House Novedades

The Berlin musician, visual artist, and label owner Lasse Winkler aka ACUD has attracted attention with titles such as MATJESFILET or VERBRENNUNGSMOTOR. He shows that electronic dance music can also have a sense of humor without ending in slapstick. Creaking basses and swinging rhythms meet warm synth chords and complement his bright voice. The microphone, always ready, replaces the notepad. Succinct, spontaneous keywords and sentences are created, snapping up everyday life. On the 10-track album VERDAMMT NOCHMAL, the musicians are accompanied over a creative period of three years.

Cosmoba is a brand new Manchester based imprint from Kalcagni. Fresh from releasing his ‘Manners’ EP on Distrito 91, Kalcagni dishes up 4 slices of funk fuelled electro for this label debut.

Lead track ‘Lost In The System’ features retro stylings and gritty electro bass hooks. This is swiftly followed up by ‘Multislacking’, the result of a weekend spent twisting up a modular rig, with wonky bass squelches and 80s pads underpinned by slamming beats.On the flip side, ‘Culture Vulture’ introduces some heavy 303 workouts, before 'After The Fact’ rounds off the EP nicely, taking the acid vibe in a slightly darker direction with wonky reese synth fills and jacked up breaks.

Classic NYC 1982 boogie / electro cut which was originally released on Easy Street

Melbourne native Jordan Brando makes his return to the SNF catalogue, proving once again his musical
ambidexterity and far-spanning range of talent.

The period between this release and Brando's SNF debut last March has seen the Aussie producer go from strength to strength, touring around his homeland and New Zealand and playing at large-scale festivals like Pitch Music and Arts. If you thought Moment in Time EP was kaleidoscopic, Vagabond EP gives the word a new meaning, touching base at disco, acid and speed garage.

The A-side showcases Brando's inimitable take on house with meandering funk basslines and skippy drums (Ricardo's Kicks'); classic disco samples and deep bass thumps ('Flux Deluxe'); and earworm acid melodies and whispering cymbals ('Radar').

'Marz' then might take you by surprise - although less so for those accustomed to Jordan's artistic versatility - a warped bassline groans over a garage rhythm, bringing the UK-inspired ruffage before 'UGOT2C' strips things back. Deep rolling drums lend the track a grooveable swing before and blissful breakdown leads to a solid, thumping drop. Finally, it's up to the title track to close proceedings. Let Evanna's syrup-smooth vocals stroke the soul whilst celestial piano tinkles and a blissed-out garage rhythm transport you to another plane.

Vagabond EP drops 17th June 2022 via Shall Not Fade

Paul Wise aka Placid is the driving force behind ‘We’re Going Deep’ – an online community and record label that’s showing no signs of letting up in 2021.

Born out of a lifelong affair with the many shades of electronic rhythms and an obsession for collecting records since 1988. His mission is all about sharing and releasing new music for the dance floor, front room or even just your headphones. Rather than staying hung up on the past, his reputation for digging out the best in Acid, Electro, Techno, Deep House alongside the odd slice of Downtempo precedes him, as he readies the next WGD volume for release.

Throwing down another 4 track EP of high graded electronic sounds sourced from equally brilliant artists, this next edition welcomes the talents of Reedale Rise to open Side A with the charmed tones of ‘Resonant Light’. A magically crafted trip that treads the light fantastic and skips between a heavily swung 808 beat, quick fire bass and modulating synthesis whose dance equate to a greater sum than their singular parts. The accompanying off-kilter acid of Vectrax (Part 2) provides an interesting note by comparison – a wistful mid tempo machine jam that comes courtesy of the mysterious B.R. Posse. Make no mistake, this cut bears all the hallmarks of a seasoned pro.

Over on Side B, Innate boss Owain K leads the charge with a beefy 4/4 slice of dance floor fuelled house meets Techno cut on ‘Another Place’, taking his cues from EBE as he flexes his sound towards larger spaces. Signing off with yet another laidback gem, Wise enlists another up and coming talent in the shape of ‘Polytunnel’. Dropping like it’s hot, the sumptuous tones of ‘Island Rain’ are nothing short of perfection as the Scotsman delivers a warm and comforting blanket of blissful melody and subtly tweaked 303 action

Clutching At Straws is a brand new label established by Brian Ring. Born in Cork, Ireland. Ring has been residing in Berlin for over 4 years, during which time he has lent his dancefloor-focused, predominantly house sounds to a range of renowned labels including Freerange. Running Back and Bordello A Parigi. A producer who values a vehement quality-over-quantity approach, Clutching At Straws represents the first time Ring has helmed his own imprint. Featuring two originals as well as a remix from London producer Kiwi, the Reflections EP is most definitely deserving of the wait.

