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Sarathy Korwar - Day To Day Remixes

Sarathy Korwar veröffentlicht eine 12" mit ausgewählten Remixen seines im Juli erschienenen Debütalbums "Day To Day" auf Ninja Tune x Steve Reid Foundation! Hochgelobt von Größen der Szene wie Four Tet, Giles Peterson, J. Swinscoe (Cinematic Orchestra) und Kamasi Washington, veröffentlichte Sarathy Korwar sein außergewöhnliches Debütalbum "Day To Day" im Juli 2016. Nun erscheint eine Remix 12" auf Ninja Tune x Steve Reid Foundation inklusive herausragenden Remixen von Tenderlonious (22a / Yoruba Records / Sounds Of The Universe), Photay (Astronautico) und Emanative (Brownswood).

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Camila Fuchs - Singing From Fixed Rung

Camila Fuchs (meaning fox in German) are the London based experimental electronic duo of Camila de Laborde and Daniel Hermann-Collini (from Mexico and Munich respectively). After pursuing solo endeavours in various projects both Camila and Daniel left their native countries and gravitated towards London due to its vibrant and eclectic attitudes to different cultures and the arts.Meeting whilst studying at Goldsmiths University through a shared belief in the combined importance of aesthetics and music to bridge borders, they began working on music together. Starting as a predominantly laptop based project, the duo soon discovered a love for analogue and modular equipment that saw them deviate from their known track, it would prove to be a decision that founded the notion of 'Singing From Fixed Rung'.
Focusing on pooling their collective thoughts and influences they placed equal onus on both the sonics and aesthetics. Taking inspiration from Oskar Schlemmer's Bauhaus style, they utilise it's rejection of gender stereotypes to subvert the roles of traditional electronic duos and androgynise the production and performance process, to place focus back on to the emotional enjoyment of music. Choosing to wear translucent morph suits and bald caps makes them appear almost naked in front of the audience and allows them to take advantage of the power inherent in fashion to adopt characters inside the music and use it to convey an emotional message in response to their surroundings.
The duo have been gaining notoriety with impressive live performances at ATP festival and Mutek Mexico. The latter of which subsequently led the pair to a South American project called 'A Musica Da Gente' ('Music of the People') where they taught electronic music to school children in favelas in Sao Paulo, Brazil, which led them to writing the opening track 'Striking Doubt'. "The experience was beautiful" reveals de Laborde, "it was completely new for both of us. A place filled with so much joy and at the same time fighting for hope." When it comes to musical influences both de Laborde (vocals and keyboard) and Collini (synthersizer and drums) are self described sponges, taking inspiration from a smorgasbord of genres. Collini brings expertise from an experimental techno and Krautrock scene in his native Germany that provides the foundations for the duos own stylistic ideas. Also pulling from the likes of Aphex Twin, Oneohtrix Point Never, The Knife and Kraftwerk, with the mournful, tender delivery of Camila de Laborde's uniquely introverted and esoteric lyricism takes its cues from the likes of Lhasa de Sela and other South American singer/songwriters.One of the undercurrent themes of the album stems from this cross pollination of cultures that is at the very heart of Camila Fuchs existence. Living in a post-Brexit Britain, the rise of Trump across the pond and the persecution of citizens in de Laborde's native Mexico, 'Singing From Fixed Rung' is an emotional and thought-provoking response to world events from the perspective of a pair made to feel increasingly on the outside looking in. We live in London and we're both from abroad. We enjoy a multi-cultural and pluralistic society full of heritage and influences, it has filled us with sadness that these values have become less attractive over the course of the album's production. Our way of living as young people roaming freely without borders is seriously and increasingly being questioned. This vibe of cultural living, based on tolerance and open-mindedness, still intact but slowly fading away.' explains de Laborde.It is this fragility and trying to explore the beauty in it that informs most of the album's lyrical themes and soundscapes. At times their music is delicate and others chaotic and maintains a feel of a cinematic soundtrack to a story unfolding. It's always easier not to show your feelings these days, especially when it comes to being fragile and uncertain. At the same time it's important to still believe in beauty but not in a superficial sense of a world trying to hide away its problems through hedonistic pleasure but trying to find the beauty in everything no matter how dark.' reveals Camila.The album title 'Singing From Fixed Rung' is a symbolic choice, describing a position that the duo find themselves in reflecting their outlook on current events and a desire to reach to common goal. It also describes the significance of the EU spanning collaboration of artists and labels, The Lumen Lake (an artist run label from London), Schamoni Musik and SVS Records (Munich) that helped make this release possible confirms Daniel. A ladder is held together by rungs - bridges which help it fulfil its purpose. Camila felt that the songs sound as though she is stood somewhere singing out."

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Malcolm Pointon - Electromuse LP

...the Symbiosis piece by Malcolm Pointon was very interesting and is the kind of use synthesizers should be put to. Synthesizers should explore new sounds rather than imitate conventional ones... Practical Electronics Magazine c.1975

Malcolm Pointon was born in 1940, Stoke on Trent. He spent his life and career in tape, synthesizer and keys, academia, sound, music and machine. Here, for the first time, Public Information and Ian Helliwell present the rarely heard works of Malcolm Pointon. With permission given by Malcolm's widow Barbara, Helliwell has compiled an LP of material taken from master tapes of home-recorded, never released electronic material.

Following a period at the BBC, Malcolm joined Homerton College, Cambridge, in 1969 and it was here where he would discover his electronic-muse. Inspired by Stockhausen and the surge of avant-garde tape music, Malcolm began to build compositions at home using a 4-waveband radio and multi-speed tape recorder. His first piece using these techniques is the skittering Radiophonie' which opens this LP.

After mastering tape-music, Malcolm began reading, and eventually contributing to, Practical Electronics magazine (edited by our own F.C. Judd no-less). He and engineer cohort Doug Shaw entered an electronic music construction challenge' in 1973 - and so a battery powered, stylus activated self-build synthesizer was presented to the dedicated circuit heads of Practical Electronics. The Minisonic was born.

