House News

Waging the war against disposable plastics, by providing you with something to treasure, we present NP005, "Epic Like Heston".

Hailing from the edges of the site of the bloodiest battle on British soil, this marathon machine jam continues our series of Yorkshire based artisinal electronics, touched with the exemplary finishing skills of Dr Marco Antonio Spaventi.

We've returned to the ultra lightweight sleeving format which saves you, the customer, room in your bag. Screen printed in the searing temperatures of summertime York, all printing uses the tried and tested kitchen table printing technology™ and guaranteed, lounge-floor drying system. As you should be aware by now, this means the ink is thoroughly dry before shipping, so that transport weight can be kept to a minimum and savings passed on to you.

To mark the 10th release on the Zeitnot imprint we've invited our very special friend Nick Gynn. For this milestone occasion Nick's prepared his longest play yet, 6 stellar tracks ranging through various flavours of deep and warped dance floor sounds.

On the A side AAA shows some love to the golden era of IDM with its B12-esque synth lines, and a growling grooving bass patch. Similarly weighty dance floor bomb Dynamic Traces has a mind-warping atmosphere, and a catchier hook than your favourite guilty pleasure.


Lose yourself in the gripping melancholy of Lourd, with more squelchy IDM-inflections, and practically dripping in nostalgia. Swap plates to the C side to hear expert examples of deep and driven electro Pheonix and Rokit, before gracefully coming to rest amongst the clouds in the arpeggiatted symphonies of A = 432 (Hz).

- Death In Vegas Return With The Single 'honey', Its Second Collaboration With Sasha Grey. 'honey' Is A Slow, Seductive Serenade, With An Organic, Psychedelic Tone: Dreamy And Dripping With Intensity.

- The B Side Features 'witchdance Dub', Richard Fearless' Long-held Remix Of 'witchdance' Off Trans-love Energies, Featuring The Haunting Vocals Of Katie Stelmanis From Austra. Fearless Cut Three Dubplates Of 'witchdance Dub' After He Mixed This Track. Dj Harvey Has One, Prosumer The Other, And Fearless Kept The 3rd: Delicate Acetates That Have Been Played Out Sparingly But With Electric Effect. This Track Is Effortless, Minimal Dance Music Imbued With Fearless' Unique Production Sound- It's Not One To Miss.

180g Vinyl

After his 2 first EPs on AOC Records, Bellaire's coming back with a 3rd one composed together

with his friend Georges. Fully written by both artists, their EP "Contrasts" mixes their respective influences of jazz, soul and electro to bring out the best of each genre in an emotional house trip.

preorder for repress late april 2021!

First part of the Drexciya re-issue series - well recommended!! Killer comp of the finest Detroit based electronics from the heads at Clone.. hat's off to them! TIP!

Drexciya might need an introduction for some, for others it is the most influential techno/electro project ever. Part of the heritage of Detroit's Underground Resistance, Drexciya explored techno music like no-one else before.
Raw and uncompromising music that reflects the harsh environment of the city where Drexciya was conceived. The aesthetics and the mythical approach combined with the unique music made this one of the biggest cult projects in techno music. Drexciya arguably stands for the darker side of techno and electro, music not only made for the club scene, but a further development of the music as an expression and extension of the mind. 20 years after the release of ''Deep Sea Dweller'' (their first release), and 10 years after ''Grava 4'' (their last), here's ''Journey Of The Deep Sea Dweller''. This series is an almost complete collection of their early works, and is remastered from the original master tapes. Since the original releases have such a strong character, appeal and stand on their own, this re-issue can never re-create the magic of those originals. So instead the catalogue is stirred up, taking the tracks out of their original context, giving the 'in the know' listener a fresh experience and the new listener a document that is the best possible introduction to the aquatic world of Drexciya.

There arrives the 2nd lorry along the bumpy road fueled with a orange blend of house / electro tracks to stop by your counter. Honk if you want to.

A SUPER RARE LATIN AMERICAN SQUIRREL TO PUT SOME CHA CHA CHA BACK INTO YOUR LIFE AND SET FIRE TO YOUR DANCE FLOOR.

