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Karen O & Danger Mouse - Lux Prima

Karen O&Danger Mouse

Lux Prima

12inch4050538446296
19.03.2019

Icons Karen O and Danger Mouse unveil their debut recording as a duo, 'Lux Prima,' today—listen here. The song, out today on BMG, is the first to be released from a forthcoming joint album.

'Lux Prima is the first song we wrote for the record,' says O. 'After making music for the past twenty years and embarking on making this record with Danger Mouse I knew a couple things: one was that the spirit of collaboration between us was going to be a pure one, and two was that the more I live the less is clear to me. When you create from a blurry place you can go places further than you've ever been. I think we both were excited to go far out.'

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Last In: 7 years ago
Kevin Morby - Harlem River Dub (Peaking Lights Remix)

Limited edition 12" featuring 2 extended Harlem River Dub remixes by Aaron Coyes / Peaking Lights with art by Robbie Simon. Digital includes an extended version of the original track. Edition of 1,000 on black vinyl.

'I wanted to do something to honor the title track off of my debut album, Harlem River, turning five years old this year. Its been very good to me over the past half decade as well as a staple in my live show. I've asked Aaron Coyes from Peaking Lights to breath some new life into it and give it a remix and I'm very happy with the results. This December I will be performing an hour long version of the song featuring many special guests. I wrote the song to be about new explorations, and it continues to give me—year after year—just that.' - Kevin Morby

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Last In: 6 years ago
Orphan Ann - The Practice Of Surrender

Orphan Ann

The Practice Of Surrender

12inchMOLOTON009LP
Moloton
04.02.2019

For Moloton's ninth outing, they're welcoming Orphan Ann with their debut LP 'The Practice of Surrender'.

The duo, consisting of DIY veteran Anja Enerud (Masskultur collective) and Sofia Al Rammal Sturdza (SARS, Född Död) burst onto the scene with their pitch-black take on synth music, combining sharp, penetrating vocal chants with atonal drones and haunting drum machine patterns. Orphan Ann has previously released their music on the Danish label Posh Isolation, where they contributed with four tracks to the 'You And Me Now' cassette compilation. They have been performing their live show at various stages around the world, including MUTEK in Mexico City and Norbergfestival in Sweden.

'The Practice of Surrender' consists of nine tracks, all recorded, produced and mixed by the duo themselves in their studio collective Tropiska Föreningen in Stockholm. It is indubitably a proof of a healthy Stockholm scene, where both Moloton and Orphan Ann are leading the way, pushing the Swedish experimental sound forward with a glare.

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Wesqk Coast - S.T.A.S.H.

Wesqk Coast

S.T.A.S.H.

CassetteOOH-011
OOH-sounds
25.01.2019

In the search for new sound grammars, Wesqk Coast proposes a linguistic approach to music in which sounds are words, signs. As for a neo-language, informality, contamination, deviations and its gradual normalization trace the dynamics of control and re-absorption of expressive forms.

'S.T.A.S.H. ...well, there is no actual meaning behind the title's acronym, I am interested in its cryptographic potential.. like language, music works through a combination of minor units, capable of unpacking an endless world of meanings...'

When asked to give some thoughts about his work, the reply was a slew of stock images and short quotes: text analytics, psychometrics, data storms, predictive technologies, ethics of psychological profiling... S.T.A.S.H. is revealed through rapid suggestions and music hybrids in which overload of inputs and frenetic absorption re- elaborate into a true personal stylistic mash - today's media.

The digital ambient vocal pads and sparse rythmics of 'Generation' open to implode into the Bertoia-style metallic tones of splendid 'Tek', anticipating an album that developes as a continuum. Title track 'S.T.A.S.H.' starts from augmented computer game scenarios to collide, in second half, with extra-fast triggered rattling drums - everything reminds of Piteous Gate. Named after the infamous italian politics sex scandal, 'Ruby Gates' resonates with its thorny inspiration through a Twin Peaks sample-based sloppy melody and vocal interventions. The dream-like lullaby of 'Aicha' tests a different syntactic palette to break the tension and introduce the ancient-futurist voices and nervous rythmics of 'Cane Rabbioso'. Melancholic and post-modern 'Estate Nera' slowly builds up like ambient and dismantles into a futuristic dub - word up.




[D] a4. Ruby Gate [Twin Peaks Edit]

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Xiu Xiu - Girl With Basket Of Fruit

Xiu Xiu's new album called "Girl with Basket of Fruit" is coming out via Altin Village & Mine in Europe. "Girl with Basket of Fruit" is imbued with the agitation, tension, sorrow and anger that has permeated the daily lives of so many over the last few years. It was produced by Xiu Xiu's Angela Seo and Greg Saunier of Deerhoof. Xiu Xiu is Thor Harris, Jordan Geiger, Angela Seo, and Jamie »Butch Jenny« Stewart.