We kick off with 'Acid Sunrise', a classy house cut that envelops the listener in a warm glow from the off. Full of colourful motifs throughout, it's part acid/part Balearic-tinged sound is the perfect antidote to Europe's current climes. Characterised by a nimble, catchy-as-hell baseline, this one is pure dynamite of the sort that will sound at its most pronounced as the first signs of morning begin to enter the dancefloor.

Next up is Kiwi, a producer who's been making power moves of his own lately thanks to a host of well-received cuts for the likes of Jennifer Cardini's Correspondent, Tennis' Life & Death and Optimo's Optimo Music. His dramatic reinterpretation of Ring's 'Forest Walk' , is a highbrow gem that's full of gorgeous melodies and all-round positive vibes, with the man in charge changing the narrative quite exceptionally toward the track's final phases.

Culminating the record is the sounds of 'Emergency Tool', a real statement track that's sure to leave DJs and dancers in a frenzy over the next few months. An upfront banger of the sort that wonderfully incorporates both house and techno elements, it starts off on a fairly innocuous tip before unfurling into an uptempo beast. Full of clever bells and a vocal that demands us to 'move!' (as well as a wailing cop siren that only heightens the sense of mania), 'Emergency Tool' is a track that's destined to be used by discerning DJs when they really have to step things up a notch.

Limited to 150 copies.

Second release of Sigourney Discs, a 12” vinyl focused on electro music. Dark Vektor, a veteran of Terrassa's scene, presents BACK, a work of the raw electro that defines him: robotic voices, evolving basslines and infectious melodies.
Side B opens with a remix by Agnès Pe reinventing BACK, and electro, from her own evasive genre, deconstructing the original theme into a collage of vocals and unpredictable rhythms with raving shades. The Dutch producer DJ Overdose signs the last BACK remix. As usual, a personal view on electro, revolving the original theme by sampling it with forcefulness. A blunt rhythm, heavy bassline and again, vicious melodies visiting the origins of the genre.

The very young Paris based Rémi Lauvergne signed some of the best post-punk and dreamy synthwave tracks digitally released in 2022. Oráculo Records put them all together and asked his usual partner in crime Skelesys to remix “Idole”, one of the very best tracks included on this mini- album. You could expect all genre classical approaches as repetitive drums, cold melodies and mesmerizing cavernous vocals. The whole thing is a gem for any modern darkwave collector.

Hot on the heels of the Sweely album comes a new EP on Butter Side Up from Velvet Velour. The silky four tracker comes in early December with artwork by Sophie Douala.

Velvet Velour is based in Portugal and has made a quick impression in the last two years with music on Welt Discos, Nuances De Suit and Small Hours. His signature sound is a vibrant fusion of catchy hooks and characterful basslines that fuse UKG, breakbeat and house into something fresh. That is the case again here with a mouthwatering mix of stylish, club-ready sounds.

Opener 'Ready' is a playful cut with nimble bass and crisp broken beats. Neon hues and colourful synths add up to a vibey bit of electronic funk that will get fists pumping. 'Hard 2 Explain' ups the ante with a driving tech house groove overlaid with bright chords. The knotted bassline tells its own story down low as this feel-good cut cruises on through the stars.

There is extra grit to 'Jetski' with its mechanical drums, stiff arps and thumping kicks demanding you dance. Chopped-up vocal stabs and balmy pads add detail as this subtly euphoric and kaleidoscopic jam races into the future. Closer 'Introduce This' sinks into a deeper garage groove with twitchy acid and sharp hits. The muted chords bring warmth and soul that really shines through.

Un Futuro Creíble is proud to present their fourth release. Three original tracks and two remixes that offers another diverse breaks collection that range from euphoric emotions to deep and dark atmospheres. In A side we have AT64, a Nu Skool Breakz influenced track and a remix of the same track by the great DJ Normal 4, where you can expected breakbeat and trance vibes. To close this side we have AT61, an electrobreak with trance sounds track. In the other side AT55 opens the record with an euphoric breakbeat track and another remix of the same track by R.I.P. Bestia where as usual you can expected true 90s cyberdelic dreams.

