House News

represse soon.. The zombie strikes back with a new EP. After months of studio work on his forthcoming album, he & Record Makers have decided to release 'Nightcall' as an apéritif

Vinyl Only

UBU004 features Portuguese legend Pedro Goya delivering two perfectly crafted originals titled 'Boof Bonser' and 'Carousel'; with Argentinian, and Berlin based, Federico Molinari rounding out the EP by adding his signature touch to Carousel.

1996 - 2016 : 20 years of success with over 20 million of records sold all across the globe! Thanks to key partnerships, during its first 20 years of business Do It Yourself had the pleasure to represent, promote and/or publish artists the likes of Calvin Harris, Sia, Deadmau5, Omi, Eminem, 50 Cent, The Black Eyed Peas, Mary J. Blige, Stromae, Sting, David Bowie, Queen, Shaggy, Puff Daddy, The Roots, Moby, Toni Braxton, Underworld, Emilia, Marilyn Manson, Blink 182, Bob Marley, Lisa Stansfield, Enrique Iglesias, Ricky Martin, Gabrielle, Modjo, Bel Amour, Aqua, The Specials, Sugar Babes, Babybird, Nelly, The Notorious B.I.G., N-Sync, Safri Duo, The Bloodhound Gang, Sonique, 5-Five, Janet Jackson, Snoop Dogg, FloRida, Wiz Khalifa, Nicki Minaj, Dale Saunders, Bruno Mars, Akon, Lil Wayne, T-Pain, Kelly Rowland, Trina, Dwaine, Coolio, Public Enemy, Ola, Mr. Oizo, Inna, Edward Maya, Sak Noel, Guru Josh, Fragma, Paradisio, ATB, Scooter, Lutricia Mc Neal, Armin Van Buuren, Hardwell, Nicky Romero, Roger Sanchez, Todd Terry, just to name a few. Do It Yourself brought to success artists such as GALA (Freed from desire, Let a boy cry), THE SOUNDLOVERS (Run-away, Surrender), REGINA (Day by day, Killing me softly) CAROLINA MARQUEZ (S.e.x.o.), MOLELLA (Discotek people, Love last forever), MIRANDA (Vamos a la playa). All these artists and songs were able to make the history of the dance scene, not only in Italy, all that much to become real 'classics' of the 1990s and 2000s. Do It Yourself is also partner and co-owner of smash-hits such as 'I know you want me' by PITBULL and 'Seek bromance' by TIM BERG (better known as Avicii). To celebrate such an important goal let's go back to origins with a limited vinyl edition (12' - mix) selected by the man who wrote the history of Do It Yourself and beyond: Max Moroldo. 'It was difficult to chose among the hits we released in the past 20 years. Every single has its own history, often an amazing one, so almost all our tracks would be worth a new release - if only I could. I picked up the tracks I am particularly close to (further to 'Alors on danse' by Stromae, 'Lady' by Modjo, 'Bornslippy' by Underworld, 'Played-a-live' by Safri Duo, 'Sandstorm' by Darude, which we do not control anymore), because they were real challenges...and I won! The first two releases want to be a tribute to great international artists, which I had the pleasure to bring to success in Italy: GURU JOSH (earthly name Paul Walden, who recently passed away) and CALVIN HARRIS (on my opinion the most complete pop-dance artist in the last 10 years)' Moroldo explains.

Kleos Recordings presents their first vinyl.
After many digital releases, we are proud to present "SUBJECT EP" on vinyl form produced by Pierpaolo Bonelli and Joy Rainman.
Underground and dark sounds that will destroy the dancefloor.
The EP contains remixes by Daniele Kama, A.D.M (Italy) & F.T.G. and Fnkey. Get ready to play our first record.

Back in stock soon!

Vilamar finally step out from the shadows with a debut of rigorously sustained bass pressure. The product of endless smokefilled studio sessions in Lisbon’s industrial Eastside, each cut is imbued with the contrasting glint and grime of the nearby river port. Whether it’s the earthy breaks and grinding half-step of the A-side or the water-drenched dub and dnb on the B, Vilamar take a wrecking ball to the monotony of the club, breaking a new path out into the rave jungle beyond.