Many of the pieces on here were produced using the Minisonic, including the staggeringly heavy centerpiece of this album Symbiosis' - replete with Malcolm's own introduction. Elsewhere, Pointon takes us down pummeling arpeggiated rhythms ( Sonata Elletronica), mind-melting-inside-beehive tape pieces ( Poreira', Boogie'), freaked-out concrète trips ( Trojan Woman' Then Wakes the Ice') and shimmering noise works like the beautiful, Study 2'.

Malcolm Pointon would be cruelly diagnosed with Alzheimer's at the age of 51. He became unable to operate his studio and so his rare gift to electronic music was gone, until now. Public Information and curator Ian Helliwell are incredibly proud to share Malcolm's music with you. We will be sending all profits of this release to the Alzheimer's Society, helping to support people with dementia and their carers on their long journey, right here and now.

Mastered by Rashad Becker at Dubplates and Mastering

2016 - 2017 will also witness a series of electronic music events raising money for the Alzheimer's Society. Memory Dance. Look out on social media for more news forthcoming.

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Nicola Ratti - Pressure Loss

Nicola Ratti holds a rich history in the world of experimental and minimalist composition, having released music under his own name on labels such as Kning Disk, Anticipate, Preservation, Holidays, and Senufo Editions and in recent times concentrating his energy into his collaborative project 'Bellows', work which has seen the light thanks to Entr'acte Records and most recently Boomkat Editions. His latest solo work 'Pressure Loss' finds Ratti at a potential turning point in his musical career, exploring rhythm and tonality with a new vigour, in a way which embraces the fluid and consistently evolving modern world of electronic music, yet still references a history of electronics, limiting his sound palette to work only using the Serge and ARP Modular Synthesizer.

Bass, rhythm and melody, those basic ingredients of musical composition, are always present throughout the 8 compositions Ratti presents here, although it is almost like this balance was only briefly explained to someone who had never heard a conventional music piece before and was then left alone to improvise with the recipe with deep curiosity. A devastating pulse runs throughout, acting as a basin for a world of strange syncopated rhythms caught amid sonar blips, ghostly serrated hi-hats and dripping stalactites. The fluttering melodies that creep around the compositions' edges sound like a tentative and childlike version of grime's simple but visceral paranoid hooks.

There is in fact very little that is conventional about Ratti's music. There is pace and pulse but only the most oblivious or bloody minded dancer could keep moving to it. While Nicola's sonic vision occasionally encroaches on territory reminiscent of Pierre Schaeffer jamming over a old Hype Williams cd-r, there is a trove of isolatory emotion, brooding tension and even playful intent to be gleaned from the enveloping tones of 'Pressure Loss'. Ratti has here created an absorbing world of rhythmic idiosyncrasies, otherworldly tonal experiments, minimalist moments of beauty, and understated environments of menace and suspense.


Ratti says of the record - 'Pressure Loss was recorded at Worm's studio in Rotterdam during October 2014, where the creative and compositional process took place via a very limited palette of sounds and elements. The aim was to achieve a complex rhythmic ensemble whilst limiting myself to 8 low frequency oscillators through 8 modular filters patched together with few variations. This album freezes a moment within Ratti's musical research of the rhythmic possibilities achievable by using the fundamental and not complex elements of modular synthesizer systems'.

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Phase90 - Infinitati 2x12

Phase90

Infinitati 2x12

2x12inchPHASEONELP
Echospace
28.10.2015

We are proud to announce the double LP edition of echospace's phase90 project, lovingly remastered by Bazza (Abbey Road Studios/Thom Yorke) @ Alchemy Mastering, London. Features unreleased new material and beautiful silk screened metallic sleeves and art direction from the very talented Lindsay Todd of Firecracker Recordings & House Of Traps. The entire album was bounced down to 1/4" analog tape prior to remastering to preserve the integrity of the masters. This project was deeply inspired by the possessive quality of supernatural textures, field recordings and found sounds conducted at the Calvary Cemetery. There's something quite haunting in the underlying tone of these recordings, an ominous feeling not for the fainthearted. "Illuminati" celebrates the progression of the soul, a concept which stems from metempsychosis. The material on this album can be interpreted as sinistral--dark,, heavy due to the hardware and its currencies emitted by its source--the phase 90. An acidic dream of transliminality, this is the first Phase90 project to materialize in its essence, until now.

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Reinhold Friedl - John Cage: Complete Song Books
 
52

" ..., to consider the Song Books as a work of art is nearly impossible. Who would dare It resembles a brothel, doesn't it" John Cage.

Volume 3 in the PERIHEL series on KARLRECORDS is dedicated to one of the most iconic composers of 20th century: JOHN CAGE. All 92 pieces of the "Song Books" in stunning interpretations by REINHOLD FRIEDL, recorded at RASHAD BECKER's Clunk Studio who also contributed live electronics.

JOHN CAGE (1912-1992) is one of the most important composers in modern music: with more than 250 compositions, many of which are considered key works of New Music, and theoretical essays on composition he significantly changed the way we think about and perceive music today. But CAGE not only left a major impact in the academic world, he is also cited as an important inspiration by a wide range of diverse musicians from a younger generation, be it electronic producers, experimentalists or noise artists. His "Song Books", published 1970 in threevolumes, is a collection of open works that contains not only songs but a strange hybrid collection of compositions, graphic scores, meditation rules, experimental settings, absurd musical instructions, performance settings, musical references, and Fluxus-inspired actions such as eating fruits or drinking cognac (CAGE loved whiskey and cognac) ...,

When REINHOLD FRIEDL (director of the ensemble ZEITKRATZER) entered the CLUNK Studio to record the whole cycle with RASHAD BECKER (who handled the feedback cabinet and live electronics), the idea was quite simple: to approach each single piece in an informal way but to do all 92 pieces in the right order. What came out in the end is a kaleidoscopic lecture and interpretation of the compositions with the help of a strange mixture of ancient and modern tools: new electronics, old and special microphones, self-built instruments, arbitrary garbage sounds, sophisticated live-electronics devices, quotes ..., "Complete Song Books" turns out to be an early hymn for sonic freedom, a sonic promenade full of beautiful references.

