Beats News

The moment EATBRAIN followers have been eagerly anticipating for a year has arrived, with BILLAIN landing in full force in the form of his 'Colonize' EP. A true master of Neurofunk; these 2 tracks demonstrate the full might and
depth of Billain's exquisite production ability. Expanding upon the sprawling Sci-Fi landscape that has its origins in
the highly acclaimed 'Colossus' EP on Bad Taste Recordings, the 'Colonize' EP takes things to an entirely new level.
Incredible visual artwork from Marvel artist Enis Cisic and resident Eatbrain designer Laszlo Tringli, is threaded
through with the continuation of the operatic space narrative tying the tracks together into a concept as epic as music itself.
Title track 'COLONIZE' lures listeners into Billain's otherworldly realm with 2 perfectly balanced sweeping chords, instantly transporting them to a faraway planet. Breaking the calm, an unmistakable Billain bassline erupts, before breaking down into a deliciously dynamic and scattered build-up injected with pure nervous anticipation. The Neuro assault that follows is as devastating as it is immaculately produced.
'FEED FOR SPEED' is undoubtedly one of the most high-octane tracks to land this year, finally placed into the public fresh from having unleashed pure havoc across Europe's largest DnB festivals. Representing a refined slice of turbocharged percussion, wrapped in the post-apocalyptic exhaust fumes of raging synths and an unending build-up of pure adrenaline-laced excitement. Prepare yourselves for an unforgiving assault on the senses, from a producer in the depths of carving a very unique path through the electronic landscape.

MsDoS and Dynamic are on a roll at the moment, with a slew of releases coming out on Fokuz. This next offering is another sublime and lustrous affair full of gentle rhythms, glorious melodies and pattering breaks.

The A side 'Rio Dreamin' by Msdos & Dynamic with its raw, rhythmic pattern and soulful vibes has been out for a while on digital format, now after lots of positive response it finally is immortalized on vinyl.

For the B side Dynamic delivers with 'Up In My World'. A clever placed d'Angelo vocal in combination with blissed out sounds and samples make this another timeless Fokuz classic. This release is well worth checking out if you like more gentle, liquid d&b with plenty of soul and sultriness.

* Krakota has firmly stamped his mark within the drum & bass scene over the past few years, and since signing to Hospital Records last June has already brought two solitary singles to the table. Now for part three with the 'Citadels' EP cultivating Krakota's versatile style.* Known from Artful Dodger's classic, 'Please Don't Turn Me On', vocalist Lifford joins Krakota on the opening track 'In The Area' - a garage fuelled venture with bouncing drums and electric pulsations. Taking a turn, title track 'Citadels' reflects the deeper and more contemplative reach of Krakota's musical sphere with soft vocal textures washing over electrified bass lines and piercing percussion.  * Step into a warped gamer's warzone with 'Crash Pads', where cyber swerves and siren sound-bites are shaken up by distorted synths and brutalized bass lines. 'Lazy Bones' splits light from dark with loosened hi-hats and whistling flute dropping into heavy vibrations and unrelenting drums.  * It's already been an exciting year for Krakota, drawing fans from his on-going residency at Kiss FM and stepping up with live mixes for BBC Radio 1Xtra in the 2015 Soundclash. He's been busy travelling up and down the country selecting and spinning at Hospitality showcases including the internationally renowned Glastonbury festival with his tracks from the 'Citadels' EP already going down a storm. The excitement looks to continue with his latest release, bringing a fresh and forward-thinking feel to the Autumn calendar.

New VA EP on our Invisible imprint featuring the return of Skynet, newcomers Arclight and Disprove and a new track by Survey, together with Tephra and Arkoze.

Regular Critical Recordings artist Enei is releasing his second album, 'Rituals', on the label in December. The Russian producer hooks up with a sound selection of collaborators on the 16-tracker album, including Critical boss Kasra, DRS, Foreign Concept and New York-based vocalist Frank Carter III. He shows off a defiantly more mature sound palette drawing influence from across the drum 'n' bass spectrum, from his trademark tech nasties through to the deep subliminals from an array of collaborators.

