Beats News

Highly anticipated collaborative single between Butterz' Swindle and Deep Medi's own Silkie, who have fused their love of retro funk-synthesizers with penetrative basslines. A-side 'Unlimited' is a somewhat euphoric offering that highlights the pair's ability to inject a healthy dose of soul and groove into a track that is still equally capable of holding it's weight on the dancefloor. On the flip, Swindles solo effort 'Pineapple' (which featured first on Elijah & Skilliam's 'Rinse:17' collection) bolsters through with a frantic beat pattern and woozy synths, and is definitely a more psychedelic and extroverted trip into this producer's mind. Support from Annie Mac, Mistajam, Seb Chew, Ben UFO and DJ Q.

Summer of 2014 at Reconstrvct, Brooklyn NY - Ishan Sound was pummeling the capacity crowd with hi-powered steppers, cut after cut on beautiful acetate. Suddenly a huge sonic space opened up with a tune that was like a blast of cool air through the suffocatingly hot room... ZamZam's E3 was instantly captivated by the track, and knew we had to have it... but first we had to find out what it was!

The tune that had the crowd heaving and rocking in delight was Peaman's 'War' - a legendary dubplate by a mysterious producer, controlled by only a few including Ishan, Kahn and Bristol's DJ Dad. Massively warm sub-bass, uncompromisingly sparse one drop riddim, sublime horns and pads, and masterful control of reverbs define this understated killer. Powerful in its restraint and minimalism, War touches all the right marks in the frequency spectrum, making it an unforgettable hit with every sound system it's flexed on.

Khaliphonic 04 offers up the original tune alongside three versions on 12' vinyl. 'Horns of War,' an extended saxophone version excursion featuring James Morton soloing on the horn offers up pure, sparkling dubwise jazz like none we've ever heard. Two remixes by Bristol producer Rhumius on the B side bring War into steppers territory with a more insistent kick drum and oh-so-sweet fuller horn melodics.

Peaman shares the story of Horns of War's first play this summer in Bristol, and Babylon's reaction:

"Every year since we've been building our soundsystem, me and my sound system crew, 'Heathen' have managed to run at St Pauls Carnival and 2015 was no exception despite the event's official cancellation. We got a last-minute spot with a half stack, playing in the courtyard at legendary Bristol Soundman Froggy's Birthday party on Argyle Road. We put the boxes outside and ran cable all the way down through the garden and into the basement of the house, so far away we could not hear the rig. It was a mid sized event and most of our crowd were old school Bristol Roots scene so we were all buzzing and we ran the sound louuuud!

A couple of hours in, I pulled out my newly mixed version, 'Horns of War', and played it out for the first time. I quickly made my way up through the garden and out into the courtyard. We had drawn a nice crowd and when the bass rolled in, everyone started to step heavy, the stack was pushing War like I'd never heard it and I was feeling sweet! We got about half way through the tune when five of Babylon's finest strolled into the courtyard, requesting a wheel up with no second play. The nerve. After some failed mass negotiation, the police threatened to take the sound and we had to pack down. In spite of the party being cut short, the day had been a success: we turned up, tuned up and my version was the last thing the police heard before leaving!"

Mastered and cut at wide 33 rpm for maximum bass warmth by Lewis at Stardelta, Devon UK. Limited to 600 copies for the world, no digital, no repress. Design & screen print by Polygon Press.

Sherard Ingram makes electro like no other: hi-speed electro soul, reflective soundtracks of desolation, spooky zombie mutations and relentless sci-fi bass is what makes up Social Engineering, his second outing on Trust

Brandneue 6-Track-Vinyl-only-EP von Kelela, eine der stärksten Vertreterinnen des Future-R&B, frisch gesignt auf Warp Records, z.T. produziert von Arca. Die "Hallucinogen EP" - von den Meinungsmachern bei Pitchfork als "sinnlicher, feinfühliger Hi-Definition R&B-Ansatz" bezeichnet - erzielte bereits mehrere "Album Of The Week" Platzierungen in den Trendmedien (Spin, Stereogum) und besitzt laut Guardian "mehr Ideen in den 6 Songs als manche Künstler in 6 Alben haben". Auch das Radio
hierzulande zeigt sich sehr aufgeschlossen.

