The Konduko series features Noel Williams (King Sporty) working with other artists and singers on the label's roster, and continues with the killer boogie 'You're In My Pocket' by Reanna Coleman.

While little is known about Ms Coleman - beyond the fact that she was an R&B singer who was part of Betty Wright's 'Miami Sound' backing troupe - here she is stepping up in front of the mic for a one off release - backed by an esteemed team of writers and producers including the legendary Tommy Stewart.

Stewart's standing in disco history is guaranteed by his classic eponymous solo album, and the boogie classic 'Bump And Hustle Music'. He has also written for the likes of Loleatta Holloway, Tamiko Jones, Mad Dog Department. Fellow writer Julian Chatman was an established composer in his own right, for Salsoul, T.K Disco and AVI Records.

All based in Florida, teaming up with Noel Williams was a logical step. Working with members of Stewart's own band, the marriage can be heard from the first bars. Williams' funk and JA influenced bass is pulled back and a laidback, horn-intersected boogie groove underpins Coleman's warm, gliding lyrics. Now a mega rarity, here it comes in vocal and instrumental, it is backed with the latest Discomix for the label, welcoming back digger, dealer and DJ, Nick The Record to create his own version. Gently cutting between versions, with deft dub touches to bring this latest Konduko delight up to date.

Aldorande is back! The French Jazz-Funk quartet returns with a strong new EP “Summer Body / Breakfast in Space” widening its musical universe to join the Favorite Recordings’ 2020 Disco Jazz-Funk series.

After their first eponymous LP released in June 2019, our explorers strike again with two club-friendly compositions joining the dots between Jazz-Funk and Disco/Boogie. Recorded with great care, reflecting Favorite Recordings’ journey towards the authentic analogue sound, both tracks coming with a Charles Maurice dub versions. With this new musical space trip, Aldorande confirmed – if needed – their solid position at the heart of the French jazz scene: a great appetizer before their upcoming 2nd album to be released later this year.

A-side opens with “Summer Body”, a boogie banger driven by a magnetic bassline, surrounded by lush synthesizers and catchy backing vocals arranged in the tradition of the best Brazilian songs. On the B-side comes “Breakfast in Space”, a sort of cosmic opera. The slap bass and drums set up a P-Funk foundation. On the top, Aldorande put psychedelic vocal lines making the whole journey a definitive trip into funkiness.

Behind Aldorande, you will find a team of great musicians including bandleader and founder Virgile Raffaëlli on bass (Setenta, Camarão Orkestra), Florian Pellissier on keys (Iggy Pop, Guts, Setenta, Cotonete,…), Mathieu Edward on drums (Chassol, De La Soul) and Erwan Loeffel on percussion (10LEC6, Camarão Orkestra). For this new EP, always looking for more funk into their groove, they’ve been joined by French guitarist Farid Baha (Cotonete, Camarão Orkestra).

Wax digger and producer for over two decades Jay puts on the editor's hat for this new release.

Driven by discoïd baselines the inuences of this 4 track ep are oriental and mediterranean grooves.

4 surprising tracks tailored for the dance oor and ready to delight the open-minded and curious listener.

Paint A Picture are incredibly pleased to announce news of their first release: a fully
remastered, licensed reissue of rediscovered British 7” Funny Situation recorded by Reflex - a
band put together by drummer David Humphrey (Public Image Ltd., Sparks, Mike Oldfield) and
privately released on his Star Records back in 1981. With the original record now changing hands
for in excess of £200 and just in time for a 40th anniversary release the reissue - remastered and
cut by Frank Merritt at The Carvery - will include updated original artwork whilst also containing an
insert providing further details and context on the release.
Recorded a few months after seminal Britfunk tune "Southern Freeez" at the very same Vine
Yard Studios and with the same engineer Simon Sullivan - the release unfortunately suffered from
a lack of marketing and proper distribution but almost forty years later the record is now receiving
the attention it deserves and with a price tag to match.
The A side presents a beautiful mesh of funk and soul styles with influence from other Britfunk
bands of the time but with a more overt jazz and rock feel fusing a tight rhythm section with smooth
vocals and climaxing in a guitar and saxophone duel.
The instrumental Version Two provides a fresh approach with the addition of dub FX and
Indian percussion with the use of a tabla added to the mix.