It could be handfuls of reds It could be turning Caravaggio's Boy with Basket of Fruit to face the wall It could be a commission by the Guggenheim entitled Deforms the Unborn It could be the demon Vetis, whose friends call Him The Life Promiser It could be that in 1918 a pregnant Mary Turner was hung upside down from a tree by a lynch mob while they cut out her fetus & that this could happen today, as it did then, without consequences for whitey It could be handfuls of natural pearls It could be collaborations with master Haitian drummers It could be doing the wrong thing together forever It could be long lists of how The Devil's acts towards children before, during & after their possession It could be short lists of produce, insects & imagined blues musicians It could be handfuls of an insane 9 year old's feces smushed on the lunch table It could be a psychedelic Chicago house song about a pig & about your parents It could be your dad's new husband gave you his boyhood viola It could be a collaboration with master Yoruba drummers It could be handfuls of cactus spines & a poison dart It could be your sister has cancer & they keep chopping parts of her body off It could be a conscripted arco bass piece that was a dedication to Turkish feminists It could be Jack Smith has a film called Normal Love It could be scisssssssors, air conditioner tubes, glasses of ice & seashells It could be handfuls of hot pink Make Noise 1/8th inch audio cables It could be that Nature is making it clear to us that we deserve it and that we are making it clear to Her that we are ready, ready to go It could be a short novel called The Rhythm Section Talked about Drugs, The Horn Players Talked about Ass & The Strings Talked about Money It could be improvised vocals by Elliot Reed & orchestrated vocals by Eugene Robinson It could be that European religious paintings of male martyrs depict them surrounded by chubby, adoring angels, everyone's tearful mothers & converted sex workers dutifully sponging out their holy & shallow wounds It could be that European religious paintings of female martyrs depict them with their nipples being torn off, throats branded & their naked torsos flayed while they are totally alone aside from the men torturing them It could be handfuls of Diamanda Galás & Roy Orbison action figures It could be that despite the confusion of this life, people who can still truthfully call themselves human try to push through 2019's collecting horror It could be slowed down & fuzzed out field recordings of disappearing frogs It could be flat purple & black or glossy black & purple It could be mescal in a bottle & baby on a boob, hair dyed blonde for nobody, nobody move It could be handfuls of that you just have to stop being a wuss & deal with it It could be...

Recorded by Butch Jenny Stewart at Nurse Additional recording by Tara Jane O'Neil Mixed by John Congleton at Elmwood West Mastered by Lawrence English at Negative Space Produced by Angela Seo and Greg Saunier

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Andreas Usenbenz & Christoph Lammers - Drawing In Sound

Drawing In Sound is a live improvisation, created by sound artist Andreas Usenbenz and illustrator Christoph Lammers for the exhibition opening of "Wiese" ("meadow") by artist and curator Andreas Pytlik at Städtische Galerie Rosenheim in the spring of 2018.

Prior to the performance, the artists exchanged ideas, drawings and sound improvisations to find a way of approaching the topic of 'meadow' in the context of contemporary drawing and contemplative soundscapes. During the performance, illustrator and sound artist entered a dialogue: Usenbenz created subtle sound textures and phonographic collages of rustling hay, records, guitar sounds, field recordings, tapes and effect devices.

Lammers opened all senses to both space and sound. Reacting intuitively, focussing on the moment and with great physical effort he composed his images, formed structures from lines and shapes. Using charcoal, ink, brushes and his bare hands, he filled the 7 by 4 metre canvas, vigorously at times, then almost delicately, providing stimuli in turn picked up by Usenbenz. Ultimately, this "conversation" between the two artists gave rise to a different interpretation: Everything grows of its own accord.

Played and improvised by Andreas Usenbenz, using objects, lo-fi microphones, contact microphones, field recordings, guitar, ebow, looper, ipad, dictaphone, cassettes, tape loops, op 1, field kit. Drawn and performed on a 7 x 4 m canvas by Christoph Lammers, using different objects, ink, charcoal, brushes and his bare hands. Recorded live at Städtische Galerie Rosenheim. Additional sounds recorded and edited at home.

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Frans de Waard / Peter Johan Nÿland / Richard Youngs - Onder/Stroom

'Zonder Stroom', meaning 'sans electricity', was a short-lived program curated by Extrapool with performances that were completely without electricity (no amplification, no lights, no fridge) and one bleak and damp winter's afternoon we drank coffee and decided to use all the electricity there was, recording any keyboards, synthesizers and electronics they could lay their hands on. Then they tried to make sense of that day. This album features mixes and remixes of one joyful and intensely creative session.

