House News

Ukraine's arguably most interesting contemporary electronic music producer Mikhaylo Vityk, known as Vakula, returns to our label family. Having released an EP for Burek in 2012 under the Vedagor alias, for Barba he came up with a new name - Rocco Siffredi, and a spaced out 3-tracker EP titled "Per Asper Ad Astra". As it is expected from an artist as unique and prolific as he is - Rocco hits the spot, so to speak, with this 12" as well. A1, the title track "Per Asper Ad Astra" is a very late 70's reminiscent italo disco affair. Bubbly synths, flying arpeggios and pitched vocals make it feel perfectly at home in between a Giorgio Moroder and Space track, but somehow Mr Siffredi made it "his own" and sounding fresh and futuristic even in 2018. A2, "The Elements", is the records most forward momentum track and probably the most psychedelic one. It's a pure dancefloor cut with a tight drum programming counterpointed with airy synths and reverbrating guitars which are begging to be played during an open air venue sunrise moment. It's a track which exposes itself in layers of influence...from synth pop to disco and early electro. B1 cut, "Code P" is the ambient come-down tune. Rich sequences and beautiful synth pads seem to wrap themself around you as the track progresses and drown you in echoing bubbles closer to the end. Beautiful way to get lost in the record and finish it with style. We're pleased to say that Rocco delivered a diverse but consistent EP which heavily leans on the late 70s lingo of synth-infused disco and pop but carries a stamp of "today". Art by Wanda Kuchvalek.

David Marston is a producer, DJ, musician, and guitarist hailing from the vibrant Caribbean island of Jamaica. He takes a multifaceted approach to his music, and has worked to achieve a sound that is a fusion of multiple genres, including, but not limited to, house, hip-hop, disco, jazz, as well as reggae. During a six-month stint in Jamaica in 2016, Marston reconnected with a close friend and fellow musician, Craig Williamson, and the pair began writing music that would become the basis of Marston's first full length album. With the album set to be released in early 2019, Marston has endeavored to put together a special 12" to showcase the club-friendly side of his music with a selection of the album's dance cuts.

The A-side of the vinyl kicks off with the title track, "Feeling You", which features Williamson's crooning voice over a hypnotic instrumental characterized by a swirling arpeggiated synth, punchy bass hits, and stomping drums. To round off the A-side, Italian DJ and production duo, Lowheads, give the aforementioned track a fresh makeover with their lively classic house remix and dub version. The flip side of the record consists of two instrumental tracks. The first, "Ragamuffin", is a mesmerizing four to the floor tune constructed around an Indian raga sample. The final number, "On My Mind" is an off-kilter house groove with rolling keys, garage style drums, and a soaring lead. Taken together, the 12" album 'sampler' is a robust yet tantalising collection of club-ready tunes.

Slow things down into a full balearic groove with this latest EP on Dekmantel by the Dutch production duo. Barely breaking a sweat over 100bpm, these smooth sunset synth rhythms, full of muted 80s Italo funk, and breezy drum machines, syncopated with the warm, exotic blend of retro keys and ambience, set the EPs five tracks coastal, vibrant dynamic.

The Hedgehog Affair (Ron Wells & Spencer Thomas) present their legendary series of 90's Hardcore Jungle Techno, remastered and issued on Sound Entity Records. Cut & Repressed in the UK as part of an ongoing project by the Music Preservation Society to preserve Old School classics and keep them available for future generations.

Here the first release of OVNIE, label based in Madrid, presents this piece of wax in various artist format including tracks by Domenico Rosa, Himalaya Juice Culture, Pohl and Chris Geschwindner.

DJ Rocca returns to Wonder Stories with a stunning EP that only the Italian legend could produce. Steeped in his style, the eclectic producer submits three original tracks dedicated to his favourite types of pastas.