Next up on Magnonic Signals we are pleased to welcome the silky skills of ReKaB aka UK stalwart James Baker. First appearing on Where We Met in 2019 followed by stellar releases on Móatún 7, Intellitronic Bubble and Fourier Transform, here he provides a superb 4 track EP that showcases his immense talent with his love for Detroit techno shining through.

To start us off we have the blissful deep of Finally Home (+) with swooning glassy eyed pads and a chunky SH bassline this deep electro burner really sets the scene. Next up Albear Wave (++) takes us into deep space territory, perfect for cruising just before planetary exploration. On the flip we begin with the stunningly beautiful Me and You (-) an intergalactic love song that will tug at the heart strings and provides that melancholic feeling we all long for, simply gorgeous. Last but by no means least the title track What Is Our Future (- -) It could be the perfect track for the sun-drenched sands of Ibiza one that would give goosebumps when dropped, an amazing way to round off the EP!

ReKaB is on top form here with all four tracks hitting the spot, a classy record from start to finish.

Signals are getting stronger…

After 3 individual pieces on the Hamburg label PUDEL PRODUKTE, the longplaying work of the man from the Pension Stammheim is finally released. It quickly becomes clear that this is a real capacity record: 6 (on vinyl) or 8 pieces (on electricity) from the cosmos of a man who means business. You can already tell by the fact that the record is only called ROTTE and not something else. Rotte makes ROTTE and nothing named, nothing labelled, nothing carefree commodes and prisoners certainly not.

It is relatively easy to approach ROTTE. Just listen and do nothing else. No, nothing. Nothing at all. Don't give away flowers, smoke cows, talk yourself or listen to the net. Don't try to get out of the Bermuda Triangle in the process! Concentrate as if you were reading a book by Suhrkamp. Be action-less in the here and jazz. Beat the six kinds of wood out of the coffin and leave only the steel screws!

Take Rotte and ROTTE seriously. Man and work. With him, though, black is absolutely a colour. My ketamine is my petrol. First Takes only. Drilling without Club of Gore. Undisputed truth. No Lounge. The lyrics on Rotte are not a party.

It might seem a bit TOO colourless, a bit TOO intense, a bit TOO hard and dark. Too much psycho-babble. But the songs bring it and you. They are designed in such a way that nothing else works during them. Nobody would think of peeling an egg at Russian roulette. That's how you have to see it.

The songs were musically supervised by Jörn Elling Wuttke and Oliver Bradford (Thee Church Ov Acid House), by DIE NERVEN producer Ralv Milberg, by Douglas Creed (BPitch Control + Freude am Tanzen), Boris Nielsen (Käptn Peng) and Peter Armster.

There is a congenial mutual autocorrection between lyrics and music. Individually, this cannot be heard and it is not offered. By the way, you don't hear anything else at the Federal Criminal Police Office at the moment. So please.

A1 Fliege gegen Scheibe
Written & produced by Oliver Bradford, Jörn Elling Wuttke, Christian Rottler
Lyrics: Christian Rottler

A2 Butterbrot und Peitsche
Written & produced by Peter Armster, Christian Rottler
Lyrics: Christian Rottler

A3 Gaffa, Farbe und Zustimmung
Written & produced Jörn Elling Wuttke, Christian Rottler
Lyrics: Christian Rottler

B1 Autosuggestion
Written by Boris Nielsen, Christian Rottler, produced by Boris Nielsen, Marc Eggert
Lyrics: Christian Rottler

B2 Deichtorhallen
Written & produced by Oliver Bradford, Jörn Elling Wuttke und Christian Rottler
Lyrics: Christian Rottler

B3 Dunkelwach
Written by Mario Willms, Christian Rottler, produced by Mario Willms
Lyrics: Christian Rottler

Back from a hot summer we are presenting you this great new release by Steve Mill who truly captures the sun and warmth in these new jams for us. The Greek born artist who lives between Berlin and Thessaloniki just released his “The Mistake EP” on Tensnake’s own True Romance label where we could already hear his soulful and groovey disco infused sound.

The opener “Love Attack” is a real “good times” tune with catchy vocal snips and a bad ass funky arpeggio bass line topped with spaced out strings and pads, this one reminds us a lot of Krystal Klear material and our own Lorenz Rhode. Saying that, we of course could not think of anyone better than him to take on this tune and drawing the inspiration to create his own super funked up version! As always all parts are played and recorded live in his Cologne studio with the same hot summer vibes on this one as well! You can find the vox version on vinyl and an instrumental as bonus digital track to get your party really started. On repeat!

