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Santos’ first release for Matt Edwards’ Rekids imprint, the four-track ‘We Were All Kids Once’ EP, is a continuation of the experienced producer’s output on his own Let Me Understand Records, which has seen a staggering amount of support from DJs since it’s launch in 2018.

Traversing rugged, tracky, Relief-influenced House/Techno (‘One Day’), drummy grooves (‘Don’t Touch’ and ‘Rollercoaster’) and cosseting beat-down Deep House (‘Someone’), ‘We Were All Kids Once’ is one of those genuinely essential EPs that provides exceptionally consistent dancefloor ammunition across it’s breadth.

With the likes of Ryan Elliott, Honey Dijon, Ame, Raresh, Luke Slater, Enzo Siragusa, Ben Sims and more supporting his output over the past few years, Santos is in the form of his career. While releases like the breakthrough ‘Camels’ and the anthem ‘Hold Home’ mark Santos as a producer of note at the turn of the century, his four solo albums and, most recently, his Let Me Understand Records EPs have proved he’s an artist that is constantly pushing forward.

Santos’ EPs regularly fall into the ‘if you know, you know’ category of various tastemakers across Disco, House and Techno and ‘We Were All Kids Once’ neatly displays why.

With autumn around the corner, Shiffer is back on Innervisions. His latest EP seamlessly bridges peak-time club anthems and home listening experiences with a softer touch. The lead track, "We Care," highlights his ability to blend emotionally charged sounds with functional elements, driven by the vocals of Berlin’s Paul Brenning. Already featured in Dixon’s recent Cercle set, as well as a couple of other special opportunities, this track is a breath of fresh air and a standout collaboration that sets the tone for the EP. "La Libertad" captures an unmistakable vibe, blending the samples and synthesizer elements with a little bit of dust into a distinctive tool. Known from sets by Kristian and Trikk, "Tasting Darkness" lives up to its name, serving as a true dancefloor powerhouse. The EP concludes with an acoustic rendition of "We Care," gently highlighting Paul’s vocals as the storm slows down. Enjoy

Breve is the new album by Stefan Paul Goetsch aka Hainbach.

"After a ceaseless amount of work and family struggles, 2023 had left me empty and tired. Instead of the many hats I usually wear, I shifted my focus exclusively on my music. For two weeks every day I sat down behind a few modular synths, a toy piano and an Ondioline, recording tape after tape. I did not lock myself in though - my kids were playing around me, commenting, touching knobs, adding oscillations. What in „deadline times“ can be disrupting, became restorative. I was with my family, just drifting on waveforms. I hope some of that atmosphere shines through, and the album can help you to find peace as it did for me.

Thanks to Forgotten Futures for the loan of the Ondioline and technician Daniel Kitzig for the beautiful restoration work." - Hainbach

Based out of Berlin, Germany, electronic music composer and performer Hainbach creates shifting audio landscapes THE WIRE called "One hell of a trip". His music has been released on Opal Tapes, Seil Records, Spring Break Tapes, Limited Interest and Marionette. He has been fascinated with sine tones, noise and FM since he discovered the dial on the radio. Never losing his childhood wonder, he still searches for the sounds in between on modular synths and other devices.

Rhythm Cult's unstoppable momentum continues after achieving consecutive

number-one positions across online and physical platforms. RCM019, their most

recent release, welcomes the incredibly gifted Chilian producer Dinky into the fold.

Dinky's hypnotic blend of deep house, strong techno, and precise minimalism has

earned her a residency at the famed Panorama Bar, in Berlin confirming her position

as a unique voice in the electronic industry.



The EP kicks off with the soulful and uplifting "Come Hold Me," a futuristic house

anthem that effortlessly fuses tribal rhythms with intricate stuttering synth patterns.



Dinky provides the unmistakable and irresistible vocal hook that suggest this will be

a summer anthem in the making. "She's Got Nowhere To Go" follows, riding on an

insistent one-note bass line and yet more addictive vocal snips, complemented by

disco stabs that complete the party vibe. Dinky's skilful use of stuttering glitches and

inventive sample manipulation showcases her love for minimal detail and angular

funk.



Finally, dOP turn in not one but two remixes of their unique and unconventional take

on house and techno. First, their reinterpretation of "Come Hold Me" takes us on a

journey to the deeper realms of house, riding on a low-slung acidic bass groove

while enveloping the listener in waves of lush synths, perfect material for warming up

dancefloors or setting the mood for the early hours. Then they wrap “She’s Got



Nowhere To Go’ around an elastic bass and dosed with warped synth lines to create

an irresistibly explosive dancefloor weapon.



The EP exudes sophistication, weaving intricate futuristic house sounds that are

imprinted with the influences of Balearic, acid, and deep house. These heaters are

undoubtedly set to light up dancefloors throughout the summer season. With this

exciting collaboration, Rhythm Cult further cements its position as one of the

industry's most cutting-edge labels, and Dinky's addition adds a distinctive

dimension to their roster.



Prepare to find yourself absorbed by this exceptional release from two forces

shaping the future of electronic music.

