Beats Новости

In his second volume of the Beat Tape series, Istanbul based acclaimed beat-maker Da Poet works his hip hop magic with 14 killer tracks. The album features collaborative beats of Gantz, Grup Ses, Ahu, Gokalp K, OtherMan and Ince Sarj.

Producers such as Akcept, Alphadub, Deadroom, Baodub, DTR, Blind Prophet and Bukkha have joined their talents, skills and energy on this special venture. In addition the whole release was fabulously illustrated by the inimitable FromTheTrunk crew. Those 3 covers have been hand painted for the past few months and turned out to be an outstanding piece of art when joined together. Limited to 500 pcs, no reprint.

Producers such as Akcept, Alphadub, Deadroom, Baodub, DTR, Blind Prophet and Bukkha have joined their talents, skills and energy on this special venture. In addition the whole release was fabulously illustrated by the inimitable FromTheTrunk crew. Those 3 covers have been hand painted for the past few months and turned out to be an outstanding piece of art when joined together. Limited to 500 pcs, no reprint.

Welcome to Gully Records' second miscreant missive. Brighton-based badman ETCH stepping up and coming incorrect with the chopped beats to make you screw. To be released on clear hand-numbered 7' vinyl as was deemed appropriate. 'Synapse Cluster' is a proper slo-mo headbanger for the downtempo grunge-hop fan. Deadly dankness. 'Labyrinthian Contours' takes you on a journey of 3 stages. During the 3rd - time is reinvented. Natch. This 7' single is a beautiful piece of work incorporating psychedelic art and cosmic numerology. Look out for his full length double vinyl release on Gully later this year.

After his recently, well acclaimed Balearic adventures as 'Jane In Palma', DON FROTH makes a welcome return to the WNCL fold. He comes out fighting with the bass and bleep heavy 'HR22', nicely juxtaposed with the equally quirky but altogether more soulful sounds on 'Joint Loose'.Flip to the B side for more jump up adventures with "DOCs" and, by popular demand, his previously bite-sized cut 'A Broad Range' gets extended into a full on acid squelch 'Widescreen Mix' to close the show.

It's been four long years since anything has surfaced from Headhunter, the last being 2011's 'Clone' on the Bristol based Black Box imprint. But label-by-way-of-online blog,TRUSIK has secured two sought-after dubs from the man himself. In our first ever vinyl release, TRUSIK has collected 'Parallels' and 'Stand Alone' in a super limited 300 pressing with appropriately techno-infused psychedelic artwork from our long time collaborator Leftanderson.'Parallels' is a building technoid monster that is armed with pistoning sub-bass dives as acidic 909s percolate through the cryo-mist atmospherics of a long derelict space ship that stills sends out a distress beacon. Quicksilver percussion ratchets up the tension asHeadhunter tastefully affixes Tubby-esque fx to the proceedings.
On the flip 'Stand Alone' is a strident roller with VHS-ripped kung-fu samples alaHorsepower Productions and an even more paranoid perc workout that features filtered amen-breaks, meditative conga patters and rapid fire hi-hat gun fire. A TR-909 menaces at the edges, watching for an opportune moment to strike only to be subsumed by the enveloping, spectral aeriforms.
Both are sure-fire floor killers and a magnificent return to form that made Headhunterthe king of dubstep in the first place.

It's about love, loyalty, family and the start and end of relationships, with an overarching theme about becoming a father, all delivered with warmth and emotion. Miles even sings and so does his eldest son Milo on one track. About the theme he says, we all know the stereotype of the black dad with multiple children from multiple partners who is absent from the child's life, we see it consistently in popular culture. I want to champion the alternative, which to me is just normal.' As well as being a producer Miles is the co-founder of the Boxed nights, which have been a tight incubator of a music scene dedicated in the main to re-thinking and expanding what grime means, especially instrumental grime. Mitch has always taken it further than most in a unique direction, defining his music led by his own personality rather than deferring to a scene consensus. An early example was his development of 'peace edits' in response to the aggressive 'war dubs' craze amongst other grime producers, around the time of his first album. Production-wise Mr. Mitch has always been a minimalist at heart, pushing detailed sound and melody around in space, but on Devout everything is more ambitious, emotive and polished, taking his music in an epic and well defined pop direction, albeit from a sideways angle, re-imagining what an album by an underground producer can be. Devout's cast of male and female allies, MC's and singers each deliver songs that cast perspective around the album's theme. Mr. Mitch sets the scene with the graceful honesty of the piano led intro, then P Money drops a heartfelt and emotional lyric about the charge of love and responsibility experienced on becoming a dad. Denai Moore's song 'Fate' is open about being sceptical in allowing yourself to fall for someone at the start of a relationship, while Palmistry's track 'VPN' explores his feelings after separation. The warm centre of 'Devout' is 'My Life's heart-tugging Sakamoto-like melody and bent keys, with Miles gently intoning It's yours' and final song 'Oscar' tells a newborn his brother will be an elder brother. Devout is a beautiful, grown-up pop record with its foundation in grime.