Re-Release eines der meistgesuchtesten Klassiker des Dub/Reggae, erschienen im Original 1981 auf dem legendären 99 Records: Das Debütalbum von Singers & Players, einem losen Kollektiv mit Prince Far I und Jah Woosh, sowie Mitgliedern der Arabs und Roots Radics. Mit Bim Sherman on vocals, Ari Up (The Slits) on backing vocals und Keith Levene (Public Image Ltd) an der Gitarre. Re-cut by Dubplates & Mastering, Berlin. LP auf schwarzem Vinyl mit Downloadcard und 12x12" Poster.

Sneaker Social Club returns with 'Filas and Undercuts', a four track EP of original material from Luke's Anger.
Luke Sanger's career continues to remain underground and consistent, playing and adapting various genres and aliases and always leaving his fan base guessing what's next. Duke Slammer, Dry and Slobbie and The Sad Confessor are some of the aliases the producer has previously released under, and he can include legends such as Lee Scratch Perry as a collaborator on his previous Luke's Anger release. Never one to stick with one genre, the talented producer effortlessly moves through Techno, Breaks, Hardcore and Acid House with the same devastating effect. Making his Sneaker Social Club debut, the label are proud to release four premium cuts of authentic Hardcore / Jungle, carefully built with one intention; to destroy raves like it was '92 all over again.
The EP opens with 'Lyn Track', full of vocal and synth stabs and propelled by 21st century jungle breaks and Reece bass - this could be a jungle classic. 5 minutes 20 seconds of pure dance floor energy.
'Filas and Undercuts', the EP's title track, continues in the spirit of Zomby's seminal 'Where Were You In 92' by looking back on fondness with one of the most original era's in the UK's dance music history. Euphoric pads and staccato melodies take care of the tracks harmonic elements, whilst more vocal cuts and slamming drums send punters looking for their tape packs.

'World Warrior' takes the EP down a darker route. Evoking the spirit of the 90's through Street Fighter samples, breakbeat drums and a classic dreamy, post-rave breakdown to make Lee Gamble feel like he's missed a trick.

The EP finishes with 'Polite Violence'. Featuring a Dread spoken word sample, rising bleeps and one of the most immaculately produced snare drums you're likely to hear on any record, ever. The introduction of more classic Reece bass probably has Ray Keith somewhere all teary-eyed reminiscing about the 'good ol' days' of Jungle.
Four Tracks of dance floor dirt from the good folks at Sneaker Social Club.

Shipping To The USA from March 3rd* Two of the freshest, most future-facing names in grime - Novelist and Mumdance - will release a new EP on XL Recordings.
The pair have already created one of 2014's biggest grime moments with their acclaimed 'Take Time' collaboration (from Mumdance's recent EP on Rinse), and the '1 Sec' EP is set to build on that track's huge success.

Novelist and Mumdance are two artists at the very top of their game. Mumdance - widely regarded as one of the UK's most consistently innovative producers - has recently released a string of incredible grime productions that have twisted and stretched the genre into new directions for labels such as Tectonic, Rinse, Keysound and No Hats No Hoods. Meanwhile, Lewisham's own 17 year old Novelist has been hailed as grimes' next big thing. Equally adept in the role of producer or MC, Novelist rides effortlessly over an array of styles and patterns whether it's in his solo work or with Lewisham crew The Square. He was today also shortlisted for the BBC's Sound Of 2015.

Moonstones is a three-piece dj collective and a production duo who, from youth, are strongly connected musically. Risen from the ashes of high school metal bands, they digitalize their sound and delivered it to clubs, festivals, parties, and turntables. For nearly two years, Moonstones hosted a local rave called 'Klub Dub', which gave them a chance to take the music they love to the big system. Beat-making-wise, there really isn't much to it: Moonstones are some guys who just like to build raw space music beats. Their studio (which is no more than a laptop and some monitors) is located in a farmhouse in the far east of the Netherlands. Here, Moonstones cook up jams and shoot them into orbit.

Malbleus is a 29­year­old producer, from Fredericksburg, Virginia, who delivers bassline genius and solidifies his reputation and growing status in the global bass music community. He is a decade­long guitarist, drummer, self­taught producer, and sound engineer. His love of UK influenced bass music started in high school, when he heard The Streets ­ 'Original Pirate Material' and since then, he immersed himself head first into UK music culture. Having a hip­hop background in his college days, as well as his involvement with several musical projects across different genres, Malleus honed his production and sampling skills. He became captivated with dubstep and focused his attention on creating his signature dark and melodic sound with a focus on raw percussion sampling, odd time signatures, forward thinking syncopation, as well as sound system vibes.

