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Classic early-80s New York Boogie from Greg Henderson & Leugene Whitefield on 45 for the first time.

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Repressed On Clear Transparent Vinyl. Future archaeologists will discuss two periods in 1980s: before Run-DMC and after Run-DMC. It’s no exaggeration to say that the group changed the course of music in the ‘80s, bringing the old-school of rap into the new with one simple piece of flat, black plastic. Coming up in the rap world of the early 1980s under the wing of Kurtis Blow (group manager Russell Simmons managed Blow, and Run was, at one time, a DJ known as “Son of Kurtis Blow”) and Blow’s bassist and burgeoning super-producer Larry Smith, the trio – Joseph “Run” Simmons, Darryl “DMC” McDaniels and Jason “Jam Master Jay” Mizell – learned from the best, but created their own path. 1983 was the year that they first broke out. With only an Oberheim DMX drum program and some cuts by Jay, “Sucker M.C.s (Krush-Groove 1)” was a shot across the bow to the slick, post-disco pocket rap had settled into. It was raw, pure swagger and it took both New Yorkers and music aficionados around the world by storm. The song’s lyrics are a mandatory memorization assignment to this day by MCs learning their craft. “Two years ago, a friend of mine…” The group’s sound, which was laid out muscularly on Run-DMC, had a harder approach than their peers, thanks to producer Larry Smith’s use of live musicians who laid down grooves but didn’t soften the edges. Lyrically the group wasn’t just about brags either, with songs like “Hard Times,” “It’s Like That” and “Wake Up” (the first two were singles). Run’s and DMC’s overlapping tag-team approach to lyricism was powerful and immensely influential. “Rock Box,” another single and arguably the centerpiece of the album, was a nod to their hard edge, and a foreshadowing of their first worldwide smash, 1985’s “King Of Rock.” Jam Master Jay’s DJ work was stellar, knowing exactly when to jump in and put listeners’ ears in a headlock. The album was the first rap full-length to achieve Gold status, and as fans know, the group was just getting started – their next two LPs would take them to even higher status in the music world, critically and sales-wise. But this is where it all started, and it’s a classic that still sounds fresh today as it did more than 30 years ago. Tracks: A1. Hard Times A2. Rock Box A3. Jam-Master Jay A4. Hollis Crew (Krush-Groove 2) A5. Sucker M.C.'s (Krush-Groove 1) B1. It's Like That B2. Wake Up B3. 30 Days B4. Jay's Game

A Long Hot Summer is the fifth studio album of Masta Ace, and follow up album to Disposable Arts. The album is about Masta Ace's journey as an underground rapper through his "Long Hot Summer" in Brooklyn, together with his unofficial manager and pal Fats Belvedere. This album includes fan favorites such as "Good Ol Love", "Da Grind", "Beautiful", "Bklyn Masala" and guest appearances like Jean Grae, Big Noyd, Wordsworth, Edo G, The Beatnuts, Rahzel and more, along with production from 9th Wonder, Khrysis, DJ Spinna, Dug Infinite, Marco Polo and others. A Long Hot Summer is a classic Ace album through and through.

It's hard to think of any other act whose music being added to digital streaming sites would make as many headlines as De La Soul. It has been followed up with a big reissue project that's brought all their many great albums - they made more than just that one iconic one, you know - back to print. Stakes Is High brought the same high levels of wordplay, great beats and overall narrative as any of the band's albums, and all at a time when hip-hop's initial popularity began to wane. Fact fans, take note - Mos Def guested on one tune 'Big Brother Beat' and Common on 'The Bizness' way before anyone knew who either of them was.

De La Soul is never far away from the conversation about great music but as of late, they have been back in the headlines more than ever as their music finally got added to digital streaming sites. Buhloone Mindstate is a lesser-known but just as good album as the most famous Three Feet High and Rising and was a critical success at the time. The lead single has samples of Michael Jackson's 'I Can't Help It' and Smokey Robinson's 'Quiet Storm', there is a collab with Biz Markie on 'Stone Age' and MC Shortie No Mas appears on many tracks including the particularly standout 'In The Woods'.

3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989

It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know".

The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's

The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall).

Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

The double vinyl containing the OST of music inspired by the docu-film "I RAGAZZI DEL COLUMBUS", these tracks just want to
tell the true story of an unrepeatable Era, of clubs, DJs and the generation that gave birth to the socio-cultural revolution which, starting in Italy between 1974 and 1985, it then spread throughout Europe, all with a passion for afro / disco /
funky music, which from the "Columbus" square in Riccione then spread everywhere. Thanks to djs and clubs

Orange Vinyl

Whitney Houston - das Debütalbum, das die Karriere der legendären Sängerin begründete - kehrt als 1-LP-Vinyl zurück. Die Stimme hinter tausenden von ausverkauften Shows weltweit ist auf diesem 13-fachen Platin-Album, das die Diamant-Zertifizierung erreichte, zurück. Fans werden die Songs - "Saving All My Love", "How Will I Know" und "The Greatest Love of All" - wiedererkennen, die der Sängerin die Anerkennungen für das erste Debütalbum und das erste Album einer weiblichen Solokünstlerin, das drei Nummer-1-Singles hervorgebracht hat, einbrachten. Im Jahr 1986 dominierte das Album 14 Wochen lang die Charts und verkaufte weltweit 22 Millionen Tonträger. Außerdem erreichte sie damit als erste Künstlerin ein Billboard #1 Album des Jahres. Das Album wurde auch für einen GRAMMY Award nominiert und gewann einen GRAMMY für die beste Pop-Gesangsdarbietung für "Saving All My Love".

First Reissue for this almost impossible to find record, this beautiful soul blending disco was recorded in one shot by Keith Paul in 1977. Fully remastered, it gives justice to one of the most hidden treasure of Guyana's music. Keith Paul recorded every instrument on this record. The liner notes interview by Saultone founder will give you the whole story and get deep in the secret of this incredible voice and talent.

Despite their rapid success and recognition, De La Soul continued to prove themselves as one of the most original, authentic and creative groups in hip-hop, with the release of their sophomore album, De La Soul is Dead on May 14, 1991.Featuring once again, the production of visionary producer Prince Paul, their second album further fanned the flames; landing on charts around the world, receiving a five-mic rating in The Source and securing Gold status by the RIAA. To this day, the project is considered one of the groups best albums to date, having left fans with several certified classics like, "A Roller Skating Jam Named Saturdays", "Ring, Ring, Ring (Ha Ha Hey)" and "Keepin' the Faith". Another absolutely essential slice of Hip Hop history that’s been unavailable for some time.

Before Aretha Franklin rose to fame, she was signed to Columbia Records. This 3LP compilation album is a collection of some of Aretha's most notable songs during her time at Columbia from 1960 to 1965. The Queen in Waiting highlights Franklin's jazz and big-band recordings, and includes the songs "Won't Be Long", "Walk On By", "Today I Sing The Blues" and "Try A Little Tenderness" a.o.

The Queen in Waiting: The Columbia Years 1960-1965 is available as a 3LP limited edition of 2000 individually numbered copies on gold & black marbled vinyl and comes with three printed inner sleeves.

Underneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After his first group KMD’s sophomore album Black Bastards was shelved by Elektra in 1994, and his blood brother Subroc — one half of the sibling rap duo — passed away, surviving frontman Zev Love X slowly mutated into the supervillain MC known as MF DOOM, and the rap world is better for it.

The 1999 release of Operation: Doomsday marked MF DOOM’s official debut, reintroducing a mysterious figure who would soon become one of underground rap’s greatest voices. Within its 19 tracks, Operation: Doomsday reveals the confluence of DOOM’s tragic past, personal interests and daring creativity. His clever rhymes and remarkable schemes stood out against the landscape, and every sound he touched — from cartoon theme songs, to ‘80s soul, to rap classics and more — got reinterpreted into something brand new and surreal.

Decades later, MF DOOM is still celebrated for all facets of his work and influence. In the face of tragedy, DOOM re-infiltrated the rap game on his own terms, and crafted an instant cult classic. Operation: Doomsday stands as a testament to the power of betting on yourself against all odds.

Underneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After his first group KMD’s sophomore album Black Bastards was shelved by Elektra in 1994, and his blood brother Subroc — one half of the sibling rap duo — passed away, surviving frontman Zev Love X slowly mutated into the supervillain MC known as MF DOOM, and the rap world is better for it.

The 1999 release of Operation: Doomsday marked MF DOOM’s official debut, reintroducing a mysterious figure who would soon become one of underground rap’s greatest voices. Within its 19 tracks, Operation: Doomsday reveals the confluence of DOOM’s tragic past, personal interests and daring creativity. His clever rhymes and remarkable schemes stood out against the landscape, and every sound he touched — from cartoon theme songs, to ‘80s soul, to rap classics and more — got reinterpreted into something brand new and surreal.

Decades later, MF DOOM is still celebrated for all facets of his work and influence. In the face of tragedy, DOOM re-infiltrated the rap game on his own terms, and crafted an instant cult classic. Operation: Doomsday stands as a testament to the power of betting on yourself against all odds.