It's time for the Procurator! Hyperdub is happy to announce the first release from Edinburgh born and bred producer Proc Fiskal - otherwise known as Joe Powers. Like a Scottish relation to the recent faster Grime productions Lewisham MC Novelist has coined 'Ruff Sound', Proc Fiskal ups the energy of the stark cubist rhythms of the early Grime of Wiley and Ruff Sqwad by accelerating and retooling them to fit the faster 160bpm grid, engineering a delirious hybrid that also subtly makes explicit the relationship between Grime and Jungle and Happy Hardcore. The EP starts with '£', which is the most classically 'Grime' sounding of the tracks, with 8 bar switches, chord stabs, sino-motifs and a bassline that ripples underneath. 'Lamentation' combines airy swing, rolling percussion and chunky dubwise bouncing bass that recalls Digidub. 'Skulka' opens up the flipside with surreal whizzing, wheezing and gunshots, dropping into a rolling melodic bassline and caffeinated strings. 'Acidic Hoes' has a bassline that bubbles and warps with an airy melody whirling over the top and incidental coughs and sword clashes. Proc Fiskal's debut EP is joyfully aggressive and an energetic contrast to the slowing down of most contemporary Grime, plus it mixes into Footwork really well too.

"For this EP, South-African born Jason Beukes aka Escapism Refuge lands on London's Smokin' Sessions for the label's 2nd release of 2017. Continuing the label's legacy of atmospheric electronic beats, Beukes has crafted a set of tracks which take influence from producers such as Synkro, Phaeleh and Burial, but which look to the future of this sound through use of updated production techniques and a more expansive sound palette.Following on from Red Lights EP, this release will feature a selection of tracks - each a different take on the subtle and mesmerizing 140bpm sound Escapism Refuge is becoming known for.Beukes' personal influences - from Radiohead, through Aphex Twin, to De La Soul - are all evident here. On the A1, 'Joker' channels a neo-soul vibe through its use of soft, steelpan-like pads and whirling strings. 'No Signal' on the B1 feels spacey and free, yet with an underlying tension created by the track's constantly changing chord progression. B2 'Red Lights' uses a catchy synth line and powerful drums to create an uplifting finish to the release.Escapism Refuge's previous efforts have gained impressive DJ support from across the scene, from figures such as Gilles Peterson at BBC Radio 6 Music, Lefto, Joe Kay at Soulection and Dom Servini at Wah Wah 45s."

Bold, exuberant, expansive re-charting of the same neck of the sleng-teng invasion as vintage Jahtari and Tapes.
The Upsetter meets Raymond Scott meets Horsepower Productions... on a writhing, pinging bed of Spaghetti Western... at the synthy grassroots of Library.
Tremendously enjoyable, next-level stuff from Seekers.
Blood-red vinyl.

We are extremely happy to welcome Jérôme Meyer aka Von D in the evergrowing Moonshine Recordings family. Von D, is renowned for his ability to fill dance floors, fuse genres and hold his own in collaborations with some of the biggest names in the underground music. With three albums and multiple Eps under his belt for labels such as Black Acre, Boka or Argon, he is also recognized for featuring exclusive and unreleased dub or dubstep tunes, alongside his own music. With regular shows in Europe, Asia, New Zealand, Australia and five tours in the USA, his world fan base is testament to his skill. Von D is on an increasingly prolific trajectory since last year. Recent 12's on Scrub a Dub and Khaliphonic (Zamzam), and forthcoming tunes on Lion Charge and Moonshine have signaled his renewed focus on dubwise productions. The french producer is going back to his musical roots. He continues to evolve his style and sound, touring around and setting clubs on fire night after night.