All music composed by John Cage

Constructed by Reinhold Friedl

Performed by

Reinhold Friedl: voice, toys, wooden games, metal objects, complex objects, microphones, garbage, ...,

Rashad Becker: feedback cabinet, live electronics

Mastered & cut at D&M, Berlin

Artwork by Lillevan





















































[ZZA] 53. Solo for Voice #53
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[ZZZN] 92. Solo for Voice #92

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The Swan And The Lake - Moments

The SwanandThe Lake

Moments

12inchZZZV16007
Music for Dreams
24.10.2016

Danish label Music For Dreams releases another winner with the debut album from Danish artist Emil Breum aka The Swan And The Lake. "Moments" showcases Breum's talent for creating exquisite and sensitive soundscapes whose timeless atmosphere echoes contemporary classical composers as well as some of the more New Age-minded artists of the Berlin School. Although mostly known as a spiritual movement, New Age also spawned a musical ideology that lives on past the clutches of cults and communes: a purity in sound, and a longing for music to reflect the sounds of nature. "Moments" captures this essence perfectly, its compositions seeming to suspend time and prolong a sense of clarity, like staring out over a beautiful landscape at sunset - both a sobering and healing experience.
Opening both sides of the album are collaborations with guitarist Anders Brandt who provides a beautiful groove alongside Breum's motionless ambient states and "Dive" has become an established favorite in many DJs' sunset playlists in Ibiza this summer. Also included is Moonboots' (of Manchester's Aficionado) pick "Moments of Lost Swans", a gorgeous modern Balearic track full of melodic marimbas. Another highlight is the string-based "Bright Lights" which plays out in in three parts - an electronic intro glides into Breum's moody piano chords and finally drops into an emotional string ending that feels like a cross between Michael Nyman and Nils Frahm. The New Age upbeat feel of "Waiting For Spring" gives it the air of a forgotten Cafe Del Mar classic - emotive keys, reverbs, marimbas, pianos make a memorable and unique track.
Breum also supplies the photo for the front cover of the album, an image borne of his desire to capture special moments of day and night, just as he has done with the mesmerising musical landscapes on this stunning debut. Limited vinyl edition.

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Dead Light - Dead Light

Dead Light

Dead Light

12inchVGLP14
Village Green
21.10.2016

Anna Rose Carter und Ed Hamilton aka Dead Light präsentieren auf ihrem selbstbetitelten Debütalbum auf Village Green vollkommen entschleunigte Klanglandschaften aus Klassik, Ambient, Pop und Electro-Acoustic, aufgenommen mit zum Teil Vintage-Instrumenten wie alten russischen Mikrofonen, selbstgebastelten Synthesizern oder das präparierte Klavier des Großvaters. Ihr Album ist musikalischer Ausdruck ihres Umzuges aus der Londoner Metropole aufs Land samt Konsequenzen wie Veränderung, Verlust und neuen Anfängen.

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Delroy Edwards - Hangin' At The Beach

Delroy Edwards has come a long way. 2012 marked his Introduction into the world of Dance Music via Ron Morelli's Imprint LIES. After offering up essential dance floor singles like '4 Club Use Only' and 'Heart and Soul' Edwards' established himself as a producer with a unique touch and style. With a growing desire to control his own output and make a more significant statement, Delroy set off to start his own imprint, L.A. CLUB RESOURCE.
.
Creatively directing his own imprint became a platform for him and over the course of two years L.A.C.R. created one of the most palpable musical experiences in the field. The label released music in a range of styles from a span of generations, the only constant was the high output and stellar art direction. Many releases produced by the label head himself, Delroy's production were lauded for their piercing simplicity, grace and attitude.

In his first LP for the label, Edwards' has arranged a sincerely personal moment. The 30-track effort marks a special moment in his growth blending current interests in punk and electronics into an outsider narrative like no other. From Devo to J Dilla the influences across the record are subtle but respectful. Regardless of influence, Hanging at the Beach feels unequivocally new. Experiencing the LP for the first time speaks to the Californian
experience in its full range. Certain moments call to the beaches of Monterey while others speak to the sleeze that lines Hollywood Blvd. Edwards doesn't distance himself from the production style that has defined him and the label, but this effort is a long
playing collection, a directed, new moment for the
prolific producer.

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Hybrid - Drive Club

Driveclub has sold over 2million copies on the PS4 and for the first time the critically acclaimed soundtrack (inc Driveclub Bikes OST) is available on limited edition vinyl. It features an original score by Hybrid who fuse their trademark bass & electronics with epic cinematic orchestral stylings. Remixes come from luminaries across the electronica, techno and drum n' bass worlds including DJ Shadow, Clark, Noisia, Photek & Machinedrum.

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Last In: 7 years ago
Space Dimension Controller - Orange Melamine (2lp+mp3)

Der irische Produzent und DJ Space Dimension Controller - bekannt von Veröffentlichungen auf R&S, Clone oder Royal Oak - veröffentlicht Ende Juli sein Albumprojekt "Orange Melamine" auf Ninja Tune. Darauf enthalten sind Produktionen, die er 2008 im Alter von gerade 18 Jahren in seinem Schlafzimmer in Belfast bastelte. Knackig, zerstreut und angenehm merkwürdig - "Orange Melamine" ist ein mit viel Liebe produziertes und sehr persönliches Album, das übernatürliche Sounds und durchscheinende Synthies mit einem Gefühl von überquellender Harmonie verwebt. Das Album bezieht seine Inspiration aus alten VHS-Tapes, die er von seinen Brüdern und Cousins bekam, sowie von Künstlern wie Boards Of Canada, Brian Eno oder William Basinski. Das Album ist außerdem reich an Audio- und Filmreferenzen aus Sci-Fi Filmen und Animationen aus den 80er und 90er Jahren. Die Palette reicht von Streifen wie The Guyver, Short Circuit, The Gobots und Ghostbusters bis hin zu The Fifth Element, Escape From New York oder den Power Rangers.