2026 Repress

DJ Support: Danny Howard, Annie Mac, Mistajam,Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne,Todd Terry, Alex Preston, Full Intention, GW Harrison,DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos,Johan S, David Penn, Sam Divine, Riva Starr, Claptone,Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KCLights, Friend Within, Dombresky, Gorgon City, ChrisLake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, LowSteppa, Mat.Joe, Raumakustik, Eskuche

Coming out the traps strong, our next 4-track vinylsampler series kicks things off with Toolroom’s very own Mark Knight who continues his impressive string of collaborations with Darius Syrossian appearing alongside him for the first time on the label. Mark and Darius, along with studio maestro James Hurr,stumbled on this classic ‘Let’s All Chant’ sample and together proceeded to write a peak-time, tech house slammer around it. With relentless energy and lush vocal licks and that all-familiar 90’s sample, this one works a treat on the dancefloor.International House don Low Steppa is next for a special release with Malta’s finest, Jewel Kid. Their track ‘Big Busta’ oozes ATTITUDE! Slamming tech house drums, an insatiable groove and a tongue-in-cheek vocal that will raise many a smile on the dancefloor. Another certified club weapon for sure! CASSIMM kicks off the flipside on the vinyl with another peak-time club weapon as he returns with ‘Say Yeah’ alongside vocalist Mahalia Fontaine. The Italian born House music maestro is on fine form as always here, hot on the heels of his ‘Love Desire’ record that went stratospheric in late 2023 on Claptone’s ‘Golden Recordings’ label. With a big bassline and oodles of dance floor energy alongside Mahalia’s rasping, diva style vocal adding that classic house vibe to proceedings! Finally, we round things off with the once mysterious but now ‘unmasked’ house duo ‘Wh0’ with a rip-roaring club banger! Remixing for the likes of The Prodigy, Basement Jaxx, Calvin Harris and Meduza whilst collaborating with Armand van Helden, Nile Rodgers and David Guetta under his Jack Back alias.This track is a heads down, no-nonsense, tongue-in-cheek club weapon! Seriously powerful drums, aplayful acid line and a very cheeky vocal that will cause a stir on many a dance floor!

Countless radio plays on Radio 1 from Danny Howard,Sarah Storie, Pete TongOther notable radio plays – Kiss FM, Toolroom Radio,Sirius XM, Data Transmission Radio, Radio 1 DanceAnthems, Radio 1 Party Anthems, Rinse FM, SelectRadio, Tomorrowland Radio

RAWAX proudly welcomes Zoo Brazic to the artist Family!

We are very happy to have such a heavy weight of music with us now!
The first strike will be the outstanding release on HOUSEWAX called "Stand Alone EP".

It's expected early September. stay tuned for more!

Fantastic Planet returns with its sixth release, "Survival Mode," a statement dedicated to the ongoing struggle for freedom in Georgia. This electrifying compilation brings together a diverse lineup of visionary artists, each channeling their own unique sound to amplify the message of resilience and resistance. Survival Mode - is a mindset, a relentless fight for existence when all other options have been stripped away. It's about the raw, primal instinct to keep moving forward, even when every door seems closed, and there's no way back. In this mode, every moment is a battle, a test of endurance and resilience. For the people fighting for freedom in Georgia, survival mode represents their unwavering determination to push through oppressive forces, refusing to be silenced or broken. It's the point where compromise is no longer an option, where you either rise or fall-but surrender is not part of the equation. This struggle is about more than just survival-it's about carving out a future, no matter the cost. Design Giorgi grdzelishvili

'Cupar Grain Silo' is Sam Annand's first release on the Blackford Hill label. Its nine tracks blur the lines between ambient electronica and sonic history, as synthesised melodies and rhythms reverberate through the extreme acoustics of the disused Cupar Grain Silo in Scotland. Built in 1964 as a sugar store, the silo towers 60 metres above the surrounding Fife countryside. Its industrial life was short: in 1971 it was closed, and barring a short period as a grain store, remained empty for decades.

In 2014, Sam Annand was given access to the silo as part of the Resono project, set up to study a series of highly reverberant locations across Scotland. The ambitious industrial architecture of the Cupar Grain Silo has given the space a reverberation time of 36.5 seconds. This measurement describes the time a sound takes to decay or 'fade away' in a closed space. To put this in perspective, the Cupar Grain Silo reverb time is around three times longer than that in cathedrals like York Minster and St Paul's.

"The acoustics are immediately noticeable when climbing the ladder into the main chamber", Sam says. "The sound of your voice begins to circle around and above you, inviting you to shout, clap and bang objects to excite the space into revealing its intimidating architectural voice."

Sam began to experiment with musical compositions which responded to the unique acoustics of the silo space. He used impulse responses – a short, sharp sound like a gunshot – to record these acoustics, allowing him to experiment with the silo's reverb in his production. Sam's compositions were performed using a modular synth system, a Roland Juno-6 polyphonic synthesizer and a bowed ride cymbal.