Fresh from dropping 'Sweet Lies' and underground banger 'Brand New', Wilkinson returns this month with the announcement of
his second album release 'Hypnotic'. To coincide with the launch of the album release, Wilkinson also embarks on his biggest UK
tour to date that hits London's legendary Roundhouse for a sold out show on February 18th.
Hailed as one of the brightest stars in dance music, 'Hypnotic' follows Wilkinson's debut album Lazers Not Included. Lazers Not
Included went to Number 1 on the iTunes Dance Chart in ten different countries, and spawned four Top 40 singles for
Wilkinson, including his top-ten, smash single Afterglow', which saw worldwide success - selling 400,000 copies, a million
records sold and 100 Million global streams.
Hailing from South West London, Wilkinson, signed to RAM Records / Virgin EMI, has remixed some of the world's biggest artists
including Ed Sheeran, The Prodigy, Chase & Status, Naughty Boy, Wretch 32, Katy B and Laura Mvula. Wilkinson has previously
scooped 'Best Single', 'Best Album', 'Best Video', 'Best Producer' and 'Best Live Act' at the National Drum & Bass Awards, not to
mention the VEVO ViewersAward at the MVA's.
The Hypnotic live tour is his biggest to date and he kicks things off at Newcastle's O2 Academy on 9th February. Wilkinson has
become one of the most exciting live artists in dance music and has headlined festival stages at Wireless, Nass, Boardmasters,
Parklife, V Festival, as well as his own Ibiza residency at Together atAmnesia.
RADIO: latest single We Will Be was Radio 1 Hottest Record end of Feb and getting battered across specalist from MistaJam,
Danny Howard, Target, Friction etc. He's just done his second Essential Mix and has forthcoming radio promo including Beats1
mix, Kiss FM Mix, Interview and mix on DJ Target's 1xtra show and the Radio 1 Mini Mix.
CLUB: Just sold out his 4th UK LIVE tour including his homecoming London show at The Roundhouse. Now embarking on his
Hypnotic DJ tour across the UK and Europe.

Debut record from Melbourne record store Cry Baby via Dan White. Jungle, IDM & Ambient all inside.
Shouts to the Salmon boys aka the Lazy Resta, Sauce Master G, WozUFO & djEm, Scrapman, Crimps & The LJs family dancecrew. Nimrod & Mind Twist, Cabbage Brax, Donald, Turner Street, the e4XT, IV Crew, Chippa, Coosey, Bourne n Berry, Mic n Frank, Heads, TGMN, Token, NiMH, Plastic Jam & the Amen, AA, Lorry, the Hams, J Train, Studio Pressure, Babs and Baby Björn.
jungle mania is upon us

Back with that spice for Type, Anthony J Hart gets down to UK rave fundamentals on a killer 2nd LP under his Basic Rhythm pseudonym. Where Hart's more prolific Imaginary Forces output is all about the push 'n pull of power noise and post-rave techno dynamics, Basic Rhythm fixes a steely focus on the physics of the UK's hardcore continuum, decimating and distilling jungle, grime and garage into their common and most affective dancefloor denominators.
Basic Rhythm offers Hart up as a sort Leyden Jar battery or vessel storing decades of absorbed and condensed pirate radio transmissions, and The Basics can be heard as his disciplined attempt to parse those muscle memories and sensations into something tangibly, rudely physical but, most crucially, leaving aside those bits he considers unnecessary in a defragging process of mental sonic décollage - breaking down outmoded values and replacing at a distance from the original medium.
What remains forms a kind of refreshingly eviscerated halcyontology, recollecting and rinsing out the good times spending his p's on new shells at legendary shops such as Music Power (Ilford) and Boogie Times, listening to Rude FM 88.2, Unity 88.4, Pulse 90.6, Weekend Rush 92.3, Kool FM
94.5, cutting dubs at Music House, and swanging his jaw at legendary venues and club nights like Stratford Rex, Temple, Labrynth, Telepathy, Slammin' Vinyl and One Nation.
In reducing those aspects to a pointillist vocabulary of sawn-off drums, harness-straining subs and tessellating, tussling stabs of flava, he leaves a spare air prompting ambiguous reading of
'dread' and 'ecstasy', depending on the listener's own reception/perception. It's a dichotomy at the core of E18's postcode-warring sublow shift, explored in the crevices between rap and grime in Fake Thugs, or the way Silent Listener (Adore) is intended to illuminate dank bedrooms, whilst the ructions of Cool Breeze (Summer In Woodford Green) and the fractiously mapped road rave styles of Blood Klaat Kore lend an overlapping sense of deep topographical study to the mix.