“Make Me Feel” featuring the Berlin based vocalist Tee Amara has disco flavors all over it and is just an irresistible house tune, majestic and soulful. Followed by the slow and developing “Next to You” that’s steadily building towards a crescendo “heaven” gem, much in the tradition of disco edits from back in the 80’s. It reminded us a lot of our old Ben La Desh records we put out some good 10 years ago. Maybe this one is our personal fave, for sure a tune you could drop on any floor: disco, electro or house.

Get in the groove with Steve and Lorenz and let us surprise you with a truly funky, groovey and above all positive vibes only release to reminiscent the summer time. Enjoy!


All tracks have been mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.

Innervisions presents the 14th edition of its Secret Weapons series. The tracks represent Dixon and Âme’s unique musical cosmos and take on House Music in the constantly evolving world of sound, with refreshing ideas, forming and inspiring their performances around the world. Secret Weapons.

NDATL continues with the end of summer 12" by infamous producer Andrés. He first appeared on NDATL with his first ever remix on label boss Kai Alcé's track "Feeding". This time he returns to NDATL showcasin his latin american influences, on the festive track "Ensolardo" which opens the D.ATLien EP the more sublime "Café Con Léché" rounding out the A Side. Then "D-Town Connection" take us to back to the streets of the D with bit of electro bounce with that deep D edge. "I Can't Hear You" is classic funky dancefloor friendly Andrés! Play LOUD and keep your ears open for a surprise!

Our man Nathan Melja kicks off his own parodia with 4 anthems feat. no less than Flørist

Wonderland is a blissful sonic universe created between Nathan Melja & Flørist. Due out June 1st, 2021 on 12” and digital via Parodia, a new label launched by Nathan Melja for creative output of his own as well as likeminded artists.

Nathan Melja, known for his releases on Antinote, Mister Saturday Night and Technicolor, as well as Kalahari Oyster Cult which saw his epic track ‘Synesthesia’ that went on to be remixed by Pariah and Anthony Naples while being rinsed by the likes of Ben UFO, Evan Baggs and Jane Fitz. Always translating sound into a wide spectrum of colours, Nathan’s signature sound has evolved over the years into a precise craft.

Flørist is hot on the heels of a stretch of highly acclaimed EPs on Trilogy Tapes, Pavilion and most recently Baroque Sunburst, constantly exploring the BPM grid, he is known to leave you wondering which way is up. Together their sensory spheres collide for a unique record which details two solo original tracks as well as two different versions of their collaborative track Wonderland, made with not only the DJ but the listener in mind.

Nathan Melja’s ‘Back and Forth’ is an updated ode to the Bleep and Bass eras, while his version of Wonderland is a colourful trip full of bright melodies. Flørist’s ‘Fade 2 Pink’ expresses the artist deeper side, exploring rhythmic boundaries. His interpretation of Wonderland hits hard with its deep and psychedelic vibrations, slipping directly into any after hours playlist.

Welcome to Wonderland.

Die 13 Tracks auf "Polymer", darunter energiegeladene Banger, helle, melodische, viszerale Rhythmen und hypnotische Strukturen, bilden das vielleicht kompakteste Album von Plaid. Das Duo ging Anfang der 1990er aus der Formation The Black Dog hervor und zählt neben Acts wie Aphex Twin, Autechre oder Nightmares On Wax zu den Eckpfeilern des Warp-Labels. In ihrer langjährigen Karriere arbeiteten Plaid zusammen mit Björk, London Sinfonietta und den Southbank Gamelan Players und füllten Venues vom Sydney Opera House über das Londoner Bloc bis zum Berliner Berghain. "Polymer" trägt all die Emotionen, Einflüsse und Inspirationen in sich und funktioniert als ihr Statement in modernen Zeiten.

Freaks Frequency is the sort after analogs classic that was original released on Colin Dale’s Abstrakt Dance label in 1998. Its an essential purchase for any electronic music lover.

All tracks were recorded live without the use of computer - Transparent Sound show their raw and minimal side of electro on this EP, and call up legends ECTOMORPH to remix as well.

Grab this while you can… Classic!!!

REPRESSED !!