"Chords can be constructed in time by hanging successive single notes in the air," Sam describes, "The flutter echoes from the immediate cylindrical walls can be used to create bursts of scattering spatial imagery and harmonic blooms, following short percussive moments."

Originally recorded on 21st May 2016, 'Cupar Grain Silo' is now released on 12" vinyl with an accompanying booklet of imagery and essays. The compositions are at once true to the unique architectural acoustics of the silo whilst also being playful and experimental with the creative possibilities it offered. Arpeggiated melodies ebb and fall across extended call-and-response shapes formed by the silo's reverb; modular drum patterns crackle like dying machinery; whilst bowed drones waver and wash over.

"We all love reverberation," reflects Prof. Peter Stollery, Professor of Composition and Electroacoustic Music at the University of Aberdeen, on the project. "As kids, we play in it – yelling in forests and caves, surreptitiously dropping objects in huge churches – mouths wide open at the lingering smears of sound which come back to us."

In 'Cupar Grain Silo', Sam Annand has harnessed the extraordinary acoustics of the disused silo to tap into this sense of joy and amazement that reverberation can bring.

A bold reimagining of Scottish folk in a hypermodern soundworld, In a River Shadow blends prehistoric instruments, abstract electronics, and environmental recordings into a unique sonic landscape. The result is a futuristic, technoid sound that feels both organic and otherworldly, like a biomechanical artefact unearthed from a distant future.

In a constellation of influences including Yoshio Ojima, sunytty, and the hyperrealist work of Noah Creshevsky, "Birdhouse" is a dream of voices—human, non-human, and AI-generated—unfolding tranquillity into hallucinatory spectres. On "Star of the Sea," Poole confronts a complicated relationship with prayer by reworking the Catholic hymn "Hail Queen of Heaven, the Ocean Star," reformulating the prayer and stretching vocals to their limits, transforming the piece into a drum-driven, visceral interpretation.

Across this five-track EP, Poole combines personal exploration with collaborative influences, including a partnership with Considerate Digital, and collaborations with vocalist Celine Brooks and artist Gabo.

Music : Poole, additional vocals by Celine Brooks on Weila Waila, and Gabo on Selkie of Sule Skerry.

ADE is just around the corner which means it’s time for the annual Vega Records 5 Pack Unreleased limited vinyl release.

Unreleased V is ready for you to play at your vinyl parties with a lineup of super talented individuals including Bebe Winans, Msaki, NV, Funki Cadets, Axel Tosca, Boddhi Satva, Tommy Bones, Johnny Dangerous, Dj Erv, Natasha Watts, Mobi Dixon, and Josh Milan. This year we hit you with 18 Unreleased tracks, special versions, dubs, and more for your dance floors and house parties. With 5 new reworks by Dj Erv to new young talent NV, to seasoned songwriter and genius talented artist Msaki, to the incomparable Bebe Winans, to Brooklyn producer Tommy Bones, to the maestro on keyboards Axel Tosca and more, this 5 pack brings you around the world within 18 tracks from Brazil to Africa to Cuba and back to New York City ! The pressing is pristine mastered by Herb “Pump” Powers and vinyl manufactured at Optimal Germany assuring you top quality excellence! This is a limited edition so get yours asap before they sell out! Available soon at a record store near you!

Published: 21st October 2024

DJ Support: Enzo Siragusa, Chris Stussy, Toman, Mateo Dufour

In mid-2020, we proudly introduced Key Records, a platform for exceptional artists like Mennie, Mateo Dufour, Cosenza, Local Dub, Sidney Charles, Locklead, and Laidlaw, to name just a few who have been part of our journey.

With 25 digital releases under our belt, we’re now ready to embark on the next chapter. Our first vinyl release will feature Jesse Maas, alongside a remix by T. Jacques, the mastermind behind Nuances De Nuit.

Thank you for your ongoing support. Enjoy the music!

Who's that finally wrestling tanum from the tyranical clutches of klaus? It's winsome.

Coming in from the wilderness to deliver his first record since 2017, stepping off the path he's been trodding through lovers rock to explore new territories of rhythm, sound and sub bass pressure.

It is the year 1995 and it’s summer, the second extremely hot summer after 1994, and the asphalt on Gladbacher Straße in Cologne is glowing. Ravers in much too wide and much too colorful clothes doze off in the glaring midday heat. These are the last days of the legendary Delirium record store, a socio-cultural biotope that would later become KOMPAKT. In June 1995, the store moved deeper into the Belgian Quarter, to Brabanter Straße 42 near Friesenplatz.

Wolfgang Voigt liked to wear too-big sunglasses even back then, just as he already had the master plan for the next few years, the new store, the renaming to KOMPAKT, and the upcoming takeover of the musical world order by minimal techno in his head. On less sunny days, the musician Wolfgang Voigt was tinkering with his very own label Profan, a new sound, new pseudonyms and masquerades. His alter ego Mike Ink had grown tired, another self, one of many, was now pushing forward to become the next torch in the storm.