Die dritte von insgesamt vier 12" Vinylen zum SOHPIHE Debütalbum "PRODUCT" mit zwei brandneuen Tracks.

Limited special edition on clear transparent vinyl... brilliant techno tracks by mastermind Adam Jay wh
previously released his tracks on Kombination Research, Punish, Phobiq, Monoid, Fine Audio, Chrom
and various others!!!

finally repressed!
In the dead of winter, I visited Nico in his apartment in Providence, Rhode Island.

Pev marks his return to Punch Drunk for the first
time in 3 years with this collaborative 12" with
Hodge....

Bullet points... * 2015 edition of the World's biggest selling Dubstep compilation series. * Features upfront tracks from Modestep, SkiSM, Xilent, Eptic, Truth, xKore, Proxima, Dabin & many more. * UKF has over 8 million subscribers across it's social channels.

"footwork" !

Almost 30 MEDi 12" releases later, Jack Sparrow returns to DEEP MEDi MUSIK

* 3xLP transparent and orange marbled vinyl, 7mm spine sleeve, fully printed inners, free cd insert

* After five years of releasing the most breathtakingly refreshing electronic music currently in the UK, Rockwell is readying his debut long player 'Obsolete Medium' for release through Shogun Audio. Fusing the boundaries between drum & bass, trap, hip hop, house and cinematic soundscapes, there's no mistaking the sound of Rockwell, bringing the most intricate production to dance floors across the world whilst trailblazing his own definitive direction. Typically punk from its inception 'Obsolete Medium' is an electronic adrenaline shot that mixes straight up hard-hitting D&B with sonic experiments that will leave jaws well and truly dropped. Including collaborations with some of his most respected peers namely Sam Binga, Breakage, Phace and Hyroglifics, Rockwell delivers a truly engrossing album encapsulating his growth from drum & bass artist through to one of the most accomplished music producers and DJ's to have emerged in recent times.


* After a lot of hard work and long days and nights in the studio, I am very proud to present my debut album 'Obsolete Medium'. Being honest, I was struggling for the last few years by trying to write a certain type of music that I thought people were expecting of me, and consequently not making much progress. I took a conscious decision to let the tunes develop organically and not try to force their direction. What resulted is a very naturally constructed collection of music reflecting my wide range of influences - punk drum fills, techno basses, dusty white noise and neon synths - whilst not heavily mirroring anything too obviously specific, and eschewing many of the cliches of modern dance music production. All the while, not taking the process too seriously and not being afraid to poke fun at myself and the traps of being an electronic music producer. I'm really happy to have a some of my friends on here with me including Breakage, Sam Binga, Hyrogliphics and long time sparring partner Phace. Shouts to you guys. I think that if you have found anything in my production, from the early days of 'Stowaway Dub' to 'Childhood Memories' to more recent tunes like 'Detroit', there should be something on the LP that will strike a chord with you.
Hope you enjoy it!' Rockwell 2015

ASC returns to Horo for a muscular technoid rhythmic workout as we lead into his new LP for Samurai Red Seal 'Imagine The Future'. Limited edition marbled 12" vinyl only.

Lil Silva's new 3-track release with Good Years is aimed strictly for club play. Beginning with the surging energy of 'Drumatic' and followed by the silky electronics of 'New Squeeze' and the minimalistic swing of '606', it highlights the Bedford producer's UK grime roots together with Timbaland-like idiosyncratic sonic ticks and afro-centric syncopation.

All three tracks have received strong radio support from the likes Gilles Peterson, Mary Anne Hobbs, Toddla T, Monki and Benji B on BBC Radio 1, 6Music and 1Xtra, as well as plays across Rinse and Kiss FM

A release that further cements Silva's reputation as one of the countries leading production lights.