Leaving unwarranted hype to others - the London/Manchester based imprint 'Reflektion/Tapes' are not messing around when it comes to their remarkably promising debut vinyl. Catalogued as 'RTAPES001', it features a collaboration of Von D with Mizz Beats and Mr Lager respectively. The renowned, french heavyweight has a plethora of releases on highly regarded labels like Trojan Audio, GetDarker, Infernal Sounds, Khaliphonic & Scrub A Dub among others. If this were not enough, Deep Medi signee Mizz Beats, who's already collaborated with the likes of Roots Manuva and Silkie, has been back in the studio, pairing up on the A-Side with Von D for an unquestionably passionate musical work of art. On the flip the B-Side is a clear statement to the synergetic nature of Von D and Mr. Lager's joint effort - effortlessly topping off this release.

Commencing with the much sought after 'Dot Compulsion', bell-like chimes reflect off playful lead melodies, leaving room for tape-delay trails floating away to soulful chords. A tastefully saturated bass joins its correlating 2-Step/Garage groove, rejoicing along an emotive ride. It then proceeds to evolve into a straight pulse, steadily rolling along, plastered with silky vocal snippets and captivating harmonic, at times granular, soundscapes.

A highly differing brew of vibrations can be felt from Mr. Lager & Von D's 'Some Other Place'. The B-Side sees us diving back down into the shadows. Initialising itself with an incredibly ponderous kick drum, complimented by sparsely used spring reverberations and twirling echo trails - introducing more dubstep-oriented accents. What follows is an airy, spaced out sub workout, accompanied by menacingly tight percussive hits from start to finish, guaranteed to test sound systems & leave chests rattling.

Debut release on Artikal Music from PUGILIST

The Invisible have made their best album yet, in a career already garlanded with critical praise.
Latest single 'Life's Dancers' comes replete with a remix by man of the moment and close collaborator Floating Points.
Backed with the brooding synth-pop of brand new B-side 'First Time', also co-written by Floating Points, this is the sound of one of the UK's best bands at the pinnacle of their form.
180g heavyweight black 12' vinyl in 3mm spined sleeve.

Bring Back Records is a new vinyl only label dedicated for the all jungle/breakbeat hardcore lovers. First release will give you a fresh moods with oldskool flava! The music what we love and proudly want to show you. It's a single sided plate: A1 - 94-95 style oldskool jungle on 45 rpm. Vibes for the raiders, who's everyday digging and searching through the jungle music artifacts on vinyl in this crazy digital world. A2 is a pleasant bonus with dj tools for turntablists.

The legendary Rewind Records has returned with a new 12" from the one known as Lord Of The D.

UNKNOT is the duo consisting of producer/dj Sciahri and composer/audiohead Emanuele Porcinai. UNKNOT01 is the first release on the duo's self-titled label. The music is derived from recordings of jam sessions taken on a semi-modular set-up and later contextualized, through arrangement, within a dancefloor-oriented framework.

The core of UNKNOT's sound is strictly bound both to Sciahri's solid techno background and to the mutable character of Emanuele's electroacoustic productions. The dialogue between such distant practices and approaches, brought to an extremely restrained setup, is what defines UNKNOT's musical identity.

UNKNOT01 is a stark, angular swarm of sounds, shaped within very structured yet experimental arrangements. Each track delivers propulsive, cryptic and poignant melodies disguised in the harsh and outright aggressive rhythmical patterns.

Gato Preto's debut album - Tempo' contains everything, what is exciting about the international club-culture: rockin Favela-Funk from Rio, roaring township-grooves from South Africa and Angola's technoid electro-hybrid Kuduro. Sound creator & Gato Preto producer Lee Bass creates the basis for Femcee Gato Misteriosa and her portugese power-punchlines.No matter if in some hip electro-shed of Paris, at Zakk in Duesseldorf or on an international stage at the "Nyege Nyege"-festival located on the river Nil in Uganda - as soon as the - black cat', Gato Preto in english, comes along there is no escape.Equiped with digital effect-devices and synthesizers, supported by african drummers and dancers, Gato Preto fascinate their crowd from the beginning til the end and convince everybody around that global bass-power and progressive grooves out of the world's metropolises are un-stoppable.