Warp präsentiert die ersten 3 Autechre LP-Klassiker "Incunabula" (1993), "Amber" (1994) und "Tri Repetae" (1995), die seit 2001 nicht mehr erhältlich waren. Das britische Duo hatte mit seinem polyrhythmischen, abstrakten, dissonanten Stil einen massgeblichen Einfluss auf das 1990'er Electronica-Genre. Die ersten AE Werke reichen von Post-Acid-House-Electronica über zerstreute-hypnotische Ambient-Klanglandschaften bis zum B-Boy-Flavour ihrer Mitt-90'er-Exkursionen in Jungle, Industrial und HipHop-Gefilde. Schwarzes Doppel-Vinyl mit Download-Coupon in Postkarten-Grösse.

This vital production by the British EPG a.k.a. Electro Pulse Generators is an ode
to the classic Electro and Miami Bass genres. But traditional instrumentation and
inspirations from legendary acts such as The Jonzun Crew and The Egyptian Lover aside,
"We Are Electro" is much more than just another '80s tribute jam. Loaded with analog
synths, 808 drum sounds and Vocoder vocals it also carries the originality and musical
depth to become a classic in its own right. Join the journey...

Limited Edition 200 copies.

Dublin-based producer Moving Still further blends both his Saudi Arabian and Irish heritage on 'Kalam Hub', a triumphant new EP that marks the fifth release on CWPT/Cooking With Palms Trax. Following a series of 12” edits and original productions that have put his sounds in the record bags of DJs including Hunee, Nabihah Iqbal and Esa Williams, 'Kalam Hub' presents an ambitious expansion of the Moving Still sound, delving into his identity and background to open up imaginative, universal new corners for club culture.

This potent musicality is immediately evident from the first notes of 'Kunafa King'. Taking its title from a traditional Arabic dessert, analogue midi sounds deliver a skewed take on the traditional Saudi rhythms of the artist's youth, before expanding into a wistful diversion for any self-respecting dance floor. It's a trick Moving Still pulls off again on the pulsing 'Hayati 89', which transforms from a traditional aesthetic into a blistering, neon-tinted Italo banger, the kind of track designed to compliment an accelerated spin in the car gracing the eye-catching cover of ‘Kalam Hub’, a collaboration with the artist alongside Manchester-based graphic design studio, Dr. Me.

Concluding the record's A-side, the rhythms take a trippier turn for the duration of 'La Titasil Feeya'. Translating to “don't call me!” and making sonic reference to teenage years immersed in rock, metal and general angst, it unfolds as something akin to Middle East-tinted techno with a formidable kick drum, before exploding in colourful, organic breakbeats. Immediately on the flip, the sense of wonder returns in a sonic mirage for 'My Bosa Is For You', weightless rhythms blending with an electric organ and charming, lightly psychedelic breakdowns.

Further sonic tricks fall from Moving Still's delicately-tailored sleeves on 'Haram Odyssey', where an almost impossibly tight bass line provides the function for contrasting synthesis and unpredictable percussion, drawing parallels between the sometimes confusing aspects of the artist's dual-cultural life as a child, through to the music he makes as an adult. Fittingly, the record concludes with ‘Kalam Hub', a triumph of minimalist percussion and traditional instrumentation that pays tender tribute to the Moving Still's grandmother, translating simply to “Love Talk”.

'Nicolò's music was born in the foggy winter of the Adriatic coast, and raised in the dusty grooves of Milford Graves LPs. It travelled to London and Berlin, where it collected sweat from crowds dancing in dark basements, leaving it with an organic hue and rhythmic patterns both broken and free.
This is bass-driven music from outer space. RRRing The Alarm!'

Produced and Mixed by Nicolò.
Mastering and lacquer cut by Kassian Troyer at Dubplates & Mastering.
Art by Paolo Bazzana.
Photo insert by Flavia Serrão.
Design by P.Bazzana & F. Serrão.

A+A is Anunaku and Avalon Emerson.
Their first EP features four tracks of melodic club music, made together while in London and on tour.

happy to welcome luca bacchetti on endless flight.

title track “disco blast” is super killer techno disco tune. it will be one of the summer anthem.

b side is different mood,”nadir” is percussive break beats house and “nelson” is nice minimal latin house.

After an international tour of over 100 dates, French 79 is ready to unveil his third album entitled TEENAGERS. This opus gives us such unique and strong sensations, partly because the synths were recorded at Jean-Michel Jarre's studio in Paris and the tracks were mixed and mastered by Damien Quintard a Miraval studios.