Automat's "Modul Remixes #2" package presents the heavyweight producers Acid Pauli, Detroit's own Terrence Dixon, DeWalta, Shahrokh Dini and Dubvisionist, from the respected Echo Beach label, blurring the boundaries between peak time club music, dub, techno, electronica and house.

Automat - Jochen Arbeit (Einstürzende Neubauten, Die Haut), Achim Färber (Phillip Boa & The Voodooclub, Skip McDonald) and Georg Zeitblom (wittmann/zeitblom) - operates like a well-oiled machine: it buzzes, it whirrs, it follows an unswerving course. Together with modular magician Max Loderbauer and Paul St. Hilaire aka Tikiman, Lydia Lunch and Mika Bajinski on vocal duties, they now present "Modul" their most varied and consistent album, on Compost Records.

Automat operate like a well-oiled machine: it buzzes, it whirrs, it follows an unswerving course. On its fourth album however, the trio shifts down a gear, further refines its musical approach and partners with other figures from the world of adventurous music. Besides Candy Bomber Studios neighbour Max Loderboder - with whom Jochen Arbeit, Achim Färber and Georg Zeitblom have already worked together in 2015 for an EP -, they are joined on the microphone by dub legend Paul St. Hilaire aka Tikiman, the undisputed queen of gutter poetry Lydia Lunch and the newcomer Mika Bajinski. They all contributed to the recordings according to the guiding principle which lends its name to "Modul": the eight pieces were written collectively based on a building block system that dynamically set the compositional process in motion and evenly divided responsibility between all participants. The result is a musical perpetuum mobile - an album with the steady resting pulse of a dub production that always stays on the move.

Tunisia based Jihed Monser aka HearThug swaggers aboard Sex Tapes From Mars for the wax-only label’s fourth release; a robotic excursion into gritty, tongue in cheek vocoder, bolstering acid lines and vintage pad swoons.

Heading straight for the dancefloor, it opens with “Computerized Souls”, going notably heavy on the drums and low-end, with acid madness at the forefront and alien sounding melodies enabling the eeriness.

“Generation Of Robots”, is flooded with sci-fi melodies, retro B-boy references and rinsed-out,16-bit, bouncing unfettered tones.

On the flip, “Buzz! Look An Alien (Oh No - No Mix)” neatly fits either the warm up or early hours, filling the low-key, understated spaces it reaches with plenty of esoteric colour and character.

“The Dreams Let You Die” is a poignant closer, sampling Angelo Badalamenti’s iconic Twin Peaks theme to maximal effect. It’s full of moody bass melodies and exquisite, chugging percussion, marking a slinky finale to a highly versatile and

Klasse Wrecks' first release of 2023 comes storming out of the gate, hot on the tail of Mr. Ho's previous album and his collaborative 'Eu-Li' EP with Mogwaa. 'Angel Number 909' is a collection of three versions of one track, the over-riding element in the EP is an incessant and catchy acidic synthline that bounds across racketing breakbeats and galloping basslines. Alongside the 'US Breaks' version is an old school influenced 'Acid House' version as well as a moodier 'House' mix. Three pedigree tracks that will be sure to go the distance on any dancefloor...

For the next release on Pleasure Club we are very happy to be reissuing some tracks from Anthony Boninsegna aka Nine-L.
Originally released on Metatone in 1993 and 1994, the 'Houston, We’ve Have A Problem' and 'Looking For Lord Lucan’ EPs have gone on to
become rare collector's items.
Now we present a selection of tracks from those records plus one which has never been before released on vinyl.
Enjoy...
Pleasure Club <3

Either gray or black vinyl colour.

The real ROBOTRON has been active since the 90s and now back on track to refresh some PORNOGRAPHIX action with serious 80s power by THE EGYPTIAN LOVER – delivering pure egyptian sexiness on V1.0 and lo-fied cybersonic harassment via V2.0 on the third release out of ROBOTRON’s home base called SKYNET CYBERSONIX.