Known for his collaborations with Dimitri From Paris, and Daniele Baldelli, Rocca's playful energy and original song writing shines through. On remix duty is the elusive DJ Fett Burger who combines 'Spaghetti' and 'Fusilli' into a chaotic amalgamation of stabby synths and percussive drums.

'Spaghetti' is a left-field house tune with muted bass and eerie synth melodies. 90s house stabs and lo-fi broken beats amp up the track with sultry vocal lines accenting throughout. 'Fusilli' emerses the listener in a tribal futuristic landscape of a forgotten synthetic world. Think after hours of a blade runner rave. Rocca's studio prowess really shines here, as his analogue. synthesizer and drum machine collection are brought to the forefront.

'Penne' slows things down into a slow-mo funk disco-esque tune with sharp stabby synths and a growling bassline. Rocca, ever the multi-instrumentalist, let's his flute playing shine here, culminating in a seriously vibey aesthetic.

Opting for his pseudonym 'DJ Fett Birger', DJ Fett Burger combines both 'Spaghetti' & 'Fusilli' into a frantic and chaotic amalgamation of breaks and acid.The addition of an elusive vocal sample brings a mindset of late speed-induced warehouse raves.

DJ Support:

Harvey, Tornado Wallace, Poncartrain/ Whiskey Disco, George Evelyn/ Nightmares On Wax, I Cube, Deetron, Mano Le Tough, Joe Goddard/ Hot Chip, Tom Findlay/ Groove Armada, Jacques Renault

Good Block have been throwing parties in and around London for the past six years. Nomadic and sporadic in form and function, their parties are centred around danceable odd-ball gems and have hosted the likes of Jamie Tiller, Jon K, Esa, John Gomez, Selvagem, DJ Nomad, Bradley Zero, DJ Okapi, Jonny Rock, Apiento, DJ Vegetable and Cosmic Slop.After a series of DJ friendly edits issued gratis, Good Block finally put out their first fully fledged EP of original material; a composite soup of influences and styles from around the Orb, trekking through slow jungle chug, cosmic Caribbean Juno jams, Japanese synth pop snares and New-Age meanderings.

Orbital 002 Hot off the heels of their successful first release 'Opposite Visions', Orbital London make a second statement with 'Coopers Dubz EP'. Sidewinding in on the A side is label front man, Jack Michael. 'Never Said That' is a familiar sound we have come to expect from the young talent, warm, and born to be heard loud. A bit lighter on its feet, with a definite spring in its step is fellow UK artist Harry Wills' interpretation of 'Never Said That'. Juicy by name, and juicy by nature. Kicking off the B side with a 'Clout' is Wills again, with a much darker outlook. A tight garage groove that packs a punch. Returning the remix favour is 'Jack's Dusty Mix', a mysterious and pacey affair to round off the Dubz. A four track release, fulfilling all of your bassline requirements. Big up Cooper.

Born in Venezuela and based in Barcelona, Luis Garban aka Cardopusher has spent the last decade creating a wide variety of noisy dancefloor assaults. Although his roots lie in the breakcore scene, he's slowly gravitated toward a raw, electro-infused take on techno that is no less compelling. Along the way, he's released music via labels like Terminal Dusk, Murder Channel, Hyperdub, and Tigerbeat 6, and has also found the time to launch his own Classicworks imprint, which he continues to run alongside co-founder Nehuen. Cardopusher has also forged a relationship with German bass enthusiast Boys Noize, issuing a pair of EPs as well as two full length albums.

We are proud to present a new 6-track EP titled 'Muscle Memory' that takes the listener on a deep and gritty ride through his diverse sound, from techno to electro, acid, rave, and house. Luis is inspired by labels like Warp, Schematic, Planet Mu, Rephlex, as well as EBM and New Beat. Hard-smacking claps and raw TB-303 sequences merge with robotic vocals, solid and perfect for dark dance floors. The B-side features one track with haunting guest vocals by fellow Barcelona musician, Ivy Barkakati. Luis says the main themes of this EP are obscurity, desperation, confusion, nostalgia, escaping the world's indifference. All songs have been mastered for vinyl by George Horn at Fantasy Studios. Housed in a workout themed die-cut jacket designed by Eloise Leigh with raw acid-style mixed bold type and sporty graphics.

