blue colored, 200 copies, +30 min. playtime, cardboard-inlay (297 x 297 mm), mastered by Manes @ SALZ, Cologne
Four extended anthems between krauty electronica, tinkling house, shuffed minimal and IDM-styled breakbeats.
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CD1
CD2
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Affine Records proudly presents the second instalment of Okmalumkoolkat's Holy Oxygen project, once again backed by the unique talents of Cid Rim and The Clonious, showcasing the gang's signature concepts and sounds.Straight to the Top", the futuristic Gqom-inspired instrumental reflects on the last years of Okmalumkoolkat's career during which he has steadily increased the number of audiences for his zharp lyrics, his champion fusion of languages and contents as well as his out of this world dance moves.Zweitbester" takes the crew on a journey around the world, bringing Holy Oxygen Jazz to the far out corners of Planet Earth, distinctive, warped chords and an uplifting-forward house-inspired feel build the foundation for a lit up anthem.
The Durban-Joburg-Vienna massive goes wild on "Isimangaliso", an intensely condensed instrumental provides the red soil for Simiso's verbal graffiti, steadily building up into numerous crescendos. "Shark Attack" is a further example of the trio's trademark fusion of worlds, opened by a distant chord assembly it develops into a wild, claustrophobic, psychedelic song that is bound to leave a lasting impact in the listener's minds.
Holy Oxygen is here to stay. They leopards.
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Clear Vinyl
Tristesse Contemporaine. Act III, Scene 1. After the first album (self-titled "Tristesse Contemporaine") a form of a declaration of independence and the second ("Stay Golden") rising above the rest, their third, "Stop and Start" will come to close the existing trilogy, and begin a new cycle.
The trio at the head of this veritable voyage through time and space, is a motley crew that found each other in Paris: Narumi from Japan, Maik from England via Jamaican roots, and Leo from Sweden. The essence of what they play as Tristesse Contemporaine is two chords, minimal instrumentation, all mixed with maximum reverb. This is a particular idea of "less is more" which is more applicable to pop music. Abandoning "the middle of the road" the band focused on ten tracks where they put their cards on the table and the petal to the metal.
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As a first follow up to his acclaimed 2012 J. R. Plankton release, Plankton teamed up with Robert Defcon and produced an astounding collage of european and afroamerican sounds, vocals and rhythms, both psychedelic and bass heavy. Licensed to groove, the 5 tracks on Oh Babe' merge the sonically improbable - highlighted by the artificial landscape of Armin Linke's cover photo and Max Dax' artwork.
When Krauts Rausch' (German for intoxication or noise) you know they're onto a winner: The fresh new release opens with a sizzling drone ascending the throne of psychedelic sequencer rock. The title tune Oh Babe' injects screwed, subtly lewd funk vocals into a slo-mo, yet ecstatic disco anthem, underscored by a pulsating filter funk bass, while Bass 'n' Hippies' and Get Up' fuse deep progrock killer grooves with raunchy vocoder rap and funky turntable scratching, which will have you on your feet for sure. After a night out dancing, the final track, Jealousy', evokes a scenery of solitary paranoia, both chilled out and chilling.
Defcon and Plankton are connected by years of friendship and a dedication to minimalistic grooves and collage techniques in the tradition of Stockhausen and Can and the turntable and sampling culture of early hip hop.
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Idle Hands is proud to present our first 12" of 2017 from Lerosa, a four-tracker beamed across the Irish Sea to Bristol.
The 'Subcouture' EP sees the esteemed producer operating at the intersection of dubby electro and deep house, taking in the sub-heavy frequencies Bristol is known for, whilst retaining an agile and sleek simplicity.
'Maryelen' is a tight, yet pastoral electro track where dreamy pads contrast against tough, cutting drum programming.
'Line Bass' is a tumbling and bouncy number, that doffs its cap to reggae disco and features vibrant synths peppering the mix.
'Scruffy' takes on a slower and more playful mood, featuring light licks of acid and off kilter keys.
'Subcouture' is a subtle dubbed out house cut with a hint of shuffle.