Skynet T.3 is a juicy object of desire – limited to 200 x 12″ on black or silver marbled vinyl. Each record comes with a numbered sheet and a bonus sticker adorned with the original hand notes by THE LOVER himself. 50 randomly enclosed DIN A2 posters even exist – WATCH OUT and DO NOT trust any other ROBOTRON copycat out there!

Sleaford Mods have covered The Pet Shop Boys" iconic West End Girls, with proceeds from the single going to charity Shelter. If the original is a sophisticated exposé of the 80s Britain, the duo have skilfully distressed the shimmering classic with sharp synths and scuffed-up vocals to mirror our own dysfunctional days. Not only did the Nottingham duo"s West End Girls meet with Neil Tenant and Chris Lowe"s personal approval, but the pair were inspired to create a remix which features as a B-side.

23 große 90er Tanzflächen Füller. Zumeist als Radio 7" Edits

Club Sounds - Best Of 90sErstmals veröffentlicht Club Sounds die Essenz der besten 90s Tracks auf einer fantastischen Doppel-Vinyl. Limitiert auf 1.000 Stück, mit den größten Hits wie Snap! - Rhythm Is A Dancer, La Bouche - Be My Lover, Culture Beat - Mr Vain, Scooter - Hyper Hyper oder ATB - 9 PM.Die nächste 90er Party kann starten, mit herausragendem Klang auf 140g Vinyl!eben...Best Of 90s!

For his debut album Dip Shim digs deep into his past for his most personal release yet, drawing on his childhood in Spain for a genre-bending album of electronics, combining influences from house, techno, electro, downtempo, and ambient to create one of the year’s most essential releases.

Dip Shim, who also runs the Bolero record store in Malmo, Sweden, pushes and tweaks those silver boxes to create music with one foot in the past but looking to the future, from the fluid acid house of Dalaplan Jam and Bubble Gate, uptempo electro jams like BDP Fast Life and Tusso Arcade Force, to meditative joints such as One For Regen and Impossible Connection.

But although the album is eclectic, these 12 tracks are underpinned by Dip Shim’s unique hardware-led sound, proving he’s an artist with depth and longevity.

If it's really a post-genre world, why does everything sound the same? The two halves of Tampa rap duo They Hate Change_Dre (he/him) and Vonne (they/them)_first came together in front of the apartment complex where they both lived as teens. Dre had just moved down from Rochester, NY; Vonne was trying to sell him bad weed. It was clear from the start that the two listen to music differently from most people_they're sonic omnivores, obsessive deep-divers, lovers of rare and radical sounds. Starting as kids trawling the internet for tracks, they've been collecting music from around the world and across the decades, amassing a shared sonic knowledge so deep that "encyclopedic" barely begins to cover it _ not just the East Coast hip-hop that Dre grew up on, or the hyperlocal bass-music variants like jook (the Gulf Coast's twerkably raunchy answer to house) and crank (think "Miami bass meets NOLA bounce"), but also drum `n' bass, Chicago footwork, post-punk, prog (they're, like, seriously into prog), grime, krautrock, emo, and basically any genre on the map. Once they graduated to DJs on the Tampa DIY scene _ which includes everything from punk rock house parties to the black "teen nights" that pop up in rec centers and ballrooms _ they figured out how to pull all these disparate sounds together into a cohesive style. More importantly, they figured out how to make it something people will actually move to. When they made the transition to rapping and making beats, they brought that pleasure-seeking approach to sonic experimentation with them. "With this album, Vonne says, "it's really like, okay, you know how you talk about the internet breaking down borders? Here's what that actually sounds like. It's not just a hip-hop record with a couple more weird sounds. You want homegrown DIY? This is a record that was written, produced, and recorded in a 150-squarefoot bedroom from the least cool city you could think of." Finally, New is what a truly post-genre musical landscape is supposed to be: building deep connections that transcend outdated distinctions between them, spilling over with the joy of exploration and possibility, and daring other artists to think broader, go deeper, take bigger risks. Let the rest of them keep playing by the old rules_They Hate Change will keep changing the game.

