New voicing on U-Brown's rhythm with horn cut from Patrick Aba Original.
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New voicing on U-Brown's rhythm with horn cut from Patrick Aba Original.
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More versions on the Coach rhythm, with killer bongo cut.
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Prolific London based reggae label presents four killer cuts on one rhythm.
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Lost 80s presents 30 tracks compiled by Gary Crowley across three 'themed' LPs, from 'Jingly
Jangly' indie-pop 7's to the edge of the New Romantic, and Dance grooves. Many of these tracks
are rare and very hard to find having not appeared on CDs or LPs since the original 80s releases.
The better known artists that do appear here are represented by some of their lesser-known
('lost') tracks.
'The 80s (and especially the first part) was an amazing time for music. It was a mad, fast,
kaleidoscopic rollercoaster ride where the chancers taking your money not only walked the walk;
they backed it up with innovative, amazing tunes that changed the way music was made forever.
That's certainly how I remember it...' Gary Crowley
Presented across 3 x Heavyweight 180g pieces of coloured vinyl, and including an introduction
and track by track notes by Gary Crowley, plus memories of the era from Nick Heyward (Haircut
100), Sarah Dallin (Bananarama), Gary Kemp (Spandau Ballet) Annabella Lwin (Bow Wow Wow),
Clare Grogan (Altered Images) and more.
'So here, spread over these three LPs, I've collected together the best (in my personal opinion)
of the guitar bands, the dance acts and the synth groups that made up the soundtrack of that
gloriously thrilling decade for me and my friends. Let me just state for the record, you'll find no
Michael Jackson, Madonna, Prince, Duran Duran, Dire Straits or the like appearing on these
discs...'
[Z] E4. Whodini - Magic's Wand [Special Extended Mix]
[ZD] F4. The Staple Singers - Slippery People [Club Version]
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Heard in his DJ sets, his NTS radio show, and in the hands of tastemaker DJs from Bogota to Birmingham, now four of Florentino's most sought after club bootlegs are finally available to the world, on a limited edition vinyl. Inspired by grime's white label culture, where top DJs competed to acquire the freshest exclusives, Contrabando takes a series of modern dancefloor classics and blends them with Florentino's signature mutant reggaeton. Iconic samples collide with double-time dembows, twisted vocal samples, fluttering synths, and heavyweight sub bass. A treatise on the recent history of global pop music that sounds best played loud in a dark club, Contrabando is true soundsystem music for the 23rd century.
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The bombastic track and its Dub version !
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Haga su pedido ahora y le encargaremos el artículo en nuestro proveedor.
Nyege Nyege Tapes follow the frenetic 'Sounds of Sisso' comp with Bamba Pana's debut album, Poaa' - an incredible 2nd volley of grimy Singeli fire from the belly of Dar Es Salaam, Tanzania,
Jumanne Ramadhani Zegge a.k.a. Bamba Pana is one of the core producers, alongside Jay Mitta, of the Sisso studio - a central hub for MCs and producers in the Mburahati ghetto on the outskirts of Dar Es Salaam. Along with his peers, Bamba Pana uses a laptop and software to update the local, usually acoustic and instrumental style of Singeli, computerizing its hyper rhythms and zinging melodies for the needs of younger, contemporary crowds in an upfront, direct way that has translated far beyond its East African roots, as anyone who witnessed the Sounds of Sisso tour or heard the compilation will surely attest.
As a début album statement, 'Poaa' could hardly be more distinguished. Perhaps best compared with the urgent tempi and quicksilver syncopation of Shangaan Electro or Angolan Kuduro
to outsiders, it's effectively a form of Tanzanian grime or hard dance music, using rapid-fire, hypnotic rhythmelodies to drive crowds to dance in thrilling, new ways.