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Tolouse Low Trax - Decade Vol.1/3

Tolouse Low Trax

Decade Vol.1/3

12inchATN030-01
Antinote
20.10.2016

Kreidler's Detlef Weinrich digs back into his solo archives and furnishes the excellent Antinote Records with a series worth of unreleased jams. BIG TIP! You can trail away with it. It is easy to enter, but hard to drop out. Tolouse Low Trax just needs an MPC, a small Synthesizer set up and some effects to create subliminal hypnotic music trips, driven by dark synthlines and drunken shuffled patterns. The primitiveness in my music is linked to something simple, and that don't have to be obligatory minimal. For me it is enough to dance rough around the core. Music you don't shape till the end contains of a moment of beauty. A veil of secrecy. I work very simply. I rather reduce my possibilities in ompass. Limitations offer lots of liberties.' He reveals about his work ethic. Even if his music sounds darker then any ever experienced night, he mostly produces it in the morning in his highly inspirational studio home. During the dark times of the day Tolouse Low Trax mostly performs live around the globe. Or hangs out in his second home: the Salon Des Amateurs club bar in Dusseldorf, which he once founded and where he held until today two weekly DJ residencies. The moments and atmospheres he inhales during these lightless moments are mirrored in his shadowy music, about which he also confesses: My art is more a cinematic, literally idea of a large to explore Megacity. This is one of the pictures I would link to my music.' On ' part one he now offers five sounding visions about that Megacity'. They listen to mysterious names like Hidden Flat' or Studies in Drama'. They are nervous. They have ephemeral pieces of dub, Industrial, wave or Italian library music. And at times strangealienated voice samples dance within his highly addictive arrangements. Words can't express their magic. But one thing is fore sure: his hypnotic dance-not-dance tracks do not only illuminate so-called freaks!

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Wanda Group - Central Heating

Wanda Group

Central Heating

12inchOPAL075
Opal Tapes
04.07.2016

The second Wanda Group LP on Opal Tapes sees camouflage alter from the greyscale negative sludge of the earlier Piss Fell Out... LP into a dramatic and more dynamic sound-world. Field recording, stochastic process and tape drag combine with Wanda Groups wit and reflectivity on the banal and the life changing aspects of the everyday and the process of the body ...moments recurring multiple times or bookending others to form oblique poetic sentences. The results function like a particularly cryptic, labyrinthine mini-mixtape... Johnstone's relationship to the current crop of noise-techno fusionists is only passing, mostly this is an album of weightless moments: delicate washes of electrical hum, amplified grit in the wires, burbling synth clusters and stringently buried melodics. What's remarkable is the pathos that Johnstone wrings from these most microscopic of sonic phenomena.â - Angus Finlayson / Resident Advisor

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36 - The Infinity Room

After years admiring the work of 36 here on ASIP, we are pleased to announce his new concept album, titled 'The Infinity Room'.
Inspired by his home and studio, Dennis Huddleston aka 36 set out to create an album born from endless possibility. Restricting himself to a limited sound palette, he focused on exploring his own private infinity, allowing even the smallest tangents to develop in a musical multi-verse of limitless potential.
"What is just one room (my studio) becomes many rooms when working on music," Dennis explains. "From this single point, countless possibilities exist and this is where the concept for 'The Infinity Room' takes root. It's the thrill of taking a small idea from an ocean of possibilities, and watching it grow into something far grander.""From the very first track, I made a conscious decision to restrict myself to a limited sound palette," he adds. "Each track used the same core sounds, but evolves and mutates them in subtle ways, as well as being the direct inspiration for the track that came after."That intent is clear, with each track a different shade of what came before. Thoughtful tones with a warm, vintage brightness, develop into extended love stories and romantic journeys, speaking to the cinematic influence of pioneers like Tangerine Dream, Vangelis, Brad Fiedel, Charles Bernstein and John Carpenter.
"They were masters of creating vivid dream worlds, all of whom created the soundtracks to many of my favourite films," he admits. "In more recent times, I've grown to deeply admire producers like OPN, Disasterpeace, Boards of Canada and Sinoia Caves, and they've reinvigorated my love for 70's and 80's era electronic film music."It all gives 'The Infinity Room' the subtle, shifting repetition that has long been a 36 hallmark; each track an ever-evolving reflection, a catalyst, another step into the inestimable.
"I just love those driving melodies that dig deep into your head and let the repetition take control, mutating and shifting on a macro level, so you only discover how much it's changed by the very end," Huddleston smiles. "I think that's what the core of my sound was always about really and it's why each track on this album uses melody as the primary focus, with the keys taking control, and the track evolving with them. Repetition... The sound of infinity."36 has been a prolific figure in the modern ambient scene for close to a decade. Beginning with his debut and highly praised album 'Hypersona', Dennis Huddleston has been sharing his own emotive blend of electronic music through his own platforms, as well as labels such as Ultimae Records, Mystic & Quantum, and ICASEA. He also runs his own label 3six Recordings, which he describes as a love affair with the vinyl format.