THE RODENT MASTERS OF UN-CLASSIC, NIGHT TIME GROOVES DIG DEEP TO PRODUCE ONLY THE BEST VIBES AROUND.
CLIMB HIGH EVERYBODY!!! X

Percebes starts 2021 by releasing the label honcho’s brand new “Gestures Of Release” LP: a highly personalised universe that manages to display diversity whilst retaining a unique sense of coherence. An offering of tracks that reflect the producer’s unique take on languages he knows well: deep, crunchy disco house (“Miles Away”), dreamy downtempo (“Suave”) and mellow freestyle funk (“Membrana”). Of course there are also plenty of irresistible bumping dance floor moments of classic inspiration (“Gestures Of Release”, “Clone Forge” and the bass heavy “Time Apart”).

Guests include funk band Thunder & Co, legendary junglist producer AL:X, fellow Percebes founder Hélder Russo and Chicago new school gold medalist Andrew “Change Request” Emil. The quality in production, mixing and mastering is second to none. It’s an LP that plays and sounds as close to a maxi single as physically possible! Perfectly crafted tracks that a DJ can use on both dance floors and cooler settings alike, but also, an album that any music lover can enjoy on a proper turntable. Quoting Vito Corleone, it’s “an offer you can’t refuse”.

The vinyl comes with bonus music in its digital counterpart (includes full length album with four extra tracks as a free download with purchase). Overall, great bang-for-the-buck pack full of future classics, as usual with Percebes so far. “Gestures Of Release” will be out in April 2021.

UFC Records back with their second release with a four tracks Ep produced by label´s co-ower R.I.P. Bestia. The four tracks are original tracks produced between 2020 and 2021 years. Side A of this EP contains two tracks more oriented for the dance floor, like "Chordal Constellations" where the psychedelic electronic of the 90's is fused with the minimal sound of the first 2000's and "VCO Ray”, where vocoder vocals are mixed with deep techno lines.

On the other side the Ep opens with "Khae!”, psychedelic breakbeat-techno accompanied by ethereal vocals, to finish with "VCO HardCore Foundation", a piece of breakbeat influenced by the Nu Skool Breaks that ends in an acid and breaks explosion.

Greetings Sisters and Brothers...

Welcome back to the global entertainment franchise that is Birdscarer.

We return with a product of the sublime magick that is created by the alchemy of circumstance. Boy meets girl in an acid house (in this case Glasgow's Berkeley Suite), a collaboration is planned; and after a slgiht fermentation due to my procrastination and slackness, Scott Fraser and Louise Quinn's "Together More" is now in your trembling digits. Enjoy.

Andrew Weatherall. May 2019

The beloved deep melodic house & techno collection by Parquet Recordings is going into the 18th round!
„Parquet Most Wanted EP Vol. 18“ is featuring four beautiful masterpieces by Solee, Microtrauma, Paradoks and Alexandros Djkevingr & Greg Ignatovich. All tracks are 100% dancefloor-proofed and already gained massive international DJ support by the likes of Tale of Us, Stephan Bodzin, Pig & Dan, Dosem, Ryan Davis, Undercatt, Bebetta, Markus Kavka, Eelke Kleijn, Chicola and many more.

Repress, after their sucessful releases on Creme JAK, Strange Life and an upcoming one on Amsterdam's M>O>S, for the first time in 6 years their debut is available again with original insert! The Chicago Shags with raw rocking Chicago tracks. Amazing stuff...

uju & Jordashs debut from 2004 gets the repress many were waiting for. An in-demand Psychostasia release - be quick!
.
Two versions of the title track come on the A side. The original is an easy track, light percussive with thin strings and saxophone. 'Hushees' on the same side is a remix from the original and has a more straightforward beat and prominent bassline. The flip sees a remix by the Koomba project ( Reggie Dokes and Scott Ferguson). Check it out!

