House Novedades

22 years since a last appearance, Placid Angles partners with London's Magicwire to share with you a second full length, First Blue Sky.

Placid Angles (John Beltran) & Magicwire would like to dedicate this album to you, the earth & everything.

First Blue Sky is due mid March. For now please enjoy the clips and take care of each other.

All artwork done by Magicwire's Gabriola.

Love for the music should be the driving force of any producer and Lee Gomez aka Wipe The Needle clearly shows this with his latest release for Local Talk.

'Enchanted' features Alex Lattimore's soulful vocals together with stunning instrumentation and takes you on journey that goes beyond the house genre, it is hypnotic as much as it is bumping.
Flip it to the B-side for a North London dub courtesy of Wipe The Needle.
It's the kinda track Joe Claussell would drop at Body & Soul and keeps you dancing until closing time.

Deep positive vibes from the soul of Zûg to elevate the spirits.
Part 2 of 2 for 'Algunos Sentimientos' translates to 'Some Feelings'.
Second episode contains: patience, happiness, beauty and love.

DABJ have taken flight with their first drop of 2019. And it's another fine selection of sonic warheads from Advanced Helicopter Commander Fear-E.

Anyone who has heard the DABJ crew play out over the last year will bound to have heard some of the fire from this. "Jump On The House Train" has been a staple in our club sets and mixes, and has to be one of the most asked about tracks we've had on rotation. All four tracks encapsulate the vibe of late night / early morn' Glasgow warehouse parties perfectly. Highly limited vinyl (with hand stamped labels and cool insert) release plus digital release.

Don't let this one evade your capture...

Very Very Limited!

4 tracks, 2 bangers: D.K. starts a new season in the Antinote league with a 12' 100% dedicated to the dancefloor. There's a perfume of jungle (not the genre, the one from Donkey Kong Country, in case someone has still not made the connection between Nintendo's #1 gorilla and the French producer) emanating from the whole record. The Parisian producer has also been taking a peep on some early 1990's rave records (but who isn't at the moment), as demonstrated by the two first songs, Mystic Warrior and perhaps even more flagrantly Elements - with its emotional pads and sad mock Jon Hassel-like trumpets.

Worries In The Dance, and Earth People are more of a warm up business - so to speak, in the language of the club. D.K. takes a step back, BPM-wise, only to allow a deeper exploration of the surroundings - namely shamans with bamboo flutes circling around you, monks meditating under a cascade, others ringing a prayer bell - that have more to do with Age Of Empire or any 1990's adventure game set in a fantasized Asia than anything that actually exists IRL (probably a distinctive signature of the French producer). Anyway, there's a Bruce Lee sticker on the sleeve that says it all, in a much more concise way.

Erol Alkan returns to Phantasy with 'Spectrum' and 'Silver Echoes', his first original solo material in five years; two pure dancefloor cuts which perfectly embody Alkan's charismatic, psychedelia tinged and singular approach to DJing and production.

'Spectrum' opens with shattering live drums in the spirit of his celebrated band production work and culture as founder and resident of seminal London club, Trash, before his equally striking synthesis rises into the mix, building towards a pulsing, blissful acid house reveal. Maintaining an irresistible rhythm, Alkan interweaves between tension and release, physical raw percussion and driving analogue modulation.

On 'Silver Echoes', Alkan bridges melancholia with the natural euphoria at the heart of some of his finest reworks and productions to stunning effect. Diving immediately into the heart of a powerful melody that gradually flourishes, the track unfolds waves of blissful electro, each revealing subtle details.

A perfect summation of both past and contemporary influences, as well as a lifelong open-minded stance, 'Spectrum' and 'Silver Echoes', each capture a side of Alkan's always-evolving energy and technique, mixing his studio prowess with a timeless instinct rooted within the communal potential of the dance floor.

Part two of the Acid Saga "Signs of Decay" from SolarOneMusic. First part featured tracks by Helena Hauff, The Exaltics, Ekman, Drvg Cvltvre and Perseus Traxx. This part comes with The Hacker, Legowelt, Chris Moss Acid, Impakt and Crotaphytus. Artwork is again from the mighty Godspill!!!