Modern Ruin Records proudly presents its debut release "Present Decay EP"
The first release of this London based record label is dedicated in showcasing some of the most talented and innovative artists making moves on the juke/footwork scenes around the world.
The tracks featured range from warehouse bangers to disco jivers and will accommodate for a wide range of musical preferences and styles.
The first track is a rolling dancefloor destroyer from "Pawn" This regular player on the Shoot Recordings label is no stranger to dirty bass music and each release has seen him go from strength to strength with this newest release "Do U" being no exception.
With its rolling drums and heavy baseline this track drops like a stick of dynamite and will no doubt be followed by some crazy leg movements on dancefloors across the globe.
The second track is from a true pioneer of juke music. His Label "Dynamix Records" has seen him pushing some of the best and brightest artists on the juke scene to date. "Matt Davis" AKA "The Renegades" brings us "The Warmup" a beautiful example of a juke/jungle hybrid which really shows his passion for the old skool while giving it a modern twist. His love for melodic soundscapes and jungle drums rings true throughout this track and will bring joy to all the old skool and new skool ravers alike.
Track three is from one the most dynamic producers i have ever come across, it seems there is no style of music this man cannot make. Better known for his disco and house record labels "Vorres" AKA "sccucci manucci" has been a big part of the music industry for many years now and his releases span from deep house to garage to dubstep. "One of these old days" is a beautiful soul gospel take on juke and has a truly unique and a melodic sound that you will want to play again and again.
Finally we have a brilliant upbeat disco/juke edit from "Sideswipe". This track would be just as at home on any disco dancefloor as it would be at a warehouse rave. "Be With U" has all the groove and funk anyone could ask for while still staying true to the juke format. "MUKATSUKU" label owner "Nik Weston" has already shown the track some love and incorporated this new sound into his future disco/funk sets. This final track rounds off a truly innovative and exciting EP which is one not to be missed.

Das South Londoner Produzenten-Kollektiv mit ihrer ersten 12" Veröffentlichung auf Technicolour. Verführerische House- und Garage-Tracks, die den anstehenden Sommer einläuten. Tipp!

Heavyweight vinyl with two extra tracks

Eyesdontlie is the latest single from North Carolina producer Machinedrum, and it's a tight, busy blend of footwork and future garage - 12 features red and black splattered translucent vinyl

Grime-Pionier Logan Sama schüttelt für Fabric ein spektakuläres DJ-Set aus dem Ärmel, bei dem 66(!) MCs - Koryphäen wie Future-Stars - ihre exklusiven Accapella-Vocals über 24 souverän gemixte, brandneue, unveröffentlichte Instrumentals von Größen wie Wiley, Preditah oder Jme legen. Ein weiteres Novum für Fabric: neben dem CD Format erscheint erstmals auch eine auf 500 Stück weltweit limitierte 4xLP mit allen 24 Instrumentals in ungekürzten Versionen.

Nach siebenjähriger Präsenz in der Dubstep-Szene mit unzähligen Maxis, Kollabos (Steve Aoki, Childish Gambino, Dillon Francis) und Remixes (Skrillex, M.I.A., DJ Fresh) liefert Flux Pavilion nun mit "Tesla" sein lang erwartetes Debütalbum ab, auf dem er seine scheinbar grenzenlose Vielseitigkeit und rohe Positivität in dreizehn Tracks manifestiert. Unter den zahlreichen Features befinden sich bekannte Szenenamen wie Tom Cane, Matthew Koma und Bully Songs, sowie die Hip Hop-Pioniere Soulsonic Force (!).

From across the pond, US producer Andrew Howard a.k.a AxH lines up another 12" on Tempa after his lauded first outing on the label back in February in 2014.

Having also released records on Elk Beats and Dubs Alive - his latest 'Numbskull' 12" charters a familiar murky territory to his previous and features a brawny collaboration with Toronto based Gremlinz.

The title track kicks things off with a lively melodies set tumbling over driven kicks, dramatic ride pings and fierce, roaring bass tones before 'Gem Tone' melds off-kilter and vaguely arabesque tones over capacious percussion that sits the tone comfortably in big room spaces.

'Hacker' then shoots off the blocks with mangled feedback signals and sharp, effective rim shots, while dense subs tremble beneath spectral reverberated atmospherics.

TUBA is excited to announce it's ninth 12inch vinyl release, TUBA009 :: Quantum Soul - Evocation / Monsoon.

// Side A // Evocation // calls forth an ambient, swirling soundscape that reaches deep and drives forever forward. The precise sub bass modulation and mid synth call and response will test the limits of any sound system. Tribal percussion hangs over the mix; a driving counterpoint to the minimal and strong half-time beat. The snare drum reaches through the groove, solidly and consistently, marking the framework of the rhythm.