Richard Youngs has been involved with music for most of his life. He discovered the power of the art form by thumping the family piano as an angry 5 year old. In the intervening 45+ years he has attempted to harness the same experimental, naive, playful power in his recordings and live performances. He has performed floor spots at Hertfordshire folk clubs, and worked with members of the Royal Conservatoire of Scotland. He has recorded a modern pop album ('Beyond the Valley of Ultrahits'), and a score for the BBC SSO ('Past Fragments of Distant Confrontation'). He was commissioned to write music for the art film 'The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott', and his music has appeared in the 2013 feature film 'Drinking Buddies'. He is the drum machinist of the Flexibles, singer of AMOR. He is classically trained in piano and guitar, but musically he grew up in the shadow cast by punk rock. Adopting guerrilla recording techniques, the independent D.I.Y. ethic is at his core.

Frans de Waard has been producing music since 1984 (Kapotte Muziek, Beequeen, Goem, Zebra, Freiband, Shifts, Modelbau, etc.). In 1984 he started his own record label Korm Plastics, releasing music from Arcane Device, Asmus Tietchens, Jim O'Rourke among others. He has worked for the pioneering Dutch tape label Staalplaat (1992-2003) and since 1986 as a reviewer for his own publication Vital (now Vital Weekly), a magazine which has been an online source for underground music since 1995, and which celebrated its 1000th issue in 2015. In 2016 Timeless published in France his first book, an autobiography of life in Staalplaat titled This Is Supposed To Be A Record Label. His interests in music creation ranges from ambient to noise to what he describes as 'silly disco music'. He has played concerts in Europe, USA, Canada, Russia and Japan, and collaborated with Steven Wilson, Jaap Blonk, Andrew Liles, Radboud Mens, Keiji Haino, Pan Sonic and others.

Peter Johan Nÿland is best known for his work with intensive synth duo Distel, avant-garde leviathan Hadewych and melancholic ambient project Norn. Other ventures include collaborations with the likes of Dead Neanderthals and Trepaneringsritualen. Next to these involvements he does the odd audio engineering job and until recently worked as a composer for television documentaries and other media. Early exposure to synthesiser experimentation, combined with the plethora of percussion sounds found in metal school fences and hypnotising phase-shifting pencil-tapping on desks removed his ability to just take sounds for granted. Keep your kids away from said objects, lest they turn out the same.

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Jasss - Weightless

Jasss

Weightless

2x12inchIDEAL160
Ideal Recordings
07.09.2018

Jasss makes her head and body-turning album debut with Weightless, an absorbingly stark and spiky set of industro-dub concerns riddled with heavy inspiration from African rhythms, jazz and concrète electronics. After a trio of acclaimed 12's for Berlin's Mannequin and Amir Alexander's Annunaki Cartel since 2016, iDEAL now give Jasss room to consolidate and expand her grizzled dancefloor structures to a full length episode that brutally dovetails with Joachim Nordwall and co's unforgiving but compelling take on contemporary noise and industrial musics.
Very much an antecedent of Spanish industrialists such as Diseño Corbusier, Xeerox / Krishna Goineau, or Mecanica Popular/Randomize, Jasss firmly builds on that heritage with a uniquely pensive balance of percussive suss, synthetic bite and reverberating spatial dynamics that makes her music heavy-as-sin and deliciously deft with it, patently forgoing Industrial music's angry guy glare in favour of far more feminine and latinate pressure systems.
She does so with an aching, puckered patience in the opener, Every Single Fish In The Pond, escalating from a lone cymbal motif and location recordings to a pulsating darkroom boldness by the end of an incendiary scene-setter, before really getting her fangs in with the clenched but driving EBM torque of Oral Couture, recalling a spiked Toresch or CTI hovering at the darkroom's entrance.
From here on in a dream sequence of events take place, morphing from febrile, hash-induced triplet pirouettes in Danza thru the martial free jazz/industrial cut-up of Cotton For Lunch, to a definitive apex of sprung, stepping cybergoth in Weightless, with a pause for Alberich-like reflection on Theo Goes Away, but the voodoo rises once again with the druggy swagger of Instantaneous Transmission of Information, and her stoic, blunt-edged mauler, To Eat With Dirty Hands.
It's rare to hear industrial music done with such variation and individual distinction as Weightless, making it shine in a field so often associated with greyscale and monotone signatures..

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Matthijs Kouw & Radboud Mens - 2
 
2

In February 2017 Moving Furniture Records released "1", the first LP by Radboud Mens and Matthijs Kouw. The album consists of two long drone tracks that make you forget music is a time-based art. Music that immerses you in a warm bath of frequencies that are evolving slowly around you, revealing you all sides and details of a sonic sculpture.

With this second release, which is simply titled "2", Mens and Kouw continue their exploration of long-form drone. By using precisely tuned analogue synthesis, Mens and Kouw create a rich tapestry of drones and slowly changing environments. To the careless listener, nothing much seems to happen. However, an attentive ear will reveal a rich variety of resonances and sonic artefacts. Starting as a deep and warm drone music both pieces gradually develop into a collage of textures and frequencies that are carefully moving in and out of the drone. This record is the second of a two-part album that was recorded live in the studio in December 2014, released in an edition of 300 LPs that are packaged in reversed sleeves and are provided with a digital download.