Bar one killer cut, 'Linga Linga' featuring the distinctive bark of Bamba Pana's long-time vocal foil, MC Makavelli, the set is entirely instrumental with voices used only as strobing rhythmic
filaments. The other eight tracks range from an introduction to brand new dance from Africa' in Agaba Kibati', to what sounds like turbo speed Makina in 'Biti Three', whereas 'Baria' hops from
shredding synths to hyper coloured percussion in wild style.
Meanwhile 'Biti Six' features some of the set's giddiest harmonies, spiralling so fast they evoke weightlessness, while 'Kusini' is patently compatible with the ruffest P. Adrix riddims for Príncipe,
and the incendiary 'Pooa Bama Rmx' provides a breathless 145bpm race to the finish that feels twice as fast, thanks to its inimitable, needlepoint percolations.
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Low Jack's Editions Gravats yield a killer debut of lean, mean reggaeton/dancehall mutations by Clara! Y Maoupa on the club-ready BZH series.
Following Low Jack's feverishly received 'Riddims du Lieu-dit' pack and the recent 3rd volume to Clara!'s cult, female MC-focussed 'Reggaetoneras' mixtapes, 'Meneo' slings three vocal cuts, plus two instrumentals and an acapella, serving to remarkably reveal Clara! as a cool and deadly vocalist and producer alongside Brussels-based Maoupa Mazzocchetti, who's best known for his EBM/industrial misshapes on Mannequin, and as member of An Ultimate DJ for PRR! PRR!
Hailing from Spain's northern coast, Clara! presents a unique spin on the imported reggaeton stylesshe grew up listening to and eventually DJing at beach parties in her home region, before moving to Paris and Brussels. Combined with the more industrial rub and tug of Maoupa Mazzocchetti on the instrumentals, they render a piquant spin on reggaeton proper in Ruge, where Clara! masterfully glydes over acidic bass and dembow drums, also handily included as instrumental and acapella.
Flipside, on 'El Ratón' they resurrect and version the seminal '90 bashment anthem 'Playground
Riddim', tilting it 20 years forward with resonant tweaks and plasmic textures infiltrated by another effortlessly slinky and on-point vocal from Clara!, before the duo really push the prism with the paso-doble vamps and raving chicanery of 'Discordia', the EP's maddest and hyper-colourful number, again featuring Clara!'s wickedly poised and playful vocal.
The result is a delectable new take on Caribbean futurism, presenting Clara! as a vocalist to be reckoned with, and rendering a whole new angle to Maoupa Mazzocchetti's production style after years of gristly, technoid beat-offs. In other words: pure heat for fans of Equiknoxx, Low Jack, LAPS, The Bug.
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Low Jack and co's Editions Gravats call up DJ Clara! for a killer 3rd volume of her female MC-focussed 'Reggaetoneras' mixtape series
Hailing from Northern Spain but based in Brussels, Clara!'s previous tapes for Editions Gravats' affiliates at PRR! PRR! are guaranteed party starters, serving to highlight stacks of female
reggaeton MC from the '90s thru to the modern day.
Clara!'s 3rd mixtape is also her baddest by many measures, masterfully sweeping thru dozens of tracks in just under 30 minutes, and including a healthy handful of her own blends and edits (the dembow versions of Darude and the Outhere Brothers stand out) along with reams of Kalimotxo-soaked, beach-ready anthems from Demphra, Ivy Queen, La Sexy Rose, La Bori, La Goony Chonga,
Sexy Vaguita, Las Culisueltas and many more.**Airhorn**
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New Release by Django Django´s own Kick + Clap label. 12'' EP kitted in Kick & Clap House Sleeve and white dust jacket
Lady Chann & Rapha team up for 'Hard Drive'... The UK's 'number one dancehall queen' returns with a storming Carnival heater called 'Hard Drive'. 'Back it up, hard drive' is the command from the Lady on this minimal dancehall rhythm, which packs in solid sub-bass, a bark, and some well-placed/spaced-out percussion. The producer is the Bern, Switzerland born and raised Raphaël 'Rapha' Gasser, who became hooked on dancehall after hearing a mixtape by Berlin-based Supersonic Sound and has gone on to collaborate with the genre mainstays like I-Octane, Sheba, Kiprich and more. On the flip B-side is the remix by Newark-based Jersey Club original R3LL, upping the BPM and sure to keep forward thinking dance-floors bubbling. Kick N Clap is the record label founded by Django Django's Dave Maclean.
