Beats News

The label's head producer is back with a new EP. S.Moreira always brings something exciting to the table, as can be proved on the track that names the record. Breaks, d&b, house, downtempo, all rounded with his own jedi sound

The Forecast series returns to THEM with another four track various artist compilation of broken, rave minded Techno.
Perc It's all about Manni's tune for me here.' Tzusing Lag and Deapmash one 4 me. sick!' Endlec My fave is the Manni Dee but the rest also are dope.' Rebekah Already playing Promaja - huge track and the others are great too'

* Worldwide Epidemik lands on Knitebreed and fulfills every expectation one might have had. Already a well known name in the Jungle Techno circles, his carefully constructed soundscapes evoke both the deep past and the unknown future, with rolling beats and deep basslines that skate across your mind and reverberate in your soul.

Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Acen, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

The Picnic Records crew deliver their 3rd release full to the brim with rolling bass lines and catchy melodic synths. Keeping things in-house with founder and resident Andy Luff teaming up with Herra to bring us a stellar 3 tracker.

Winter is coming, it’s cold outside and we’ve got a fresh, warm new Tooloop for you.

Let the music speak for itself.

Enjoy!

An absolute underground classic, Phat & Phuturistic remains both things after all these years. A deep slice of moody bass and sinister drums with a keen eye on a futuristic sound, the years have only reinforced how strong this EP is. Remastered from DAT for your enjoyment, this one is gonna fly out…

I.JORDAN ist zurück und feiert mit ihrer neuen EP, „Watch Out!“, die erste Veröffentlichung für Ninja Tune.

Nach der sehr erfolgreichen und persönlichen EP, „For You“, die im letzten Jahr mit großem Erfolg veröffentlicht wurde (der Titeltrack der EP wurde von Resident Advisor auf Platz 1 der besten Tracks des Jahres 2020, vom Crack Magazine auf Platz 2 und von Pitchfork auf Platz 21 gewählt), ist „Watch Out!“ ein Feuerwerk an einzigartig gestalteter, energiegeladener Tanzmusik, die Indias euphorischen, bejahenden Sound in seiner stärksten Form zeigt. „Watch Out!“ ist stark von Bewegung inspiriert, sowohl in ihrer wörtlichen als auch in ihrer abstrakten Form, und India reflektiert darüber, wie diese Bewegung ihre Leben über die Jahre beeinflusst hat. Fast schon einem Klischee entsprechend sind die meisten Tracks von langen Reisen inspiriert. India beschreibt die Platte als „eine Hommage an sowohl physische als auch konzeptionelle Bewegung“, und ein Ergebnis ihrer eigenen Bewegungsmuster, das letztes Jahr durch einen Lockdown zwingend verändert wurde. Obwohl die meisten ihrer Shows im Jahr 2020 abgesagt wurden, hatten die in Doncaster geborenen und in London lebenden Künstler*innen, die als eine der aufregendsten Dance-Music-Produzierenden des Augenblicks gehandelt werden, ein ziemlich erfolgreiches Jahr und zeigt keine Anzeichen für eine Verlangsamung. „For You“ wurde im Mai 2020 auf Local Action veröffentlicht und erhielt sofort beeindruckende Kritiken von Medien wie hierzulande Groove und international Pitchfork (8.0), NME (5/5), Clash (8/10), Resident Advisor, Mixmag, The Guardian, Bandcamp, Dazed und mehr. India gewann außerdem den Preis „Best Breakthrough Producer“ bei den jährlichen DJ Mag Best of British Awards und wurde von Pete Tong zu seinem „Breakout Star of the Year“ in seiner Show bei BBC Radio 1 ernannt.

2x12"

Berghain Fünfzehn sees Luke Slater creating new compositions from the Ostgut Ton back catalogue, chopping, looping tweaking and deploying sounds into a mix that is both a playful retrospective of the label and future-facing vision for mixing and dance music. On April 17, seven exclusive tracks from the Berghain Fünfzehn DJ mix will be released on two 12”s and for streaming/digital download. De- and reconstructing the Ostgut Ton discography, Slater’s vision encompasses not only sampling but live electronics and improvisation, resulting in a broad spectrum of heady and liminal dance music: from ultra stripped-back mindfuck techno, vocals and blasts of distortion to breakbeat excursions, minimalistic acid, and rave polyrhythms. In other words: the arc of the label through Slater’s singular hallucinatory prism.