Mount Liberation Unlimited strikes back! After releases on Tim Sweeney's Beats In Space label and everyone's favourite oddball house institution Studio Barnhus, the swedish duo, consisting of Tom Lagerman and Niklas Janzon, land on planet Permanent Vacation.

"Body Language" is the fifth release for MLU and you can feel that they have been places and come some ways, since their debut ep in 2014: This Ode to dancing sees Lagerman and Janzon heading into more pop-y territories than before. "The Swedish Version" is a full on pop disco track with rich instrumentation and infectious vocals that underline MLU's status as one of the best disco and house live acts around these days. While the "Mouth Mix" is the Swedish interpretation of Chicago House and gets even more physical with its drum-heavy beats and computerized vocals. For your Karaoke party and to round up the package, we also included the instrumental of the "Swedish Version". Rocka Din Kropp!

Nice electro techno oldschool, little pusher.stock found !

After releasing three powerful edits of Fly Free in November 2017, Jon Dixon is back with a new Sampa EP. Inspired by the strong culture and rhythmic grooves of Sao Paulo Brazil, Dixon delivers 4 tracks sure to be a tool for any DJ. With the title track 'Paulista Avenue' already in the rotation of Derrick May, Radio Slave, and Gilles Peterson.

The second release on ninih is a package of personal stories by Amsterdam's Eversines, truly captivating the sounds of the ninih label. He masterfully crafts densely layered and brooding soundscapes throughout the EP, appealing to heady listeners and vibing dancefloors alike. Transmissions of deep, swirling, cosmic synths coexist with ominous haunting echoes while warped chords slip in and out of focus. Weaponized experimental electronics blast off in a flurry of hard hitting kicks like a spaceship speeding through a sonic asteroid field before throttling back to an ethereal pace.

The Hedgehog Affair (Ron Wells & Spencer Thomas) present the first of the legendary series of 90's Hardcore Jungle Techno, remastered and issued on Sound Entity Records. Cut & Repressed in the UK as part of an ongoing project by the Music Preservation Society to preserve Old School classics and keep them available for future generations.

The Hedgehog Affair (Ron Wells & Spencer Thomas) present the second of the legendary series of 90's Hardcore Jungle Techno, remastered and issued on Sound Entity Records. Cut & Repressed in the UK as part of an ongoing project by the Music Preservation Society to preserve Old School classics and keep them available for future generations.

The Hedgehog Affair (Ron Wells & Spencer Thomas) present the third part of the legendary series of 90's Hardcore Jungle Techno, remastered and issued on Sound Entity Records. Cut & Repressed in the UK as part of an ongoing project by the Music Preservation Society to preserve Old School classics and keep them available for future generations.

The Hedgehog Affair (Ron Wells & Spencer Thomas) present the forth part of the legendary series of 90's Hardcore Jungle Techno, remastered and issued on Sound Entity Records. Cut & Repressed in the UK as part of an ongoing project by the Music Preservation Society to preserve Old School classics and keep them available for future generations.

The Hedgehog Affair (Ron Wells & Spencer Thomas) present the fifth and final part of the legendary series of 90's Hardcore Jungle Techno, remastered and issued on Sound Entity Records. Cut & Repressed in the UK as part of an ongoing project by the Music Preservation Society to preserve Old School classics and keep them available for future generations.

Local Talk is proud to present the second 10" release featuring music by Kyoto Jazz Sextet.

Mission is another track taken from their second album 'Unity' released on Blue Note in 2017.
This time the remix torch is passed from Ron Trent to Jaxx Madicine. The Milanese trio remix has a feel of confidence and charge which allows it an accessibility and artistic integrity that shines through immediately, it takes you to another place.