In January 1985 The Beloved emerged via a John Peel session (Produced by a very young Mark Radcliffe). They had a second session broadcast in October and didn't release their first single, A Hundred Words, until early 1986.
On the independent Flim Flam label they released a further 3 singles/eps , later compiled as an album, Where It Is.
By autumn 1987 they had slimmed down from 4-piece to the original founding duo of Jon Marsh & Steve Waddington.
Jon went to NY to pursue some label interest, meet some heroes - Mantronik, Latin Rascals.
& came back with a record box full of early house cuts. Within weeks he was tipped off by a friend about a semi-secret party in a gymnasium in Bermondsey. He went searching and found Shoom.
Having already shared the record box with Steve he took him to the club within a few weeks, knowing full well he would be equally enthused/entranced!
Having just been signed to WEA , notionally as a poster-fodder pop group, the band experienced a seismic shift in direction. Their first attempt , Acid Love, was on promo 12' within months. Their second house track was Your Love Takes Me Higher, first released in early 1989 with great club support but zero radio play.
The third was Sun Rising, late summer that year which became their first hit single.
The album, Happiness, a distillation of the fun & optimism & energy of the 88/89 (acid) house scene was released in 1990 to great acclaim and YLTMH even got a second release and just scraped into the top 40 at #39!
A remix album, Blissed Out, was released In autumn 1990, with a new recording It's Alright Now as a single.
Awoke is the most complete track from their last collaborative sessions.
Jon continued recording as The Beloved with his wife Helena as co-writer/co-producer.
Their first release in early 1993 was the single Sweet Harmony which was a major hit record worldwide.
Both single and the accompanying album Conscience were their biggest selling releases.
A further album X, with the single Satellite arrived in 1996.
A re-released Sun Rising and a best-of, Single File in 1997.
Then silence.
Remixes as The Beloved, several releases under different names (on Junior Boys Own, & NRK), and a full time dj career until 2005/6.
Still silence.
'I can't split up with myself so i think of it as hibernation' says Jon.
Until now. Music that is both old & new.

Mathias Modica's "Sonic Rohstoff" is the new album on Berlin-based label Kryptox Music, Toy Tonics' and Gomma Records' sub label for new forms of Jazz & Electronica. Over the past two decades, Mathias he has made a name for himself by discovering and breaking new talent and styles of music. He produced albums with James Murphy and Nancy Whang of LCD Soundsystem, Peaches, Asia Argento, The Rammellzee and WhoMadeWho just to name a few. The album is a journey through abstract downtempo vibes, lofi jazz and futuristic electronica. This is Modica's first album under his own name, following three albums under his monikers Kapote and Munk. All instruments are performed by Modica himself, embellished by guest musicians from the new Berlin Jazz scene. Most people might know Modica from his earlier works as a producer, keyboard player and founder/ creative mind behind Toy Tonics, Gomma and Kryptox.

Splendid album, a melt of electrpo trance and techno. Sweet tunes !

"Don't Need A Lover" and "I Got Something Here", two more early 90's N.Y. house tracks out on Groovin Recordings.

As life and the world as we once knew it enters a new wave, Phuture Shock Musik continues apace with their first solo release of the year entitled ‘Dub Rockas’ EP, by none other than deep house maestro, Trinidadian Deep.

Again Technician and Overdose team up to show you how it’s done The Hague or Rotterdam or even better to say M.F. RotterHague style. You take the shit from one city, double it up with the shit from another city and you get shit so tough it’s impossible to handle. Need we say more, it’s The Shit!

Label Text "Dekmantel once again teams up with RE:VIVE, the cultural initiative setup by the The Netherlands Institute for Sound and Vision, to pair modern electronic talent with Dutch archival footage. The third EP in the Scores series sees Interstellar Funk and Italian producer Guenter Råler create innovative, modular soundscapes to the graceful visual arts unearthed from the EYE Filmmuseum archives.

As Interstellar Funk, Olf van Elden uses his production competency to craft a heavenly arpeggiated, synth composition to the amateur aquarium movies by J.L. Clement which are edited for this project by Sjoerd Martens. Filmed in the 1940’s, the video’s turn-of-the-century black-and-white style aquatic footage is reanimated through van Elden’s tacit polyphonic, modular sonic soundtrack. Layering together multiple sequences, van Elden pieces together the music as a whole, to mimic the way in which the film was created.

On the B-Side, Italian abstract artist and Dutch native Guenter Raler concocts a deeply introspective, and perfectly choreographed, ambient soundtrack to a select series of pieced together clips from the Collectie Natuurbeelden, the Institute’s Collection of Natural Images. The music plays against the depiction of multiple biological communities in transition; what is referred to as an ecotone. The title itself not only recalls that of a musical tone, but represents the ever-evolving aspect of life and nature as similar colours, along with movements of animals and plants pass on from one image to the next.

Within their own right, the new scores not only give the age-old films new context and sonic character, but exist as creative works as their own, full of resonance and individualism that highlight the retrospective artists’ voices to their fullest."

Reptant's debut release on Die Orakel is an n-dimensional array of five seriously electro flavoured composites on vinyl (and digital, that is). The Melbourne based producer starts off quirky, fast-paced and slightly acidic, skillfully swerving into the laid-back leftfield of mid-to-late 90s UK IDM. At either tempi, The New Adaptive Lacerta is a truly sublime and modern classic EP.