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Midwich is very proud to close out 2017 with what we feel to be our paramount release. VIKI Viktoria's New Victorian LP is a crowning achievement in abstraction and time-folding. Its metallic futurescape could be the product of 2072 or 1972, harnessing an individual mindset at the peak of its powers. The sound vibrates, doubles up on itself and generally plays havoc with the senses, in the most pleasurable way. Deploying a dizzying array of primitive and advanced electronic techniques, this is one for the ages. Whether your first or hundredth listen, the album breathes with life and feels fresh each time. Years in the making, New Victorian is a timeless piece of electronic music. VIKI Viktoria (aka VIKI) is the pseudonym of Detroit multidisciplinary artist, improvisor and composer Lindsay Karty, whose work involves historic and contemporary electronics, custom circuitry, sound spatiaization and language experiments into combinations of live and telematic performance. VIKI formed from the same pond of DIY electronics as Wolf Eyes, Maximum Cloud, Nautical Almanac and went on to obtain an MFA, studying with composer Pauline Oliveros. Karty continues to host Deep Listening events in Detroit, as part of her ongoing certification. VIKI moves fluidly between sound worlds, street-smart as well as school-smart. In 2016, she co-curated Detroit's inaugural Trip Metal Fest, which hosted Morton Subotnik, Heiroglyphic Being + Marshall Allen & Danny Ray Thompson, among many others. VIKI has toured with Wolf Eyes, ADULT. and Paper Rad's Extreme Animals. She is also a member of SLIKI, a duo with Stallone the Reducer. She actively practices and collaborates in live multi-channel speaker performance in acoustically interesting spaces and club situations. Drexciya's Gerald Donald called VIKI 'The Gary Numan of Noise'.
Highlights: - Years in the making, New Victorian is the result of VIKI's studies with composer Pauline Oliveros. VIKI is an active practitioner of Deep Listening and continues to facilitate events in Detroit - VIKI has been active since the early 2000s, with releases on Load, Animal Disguise & others. - VIKI has collaborated and toured with Wolf Eyes, ADULT. and others. She is a co-curator of Detroit's inaugural Trip Metal Fest. - Drexciya's Gerald Donald called VIKI 'the Gary Numan of Noise'.
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Gagarin is the solo project of Graham " Dids" Dowdall. He makes instrumental electronica that doesn't adhere to any particular scene or style and draws on influences ranging from contemporary classical to techno and every point in between and beyond.
Currently a member of avant rock legends Pere Ubu and Welsh-Iranian folktronica duo Roshi ft. Pars Radio, Gagarin has a long history of left-field musical promiscuity. Including a long period of collaboration with Nico ( Velvet Underground) and many dalliances along the way include John Cale, Ludus, Eric Random, Suns of Arqa, Band of Holy Joy, Low Bias, Zor Gabor and many more.
As Gagarin he has released several albums and contributed to numerous compiIations and remix projects.
His last album Biophilia received widespread acclaim andwas described in Mojo as " electronica in its rawest sense " and in Musicweek as " deeply beautiful glitchy electronica - stunning ". Other reviews and airplay include BBC Radio 3, BBC6 music, RTE, RUM, RNE, deBug, Westzeit, Rockerilla, Vital Weekly, Raveline and many more.
Under his given name Graham released an experimental cassette Outside Broadcast in 2014 through Touch's Tapeworm imprint which is based on sounds sourced from analogue radios ,and is a eulogy to that dying format.
Aoticp includes some elements from this alongside abstract grooves ,unstable synth melodies, floaty ambience, field recordings, grimey beats, glitch and noise.
Gagarin gigs regularly in UK and Europe with a hardware combination of drumpads, samplers, iPad and FX.
AOTICP is due for release on Geo Records through Kudos distribution on July 13th 2015.
In late April the track Wandle was featured on Boiler Room debuts and in early May was already picking up airplay including repeated plays on Amazing Radio, Resonance fm ( including live session 30th May ), Hannover FM, Emmswechtevelle ( ger), RCV Lille ( France) Eldoradio ( Ger). Quietus also premiered a track and an extensive interview with Gagarin about his incredible career.