Brian Kage’s fourth release on Michigander Music “303 in the 313 EP” features 4 uniquely gritty and acid-soaked manifestations of mid 90’s Detroit. This exercise in analog monosynth mastery directly connects the grittiness of the urban landscape with the raw spirit of creative freedom.

Detroitasaurus starts the record off with a subtle prehistoric soundscape, steadily building rhythmic tension using hypnotic toms and melodic drum patterns. Razor sharp 909 hats hammer down there through the sonic mist as the journey continues to build. Shrieking jurassic trumpets cap off each of the peaking climbs to reveal metallic broken-down structures that are bound together with oscillating 303 threads and a grooving bassline.

Van Dyke Vessel features an atmosphere of textured percussion and metallic analog synths that wind around a deep square bass groove. Suddenly, truncated growling vocal samples start to collect into the catchy phrase “Let’s take this to outer space”. Swelling pads give way to squealing acid as this track transports dancers to a nostalgic melodic dimension.

Delray Dance undulates with thick bass slowly building into a body focused groove as it winds up and gives way to a rugged 303 saw with fluttering Spanish style synth stabs. Classic Detroit pads continue to swell, adding to the tension and leaving enough sonic space for melodic mixes in and out. This tune is the perfect tool to transition between genres.


Zonin breaks the mold by combining old-school electro vibes with a heavy dose of acid and freestyle hip hop. Heavy broken beats are combined with a rockin’ nostalgic bassline and layered party vocals that transports you to the center of the dancefloor on the best night you’ve ever had.

We are excited to come back with the twenty eighth release in the label catalog and this time it is the second Ten Walls album called “Lights For The Dreams”. Album contains nine original compositions, each of them has its own character and a story to tell. And they are mixed into one evolving journey. A lithuanian electronic music composer and live performer Marijus Adomaitis world-wide known as Ten Walls has always been delivering a highly sophisticated sound and this time is none other. Even better - the variety of soundscapes throughout the album brings emotions of fulfillment and leaves one somewhere out of this reality. It is definitely the highest point of creativity where every single detail matters as well as the whole picture, from outmastered usage of today's technologies to the artful and conceptual point of view. While using less, the author somehow manages to reach the most of it and in his own way.
“Lights For The Dreams” is full of different textures and colors, yet keeping a similar tempo in most of the tracks, giving a few chills in the middle of the album with “Loot” and closing it with “SSV Normandy”. Most of the compositions keep the spirit lifted up in uptempo moods with tight rhythms like “Halo”, groovy arpeggios from “Daily Rehearsal” and touching atmospheres in “Jorge”. As mentioned before every composition is exceptional with its own freedom of mindset. The title track “Dreams” brings recovered electro vibes, precisely constructed structure and spills symphonic greatness above the minimalistic groove. The introductory “Neighbourhood” is all about what feelings sound like, a mixture of electro-acoustic soundscape grabs attention from the very start of the vinyl. The following “Teacher” continues a similar soundscape but in a totally different manner and genre. While dark and dashing “Dungeons” fills the gap of dubby Techno with a well crafted wide spectrum of moods.
“Lights For The Dreams” was mostly inspired by a video game “Moonray” that Marijus was creating a soundtrack for. “The music in this album represents a very creative period of my life where I just couldn’t stop recording new music. One of the big inspirations was a video game called “Moonray” that used part of this album in its soundtrack. It’s a very exciting period of my life.” - says Ten Walls. Album contains nine compositions while the soundtrack for the video game contains 30 original pieces with 10 minutes introductions for each one. “Moonray” is a surreal 3rd-person action RPG set in a fantastical sci-fi world. The early release of the video game is going out in the mid of summer 2020.
The full-length album is divided into two parts and pressed into vinyl. Though it is mixed into a continuous play, the vinyls have fine marks at the start of every composition so that one could drop the needle exactly at the start of any track.
Ten Walls “Lights For The Dreams” is available in physical vinyl format with the following digital release. Enjoy the music!