Voilaaa is one of the many projects led and produced by Bruno “Patchworks Hovart, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres. This time exploring the wide spectrum of the African and Tropical Disco scene, he received a massive international support for Voilaaa’s two first album, On te l’avait dit, and Des Promesses. Following to that success and pursuing the same direction combining of the festive, yet sometime futile nature of Disco, and the instinctive, deep, sometimes rough nature of African music, Voilaaa’s now presenting a new 4 tracks EP, which will be followed later this year by a new LP.
Another killer package where Patchworks teams up again with longtime partner Pat Kalla, but also with newcomers to the project, like here Ramatou Traore and Ayuune Sule, both bringing great African languages vocals to “Tu mens devant moi” and “Woman Can Do”.

Kamazu's certified floorbanger gets the dope edit treatment from veteran producer, Dimitri from Paris. On the flipside you'll find the kwaito gem 'Mjukeit' taken from Kamazu's 1997 CD.

The mysterious Love Drop continues to blend a taste for quality, eclectic grooves with an ear for making DJ versions that will really work the dance floor.

Equal parts spiritual and exotic, but also irresistible, the second instalment on his own Love Drops imprint certainly does not disappoint.

Feel the music !

Another Limited edition remastered official reissue of one of the classic boogie song now very rare and sought after coming from the legendary Delirium Records now handled by Best Record Italy.

Felipe Gordon perfectly balances raw house with an edgy disco influence. His songs follow a less is more, fewer is better ethos, with each element meticulously placed, optimized for shaking booties.

ONE OF THE BEST SOULFUL-HOUSE TUNES OF THE YEAR!

3 track EP of post-punk NYC disco from 3 members of the legendary LIQUID LIQUID. "GROOVE TO GO" was recorded in the 80s and was due to come out on 99 RECORDS but never did. Now decades later the trio has gone back into the studio to complete it. Hand stamped, 1-sided..

Tobias Bernstrup is a contemporary musician and video artist born 1970 in Gothenburg, Sweden. He received an MFA from Royal College University of Fine Arts Stockholm in 1998. Using the visual language of pop culture, video games, sci-fi, classicism and gothic noir, he has created a stage persona with notorious live performances. Dressed in elaborate costumes of skin-tight rubber suits and fetish gear, Tobias' external appearance is androgynous. He raises questions about representation of identity, the body and physical space in both virtual and non-virtual realities. Between 1997 and 1998 he self-released two limited CD-R EPs. In 2002 his debut album 'Re-Animate Me' was released by Tonight Records followed by two limited 12' singles for the song 27' and the Italian version Ventisette'.
.
27' is a 5-song EP collecting 4 different mixes of the title track plus one unreleased song from the 'Re-Animate Me' recording sessions. The material on this EP is closely connected with the world of computer games which Bernstrup also inhabits. Bernstrup's music is influenced by 1980s Italo disco and synth pop, reminiscent of Kraftwerk, Depeche Mode and Ken Lazlo. On the A-side is the original mix at 115 bpm followed by the Lazer Mix set to an faster beat and additional arpeggiations and heavier bass drum beats. Lyrically the song tells the story of a good looking 27-year old boy from a small town searching for love with any man who can spoil him. On the B-side are both the vocal and instrumental of Ventisette', the Italian translation of the song 27.' Both versions of Ventisette' are stripped back compared to the A-side but keep the melodies in tact. Also released for the first time ever is the demo Dirty Money' a Pet Shop Boys influenced song about male prostitutes ready for a night out working the streets.

All songs have been remastered for vinyl by George Horn at Fantasy Studios. For the jacket Eloise Leigh transformed the original portrait of Tobias into a Warhol-like painted polaroid with a striking likeness to Liza Minelli with blue eye shadow and red lipstick. Each copy includes a photo postcard with lyrics and notes. I would rather create alternative routes to experiencing and understanding the world, understanding what it means to be human today,' says Bernstrup. We are more artificial than we want to admit.'

Back in 1979, a new kind of superhero entered the Chicago music scene, "...Daryl Cameron somehow entered the phonebooth of his mind and emerged as Captain Sky." His first album for LA based AVI record “The Adventures of Captain Sky” was a smash hit and established Captain Sky as a serious Afro Funk artist right next to Detroit’s George Clinton and Bootsy Collins.

The first song on the album, Moonchild was released as a very limited promo 12” and remixed by Chicago radio DJ Peter Lewicki. The result is a timeless cosmic disco tune that may be one of the best disco song ever made.