Matthijs Kouw is a sound artist exploring the relation between movement and stasis. Using a wide variety of source material that includes field recordings, amplified objects, software synthesis, and analog synthesis, Matthijs has worked on music for theatre, dance, and film, as well as sound installations. He has released music via various outlets, including IO Sound, erstwhile tape-label Grel and Moving Furniture Records. Matthijs lives in Utrecht (Netherlands), where he is slowly working on a new solo work.

Radboud Mens is a sound-artist, composer and sound designer who is working with sound since 1982. He started creating noise-machines in 1988. In the early 90's he attached contact-microphones to dog's brushes that he used to destroy vinyl records by scratch-playing them, boosting the signal through broken cassette- decks and recording the results. Currently, like for example for his album Cycle (2015), he builds his own acoustic instruments and sound-installations. These instruments and installations are played live through a computer for real-time processing and then recorded. The recordings are used in new compositions. Radboud Mens has worked with a broad variety of sound artists and composers, including Stephan Mathieu, Janek Schaefer and Timeblind, voice-artist Jaap Blonk, guitarist Dan Armstrong (as Fitness Landscape), Michel Banabila, Mark Poysden (as Alignment), Craig Ward (ex-Deus), and Matthijs Kouw. His music has been released by Staalplaat, Mutek_Rec, AudioNL, ERS, Bake Records, Noise Museum, Takashi Mobile, Tapu Records and Touch. In live situations he collaborated with video-artists such as Marco Douma, Remco Schuurbiers, Bas van Koolwijk and Jpech.

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Pondskater - Balance

Pondskater

Balance

12inchHR005
Hauch
18.01.2019

Debut album by Düsseldorf based electronic music producer Pondskater aka Axel Ganz.

Experimental Music. Music with experiments. From the mind for the gut. Your gut gets affected a lot during the 38 minutes of this remarkable album. Restlessness is evoked. It is disturbing with its cold energy and its unfolding abstract sound layers. These compositions evoke questions: Has balance been lost and should be re-established Or is it all about finding the right way of balance for a very first time Is there any fruitless kind of balance, that should be undone Which price is to pay, which effort to make defending balance against those unsteady forces that threaten it

The eight tracks of the album give answers to these questions. They all are created with an obstinacy, that has yet been typical for Pondskater's earlier projects. "Balance" is an excentric and wilful orbiter inside the Düsseldorf electronic galaxy. Pondskakter's tunes are puristic, cold and surprisingly little hesitant to make references to Düsseldorf pioneers Kraftwerk and abandon them at the next moment. The most startling moments of the record, however, are both its humour and melancholy that radiate through all the pieces. Pondskater has managed to create an extraordinary coherence of both.

"Balance" has a strange sparkle around it, seeding an impression that lasts after repeated listening: It is the fascinating sparkle of an ice-blue coloured piece of jigsaw against the larger background of contemporary electronic music.

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Praed - Doomsday Survival Kit

Praed

Doomsday Survival Kit

12inchAKULP1011
AKUPHONE
25.01.2019
  • A1: Doomsday Survival Kit
  • B1: El Khawaga
  • B2: The Spy Who Spoke Too Much

LP DELUXE EDITION includes: Pink vinyl / Poster / Redeem code, Ltd to 300 copies, LP includes redeem code / Ltd to 700 copies - PRAED's fourth album. This is the ultimate kit to prepare calmly for the sixth extinction! The Lebanese duo delivers a raging interpretation of the chaabi - popular Arabic music - using synthesizers, drum Machines, samples and other devices. The result is hypnotic and psychedelic, on the verge of trance. The clarinet of Paed Conca and the soaring lyricism of Raed Yassin sound like distant calls for help emerging from a world that is falling apart and slipping away. The record itself is enhanced by its sleeve - designed by the Lebanese artist Raphaëlle Macaron - printed in 5 Pantone colors making it as explosive as the music.

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Praed - Doomsday Survival Kit Deluxe Edition (Pink Vinyl)
  • A1: Doomsday Survival Kit
  • B1: El Khawaga
  • B2: The Spy Who Spoke Too Much

LP DELUXE EDITION includes: Pink vinyl / Poster / Redeem code, Ltd to 300 copies, LP includes redeem code / Ltd to 700 copies - PRAED's fourth album. This is the ultimate kit to prepare calmly for the sixth extinction! The Lebanese duo delivers a raging interpretation of the chaabi - popular Arabic music - using synthesizers, drum Machines, samples and other devices. The result is hypnotic and psychedelic, on the verge of trance. The clarinet of Paed Conca and the soaring lyricism of Raed Yassin sound like distant calls for help emerging from a world that is falling apart and slipping away. The record itself is enhanced by its sleeve - designed by the Lebanese artist Raphaëlle Macaron - printed in 5 Pantone colors making it as explosive as the music.