// Side B // Monsoon // will envelop the listener in cascading, warm, reverb drenched sound waves. As the theme of the track fades in, the drums start hitting like drops of rain. Unrelenting. This is music for those moments when you decide to turn and face the storm. Quantum Soul is a veteran UK dubstep and dub producer with a discography spanning over 7 years. His dubstep sound is rooted in dub, world and electronic music and his DJ sets chart some of the deeper recesses music has to offer. QS has released on numerous legendary labels: from Ranking Records, Dubting and Dubbed Out, to Boxclever, with a collaborative project he formed with Ruckspin, Octane and DLR called 'Cymatic'. In 2012 he signed an EP with Tribe 12, laying the foundation for his future involvement with WhoDemSound. In 2013 he worked with Innamind Recordings to bring out 'Strong Root', which had extensive support from DJ Youngsta.
Releases with Pressed Records, Tuba NYC, Mindstep, FKOF and Mantra followed in 2014, culminating in his first strictly dub release with WhoDemSound. He has had regular DJ support from Sub.fm's Syte and BunZer0, as well as Joe Nice, Vivek, J:Kenzo and DJ Youngsta.

Parallel zum Re-Release der legendären Singers & Players "War Of Words" LP erscheint "War Of Version" mit zwei bislang unveröffentlichten Tracks aus der Albumsession, sowie zwei meisterlichen Dubversionen von Adrian Sherwood. Cut by Dubplates & Mastering, Berlin. 10" auf schwarzem Vinyl mit

An ode to ritual and the language of dance music, PHORK's latest missive Disappear In Raveland contains adventurous, surrealist musical ideas within a strict club framework giving equal credence to footwork, Chicago house, techno, and drone.

The resulting "epic collage" averts focus away from sound design instead ornately sculpting new forms out of familiar, well-worn drum samples and sounds taken from free sample packs. Rather than exploring the variety of structures in these genres separately by song, PHORK ambitiously combines them all in each arrangement. With surgical precision, footwork's frenetic drum programming is laid out and mesmerizingly reconstructed to comfortably sit alongside Mark Fell, Mike Q, or Terry Riley. While clearly experimental by nature, make no mistake - Disappear In Raveland's minimalist excursions could function as a secret weapon for discerning DJs seeking to thrill the most daring dance audiences.

Dub Phizix drops an exclusive-packed 40 track mix of DnB, halftime, hip hop and myriad bass-packed breakbeats for the latest in the FABRICLIVE series, featuring 22 unreleased songs 12 of which are Dub Phizix productions and collabs!

His music, described by Mixmag as 'essential material', has an irreverent edge, yet is deadly serious in its dancefloor approach, reflecting the character of the Manchester producer, born George Ovens. He has released on labels such as Exit, Soul:R, Critical, Samurai Music, Commercial Suicide, Dispatch, Ingredients and his own SenkaSonic, whilst his remix portfolio is also impressive, with reworks for Charli XCX, Netsky, Panjabi MC, Skittles, Chimpo, Basement Jaxx, Kelis, Breach, Sizzla and more. Playing regularly at fabric since 2011, his 'Well Good Do' with Strategy now hosts room 2.

'I first played fabric B2B with Stray for a Critical night and it felt like a real landmark for me, but by the end of the year I'd played three or four times. Even though it's been a while since I played there, room 3 has a great intimate feel because you're literally a foot from the crowd. One that I really enjoyed in there was early on. It was an Exit records night and it was heaving and I had loads of brand new tunes that no-one had heard. People were leaning over the decks taking pictures of the names of tunes of the CDJs. The next month I played there again and I had to change all the names of stuff I wanted to keep a secret so they couldn't do it. For about three months, my artist name on my CDs was 'Phil fuckin Collins' Since that time, fabric has become like a second home. They can't get rid of us till about 9am most times we're there. It's usually the cleaning staff who send us home! Nowadays I mainly play room 2. I've played all three rooms but the stage in room 2 is my favourite.' - Dub Phizix

FABRICLIVE 84 is in many ways a paean to Dub Phizix's hometown, bookended with tongue-in-cheek references to Manchester's 'Rainy City' moniker and closing with a tribute to the city from the poet Matthew David Scott. Bringing together the known and (as yet) unknown, the mix features 22 unreleased tracks, 12 of them Dub Phizix's own new productions. There are collabs with DRS, Skeptical, Xtrah, Chimpo and Strategy and specials and features from Chunky, Strategy and Ward 21. Cruising at a foot-to-the-floor 40 tracks per hour, the pace would border on relentless were it not tempered through smart selections of tempo and rhythm switches. The skill in introducing this broad selection of beats into a coherent and body moving mix is at the heart of this new FABRICLIVE set.

