Beats Новости

PUNCHLINE01 sees a group of heavy-hitters sneaking into the backdoor of Ba Dum Tish – a newly-opened local comedy club – to try out some fresh material under some brand new aliases.

FWM Entertainment has kept that same energy in its second release by label head, Stefan Ringer. The A side track 'SO' is instantly exciting! The chorded turned arpeggiated melody and rhythm section take over your body and the song invokes different feelings and emotions as it progresses; this is a song you will definitely want to have for this summer and beyond. Over on the B side, 'Afrotine' brings a more tropical broken beat type of flavor. The percussive yet chromatic sound of the kalimba is almost hypnotizing. Sunshine, cool breezes, and smiles come to mind when hearing this one. The B2, 'Time' is a slowed down vocal groove that slaps! The melody floats effortlessly along the beat with the bass line following closely behind, complimenting the changes throughout. Overall this one is a keeper and a great follow-up to the acclaimed FWM001

Recollection of Everything Beautiful - Sydney duo, Thomas Gray & Liam Ebbs bring us six gracefully composed pieces that wind through synthesis, acoustic instrumentation, and vocal harmony in a beautifully pensive and emotional narrative.

'Recollection of Everything Beautiful' was written over the space of 18 months between 2019 and 2020.
The protracted time frame for the creation of the record corresponded with a period of vast personal change for both Thomas and Liam.
Contrary to their debut record, '3 Days, 2 Nights', this work is less bound to place, rather being a reflection on the joy of transformation.

Amsterdam-based keyboardist, composer and owner of the Flowriders studio Vincent Helbers released his debut album ‘Hear To See’ as Seravince in 2013. A blend of broken beat, future soul and multiple adjective-jazz styles, compiled in a masterfully mixed 45-minute album. Now, 7 years later, the album is released on vinyl for the first time in a limited quantity of 150 copies.

Seravince’s 'Hear To See' sees Vincent cultivating his extensive experience inside the studio. The album is deeply rooted in broken beat drum grooves, provided by longtime collaborator and UK drummer extraordinaire Richard Spaven. These are accompanied by the jazz-inspired harmonies and solos from Seravince himself. All musical elements are one takes, recorded on analogue tape. “I want the sound to maintain the rawness and organic vibe”, Seravince explains. The sensual vocals on the album are courtesy of RH Factor singer Renee Neufville (US) and Sharlene Hector (UK), who’s worked together with Reel People and Basement Jaxx.

CAIN closes out his Fine Grains triptych with a vivacious EP of signature bass shuddering, polyrhythmic drums. ‘High Call’, his first 12” on the now Amsterdam-based label, offers 6 original tracks and a remix by Japanese producer Jun Kamoda in homage to the revelatory spirit and pre-medieval origins of carnivals. Artwork by Dutch/Scottish artist Roos Dijkhuizen created through ink and water drawings.

Colours emerge from the dark, glowing torches and fire embers flicker through the night. ‘Caapi’ warmly draws you into proceedings, an alluring tease of soothing chimes and preview of the infectious shuffling drums that will follow. From ‘Apsara’, Cain sets us on the front foot. A pounding, stuttering rhythm ignites the track, as spinning chord sounds echo and a haunting, hallucinatory vocal lead us on. The carnival is fully alive in ‘Gundon Night’, a sinister and menacing broken track steered by Cosssack warrior chants. High on the mountain we reach the pinnacle of ‘High Call’, a triumphant lead track with CAIN’s recognisable warm and driving, rhythmical drum patterns. The otherworldly psychoacoustic melodies of ‘Taiyi’ and slower-paced triplet drums structures of ‘Zetwal’ make these tracks the outliers of the EP, but they also complement and help to complete the picture. Jun Kamoda’s zany turned up marching techno take on the lead track signs out ‘High Call’ in playful, multi-coloured order.

Superlux is the latest project from Mike Gill, Nick Gynn and Johnny Hunter. With years of combined experience in the
industry, each member brings their own unique flavour to the mix. The end result being the trio's debut release, Superlux
001, on their new imprint: Superlux Records.

The EP begins with Mike Gill’s Noisy Rework of White Noise . A breakbeat style cut that harks back to the early days of dance
music, stuttering percussion and intermittent hi hats help form a track that feels modern yet mature. Chupa Track continues in the same vein, as a mechanical synth rotates alongside echoing calls and robot-esque keys, before Take One ups the tempo as
reverberating pads clunk on top of a slow moving bassline. Rounding off the EP is the Dawl remix of Take One . A similarly eerie number, pulses and beeps merge with choppy breaks to form a futuristic, extra-terrestrial sounding cut.