Live At Robert Johnson welcomes Amsterdam-based DJ and Producer Alain van der Born aka Perdu to the Club, who already made his marks with Releases on DGTL Records, Heist, and Let’s Play House amongst others. His contribution is a Four Track EP called Soaring Flights, including a Digital only Bonus Track. On this EP, Perdu champions a full-on 1980s sound, which hits more than one Chord in Live At Robert Johnson’s very own set of Styles.

Dystopia (co-produced by Tjade) is a High Energy Track, in which a raw and stoic Bass Riff slowly working its way into a Break. It’s the first Break in which the Atmosphere heats up significantly and subsequently sustains for the remainder of this quite enjoyable, and not quite dystopian rush on the Dance Floor. Retrograde immediately kicks off with a South American infused Rhythm Loop, joined by a deep and analogue Bass Serpentine, with bubbly Acid sprinkled along the way. Rise Of F5 brings back those 1980s signature pumping Kick and gated reverb Snare Drums, employing melodic and slightly haunting elements, which eventually dissolve in Euphoria and a Melody to hum along with (or shout, if you prefer). Somehow It’s Different Now concludes in a slightly different and quite mellow vein, that lets you leave this EP on the easy side. Available Digital Only is the Bells Mix Version of Perdu and Tjade’s Dystopia, for those inclined to a more melodramatic Dystopia with added playfulness thanks to—you guessed it—Bells (no whistles, we promise) …

'Tristes Tropiques' – named after & dealing with Claude Lévi-Strauss' landmark ethnographic writing of the same name – is an album of "synthetic exotica & pseudo-ethnographic music". Sounding like the field recording from an imaginary landscape, Tristes Tropiques deals with the meaning of Exotica & ethnographic recordings (without using them) as well as with cultural categories like "Otherness". As smart as it is, it's also totally stunning, free-floating music, RIYL Dolphins Into The Future or Jan Jelinek.

Probably the poppiest release on Return To Disorder yet by French Electro legend dynArec. The most danceable machine funk you can imagine.

Biz returns with another ep of seriously smooth Detroit inspired techno and body poppin electro that take the listener on a cerebral journey while still being laced with those tough elements that work so effectively on the dancefloor. This is the fourteenth release on Biz’s own label cliq which was founded in 2002 and is a reminder that Australian techno is smokin…don’t miss this future classic!!

Support by Laurent Garnier, DJ Deep, Ben Sims, Extrawelt, Deetron, Dave Clarke, Christian Smith, Stephan Brown.

“Biz’s music is amazing….big fan” Laurent Garnier

Given the vital importance of your contribuNon as a member of the music community in France, we would like to tell you about our new approach – which aims to miNgate the impact of the current lack of events and fesNviNes – and explain iniNaNves organized to provide the best possible response to both your needs and those of the clubbers you are helping during this extraordinary crisis. Pixadelic and E.enne de Crécy are working to make new tracks available and help to limit the gloom that has been furNvely emerging over this period with the producNon of a third release in the Commercial ep series.
Begun in 2006 and halted in 2007, the series achieved very promising results, encouraging fun on the dance floor all over the world. In view of recent events, we felt it was urgent to conNnue our efforts in that direcNon. The result is two tracks: JUNK and DRUNK, whose effects on the body sNmulate those rushes of communicaNve excitement that have become essenNal at this Nme. We will be supplying these resources to players in the sector in order to contribute to cultural and fesNve events in France and the other countries of the world.

The Italian Duo Club Paradiso coming from diverse and ever-evolving music backgrounds, they started their collaborative project in 2016. Romagna, Adriatic Riviera, is what they call home and also the primal inspiration behind Club Paradiso. Their first album “Esotica Erotica Psicotica” is out on april 26th on Mondo Groove with Kompakt distribution, follow up to the acclaimed 2017 single Panoramica, and is a wonderful patchwork of colours. Opener Romagna Tropicale transports Riviera to a tropical island, Tuco mixes arpeggiating lines with a western harmonica and a distant spoken, Solo tu with the voice of Francesca Amati is a sensual, slo-mo synth-pop beauty, and Echoes a throbbing deep house number. The B-side opens with Flauto Cosmico, a killer Afro/Cosmic track with a folky flute, Okinawa has the voice of Niconote aka the legendary Nicoletta Magalotti of Violet Eves fame and it’s simply a memorable song with an eastern vibe in the music, La Rabbia Saudita, with a special Daniele Baldelli & Marco Dionigi featuring, is half part Arabic and half part funky, and the closing track, Mirage, is, yes, like a mirage. You can’t miss this.