Addictive Behaviour finish off a strong year with their final release of 2015, coinciding with the launch of their first label party on the 04th December @ Konnect London. Two hefty, break neck neuro monsters recruiting regular label contributor and hotshot producer L33 and the scrupulous engineered and creative production talents of TR Tactics and The Clamps who collaborate on the flip.

* L33 - BADMAN
The technically adept L33 steps up on this one. Spearheading the assault are some fierce infectious beats and coarse, vibrating saw synths. Effects laden flickering pad patches fill out the left and right hemispheres while a murky, rattling and centrally hitting low end bass chamber anchors the beats and reigns the whole arrangement in for a tight sounding, meticulously produced firing neuro smack up.
* TR TACTICS / THE CLAMPS - TOPOLOGY
Opening with the eerie spookiness of a crypt, the dark, synth chord progressions lead a path to glassy hats and skeletal shuffling breaks before dropping into unrestrained, bouncing, ratcheting bass fluctuations. Spiralling distorted synth hits and a viciously snappy, spatially dimensioned drum pattern takes you through a porthole to the darkest back channels of DNB.
* Limited edition vinyl

* Supported by a full press and radio campaign. Updates in PR sheet.

* The first four tracks from the Progression Threat digital album series by the dark drum n bass overlord make it onto vinyl.

* Amen fuelled, fat, analogue, powerful, real Drum n Bass. Amazing production that can only be expected from the Tech Itch camp.

* Pressed on vinyl after high demand from fans. Direct pre-orders paid for the production and made it possible for Tech Itch

Debuting on Warm Communications last year alongside Need For Mirrors & Mikal, HLZ has gone solo & we can't think of a better release to announce it. 'Dying Memories' combines psychedelic guitars with punishing Optical style drums and bass. 'Duel' on the flip is a straight up no frills roller with it's relentless momentum. Double a side drum & bass if we do say so ourselves.

Sneaker Social Club returns with 'Filas and Undercuts', a four track EP of original material from Luke's Anger.
Luke Sanger's career continues to remain underground and consistent, playing and adapting various genres and aliases and always leaving his fan base guessing what's next. Duke Slammer, Dry and Slobbie and The Sad Confessor are some of the aliases the producer has previously released under, and he can include legends such as Lee Scratch Perry as a collaborator on his previous Luke's Anger release. Never one to stick with one genre, the talented producer effortlessly moves through Techno, Breaks, Hardcore and Acid House with the same devastating effect. Making his Sneaker Social Club debut, the label are proud to release four premium cuts of authentic Hardcore / Jungle, carefully built with one intention; to destroy raves like it was '92 all over again.
The EP opens with 'Lyn Track', full of vocal and synth stabs and propelled by 21st century jungle breaks and Reece bass - this could be a jungle classic. 5 minutes 20 seconds of pure dance floor energy.
'Filas and Undercuts', the EP's title track, continues in the spirit of Zomby's seminal 'Where Were You In 92' by looking back on fondness with one of the most original era's in the UK's dance music history. Euphoric pads and staccato melodies take care of the tracks harmonic elements, whilst more vocal cuts and slamming drums send punters looking for their tape packs.

'World Warrior' takes the EP down a darker route. Evoking the spirit of the 90's through Street Fighter samples, breakbeat drums and a classic dreamy, post-rave breakdown to make Lee Gamble feel like he's missed a trick.

The EP finishes with 'Polite Violence'. Featuring a Dread spoken word sample, rising bleeps and one of the most immaculately produced snare drums you're likely to hear on any record, ever. The introduction of more classic Reece bass probably has Ray Keith somewhere all teary-eyed reminiscing about the 'good ol' days' of Jungle.
Four Tracks of dance floor dirt from the good folks at Sneaker Social Club.

DELUXE EDITION features the hit singles 'Redemption' ft. Jacob Banks, 'Nobody To Love', 'Changing' ft. Paloma Faith, 'Glitterball' ft. Ella Henderson, 'Coming Home' with Rita Ora, and 7 BONUS tracks

The winter's approaching (unless you live down south) but don't let that get you down as it's also time to let the sun into your speakers courtesy of Melting Pot Records. So, open a can of Red Stripe, bill up a spliff and soak up the reggae-drenched drum & bass vibes provided by Fak Scratch and Sr Wilson.