Vol. II of our compilations called “The Spacy Saga” comes with 6 original mental mind missiles from five truly underground rising composers - check it out.

Here it is! The first EP from "Zero Netcost", a project by Romain Bezzina with the help of Simon Mills ak Bent plus a few guests. A sweet mashup of easy-listening and downtempo tracks with nostalgic and dreamy vibes. God damn, this is some good-ass ice cream!

Shanghai’s forward-facing Svbkvlt turn out a killer surprise drop from Hyph11e and Kode 9 after their raucous Gooooose & Dj Scotch Egg throw down Last spotted on a body-spinning split session with Slikback for Hakuna Kulala/Svbkvlt in 2019,
Hyph11e’s Tess Sun renders her most polluted atmospheres over panel-beating mutant techno rhythms in ‘Barnacles’; spending the first half fulminating amorphous, cranky sound design before
emerging from the chthonic murk with a foul head of industrial bashment.
As an avowed fan of Svbkvlt’s aesthetic, and a regular visitor to their region, Kode 9 is the ideal candidate to rework ‘Barnacles’, refitting it with signature wavey top line and recalibratiing the rhythm to a hybrid of rolling mid ‘90s hardcore breaks, nippy 2-step, and glyding UK Drill bass graffitti that firmly marks up his first outing since 2019’s ‘Digging In The Cart’ reworks of Japanese computer game soundtracks.

Shanghai’s Hyph11e commits a debut album of brooding sound design and gnashing breaks to her home city’s Svbkvlt stronghold, following hardcore ballistics for Hakuna Kulala and a lead single prepped with a killer Kode9 refix.
Dragging UK ‘nuum dynamics into Shanghai’s impending, fast-fwd present, Tess Sun aka Hyph11e has carved out a fierce reputation with her shots found on the praised ‘Cache 01’ compilation and in DJ mixes by key players including M.E.S.H., Aïsha Devi, and Kode 9 & Burial over the past four years. On ‘Aperture’ she plays around the theme of holes, rupturing her own path thru rave spacetime with deft, barrelling breakbeats wrapped up in fluidly contoured synth schematics that probe mutant corners of the dance, somewhere between industrial breakcore tekno and junglist footwork, with bleak but sensually personalised soundcraft done in a mechanised outernational dancehall style shades away from her label mate 33EMYBW and Uganda’s Slikback.
Hyph11e sparingly lights up her music like scenes from a rave in strobing start/stop motion and with a knowing grasp of negative ecstasy - finding pleasure in the aesthetic and noumenal spaces between styles, time and space. She characterises this notion in the album’s brutalist bookends, ‘Encrust’ and the chemically overripe lushness of ‘Erosion’, while traces of electro-acoustic strings infiltrate the prowling stepper ‘Accretion’, and more traditional Chinese tonalities describe rangier Jungle Tekno landscapes in ‘Baily’s Beads’, and she summons wraithlike spirits from the fizzing industrial dancehall fissures of lead single ‘Barnacles’. At her most dextrous, proper UK hardcore is rinsed into labyrinthine warehouse variations on ‘Doppelgänger’ and ‘Get Out From Under’.
Anyone who suffers trypophobia may want to proceed with caution, but hardcore ravers of all stripes and futuristic leanings will sink deep into the ravishing style and puckered darkside
discipline of this sharp, incredible album.

Following his joint drop with Denham Audio, Bristol's Borai fires up the third installment of his Higher Level label with another two precision-tooled rave bombs. Building on a catalogue 10 years deep and a versatile production style that spans deep house, techno, garage and breakbeat, Borai has been busy feeding his heavyweight productions into the scene via his Club Glow project (also with Denham Audio) - first as a mixtape in 2018 and now expanding to encompass events too. As with much of his recent work, HL003 leans heavily on early rave tropes re-figured for flexible assimilation into open-ended, genre-agnostic club music zeitgeist. "Carpet Bagger" has a propulsive 4/4 thrust, but its nightmarish bass drops and stabs are pure darkside. "Sanctuary" (surely shouting out the seminal '90s Milton Keynes spot) takes a sweeter direction - silky smooth chords and diva vocal licks riding over a rolling Hot Pants break. This is classically informed rave tackle given a gleaming finish - heavy in the low end and bright on top for maximum devastation in the dance. Take note too - HL003 also welcomes a new artist into the fold for the sleeve design, Nuff Gal. The Bristol-based illustrator perfectly captures the playful energy of Borai's productions, ushering in a striking new aesthetic for Higher Level.^

Blazing Shed Hardcore declarations for the lovers & the ravers.