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Masayoshi Fujita & Guy Andrews - Needle Six
 
1

The 27-minute piece 'Needle Six' is a BBC recording of an
improvised session between Masayoshi Fujita and Guy
Andrews that took place at the prestigious Maida Vale
Studios on October 26, 2015. Recorded as part of BBC Radio
3's Late Junction the performance continues the show's tradition
of introducing two musicians on stage for the first time and
documenting the unpredictable and compelling sounds, which
unfold. Following on from Masa's label colleague Nils Frahm,
who also improvised with Ghostpoet on a previous session,
both Masayoshi and Guy were encouraged to abandon their
usual respective preparations and adopt a totally new approach.
On the subject of expectations and preparations Guy explains:
"I was pretty excited, but equally had feelings of being out of
my depth. Despite it being amazing, I actually tried to not listen
to Masa's music too much until a day before, as I knew I'd
potentially end up over-analysing it and not putting my own
style on the session. Having very little music theory knowledge
under my belt, and being known for doing things by ear, meant
being matched with a classically trained musician was
reasonably daunting. I decided to only prepare by making some
field recordings in the week before, and trying not to think about
it too much."
Masayoshi expands, saying: "basically I am not an improv guy.
I do improvise with certain other musicians but we usually have
some rough plan. This time was different, so I just tried not to
think too much and see how it goes. I think it made sense that
I only played acoustic and Guy played electronic stuff. It made
our approach more simple and clear. I think both sounds
complimented each other very well."
Masayoshi Fujita, the Berlin-based Japanese vibraphone
player, came to the attention of Erased Tapes founder Robert
Raths a few years ago. Not only because the vibraphone is an
intriguing instrument, but also the way Masayoshi treats his
instrument and draws ethereal and layered sounds, is what truly
attracted him to Masayoshi's work.
His new LP 'Apologues' saw Masayoshi for the first time use an
array of instruments besides his lead instrument - such as the
violin, cello, flute, clarinet, French horn, accordion, piano and
snare drum played by friends, but arranged by Masayoshi
himself. Guy andrews is a London based producer who is best known for creating textural electronic music which combines an array of influences from post rock, techno and ambient to afro to afro-beat inspired genres. Guy has since released on a number of acclaimed labels such as Hot Flush and Pennyroyal, scored for the acclaimed photographer Nadav Kander, as well as collaborated with
Massive Attack's Robert Del Naja for a remix of his well
respected 'Battle Box' series. On March 4th 2016 Guy released
his debut album 'Our Spaces' on Houndstooth.
'Needle Six' will be released by Erased Tapes in collaboration
with Houndstooth on April 16 - exclusively for Record Store
Day 2016.

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Nacho Patrol - Panter 777

Nacho Patrol

Panter 777

12inchMRX030
Minimal Rome
30.09.2016

Legowelt, as Nacho Patrol, is back on MinimalRome with the single Panter 777, already included in the limited edition tape of his LP The Maze of Violence, produced in 2008. The track is an explosion of wahwah funk riffs and juicy analog synthesizers and it comes on the B side with a powerful acid remix by Jared Wilson from Motor City. Don't miss it, it's on MRX - Patiendum Est limited series.

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Romare - Love Songs: Part Two (2lp+mp3)

Mitte November 2016 wird bei Ninja Tune Romares langerwartetes zweites Album "Love Songs: Part Two" erscheinen. "Love Songs: Part Two" entwickelt und erweitert die lässige Brillanz seines Debütalbums "Projections". Es war die Art von gefeiertem Album, die einen weniger talentierten Künstlers ins Straucheln gebracht hätte. Vom DJ Mag zum "Album des Jahres" gewählt, erhielt es begeisterte Kritiken auf der ganzen Linie. Es wurde von Größen wie Bonobo, Four Tet und Annie Mac unterstützt und etablierte Fairhurst als Produzenten, den man gesehen haben muss. Es scheint, als nehme er diesen Druck recht gelassen hin. "Love Songs: Part Two" zeigt eine Erweiterung, Entwicklung und Vertiefung seiner Techniken. Obwohl Sampling von Vinyl noch immer eine wichtige Rolle für ihn spielt, hat Fairhurst weitaus mehr Musik auf dieser Platte selbst eingespielt: von monophonen Synthesizern über den Rekorder seiner Großmutter und die Mandoline seines Vaters, bis zum E-Bass sowie einer Vielzahl von Gitarren und Keyboards, die ebenfalls zentrale Rollen einnehmen.

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Jtc - S/t

Jtc

S/t

2x12inchBOP06
Bopside US
04.07.2016

Following hot on the heels of Tadd Mullinix's 'Skein' - Bopside's second album release for 2016 comes from label owner Tadd Mullinix's dancefloor destroying nom de plume who needs little introduction: JTC An 8 track concise body of work perfectly calibrated for DJ use and home listening alike, where the beats hit hard and the melodies linger in your brain. The self-titled LP starts with 'Caskadia' - a call to arms for dancers with call and response synth lines and broken beats. 'Atmospheres Pt.2' takes things out into deep space, and 'Nexus Ship Core' is an acid drenched burner with glacial synths. 'Infoline' then makes it's first appearance in a remixed guise by Rephlex alumni Ed DMX, then closing out the album with its recognisable lead line in its original form. Things take a deeper turn with 'Dusselmorph' before the full on breakbeat assault of 'Blitz Puff (High Position Mix) takes things up a gear, then dropping you off safe and sound, though a little shaken with 'Atmospheres pt.5 (Hemi Mix).

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Wanexa - The Man From Colours

Gianluigi 'Gigi' Farina and Francesco Rago are to be counted among Italo disco's true originators. Operating as a duo under many monikers, they brought us masterpieces such as Wanexa's 'The Man From Colours', 'Lectric Workers' 'Robot Is Systematic', and Decadance's 'On And On'. Their sound is propulsive and ethereal in equal measure - dense, psychedelic, and tinged with melancholy.

'The Man From Colours' was recorded in Milan in 1982 and released on Discomagic Records the same year. The song's music was composed by Rago and Farina, with lyrics written by Xenia Monneret, who was only 16 at the time. Mournful synth pads are buoyed by an 808 groove, while Lyana Galis provides haunting vocals, singing of a man who will bring color to this grey world. 'The Man From Colours' was influential on early House and Techno music thanks to support from WBMX in Chicago and and WJLB in Detroit. It was later a cornerstone in the 90's Hague electro scene, frequently appearing in DJ sets by I-F and Intergalactic Gary. On the B-side is the instrumental version with extended breaks, drum claps and additional vocoder verses. There is a slight warble in the beginning of each version that was due to the band re-recording multiple takes on the same reel of tape.