"Lose control" is masterfully arranged and bound to get you into skanking mode, but that's not all! It comes with 3 massive remixes...thanks to Dj Panik, Pablo Dread andVariedub who all bring something different whilst maintaining the positive energy of the original.

* Are We There Yet' is the sixth studio album from London Elektricity out on the 6th November on his own nineteen-year-old label Hospital Records.
* Over 14 tracks Are We There Yet' combines beautiful chord progressions recorded from his own Steinway piano - a family heirloom passed down through generations - with perfect vocal harmonies from Tony himself, Emer Dineen, Pete Simpson and a welcomed return of award-winning jazz singer Lianne Carroll all underlain with rolling percussion and enveloping bass lines.
* From the uplifting and playful opening of Singing Ringing Tree' to the soulful Why Are We Here', the spine-tingling roller Artificial Skin' right through the deeper layers of Dropship', London Elektricity's latest project incorporates a number of styles whilst still keeping to the true and world famous London Elektricity' sound.
* Best experienced in its entirety, Are We There Yet' maintains the live finesse which London Elektricity is known for, giving a gentle reminder to the paramount success of London Elektricity Live' in the early 00's.
* Since his last album Yikes!' London Elektricity has continued to grow his drum & bass empire, overseeing the development of two labels, a number of talented artists and internationally renowned events brand "Hospitality". His encyclopaedic knowledge of music spans across several decades and in turn gives a unique quality to his own production as is clear with the outstanding "Are We There Yet" LP.

Here at Broken Audio we always strive to find innovative ways of offering quality music. Our recent Musical Currency USB Credit Card albums were received with widespread acclaim, flying off the shelves and setting the tone for us offering some substance to what can often seem a faceless digital music world.

But we now look to raise the bar even higher with our latest concept...

'Project Mohawk' started out as a codename for a collection of tracks we'd signed from a select group of talented emerging artists, each with their own distinct sound and style of production. As the idea took shape, so the quantity and quality of the music grew, culminating in a commitment to nine separate EP releases. From that point forth our aim was to come up with a twist whereby each release could stand out in its own right, but also form a part of something bigger...

So along with the usual digital download components, each release will have its own limited edition lathe cut 10' vinyl dubplate featuring our two favourite tracks, lovingly presented in a hand made and numbered 'jigsaw of art' card sleeve. Collect all 9 dubplates and arrange the sleeves in a certain order to solve the puzzle and reveal a single larger image.

A) Skitty - Hornzman
AA) Nolige - Ain't No stopping

With support from a stunning cross section of industry players - Chase & Status, Pendulum, Friction, Camo & Krooked, Loadstar, Rockwell, High Rankin, Feed Me - and a position in the top five best-selling albums of 2012 on Beatport, Black Sun Empire's 'From The Shadows' LP was one of the Dutch trio's biggest accomplishments in their fifteen year, five album history. To celebrate They're serving up this disgustingly massive remix compendium.

Featuring some of the most exciting talents in drum & bass, each of the six remixes here offer a sizzling new slant on three of the album's biggest tracks. All armed with their own character and uncompromising dynamics, it's a challenge deciding which one to drop first..

'All Is Lost' starts the set with the perfect balance of emotional sonic star-gazing and gritty bottom-end welly. With stunning hymn-like vocals from Thomas Oliver and hype-hungry attitude from Youthstar, it's widely regarded as one of the album's boldest highlights. Naturally both Memtrix and Telekinesis have stepped up to the massive challenge.

Lifted fave Memtrix goes first. Opening with teases of the original's euphoric synths, he lets the vocals breath for one second before BANG: utter bassline sickness takes over. Complete sonic bombardment of the senses, there is no mistaking Memtrix's direction and focus for this prime-time piece of D&B naughtiness. And there's no mistaking the raw power of Telekinesis's remix, either.. Igniting with piano-primed 'lighters up' intro, we're soon pushed into the deepest end of the darkness pool with Youthstar's spitfire delivery, a gut-busting halfstep groove and a murder of distorted bass tones. Flipping to full D&B tempo midway, it's a strident party piece that will stay in your wallet or playlist from now until the 23rd century.