Jerome Derradji and Past Due Records are proud to officially reissue this most wanted Captain Sky 12” for the first time. Later this year, Past Due Records will reissue all of the Captain’s full length and some more surprises along the way… Enjoy!

repressed !

Another classic remastered Disco / Cosmic Balearic Classic from Best Record Italy, originally released in 1983 on F1 Team records. This one includes the original versions from the original 12" release plus the special extended mix.

Emotional Rescue completes another set of Discomix collaborations, this time with the Idjut Boys' Dan Tyler, with the dub-disco-reggae of JA meets Brixton's Floyd Lloyd Seivright.

Born in Brown Town, 1948, his music life was formed while attending the cradle of Jamaica music, the legendary Alpha Boys School that spawned the likes of Don Drummond, Tommy McCook, Johnny Osbourne, Cedric Brooks and Rico Rodriguez. Leaving for London in 1969 to pursue music he soon established himself, recording with Vista Sounds and Trojan, where he also worked on A&R, before setting up his Tropic label, as well as signing to KPM Music that has seen his compositions appear in film / TV from Eastenders to Friends and recently, Stranger Things.

By the 80s he was working with Red Cloud (ERC102/123), mixing a fusion with soul and disco. Check Out Your Mind comes from these sessions, appearing on his sophomore album. Jazz keys and horns, funk bass and infectious guitar back Seivright's call to awaken, a rising consciousness of the times.
The righteous groove is exemplified on the super rare instrumental. Appearing on the Sexy Lady 12, it now commands serious attention. Featured together for the first time, the interplay shinning a light on Rudy Steel's guitar, before the B side is commanded again by Dan Tyler. His longform utilises the best of both versions, cutting and dubbing to abandon while maintaining total control of desk for a fitting finale.

Just what we need, another 4 cuts of essential mayhem that only reinforce what a wonderful world we have. This time we get the official beatdown from one of the best to do it. Front to back & something for all ages! Another limited run of bliss, please be swift!

Fingerman's Wax Digits imprint returns with a tasty 4 track EP. Feat Edits from Fingerman, Chewy Rubs alongside newcomers Chris Shennan and Dawn Again. Early support from Masterworks, Greg Wilson, Midnight Riot and more.

Beppe Loda and 'was resident DJ at the disco Bisbi
Pavone Mella (BS) in 1980 and semi-resident until 1992,
the year of final closure of the club, in this double
collection, have been selected the most significant
songs of the musical journey started by Loda in that
period.

The boutique label from Milan is back with a 6 tracker ep. Masterminds Volantis and Nicodemo present Spaziotempo EP, serving up 4 brand new tracks and asking two of most-in-demand producers out there to put their hands on, Bell Towers and Andras, the two hitmakers from Australia. This record dangerously contains “hands in the air” moments and blissful vibes.

Javi Frias has earned a solid reputation as a producer on the international disco scene since he began releasing his edits and reworks back in 2015. However, this year, during confinement, he decided to put editing aside to unleash his creativity and start recording his own productions, playing with synthesizers, electric pianos, syncopated basses and tribal percussion, and the result is this 'Sunset Disco EP'. A collection of songs that take us to a summer sunset on a beach in paradise that represent a huge leap in the career of this artist. The A side begins with 'Give Love', a hedonistic and melancholic disco song, followed by 'Noche Tropical', with Balearic overtones and reminiscences of a Caribbean party. Side B opens with 'Are You Really Fellas?', a funky little number featuring jazzy guitars and smashing bass. 'Dance With Me' brings us back to the field of the emotional and evocative disco. And finally 'Musical Connection', with touches of reggae downtempo perfect to say goodbye to this eternal and warm sunset.

Telephone Man bring the joy of the Paradise Garage to Mafalda’s Tropic of Love with expansive 17-piece live disco EP, Angel.

A coming together of close friends Nostalgia 77 aka Benedic Lamdin and DrumTalk aka Nathaniel Pearn, Telephone Man fuse the stirring arrangements and technical prowess of library music with a dance floor sensibility drawn straight from the heart of Larry Levan’s NYC.

Imbued with the DNA of iconic library label KPM, the project began as an exercise in disco, written to the KPM brief, complete with the stuttering drum loops, funk guitar licks and euphoric piano breakdowns of classic Sleeping Bag and Dinosaur L recordings.