Reigning vibe-wave don of the City of Roses returns to the SILK chalet bearing four fresh afterhours anthems ripe for repeat rinsing. Midnight takes its name from Body San's special-ordered strain of Nag Champa, and exudes a similar air of nocturnal promise, streetlights reflected in glass brick fountains and condominium windows. Brandon Knocke's knack for Memphis design funk and skymall fusion hits an apex here, flexing a full spectrum of rhythmic reveries: fluid, jazzy, joyous, sensous. Song to song and side to side Midnight flaunts a panoramic rooftop view of leather interiors, fern-accented foyers, and supreme motion software. Midnight is 12 AM, 12 inches of bump 'n' bounce 'n' body euphoria, music for low lit silhouettes unified in emotional response. Somewhere a clock strikes, a ball drops, and day turns to dawn.

Recorded and mixed by Brandon Knocke in Portland, Oregon. Mastered by Eric Hanson in Los Angeles, California. Design by Britt Brown.

Soundwalk Collective is a multi-disciplinary audio-visual collective founded by Stephan Crasneanscki, including members Simone Merli and Kamran Sadeghi.

The Collective's approach to composition combines anthropology, ethnography, non- linear narrative, psycho-geography, the observation of nature, and explorations in recording and synthesis. The source material of their works is always linked to specific locations, natural or artificial, and requires long periods of investigative travel and field work.

Their recent projects include a collaboration with Patti Smith and reworking the archive of recordings on Jean-Luc Godard's film set.

For the 8th Marionette publication, Soundwalk Collective present 'Death Must Die'. A sound piece that began in 2004 and ended up as a composition for the PS1 radio in NY. For this New release the Collective has revisited the piece in a more musical way.

'Death Must Die' is based on Stephan Crasneanscki's multiple visits to the sacred Indian city of Varanasi, originally known as Kashi and Banares. Sacred texts maintain that Varanasi isn't even a city, but rather a lingam of celestial light, the subtle and cosmic form of Lord Shiva which manifested itself as a city for the sake of seekers of liberation. To bathe in the holy Ganga is to be purified of your sins. To die in Varanasi, is to attain liberation and to bring an end to the cycle of rebirth known as transmigration. Determined to capture the elusive reality of this ancient city, Stephan has day by day recorded and re-imagined his understanding of how to perceive the continuously moving stream of the holy Ganga; performing a simple form of sadhana, which request is to be very alert but also to allow your mind to be quiet, making it easier to slip into the streams, and into the current that both the city and the river are offering.

'Death Must Die' begins before the rising of the sun and reproduces the cycle of a day in Varanasi, going down the river that is believed to be the divinity descended to this Earth in the form of water. She grants us happiness and salvation. The composition attempts to emulate the vibration of Kashi that encourages the kind of interiority that enables a person to get a better perspective on reality than one might have, while constantly being in the current of human life. A vibration dedicated to eliminating the distinction between human and non-human, between alive and dead, between light and dark.

For This New Episode In The V/a Series, Label Head Tom Joyce Has Collected An Unexpected Bunch Of Artists From Frankfurt, Paris And Casablanca. The A Side Opens With A Little Banger From Gosu Boyz Manuel Schatz & Rob Amboule, Followed Up By Peter Raw With His Bouncy Track Brotherhood. On The Flip, Kosh - Who Co-owns Casa Voyager - Delivers A Liquid Electro Tune With His Trademark Sound Alongside The Floating Beats Of Rising Talent Hdv - A Solo Project By Half Of The French Duo Loop Exposure. There Is No Doubt, Kloni Will Be Your Best Companion For This Winter.

Jumanjí is the joint persona of RAMZi and Priori. This eponymous album is a deep adventure in Houti Kindom, featuring a cast of colorful characters practicing interspecific altruism in communion with the invisible world. All songs written and produced by Francis Latreille and Phoebé Guillemot at Jump Source Studios in Montreal, Canada.