Next up, 'Dawn Of A Dark Day': A blazing unity of UK grime and Euro neuro, the day Black Sun Empire called up the Foreign Beggars for mic-duties was a game-changing day for the entire bass industry. Naturally both remixes pay respect to the fusion and fire of the original. Prolix takes the original's swaggering halfstep intro and adds a touch more menace on the low-end and an industrial punch to the beats before dropping into a rampant, rolling speaker-smasher. No face will be left unmelted when you drop this. We guarantee it. Meanwhile Receptor adds his own interpretation with an instant uptempo kickstart and the creative use of drama-drenched cinematic strings and devilish Slayer-level guitars.

'Killing The Light' brings us to a fitting climax with two of drum & bass most distinctive, forward-thinking acts on remix duties. Delicately dressed with the heart-melting vocals of Inne Eysermans, the raw emotion makes 'Killing The Light' the closest thing to a ballad Black Sun Empire will ever write. Paying respect to this, Icicle sharpens the kicks and snares, weaves haunting pads into the mix and takes the vocal to the darkest place imaginable. For those looking for more of a laser-snapping edge, look no further than June Miller's remix; bolstered with a gargantuan bassline and searing sonic flares, the Dutch-Anglo duo have taken the softness and depth of the original and subverted into a priceless peaktime banger that NO D&B DJ should be without this season.

Scott Allen returns to Fokuz with "Love So True", a collaboration between him & Jrumhand, which will be his debut on Fokuz. On the flip you will find the versatile Kasper with a track called "The Low Road". Quality drum & bass once again from the Fokuz HQ!

* Arcatype are a North London trio who debut on Ingredients Records. We were totally blown away by their demo and wasted no time in signing them exclusively. Fans of Ivy Lab will approve.

Dj Support from Skeptical, Jubei, Halogenix, Teebee

* Limited to only 300 copies on 140g black vinyl

* After a lengthy hiatus the head of the tribe is back! Goldie delivers Broken Man and it's a sound you instantly realise has been lacking in this scene. A massive return from one of our most treasured innovators.
* Broken Man
In typical Goldie fashion the track shuns convention to become more of a song based composition, its considered, introspective and honest. Drum machine drums make up the rhythm whilst gentle guitars come in and out of the mix, the aesthetic of the vocal is so strong and brave it couldn't sit anywhere else but a Goldie track, hopeful and forlorn at the same time, the track reveals something new with every listen.

*Broken Man (Halogenix Remix)
2015 has been a very very good year for Halogenix, his solo EP for Metalheadz is one of the years strongest release and alongside Ivy Lab he has pushed boundries to massive success but let's get back to his Broken Man remix, he takes the gentle edge of the original and exchanges it for something slightly more sharp and dark. The track becomes a eyes down dancefloor track, perfect for those 3am moments, another great jewel in the young producers crown.

SCAR are back on Headz with their most accomplished EP to date Caged The EP kicks off with Caged, a subbed out roller with skipping drums and rave stabs and mid range accents. Confident and bashy, its sure to be a big tune. Free Fall w/ Artificial Intelligence Both production duos team up on Free Fall, a stepping track with screwface bass. The mood is lightened by the vocal refrain gliding over the top
Your Move Finishing off the vinyl EP we have the soulful jungle track Your Move, it's all about the light pads Vs the rugged drums on this, a great way to wrap EP up.

* Ed Rush's very own imprint Piranha Pool is ready to drop its next massive release, Clockout/Acid Test from French three-piece Signs. Signs have been making major moves of late, and of course you can expect only the biggest and best music from a label from someone like Ed Rush.

* Already receiving support from the likes of Mefjus, Emperor and others, the tunes on the release fit in perfectly with what Piranha Pool are all about - aggressive, upfront, futuristic-sounding music. Ed has set the label up as a platform to nurture new talent which deserves to be heard. Prepare yourself for Clockout and Acid Test.