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Excellent comp which marked the 30 anniversary of Bob Marley's death in May 1981, this double album collects together highlights from Marley's pre-Island Records recordings. Bob Marley had already established himself as the leading voice of Reggae music before his signing to Island Records in 1972 and his rise to international super-stardom. This is evident from these 20 gems from his earlier recordings made with The Wailers, which many reggae authorities consider to be his finest and purest work. Very much roots-based, they are in marked contrast to Marley's later ones for Island, where his sound was tailored towards the lucrative rock market. These remarkable recordings from the late 60's and early 70's remain as testament to Marley's genius as both a songwriter and a singer. Comprising in the main of titles from his sessions with famed producer Lee Perry, the set features several titles which Marley was successfully to return to in later years, such as 'Trenchtown Rock', 'Lively Up Yourself', and 'Natural Mystic'. The set also contains several sought-after titles and versions as well as his original recording of 'Concrete Jungle', a highlight of his 'Catch A Fire' debut album for Island.
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Excellent comp which marked the 30 anniversary of Bob Marley's death in May 1981, this double album collects together highlights from Marley's pre-Island Records recordings.
Bob Marley had already established himself as the leading voice of Reggae music before his signing to Island Records in 1972 and his rise to international super-stardom. This is evident from these 20 gems from his earlier recordings made with The Wailers, which many reggae authorities consider to be his finest and purest work.
Very much roots-based, they are in marked contrast to Marley's later ones for Island, where his sound was tailored towards the lucrative rock market. These remarkable recordings from the late 60's and early 70's remain as testament to Marley's genius as both a songwriter and a singer.
Comprising in the main of titles from his sessions with famed producer Lee Perry, the set features several titles which Marley was successfully to return to in later years, such as 'Trenchtown Rock', 'Lively Up Yourself', and 'Natural Mystic'.
The set also contains several sought-after titles and versions as well as his original recording of 'Concrete Jungle', a highlight of his 'Catch A Fire' debut album for Island.
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Originally based in Galicia, Clara grew up with the Porto Rico sound of Reggaeton, quite popular in the discotheques down the Galicia beaches, from her teenage years.
Reggaetoneras 2' is a mixtape made with a selection of 100% Reggaeton female MCs, from 90s jams to more recent riddims. The style of the mix is influenced by French hip-hop DJs like Cut
Killer and DJ Poska or from the mighty compilations Double Face' from DJ Kost & DJ Goldfingers. Collages, scratch, edits, AV8 skits, with the help of DJ David Coquelin, are coming all around her
mixtape. t's an excellent introduction to the dembow rhythms which so strongly inform current dance music, from the mega pop hits of Bieber and Drake thru to the avant output of Arca or Kamixlo. n another, it's also an expertly curated and researched compilation of music that lies beyond the reach and knowledge of scene outsiders.s Essentially, however, it's a perfect summer session, crammed with rude drums and hooks evered from major dance hits, and sandwiched with skits and personal edits to form the kind of informative and hugely entertaining mixtape you can reach for over and again...
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2 track Single from Garnett Silk released by Roof
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The hot summer compilation is coming !!! Suburbia Summer 2016 will make you dance with the most famous hits of the largest TOP DJS of the moment . Mixed exclusively by Lanfranchi & Farina , Suburbia Summer 2016 is your appointment with the summer ... in output in the best record stores !