With "Paralellabyes" and it's companion 7-inch "Lil' Dog Toes", bossFYTE establishes themselves firmly in the ranks of the new IDM pioneers at Detroit Underground, while maintaining their legacy as the rascals of sonic buffoonery. Sparse shifting textures, lush spatial treatment, and their trademark mischievous editing lead you into unexpected sonic territory. At once moody and whimsical, organic and structured, a combination of crisp sound design and fluid processing explore the depths of cold digital space. The "B-Side" is a jaw dropping re-invention of bossFYTE's 2012 single "Think About It", brought to you by none other than the godfather of generative modular exploration, Richard Devine. Expect nothing less than his signature brew of fractured rhythmic patterns, massive impacts, and morphing futuristic abstraction.

Two tracks exclusive to this release: the one and only Badu in an irresistibly catchy do-over of the euphoric album instrumental There, also featuring veteran Malian synth freak, Cheick Tidiane Seck; and a dub by Mark Ernestus, from Rhythm & Sound. Lovely silk-screened sleeve.

RED003: With the success of Pushing Red's first two releases, we decided we would step things up with remixes from the scenes top producers in their respected genres. Both F & Headhunter need no introductions fusing unique ideas & production values when it comes to dubstep & techno. These two remixes showcase both style and class in a way that only F & Headhunter can pull off and we are truly honored to have them involved.

A. Azure ( F Remix )
Kicking things off is F with a outstanding recreation of Jus Wan's already classic 'Azure'. A sneaking intro builds on the original pads before dropping into a steady snare. Growling bass slowly sneaks into the picture and drops into and perfect blend of rough & smooth. F has taken an already great tune and kept the integrity of the original, while giving it his own signature flavor. Classic remix!

AA. Avoid The Noid ( Headhunter Remix )
Another man who needs no introduction has graced us with a superb remix of DJG's 'Avoid The Noid'. Headhunter takes things very deep with a thumping 4/4, deep house kind of affair. A deep kick keeps the pace with deep low end that will work out any sound system. The original pads have been drawn out and sprinkled with the original key work. Fans of deep dubstep and house will love this tune and we hope as much as we do!


DJ Support: RSD, 2562, Headhunter, Komonazmuk, Synkro, Jus Wan, DJG, June Miller, F

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RED005: Long time producer and innovator ASC steps to Pushing Red with two fantastic pieces of Detroit-tinged techno. He's well known in many circles for his wonderful drum & bass releases which more recently have brought him success on such labels Exit, Nonplus & his own Auxilary. His is also known for other tempos and this release is pure evidence that he is just as deadly in this realm as his drum & bass!

A. ADVENT
A punishing 4/4 kicks things off before distorted, crushing bass and effects propel this monster into Detroit territory! While this tune is a monster, everything is perfectly layered and everything within the tune makes sense. Reverbed keys and delayed effects pull everything together! Definitely one for the fans who like their beats with a little teeth!

AA. THE GLOW
The Glow harks back to the glory days of Warp Records and mid 90's techno & electronic. A subtle 4/4 keeps the momentum going while the bassline could workout any soundsystem. Lush keys and pads sit perfectly on top creating that wonderful melodic and nostalgia feel! Definitely one for fans of deeper, melodic techno!

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RED007: Red007 sees Pushing Red taking a slightly different turn with more of a 'juke' style release. (Greek - known as Dimitri) buckles down with a with what could be called as a fusion of juke, ghetto house & footwork to outstanding results. The sharp 808 kicks and bassline pulsate throughout the tune while a sharp vocal sample cuts through giving the tune that much more punch! Flip over for the wonderful Ikonika remix. Ikonika has really taken this tune and given it her own feel and appeal. Turning the stormer into more of a halftime/ house feel, it's hard to put to words the outcome. It's ferocious & melodic and all wrapped up with that signature Ikonika feel! One you just have to hear!