* Clockout is simply huge. The track builds up ominously, evil rising from its very core. Feel the strength and power come over you, synths filling your ears as you wait for the drums which are inevitably going to drop. Weird samples then enter the scene, before filtered switchbacks lead to the main beat. Electronic, low- slung and menacing, Signs turn things on with the addictive drum work on Clockout. The bass is by no means left out either, resulting in one hell of a dancefloor workout. This one'll attack your brain, all the while moving your feet. Slowing things down only to build them back up, Signs are on to a winner here.

* Acid Test, meanwhile, shakes things up on a whole other level. Coming straight at you, the impact of this one is in the beats and the maddening melody. Building straight up into a drop, Acid Test will shake the rig at any rave. Skanking, headnodding kicks attack, with sliding effects coming out over the top. Snarling, malevolent bass completes the picture, as Signs once again prove that they are a force to be reckoned with. Dive right in, and take the Acid Test.
Just what you've been waiting for from Piranha Pool, Clockout/Acid Test is the future of the funk.

* Support Includes: Ed Rush, Pendulum, Noisia, Dirtyphonics, Scratch Perverts, Friction, Ulterior Motive, Drumsound, D Minds, BTK, Fourward, John B, Crissy Criss, Task Horizon, Skynet, Hybrid Minds, CZA, Optiv, AMC, S.P.Y, AMC, Ant TC1, Cern, Foreign Concept, June Miller, Culture Shock, State Of Mind, Basher, Neon Lights, Bad Company, Joe Ford, Borderline, Phace & Misanthrope, AK1200, Silver, Craze, 2 Shy MC, Tantrum Desire, Chris SU, Dose, Rido, Simon Bassline Smith, Rockwell, Zeds Dead, Mind Vortex, Mindscape, Rene LaVice, Original Sin, EastColors, Grooverider!

* Returning to Dispatch LTD after a string of successful and hard hitting releases, DBR UK are back to present their debut album, entitled 'Rough Edges', comprised of sixteen original productions from the UK trio.

* 'Rough Edges' is an ethos by which DBR UK live by in the studio, an ethos and distinctive style which has been developed over the years and throughout their own influences. Made up of varying elements, styles and attitudes within drum & bass, the album covers the trio's full spectrum, carried out with their own unique flair. * Certified masters of crafting their basslines and low ends to perfection, the pulse keeps every track pumping with soul, carefully mapped out and delivered to a tee, whatever the chosen direction. Eloquently arranged, but purposely gritty, dynamic but not over-complicated and never straightforward, glossy or predictable, it's an ideology the group stand by, whether it's a melodic vocal swathe or a murderous minimal mod. * Equipped with murky steppers for the shadowy back rooms such as 'Demolition' (ft. Slippy Skills), the album journeys through old skool & dub focused influences, like reece thronged 'Dark Alley' and hypnotic stroller 'Man Hunt'.

* Alongside their solo productions, the album also sees guest collaborators from the past and present combining efforts, with Skeptical, Structured, Gremlinz & Ahmad helping craft the gullied landscapes, the poignant and piercing vocals of MC Fokus striking at the jugular in 'Blood Water and the smooth, dulcet tones of Amanda Seal perfectly contrasting to the darkness and hysteria, before leading the listener back up the garden path.

* Back on the scene with a vengeance, having blown us away with an astounding quality and output, DBR UK deliver their first long player, 'Rough Edges', utilizing their subtly edged weaponry to maximum effect.

Drawing you ever-deeper into their forthcoming LP '1x1', Calyx & TeeBee's next offering presents not only a landmark release, but also their unbridled integrity. The anticipation around this second album is only growing, having scored three Beatport numbers ones with their latest singles. On top of playing sold out shows at Brixton Academy, as well as festivals across the Atlantic and singles and producing remixes on major labels, it's clear to see how they've met these benchmarks.

'Cloud 9' sees Calyx back on vocals, adding a soulful depth which creates a narrative behind the music. Carefully drawn out lyrics create a cinematic edge, intimate and adding an 80's new wave flare which is seldom seen within the genre. Layers gradually build underneath the track's more humanistic elements, with a distorted bassline revving up and peddling the record forward. Ducking and diving between twisted beats, you're launched through a segment of glitchy sonic, before stockier subs underpin the composition. A testament to an unbreakable production standards, it only alludes to another studio album set to make history.