TEENAGERS alternates between signature songs like the masterful opening song, as well as unsuspected romantic and nostalgic songs, epic and flamboyant

tracks, tracks with liberating harmonies, sensational electronic swirls, pop gems ("You Always Say" feat. Prudence, the singer of The Dø) and sumptuous introspective tracks ("Walking on Mars"). Not only does this opus reflect his wide range of talents as a songwriter and producer, but also it definitely takes us on a very powerful sensorial and introspective journey.

Faux Poly kick off 2023 with Eliza, a beautifully detailed and rugged EP by Ste Roberts. Those who know Ste’s productions will be familiar with his signature style of deep, sometimes haunting rhythmic productions that effortlessly maintain a huge presence in any club. This record takes Ste’s music into a new and more intimate personal space whilst staying true to his instantly recognisable sound, blending elements of dark Techno and Electro with a beautifully delicate touch.

“This EP was written and produced at a really unique time of my life as I moved my home studio into a new space due to the birth of our daughter, Eliza. The real life hustle kicked in as my freedom to have a jam when I felt creative had gone. Getting used to a new space and making time count was the new way, and here is the first EP from that time. The EP is called Eliza, because what else could it have been!”
- STE Roberts

A purely Italo Disco record is about to hit the shelves. Milan’s favourite resident DJ Uabos has crafted a couple of powerful cuts, aimed at killing dancefloors, and raising hair on your skin. It’s showtime. An ode to the past but intended for the present. With the club at the centre of the idea.

‘Magico Infinito’ is the latest EP landing on Taste Rec., out on vinyl in december. It includes 2 original from Uabos (who has previously released on the likes of Bordello A Parigi, Toy Tonics and AEON) as well as a series of remixes from some of Italy’s most known Italo legends: Fabrizo Mammarella and Phunkadelica with 2 remixes on the vinyl version, and Dionigi and Amarcord on the exclusive digital release that will be available only when buying the vinyl.

The long awaited repress of Cignol's LDRX3 and LDRX8 EPs has arrived in the form of a 2x12" Vinyl package entitled 'Syzygy'.

Outside In Distribution kicks off their first wave of releases with a debut release from close friend, Dɘiv, on their in-house label.

4 killer tracks, made for many moods. Be quick with this one!
Limited to 200 copies.

2023 Repress

The album comes in the right moment: It's a great time for Toy Tonics: MixMag had the label in their '10 best labels of the year' list. DJ's like Harvey, Kerri Chandler, Moodymann, Gerd Janson, Hunee, Black Madonna playing the records. The releases selling out on vinyl constantly. And: Toy Tonics just joined the K7! family. One of the most prestigious electronic music collectives. After doing one EP per month for the last five years, now here is the first album. Made by Toy Tonics' head honcho KAPOTE. With a lot of live instruments, solos, clever using of rare samples and a wide range of musical inspirations. Pure quality and freshness for 2019. But: who is Kapote If you are a Toy Tonics follower you know: he is one of the two guys running the label. The mysterious person never showing his face. Always appearing next to Munk - the other Toy Tonic boss. But well, it's time to solve the little mystery. As it was obvious for many anyway: Kapote is Munk! It's the same person. It's Mathias Modica. The Italo- German music nerd, labelowner, vinyl collector, keybord wizzard, DJ und producer based in Berlin. Modica is both artists: Munk & Kapote. And he is the creative mind behind Toy Tonics and Gomma. He started Toy Tonics with two friends five years ago. To release music of new talents he met around the world while djing. Before Toy Tonics he was running the (now sleeping) Gomma label. While Gomma was dedicated to indie disco and weird electronica, Toy Tonics stands for advanced funk inspirated dancemusic.

White / Red Splatter Viny

Mysterious, melodic and dark - Portuguese can-do-no-wrong-er Lake Haze is back, adding to his impressive catalogue a four-tracker EP named 'Coordinates Of A Decaying World' for Lisbon's ever-attentive Paraiso. Off-beat toms and rim shots paired with squelchy, slippery, acid make the opener, 'Galactic Federation', feel as bouncy and polyrhythmic as a non 4/4 track, playing a delicious illusion...