”FORNIKA” in der Originalausstattung mit Vinyl Booklet und als 180 Gramm DoppelVinyl erhältlich.

Four Music, das von den Fantastischen Vier gegründete Label, ist aus Stuttgart nach Berlin gezogen. Die Fantastischen Vier haben sich selbst auch vom Acker gemacht, kehren aber zur Albumproduktion zurück in die Mutterstadt. Thomas und Smudo übernehmen noch eine verwaiste Four-Music-Mitarbeiter-Wohnung, von einem Mann namens „Wernicke“ in der Immenhofer Straße und bestellen für einen beschaulichen Reim-Schreibe-Abend beim Pizzaservice. Der vermutlich erst kürzlich aus Italien eingereiste Pizzafahrer notierte sich die Worte „Emnhof / Fornika“ und die Mahlzeit kam tatsächlich pünktlich an. Zauberei. Der Titel für das 2007 auf Columbia Records/ Sony BMG veröffentlichte Album war geboren.

Für den Titelsong nahm der leider viel zu früh verstorbene Sex- und Drogen-Papst Günter Amendt eine 1a-Übersetzung des Thriller-Gedichts auf. Die Stuttgarter Manumatei sangen den Refrain. So bunt und verspielt ist das ganze Album. Unauffällig erscheinen Herbert Grönemeyer („Einfach Sein“), die Münchener Freiheit („Ernten Was Wir Säen“) oder Max Herre („Was Bleibt“). Das Album mit dem schönsten Gag in zwei Zeilen „Ding Dong, geh du mal ran ich kann grad‘ nicht – King Kong, kann nicht sein den kenn‘ ich nicht“ („Yeah Yeah Yeah“), der schönsten Selbsterkenntnis „Die Jungs haben sich kaum verändert, außer den Augenrändern“ („Du Uns Sie Und Wir“) und dem schönsten Dauerreim „Wir wollen eine Formel für ewigen Reichtum? Kriegen Wir leider nicht! Harrison Ford oder Xavier Naidoo? Sind Wir leider nicht!“ („Einfach Sein“).

Weil „Fornika“ ein eigener Kosmos ist, glänzt das Album mit einem vielseitigem Booklet, in dem jeder einzelne Song wie ein Classic-Kinofilm-Plakat gestaltet ist. Für Vinylkisten ein echtes Schmuckstück.

Und wer weiß, was „to fornicate” im Englischen bedeutet, der versteht, dass Die Fantastischen Vier mit diesem Klassiker, der „Fornika“, es allen gezeigt haben. Das Album erreichte Platz 1 der deutschen Charts.

repress

Wenn eines fernen Tages bei Grabungen im größten Baumschulgebiet Europas eine rostige goldene Schallplatte ausgebuddelt wird, stammt die womöglich aus einer elterlichen Glasvitrine der drei Flitzpiepen von Gruppe Fettes Brot. Als gesichtsbekannte Kinder der nord-westlichen Hamburger Suburbs nahmen die drei Mikrophon-Jongleure ihre fixen Erfolge seit dem hinteren Ende des 20. Jahrhunderts mit demselben Zwiespalt aus Scham und Erregung hin, der schon ihre disparaten Vorgänger ausgezeichnet hatte: Gleichermaßen mit Rap (De La Soul, Run DMC) und Punk (die Ärzte, Rio Reiser) gewässert, wuchsen ihre Bäumchen manchmal so hoch in das Land der MTViva-Riesen, dass ihnen nur noch schwindelig wurde beim Runtergucken auf die heile kleine Vorstadtwelt, wo tief im Underground ihre Wurzeln steckten.

Hinter ihrem Rücken bewunderte die Competition schon früh ihr Talent, umwerfende Rap-Dramoletten wie 'Jein' zu droppen, um sie sogleich bitter für ihren Un-Ernst beim Einhalten der 'reinen Hip Hop-Lehre' kleinzuquatschen. Elegant im Zick-Zack unter dem Radar dieser prüden Gralshüter fliegend, hielten sich unsere drei Helden stets an die oberste Direktive von Soul-Rebel Swamp Dogg: 'I'm not selling out, I'm selling in!'. Als Reaktion auf die sauertöpfigsten Anfeindungen gelangen ihnen dann mit Protestsongs wie 'Schwule Mädchen' oder Battle Raps wie 'Da Draussen' gleich noch grössere Würfe. Auf einen funky shaker wie 'eManuela' folgte direkt eine ethisch-moralische Selbstkasteiung wie 'An Tagen wie diesen', worauf sie einen tödlichen Bouncer über die wachsende eigene Impotenz im Auge unserer hypersexualisierten Konsumhölle folgen liessen: 'Bettina, zieh dir bitte etwas an'.