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First out in our 30yrs anniversary "year" is a collaboration between Eargoggle & Villa Abo. That means Electro meets slammin techno & house as well as a Little cutie in the end. About 300x pressed....
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Detroit powerhouse DJ Stingray drops his latest EP on OTT label of the year 'Unknown To The Unknown'. With support in the bag from techno conquerors Lory D, Antony Shake Shakir , David Vunk & DJ Glow to rising knights Falty DL, Egyptrixx & 5kinadnbone5
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White Vinyl
The enduring search seemed to lead further away from the nooks and crannies of the land, hiding in the remote silence and depth of the undiscovered. Novelty always awaits around the corner.
Proving his quality time and time again, we continue with the next chapter in the Love Over Entropy saga on Something Happening Somewhere. Completing the trinity, this is a meticulously crafted adventure, full of sound and fury, told by someone foolish enough to pose the question.
The narrative takes off with Sea, encompassed by an ever evolving yearning melody that slowly engulfs and stirs the depths of heart strings. The chant unfolds and rumbles, letting go of the well known, slowly venturing into uncharted and unexplored territories. An eight minute long contemplation for the wandering soul.
Discarding the old, Worth While is a reminder that strange things can be encountered in the infinite abyss of the obscure. With its unsettling atmosphere, Love Over Entropy exploits shimmering cymbals and bends a 303 synth line in peculiar ways. Consequently applying an unrestrained force that lures you into the lair before intensifying and dissolving back to a calm surface.
The appendage is conceived in the form of Finisterre, a ceremonial celebration that revolves back whence we originated. The accolade is obtained by an arpeggiated bell melody line that flourishes and tickles the ears with a cheerful liveliness, delivering a sense of grace.
The odyssey remains a dreamlike memory beyond recorded time. Muddy waters may be best cleared by leaving it alone...
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London-based music and art label Earnest Endeavours announce their signing of Pomrad, from Antwerp, Belgium. The 23-year-old rising electronic savant and jazz trained keyboardist, producer and live performer's debut EP 'Vlotjes' was released in 2012 on OohWee Records to a feverish fanbase built around his electric stage shows. Bestowed with a raw funk conjured from his mastery of keyboards (he started playing keys when he was five-years-old), keytars, samplers and talkboxes, Pomrad draws on disparate influences from Herbie Hancock to Zappa and DJ LeFtO, and continues to build his reputation via a certain European futuristic sensibility (as displayed via 'Hot Rain', featured on the third volume of visionary compilation series 'Brownswood electr*c').
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John Talabot's Hivern Discs label starts afresh in 2015 by introducing a heretofore unknown duo known as INIT. Te pair hails from Frankfurt's Rhein-Main region and comprises Nadia D'Alo` and Benedikt Frey, both of whom were featured on the title track of Massimiliano Pagliara's 2014 LP on Live At Robert Johnson. Frey's cosmic, plodding, and house-related analogue experimentations have also appeared on the iconic Japanese label mule musiq, and this penchant for moody kraut-infuenced psychedelia and atmospheric synth explorations is enhanced by his team up with D'Alo` on INIT's debut album "Two Pole Resonance", set for release September 14.
Benedikt Frey is building a steady reputation both as a Producer (with releases on LARJ, Mule Electronic, Nous'klaer Audio and his own LOPASURA imprint) and as a DJ with a long-standing residency at the legendary Robert Johnson and increasing international bookings. Tis is Frey's duo effort alongside Nadia D'Alo`.
This is Hivern Discs' frst Full Length release and it helps consolidates it's uncompromising approach to music and strengthens it's already eclectic catalogue.
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Summer's here and so is this explosive EP from Ruby Hill's & Diamond Mountainrecords, bliss on wax.
Limited to 300 copies and pressed on heavy 180g vinyl the EP comes in a hand stamped manilla brown sleeve with stickers and separate artwork.
NightMoves teams up with Sarah Lazenby for a sun drenched boogie house crossover full of synth, piano, percussion and bassline, painting a picture with it's beautiful vocals and melt away soundtrack, with an instrumental version thrown in for good measure, 'Love Supreme' will take you back to where you want to be...