No 4 ! from Francesco Del Garda's Timeless imprint.

Emerging producer Patrick Conway delivers the goods on the second EP to be released on Art E-Fax.
E-FAX002 is a selection of submerged breaks, dark and spectral bass grooves and washed out melodies all combining to make release that is as eerie as it is infectious. A producer who describes his influences as being 'transcendental meditation, UK Rave, Sheffield bleep/Warp records, Carl Craig circa the early '90s, Silent Servant, Shabba Ranks and joss sticks smoking out the studio', it's not hard to hear the shadowy, dense smoke and heavy calm that unifies those inspirations.

For The Next R.a.n.d. Muzik Comp Leipzig's Qnete, Interviews And Stanley Schmidt Team Up With Melbourne Local Rudolf C.

Breakbeat Music From House Through To Emotional Drum And Bass..

Club-fueled horsepower drives this 9-track "Cinnamon Behind the Wheel," as the Asheville-based producer DZee weaves together a collection of shapeshifting landscapes of euphoric breaks, gritty industrial rhythms, hypnotic-induced dub and UK rave stunners into a cross-pollination of both UK and US inspirations. As the cofounder and operator of TRAM Planet, DZee forges new frontiers for the label with this wild ride into pure dancefloor heat for all sound system terrains.

Whether it's the arpeggiated vocals in the rave anthem "Expired Lotion Aug 29," the kinetic feedback beatdown of "Ho Ken Waa" or the electro breaks hybrid opener "Phantasy Rewind" - "Cinnamon" has as many shades of styles as it does bangers. But DZee flexes more than just versatility prowess here, as it clocks in at nearly 50 minutes, the release covers a masterful blend of wide range BPMs and seamless arrangement structures that run as smooth as the shifting gears of a high octane engine.

Adam Pits & Lisene suit up and shoot straight for the stars as Space Cadets on the newest Seven Hills release, SHR002. Driving, gutteral and bass-heavy, Space Cadets combat the predisposed semblance of 'space music' with a collection of fast, pumping, uncompromising club music.
Trance-infused, breaks-splattered tech-house from Adam Pits, a broken beat UK bass & techno fusion from Lisene, and a serene warping remix delivered by equally gifted producer No Moon, we're excited to hear these tracks grace dancefloors throughout this galaxy and beyond.

Repress

A true lowlands collaboration on the Clone jack For Daze Series. Betonkust and Innershades team up for the Benelux Connection EP. Harking back to the days of when New Beat and early Chicago House ruled the Dutch and Belgian dance floors and ravers cruised the Benelux in search of that perfect beat.

Meda Fury is so gassed to welcome Silvestre back for a virtual hug and a 5 track EP of new jams and remix fire! The Lisbon boy done good has been enjoying some well earned praise for his last few releases - his '...is boss EP' on Secretsundaze, 'Girar' on Diskotopia, and 'Yeah' via yours truly. Gigs in Amsterdam, Bristol, Porto, London and Lisbon followed - including his debut on Boiler Room. For this new EP we are served 3 brand new Silvestre tracks and 2 huge remixes from one of the most respected labels in Lisbon - Príncipe! 'Todos Bem' starts as an organ led scratch-fest, with a tight auto-tune vocal from Silvestre himself, before mutating into an anthemic/hedonistic 303 acid and whistle banger! This euphoric string-laden track equally at home in Ibiza or Notting Hill Carnival! 'Paga O Que Deves' is up next; Joao's love of grime and UK bass culture is evident from the drop, twisted synths and breaks recall everyone from Eastman to Wiley. On the flip we find serious remix pressure from Silvestre's friends and contemporaries - the Lisbon crew of Príncipe! DJ Firmeza is up first, pushing the tempo way up on 'Yeah', turning it into a banging kuduro rave monster, propulsive batida drums upping the temperature. DJ Lilocox follows with an intense remix of 'Demónios Na Cabeça', converting it into a percussive trancey big-room bomb. Layers of mixed afro/gqom drums follow a strict samba-like rhythm forcing hands and possibly the ceiling higher.

The depths of ambiguity will at some point reveal the anonymity of this craze. Who is he? How did we get here and what does it take to "become"? We look up - we look down. This conundrum will guide us to the answer we are all waiting for. When we enter the land of Genam, we shall patiently wait for the Sun.