The name 'Panic Attack' in itself is foreboding; implicating an explosive flipside, it delivers with an almighty kick and leaves you reeling. Snapping and kicking between hi-hats and low-mids, 'Panic Attack' is explosively aggressive from its roll out. Winding up on elongated note patterns and quaking percussion, the erratic break pushes you through a soundscape of madness. However, this is one methodically built... Keeping you hooked from start to finish with pounding drum loops. An incredible verification of their technical

After emerging on the scene in 2013 following a string of impressive vinyl cuts by Roy Green, Protone, Cutworks and others Moscow based drum & bass imprint Occulti Music returns with another strong release. Founded by Impish the label has been a steady force pushing forward quality music from artists all over the globe.

The A side effort sees the prolific Random Movement on remix duties spicing up Malaky, Satl and Skeletones lush sounding ''Future Blues''. Signature RM sounds right here with a larger then large second drop that gives the track a similar deepness but groaner feeling then the original. On the flip we continue with a track called ''Girl''. Here we find Blendits Audio head honcho Chris Harmonics teaming up with Occulti Music boss man Impish for his debut release. It's a modest but weighty stepper with soulful and techy influences though definitely aimed towards the dancefloor.

As with all Occulti Music releases the artwork was hand painted by Russian artist Anna Tikhomirova

* Delve into the deepest layers of drum & bass with Anile's impressive debut LP, Perspective'. Combining a thoughtful synergy of sounds that pulsates sophistication, infusing warehouse echoes with crisp percussion for a refined yet raw, underground authenticity.

* Opening with a resonance of childhood reminders in False Tense' that combines a shimmering synth with all-absorbing waves of bass. Then turning to the sinister twists of Jack of Clubs', rotating a chilling hook with stabs of vocal punches, before gliding through the subtle sounds of Stay With Me' uniting gentle glimmers of piano with soft whispers of baritone vocals.

* Throughout, Perspective' is the perfect balance of vocal talent with quality instrumentation from the City of Injustice', which cleverly combines urban callings with DRS' deep lyrical intellect, to the soaring vocals of Tiffani Juno in the emotive and mesmeric Not the Way (To Run)'. Also featured on the album are talented artists Inja in Between the Sides' and Hannah Eve in Inside'.

* With the utmost quality and class, this high calibre collection excites and entices on every listen, building upon Anile's last Med School release, the well-received Losing My Mind' EP. "Perspective' surpasses any expectations, setting a promising stance for this proficient producer.

Limited 200 copy repress

* Hybrid Minds have drafted in a whole heap of their favourite producers to re-work their debut album 'Mountains'.
* Since landing straight in at No.4 in the iTunes electronic music charts on its release week, this production duo have
been turning heads, not just as producers, but as expertly skilled DJs with the ability to destroy any dancefloor.
* While they may be known for d&b on the more musical side of the spectrum, make no mistake, Hybrid Minds know how
to, in the words of DJ Hype, 'rinse it out proper'. This collection of remixes is designed with just that in mind.
* While all the remixers have been busy working on the Hybrid Minds tracks, the boys are currently putting the finishing
touches to new material which will be released early 20
keep the fans happy, and no doubt gain quite a few more.
* The package comes in the format of a white 12' vinyl and also includes the CD version shrinkwrapped inside.
* Support from Friction Radio 1, 1xtra, Fabio, Bailey, Bryan G, DJ Marky, Technimatic, S.P.Y, Bassdrive, D&B Arena and
a whole load more...

* Ipman's debut release for Tectonic steps in hard with two excellent cuts for the dancefloor, "Regicide" hitting in at 140bpm, while "Ghostrunner" takes it's pace at 128bpm. Following on from releases on imprints including Osiris and Tectonic's sister label Cold Recordings, Ipman demonstrates his ability to seamlessly fuse sounds, textures and moods - from jungle to techno and everything in between. The results are clear - high impact dancefloor energy delivered in a well-measured fashion: intricate rhythms and textures dance around thunderous subs and powerful sonic rushes.