For the last 20 years London-based author and party organiser Tim Lawrence has dedicated himself to excavating the history of New York City party culture and bringing some of the most powerful aspects of that culture to London's dance scene, from where it has ricocheted around the world. Having conducted the first set of major interviews with David Mancuso, Lawrence started to put on Loft-style Lucky Cloud Sound System parties with David and friends in London in June 2003. In early 2004 he published Love Saves the Day: A History of American Dance Music Culture, 1970-79, which tracked the influence of the Loft on the wider New York DJ, dance and disco scene. In 2009 his biography of the iconic musician Arthur Russell became the first book to map the wider downtown music scene. These beautifully written and politically insightful histories have educated, inspired and celebrated the previously overlooked foundations of contemporary dance music.

Lawrence's most recent publication, Life & Death On The New York Dancefloor, 1980 - 1983, published in late 2016, shines a light on 'one of the most dynamic and creative periods in the history of New York City'. Falling between the more regularly celebrated sounds of disco, house and techno, the period produced a uniquely hybrid series of sounds that never acquired a settled name. This led them to be largely ignored by historians and even DJs, yet the power of the period's music and the scenes it birthed, Lawrence argues, remains undeniable. Met with a rapturous response, Life and Death On The New York Dance Floor saw Lawrence on the road for most of the next year as he spread the word about the characters, the records, the clubs and the bands that shaped the post-Disco, post-Punk, and burgeoning Hip Hop landscapes of New York City during the early 1980s—a period when freedom still ruled.

This, the first of a 2-part sonic tribute to the 1980 - 1983 era as well as a musical companion piece to Life & Death On The New York Dance Floor sees recognised musicians (David Byrne of Talking Heads) nestle up alongside the belatedly recognised (Arthur Russell's Dinosaur L and Loose Joints, and Suicide's Alan Vega) and the downright obscure (Gray, 2 Teens Kill 4 and Tuxedomoon). An indication of what's to follow, Dinosaur L's original album version of 'Go Bang' has been dramatically overshadowed by the definitive François Kevorkian remix yet received regular play by David Mancuso and remains an enthralling experimental Arthur Russell jam.

Lovingly curated across 2 slabs of vinyl, the album introduces listeners to a stunning array of sounds, styles, vibes and feelings that encapsulate this most fertile and forward-thinking era, when music, fashion, sound system innovations, leaps in music technology, a DIY attitude and a freedom from corporate politics combined with extraordinary expressivity. All music contained within this album has been hand-picked and programmed by Tim Lawrence. It represents a selective yet rich introduction to one of the most extraordinary periods in New York City's epic musical history.

This is the first release on Reappearing Records, a label led by Tim Lawrence and distributed worldwide by Above Board distribution. Licensing courtesy of Tracksuit Music. Mastering by Optimum Mastering, Bristol UK. Artwork & design courtesy of Atelier Superplus. 2018.

2018 see's Carl Finlow most productive year so far with over 10 releases cut. Releasing on label like Electrix, CPU and Lone Romantic label. A new live show has also been shacking the dancefloors around the world as well. This EP is a must for your record box and collection...

Dan Piu is releasing his first full Album with unreleased traxx since 1999. A collection of beautiful Chicago & Detroit sounding pieces that he created throughout the last centuries.

The latest from the Galdoors stable: Cafe Nostalgia takes off, a pumping slab of bubbling bleeps and bass with creeping pads to chew on as you go. Conclusions Like Curtains keeps up the pace on the B-side - driving arpeggiator-tech with FM tweaks and washes taking it deeper. Looped-up rounds off, with layers of restless, twittering snippets wrapping you up in a wigged out groove. One-to-watch from Junes on his own imprint.