Mit Berghain Fünfzehn schafft Luke Slater neue Kompositionen aus dem Ostgut Ton- Backkatalog, indem er bestehende Sounds zerhackt, loopt, neu justiert und in einen Mix einbettet. Das Ergebnis ist eine spielerische Retrospektive auf das Label und gleichzeitig eine zukunftsweisende Vision für Mixing und Dance Music als solche. Am 17. April erscheinen sieben exklusive Tracks aus dem Berghain Fünfzehn-DJ-Mix auf zwei 12"es und als digitaler Download / Stream. Mittels einer De- und Rekonstruktion der Ostgut Ton-Diskografie umreißt Slaters Vision nicht nur Sampling, sondern auch Live Electronics und Improvisation, was sich im breiten Spektrum berauschender und liminaler Dance Music artikuliert: von radikal abgespecktem Mindfuck-Techno über Vocals und Verzerrungen bis hin zu Breakbeat-Exkursionen, minimalistischem Acid und Rave-Polyrhythmik. In anderen Worten: der Bogen des Ostgut Ton-Labels, gebrochen in Slaters einzigartigen, halluzinatorischen Prisma.

A message from the unknown.. limited to 200 copies

I had five pupils.
Now, the first pupil: His name was Zhang Yiaotian.
He practiced the Centipede style.
He was known as the Centipede.
In fact, the speed he moved was as fast as a Centipede.

London based multi-instrumentalist and beatmaker Wonky Logic drops 6 track EP “Transdimensional Fuunk (Transposed for Human Consumption)”, on July 30, 2021, marking the 14th release of Super-Sonic Jazz Records. Also, save the date for the first two singles on May 21 and June 25, 2021.

Last year, producer and multi-instrumentalist Wonky Logic released his debut album “0113”. Now, he continues to showcase his passion for wonky beats and swirling synths with his follow up “Transdimensional Fuunk (Transposed for Human Consumption)”. As a service to clubbers and dancers of Planet Earth, he translated his banging space funk for human needs. From steamy and dangerous to subtle and soulful, it’s all on his extraterrestrial palet. Ain’t no denying that, with these 6 tracks he establishes himself as one of the more rebellious beatheads in the UK Jazz scene, with strong connections to Super-Sonic Jazz and Summer Dance Forever.

Wonky Logic started out at the age of 11 on his mum’s computer and made his journey onwards from Leeds College of Music to jamming with Nubian Twist and GEO, into becoming a founding member of Steam Down. He collaborated with Nubya Garcia, Theon Cross, Wiyaala, Afla Sakey, K.O.G., and broken beat icon I.G Culture, for which he did Musical Direction of “Earthbound” (Super-Sonic’s ninth release). His current projects include his own band with Nache (Sons of Kemet) as well as The General Elation Soundsystem, alongside Brother Portrait and Nadeem Din-Gabisi. He plays keyboards for Bryony Jarmon-Pinto, synth bass with afrofuturism band ONIPA and has recently played on Emma Jean Thackray's project Um-Yang alongside Soweto Kinch.

However, this Summer will be all about his own brand new EP, which will be warmly welcomed by beatmakers, clubbers and dancers alike. Hopefully, they can do so in the freshly reopened clubs across the globe, where this piece belongs.

Repress

The fifth installment of DJ NOBU's imprint Bitta is a debut EP by a Japanese emerging producer Daisuke Uchiyama. Daisuke has been involved in music making for a long time originally as a bass player and has experimented across various genre from rock to electronic music, but this is his very first solo release. His Egg
EP consists of intricate poly-rhythmic techno breakbeats combined with metallic yet organic layers of percussion and pastel-coloured electronic riffs that create the atmospheric depth and abstract beauty while drawing the listeners into hypnosis. On the remix duties, we have invited Marco Shuttle, who is well known for The Bunker New York, Spazio Disponibile works as well as his own Eerie label outputs. His B1 remix enhances the percussive elements of the original A1, and gets you lost in a jungle-like mystique. B2 delivers his
trademark psychedelia through exotic synth works with added sensuality. Both classy remixes are fine examples of Marco's remarkable skills bringing fourth the essence of the original materials at the same time.