Both songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record comes housed in a newly designed die-cut jacket by Eloise Leigh, updating the pink and green color scheme of the original Discomagic Records label. Each copy includes a double-sided postcard insert with lyrics, notes, and a never seen before photo from a fashion show.





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Anthony Child - Electronic Recordings From Maui Jungle, Vol. 2

Anthony Child AKA Surgeon presents the second volume of recordings of Buchla Music Easel recorded in the jungle of Maui. Again we find Child's in a more ambient guise and setting as the calm breath of the jungle sets a real time back-drop for his electronic explorations. There is no additional layering and all environmental sounds simply 'occurred' throughout the improvisations. The range on display veers from melodic drones to sparkling arpeggios all revolving around a thick bed of (Buchla) electronic and (environmental) acoustic interplay. Nine Personality Type Map hovers on a bed of syncopated rhythms whilst the nearby sonic mist of the forest seeths in and out of the frame whilst Nightfall Of Diamonds provides a sonic analogy for the darkness and light contradiction that occurs only in such rich natural environments. The simultaneous acts of improvising, listening and creating provide a rich setting for the curious listener. Another gem in a catalogue filled with gold.

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Mn' Jam Experiment - Live With A Boom

The word innovative and groundbreaking is dished out a lot these days but in this project the facts speak for themselves. Mn'JAM experiment have turntables doing it all from atonal sounds to melodies, rhythms or even harmonies, visuals synchronized in real time with the music, electronics in conjunction with electric and acoustic instruments, live looping and even quirkiness, just to name a few. It's like being immersed in a live art experiment where conceptual laws give way to superb executions.

If you zoom in on the music, the multi-medium integration also occurs. You'll find a mix between empirical and rationally constructed elements, between acoustic, electric and electronic instruments, urban rhythms and traditional melodies, vocal loops and guitar solos, turntables and acoustic drums.

This experiment breaks away from just being another project that uses poetic and metaphorical delights to describe what they do and is literally a new platform in jazz.

Melissa Oliveira - voice JAM - visuals/turntables Virxilio da Silva - el. guitar Matt Adomeit - Bass Tuur Moens - Drums

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Débruit - Débruit & Istanbul

Recorded in Istanbul in July 2015 with a number of local visionary musicians, Debruit presents a synthetic and rhythmic journey inside the city's history and future. 'Debruit & Istanbul', his fourth album, is released through his own multidisciplinary label ICI.

During his 15 days in Istanbul, Debruit worked on an imaginative interpretation of the city carried by the megalopolis through its meanders. He collaborated with established artists, including leading fusion-jazz percussionist Okay Temiz, 70s Turkish-funk star Mustapha Özkent, gypsy master clarinettist Cüneyt Sepetçi, and rising and grass roots local musicians such as art-rock singer Gaye Su Akyol, Melike Sahin and Murat Ertel of BaBa ZuLa. The inspiration of sounds, rhythms, lights and tempo of the city at different moments in time have resulted in a melting pot of traditional, visionary, electric, psychedelic, futuristic, melodic and experimental music. Now set for release to the public, 'Debruit & Istanbul' is a new vision of the exciting and captivating city.

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Impey - Midnight In Little Havana

Having repeatedly proven himself to be one of the UK's most innovative rising producers, Impey returns with his debut EP, 'Midnight In Little Havana', on the critically acclaimed Astral Black imprint. The release follows his 'BangClap' single which comes off the back of two prolific years that have seen the 20 year old producer crafting soundscapes for viral campaigns for Converse, securing a residency on NTS, tearing up radio sets alongside the likes of Faze Miyake, and having the likes of Skepta, Trim, Capo Lee and Rocks FOE bless his instrumentals on sets from Slimzee, DJ Maximum, Kahn & Neek, Murlo and Plastician. 'Midnight In Little Havana' sees Impey serving up a diverse five track collection that showcase his versatile production skills drawing influence from Grime, Jersey club and Vangelis-esque synthscapes. The EP is as much for the dance floor as it is the after hours bus home. At its centre is long time crowd favourite 'Bleepz' which finally sees its official release, having been a go-to track exclusively for DJs such as Boofy & Hi5Ghost and Kromestar. The track is framed by 130bpm dance floor melters 'Pep Talk' and 'Pong Song' as well as showing Impey's more intricate side through its title track and 'Inner', both of which resemble Astral Black releases by the likes of Drae Da Skimask and Jaisu moreso than its club-focussed vinyl releases. 'Midnight In Little Havana' is presented visually with another stellar effort from Astral Black in-house designer Oscar Whale, the 12" being housed in a full colour sleeve depicting an illustration of Miami's Little Havana strip, as detailed & nuanced as Impey's productions. 'Midnight In Little Havana' is set for release on October 14th on 12" vinyl & digital via Astral Black.

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Folklore - Folktales 001

Folklore

Folktales 001

12inchFOLKTALES001
Folk Tales
13.10.2016

Gentlemen, this is a leap year, therefore it is a year and a day since our last annual meeting.' - The Hell Club, Glasgow.

Helena Hauff - Lovely stuff! Really like the first song, beautiful!