Tempo Dischi is an italian label created on a mission to discover and repress classics and rare gems of the italo disco, afro and cosmic scene. With the support from all the main players who has made that era magic, we work to put back on records stores shelves a piece of art that may have been lost but it's still timeless. The first release is one of the key projects of the underground Italo Disco scene, probably not the most famous one, but surely it is among the most loved one by DJs and connoisseurs: Steel Mind.

'It was the end of the '70s and at that time Disco Music was very popular. I was in a band called Caelestium, and we were playing in the most important clubs in Italy…Around the beginning of the 80s, I started to feel the desire to make a different kind of sound and I decided to start my solo project creating songs like 'Boss Man' and 'Lionel' that were closer to the Krautrock style' recalls Piero Torsani, the producer behind this project.

These songs have become a cult for many djs, including Daniele Baldelli, Beppe Loda and Alexander Robotnick and they still sound contemporary. The Tempo Dischi collective is responsible of a club friendly edit of 'Boss Man'. And after a deeper search into Pietro Torsani's original music archive, an unreleased track has surfaced we could not resist to give to the world: 'Summer in The City' featuring the voice of Marisa Lucà , at that time singer of Caelestium.

It took a while before it was this. It was a place to find clothes made by people lost in a minefield of ideas who liked to party. It was a place for temporary visions that turned out to happen and were then forgotten. It was always a place to find a new circle of friends. A place for expression where the throttle had been loosened and we all careered into the next day and the day after that. We all need to meet in the flesh away from the pixels and connect our first thoughts. Somewhere to ruffle our own feathers and take off on a phantom flight. It has been all this and it still is. Only now there is a record label to try and actually document a little of all of that. Welcome to Sameheads.

This record is a morsel from the community. Novo Line, Twoonky, Kruton, Kris Baha and Antoni Maovvi and Balance Crew aka Dane Close & L. Zylberberg. Six acts whose sweat is in the carpet and who all owe more than seven euros to the place for one reason or another. Six songs that electrify a new way to no wave. Don't forget, this a mince based dish. Enjoy.

J R Seaton aka Call Super

Marginal Returns Is A New Project From Andrew James Gustav, Sharing Music By Close Friends And Artists From The Margins Of Electronic Music.

Its First Release Is The Vinyl Debut Of Two Phase U, Real Name Hernán González. Based In Uruguay, González Has Been Producing Music For Over 20 Years, In Parallel To The Growth Of Montevideo's Now Vibrant Electronic Music Scene (centred Around The Esteemed Club Phonotheque).

Two Phase U's Last Output Was The Recently Rediscovered 1998 Album 'techknowledge'. 20 Years Later, González Has Resurrected The Alias To Explore Fresh Interpretations Of That 'golden Age' Of Electronic Music. 'face One' Presents A Brighter Side Of The Two Phase U Sound: The Technicolour Tumble Of 'tremendous', The House Lilt Of 'fill U', Electro Boogie Tinged 'elevator' As Well As The Darker, Snaking 'kill'.

Matt Whitehead needs no introduction here on Super Rhythm Trax and for this outing, he's joined by No Data Available (fresh from a recent outing on Null & Void) and together they've come up with something super special.

'Sahara' and 'Temple Of Set' conjure strong images that match their respective titles with the mood alternating between majestic and mystical. Masterpieces.

These two tracks are sandwiched by the hypnotic and acidic tendencies of 'Full Resonance' and 'Panic In Flat 13'

You may be surprised to know that this is not the first time the two have collaborated on Super Rhythm Trax, and eagle eared listeners will be able to spot their previous collaboration.
This record is limited to 350 copies.

Born the 26th of October 1956 in Aïn Azel near the Algerian city of Sétif, Nordine Staïfi, real name Larbi Smati, was very young when he emigrated to the French Chambéry region.
After having recorded 'Sraoui' style songs, his real devotion as a singer took place in 1978 when publishing the song 'El Ghorba S'hiba', a disco version of a traditional East-Algerian piece. This song would revolutionize the modern Algerian music, and made Nordine one of its most important protagonists of the 1980s.
For nearly ten years he dedicated himself to the modernization of his music, traversed by the themes of exile, love and the nostalgia of his country.
Nordine Staïfi died prematurely on December 17th 1989 in France, at the age of 33.