With his deep musical education, Daniel Varga produced under many pseudonyms (Soda), (Borneo und Sporenburg), (Cybordelics) formed in Stuttgart in 1993, (REWORK) or by Toni Mono released on F Communications in 1995, a disc that haunted the dancefloors of the time. Besides countless releases of his compositions, and numerous remixes, he has also contributed to the music of numerous film projects. One of the favourite discs of the founders of the label.

A staple element of high-profile labels such as Hivern Discs and ESP Institute, Brussels-based producer Andrea Mancini alias Cleveland has built something of an impressive reputation over the last few years, establishing a sound signature both convincingly unique and daringly game-changing, as well as setting up a distinctly fresh musical grammar that invites the listener to see under the surface of the standstill techno/house dichotomy through more complex but just as effortlessly enjoyable architectonics.

Complete with a choice duo of remixes courtesy of Beta Librae and Piezo, Cleveland’s debut EP for Kalahari Oyster Cult sits straight in line with the recreated organic lushness and widescreen vista of his previous installments. Seemingly a straightforward broken-beat affair at first glance, ‘Gamma’ seamlessly slides towards sun-dazed weirdo house terrains with its dripping honey-like melange of dubbed-out synth ripples, distorted machine talk, and foot-shuffling drum work.

A further Arpanet-friendly slab of shapeless electronics, ‘Ora’ levitates in a zone of its own, subtly oscillating betwixt chimey oneirism and crystal-like, arpeggiated brittleness. On the flip, ‘Gamma’ gets a double treat. Turning the track into a proper floor-ready weapon, Pezio alternates sequences of hypnotic melodic shimmer with a stealthily squelchy but dynamic percussive momentum. Adding her trademark playful get-up-and-go whilst retaining the original’s textural quirk, Brooklyn’s Beta Librae explores even further the cheeky vibrancy of Cleveland’s non-formulaic audio semantics to brush a vividly trippy tableau of sorts.

New imprint beam dump curated and run by Chris Geschwindner starts its operation with the usual madness. Following the idea of a beam dump, a device that captures and dissipates large amounts of radiation, the label showcases music that strikes through its energy and coherent complexity.

For its first release, beam dump introduces the newcomer trio of SINM from Lima, Peru with their infectious blend of breakbeat-infused house and no-nonsense tech groovers. Including 4 tracks, Simulation EP is a fun and innovative approach to current electronic club sounds borrowing inspiration from tech house as well as twisted UK garage and 2-step.

Out Of Romford continues its run of classic remasters and remixes with this amazing proto-jungle EP. Featuring new remixes from New Decade and Liftin Spirits, its an unmissable slice of the original sound. Rolling beats and heavy bass laced with potent atmospherics are the name of the game, and it is played at its finest here….

UK Garage. Dubplate's. Persian. Breaks. Matrix. Riddims. Existence Is Resistance. Vibe. Old Skool. Dub. Shuffling. Bass. UKG. Bleeps. Groove. Love Song. R&B. Lost Words. Artist Formally Known As P.P. Undeground. Soul Singer. Smooth. Nicola Duncan. Archive. Nu Skool. Classic. Broken Beat. Persian Prince. Deejay. UK Funky. Same People. Bass Music. Garage. Pirate Radio. Beats. Unearthed. Vinyl. BreakBeat.

* Hectic is one of the greatest old skool labels and after the success of the represses, new remixes were inevitable. We have pulled out all the stops here with remixers such as Luna-C, Pete Cannon, Beeno and Nicky Allen all showing how to do new mixes of classic tunes without compromising the sound or integrity of the original huge choons! A big release!

Originally released as one side of a split E.P on Firewire Recordings back in 2002 “Venting Steam” and “Solid Gear” get a fresh remaster on Varial Records.

Featuring alongside are two additional unreleased tracks created and recorded at The Cube in the same time period, "Muted Point" and "Tallon Drive" provide a more lo-fi 4/4 techno workout. Inspired by the other worlds we escape into through sci-fi and video game culture.