By early 1995, the first Grungerman EP, "Hout," had been released on Profan. A nucleus of ambient loops that already announced the sonic aesthetics of GAS, stoic rhythmic structures that would shape the coming decade of minimal house and techno, and an all-encompassing gloom and heaviness that didn't want to fit at all with the gaudy reality of the nineties between Loveparade, Mayday and VIVA House TV. This probably most hedonistic decade of the 20th century had celebrated, besides techno, above all a rough guitar music called Grunge, coined and immortalized by a depressive, hyperactive and narcoleptic young man with matted blond hair who had taken his own life a year before. In no other track has Wolfgang Voigt packed these inner and outer contradictions of his art as well as of the mid-nineties more ingeniously than in "In Tyrannis". From wall to wall there are four steps.

"Klang" by Wolfgang Voigt originally comes from the first and only GAS EP on Profan, "Modern", from the spring of 1995 and is one of the most beautiful exhibits of Voigt's sound of those years, which relentlessly runs its course somewhere between glistening sunrises on Ecstasy and bad drugs in the dark Liquid Sky Cologne. With "Hocker DJ 1" and "Hocker DJ 2" there are two more musical references to this myth-enshrouded place in Kyffhäuserstraße, where for a few years the entire, so-called Sound Of Cologne had literally settled down.


Wir schreiben das Jahr 1995. Es ist Sommer, der zweite extrem heiße Sommer nach 1994, und der Asphalt auf der Gladbacher Straße in Köln glüht. Raver in viel zu weiten und viel zu bunten Klamotten dösen ihren Rausch aus in der grellen Mittagshitze. Es sind die letzten Tage des legendären Delirium Plattenladens, eines soziokulturellen Biotops, aus dem später die Firma Kompakt hervorgehen sollte. Im Juni 1995 erfolgte der Umzug tiefer hinein ins Belgische Viertel, in die Brabanter Straße 42 in der Nähe des Friesenplatz.

Wolfgang Voigt trug schon damals gerne zu große Sonnenbrillen, so wie er bereits den Masterplan für die nächsten Jahre, den neuen Laden, die Umbenennung in KOMPAKT sowie die anstehende Übernahme der musikalischen Weltordnung durch Minimal Techno im Kopf hatte. An weniger sonnigen Tagen tüftelte der Musiker Wolfgang Voigt an seinem ureigenen Label Profan, an einem neuen Sound, neuen Pseudonymen und Maskeraden. Sein Alter Ego Mike Ink war müde geworden, ein anderes Ich, eines von vielen, drängte nun nach vorne, um die nächste Fackel im Sturm zu werden.

Anfang 1995 war die erste Grungerman EP “Hout” auf Profan erschienen. Ein Nukleus aus ambienten Loops, die bereits die klangliche Ästhetik von GAS ankündigten, stoischen rhythmischen Strukturen, die das kommende Jahrzehnt Minimal House und Techno prägen sollten, sowie einer allumfassenden Düsternis und Schwere, die so gar nicht zur knallbunten Realität der Neunziger Jahre zwischen Loveparade, Mayday und VIVA House TV passen wollte. Dieses wohl hedonistischste Jahrzehnt des 20. Jahrhunderts hatte neben Techno vor allem eine raue Gitarrenmusik namens Grunge gefeiert, geprägt und unsterblich gemacht von einem depressiven, hyperaktiven und an Narkolepsie leidenden jungen Mann mit verfilzten blonden Haaren, der sich ein Jahr zuvor das Leben genommen hatte. In keinem anderen Track hat Wolfgang Voigt diese inneren und äußeren Widersprüche seiner Kunst wie auch dieser Zeit Mitte der Neunziger genialistischer verpackt als in “In Tyrannis”. Von Wand zu Wand sind es vier Schritte.

“Klang” von Wolfgang Voigt stammt ursprünglich von der ersten und einzigen GAS EP auf Profan, “Modern”, aus dem Frühling 1995 und ist eines der schönsten Exponate des Voigtschen Sounds dieser Jahre; ein Track, der irgendwo zwischen gleisenden Sonnenaufgängen auf Ecstasy und schlechten Drogen im dunklen Liquid Sky Cologne unerbittlich seine Bahnen zieht. Mit “Hocker DJ 1” und “Hocker DJ 2” finden sich zwei weitere musikalische Referenzen an diesen mythenumrankten Ort in der Kyffhäuserstraße, an dem sich für einige Jahre der gesamte sogenannte Sound Of Cologne im wahrsten Sinne des Wortes niedergelassen hatte.

Girolle takes listeners on a dynamic journey through dark, atmospheric landscapes, blending deep basslines, cinematic inspirations, and nostalgic nods to the 90s rave scene. From shadowy depths to uplifting grooves, the EP embodies a fusion of past and present influences, delivering a cohesive yet diverse sonic experience that is as introspective as it is dancefloor-ready."

Buckle up, electronic aficionados! Queen of Coins is about to drop a six-track sonic odyssey that’s your one-way ticket to Electro, Italo-Disco, and Detroit Techno nirvana. This isn’t just an album, it’s a masterclass in psychedelic dancefloor alchemy, tailor-made for DJs who crave cutting-edge sounds while paying homage to the genre’s founding fathers.