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2000 - Crisis / Raindance

2000

Crisis / Raindance

10inchGW003
Get Wet
09.08.2016

Two Thousand has always been the official symbol of the future. Two Thousand has been told, represented, drawn and played centuries before the year Two Thousand.
And now it's past."I don't wanna get rid of this: all the changes you're making now, will simply belong to Two Thousand. We belong to Two Thousand". White Label 10" w/ unknown edits that dig heavily into jazz samples but they go beyond, creating sonic impro jams including menacing low pitched arpeggios, celestial breaks of synths and far away lights of a black continent pulsating under the crisp mastering work.
Included is a nice printed poster with artwork from 2000 himself.

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Carlos Peron - Dirty Songs

Dark Entries is honored to release a 4-track EP by Swiss musician Carlos Perón, founding member of Yello. Carlos was born in 1952 in Zurich and began collecting music at a young age. Inspired after attending a concert of Karlheinz Stockhausen in the 1960s, he began to compose Musique Concrete pieces using a 4-track reel to reel and found sounds. In 1979 Perón founded the trio Yello with musician Boris Blank and vocalist Dieter Meier. Yello released their first album in 1980 and the following year Carlos released his first solo album 'Impersonator'. In 1983 Carlos left Yello in order to pursue a solo career and released the soundtrack to Die Schwarze Spinne" and 1984 his second solo album Nothing Is True, Everything Is Permitted'. In 1988, Belgian label LD Records released a 4-song EP of instrumental tracks from 1984 that predated, influenced and became staples in the New Beat scene.

Dirty Songs' is a collection of songs from Carlos Perón recorded between 1980 and 1986. The recordings were made with the core set up of an ARP 2600, Roland's Drumatix, TB-303 and TR-808. Nothing Is True, Everything Is Permitted (Instrumental)' recorded in 1984 is a slow burner with dark, gloomy atmospherics, presented here in an extended version with a bonus intro. The song was inspired by William S. Borroughs' Naked Lunch' and paints a bleak futuristic landscape. Breaking In (Instrumental)', from 1984, is a crossover of electronic body music and pitched down Chicago acid house featuring overplayed snares by hand though an Ovomaltine Box. Originally featured on the soundtrack for Die Schwarze Spinne', the song is about breaking into a large pharmaceutical company to steal drugs. On the B-side is A Dirty Song (Instrumental)', originally recorded in 1986 and released by Play It Again Sam in 1988. The song uses one of the earliest Roland SH synthesizers, the SH-1 A, as a solo instrument and is strikingly aggressive with percussive rhythms. Et' was recorded in 1980 on a 4-track and later and remixed to 8-tracks in 1984 for the Frigorex' EP, which is where this extended version comes from. Featuring eerie, cut up vocals and Dadaist lyrics by Isa Nogara atop a proto-Techno beat.


All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket features a never before seen black and white photo of Carlos taken in 1988. Each album includes an double-­sided postcard featuring the cover art from the Frigorex' EP. Prepare to make your own movie to the Swiss John Carpenter soundtrack vibes of Carlos Perón.

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Last In: 7 years ago
Ethimm - When In Dark

Ethimm's second EP When in dark delivers the groups signature tension music with moods oscillating between suicidal heartbreak and conciliatory optimism. In the opening track Why (a cover of the Rhythm and Sound classic), producer Elisabeth Thimm sets the stage for guest singer Veronique to mourn love's loss, while Brian Gimmel's improvised piano licks hold strong agains the songs relentless bassline. The follow-up track Late features Lexx's dreamy lyrics gracing a subtle dance foor tune for spaced-out souls. The B side opens with Ethimm's love for dub. Next is a freaked-out meditation on what has been and will be, while the fnal track Done slowly creeps towards its peak, refecting on dark days where light may have not been much in sight, but going forward sees optimism, increased resolution, and drive.

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Hexagon - Counter Utopia

Hexagon

Counter Utopia

12inchSHIP046
ShipWrec
12.05.2017

Boris Bunnik dons his Hexagon scuba gear before diving into electronic abstraction and aquatic electricity. Counter Utopia brings together three works of machine textures. "Cerebral Trauma" is submerged in a simmering liquor of smelted metal, molten melodies bubbling to the surface as ball bearings fizz and rattle. Industrial experimentation undercuts the entire EP. Soulful chords are stretched, contracted and contorted against the clean percussion lines of "Utopia." Machines echo in the finale. Gears groan against a backdrop of soaring synths and pulsations in the depths of "Paranormal."

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Jason Kolar - Modified Perspectives

There is a hidden place between science and magic. A secret playground where brainwaves rejoice and wander around. And, guess what, Modified Perspectives is all you need to reach it..

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Modifier - Haptic Ep

Modifier

Haptic Ep

12inchHS007
High Sheen
21.08.2014

The Modifier duo release their debut EP for High Sheen via New Zealand and Glasgow. It's 3 tracks of summer serenity and deep electronic music that is as varied as it is distinctive.