For its fifth release, french label The Bass Academy goes back into time!!! Originally written by legendary Man Parrish, "Boogie Down Bronx", a cult classic from 1984, sees a mighty resurrection with a "fresh mix" rework from UK Electro veteran Bass Junkie. Not the first time Phil Klein (Battle Trax, Breakin' Records) remixes Man Parrish as he committed in 2002 the heavy “Bass Junkie's Boogie Down Bass Mix” of “Hip Hop Re Bop”. Today, he serves up an uncompromising electro funk mayhem made of old schoolish samples, vintage synth melodies, retro congas, relentless scratches and pounding 808 beats. This brand new Sci-Fi anthem, enhanced with the legitimate legacy from the past, will invite you for some irresistible B-Boy breakdancing movements on the linoleum!!! Tuuuuuunnne! On the flipside, Phil teams up once again with long time partner in crime Simon “The Dexorcist” Brown. Together, as Gods Of Technology, (Battle Trax), they revisit another untouchable song, “Future Computer”, an exclusive to TBA track written by Jamie Jupitor and published in 2017 (TBA02). Metallic sororities melt with nasty vocoder sequences and imparable whispers turn the cut into an ode to the dancefloor thanks to harsh and hammering beats. What a timeless monster in pure West Coast tradition! With abrasive outings to appear on the forthcoming months including an incredible album with Matt Whitehead on Dominance Electricity, Phil Klein definitively returns to studios stronger than ever, putting a end to a short blackout. Rush in this hypnotizing collector 12”, limited as usual to 150 copies as it marks one of Phil Klein’s best releases to date!

After 2 years of honing, crafting and sonic manipulation, Books' debut 'Station' album is ready for earthly transmission and this is the sampler to the album. A reimagining of Drum & Bass dynamics, the album will explore expansive depths juxtaposed against impossibly finite intimacy of mind.

Coming to the table with a fresh mutant sound, Darker Than Wax is proud to welcome Leeds-based artist Captain Over to our sonic universe with his Deep Blue EP. A solo project from one of the minds behind the band Paper Tiger, Captain Over represents a firm focus on dancefloor experimentation, blending the sounds of grime, broken beat, house, and LA beat music to create an entirely new beast. Much like the chess-playing supercomputer of the same name, ‘Deep Blue’ occupies a space between electronic weight and the human touch, fusing together icy digital synths borrowed from grime with off- kilter grooves and jazzy motifs.

Following a string of releases led by vocal tracks with grime MCs, ‘Deep Blue’ is the first fully instrumental offering from Captain Over, lending the artist a platform to make a strong statement about his creative vision and technical prowess. From the expansive arrangement of ‘4D’ to the duelling sci-fi synths on ‘Mind’s Eye’, the Deep Blue EP is a deeply creative yet functional record, signalling a bright future for the Captain Over project.

Introducing seasoned whippersnapper formerly known as Woz, under his reawakened guise, Lakewest. His debut 'Blood Orange' EP consists of three electrifying and detailed works that encompass the Bristol artist's latest hardware jams.

Since his 2015 Night School debut E.P. Nouveauree, James Donadio - aka Prostitutes - has been traveling stages and rigs from Los Angeles to Berlin, from prestigious festival slots to slimy Glasgow basements, burning his own path through the modern techno and electronic scenes. On Aluminum Garage, Donadio is at his most playful, laying down unmistakably mid-tempo BPM early-electro jams indebted to early sampling before crashing the soundsystem with frantic, detourned Gabber. Unlike his previous LP for Spectrum Spools or indeed his Night School debut which rankled with austerity and minimalism, here Prostitutes is instinctive, multi-layered and unashamedly, brilliantly borrowing from myriad genres.

In past 3 years, Donadio has racked up critically praised releases on labels like Diagonal and CGI, refining his wares into a precise, bludgeoning toolkit that surprises and develops with each release. Aluminum Garage creeps into life with Born Wanderer, before a sub-heavy kick and bongo pattern blasts into a heavy break that feels like the earth moving from under your feet. With the utmost clarity, the track builds disparate layers - a white noise solo, warped sample piano chords straight from 1986 - into a Rave-o-matic climax, holding steady with the BPMs and immeasurably funky. Jah Elegant further blows apart any image we have of Prostitutes' music as austere' with a loping intro based on teased drum samples and a ghost MC. The Jungle break comes in by stealth before the heavy drop blasts the music into Drum + Bass momentum. It's both blistering fun and undeniably cheeky, a driving track that cuts up Remarc on a dimly lit table in suburban Ohio.