*repress*

Up next on Phonica White is Brooklyn based artist Justin Cudmore. He is a well-known DJ thanks to his memorable sessions at The Bunker among other New York and many of the best clubs worldwide as well as teaming up with Mike Servito and Gunnar Haslam as Hot Mix DJ collective.
As well as DJing, Justin has always been a fan and creator of dance music, he started being part of Chicago's underground scene, deepening his appreciation for the classic House and Acid that you can still feel in these new tracks.This new release follows in the wake of 'Forget it', his last celebrated EP released by The Bunker though in our minds his sound has progressed yet again, sounding fuller, faster and rounder. 'Twisted Love' gets straight to the point, with firm and strong percussion joined to a fickle acid bass line. In addition to this, Justin weaves in some House-flavoured vocals to keep you hooked until the end of the track. A certified floor-filler of a track. On the flip is 'About to Burst', a track that starts with a powerful kick drum and grows with new emerging elements; punchy hi-hats coming and going in key moments and a simple keyboard arpeggio that added to an Acid bass line catches you instantly. Justin's new EP is unapologetically aimed at the dancefloor. Its primary influence may be Detroit-flavoured Techno yet you'll also find Chicago House and Acid elements floating over its powerful backbone, all combining in devastating way, primed for club use.
Artwork as always is supplied by the talented Pedro Carvalho de Almeida.

Unnamed 3 is the 2nd release on Darius Syrossian's Moxy Muzik label. Following on from 'Dance of the Shaman' this original by Darius Syrossian is a Disco flavoured tough house number with deep sub bass driving the track forward & crisp disco stabs littering the track in all the right places.

For those that were feeling the vinyl only 'Funkflex' track by Darius Syrossian which sold out in 9 days, you will 100% feel this one also. The name Unnamed 3 was given to this track by Darius because when Eats Everything asked if Darius had any new tracks to send over Darius had literally finished three new tracks in the studio & they were all still untitled, and the files were sent over as unnamed 1, 2 & 3.

Eats Everything then played this one on his BBC RADIO 1 show & announced it as Unnamed 3 & the title has stuck since, with lots of people asking about the release date after hearing it on Eats Everything's show.

The remixes on this e.p come from Christian Burkhardt & Tommy Vicari Jnr. Christians Burkhardt's remix is on a more minimal vibe with slick drums & pounding kick drum that give the track a peak time set feel, but this remix retains the disco flavours enough to add some spice to the remix.

Tommy Vicari Jnr's remix is a lush deep house affair with layered pads and hypnotic chords which give the track a dreamy feel, this is one of those trademark Tommy Vicari Jnr productions that oozes class, and its one for those that like real House true music.

We come back with a fresh single “Nowhere In Milano” by Dumming Dum featuring Rush Midnight. The 21st release in the label catalogue brings the original composition together with three remixes from Alex Schaufel, Rafael Cerato and Justin Cholewski.

Dumming Dum together with Rush Midnight has become the members of the Runemark family with their debut “Three Pills Into A Fist”.
This time the tasty original “Nowhere In Milano” created by Dumming Dum and Rush Midnight maintains deep and cozy characteristics yet also keeps it groovy and tight for the dance floors.
Amazing and full of energy remix from Alex Shaufel delivers the great feeling of togetherness blurring the boundaries between Nu Disco and energetic House music.
Rafael Cerato’s remix grabs it from the start. Uplifting, powerful and charismatic. Acidic and aggressive bass line, confident beats and massive synths pushes the levels of House and Techno.
The last but not least remix in the package comes from Justin Cholewski. Raw, unstoppable with a taste of trippiness is the signature of Justin. Technological and machinery resound overlayed with creamy vocals from Rush Midnight fulfills the whole release.

“Nowhere In Milano” is available in both physical vinyl and digital formats. Enjoy the music!

Runemark team.

Inc. Linkwood / Tourist Kid Remixes

We often find there are two types of artists. One internalises their process, endlessly perfecting their work while finding the endpoint a massive hurdle, and in turn producing immaculate yet very little art. The other is continuously inspired, so full of ideas they can barely work fast enough to articulate them all.

The art becomes by-product of their larger trajectory and not just a collection of endpoints. Lord Of The Isles a.k.a. Neil McDonald seems to be both. He’s always in an evolving state of process where work is constantly shed to make way for a new layer growing beneath, yet he holds his cards closely, cherrypicking when and with whom he releases that work into the world.