'Sometimes you wake up and you've just lost the plot. Is life great or is it not Should I eat more fruit Is buying diamonds rude' Ca$hminus are asking all the wrong questions. After their debut on Bordello A Parigi last year and a recent appearance on Credit 00's Rat Life imprint, the Belgo-Australiana duo unleash a collection of their wildest works to date. The package opens with 'Atlandwehr', a jaunting affair that could have risen from the filthy Berlin Landwehr canal, only to dissolve again after six frenzied minutes, leaving nothing but a trace of bubbles on the skanky surface. The gritty 'La Foire', a grimy take on Belgian new beat, fuses raw, stepping drums with a playfully gnarly synth line. Luckily 'De Vlasmarkt' is lurking around the corner: this is the awkwardly joyous soundtrack to an annual phenomenon in Ghent, where young and old folks gather on the 'Vlasmarkt' square after a heavy night of boozing, to collectively gaze at at the sun coming up whilst drinking Irish coffees until they drop. G-funk meets electro on the flipside, where Cora from Chengdu showcases her vocal swag on '' to a backdrop of supreme subbass and rattling beats. Man of the moment Cornelius Doctor of HARD FIST fame (the adventurous imprint he runs with Tushen Rai) delivers a beast of a rework that both hypnotizes and elevates. The acapella leaves you in charge of your own destiny.

This triple pronged battle weapon from Cowboy Rhythmbox takes is inspiration from a wealth of disparate elements, the brutal drum machine swagger of early Chicago house, the murky world of 1980's video arcades, the bleeps of Sheffield, arcane home computing documentaries recorded to VHS, public access TV, yes there really is something here for everyone.

Terminal Madness:
A quirky track about the paranoia surrounding artificial intelligence, inspired by early Dance Mania releases and broken pocket calculators amongst other things.
Beware, you'll begin to think that computers have minds of their own!!!

Hands Inside The Car:
Proof that there is joy in repetition, a wonderfully eccentric number with a deadpan vocal hook that wraps itself around a killer combination of sub bass, freestyle beats and deranged reversed elements.

Vodonik:
A stark, glacial rave beast, very much a reaction against Cowboy Rhythmbox's usual maximal approach. This is stripped-down-to-the-bone body music that will work in the most cavernous of rave palaces or the most intimate seedy basement club.

Just in time for the summer holidays Bordello A Parigi presents to you in cooperation with Mothball Record from Down Under: Hot Girls Of Italo Disco the repress! For the first volume we selected this two well known Italian diamonds. Our in house craftsmen Flemming Dalum and Hysteric delivered DJ friendly edits on top which makes this release a definitely must have! Due high demand of the first pressing on pink vinyl we decided to come up with a limited repress on black vinyl one year later. Act fast!

Alex Zuiev hails from the coastal Ukraine city of Mariupol. His crisp drums and layered synths complement beautiful and obscure samples on his first EP for Whiskey Disco.

From the party vibes of 'Trenitalia' to the psychedelic flourishes of 'Flying Objects' and the booty-shaking groove of 'Soul Fire', while this is first EP, we really hope it's not the last!

Todays episode of cool bedient: our guys julian & felix deliver a futureclassic rennparty anthem.

BEER serves up their 5th edition.

This time musical genius Crackazat serves up four reworks from Art Of Tones, HNNY, Jaxx Madicine and Anthony Bois.

Detroit based artist Jeremiah Shaw, known as J Shaw Electro or SpaceDrifter3000 is an up and coming artist influenced by early Detroit Electro. Since 2008 he is a part of the international band collective AnTiZeRo and has released on Militant Science Records.

In this harsh world, J Shaw looked to alter the reality we live in with ways of escapism. Using sound as a positive influence and escape, J Shaw decided to alter the sound around us in order to drift to other worlds. Finding peace and tranquility; the first Destination: Space

It is time for the fifth release of Discos Nutabe, the creator of the three tracks that make up "Niebla" is Lunate, a Bogota born and raised, who in this decade has been the emerging producers that the city has given moving in artistic circles where it reigns self-management.