Mit wilden Trojanischen Pferden in die Top 3 galoppieren, wer konnte das sonst schon? Fast 30 Jahre dauert nun ihre Hitstory, die Ende 2023 einen konsequenten Abschluss findet. Fettes Brot is history. Hier sind die wichtigsten Artefakte aus ihrer Epoche. Zum ersten Mal auf einem Greatest Hits-Album vereint.

Rap duo Havoc and Prodigy aka Mobb Deep from Queensbridge, Queens, New York returned in 2001 with their fifth album. Resurfacing, after recording Murda Muzik (MOVLP1663), this time they approached the rap-scene differently, moving away from the minimalistic stripped-down heavy violence hip/hop.


Center of attention during the release of Infamy was the beef between Jay-Z and Prodigy. During the time of release Prodigy (of Mobb Deep) had been the center of Jay-Z's attack on his track The Takeover' and Mobb Deep cut the track Crawlin' where Prodigy strikes back on Jay-Z calling him H to the know'. Tracks like The Learning (Burn)' featuring Noyd, Kill That Nigga' and productions from Scott Storch (Dr. Dre/Nas/50 Cent) for Live Foul' still display the dark beats and straight-up street rhymes Mobb Deep is known for.

Whitney Houston - das Debütalbum, das die Karriere der legendären Sängerin begründete - kehrt als 1-LP-Vinyl zurück. Die Stimme hinter tausenden von ausverkauften Shows weltweit ist auf diesem 13-fachen Platin-Album, das die Diamant-Zertifizierung erreichte, zurück. Fans werden die Songs - "Saving All My Love", "How Will I Know" und "The Greatest Love of All" - wiedererkennen, die der Sängerin die Anerkennungen für das erste Debütalbum und das erste Album einer weiblichen Solokünstlerin, das drei Nummer-1-Singles hervorgebracht hat, einbrachten. Im Jahr 1986 dominierte das Album 14 Wochen lang die Charts und verkaufte weltweit 22 Millionen Tonträger. Außerdem erreichte sie damit als erste Künstlerin ein Billboard #1 Album des Jahres. Das Album wurde auch für einen GRAMMY Award nominiert und gewann einen GRAMMY für die beste Pop-Gesangsdarbietung für "Saving All My Love".

Legendary 7X GRAMMY and Emmy Award-winning artist/producer Dr. Dre celebrates the 30th anniversary of his magnum opus, The Chronic by announcing the album will be re-released. The Chronic, which is not currently available on streaming services, will again be available to fans on all major DSPs .

Steve Berman, Vice Chairman of Interscope Geffen A&M, said: “Dr. Dre is without a doubt one of the most iconic and groundbreaking artists in the modern era. He has also used his platform to fuel some very impactful philanthropic efforts that will ensure his legacy is felt for generations to come. Dre’s solo career all started with the The Chronic, one of the most celebrated recordings of all time.

First released on December 15, 1992, The Chronic peaked at No. 3 on the Billboard 200 and has spent 97 weeks on the chart since its release. The album also spawned three top 40 hits on the Hot 100, including top ten records with "Nuthin' But a “G” Thang" (No. 2) featuring Snoop Dogg and "F— Wit Dre Day" (No. 8). The Chronic topped the Top R&B/Hip-Hop Albums chart for eight weeks, while "Nuthin’ But a "G" Thang" hit No. 1 for two weeks on Hot R&B/Hip-Hop Songs. Last June, Rolling Stone placed The Chronic on its 500 Greatest Albums of All-Time List, boasting how the album "redefined the West Coast Hip Hop sound." Pitchfork also holds the seminal album in high standing, saying The Chronic lives on as a “timeless show of strength” and “gave shape to L.A.’s present and future.” Videos from The Chronic are also available on Dr. Dre’s official YouTube channel.

Last year, Dr. Dre dazzled during the Super Bowl LVI Halftime Show in Los Angeles. His enormous set was star-studded, as Dre performed alongside some of music's biggest stars, including Snoop Dogg, Kendrick Lamar, Mary J. Blige, Eminem, and 50 Cent. Dre commanded the stage – just a few miles from his birthplace of Compton – with a groundbreaking setlist anchored by hits such as "The Next Episode" and the 2Pac-led "California Love." The historic performance earned Dr. Dre his first-ever Emmy for Outstanding Variety Special (Live). The Hollywood Reporter called the halftime show "thrilling and nostalgic," while Billboard credited Dre for his "seismic impact" on music.