Floating Points veröffentlicht eine neue 12" EP auf Ninja Tune! Sam Shepherd aka Floating Points veröffentlicht mit seiner neuen 12" "LesAlpx / Coorabell" seine ersten neuen Tracks seit 2017! "LesAlpx" ist der nächste Schritt in einer Karriere, die Shepherd im Laufe der Jahre als einen der überraschendsten, innovativsten und kompromisslosesten Künstler der elektronischen Musik etabliert hat. Der unbestreitbare Groove des Tracks erinnert an Breakout-Tracks wie "Nuits Sonores", die die Tanzflächen auf der ganzen Welt eroberten und gleichzeitig mit der anspruchsvollen Handwerkskunst und Produktionstiefe voranschritten, die Floating Points weit über die Clubbing-Community hinaus Anerkennung verschafft hat.

Exit Planet Earth continues its exploration of the world of electro universe with an expansive, extended six track EP, featuring The Advent x Zein Ferreira, DeFeKT, London Modular Alliance, Konertymi and Zobol. The Advent, whose weekly Gardening Club residency in the mid-90s helped to drag electro out of the realms of the retro and back into the future, team up with Zein Ferreira for a Kraftwerk-on-speed extended mix of 'CarpeDiem', before London Modular Alliance's more moderately paced but still squiggle and bleep laced 'Lump of Coal' plus a 'beats' breakdown for the DJs. The B-side brings us the acid-powered 'Pulssi' by Konerytmi, the bouncy, breakdance-friendly 'Radar' by DeFeKT, and the relatively pure, optimistic sonics of Zobol's 'Data Wars'. Thumbs up all round.

Our fifth release sees FTVA evolve with a four-track release from label co-owner Samuel Jabba. Based on his journeys into the mind and the unknown.

“Accept the existence of the void as a real entity, in which atoms can move and rearrange themselves”.

Nothing will stop the globalization of rave? An independent Moscow label continues to answer this question - and invites a very busy person, this time from Italy, to show and tell why the answer is always yes.

Riccardo's can be an example for many artists both musically and in terms of productivity. Co-founder of Imprints Records and the owner of Metropolita, Amazing Stories, and Elma Rivaga, he has composed 4 floor compositions under his new alias - Trascend∆nce. These compositions he calls "energetic and hopeful to dance again” and he definitely didn't bend the truth with that statement.

Sublabel of Undersound Recordings devoted to electronic music on 10" format.

The tracks are inspired by the artist's childhood memories of walks on green hills many years ago. While they are produced with different approaches, both from the digital and hardware world, they paint a personal picture of the artist's personality.

The genre re-defining chameleons of Hard Ton are back on Schrödinger’s Box with their own brand of style splitting acid house disco. Bigger is Better, a double EP album, has all the depravity and drama you would expect from these disruptors. “Waking Up The House” melts claps, cowbells and vocals over a molten melody. Bold stabbing keys are central to “The Right Thing”, lyrics spiralling skyward as a bitter acid line pulls the track down into the sweaty pit of the club. That TB303 goes into overdrive for the wonderfully demonic hedonism of “Bypass My Love.” Two-stepping jack is given a voice thanks to the breathy words of Josh Caffe as fanfare rains. The understated “Let Yourself Go” is a distant cousin of the bawdy and brutish “I Know A Bitch”, the heavy bass and cutting samples of the finale recalling the basement bruisers of Chicago.

Off The Grid christens its record label with a first release composed by very close people to the heart of its functioning. On the A1 we find a melancholic optimist house cut, made in collaboration by Ancut, head-mastering engineer from Analogcut, and Onirik, OTG’s head honcho. A2 features Onirik’s solo offering, a trippy dreamy off kilter cut, ideal for warm-up or early hours. The B-side belongs to Views, already responsible for a couple of releases on Garage Hermétique, one of the founding labels of Off The Grid, who wraps up two tracks full of atmospherical punchiness, clubby IDM, with his signature acid basslines and storytelling.