Angel was then recorded live by a core group of musicians featuring Tom Herbert (bass), Jose Joyette (drums), Kishon Khan (piano), Ross Stanley (Rhodes), Anselmo Netto (percussion), Rob Updergraff (guitar) and Nathaniel Pearn (synths).

They were joined at Fish Factory studio in London by vocalists Jaelee Small and Chantal Lewis Brown and an 8-piece string section arranged and conducted by Giles Thornton, in a scene that recalls the golden era of live disco, when large ensembles of the world’s best musicians would cut live arrangements for the likes of P&P Records, Prelude and Salsoul.

Described by Nathaniel as “warm, deep, colourful music, that wears its influences on its sleeve with pride,” these live recordings were then taken back into the studio, where Benedic and Nathaniel cut them with tape echo, layered additional synths and crafted each track with the extended topography of a Walter Gibbons disco mix.

Presented as a four-track EP, Angel opens with the rolling percussion and heavy piano stabs of the title track, before the lush and opulent strings set the tone for what is an ambitious and astutely executed piece of club-ready disco.

A motorik beat and sparse guitar work line the edges of second track ‘Burning’, where the bass and synths simmer on a groove without letting the intensity drop. The third track ‘Stand Up’ is pure Class Action - all wriggling baselines, wonky cowbells and rising chords - dubbed out for another 6-minute odyssey on the EP’s final track.

The EP was mixed to tape through the MCI console at Fish Factory, and mastered and cut by Frank Merritt at The Carvery in London. That it has landed on Mafalda’s label chimes with the vibrant, sunshine music of her own much-loved DJ sets.

Angel is disco as it should be done, touching the soul and lifting the spirit in the process.

Parkway present latest 12 inch single from The Whole Truth.

We’ve all been tested under hard times lately so Parkway hope this gem goes some small way to lifting your SPIRIT!

The Whole Truth have brought us a classic for our times, bouncing boogie for the head, hearts and feet of your dancefloors.

Mark went back into the studio to provide two extra mixes to compliment the outstanding original, mixes which we hope will meet the needs of our most demanding spinners!

All in all, we feel “Lord Quench My Soul” is one of our strongest releases to date and we are looking forward to more magic from The Whole Truth in the very near future

NU PORT 62 is the new project from Italian veteran DJs and producers Claudio Ricotti and Davide Domenella (Double Dee). With more than 30 years’ experience they have joined forces to create a modern nu disco duo. On the A side you’ll find ‘When Love Is Over’, marrying beautiful vocals with a catchy "Philly" groove topped off with an incredible saxophone solo. Edited by Micky More & Andy Tee, this version is exclusively available on vinyl.

Flip it over for ‘Make It Happen’, characterized by a hypnotic synth groove, euphoric vocals loops and a pumping bassline. Quality dance music for those that like to get down.

DJ Feedback:

Jazzy Jeff: Dope Dope Dope!

Dimitri From Paris: Lovin’ Both Tracks

Jayda G: Lovin Makin It Happen

Low Steppa: Massive Guys.

Kevin Saunderson: Will Support.

Cj Mckintosh: Love Both :)

Dr Packer: Great Vibes.

Michael Gray: Lovin’ Both Tracks.

Booker T. : Super Disco Vibes, Love Both Tracks.

Moodena: Great Vibes As Always.

Yam Who?: Full Support

Lenny Fontana: Great

On Animals Dancing's eighth disc, Dazion aka Cris Kuhlen lets rip with three psychoactive, percussion-laden mind benders for all good dance floors.

A tweaked vocoder mantra speaks in tongues across interlaced layers of live percussion on 'Yu Go Bah' before sirens ring in the distant chants.

Blood Moon takes the marching band down to the basement, fusing more twisted percussion with electro squelch to soundtrack the sweat rain down from the heavens.

'The Chant Of Celebrational Beings' beckons in a sunrise as the last inklings of serotonin jerk a tear to your eye.

Faze Action return with a classic original house track "Paradise" managing to seamlessly fuse Italo house with the New York sound of the late 80's early 90's. Finely mixing a cocktail of heavenly piano house riffs with dreamy vocals and dubby bass lines, topped off with some classic breakdown moments to tease the most discerning dancefloors into hysteria.
We have also included two tracks for the first time on vinyl, the classic Rudy's Midnight Machine - "Open to Your Love" and Faze Action's - "I Wanna Dancer" (Old School House Mix) plus we have the floor filling ST House Mix of "Freak for Your Love".