Discos Nutabe returns to the House with Lunate, this is how he feels Bogotá, where he dedicates this complete EP to his city.

"A La Sombra de los Cerros" is the first track, composed with a jam of synthesizers and rhythm machines where Lunate evokes certain nuances of the past, as a tribute to his life as an artist in the great city of Colombia.

"Bogotá Adentro" is based on the narrative of the book "Toño Ciruelo" by Evelio Rosero, who describes the diverse reality of a city like Bogotá, city of brutal contrasts. Lunate describes this track as an ocean of sensations, a markedly atmospheric and serene track, a mental interlude for the dance floor.

"Luz de Domingo" marks acid and atmospheric textures where Lunate wants to reflect the calm of Sunday in the big city. A breath, a recharge, a change of reality, a truce agreed by the city and the calendar before the incessant evolution of the frantic days that follow.

Prins Oblonsky (aka Tobias Fredø), is an Oslo-based composer and producer. He got his musical start studying the trombone and the guitar. Then he bought his first sampler at 18 and, inspired by artists like J Dilla and 9th Wonder, he began to make hip-hop beats and earned his chops by participating in beat battles on the Stones Throw forum. Over the years, Tobias developed a love and fascination for analogue sounds and synthesizers, obsessing over them in all his spare time. At 23, he started working with music and soundscapes for short-films, and his sound move in a more electronic, house music direction, inspired by artists like Floating Points, Four Tet, Rival Consoles, and fellow Norwegian Bjørn Torske.

The Dreams On Hold EP is Prins Oblonsky's debut on the Beatservice label, and it packs a warm punch. The title track launches the EP with an understated four-on-the-floor rhythm and a sparkling, distant arpeggiation. The feeling is indeed dream-like, energetic in tempo but soothing in tone. "Dancing On Graves" follows, presenting mesmerizing lo-fi beats while short pad bursts and echoed synth melodies play in the sonic field. Subtle techno elements characterize "Østerdalen", while the funkiest drum sequence on the EP drives the deepness into forward motion. The EP closes with the introspective "A Farewell To Arms", which ebbs and flows mistily around its warm sustained pad and beguiling synth motif. This is deep house for dreamers.

Brainwaves Third Release And First Va Is A Pretty Good Demonstration Of What The Label Is About. Five Tracks, Each With It's Own Take On The Common Influences Of The Five Artists. Catch 23's Crisp Percussions And Naughty Acid Line Make It An Easy Club Choice, But The Beauty And Texture Of The Pads (typical Of Tout Casser) Bring A More Idm / Braindance Feel To The Song. Weith's Disease Is Exactly What The Title Tells You, Infectious And Nasty, It's Probably Something You Should Stay As Far Away From As Possible. A Straight Up Club Killer, The Subs In That Kick Will Knock Out Your Grandma. Hermeth's Am I A Joke To You Is More The Classic Electro Track, Perfectly Executed And With His Brilliant And Unique Approach To Harmony. An Extremely Heavy Dose Of Strongly Distorted Acid Puts This Track Straight In The "bangers" Playlist. More Complex And Intense Than Your Traditional Club Track, Mnj's Particular Take On Rhythm And Meticulous Percussions Reflect The Producers' Diverse Influences. Finally, Combining Sporadic Breaks With A Classic Electro Beat, Maglev Finishes Off The Va With A Long Braindance-inspired Acid Line That Will Make You Want To Play With A Resonance Knob All Day Long.

Australian producer Roza Terenzi is next on Dekmantel with a quasi-cosmic, tropospheric slab of deep rave. The blend of breakbeats, distorted rhythms, and quirky yet sublime analog melodies evoke the senses, making this an exciting label debut from one of the underground's rapidly rising stars.

'Let's Ride' kicks of with '3.I.Y.', a track that initially reverberates and tweaks, as if crashing in from outer space. 'Bricks' slows the tempo down, and adds larger degrees of space, with a 110bpm chilled out timbre, and a wispy-palette. 'Freak N Tweak' is another slice where the mood cuts gently between ambient bliss, and analogically synthesised, percussive electro - like a downtempo, cerebral take on classic electronica. The EP's closer 'Open Me' takes the music back to full rave-speed, with layers of classic-era breakbeats and vintage sounding keys, all manifesting itself in Terenzi's contemporary take on pulsing, esoteric dancefloor rhythms.