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Rushmore - Ours After

Rushmore

Ours After

12inchTCLPOA
Trax Couture
03.08.2016

On a trip to Tokyo, steeped in thoughts about a world driven by fear, scaremongering and supremacy ever present, there was a need and desire for Rushmore to explore his own internal hope, faith and positivity - themes that lie at the core of debut album, 'Ours After'.

The LP's backbone is informed by his past musings of 90s/00s rap albums, fused with the more recent club stylings of innovative music pioneers like Spinn, Rashad (RIP) & Teklife.

At 13 tracks long, the album is a journey - and a chance for Rushmore to re-imagine the music he'd been gifted before, to become 'Ours After'.

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Chase & Status - Delete / Big Man Skank

Chase & Status release their next two-track bundle from the RETRUN II JUNGLE project, featuring dancehall legends Burro Banton and Mr. Vegas.

RETURN II JUNGLE IS cultural movement - inspired by British music and fashion of the golden years of Jungle music from the mid-late 90's. The sound, project and accompanying documentary and installation, will draw on Jungle music whilst also transporting it into the present day, and re-vamping the genre for the modern day music fan. 'We will be representing DnB at it's most soulful, raw, and uncut level' (Will Kennard)

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Cucina Povera - Zoom

Zoom is a verité collection of situational recordings made by Cucina Povera - aka Finnish-born, Glasgow-based sound artist Maria Rossi - in intimate spaces full of acoustic or ideological intrigue, primarily using a capella voice. It is a document of different locations and moods that interested the recorder, a postcard look into the stream-of-consciousness processes of an artist developing her own language. Using little else other than a Tascam Zoom recorder and loop pedal these are highly personal recordings originally intended as notes for future compositions that ended up becoming the purest rendition of this first phase of Cucina Povera's music to date.

Originally presented as WAV files named simply ZOOM---, these on-the-fly compositions are a perfect distillation of Rossi's practice. With no augmentation, not even a song-title, these bare, beautiful tracks become a materialist document of the wonder of the every-day. While Rossi's previous album, Hilja, was a sculpted whole that at times used post-production techniques and electronic instruments, Zoom presents acoustic sound as a source of joy and discovery largely without artifice. Rossi's voice is used a searchlight, shining into the crevices of a room's dark corners, or as on ZOOM0005, projected into a Coke bottle aperature, for an almost Shakutchi texture. Voice's meaning dissapates into texture, with rhythms created by simple hissing sounds and the interweaving of loops. ZOOM0001 interlocks 4 different a capella melodies to create a chorus, an improvised solo hymn that seems to rise and rise. ZOOM0010 uses staccato vocal bursts, like Meridith Monk huffing out Steve Reich rhythms, while the soloing Rossi expertly ducks in and out of the frame. Like the most celestial moments of her debut Hilja it is a religious experience but rendered more powerful in its naked form.

Indeed, there are shades of Hilja in the sounds, with some strains resurfacing from that album, insinuating that Rossi's practise is a continuing form, a series of sentences in the artists' personal language that mutate over form, bending into new shapes. On Zoom, Rossi's minimalism is fully stark, a process fully transparent and all the more celestially powerful because of it.

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Denis Wise - Wize Music

Perhaps one of the most unique and unlikely exponents of the highly collectible genres of ambient electronics, experimental tape-music and PINA (Private Issue New Age), this English-born Jamaican- raised sound designer, artist and existentialist furrowed his own unblinkered path through lesser chartered electronic fields for many moons before eventually teaming up with Bill Laswell (with Material) and Daevid Allen in New York to bring self-taught synthesis to Gong during their most oblique periods.

Creating two impossibly rare self-pressed vinyl LPs of conceptual inner-visionary outer-galactic angular tonal-dronal alien-art soundscapes in the process, the man known under figure shifting guises such as Dennis Wise/Denis Weise/Dr. Wise etc, combined a culture of sound system circuitry and radiophonic trickery adding Tea-pot poetry and sci-fidelity future- folk to his magnetic mesh.

Presented here as the first ever dedicated Wize Music collection this record combines compositions spanning 1979-1984 in both a solo capacity as well as small- group projects featuring members of the Emerald Web band.

Imagine a comic book where a Funkenstein monster called 'Laraaji-Scratch Perry' invaded your record shelf while Komendarek and Holger Czukay kept lookout... Dr. Dennis might be the only one Wise enough to outsmart all of them with his powerful amorphous anaesthetic.

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Last In: 6 years ago
Uninc & Kolomensky - Pagan Rave EP

Uninc&Kolomensky

Pagan Rave EP

12inchIDA007
IDA
11.01.2019

IDA007 is a vinyl release entitled 'Pagan Rave EP' by label's co-founders Uninc & Kolomensky coming up from the emerging Moscow scene.

Title track opens EP with breakbeat groove, flute solos and slavic vocals combined with progressive and acid lines to deliver unexpected mix of pagan folk music and rave rhythms.