The fourth release in Dekmantel Record's tenth-anniversary, celebratory release series is a collection of new material from some of the label's favourite artists. A blend of the old and new, brought together through a shared love of electro, and wave influenced grooves by the likes of Palms Trax, The Egyptian lover, Interstellar Funk, and Syracuse & Epsilove.
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On the EP, The Egyptian Lover tees things off with his trademark electro vibes. Making his Dekmantel inauguration, the electro pioneer sets the precedent with his 808, retro-futurist aesthetic. It's classes Egypt through and through. No stranger to Dekmantel however, UK producer Palms Trax adds a hallmark slab of classic-analogue, summertime house, a track that will inevitably find its way into his festival set later this summer. French synth-pop act Syracuse & Epsilove -whose 2015 Antinote LP Liquid Silver Dream is essential listening for those who haven't heard it- contribute a dreamlike, electro vocal pop number to the record. Also marking their debut to the label. Amsterdam based Interstellar Funk, the Red Light Radio and Rush Hour analogue adventurist, delivers a track full of playful, yet murky synthetic grooves, with a machine-heart and lively, fanciful melody.

2017 sees Dekmantel celebrating its 10th anniversary. A decade ago, the Amsterdam crew threw their first party in the Dutch capital, two years later Dekmantel Records followed. And for their decennial anniversary, Dekmantel Records are releasing ten, very special EPs over the course of 2017. For this series, Dekmantel invited producers who are close to their hearts, have been with them since day one, or made a big musical impact on the crew. Artists including the likes of Gigi Masin, Levon Vincent, and Call Super, who all graced the first three EPs released earlier this year. Along with seasoned names, the series will see the indoctrination of newcomers to the label including Burnt Friedman, Ectomorph, and Donato Dozzy. It will also feature the addition of a couple of stone cold geniuses, including Motor City Drum Ensemble, Ricardo Villalobos, Joy Orbison, and Tony Allen.

Local Talk are proud to announce the first artist EP of 2019, 'Basic Knowledge' by producer extraordinaire Boddhi Satva, showcasing his unique quality and musicianship.

Basic Knowledge comes with two mixes.
First up is the 00's mix, a near-epic track, riddled with emotion and deepness, certain to cause more than just a few goosebumps. The key stabs and strings makes this one of the deepest cuts of house we've heard in a minute.

On the flip 'Together' is another elegantly realised stylistic track where all the moving chords are exposed and pushed to the front. A grand tour through the deep-rooted rhythms with a minimal yet spiritual sound.
Last but not least is the 90's mix of Basic Knowledge. It takes all the ingredients from the A side mix and infuses it with more jack, together with the kicks, snares and the swollen bassline.

Four stunning remixes of Front De Cadeaux by our Fabrizio Mammarella. Comprising Hugo Sanchez from Rome and DJ Athome from Bruxelles, Front De Cadeux serve up three brand new tracks of 4/4 leaning crackling, static dance-mechanics that will fit straight in to your peak time selection. Touching on tribal house at points and the foggy basements of Berlin in others these remixes are joined by Mammarella's 'Pedé BPM' re-work - a gnarly slice of synthetic EBM that was previously only available digitally.

Moonshoe set their sights south of the border, shining a light on a collaboration between two vanguards of the Melbourne underground - Ziggy of 30/70 and Analogue Attic alumni Matthew Hayes. This EP bridges both their sounds while retaining a flavour all of its own, and Hayes' spacious production affords their ideas room to breathe. The result combines disparate influences from jazz, ambient techno, house music, and broken beat to form a musical vernacular that feels singular to these two.