For his third EP, The Fat Badgers' leader Leopard DaVinci comes back with one of his most personal and accomplished EPs. Between french-pop and electro-funk, "Vive le vent EP" is a 5-track UFO featuring for the first time french vocals over Leopard's groovy instrumentals.

A deep and romantic side B and an energetic and fresh side A, are the main features that stand out on this release signed by Riccardo!

The sixth edition of Paris Edits is here and Young Pulse is getting more soulful for every release and this time he's re-tweaked a Dee Dee Bridgewater Jazz-funk cut and a super soulful L.T.D. classic.

Top of the line audio quality that will sound absolutely gorgeous on a proper sound system.
Nice label art as well!

Returning After A Long-lasting Hiatus Is No Mean Feat - How To Stay Relevant, To Plug The Gap And Come Back As Strong As Where Things Were Left Off. A Man Called Adam's Return However, Is As Emphatic As It Is Endearing. Sally Rodgers And Steve Jones Are Back With A Brand New Album Of Melodic, Emotional, Pop-not-pop Tracks, Bringing Fresh Layers Of Feeling, From Warmth And Passion, To Sentimentality And Sorrow.

Displaying A Wealth Of Knowledge Gained Through Two Lifetimes Spent Immersed In Music, Farmarama Showcases A Myriad Of Styles And Richness In Arrangements. Moving From Soulful Slow Jams To Lo-fi Disco, Balearic House To Dub, Post-rock Electronica And Art-house Ambience, There Are Glistening Horizons And Windswept Beaches Conjured Up At Every Turn.

Take To The Likes Of 'mountains & Waterfalls', 'farmarama' And 'michael' And Hear Dancefloor, Disco Tinges That Marry Live Percussion, Sultry Rhodes And Hearty Basslines, Oozing Emotion. But Venture Deeper To Uncover A Pensive, Yet Equally Expressive Side To The Record Through Tracks Like 'higher Powers' And 'top Of The Lake'. Take The Later As An Example, A Neo-classical Slice Of Magical Ambience, That Wouldn't Be Out Of Place Soundtracking Sweeping Views Of Shimmering Scenery. Or 'spots Of Time', Beginning As A Frenetic, Glitched Out Piece Of Electronica, Before Opening Into A Brooding Breakbeat Journey.

Full Of Vintage Warmth, Analogue Synths And Intricate Textures, Rodgers, Jones And New Collaborator, Paul Smith, Combine Experimental Touches With An Undeniable Catchiness, Balancing Electronic Elements, With Acoustic Sparkles. In Harmony With This, The Contemplative, Poetic Verses, That Considers Life As A Hi-definition, Westworld-like Simulation, A Farmarama, And Disco As A Way Of Being, Meld And Morph A Conceptual Narrative That Tugs On The Heartstrings Of Life.

Farmarama, Then, Isn't Your Archetypal Album. It's An Emotionally Charged, Intelligent And Enlightening Body Of Work That's Balearic To The Bone.

LTD Edition!

Das Duo Boy Harsher aus Northampton, Massachusetts gibt es seit 2014 und sie verbinden düstere Dance-Beats, 80er-Jahre-Versatzstücke mit sehr ätherischen Vocals und schaffen so eine unheimliche, intensive und fesselnde Klangwelt.
Nach ihren ersten EP&Album-Veröffentlichungen "Lesser Man' (diverse Pressungen 2014 - 2018, Soft Science / Nachtaufnahmen / aufnahme + wiedergabe / Nude Club) und "Yr Body is Nothing" (diverse Pressungen 2016 - 2018, DKA Records / Nude Club), ist - Careful' nun der nächste Schritt - vielleicht noch einen Schritt weiter in Richtung Dunkelheit.