DJ Feedback

Jkriv:
"10/10 - Classic FA vibes! Love it, thanks guys."

Alan Dixon:
"10/10 - Quality, as always :-)"

Grant (Daddy G) Massive Attack:
"8/10 - Takes me back to the sound of Flying Records "

Andy Taylor (We are the Sunset):
"8/10 - Bouncy with plenty of piano power... thinking of Adriatic nights already. Thanks for sending."

John Le Visiteur:
"10/10 - Classic vibes all the way on this, love it and happy to support."

Phil Cooper Phil Cooper Nu Northern Soul Various Ibiza :
"8/10 - Full support. Lovely stuff. House music I understand and dig right here."

Guy Williams Flash Ibiza:
"8/10 - Nice retro bumpy - vibes will be supporting."

Collecting Orders For Repress

Hifi Sean gets his hands on a dusty old tape that had the golden vocal of the ultimate soul diva Loleatta Holloway singing the Style Council classic 'Shout to the Top' which was recorded and released by Fire Island in 1998. There was no musical parts on this tape only the vocal so Sean went about rewriting the arrangement and brings this beauty into the present with these 3 versions including a soulful string laden soul groover , a real late night pumping gospel house jam and a swooning orchestral reprise closing the E.P which includes the last repeated line we all want to hear and we all want to believe right now . "It's going to be alright"

Legito follow up their first single ("Be Happy" which was played by various DJs inc. Giles Peterson, Francois K, Artwork, DJ Harvey and Folamour), with a nod to both Philadelphia soul and Chicago house, in the form of new release "The Old Routine". Describing the frustration of wanting to change in a stressful world over a smooth, head nodding backing track with shuffling house drums for the dancers and gorgeous orchestral strings for the dreamers. The B-side has a deeper house vibe with a conga groove over a nagging guitar line that leads into a synthetic string, drone like breakdown with inspirational spoken word over the top, before bursting back in to the dancefloor groove with driving bass and shuffling hats. Limited repress of 200 copies after intial 100 sold out quickly in 2021.

Collecting Orders For Repress!

Craft Music's taste in sizzling hot party music is absolutely confirmed as razor sharp with this third instalment of edits and re-rubs with a twist. Far from vanilla re-arrangements, these re-versions get fruity with the source material and on Good For Dance there's a particular emphasis on acid. First up Scruscru & Aman Po-Kaifu get right down and dirty with Nigerian classic 'Salem' by The Funkees, whipping up a veritable storm with 'Acid Salam'. Next up Skitcut gets into a serious stomp laden with wriggling 303 action on 'Zaletaet Na Acid', and Funkyjaws has some fun weaving slamming claps and nimble bleeps into the brassy source material for 'Acid Circus'. Eddie C rounds things off with a proper rubbery acid tweaker which slips in smooth on 'Dysk Dzokej On Acid'. Classy stuff, and whole heaps of fun for those who love acid, those who love disco, and those who love both.

Next up, we have another dance floor igniter.
These are 4 sweaty basement party with a red light kinda vibe cuts that will stay in your record box for rotations on end.
No repress, act accordingly.

Plastik People is proud to bring you a new collection of vinyl classics that takes us back to those House & Garage vibes from our most loved era, the 90's. all are rare & hard to find track compiled with love by label owner Marc Cotterell.

The cosmic funk sounds of Crazy P are sure to endure through the ages but it's always good to hear classic tackle through a fresh lens. And so it is that Walk Don't Walk asks four crucial artists to add their own spin to some fine originals. DJ Nature brings his textbook rawness and heaviness to 'SOS' while Ilija Rudman's take on 'Night Rain' is lovely downtempo boogie funk. Running Back label head Gerd Janson is in dazzling disco mode on his take on 'We Will F**k You Up' and last of all is a super vibe and atmospheric house joint from Ron Basejam.

Four highly soughta after cutz from label boss, DJ Mes have been put together on one 12"! Fans have been requesting these tracks on vinyl for ages, so we decided to put them all together on one EP to satisfy the demand. This EP is stacked with chucky, funky, deep, dirty, jackin house tracks aimed directly at the dancefloor.