On the flip side there is no slouching as Paul Withey makes a monster in 'Move Your Body', heavy vibes throughout on this dance floor destroyer, and with E. Live making his label debut all the way from Cali' with the stunning 'Feeling Nervous' let Eli take you on a journey, you are in good hands.
Don't sleep on this one.
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Don´t confuse radio silence with inactivity. The music might not have been flowing, but the plans were at Schrodinger´s Box HQ. And finally, after a shedload of work; we´re back to the music. Anton Maiovvi is well known in the right circles. This Bristol born soundtrack virtuoso, italo disco savant and all round electronic guru has travelled labels far and wide with his smorgasbord sound. And that variety is plain to hear on Will to Powder. From the epic opener of 'Clocks', Maiovvi leads you through his labyrinthine hall of shapes and sounds. Expect warming melodies, cold beats, shimmering synthwork, brazen experimentation, a decent dollop of slasher scores and a pinch new wave romance in this. Undoubtedly his most diverse album to date
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REPRESSED !!
AF is introducing Echo 106 to the family and fans of analogue techno should investigate. The swiss duo debuts on Analogical Force after many fine releases on Lux Records, Jamal Moss' co-op Mathemathics and appearances on Brokntoys or 030303. 'Shifting Multiverse EP' is one of the strongest released by the Schn
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Ursprünglich wurden die "Ballett"-Aufnahmen im Jahr 2000 als Teil der streng limitierten und natürlich schon
längst vergriffenen 10CD-Box "Contemporary Works" veröffentlicht. Wie Klaus Schulze in einem Interview
einräumte, hätten die Stücke auch einen ganz anderen Titel haben können, denn mit Ballettmusik im
eigentlichen Sinn haben sie nichts zu tun. "Ich hatte die vier Stücke ursprünglich als eine Komposition
gedacht - zu Ehren meiner Mutter, die Balletttänzerin war und 1998 gestorben ist. Weil es die erste
Produktion war, die ich direkt nach dem Tod meiner Mutter gemacht habe, habe ich ihr den Titel 'Ballett'
gegeben und die vier Parts einfach durchnummeriert." An den Aufnahmen beteiligt war einmal mehr
Wolfgang Tiepold, seit 1978 Schulzes "Haus-Cellist". Wegen des Cellos haben die Stücke einen leicht
klassischen Touch. Für KS-Fans keine Überraschung, bekanntlich verbindet der Musiker außerordentlich
gerne Elektronik mit klassischen Klängen und Strukturen. Die Neuauflage von "Ballett 1 & 2" erscheint als
Digipak mit 20-seitigem Booklet
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great summertime tracks...
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Der Thriller "Iris" von 2016 ist das Remake des japanischen Originals aus dem Jahr 2000. In diesem geht es um einen Kriminellen, der die Frau eines wohlhabenden Geschäftsmanns entführen und Lösegeld für sie erpressen will. Doch die Aktion läuft anders als geplant ... Den Soundtrack schufen A Winged Victory For The Sullen. Hinter der außergewöhnlichen ollaboration verbergen sich Adam Bryanbaum Wiltzie und Dustin O'Halloran. Sie trafen den Regisseur Jalil Lespert erstmals, nachdem dieser bei einer Online-Recherche auf A Winged Victory For The Sullen gestoßen war. Als er ihre Musik hörte, wusste er sofort: Die beiden sind perfekt für meinen neuen Film! Man einigte sich darauf, einerseits im Bereich der analogen Elektronik mit
modularen Synthesizern zu experimentieren und andererseits mit einem großen Streichorchester zu arbeiten, um eine gleichermaßen moderne wie cineastische Klangpalette zu entwickeln. Auf Wunsch von Robert Raths, Labelgründer von Erased Tapes, wurde aus den 60 Minuten Material ein prägnantes, 41-minütiges Album herausgearbeitet. Das Cover gestaltete die Berliner Künstlerin Stephanie F. Scholz, die auch schon das Artwork für Nils Frahms "Music For The Motion Picture Victoria" kreierte.
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