MOY delivers his melodic mystique electro/IDM tunes to Analogical Force!! Four cuts that walk the line between adventurous electro and playful IDM. 'Omega Directive' slides a bubbling acid line under plaintive synth work and tough drum machine beats, 'Frequency Of Creation' is all surging bass tones and questing 303 harmonics, and 'Rubberbingo3' is a braindance breakbeat mission with off-world keys and a relentless groove. 'Metreon Cascade', meanwhile, finishes the EP with an excursion into hallucinogenic electro-funk, boasting a body-popping b-line that dissolves into dreamy synth tones. Artwork comes by Geometric Love / UK. Lovely release inspired by Aphex Twin!

Limited Vinyl

Polly Records, the new Hamburg based music imprint kicks of with a 2 Track 7'' record added by 3 digital jams called "Bumpers". On this release, producer Speckman captures a part of his 2020 outlet, which includes a heavy UK influence, driven sound-textures as well as fast and shaking beats. At some point it might feel like you would touch the power supply with wet fingers. The producer and Golden Pudel Club resident Speckman also happens to be a member and co-founder of the Polly Records Crew. Accompanied by his fellows and partners Natalie Andruszkiewicz and Malte von der Lancken, who both are heavily involved in the Hamburg club and art scene, they built the group behind the promissing new label. Andruszkiewicz, graphic-designer and artist, known for her exquisite and unique style in colors, forms and typography evolved in a surrounding of bands and musicians, her talent and high demand led into works such as Booklets, Party-Flyers and Album-Covers for bands like Aroma or Pool. Malte von der Lancken, does bookings for the highly reputed club Uebel & Gefährlich and is responsible for tons of great parties that clearly pushed the landscape of electronic dance music around the city of Hamburg since years.

With forced powers the trio is now setting up Polly Records, a label that is willing to push boundaries and provide a platform to artists that really try to outbreak specific genres or styles, visually and audio vise. Aware of a long-lasting tradition of great hamburg based institutions such as Smallville Records, Dial or the Golden Pudel Club, Polly will certainly continue that road but perhaps in another vehicle for example a sportscar with butterfly doors.

After Speckman's "Bumpers" EP which is going to be released in late summer, the label wants to introduce another hamburg based talent, that been kept hidden for too long. Stay tuned.

Timeless high quality electronix sounds from The Underground Music Network's head honcho D-Ufo! Hand stamped limited copies.

*REPRESS*

Nathan Micay is elated to present the third reissue on Eternal Schvitz: Earthlink - Spectral EP. Originally released on cult Australian label Thunk Recordings in 1996, Spectral was a milestone release for the Syndey scene, garnering international acclaim among tastemakers of the time such as John Digweed. The EP was written by label cofounders Brett Mitchell (of Boxcar) and noted international DJ Phil Smart. It remains electrifying today. Four tracks of genre-hopping hybrids, sonic gymnastics and stupidly fed back guitars. Lovingly remastered and restored on vinyl.

As always, Schvitz gives back. To fight the evil no-ID-DJ forces currently at work, every Eternal Schvitz release will be providing 60% of the cut to the artists and ensuring their credits are front and centre. The remaining 40% of profits will go to aequa, a Berlin-based collective with a focus on empowerment of women, trans and non- binary folks through gatherings for interpersonal exchange. Schvitz is Love. Schvitz is Communal.

For the very first time, ITDR spaceship travels back in time to unearth 4 tracks from 'Genuine' (aka Chris Zippel) finest productions originally released on Ninetysix sounds in 1997. Celebrating the 25th anniversary of this project, 'Nu Ambient Grooves' is the ultimate mindtrip experience for downtempo, IDM and TB-303 lovers.

In three club-geared tracks, Kyoto-based producer Ko Yang maps the allure of floating off-world and the joy still here on planet earth.

A founder and resident of Osaka’s long-running City Boy Lounge party, Ko Yang has been a steady contributor to Japanese party culture for the better part of a decade, hosting international and domestic artists at the homegrown CBL parties.

The release is rounded out with a remix from Alex Kassian, a major talent whose name has become synonymous with quality. Kassian has provided a cut of proggy, tribal euphoria that seems to lift off indefinitely, and is already bringing clubs to a froth internationally

Bliss Point is honored to bring you this collection of off-kilter, otherworldly club sounds from one of Japan’s most exciting talents.

Artwork and packaging by Chris Harnan

Second release on “For Playful Manners” label, presenting Penelope and Ludovic who share roots in the same culture but have been influenced by different surroundings in a lifetime journey. Keeping it warm and playful they deliver dancefloor heat as well as trippy sounds that will lock you in the groove ! Get in the game and discover the positions of the tracks so you find out who made which track