Augustus Muller entwickelt den Unterbau der Tracks aus präzisen und kraftvollen Beats (die irgendwie nach Damals klingen, aber von Heute stammen) und schleift darüber noch sägende Synthies, während Jae Matthews dazu haucht, schreit und singt. Diese kathartischen aber auch magnetisierenden Tracks wurden innerhalb kurzer Zeit zu Hits eines real existierenden Untergrunds. Das Album - Careful' wurde hauptsächlich in Massachusetts geschrieben, mit einer Handvoll Synthesizern und einem Laptop. Für Muller ist ein minimales Set-Up sehr bedeutend in diesem Prozess. Gemischt wurde in Italien mit Maurizio Baggio von La Distilleria Studio.

Boy Harsher haben sich über die letzten Jahre bereits eine sehr treue Untergrundgemeinde er- und zu Beginn des Jahres eine triumphale, restlos ausverkaufte Tour durch Europa gespielt. Es folgte eine weitere Tour durch Europa und zwei US-Touren, u.a. mit THE SOFT MOON. Im Frühjahr folgt die eigene Headline-Tour durch Europa.

His self-titled 4-track debut EP on Magnetron Music sounds both flourishing and refreshing due to its warm, lush and deeply layered sound. All of these factors combined connect the dots between the contemporary Amsterdam club sound, the quietness of Relmer's origins in the Dutch meadows, and the sun-kissed beaches of Brazil.

Relmer International's productions prove to be just as diverse as his DJ-sets. On his self-titled debut EP, he creates floor-fillers and balearic beach openers. Inspired and mentored by veterans like Fatima Yamaha, Rimer London and Tako Reyenga, and as one of the instigators of Amsterdam-based rave party and DJ-collective Noclubs, Relmer International builds a bridge between producers and DJs from now and then.

This is the third release of Anonym on bloop recordings, back in Detroit after years in Amsterdam, the boy returns for a four track including a remix from the portuguese Andrade. Anonym brings the powerfull of 3 floor bombs, once again we have selected 3 tracks from a selection that Anonym send us. Prepare yourself for dreamy and quirky tracks with really fat kick drums. On the remix duty, portuguese Andrade give us his frenchy house flavour, watch out on his forthcoming ep on bloop!

Dublin's Pear label return with the new EP Soma from Donabate legend Bryan Mooney (aka DJ
Moonbeam) under his New Members alias. 3 spaced out & illimitable club cuts make up this
latest dancefloor offering on the 6th release from the year-old imprint.

The title track has been a sought after, certified Pear party anthem; timeless dancefloor alchemy
rolled into 9 minutes of dub tech(no) club magic. Yep, 'tis a big one.

B Side swerves left and then some. Good Morning drifts along effortlessly, buoyant with minimal
garage swing and touched ever so slightly by late 90's french deep house-isms (surely destined
to soundtrack many sunrise sets for the next while). Eclipse then consummates this extended
affair with a nod to the hardcore continuum through a ruff'n'rugged jungle number, dashed with
Mooney's signature dreamscapes.

With the career spanning over 20 years, 50 EP's and 10 full length albums, Korablove is not new to Exlusive records roster. This is his third album on the label, and we are happy to have this truly prolific artist back with another seminal piece of work. Hugely supported by the likes of Varoslav, Joachim, Pawas, Noah Pred, Toby Neumann, Marcus Homm to name a few, Korablove's previous releases on the label have shown the depth, mastership, and skills with which this artist creates his unique, intricate and soulful sound. This time, expect a journey into another dimension, Korablove is doing what he does best - bending time to bring you where the past meets the future.

Matt Edwards' R-Time Records welcomes back Sir Lord Commix with five silky cuts for the fourth 'Retroactive' release.

Amoon Andrews' outfit Sir Lord Commix returns with the fourth instalment of re-released gems that have been in high demand on the vinyl market. Born out of Rekids, R-Time Records has previously released twelve of Commix's cuts, yet his treasure trove discography keeps on giving, spanning two decades.

Released on Ugly Music in '96, 'World Of Groove' is a smooth house cuts with an abundance of soulful stabs and driving percussion whilst hypnotic melodies and sweeping cosmic strings envelope 'Life Cycle', which first appeared on Cynic in '05. 'Cosmic Jive' - from the highly sought after 'Evidence' vinyl of '97 - pumps a reverberated kick amongst shimming chords and rising bleeps.