* 'Regicide' repackages the mid-1990s jungle experience into 140bpm breakbeat science for 2015. Atmospherics and pads build in tension throughout the intro, a distorted reese bass being summoned from the depths emerges over crashing breaks, chopped and rearranged, effected and dynamic. An irresistible energy is delivered on the drop that will get any raver on their feet - and moving hard! "That's why we killed the king". Wheel and come again - long live the king!

* 'Ghostrunner' originally featured, in an earlier incarnation, on the Pinch B2B Mumdance mix of last Summer and now appears here in full, refined glory! Building from a murky swamp of moodiness, hissing fx and buzzing anxiety - an intoxicating swirl of arpeggios drift into consciousness, leading up to the drop. Rolling snares prime you for a sonic pounding, delivered with a rasping bass throb - technoid in its form, organic in its movement. Dubby, techno-y, broken beats swirl around your head - soothing and dementing in balanced measure.

limited clear vinyl pressing
The allmighty PRSPCT arsenal gets expanded bigtime with the coming of PRSPCT XTRM.. The name says it all extreme.. Over the top underground vibes!!!

Just when you thought it was safe to get back in the water two of drum & bass's longest serving soldiers return with an EP of
immense proportions on their own Product Recordings. With years of experience between them shining through Craggz & Parallel
show their stripes in spades here with four brand new productions designed to put hairs on your chest; some of the most powerful
drum & bass you'll have heard this year.
Leading off with 'Metal Plate' and we're treated to huge slice of late night break action for the 3am dance floor. The clue's in the
name here as they deliver a proper slab of dynamite drum & bass perfect for the more discerning dance floors who know. 'Fragments'
continues in a similar vein opening with a fearsome syncopated break and a snare that bites through any mix. It just gets better and
better as the bassline crashes in, morphing and changing up throughout for a track that never lets go!
Then things take a turn for the techno as C&P let their love of other genres shine through on 'Nobody' with a smattering of cut up
vocals and old skool synths mixed into a thick melting pot of heavyweight drums and bass. Wait for the b-line switch too...oh gosh!!
Finally they bring things down just a little bit with 'Get Smart', a pristine two-stepping intro with smooth ethereal pads swarming over
the top...until the drop that is. As the snarling mid-range takes a strangle hold it's a the barrage of sub that does the damage here.
Naughty but so, so nice.

Switch Technique returnes with his new album !
Few words from others about it:
"You may need a warning sticker"
Robyn Chaos
"Holy f**kin f**k. Respect."
The DJ Producer
"Absolute bonkers."
Bratkilla (OFFICIAL)
"The album is class"
Igneon System
"I love the album. It's HUGE."
Thrasher
"Without a doubt something You should all look forward to"
Eye-D

* A Sides and Makoto team up for their sensational new LP, Aquarian Dreams. The two producers have each marked out stellar careers in drum & bass, and now come together for their finest work to date. A Sides album's never fail to impress, and all of his releases down the years have been key moments in his musical progression. Makoto is no stranger to album releases either, with three previous studio albums and a host of EP's and singles across a range of highly respected labels

* The album is set across Eight tracks, and features guest contributions from Riya, Tali, Robert Manos & Spikey Tee. Aquarian Dreams came about after the two producers put together several 12' projects for Eastside & Human Elements, as well as a collaboration with DJ Marky. In July 2012 they collaborated again recording Searchin', Uplifter and Simplicity after which they decided it would be a great idea to work on a collaborative album project. Over the course of the next 3 years they got together in London and Tokyo completing further collaborations up until January 2015 where they finally completed the album in Tokyo. The new label name was born from their own imprints A Sides Eastside Recordings and Makoto's Human Elements, giving you Eastern Elements.

* Flowing breaks and aquatic samples start the record in the best possible way with Jupiter, alongside Manos's soulful singing. Feelings of release and freedom will grab you straight away, as A Sides and Makoto really hit the high notes. Uplifter follows with rangy, deep vibes on the former and the latter being the producer's ode to the old school hardcore jungle vibes. You know you are in good hands with A Sides and Makoto, each playing to their strengths and bringing the best out of the other. Riya asks Where Do We Go, a positive, life-affirming ode to determination and seeking answers before the arrival of You Sexy Beast which is all about the breaks, disco feel and Latin vibes. Simplicity has a warm, welcoming, which is augmented by the vocals of Spikey Tee soon followed by the already classic original version of Searchin'. Back In Your Arms has Tali on vocals, with her words surrounded by a floating, dream-like soundscape. The beats are clear, the keys on point, and the whole track lifts you up and takes you away before Hurt My Soul takes things up a notch, with rolling piano, sharp hi-hats and a funky 70s feel to it and is the perfect summation of the feeling of the album.