From the slow-burning hypnosis of “Head Tension” to the heart-racing throb of “16K Cal,” this release is a BPM rollercoaster that echoes the spirits of legends like Legowelt, Drexciya, and Francisco. But make no mistake – Queen of Coins isn’t just rehashing the past, the Queen is propelling these influences into the future.

“Bring it to the top” is pure condensed energy, engineered to shake every powerful soundsystem while maintaining an emotional depth that’ll hit you right in the feels. Speaking of feelings, “Damaged Souls” is the track you didn’t know you needed – a poignant electronic love letter to all those “what if” moments that haunt our dreams.

But don’t think for a second that Queen of Coins is all melancholy. “Oreo Cake” swoops in with its irresistible bouncing bassline, serving up a fat slice of low-end theory that’ll give your mind, body, and soul the workout they’ve been craving. It’s a reminder that in the realm of Queen of Coins, the future is bright, and the beat goes on.

Remember the mantra, ravers: Queen of Coins is “Music to grow with Expanding your soul Thriving in Prosperity.”

This isn’t just an album release; it’s a coronation. Long live the Queen of the electronic underground!

Forest Jams continues the journey into the great beyond with Mori Ra’s Mantra–an EP composed of four edits created for any inquisitive earthling and forest wanderer.

Mori Ra is a DJ based in Osaka, Japan his sets are a witches brew composed of balearic, cosmic, and electronic disco ingredients. He has released on other labels such as Rotating Souls, Macadam Mambo, Berceuse Heroique, MM Discos and more. In Mantra, Mori Ra acts as a mysterious wanderer who has stumbled upon the doors of our minds in the middle of the night. When we answer the door he is bearing gifts of creative glory and all we need to do is provide shelter in return. We invite him in so that he can rest, recharge, and continue his journey.

During his visit in our minds Mori Ra shares “Mantra” the secrets of the universe disguised as parables packaged neatly into four tracks. Catharsis begins the journey and immediately throws us into a sound that feels like we are driving a spaceship in Gran Turismo 37, the spaceship simulator. Now that we have successfully crossed the plane and have entered the digital unknown, Seinn O! becomes the story of communication. Seinn O! gave the smoke leaving my mouth color and the shamanistic chants placed me in an atmospheric state with the ability to cross over and communicate in the digital space. Then comes 孫行者 the Grandson Traveler, which embodies the story of the simulation. Imagine the sound of a bustling dystopian city in the matrix–neon signs, dancing billboards, talking vending machines, radioactive wildlife, and overgrown foliage leaking in from the jungle the city is carved into. Mori Ra seems to have melded all of those sounds together to create the soundtrack of the big city where everyone is lost. Finally, before leaving our minds Mori Ra offers the final parable, あの星 That Star. Which becomes the story of realization, the journey back home from the exploration of the mind. That Star brought me into a cave and I could see the opening at the end of it, all I had to do was walk towards it. However, I couldn’t walk. I could only galumph forward, while bouncing up and down to the beat. My arms slivered and guided my body forward as the vocals came in. As I moved forward the opening, the clearing, the destination remained the same distance away. The endless tunnel of the mind gave me a feeling of comfort because I did not want this journey to end.

The EP ends and we will never know who visited our minds that night, but we know we loved the journey. Mori Ra is the steward of our journey through consciousness, and the vessel is “Mantra”.

Panavision was born from the shared passion for music of Akaj, Pierro, and Brassac. After years of playing as DJs, they came together in 2023 to create a space that goes beyond dance music — a platform where producers and artists can explore creativity, freedom, and in novation.

Rooted in a diverse range of genres, we are committed to discovering and nurturing talent, both from the past and present. Our mission with this label is to bring stories to life through music that is authentic and dedicated. For our first releas e, we are thrilled to present a mini - album from S evered Heads titledOp5.

This record marks the official launch of our label, which operates between Brussels and Ljubljana — two cities that embody our ambition to explore diverse creative landscapes and push the boundaries of contemporary music. This first release is a t ribute to one of the pioneering forces in electronic music. The OP Series is one of many innovative projects S evered Heads h as produced since the late1970s.

For this special release, we’ve carefu lly selected six original tracks out of fifty from the Op Series releases of the early 2000s and curated them into a thoughtful sequence to form this mini - album

Layers of fog, hazy synths, solid percussion, and liquid basslines – Esaïa's debut album Mindscapes invites listeners into a dreamlike soundscape. A sonic experience where Berlin’s Berghain meets the vibrant streets of Kingston, Jamaica.

With its cinematic chiaroscuro lined with sub-bass, the album blurs the boundaries between genres. Inspired by the pioneers of dub, Esaïa seamlessly blends hybridisation and experimentation, pushing musical limits to carve out her own sonic space.

An album designed for both the dance floor and introspective listening, 4-to-the-floor techno-driven beats fuse with blissful instrumental flows. Paired with Madame Ipsum’s luminescent visuals, Esaïa’s work creates a multi-sensory experience that sparks the synapses.