'Ancient Tool' is another original track on the A-side with tribe vocal samples combined with acid and punchy rhythm section filled up with bongos to create a dancefloor oriented DJ tool with ancient flavor.

On the remix duties at the B-side are Ransom Note's craftsman Timothy Clerkin with slow atmospheric and meditative version of 'Pagan Rave' and quickly emerging Olsvangèr from Tel-Aviv who delivers weird oriental progressive club banger made up from the 'Ancient Tool'. Overall there is an 12'' saturated with different vibes neatly crafted and mixed together for a wide range of feelings for the listener and tools for the DJ.

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Last In: 6 years ago
2K4S x NDSOMEWARE - E2E01

2K4S X Ndsomeware

E2E01

12inchE2E01
end2end
29.01.2019

Welcome to a time of global sousvelliance and psychophysical burnout _
Welcome to an inconsistent present that calls for schizophrenic rhythms and mutable harmonies _
Welcome to a future that doesn't need you anymore _
Welcome to your world _
Welcome to End2End _

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Fifty Foot Hose - Bad Trips

Electro-Psych Origins! Nobody went full-on electro-rock before Fifty Foot Hose. Before their brief-but-groundbreaking run in the late '60s, Bad Trips collects the demos, outtakes, and other rarities that complete the story of a band too far ahead of its time to last. From the pre-Hose tracks of boldly atonal, proto-psychedelic freakout music to early versions of songs that would land on their opus, Bad Trips boldy displays how Fifty Foot Hose changed the landscape of rock and experimental electronic music.

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Jack Pattern - Subliminale Materiale EP

Subliminale Materiale is the 5th installation on Lustpoderosa. Kind of a split EP. The A side with two remixes and two original jams of Jack Pattern on the B side. With this release we want to point out the remixes on the A side. Both done by Lustpoderosas favourite producers and DJs: Sneaker aka Dunkeltier (Uncanny Valley, Rat Life, Frigio) and Kris Baha (Power Station, Pinkman Cocktail D`Amore) . We guess you know and love them as much as we do.

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Last In: 7 years ago
Jimi Tenor - Still Got A Way To Fall

On own imprint Jimi Tenor releases a 4 track 7" for Kati Juurus' film Cinema Dadaab. While in the field of Jazz-Funk it has a pinch of avant garde, and more than a little touch & texture of the Middl East. Resembling stady late 60 jazz, but melodically travelling towards psychedelica and most of all eastern tonalities it's a combination of traditional, crafted and compact story telling.

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L±R - The Rambler EP - The Rambler EP

...it must affect the brain in some way, unless it's just the music that does it All them lights flashing don't do you any good either...

Recorded in Curve Pusher's former Hackney premises over a series of sessions during 2016-2017, L-R is the name for the sounds that have emerged from the collaboration of friends Simon Lynch (London Modular Alliance), Monoak (Freerotation) and Radioactive Man. Oscillating modular sequences from the units Simon brought to sessions, multi-MPC powered beat programming, and TB 303 patterns being fed to a MiniMoog is the backbone of this record, some of the last sessions at Curvepusher studio, London, before its move to Hastings. Where we get the best out of these three singular producers.

Asking for Trouble is Keith Tenniswood (Radioactive Man's) record label - established in 2017 to home his solo and collaborative studio work.

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Neon Electronics - Mondriaan EP

ORACULO RECORDS is proud to be again the selected label for another very awaited album advance. In this case, NEON ELECTRONICS 'Apollo', to be released in early 2019. Leadered by Dirk Da Davo (Ex The Neon Judgement), NEON ELECTRONICS plays on the bounds or krautdarkrock and minimalistic ebm pushing the audience to a lysergic trip. This EP includes as well an amazing live version of TNJ super classic 'TV Treated' recorded in 2018. It will be presented on 12 EP format and produced in a ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. All tracks have been specially mastered and remastered for LONG CUT vinyl by Eric Van Wonterghem.

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Last In: 7 years ago
Sleep D - U+zone / Centro

First of the year on Butter Sessions sees label heads Sleep D return with their first solo EP since 2017. Two unclassifiable, deep and euphoric bangers come out of the woods with elements of techno, idm and bass music.

Opening up the record we have 'U+Zone' a sweet and heart warming electro-cosmic force that takes inspiration from the deep ocean and the stark, spacious landscape of outback Australia.

Emerging on the flip, 'Centro' turns the mood to the darker side with it's eerie chords and choir harmonies, held together with a monstrous drum and bass rytm designed for the freaks and geeks out there.

Pressed at 45rpm for extra fatness.

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Sydney Valette - Space And Time EP

Sydney Valette has earned a solid reputation among post-punk scene of Paris. 'Space and Time' is a sample of his very upcoming new album. Minimal synthetic maneuvers combined with sharp guitars for a perfect modern dark sound, probably his best studio work to date. It arrives presented on 12 EP format and produced in a ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid WHITE vinyl. All tracks have been specially remastered for LONG CUT vinyl by Eric Van Wonterghem.