- Tempo' can be seen as an invitation to escort both global-bass-travellers on an imaginary time travel into the past and to join them finding and exploring their african roots.
All songs on the album - Tempo' are composed as a 12-piece audio adventure of producer Lee Bass and Femcee Gato Misteriosa. Each song has its own story. Starting with - Moçambique' dealing with the bloody colonial history of the country. - Dia D' already has become a global dancefloor hymn and is an hommage to the track record of african pop music during the last couple of years. "Polícia' is a collaboration with Ghana-rooted rapper Delasi and critizes worldwide police violence. "Barulho" is Favela Punk and was written with global bass buddy Edu K from Brasil. The song "Pirão' searches for long forgotten traditions, cook recipies and african art of healing, interpretes those components in a modern way.
In the end Gato Preto manage the time travel - back to the future'. As open and self-confident Afro-Europeans they come back from the past to forcast new trends at the global pop sky.

2 track 12"release from Silas & Snare, on new label Kaizen. Mastered At Metropolis

REPRESSED !!
After 10 years of pushing the envelope of Bass music, Leeds based J.Sparrowlaunches his own record label "Navy Cut".
"Navy Cut" promises to explore new territory in Sound System music by focusing on quality releases by some of the worlds talented producers.
NC001 introduces a new project between Leo James (Ruckspin, Author, Submotion Orchestra) and Ed Gooden (Quark).
"Speak Back" the A side is very reminiscent of early "Rhythm and Sound" featuringShanee Pink on vocals.
The B side ventures into a more sound system style Steppas affair featuring moody guitar by Ed Gooden.
To finish off this debut release Egoless, one of Croatia's finest exports completely flips the A side with a lively remix.
Future releases by Navy Cut will feature music by J.Sparrow, Author, RWild and guests.

Over the last few years, Jimmy Billingham has delivered all manner of intergalactic explorations under the HOLOVR alias, releasing via such labels as Opal Tapes, Firecracker and Further. Now he brings his unique brand of semi-improvised, melody-driven bliss to Happy Skull for the first their first release of 2017.

HOLOVR productions variously echo the timeless feel of vintage ambient, 90's intelligent techno and mind-altering electronica, whilst remaining a truly unique proposition. This mixture of influences, ideas and sounds can be heard across the two tracks that make up HAPSKL012.

A-side "Melody 4 Your Mind" is a pure endorphin rush: a densely textured pulp of deep space chords, pitched vocal samples and fractured, post electro rhythms. On the flip you'll find the more forthright "You Belong 2", an undulating, constantly mutating epic that alternates between glacial, otherworldly beauty and psychedelic intensity. This is emotive, melancholic music for bleak times.

Based in California, Banana Stand Sound has been wrecking expectations and setting forth new musical streams consistently for two years now. Its discography is a diverse display of tribal stompers, melodic groove spectacles and everything in between, which excites the label's unarguably exquisite taste. Over the years they've gained steady advocacy from institutions such as FatKidOnFire and TRUSIK among others, as well as by a long list of highly esteemed DJ's and producers from the likes of J:Kenzo, Benga, Compa, Skream and Joe Nice. Undoubtedly true to their promise of delivering bass, the fifth instalment of their series is another stellar foray into uncharted territory of musical expression. Residing in the realms of global bass music, the imprint has released music originating from USA, Canada, Japan and lastly UK. As the catalogue number dictates, the record is featuring five producers, all aligned in their sense for pushing musical boundaries. The resulting lunacy deserves to be heard by connoisseurs around the world.

Wilkinson smashes down the barriers of Drum'n'Bass with 'Hypnotic', fusing the genre he grew up listening to with pop sensibilities that appeal to a global audience, whilst experimenting with different tempos and genres. Always keen to champion new rising talent, Wilkinson has teamed up with some of dance music's rising stars including Shannon Saunders, Matt Wills and Karen Harding and established talent in the form of Wretch 32. Hailed as one of the brightest stars in dance music, 'Hypnotic' follows Wilkinson's debut album Lazers Not Included.

LP price is due to it being a 4 piece vinyl in slip case box. limited to 1000 copies

The fourth release on Bjarki and Johnny Chrome Silver's bbbbbb Records, comes hot on the heels of the first. Two and three are limited run, vinyl only, hand stamped releases to be sought out from your local dealer.
Bjarki returns as Cucumb45 with the 5-track EP 'Something Weirdcore'. On the surface there are elements of jungle, breakbeat, techno and rave, but to say this spans genres would be an understatement - it defies them.
The title track instantly commands attention with breaks samples offset against indecipherable robotic groans and melancholic chords, but a sudden change of drum pattern shows this is more than a reprieve of known territory - it's a voyage away from the limits of tempo and genre.
This theme is explored throughout the EP by way of unnerving stripped back techno (Akureyri), electro with subtle inflections of dancehall (Comatack) and even a big beat/dub influenced jam (Music for Advertising). As Cucumb45 plays with genres as we know them, so he does with the emotional resonance of the release. Frequently switching from euphoric to anxious, each track is a testament to his incredible attention to detail. Simply put, this is music for those who hate to be labelled.