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Jesse Osborne Lanthier - As The Low Hanging Fruit

On his riveting debut for Rabit's Halcyon Veil, Jesse Osborne-Lanthier hacks club, classical and
avant-garde music in a visceral, time-warping car crash of styles perceived from a multitude of
angles with unflinchingly candid, cinematic sound design under the urgency of accelerationist
tendencies.
Wrenched into being just ahead of his rumoured Raster-Noton release and some months after
the obsolete technology salvage of C L S M with Grischa Lichtenberger, Osborne-Lanthier's latest
work is p'raps best described as a sui-generis, intemporal laceration of contemporary electronic
music, consolidating the memes of noise, grime, avant-classical, computer music in a scrolling,
vertiginous simulation of video game sound design violence, racial and cultural tensions, political instability, and the virality of social networks.
It's sensational stuff in the most bruising, breathlessly beat-em-up 1st player style, but executed with a clinical approach that practically sutures as quick as it cuts, as though operated by a
squadron of invasive nanobot drones programmed by Burroughs and Shane Carruth to decimate the present and let encrypted future codes bleed thru in the milliseconds of strobing space
between.
Unfortunately we're not up to AI speed yet, but, like Autechre, Osborne-Lanthier appears to be attuned to their level of cybernetic computation and emotion, conducting a symphony of pure physics encrypted in cultural and esoteric references between the mechanized slaughter of North Face Killah and the TCF-alike proprioceptive headf**k of Velocity, Bilocation, Pyrokinesis feat. Bataille Solaire, taking in the fragmented data bursts of Mi©rochipped and the strangely ancient-futurism of Weed Kit's hydraulic chronics, which feels to theoretically emulate the effect of THC on a cybernetic mind.
Seriously, if Elon Musk needs an artist in residence for his mission to Mars, send for Osborne-Lanthier.

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Jon Keliehor - The Beginning Of Time

We're extremely pleased here at Invisble Inc HQ to be releasing this amazing new album by veteran multi-instrumentalist and ethno-musicologist Jon Keliehor.
Originally from Seattle and musically active since the 1960s Jon started out playing drums and percussion in bands like The Daily Flash and Bodine all the while becoming known as a venerable session and touring musician in his own right. Not many people can claim to have played alongside Jim Morrison AND James Brown....but Jon certainly has.
Moving to London in the '70s where he lived until the mid '80s, Jon started composing music for theatre, drama and dance. During this time his own work veered toward the more experimental and it was during this period that two of his 'cult' library music albums saw the light of day (East Meets West on Bruton and Avantgarde on Studio G).
Returning to Seattle in the early '90s Jon joined Gamelan Pacifica where he developed his knowledge of Javanese and Balinese gamelan and for whom he became a primary composer of non-traditional pieces. In the late '90s Jon moved to Glasgow with world renowned percussionist (and his then partner) Signy Jacobsdottir and they both became staple members of Gamelan Naga Mas with whom they are still active today.

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Last In: 7 years ago
Marie Davidson - Adieux Au Dancefloor

Given the underground acclaim heaped on Marie Davidson's previous albums - ultra-stylish affairs that blend elements of minimal wave, dark Italo-disco, off-kilter electro and moody ambient - it's little surprise to see her popping up on Minimal Wave offshoot Cititrax. The album's nine tracks are largely sharp, rough and fuzzy, with sparse-but-dense drum machines rhythms underpinning bouncy, delay-laden synth lines, thrusting electronics and Davidson's sleazy, spoken word vocals. It's an attractive combination that guarantees thrills throughout, from the almost claustrophobic throb of "Denial", to the mutant electrofunk bounce of "Good Vibes".

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Last In: 13 days ago
Radian - Chimeric

Radian

Chimeric

12inchTHRILL224LP
Thrill Jockey
14.10.2016

Wiederveröffentlichung des Albums des Wiener Trios von 2009 auf Vinyl. Elektronisierter Rock mit Dubelementen. Laut und Leise, Post-Rock, Industrial, Dub, Noise und Electronic, Score und Experiment, entstanden durch komplizierte Prozesse im Studio und trotzdem klingend wie live eingespielt. Verwand mit Tortoise, Amon Tobin, Neubauten, Shellac oder Tim Hecker, aber trotzdem eigen.

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Sekuoia - Flac

Sekuoia

Flac

12inchHR045-1
HUMMING RECORDS
14.10.2016

Verträumte Soundlandschaften, atmosphärische Beats, aber auch direkte, cluborientierte Sounds für den Moment, wo die Euphorie einer Party alle trägt: Der 23jährige dänische Produzent Sekuoia kreiiert hypnotisierende elektronische Musik, die stets warm und organisch ist und veröffentlicht im Herbst diesen Jahres endlich seinen ersten Lanspieler "flac". Seine Heimatstadt Kopenhagen spielt für Sekuoia alias Patrick Bech-Madsen dabei eine durchaus wichtige Rolle: vor allem die starke House- und Technoszene inspiriert ihn immer wieder. Aber nicht nur diese. Für Kollaborationen hat sich Sekuoia mit der experimentellen Sängerin Kill J und Marc Roland des Poporchesters Kentaur vor allem um dänische Acts bemüht, die den Pop in seiner Musik hervorkitzeln. So wird aus "Lamp In The Dark" ein sinnlicher, vom R&B inspirierter Song, während "Brace" sich mit Roland am Gesang zum richtigen Ohrwurm entwickelt. Und wenn man von Patrick hört, dass zu den musikalischen Vorbildern Four Tet und Caribou zählen, kann man bei diesem Song durchaus auch noch Bonobo ergänzen. Aber auch die andere Seite des Spektrums wird von Sekuoia noch weiter erforscht - die cluborientiertere.

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The Seshen - Flames & Figures (coloured Lp + Mp3)

'Flames & Figures' is the second full-length album from The Seshen, whose forward-thinking sound combines synthesizers, drum machines, live percussion and entrancing harmonies for an unmistakable fusion of R&B, synth-pop and electronic music. The long player sees the band on the cusp of a new era, two years in the making, the album marks an evolution in The Seshen's unique sound.

Full of bright synth swells, infectious bass lines and thumping 808 beats, their music is a counterpoint to lead singer Lalin St. Juste's lyrical stream of consciousness, 'Flames & Figures' explores themes of femininity, power, illusion and loss as she draws on both her personal experiences and the world of her imagination.