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Last In: 7 years ago
The Sarcasm Ensemble - Through All Windows I See Only Infinity

For our fourth release we are glad to introduce The Sarcasm Ensemble with  'Through All Windows I SeeOnly Infinity" - an 8-track aural excursion into the depths of anxiety and back.

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Zola Jesus - Conatus

Zola Jesus

Conatus

12inchSBR62LPC1
Sacred Bones Records
01.02.2019
  • A1: Swords
  • A2: Avalanche
  • A3: Vessel
  • A4: Hikikomori
  • A5: Ixode
  • A6: Seekir
  • B1: In Your Nature
  • B2: Lick The Palm Of The Burning Handshake
  • B3: Shivers
  • B4: Skin
  • B5: Collapse

In the last three years Nika Roza Danilova has gone from being an outsider, experimental, teenage noise-maker to a fully-fledged, internationally-celebrated, electronic-pop musician. It was a huge accomplishment, and, despite her age (young), her origins (mid-western, desolate), her accelerated scholastic achievements (high school and college were each completed in three years) and her diminutive physical size (4'11', 90 lbs), she has triumphed. She has emerged as a figurehead— a self-produced, self-designed, self-taught independent woman. Zola Jesus is not a singer, she is a musician. Zola Jesus is not a band, it is a solo project. That is not to say the people who have helped her along the way were not deeply important. Her irreplaceable live band (whose drummer Nick Johnson lends a hand on several tracks here) and her friend Brian Foote (who co-produced this album), in addition to the live string players who contribute here (Sean McCann, Ryan York), were all crucial in the process. Still, Nika is a woman who can command a room—any room—without needing a band, a stage, or even a microphone. Her voice is unmistakable; it cuts right to the core. Conatus is a huge leap forward in production, instrumentation and song structure. The definition of the title says it all: the will to keep on, to move forward. From thumping ballads to electronic glitch, no sound goes unexplored on her new record. It is an icy exploration in refined chaos and controlled madness, an effort to break through capability and access a sonic world that crumbles.

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Captain Over - No One Ever Really Flies

Next up on the ever-eclectic XVI Records, a shadowy figure steps into the spotlight: enter the mysterious Captain Over, whose dark yet soulful bruk-infused tracks soundtrack the next stage of their voyage towards the sun. For his debut outing, Captain Over calls on the abstract vocal stylings of the legendary Trim (Roll Deep, 1800 Dinosaur) on opening track 'SICK'.

Showcasing why he's one of the most iconic and forward-thinking MC's to grace the mic, Trim's dulcet tones twist through a jungle of shuffled beats and subterranean sub-bass, an eerie child-like melody drifting overhead.

Clack Clack and No One Ever Really Flies inhabit a more dancefloor friendly space, their unique syncopation, fierce instrumentation and relentless energy open up the dancefloor for some real get loose moments.

On the remix, they hand the controls over to XVI homestay Books (following on from the success of his previous 'Feel It In My Bones' and 'High Praise Edits Vol 1' releases which won praise from the likes of The Black Madonna, Moodymann, Gilles Peterson and Seven Davis Jr) Books expertly crafts a cosmic footwork jam, full of his trademark soulful chords and eerie midnight saxophone licks.

As he prepares to launch his forthcoming EP 'No-One Every Really Flies' into the cosmos ; Captain Over is beginning to cement his place as one to watch in the UK underground - a sequel EP featuring grime upstart Nico Lindsay is scheduled for release later in the year, with several more collaborative works in progress.
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Last In: 7 years ago
Dego & Kaidi - A So We Gwarn

Dego&Kaidi

A So We Gwarn

2x12inchSS067/68
Sound Signature
16.01.2019

Here's something to set the pulse racing: a collaborative debut album (on Sound Signature, no less) from London broken beat veterans Dego and Kaidi Tatham. As with their previous joint releases on 2000 Black, Rush Hour, Eglo and, of course, Sound Signature, it's the duo's love of rich, jazz-fuelled musicality, sun-kissed melodies and loose, languid rhythms that shines through. There are naturally nods towards disco, boogie, jazz-funk, Afrobeat, hip-hop and classic "bruk", with a stellar cast list of guest musicians and vocalists swinging by to lend a hand. If Herbie Hancock decamped to Ladbroke Grove and made an album with Bugz In The Attic, it would probably sound like this. In our book, that's a very good thing indeed.

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Fifty Foot Hose - Cauldron

1967 Electro-Psych Opus! An electronic rock band wasn't even an idea when Fifty Foot Hose released their landmark debut album at the end of 1967. Their fusion of psychedelia and electronics resulted in a truly trailblazing sound. Cauldron stands as a signal achievement that laid the groundwork for genres that didn't even exist when it was released. Pressed on colored vinyl and featuring a zine-style insert with liners by FFH electronics mastermind Cork Marcheschi!

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Last In: 7 years ago
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