On Side 2, Errant Seagull takes the genre mess into techno territory though put through a heavily distorted grinder. Built around a skeleton of sampled bass guitar and thumping kick, the track layers drums upon drums, building in saturation until a searing synth strafes the criss-crossing rhythms. The effect is dizzying, insuring both a propellant, heavy forward motion and a grimey, angst-ridden climax. Before we're at the end of the track, the stereo field is so filthy with distortion and analogue muck the listener is desperate for a palette cleanser. Final track Shroud of Cellophane however, doesn't let up. With a ramped up BPM we're in a Cyberpunk Gabber club, nothing but 160 beats per minute, layers of frequency-tweaked noise and the light at the end of the tunnel racing towards us. It's sweet oblivion and we've earned it.

Originally released on Will Dorey’s own Horus label back in 2013 the 7” was limited to 300 copies. Now on Lewis Recordings it’s backed with the original A-Side of ‘Riddim Box Dub’ by Stally & The Breadwinners.

To mark the 10th release on the Zeitnot imprint we've invited our very special friend Nick Gynn. For this milestone occasion Nick's prepared his longest play yet, 6 stellar tracks ranging through various flavours of deep and warped dance floor sounds.

On the A side AAA shows some love to the golden era of IDM with its B12-esque synth lines, and a growling grooving bass patch. Similarly weighty dance floor bomb Dynamic Traces has a mind-warping atmosphere, and a catchier hook than your favourite guilty pleasure.


Lose yourself in the gripping melancholy of Lourd, with more squelchy IDM-inflections, and practically dripping in nostalgia. Swap plates to the C side to hear expert examples of deep and driven electro Pheonix and Rokit, before gracefully coming to rest amongst the clouds in the arpeggiatted symphonies of A = 432 (Hz).

Blue Vinyl
This release has been smashing the festival circuit (before Covid messed things up) and tearing up every internet radio station and online d’n’b event since it first got played late last year. Finally available as a limited run on beautiful one sided light blue vinyl, this will be a blink and its gone release…

Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

Sneaker Social Club welcomes back Marcell Puch aka Dogpatrol, Germany's finest exporter of 'Tuff Bruk'.

DJ Support
Gigsta, Strict Face, Candy Pollard, Black Cadmium, Double O, Second Storey, Photonz, J-Shadow, L Major, Foul Play, Pugilist, Holloway, Nightwave, Main Phase, Stones Taro, Martyn Bootyspoon, Roger 23, Ténèbre, Kikelomo, EICH, Breaka, Appleblim, Etch, Tailor Jae, Jossy Mitsu, Nikki Nair, Dr.Banana, Ciel, Nick Craddock, Sarah Farina , Riz La Teef, Darwin, Asquith, Dolenz, Enzo Siragusa, Mani Festo, 8Ball +more

(180gr) Melbourne-based Vohkinne joins Kynant with the 'Wind Shadows' EP. Its title track is a grinding techno trip with stop-start drums to switch up the rhythm in a room. The two B-side cuts are straighter dancefloor fare.

Melbourne-based Vohkinne joins Kynant with the 'Wind Shadows' EP. Its title track is a grinding techno trip with stop-start drums to switch up the rhythm in a room. The two B-side cuts are straighter dancefloor fare. The first, 'Watching Over Us', is a thick and heavy, hypnotising 4x4 track, 'The Heretic' more dynamic and unpredictable.

Mastered by Neel (EnissLab Studio, Rome). Pressed on 180g, 12' vinyl at Optimal Media, Germany. Packaged in a house sleeve. All artwork designed by Christopher Honeywell

Guava returns to Control Freak for his second full length EP ‘The Dolphins are Back in Venice’ - a collection of 4 playful dancefloor bangers, precision engineered for the club.

Since his Control Freak debut with the ‘Lift’ EP in 2019, Guava has been hard at work in the studio. Following a move to Berlin (and a series of releases on the likes of Banoffee Pies and Holding Hands) he’s back on the label with a new and refined style, retaining the melodic flourishes of his earlier releases whilst turning his focus squarely towards the dancefloor - a perfect fit for our white label series. As an accomplished session musician, Guava continues to explore the synthesis between digital and analog production and songwriting techniques, innovatively self-sampling his own guitar playing across the record to add a human touch to his airtight productions.