Makèz have come a long way since they first sneaked into Amsterdam’s studio 80 at the age of 17 to hand over their demos to Dam Swindle. Those demos led to their debut EP ‘Different planets’ on Heist in 2019 which gained major support from artists like Seth Troxler and Chez Damier. Quickly after, they signed two records on New York based label Let’s Play House. Fast forward two years, and here we are: the release of their debut album “City of all”.

"City of all” shows an admirable level of sophistication and matureness and effortlessly bridges genres across its 13 tracks. You can feel the amount of thought that has been put into this record, with songs happily blending into each other as Makèz submerge themselves in their concept of accidental encounters, inclusiveness and what it means to live in a city like Amsterdam.

On “City of all”, Makèz bring together all the musical influences they’ve picked up in their life as music fans, clubbers and art students. The jazz-funk of opening track “The entrance” feels breezy, casual almost, like the freeform rhythms that are played in a jazz club during soundcheck. That energy also oozes from “Not so different”, which features the smooth vocals of LYMA. There’s a hint of the house-meets-R’n B vibe that made Anderson .Paak the star that he is now. The song is brilliantly funky and shows the songwriting and arrangement talent of Makèz, who cleverly use pop & soul cues to create one of the album’s highlights.

What follows is 4 cuts ranging from the syncopated Balearic funk of “Orbit”, the strings of album title track “City of all”, the organ-led jam “Gonna getya" and the downbeat “Sonder”. Allysha Joy -best known for performing in Melbourne Hip Hop collective 30/70 - is featured on the deep and jazzy cut “Looking up”. If Makèz and Allysha are all looking up, it’s clear they’re seeing the same thing. These kindred spirits perfectly complement each other on this track, where the deep bass, warm harmonies and jazzy percussion prove to be a perfect foundation for Allysha’s rhymes.

Is it an album all about jazz and soulful tracks to listen to at home? Far from that. There’s a nice bit of dance floor-oriented tracks, where the distorted filter funk of “Roselane” featuring Fouk proves to be a highlight along with what is arguably the heaviest cut of the album: “Bent with funk”.

In an EP context, these house tracks would surely do their work, but they really come to life in this album format. No compromise has been made to storytelling and the house tracks all play their part while still standing their ground as powerful club tracks. It’s the expert production and smart arrangement that gives this album its casually funky feel. On “City of all”, Makèz showcase their remarkable talent for writing an album that goes to so many different places, but most of all, just really feels like home.

Enjoy the music,
Maarten & Lars

Sounding simultaneously from the past, the present, and the future, the debut album 'MLDE' by Marxist Love Disco Ensemble seeks to eradicate both the trite from disco and the sobriety from political music. Half poetic, half tongue-in-cheek, this stunning compact eight-track album is influenced by Eastern European and Mediterranean 70s disco records. In the words of band member Paolo, ''it was written in response to hearing 'I love America' by Patrick Juvet. The song prompted the question: why does disco, a genre originally created by oppressed minorities, eventually become synonymous with American capitalist excess?" MLDE seeks to break this connection.

Merging disco, post-disco 80s pop, and boogie into the fold, 'MLDE' was recorded using only analogue instruments, giving it warmth and space. Recorded on cassette, ¼ and ½ inch tape, this gives moments of lo-fi abstraction between the beats of an aggressive, tight drum kit. Instruments used for this recording range from saxophone, trumpet, harpsichord, guitar, and rare analogue synthesisers. The bass sound is shaped by early 80s boogie records, whilst the influence of artists such as Hamlet Minassian can be heard in some of MLDE's more driving-disco outings, such as 'Hues of Red'. In the tradition of Soviet vocal group records, which the band has studied, some songs are sung by a vocal quartet in homage to this tradition.

Tracks such as '1905' and 'Brumaire' have a greater pop aesthetic, with Paolo's vocal style on these more pop-driven songs evoking early 80s bands such as Orange Juice and Chas Jankel.

The format and message of pop and disco are commonly viewed just to entertain and move bodies around a dancefloor; however, lyrically, the subjects range from dialectical and historical materialism, class struggle, Marxist theory and praxis, as well as the concept of Marxist disco music.

Adding the icing to the cake, mastering don Joker aka Liam McLean dusted the album with his magic, giving the songs space where the room is needed, as well as the kick and punch demanded by the modern dancefloor.

Yes, this is a press release, and they are always full of hype, but we were blown away when we heard this album, and we hope it enriches you too.