Dusty Donuts crew member DJ Robert Smith is one of Germany’s dopest scratch DJ’s!
Former DMC Champion and 1 half of the highly successful touring outfit ’Smith&Smith’, he is known for his razor sharp and impeccably funky phrase cutting.
‘The Kure’ is a scratch record jam packed with such phrases, a mix of classic and original noises and vocal samples, it is the perfect tool for mastering your phrase scratching.
Each side contains 6 skip-proof tracks arranged at 100 bpm. The end of Side A contains a full scratch sentence containing all 12 phrases whilst side B features brand new vocal scratches and shout outs by LA hip hop veteran Andy Cooper! (Ugly Duckling/The Allergies/Unique Records).
The record is pressed on brilliant white vinyl with full colour picture sleeve illustrated by legendary skateboard artist Mark ‘Fos’ Foster (Heroin, Altamont, Baker, Toy Machine, Santa Cruz, Element).

Two Hardcore Jungle Techno Remixes of previous Innercore Project releases by Ron Wells AKA Jack Smooth and Innercore plus bonus track Pinnacle Pt2

First release brought by Funky Shirts Records. Expect some heavy dance-floor material, yet high versatility on this collaboration EP by Dumbmachine and Keymono.

A1 is a mover. A2 is a hitter. B1 is a killer. B2 is a banger.

Disclaimer: The Funky Shirts Records crew recommends special caution when deploying this weapon and is not to be held responsible for any kind of material or personal damage occasioned from playing this piece of wax. Use it at your own risk.

'dogs of chernobyl' is the debut album by unknwn.source who
captures the anxiety over the 1986 Chernobyl incident across
a range of different genres. The tracks were conceived
between 2014-2018, and while creating a sense of unease
through the gloomy sound design, there's shimmers of hope in
between suggesting a life after this cataclysmic event. Five
tracks of the album will be released as limited vinyl EP via
Freakadelle records, whilst the full version of the long player
will be available digitally

Eternity and a day. In the early nineties Automation were the masters of UK rave. 27 years later its about time to refresh one of their finest moments. Extended original version comes with three stunning remixes.

Arcola is proud to present Ascetic, the debut EP from acclaimed artist and DJ Anastasia Kristensen. Having delivered killer remixes and notable productions for various compilations - Anastasia further refines her craft with this debut, continuing to justify her reputation as a leading light within techno.

Proving herself to be equally strong a producer as she is a selector, Ascetic presents four tracks that exemplify the broad spectral soundscapes of Anastasia Kristensen's style. While it may have its roots in techno, Ascetic offers a multitude of audio dimensions to explore.

From the skeletal noise techno of 'LXR Jam', the brazen hardcore flex of 'Ascetic' and its breakbeat counterpart 'Ascetic (In Breaks)' and the industrial/dub tech-noir of 'Donni', Ascetic EP is the perfect accompaniment to the whirlwind of emboldened intensity witnessed at Anastasia's international DJ sets every week.

Set to be one of 2019's strongest debuts, Ascetic's four tracks show that when it comes to genre and composition, Anastasia Kristensen has no intention of staying in one lane.

Featuring producers who performed during Club Quarantaene 1, our collection begins with Adiel, CcC, Gian, Héctor Oaks, Marcel Dettmann, O-Wells & Solid Blake. The design features architectural motifs of Club Qu. Layers of imagery blended from current and previous Club Qu events. The virtual events past, peaking through the contrasting busy scenes and mirrored negative spaces.

COLLECTING ORDERS FOR RESTOCK!

The recent data dump from DJ house get the remix treatment from Coco Bryce & Desert Sound Colony - "breaks-jungle-house" in the mix! Pressed on limited 12" vinyl 300 copies Worldwide.

After more than 10 years of activity in the B-Boy and Party Funk music scene, Funky Bijou’s Marrrtin & Deheb are back with an ambitious Limited edition LP of 12 tracks. The duo took some time to make another album, because of their full time other projects - Marrrtin had produced soundtrack music for a TV Show, managing his label Stereophonk in the same time, and Deheb worked with Dancers and prepares a new house music project. This New LP comes with many
screen-printed, handmade vinyl versions, 300 ex only, which will certainly satisfy Vinyl and Funky Bijou aficionados. Adventures In the land of Breaks is not the usual Funky Bijou material, and is more composed and organized as a Movie Soundtrack for an imaginary « action and suspense » thriller. It could have been a Tarantino movie or some Pinky Violence soundtrack. All tracks are joined by some dialogues and extracts of the mysterious film. If you are down with Blaxploitation movies, Roy Budd, Lalo schrifrin, KPM library or all 70’s soundtracks, this one is for you! Action Funk, Runaway grooves! Most of the tracks have also been played during the world biggest
Breakdance Events such as Red bull Bc One and many others.
The Track Yekatit Rmx has been made from a track originally composed by Mulatu Astakte, replayed by The Selenites Band, in their LP Ethio Jazz Groove Project.