Foreboding title, foreboding sounds. Berlin's redoubtable Oliver Deutschmann joins the Hotflush roster with "In The Moment of Death We Have No Regret'. 3 club-ready weapons, one blissed-out ambient cut. Do we really need to describe them in flowery prose No. Just listen and play. Loud.

Who Whom is a new label from Paul Rose. The artists are various, the sound particular.
The first 12' comprises tracks by Isaac Reuben, Bleak, Markus Suckut and Antonio Ruscito, and is titled 'Curse of Sherwood'.

After three years punctuated by dodgy, European football streams and failing equipment, Bandshell's back In his public skin...

Rudeness from the A Colourful Storm camp by Mark - a new name to us but he sounds like a veteran of the game. Two chopped d'n'b steppas reminiscent of Goldie and Source Direct's finest work, surfacing and dissolving between tones and fissures which remind us of Bee Mask or OPN's darkest moments. Peerless productions miles ahead of the current jungle / breakbeat revival. Featured in label head Moopie's mix on Dommune this year.

French producer Moresounds makes a welcome return to Cosmic Bridge five years after his debut. The Paris-based dub scientist was one of the first artist Om Unit picked for the label and the co-sign helped launch his career, which has since included contributions to Astrophonica, Doc Scott's 31 Records, and remixes for Machinedrum as well as a growing touring schedule that saw him take his unique live show to Asia and America in 2016. Mutation Experts catches Moresounds in a more experimental vibe with four cuts that play with the rhythmic potentials of jungle in a different style. Ting N Tings sets the mood with rolling breaks in a sea of soothing pads, subtle loops, vocal samples, and recurring sound effects anchored by deep bass to create a subtle, implied tension. Mutation Experts makes use of a catchy melody to take the listener along and once again the mood is one of subtle changes and blissful exploration, a junglist daydream. Ruff Times is the darker of the tracks on offer, a creeping roller wrapped around a two-note melody and drenched in dub, a hypnotic descent down a rabbit hole. The EP closes with Positive Yourself a mellow, downtempo production that plays with African motifs and samples for a gentle return to reality. Mutation Experts offers a perfect example of how Moresounds combines the rhythmic appeal of jungle with the transformative potential of dub, sidestepping obvious signifiers to play with possibilities. Mutation Experts invites you to take a different trip with Moresounds as your guide

Deus Record's TV Baby remix package drops six varying yet cohesive reworking of the New York duo. To shed new light on three of the band's tracks, the label has craftily pieced together an international cast of electronic artists capable of reinterpreting the psychedelic and free jazz influences of the project for the dance floor. The resultant reworks give the tracks solid functionality while staying faithful to the
band's influences and standing firmly within the label's ethos.
On first drop Secret Circuit's penchant for melodic, euphoric sounds meets Free Tech head on, the LA producer's trippy, driving remix focuses on fine-tuning and blending the more musical elements and vocals, with kaleidoscopic results.
Former band mate and Rub n Tug's very own Tom of England turns the package on its head and drops a mechanical, Balearic meets Punk take on Wild Joy. Turning things off the beaten dance floor trail, the mix is as blissful as it is claustrophobic.
Trus'me is an artist who knows a thing or two about the collaborative aspect of the remix, he is also a man whose continually evolving creative process make his remixes so unpredictable and vital. Currently exploring spaced out dance floor dynamics, the experienced Manchester producer puts a Detroit spin on Klerin Priest, turning in a slice of broken electro funk with a distinct UK flavour.London-based Ivan Smagghe has long been a proponent of industrial sleaze and brings his vast experience to bear on his chugging, restrained, 'Crossed' remix of Klerin Priest. The Frenchman's 'Ghetto' mix is even more reduced and touches on the now resurgent minimal sound.
With musical cycles once again aligning towards a more stripped back, tripped out approach, both mixes tap into the essence of Smagghe's undeniable, electro-leaning influence on the darker dance floors of today.All four producers twisted, experimental and driving effort's ensure that all of TV Baby's musical ethos is explored across six varied and divergent tracks.