On new 4-tracker ‘The Dolphins are Back in Venice’, which includes collaborations with rising UK artists Breaka & LUXE, Guava draws influence from a broad range of dance music styles in true CF fashion - combining rising, trance-influenced melodies with the syncopated rhythms and bassweight of the UK scene. Strictly limited vinyl release, hand stamped in London at CFHQ - first come first served!

Coco Bryce has carved out a big legacy in a short time, with his epic jungle workouts, varied styles and multiple releases over the last few years smashing every style out of the park. A combination of Coco and Kniteforce was a no brainer, and this EP is guaranteed to bend what brains you have left into shape…or out of shape. Who can say?

Legendary artist Isotonik steps back to the front with this HUGE ep of classic rave sounds. Hitting the slower, piano led and summery vibe had always been his strong point, and it remains so with these three future classics, each containing more soul and style than the majority of rave releases from then or now.

NRGs return to the scene has been phenomenal, and this EP only serves to underscore why his mighty talent for incredible music deserves the legendary status it inevitably gets. Inside is 4 thunderous rave tracks, with the lead tune, Inside, destined to be a classic. Meanwhile NRG takes things forward with “Ive Been Waiting” and lets the beats speak for themselves in Dancefloor Rockin, leaving only “Yeah” to make you agree you just listened to both the future and the past…


Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

clear green vinyl

Influential was a Kniteforce owned jungle / d’n’b label that ran for nearly 20 releases back in the late 90’s, before coming to a halt as KFA took off. But now it is returning, revamped into an old skool styled jungle label, complete with irreverent samples and deep jungle bass and dancehall vibes. All four tracks on this EP lean in slightly different directions, but all are forwards in reverse, proper jungle for those who know the original sound…

The duo XPRESSION steps up for the next Cosmic Rhythm release, delivering 4 absolute astonishing cuts deeply rooted into 90's raves' era.

“The word ‘Isolation’ undoubtedly has a new weight to it. For any person, within communities, it has the ability to starve us of something essential OR positively recalibrate an individual whose introspection can lead to creation. The title & concept of this release is simply an acknowledgement of a creative process in which going inwards can lead to the discovery of something unique.

We as people move alongside technological advancements & this has the power to ‘connect & isolate’. Our personal relationships with one another also take on new forms as our tools for communication change. This inspires creative action. The human response to modern devices can result in surreal and unfamiliar expressions. In terms of music, our instant access to information from the past & engrained intuitions lead us to revisit atavistic rhythms of the past & reinterpret them with new sensibilities. We create music from the ‘Now’ that traverses the ‘Past’ with sights set on the future!

Bonds created from this expression can withstand and even strengthen when inter-continental physical distance is imposed - forcing us to look inward to investigate the true depth of relationships forged out of creative expression. Rhythm has been used for millennia to locate the deepest parts of the soul & to re/connect spirits - this is true also in the modern age. Certain feelings cannot be expressed via digital text-communications nor with words alone; Music is the answer. Connection through disconnection.

The Artwork on the B-side of this record is a symbol of the individual, isolated & pinned down by the spindle, falling, spiralling, a metaphor for whatever turns you inward. The needle on the record emanates the rhythm”

Nic Arizona aka Niv Arzi, half of acclaimed duo Red Axes (alongside Kapitan, who released his debut solo album with MT in 2019) is here.
Nic Arizona’s transmission from Lockdown 1 in April 2020 is arriving in giant steps in the form of his debut solo album - Shavua Tov, to be released on MT later in 2021.
Floating the Flood is the first single of that album. It has been stretched and fitted for your imaginary (or actual?) dance floors as a 12” banger version, and is equipped on the b-side with a remix by his long time friend, and a huge label inspiration here in MTHQ - Lena Willikens.
We dream of hearing this LOUD.
In the meantime we fighting the good fight, on that spectrum between Hope & Despair.

X

Following 2018’s debut, Giles Armstrong ‘finally’ returns to First Cut with three killer cuts.

From the woozy break beat techno of ‘The Bunny’ throughout the left field ‘Corridor of Uncertainty’ and the gritty electro of ‘Blazed In Slur’, the ninth release on First Cut showcases Giles’ considerable talent.

A new label from the team behind the "contemporary jungle" imprint Repertoire.

Rave styles from the UK garage, hardcore and techno continuum.