Two decades in, one of dance music’s most celebrated DJs, producers, label owners, A&Rs, broadcasters, and tastemakers has big plans for this anniversary. In June, Anja Schneider will unveil an expansive rework and remix package on her benchmark-setting imprint, Sous Music, some of her best-loved tracks are there in less familiar forms. Expect fresh takes from Anja herself on seven of her favorite tracks plus a wealth of heavyweight remixers: Paramida & E-Talking, Radio Slave, Scuba, JakoJako, Julian Muller, Cassy, Deetron, Leafar Legov, Erobique, Jaymie Silk and Ackermann all being part of the impressive collection.
“The project includes new versions of my favourite tracks from the last 20 years and remixers who have accompanied, influenced, and currently impress me. Each artist holds a special connection for me,” says Anja in anticipation of this milestone release.

Orlando Voorn Is Set to Release His First Ep on Syncrophone Records. Each Track Captures Voorn's Unique Ability to Blend Cutting-Edge Sounds With Deep, Rhythmic Grooves, Offering a Fresh and Innovative Take on Electronic Music. This Release Is Not to Be Missed, as It Highlights Voorn's Continued Influence and Syncrophone's Commitment to Bringing Exceptional Music to the Forefront....

Dublin City, 1998. Prepare to be transported back in time to the vivid streets of Dublin. A city in social, economic and artistic transition.Set against an evocative sonic backdrop of jungle, drum and bass and breakbeat, SK83 weaves an elaborate narrative that captures the essence of adolescent life in Dublin in the late 1990’s.Delve into a captivating sonic journey that explores the bevy of emotions and events that colour a teenagers journey to adulthood - from love and loss, first-time experiences, the pitfalls of peer pressure and the unmistakable pull of the city's intoxicating rave culture.''My ambition for SK83 was to create an immersive musical and visual universe that brings the listener on a journey that captures the essence of adolescence. I wanted to reflect and re - live my own teenage experiences, and bring to life what is a shared universal experience for us all - but in this instance is told thru the lens of a young man in Dublin in the late 1990’s.'' — MathMan

Released Summer 2024

" What Are You Going to Do with Your Life?' is the eighth studio album by British post-punk legends Echo & The Bunnymen, released on April 16, 1999. The album saw the band continue a trajectory set with 1997's 'Evergreen', embracing more introspective themes and melodic approach to its arrangements.

" Featuring an inspired selection of collaborators including strings from the London Metropolitan Orchestra and two songs featuring the American rap rock band Fun Loving Criminals, 'What Are You Going to Do with Your Life?' featured two singles, the title track, and the atmospheric fan favourite 'Rust', which would mark the band's final Top 40 UK single.

" Celebrating 25 years of 'What Are You Going to Do with Your Life?', the album is issued on vinyl for the very first time, alongside expansive 34-track 2CD and digital editions (18 tracks previously unreleased!), which feature B-sides, alternative versions and previously unreleased live versions of both tracks from the album and classic Bunnymen tracks.

Formed by LA-based drummer Tommaso Cappellato in conjunction with pianist Alberto Lincetto and bassist Nicolò Masetto, the group is known for their experimental blend of eclectic jazz, funk, downtempo beats, and vintage Italian library music. On this release, they are showcasing their foray into Italian vocals. The A-side "Luce" is a vibrant track that combines 80s jazz funk elements with a touch of boogie in an extended multi-rhythmic version that keeps the energy grooving. Flipping to the B-side, "Luna Gioia" offers a modern interpretation of downtempo Brazilian-funk and slow disco, accompanied by an instrumental version that allows the music to shine on its own.

This compilation features tracks released between 1978 and 1988 in Western France.

Through this compilation, we strove to highlight a little-known regional scene, characteristic of the diverse and sometimes opposing music movements of the 80s. Through this musical journey across the Brittany, Normandy, and Pays-de-la-Loire regions, we sought to showcase a resolutely indie aesthetic, sometimes conceived in some of France’s most unusual studios, such as a bunker and a caravan.

We’ve found it difficult to make attribute an established, well-defined genre to some of the tracks featured on this compilation. They draw, each in their own way, from the rock scene that dominated the 80s in France, from countercultures, from American stars who shone on the country’s radio stations and in its record stores, and even from local folk music.

While one could hear an harmony across the tracks featured on Le Grand Ouest, channeling this manifold energy onto a record required extensive research through the Brittany, Normandy, and Pays de la Loire regions’ discographies. Over the three years since the release of Le Grand Sud-Est, we have meticulously researched the references of artists, musicians, studios, labels, and publishers from each region. We sought to trace each artist to identify and listen to all their works from that period, and, when possible, collect unreleased recordings, left as demo cassettes on the artists' dusty shelves.

The synthesis of this research, presented here under the title Le Grand Ouest, hopes to remind us of the timelessness of the indie scene in our country, through the lens of the 80s Western France’s scene. Whereas Le Grand Sud-Est exhibited the funkiest sides of the Provençale and Rhône-Alpes scene, Le Grand Ouest leans towards a more mellow, introverted music, an expression of groups of friends united by the joy of playing together.