For their 18th vinyl release, Hard Fist welcomes Guadalajara-based producers Vongold and Fargo Devianti in the family, including an impressive remix by Jennifer Cardini and Damon Jee.

Dj, producers and performers, the Mexican duo releases collabs on Correspondant, Hard Fist, Rotten City, Her Majesty’s Ship and more. Vongold is all about low-tempo dark disco, anxious lyrics over bass lines and hundred vocal gems ; while Fargo Devianti is a magician mixing guitars, synthesizers, drums and voodoo percussion.

“Taste of Butter” is their first full EP together. Vongold’s haunted vocals stress Fargo Devianti hypnotic percussion. Together they create a psychedelic journey into mind landscapes with eclectic influences like avant-garde rock, post-punk, krautrock and darkwave sprinkled by psych folk eastern melodies and ritual percussions. This EP is probably the most rock and new-wave oriented ever released on Hard Fist.

To conclude, Jennifer Cardini and Damon Jee brought a powerful remix influenced by Detroit’s electro and breakbeat roots. Once mixed with the trippy sounds of the original version, it opens a fresh new door into the field of “dancefloor killer” music.

“24” is Minuit Machine’s 4th LP. Electronic masterpiece, subtle mix of dark wave, techno and electropop, “24” is both surprising and seductive. Authentic, emotional and powerful, “24” is a real immersion into Minuit machine’s dark, dystopian and futuristic world. Through this LP, Hélène and Amandine are facing all obstacles and disappointments life brings on their way. Each track is a self-affirmation, a rallying cry and an urge to live. The instrumental part is clearly marked and contributes to create the band’s unique sound. The strong beats are a call to dance while the synths, stabbing and emotional, will definitely move you. Finally, the deep basses give the tracks an “EBM” touch. Vocal lines are more pop, with less reverb. They are meant to obsess and stay in your head all day long. They were thought of as a 90's dance music chorus, but with feelings. As usual, the lyrics are very personal and describe several states of mind. Since their creation, Hélène and Amandine kept on reinventing themselves in order to translate their inner questioning and emotions into music. From this point of view, “24” could be Minuit Machine’s most accomplished work since each track sounds like a confession.

The first compilation EP by S.Korean label Walls And Pals, exploring various forms of dance music from gritty house to techno, sunset electro and funky burner.

In this day and age it's hard to find dance music this
emotional, warm, beautiful and deep. Brooklyn's tape_hiss
delivers his signature sound on this timeless five tracker.

An echo through the ages, channelled and tuned by Young Marco. Feelings of tactile, loved-up naivety, transferred to musical waves of colour, rhythmic energy, and hallucinatory aural visions. This is ‘I’m Still Mellow’ and the psychedelic yin to its’ yang, reverse alternative version ‘Wollem Lits M’I’.

Both are imaginative 21st century takes on ‘Mellow’, a long-forgotten Amsterdam-born sub-genre of dance music that took the house template and re-imagined it for Dutch dancefloors in the early ‘90s.

Heavenly Recording’s final long player release of 2022 is set to close the year on the dancefloor at home or in the clubs. More classic Heavenly remixes on wax and CD formats for your collection. Artwork by Luke Insect.

Released on Friday November 25th, these compilations follow Heavenly Remixes Volume 1 & 2 and Heavenly Remixes Volumes 3 & 4 (Andrew Weatherall Remixes).

Since the first Heavenly recording, there have been striking remixes that reframe the original track. These remakes offer a parallel reading of the last four decades of releases; they take the music to places where genres can be pulled inside out before being reassembled for different dancefloors, or for a different state of mind.

It’s a selection of those secret sounds that make up the latest in this series of flawless compilations. Each presents a parallel reading of the Heavenly Recordings story, a version that’s best heard as the light fades and the furniture gets shoved to one side of the room in decent work places the world over.