Easily one of the greatest roots reggae albums of all time, Soul Rebels resulted from the intensive partnership brokered by the group and maverick producer, Lee 'Scratch' Perry. It was the first Wailers 'concept' album, conceived as a long-player based on a rebellious theme, rather than a collection of isolated singles, and the presence of the Barrett brothers in the rhythm section pointed the way for greater glories to come. The Wailers first formed as an unruly five-piece in 1963, with Junior Braithwaite as lead singer and Beverley Kelso an early member, sometimes replaced by Cherry Green. During their long tenure at Studio One, Bob Marley gradually shifted to the lead vocal role and the robust core of Marley, Peter Tosh, and Neville Livingston, aka Bunny Wailer, soon emerged as the mainstays of the group. Perry was involved with the Wailers at Studio One, using their talents for backing vocals on some of his solo work, but the partnership that yielded Soul Rebels was in an entirely different league. The title track, Tosh's anguished "400 Years and "Corner Stone" are legendary for their intense power; "It's Alright" set the template for the later "Night Shift," "My Cup" was an individual barebones reading of James Brown's "I Guess I'll Have To Cry Cry Cry," while the playful "Try Me" and "No Water" are suggestive odes. Tosh's dejected "No Sympathy" and the spirited "Soul Almighty" are other winners and the "Cloud 9" revamp "Rebel's Hop" is another joy. All killer, no filler!

8 Mile – Music From And Inspired By The Motion Picture (Expanded Edition) the soundtrack to Eminem’s semi-autobiographical legendary film of the same name was released 20 years ago (on 10/28) and spawned one of the biggest hits of his career, Lose Yourself, which has been certified 13x Diamond. 8 Mile is also famous for launching 50 Cent’s musical career with his first hit “Wanksta.” This new expanded edition features all of the songs from the album in an instrumental format alongside the demo version of “Lose Yourself.”

Repress!

Classics By Trip-Hop Masters

3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989

It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know".

The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's

The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall).

Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

Vinnie Paz has been one of the most consistent and commercially-successful indie rap artists of the last two decades with over 100 million streams and millions of followers across various social media platforms. -2XLP black vinyl in gatefold jacket. The 10th Anniversary Reissue of Vinnie Paz's seminal sophomore album, God of the Serengeti, featuring the cult classics "Battle Hymn" and "Cheesesteaks."

Egyptian Lover's first record since 1994..... Solid electro dancefloor tracks like no other. Still rocking and still making the ladies shake their hot pants! BIG TIP!!...

Limited repress !

Holy Grail South African jazz funk cover of Grandmaster Flash ‘The Message’.

Vive La Musique is proud to bring you an official reissue featuring South African artist - the late great Sipho Gumede - in his ‘Boogie Man’ guise and prolific producer Greg Cutler.
Originally released in 1984, ‘Jika Jika’ is an audaciously sassy version of Grandmaster Flash's 'The Message'. A Linn drum machine and Jupiter 4 synth recreate the feel of the hip hop masterpiece, whilst Sipho’s infectious bassline and a soulful female chorus, bring a whole
new dimension of South African groove to the cut. A mysterious rap vocal makes this arguably South Africa’s first ever hip-hop record.

The flip sees a jazzy synth taking the lead over a gritty version of the instrumental for an even sleazier experience.
Recorded at the famous mobile Battery Studios in Botswana, an essential space for black South African musicians during apartheid, the original vinyl release was limited to a few hundred promotional copies and is impossible to find. The release has been carefully
remastered for this official reissue, which comes in a beautiful colour sleeve, based on the original artwork.

"The remasters sound Brilliant!I am loving it all over again nearly 40 years later! Will be great to see this debut on 7"’.
Greg Cutler (Original producer)

Dynamite Cuts releases for the first on 45 this wonderful rare groove soul gem. “Lovely lady” massive club track and long awaited 45 releases. On the flip “Joy and Pain” special edit on the flip. Perfect Dj's mix edit, includes break edit mix. A must have 7” for all good music collectors.

Aretha Franklin’s twelfth studio album, released in early 1968. It was her third R&B chart-topper and reached number two on the Billboard 200, tying with I Never Loved a Man the Way I Love You for her highest-charting album on the pop chart. The album also included some of her biggest hit singles: "Chain of Fools", and "(You Make Me Feel Like) A Natural Woman".

Aretha Franklin’s twelfth studio album, released in early 1968. It was her third R&B chart-topper and reached number two on the Billboard 200, tying with I Never Loved a Man the Way I Love You for her highest-charting album on the pop chart. The album also included some of her biggest hit singles: "Chain of Fools", and "(You Make Me Feel Like) A Natural Woman".