A long awaited collaboration between Amoss and Arkaik. Sinkhole is a stomping slab of distorted funk. It's grimy basslines weave and growl over the weighty drums, whilst glimmers of pads and piano supply the epic transitions. Sinkhole!

'Fear' is as the title suggests, an intense foray into the sound of Amoss' studio experiments. Mangled bass twists and turns on-top of a solid sub line, and the drums hark to the editing of the 90s, with the added dirt that's now become synonymous with the duo's production.

* Returning to Dispatch LTD after a string of successful and hard hitting releases, DBR UK are back to present their debut album, entitled 'Rough Edges'. Serving as a teaser to the full album release, this album sampler features two tracks; one, a collaboration with Skeptical and two, an exclusive remix from Cern.

* For the first track, 'Hexton' opens up the album in fine style, as DBR UK combine forces with the mighty Skeptical, a local accomplice and long-time collaborator of theirs. Carrying an unmistakably infectious groove, super crisp drums and smooth low end waves merge together in perfect harmony, delivering a final product that's dripping with funk, oozing with style and continuing the momentum throughout, with a certain swing that only these two producers can provide.

* Up second comes a track exclusive to this sampler, as fellow Dispatch album artist Cern goes in the remix for 'Say What You Want'; the title track from DBR UK's last EP with us. Completely flipping the script with this one, Cern totally switches it up into a fiercely tight programmed amen workout. Re-using the bass stabs from the original as a focal part of the weaponry, the once soothing vocals of Amanda Seal are transformed into a haunting chorus that echoes throughout.

* Back on the scene with a vengeance and now releasing some of their best music to date, there's a lot more on the way from DBR UK.

Following their recent triumphant return to Metalheadz earlier this year with 'The WolfE.P.' Digital & Spirit return to Phantom Audio with four fresh cuts. From the moody minimalism of 'Vison' and claustrophobic atmospheric layers of 'Stage Fright', to the retro bassline groove of 'Heaven' and straight-up breaks frenzy of 'Square One', we present to you four classic cuts.with that undoubtedly unique Phantom Audio flavour.

* Integral release number 30 switches up the vibe with HLZ's solo debut EP for the label, three incredible tracks exploring a contemporary tech sound that is as hard-edged as it is deep with a digital only bonus to boot. Introducing the Rem World EP'.

* Theia' on the A side features an eerie cinematic intro that drops into a big stomper, its huge, well-oiled yet nasty chainsaw bassline is complemented by effortless vocal cutaways and washing pads morphing in and out of the techier elements. Sharp and heavy hitting, this epic tune comes crashing into full effect on a big system at the dancefloor's peak and is being exclusively featured in sets from tastemakers Artificial Intelligence and Andy C.

* On the flip an extraterrestrial experiment by the name of Rem World' instantly captures. Its provocative female robotic spoken word layered over funk-fuelled, crisp drum patterning and cinematic soundscape reeks of attitude, reminiscent of Jonny L's legendary sound of the mid-late nineties. High levels of punch and edge with ample cool factor intact, the intricate breaks programming on this track is exemplary.

* Roads' continues to explore the business of neuro funk with big dancefloor sound in mind. Stunning pads wafting in and out of slick and punchy beats, makes this yet another superb production.

* For the digital release only, a bonus track by the name of Nebulosa' rounds off a truly fantastic EP. Futuristic and driving, the stunning grooves of this tune take you on a subliminal journey rich in inspiration, coming at all angles - from techno music and oldschool funk to the golden era of techstep.

* Don't miss the epic Rem World EP from man of the moment, HLZ. Superior quality drum and bass with that extra special edge. Out in all good music stores November 20.