Appearing on an extremely rare release on Hard Up, 'Under Seige' has an off-kilter rhythm and erratic yet funky slapping bass melody. Finally, the release concludes with an ethereal cut titled 'Beyond Reach' complete with liquid breaks, floating arps and shining melody (originally from a Talahachi VA in 2014).

For its fifth release Planet Euphorique puts forward Australian-born, London-based Nite Fleit's latest release, Overcast. Her second record, Overcast is a teeth-baring soundscape guided by commanding, rhythmic spells. The record's acidic slaps and punishing bass lines are uncompromising, recalling her darkly transcendental DJ sets. Overcast's masterful doom is punctuated with enigmatic sparks throughout-the light beckoning listeners into the darkness and onto the dance floor.

Austalia's Analogue Attic has grown to become one of the most beloved purveyors or emotive deep house, ambient and electronica in recent years via a steady stream of releases from the likes of label heads Albrecht La'Brooy, Sleep D and a selection of up and coming artists from their homeland.

Thomas Gray & Liam Ebbs:
"The tracks on the record were inspired by a journey to Barrington Tops, a national park in the Hunter Region of New South Wales. The music itself has a physical link to this area through the field recordings present in the songs and is also imbued with with many vague and wistful memories of the summer trip.
Sitting Atop Mount Allen as the sun rose over the distant hill tops, we were struck by the cyclical beauty of nature.
We were visitors in this place, where everything would continue as it was whether we were there to see it or not.
It is this feeling that perhaps influenced us the most in the writing of the record. It infuses organic with electronics, whilst also mimicking the concurrent sense of happiness and melancholy that is often associated with experiences of nature."

'Ladies Well' leads with plucked strings, airy ethereal chords, hypnotic field recordings at its core whilst organic percussion, jazzy piano lines and warm subs ebb and flow within.
'Heatherbrae' follows next, retaining a similarly dreamy aesthetic with swirling atmospherics, twinkling keys and jangling strings while tipping the rhythmic focus over to bumpy, broken, jazz-tinged drums.
Opening the flip side is 'Mount Allyn' which edges into a more psychedelic realms with billowing vocal textures, murky bass tones, shuffled drums and squelching 303 licks ahead of closing track 'Elegy For Nick's Car', which - as the name would suggest - employs a cinematic, orchestral feel with dynamic evolutions of strings, percussion and piano lines throughout.

Leo Satragno began his musical career in the 80s (with his brother Gastón) with the techno pop group
"El Signo", pioneers of Argentine electronic music.

Over the years, venturing into different musical styles and after several albums released,
they create the group "Ultratango", in which they develop the marvelous task of fusing tango and electronic music.

Leo is a navigator of sounds and creations without limits.
In this stage he presents his solo album, which transports us to an infinite world of sounds and captivating atmospheres.
A 100% recommended work, done in his studio in the style of the old school.
A really splendid material, its sound slowly envelops us until it generates a special atmosphere on the dance floor.

Rotterdam-based Pole, Richu M, has been impressing with his scuzzy, eclectic output on Young Adults and Astropical that mixes dusty samples with hazy synths, ranging from wonky slo-mo house grooves to jazzy downtempo cuts.

He brings his colourful patchworks of sound to Monologues for a beautiful mini-album, complete with superb artwork from the man himself.

Label boss G. Markus aka Ben Gomori steps up to give 'Sorry, I'm Not A DJ' a kick up the booty with a garage house flex.

Iconic 2004 UK No.1 Lola's Theme released on Positiva, defined an era of dance music and still devastates dancefloors. Now it sees a 2019 reissue with 2 huge remixes.

House stalwart Mella Dee has delivered a pounding remix injecting driven, warehouse focused beats around the disco edged sounds of the original in the process - the track has already gained notable club support from the likes of Carl Cox, Alan Fitzpatrick, KETTAMA, The Black Madonna, Marco Carola, Skream, Amine Edge & DANCE, CamelPhat, Joseph Capriati already.

On the other side is the hard to come by Eric Prydz remix that packs a huge punch. No need to explain Prydz influence on the scene. This one is heavyweight.