The first 500 copies of the record come with an extensive booklet with unpublished photos, press clippings, and texts for each track.

Hes part of this new generation of French house artists who brilliantly reinvent the genre by infusing it with various inspirations. After collaborating and playing with several big names of the moment, he is set to unveil his new ALBUM TROUBLE, an 8 track album with double vinyl that promises an immersion into a musical universe skillfully blending jazz, house, garage, and soul, offering a unique sonic experience.

Always endeavoring to drop it a little way different, Ital Counselor Records once again stretch things in a forward direction while paying full and forceful tribute to that which has come before. This heartical 7" is a tribute to the late great Prince Lincoln Thompson in the form of a reimagined take on his composition "Kinky Money Game."

It is with great honor that ITAL COUNSELOR records has been able to work with two legends of the music business on this slab of plastic. Firstly, Jeb Loy Nichols comes with a storied history in music and the visual arts. He first came to ITAL COUNSELOR’s attention upon discovering the 1981 compilation, “Wild Paarty Sounds” via Cherry Red/On-U Sound. Later would be greater, with projects skirting the realms of country, soul, reggae, and leftfield. Bands like the Fellow Travelers, solo albums with Adrian Sherwood, and more recently writing songs for Horace Andy’s latest On-U album have all contributed to an impressive body of work.

Over the years when Jeb is not making music, he can be found writing books or churning out block prints of birds, leaves, pithy phrases, and the odd sleeve art for labels like Pressure Sounds, and, yes ITAL COUNSELOR. His sleeve work on this 7” indeed captures the essence of the music hiding under the cardboard exterior. Lo-fi, retro while poignantly on time. Social commentary manifested auditorily and visually.

Jeb’s reinterpretation of Thompson's original bubbles over a slow burning one drop built by none other than Studio One, Riz Records, and Tuff Scout Records alum Gil Cang. In yet another musical first brought to you by ITAL COUNSELOR, this piece of wax represents the only time Jeb and Gil have worked together. The results are a magical mix equally at home in the hands of a sound system operator unconstrained by the current ‘steppers’ norms as it is on a home stereo where one can deeply sit with the lyrics of depth and significance. An old time something feel for these nowadays times. An ITAL COUNSELOR Records essential.

Feel the vibes…

Im Wesen der Natur verbunden, zu unseren Füßen grünes Land. Luden wir zu intensiven Stunden, der Alltag wurd aus uns verbannt! Kultur gemacht für bunte Kunden, wir bauen Türen in die Wand! Das Getraute der gewählten Runden trug Familie in den Forstbestand. So kamen geschwind, die Kindgebliebenen, denen’s gleich war – ob Tag – ob Nacht. Geladen zum exzessiv genießen über Bedacht wurd nur gelacht. Barfüßiger Tanz auf weiten Wiesen nur von Panoramen überdacht. Ihr Unikat ist weit gepriesen, da ihr Fest hat pures Glück entfacht.

Arriving on a limited 200-copy translucent orange vinyl, 'Dark REM' on Cuddling Monsters’ second release on Mask Records is a hunched-over and direct dub techno cut with forceful drums and deft percussion, adding texture next to warm, sustained pads.

There's a real sense of urgency in this most frictionless groove, which means it cannot fail to cast a spell on the dance floor. The fantastic 'Event Horizon' is then infused with the aura of deep space - sustained chords with a cosmic edge add vast scale to the well-programmed deep techno drums. 'Monster Talk' is a mid-tempo dub track with underlapping drums and rattling, rusted chords that disappear to infinity. It's cavernous and evocative, with myriad little details occupying the mind. 'Temporal Aura' is another standout sound that blends deep techno, dub, and minimal into a serene soundtrack that encourages inward reflection while driving onwards through the cosmos.

Mask Records founder ZentaSkai and his creative partner Laura Merino Allue are Berlin mainstays helping shape the underground. Cuddling Monsters is a new project that debuted on the label in March. It is all about crafting music with analogue instruments, which they believe "offer distinctive sonic qualities, creative constraints, and genuine sound reproduction”. They explore Detroit-infused house, dub techno and minimal soundscapes with raw edges and a great sense of atmosphere. Cuddling Monsters'

Splendid !! a pumpin bombastic EP bring all you need for a safe dancefloor moment !!!

Berlin-based truthspeaker returns with a full-length Album with 9 new tracks. With forcefully driven rhythms and mystifying atmospheres, they have made previous appearances on labels such as PUPPY, Post Hoc, Ectopic, and Massive Gain while also playing worldwide, from Berlin’s Berghain to touring the North American underground, making appearances throughout New York, Los Angeles, Chicago, Providence, Portland, Richmond, Baltimore, and Nashville. The artist has built a reputation for delivering a transcending, occasionally unpredictable, yet intensely immediate listening experience for the dance floor. Citing previous experience in noise and experimental music, truthspeaker is establishing a functional yet disruptive sound, opening up obscure spaces within the confines of the harder edges of dance music.