The San Francisco Bay Area-based seven-piece are led by Lalin St. Juste and bassist/producer Akiyoshi Ehara. The duo is joined by five remarkable bandmates to create their multidimensional music: vocalist Kasha Rockland, drummer Chris Thalmann, keyboard/synth player Mahesh Rao, percussionist Mirza Kopelman, and sampler Kumar Butler. Through their much-talked-about live shows, and three releases to date (2012's self-released, eponymous debut LP, and the 'Unravel' and 'Unravel Remixes' EPs on Tru Thoughts), their distinctive music has gained support from the likes of Lauren Laverne, Steve Lamacq, Don Letts and Tom Ravenscroft (BBC 6Music), Jason Bentley (KCRW/NPR), OkayPlayer, Earmilk, The Line of Best Fit

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Dj Overdose - Techno Hop

Neon Finger rises. The new Go! Finger vinyl imprint, focused on synth-funk, boogie, hip hop, electro-funk and other freaky rythms, debuts with the new album by Dj Overdose "Techno Hop". Where the prolific artist from The Haghe exhibits eight new outstanding tracks filled with classy electro-funk and the freshest hip hop manners. A sublime, intense and astonising piece of music, remarkable as an example of the finest electronic nowadays. Rad!

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Jacob Mafuleni & Gary Gritness - Atuka Mhondor

The new 12'' release from Nyami Nyami records teams up mbira maestro Jacob Mafuleni from Zimbabwe and electro-funk producer Gary Gritness from France, who released a series of 12'' on Clone records in 2015 and collaborated with Orlando Voorn, Dam-Funk or Los Hemanos. Tip!!
Jacob Mafuleni was Chiwoniso's sideman on vocals and mbira on the label's acclaimed first release 'Zvichapera'. He recorded two new tracks in Harare with his wife Martha Thom on vocals and the traditional percussion ocho. Gary Gritness added 808 rhythms and sounds keeping the natural flow of the songs without cutting or sampling the original music. He intuitively produced the talent of Jacob's mbira ceremonies rhythmic patterns on his TR 808 drum machine.
This natural and respectful collaboration resulted in two already classic 'afro techno' tracks Atuka Mondhoro 808 and Chiconi 808.

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Grischa Lichtenberger - Spielraum / Allgegenwart / Strahlung

as a central point of reference of grischa lichtenberger's »la demeure/il y a pe´ril en la demeure« complex, raster-noton releases a limited edition of three 12' vinyl EPs that are accompanied by a handmade, signed and individualized screen print.
the three EPs were set up as an experiment. each of the records is guided by a word that could be described as a phantasmagoria, a delusion of the 20th century - like a metaphor that is concerned not only with its immediate meaning, but with an implication more emotional, more irrational, telling something about the mindset of the not so distant past.
these keywords already existed before the production on the tracks began and thus played the role of an indirect orientation or playground for association. nevertheless, the EPs are not conceptualized, but rather a collection of habits and strategies in relation to the titles.
common to all EPs of the triptych is the question of a connection between intimacy and the public sphere. aesthetically, the music presented on the EPs ranges from distressing and unaligned dancefloor-oriented tracks to tribal and politically charged drones to unsettling noise ballads. on »spielraum«, for example, hypnotizing music box melodies are combined with claustrophobic breakbeats. »allgegenwart«, on the other hand, presents mechanical rhythms and sawing pads, topped with high-pitched warning sounds. last but not least, the final EP »strahlung« features self-forgetful, gloomy and melancholy tracks backed by melodies that remind of a barrel organ turned upside down.

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Junior Boys - Kiss Me All Night Ep

Junior Boys

Kiss Me All Night Ep

12inchSLANG50109EP
CITY SLANG
11.10.2016

2016 will probably go down as the most prolific year in history for Junior Boys, the Canadian electronic duo. "Big Black Coat , their first record in 5 years and first for label City Slang (Caribou, Gold Panda, Tindersticks, The Notwist) released in February 2016, was universally heralded as one of the best records of their career and of the of the best electronic releases of the year. In May Jessy Lanza's Album "Oh No", co-produced by Junior Boys Jeremy Greenspan, hit the shelves and earnered further praise.

Now, just in time for an extended US tour in September and October as well as additional European dates, Junior Boys return with an brand new EP titled 'Kiss Me All Night". It starts with two extraordinary retro-futuristic club bangers "Yes and "Babyfat only to be outmaneuvered by the John Martyn Cover "Some People Are Crazy and rounded up by the Paisley Park infused title track "Kiss Me All Night'.

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The Future Sound Of London - Environment Volume Six
  • 1: Polarize
  • 2: Mountain Path
  • 3: Thought Pattern
  • 4: Motioned
  • 5: Lichaen
  • 6: Forest Soundbed
  • 7: Sol
  • 8: Hurt
  • 9: Wild Weather
  • 10: Unclear Vape
  • 11: Voyeur
  • 12: Seq/-9
  • 13: Exerting Force Or Influence
  • 14: Symphony For Halia
  • 15: Imagined Friends
  • 16: Electric Pastrol
  • 17: Plausibility
  • 18: Yut Moik
  • 19: Beyond The Field Of Vision
  • 20: Leak Stereo 70
  • 21: Pipe Dream
  • 22: Meanders
  • 23: Solace
also available

CD


The original Environments album was conceived and written back in 1993. It became one of the great lost albums by The Future Sound Of London before the guys took in back to the studio to complete and issue in 2008. Since then has come the success of further instalments and following additional studio work during a period of extreme creativity comes two further volumes. Released separately but simultaneously, Environment 6 and accompanying Environment 6.5, when combined, create a two CDs of 46 tracks. Sweeping between luscious dreamscapes to delicately melodically compositions to intensely highly programmed electronics sculptures Environment 6 and Environment 6.5 continue the journey towards the boundaries of the future of sound.

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