Neil is simply prolific. In 2016 he shared with us a vast catalog of unheard beauty, which over a long span of time was collaboratively shaped into his debut album In Waves. In the span between the album release and now, Neil has performed on a number of ESP Institute label showcases from Los Angeles to Amsterdam to Berlin, and released a few efforts with our peers, but all throughout he’s been holed up working on his sophomore album sigh.

Though patience has become a sort of meditation during this global upsidedown, we couldn’t help but squeeze out an interim release to uphold the fantasy. So, four years after the release of In Waves, we’re proud to present a very long-winded follow-up single for the album’s monster track Skylark.

Accompanied by a previously unreleased album cut entitled OmniMulti, the single also touts two glorious remixes; a sunkissed version by fellow esteemed Scotsman Linkwood and an atmospheric dismantling by Melbourne hopeful Tourist Kid. You see, good things come to those who wait.

Age in Decline marks the 50th release and 5th year in operation from Manchester based label, Natural Sciences: a v/a comp of new tracks from the contemporary underground alongside choice cuts pulled from the labels annual Future Works series available on vinyl for the first time. Get ready for the beat down.

Killer release on New York's Sequencias label. Recommended!!
Powerful and hypnotic Chicago acid inspired cut on the A and a cool slow building chord driven track layered over raw drum rhythms on the b-side.

On the Corner have taken a deep dive into the murky waters whereancient percussion are jolted through history with a high voltageshock of experimental electronics. Across the territory of 'When theWaters Refused Our History', Sunken Cages channels his ownjourney and that of the world of his ancestors and adroitly breachesthe porous frontiers being pushed by the cosmic adventures-led OntheCorner. Sunken Cages is the moniker for Ravish Momin, an Indian-borndrummer, electronic music producer and educator. For the pastdecade, Momin has been experimenting with enhancing his acousticdrum sounds with electronic ones, and has crafted a unique electro-acoustic approach. He triggers sounds and textures, layers live-loops and manipulates them 'on the fly', to blur the lines betweencomposition and improvisation. While rooted in Indian folk and BlackMusic traditions, Sunken Cages is also influenced by the streetsounds of South African G'com, Angolan Kuduro and Egyptian Mahraganat. He currently leads the electronic music focussed duo 'TurningJewels Into Water' with Haitian percussion virtuoso Val Jeanty.Ravish's unique approach quickly led him to work as a sideman witha diverse cast of musicians ranging from pop-star Shakira tolegendary avant-saxophonist Kalaparusha Maurice McIntyre (of theAACM).

Vinyl Only

V.C.V.S. was founded by Irakli Shonia and Sandro Kozmanishvili in Tbilisi, in 2016. After spending considerable time together in the studio, the debut CD album 'Sections from the Imaginary Future' was released in May 2017 on label 'Hanker", containing more ambient/experimental music. After two intense years, Irakli and Sandro found new inspirations and ideas, which led them to return to the studio and record the EP called HUM in August 2018. DJ Sotofett made a variation of Trapped in the Corner together with Kalifornia Keke.

These Tasty Records strikes back with its second instalment, entering 2021 in absolute class.

Opening the ball with 'Retour', it is none other than Cesare setting an essential mood setter, followed by label head Aymeric's 'Old Mechanics' put at work into an acid, proggy and spooky bomb.

'Kapox' by Hubz starts the B-side by soothing the vibe, transporting us straight into the depths of the universe, followed by Muraca's 'Acid Taste', landing the spaceship smoothly and safely back on Earth.

Given the vital importance of your contribuNon as a member of the music community in France, we would like to tell you about our new approach – which aims to miNgate the impact of the current lack of events and fesNviNes – and explain iniNaNves organized to provide the best possible response to both your needs and those of the clubbers you are helping during this extraordinary crisis. Pixadelic and E.enne de Crécy are working to make new tracks available and help to limit the gloom that has been furNvely emerging over this period with the producNon of a third release in the Commercial ep series.
Begun in 2006 and halted in 2007, the series achieved very promising results, encouraging fun on the dance floor all over the world. In view of recent events, we felt it was urgent to conNnue our efforts in that direcNon. The result is two tracks: JUNK and DRUNK, whose effects on the body sNmulate those rushes of communicaNve excitement that have become essenNal at this Nme. We will be supplying these resources to players in the sector in order to contribute to cultural and fesNve events in France and the other countries of the world.