“The upcoming release is about the ‘Interconnection’ between different senses, for example sound and touch: when sound becomes vibration our perception enhances,” says Enrico. “The track creates a metaphor of the concept using a voice and a synthesizer that playfully evolve and merge into each other to become one, while still keeping their distinctive identities. ‘Interconnection’ is a track made for the dancefloor, a place where all our senses come together and go beyond the auditory experience, becoming a multisensory experience where we're all... interconnected.”

As a producer Enrico Sangiuliano has done it all, from remixes of classics to chart topping techno tracks that range from deep and dark to more melodic and euphoric. His creativity knows no bounds and after 'Can U Feel It' explored the connection between auditory perception and physical sensations with fresh and emotive rave sounds, this new sound impresses once more.

The brilliant 'Interconnection' is a pulsating cut that locks dancers into the hypnotic drums as flashes of acid synths spray about up top. Edgy vocal stabs add to the pressure as trance-infused pads change shape through various filters. They range from smooth and smudged to sawtooth and make the trip all the more dynamic. Each element has plenty of room to breath and make its mark and a spine-tingling breakdown offers a moment to set before the groove kicks in and oscillating pads take dancers to the next level.

Enrico Sangiuliano's Interconnection EP is another essential work from this revered talent.

Its been an incredible journey so far for the Austrian label Fortunea Records. Founded in 2014 by Vienna-based dj and producer Klaus Benedek it was originally launched to release his own productions. But over time many of his friends and colleagues from the scene send him demos. And since then it grow exponential and is now an embodiment of the capitols house and electronic music scene.

Now they are celebrating the labels 10 year anniversary with a 2x12“ vinyl compilation called ‚Down The Danube River‘. This package features 9 tracks by already established figureheads (Peletronic, Dzc., Moff & Tarkin, Jakobin, Nick Hanzo etc.) aswell stunning new productions by new faces (gutinstinct) and projects (SXP). Ranging from bass dub heavy broken beats, deep and funky house tunes to experimental cosmic downtempo trips.

Available soon in a record store near you!

American house music royalty Ron Trent and Joaquin Joe Claussell's imprint Sacred Medicine presents "Tsunami's Muse" by Coflo.

His debut on Sacred Medicine brings a rich, immersive sonic journey across three transcendent tracks. The title track, "Tsunami's Muse," blends syncopated grooves with lush synth layers, anchored by an emotive piano ballad. "Tsunami's Groove" deepens the experience, its encapsulating synth lead creating a recurring melodic motif. The EP concludes with "Tsunami's Muse (backside mix)," a beat-less reprise that expands on the piano’s story, enriched by the earthy resonance of a large wooden kalimba.

This release promises a distinct vibe, weaving an atmospheric and evocative narrative from side to side.

Extreme digger bomb from Down-under, Sri Lankan born Australian, Alston Koch is a highly decorated musician and the mastermind behind "Kookaburra Connection" project, a collaboration with the aboriginal musicians of Australia. "Dreamtime Trance" explores indigenous themes over a highly unique sounding beat and truly refreshing groove, game changing on the floor. Accompanied with a new extended version featuring a long intro buildup. On the B side, a heartfelt "Midnight Lady" balances out this EP with a harmless ballad featuring another side of Koch's exploits, to be served with Piñacoladas during after hours. Remastered and re-issued with original artwork.

Twenty-four strikes on Exarde with Parchi Pubblici, the hardware analog act from Italy who records his songs in one take and have been laying it heavily and steadily for a while, henceforth we can hear the result of it with our own ears. The release consists of four original works by the man himself with first three ready for peak time club cuts with the help of roaring analog machines. They are produced to ready to sweat the dance floor, these stories are followed by a great outro track to conclude this EP. “Pressed Trouble” which is the name of this disc describes the content of it perfectly, because sure as hell this body of work is on the mission to create trouble and trouble sometimes needed to construct the top-level audio trips. Having produced digital contents for the respected labels that you can look up, this is a debut physical vinyl release by the artist and it is a great honour to host him on the label and hopefully to many more to come in the future.

This absolute classic gets a remix from legendary old skool and jungle master, and Infrared owner, the one and only J Majik. Keeping the feel both modern and traditional, J Majik has created a perfect remix of this timeless classic.

Meanwhile, Dj Stephano has stepped his already considerable game up a level, and brought a new depth and perspective to the lesser known, but equally essential track "Field of Dreams".

SPHERART presents A.T.R 0424 V.A 001 a work of art created exclusively to break the dance floor!
This Various Artists has with the participation of great artists like Furz, Stefeano Andriezzi, Agustin Barbei, Desirée Falessi & Rindeau who are giving a lot to talk about in the scene with their sick and powerful sounds to make everyone move the universe of the clubs.

This vinyl has 4 tracks that each of them will take you on a mystical journey with sounds of 90’s house, electro & acid that will take your ears to another dimension entering in 2 dualities of the art sphere.