Just Another Label and Kniteforce bring you an absolute classic slice of remastered old skool with this much sought after EP. Perfectly preserved on DAT and now lovingly remastered, these 2 superb anthems from yesteryear are finally available again!

Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

7am. Tilburg. Black room. Strobe light. Dutch Soundsystem Wirwar. "Party Like It's '96" celebrates 23 years of musical debauchery, rinsing BPMs and battering bodies in forests, squats or wherever a PA system could be plugged in. Five tracks from five different aliases make up this descent into drum beat battery. Noses are up against sweat drenched wall from the needle drop, the thundering pace of Trippy D's maniacal offering being elbowed in the ribs by Bart Bral's nosebleed inducing "No Shit, Sherlock!" Distortion slices into squalid acid lines in the blazing "Water On Mars" by RAF before broken beats are blended and blitzed by Just So Nah. The night, or morning, comes to an end in Roel's nightmarish fairground ride. "Wurlitzer Express" minces chiptune cuteness with splintered snares, cracked kicks and mutated percussion to leave hearts, minds and souls thoroughly stained.

Dexorcist, aka South London’s Si Brown, has been at the forefront of the UK electro scene since the late 90s – running the seminal Control Tower label with Radioactive Man and producing as part of a number of collaborative projects alongside his solo releases, including as Kronos Device with Bass Junkie.

His ‘Rage Signal’ EP, the first vinyl release on Ecstasy Garage Disco (following digital releases from LMajor and BufoBufo), journeys further back into his musical roots, combining his trademark industrial-strength aesthetic with elements of dub, bleep and hardcore.

‘Rage Signal’ starts the dance, blending rave whoops, slamming breaks, acerbic hoovers and vintage sci-fi samples for a track heavily championed by Local Group, the duo label boss Corporeal Face is part of. The searing bass, booming 808s and urgent bleeps of ‘Centurion’ then underline its gravelly vocal, which aptly attests to the roughness of the 21st century.

‘Don’t Come Cryin’ is another huge slice of thumping 140bpm rave-inspired breaks, Britcore vocals and urgent, winding melody adding chaotic force to the bass and stab lead. ‘Jah’s Comin’ closes out, a prophetic vocal, hefty sub, dubbed out horns and turntablist scratching heralding his arrival – while also signing off an EP that unites electro’s bass weight with the undying energy of rave’s early days.

GEN-Y debuts on BAKK with a release that hits every corner. Four refreshing tracks that dabble in familiar styles without a single concern for tradition. Packed with three tracks by GEN-Y solo and one as G.F. together with Paule Perrier. Whether you like acid breaks, snappy electro, dreamy psychedelica or ghetto house with a twist, GEN-Y got you covered. Comes freshly served in screen printed comicly radiant artwork by the BAKK Catharsis Company.

Phyzikal Flex delivers four absolute bombs from the vaults on this colabo EP from Doom Chakra and Parallax. The 12" features two revised and polished versions from his 2017 Doom Chakra Tapes album, “Keeping It Real Since 92”, plus two unreleased tracks - available for the first time now on vinyl.

Parallax & Doom Chakra joined forces on this PARADOOM 0001 release in order to finally release these four long-awaited gems on wax. The release will be delivered in a unique hand-sprayed sleeve, each record will be hand-stamped and will also include a batch of collectible stickers from both labels. The record was mastered by Norman Nitzsche @ Calyx Mastering and cut by Phyzikal Flex himself and will be pressed at Optimal Media.

Repress

Third EP from the man Sentiments releasing four 90's inspired tracks, somewhere between detroit house & early idm. Breakbeat & tribal rhythms guaranteed.

Borai will be instore at Container Records launching the EP, date TBC
Bristol based Borai returns to THEM records with a 4 track EP of 140bpm Jungle and Warehouse Techno. Ruffneck club music for 2018

DJ SUPPORT:
JoeFarr
Manni Dee
Lag
L Major
West Norwood Cassette Library

For its third release Marginal Returns welcomes veteran DJ and producer Controlled Weirdness (London's Neil Keating) to the label. 'Tenth Floor’ showcases Keating's elegant, slanted take on classic techno and electro.

‘Flow State’ is signature Controlled Weirdness - sharp yet perfectly balanced acid-electro, ‘Halfpenny Hatch’ is a sparse but weighty peak-time tool, and the playful UK skip and belltones of ‘Italian Summer’ provides a lighter moment. Detroit meets Deptford on ‘The Art of Blagging’, which concludes the EP masterfully, techno music of the spheres.