After a two-year hiatus, New York's finest purveyors of flash-fried power pop and disco-punk return with their sixth full-length. Despite being 18 years into their career, there are few signs of tiredness on the predictably vibrant As If. While potential sing-along moments are plentiful, it's the looseness of their grooves and the incessant funkiness of tracks such as "All U Writers", "Ooo", and the thrillingly low-slung "All The Way" - in which the Brookyln-based outfit brilliantly fuse springy dub-disco grooves, wild synths and classic house riffs - that catches the ear. Interestingly, the strongest influences this time round appear to be Prince and early Red Hot Chili Peppers, giving the album a particularly kaleidoscopic aural hue.

Sekhem, the Grenoble based label is back with his second various EP. This one welcome international talents like Moya 81, Do Or Die and Davide Piras as well as the very talented french producers Mohammed Vicente. All killers, no fillers on this one !

(2022 REMASTER) Green Vinyl

Murcof"s first three albums are to be reissued on vinyl to mark the 20th anniversary of the release of his seminal debut album, Martes. Out of print for many years, these albums have been hugely influential in the worlds of minimal and ambient electronic music in their use of modern classical instrumentation, and are significant landmarks in the history of The Leaf Label. Each of the reissues is presented in a new gatefold sleeve featuring updated artwork, with Remembranza and Cosmos featuring fully remastered audio, and Cosmos including a previously unreleased bonus track.

Big Yawn make experimental electronic music by fusing a wash of sweeping synthesizers, heavily refracted vocal sampling, motorik style percussion and disorientating dub FX.

Their latest studio release 'Pressure Acts' creates a space where breaks compete with live drums compete with drones. Relentless pummelling bass lines and kinetic dub FX come standard.

Big Yawn's energetic and unrelenting live performances create a definitive impression on this release. The sonic textures in the record are lush, stoned, frenetic and fun. The music is sinister yet also tongue-in-cheek — Phil Collins and Slipknot may have even been sampled.

The first single 'Ragazzo' is ideal for joy rides in HSVs and/or flaunting at the local disco parlor - a dank blend of YMO style pop hooks, driving bass, delicate synths, and a robotic pulse.

It's time for Clut004!! Clut Communication is back with the fourth release and this time we have one of the main characters of the label, Odracir. We have already “tasted” his music in previous releases but now Odracir marks his solo debut EP “Black Bullet” with four energetic cuts, influenced by house and electro sounds from the 90’s with spacey atmospheres and analog basslines.

Sismo 01, first realese of the label by OMAR

Dark Entries presents a reissue of Shawn Pittman’s 1989 Dreams, an obscure and highly sought-after private press gem produced and written by Art Forest. An undersung figure in the development of the late 80’s Detroit techno sound, Forest collaborated with, produced, or penned material for many of the key players in the movement, including Inner City, Suburban Knight, and the Belleville Three themselves (on Kreem’s “Triangle of Love”). This reissue gives Forest’s own productions some shine while providing a thrill for both dancers and collectors.

Dreams features two songs, both written and produced by Art Forest and featuring Shawn Pittman on vocals. The A-side contains two mixes of “Dreams”, a smooth R&B/modern soul number driven by Pittman’s vocal. While the song is undeniably radio-friendly, it contains some of the hallmarks of the Detroit techno sound – sparse arrangement, lush reverb, and booming bass. On the B-side, we are treated to two different versions of the clubbier “I’m Losing Control”. The original mix leans towards boogie/freestyle, with syncopated 909 beats and sassy synth vamps, and wouldn’t sound out of place next to Forest’s work with Inner City. The Extended-Bass-ment Club Mix strips things down and dubs them out, leaving us with shards of bass synth, brooding strings, and Pittman’s vocals eerily warped to the edge of recognition; a perfect late-night warehouse anthem.

All songs were remastered by George Horn at Fantasy Studios. The sleeve is a replica of the original cover art. Also included is a 2-sided postcard with lyrics and photos of Art.