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Trojan introduce a genre-themed vinyl album range aimed at satisfying the demands of Jamaican music fans of all persuasions - from hardcore collectors to casual buyers. Pressed on high quality vinyl and presented in handsomely designed sleeves that convey an authentic yet contemporary feel, each LP focuses on a specific style, ranging from vintage mento to modern dancehall, with the first three in the series highlighting the ever-popular sounds of ska, dub and classic reggae. Over the coming months every major genre will be highlighted on further equally compelling collections, ensuring fans of all Jamaican music styles are satisfied. Every album will be exhaustively promoted via Trojan's website, Facebook page, Twitter, YouTube channel and mailing list, with reviews actively solicited from all the major music periodicals and online sites. Recent years have witnessed a significant resurgence of interest in dub, a style developed in the early seventies by a small number of talented sound engineers who took reggae beyond previously perceived limits. Featured on this hard and heavy set are 10 of the finest dub mixes from the Seventies and early Eighties, mixed by its most influential exponents, including such giants as King Tubby, Lee Perry, King Jammy and Scientist.
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Descrizione: http://www.self.it/images/null.gif
01. Pedro Oliveira - Ginza
02. El Yabo - Hay Muchacha
03. Riveros - Si Tu Supieras
04. Vatos Locos - Me Gustan Todos
05. El Yabo - Mi Amor
06. Vatos Locos - Boca Boca
07. Riveros - Bajando
08. El Yabo - Tus Amigas
09. Vatos Locos - Traketea
10. Riveros - M Dile
11. El Yabo - Las Cachorritas
12. Vatos Locos - Palito
13. El Yabo - Se Que Te Gusta
14. Riveros - Que Poco Me A De Querer
15. Vatos Locos - El Vampiro
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The unreleased album from 1984 sees the day of light! The final album for Keith Hudson aka The Dark Prince of Reggae was recorded at Tuff Gong Studio and backed by The Wailers! Six extended masterpieces of rasta communications. A must have album for the Keith Hudson fanbase, for Roots Reggae & The Wailers collectors in general, and all the dubheads outernationally!
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Released in Jamaica in 1971 and produced by Lee 'Scratch' Perry, Soul Revolution Part II is a sequel of sorts to Bob Marley And The Wailers' debut LP, 1970's Soul Rebel. The Wailers' work with Scratch is considered by many reggae fans to mark career pinnacles for all involved, and classic hymns like 'Don't Rock My boat' or the revisitation of Curtis Mayfield's 'Keep On Moving' were destined to become among the more widely hailed efforts in the repertoire of Bob Marley. An historical milestone in early reggae history, back on shiny heavyweight vinyl.
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Ocean Drive Music is nothing if it can't help you bring your dreams to life, and DJ Cam has just made one of his biggest dreams come true - composing a soundtrack to Miami Vice. Cam's Miami Vice is fourteen visual tracks, an imaginary score that positions itself as the 'official' soundtrack just as Hollywood is preparing to film a reboot, following the first movie adaptation in 2005 by the series' original producer - and now cult director - Michael Mann. 'My album is definitely a proposition for them! When I was living in Los Angeles, I met a guy who worked with Michael Mann and he encouraged me to do the project. He understood that it was homage from a real fan... Apart from that, I'd really like people to listen to the album and search out the film. I want them to ask themselves if it really is the soundtrack to a movie...' Miami Vice definitely puts the 'camera' back in Cam, making him the first-person view for our cinematic cortex Although strictly unofficial and a pure product of his cinematic mind, this original soundtrack is intrinsically linked to the legendary series: as a feature-length album, a collection of cinematic sequences, his Miami Vice strongly evokes Sonny Crockett and Ricardo Tubbs and their investigations set in the sordid underworld of Florida's jetset. Cam shines a spotlight on the two inspectors from the Miami-Dade vice squad as they infiltrate Colombian cocaine smugglers and face dangerous criminals like those seen in the documentary Cocaine Cowboys, the infamous traffickers of the 1980s...
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