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Various - Bake Sale Vol. 11

14 freshly baked Hip Hop tracks from the best of the global underground.
Including Bugseed, Don Leisure, HashFinger and El Jazzy Chavo to name a few.
This limited edition 12" vinyl will also come with issue 2 of a 3 part comic book series illustrated by Dan Lish (ego strip).

pré-commande13.12.2024

il devrait être publié sur 13.12.2024

Little Dragon - New Me, Same Us

2024 Repress
Transparent Blue Vinyl

Little Dragon - die bahnbrechende schwedische Band um die rätselhafte Sängerin Yukimi Nagano, den Multiinstrumentalisten Håkan Wirenstarnd und Fredrik Wallin an Keyboard und Bass und Erik Bodin an Schlagzeug und Perkussion - kehren mit ihrem sechsten Studioalbum „New Me, Same Us“ zurück.

Für eine Band, die stolz darauf ist, abseits gängiger Hörgewohnheiten zu stehen und die sich mit aller Entschlossenheit dafür einsetzt, die Dinge zu ihren eigenen Bedingungen zu verwirklichen, haben sie bislang nicht gerade wenig Anerkennung im Mainstream bekommen. Mit dem Grammy für ihr Album „Nabuma Rubberband“ im Jahr 2014 nominiert, gelten Little Dragon seit langem als eine der gefragtesten Gruppen für Kollaborationen. Im Laufe der Jahre ist eine beneidenswerte Liste an Künstlerinnen und Künstlern zusammengekommen, mit denen sie zusammengearbeitet haben, darunter bspw. BADBADNOTGOOD, Gorillaz, SBTRKT, Flying Lotus, Flume, Kaytranada, Big Boi, De La Soul, DJ Shadow, Tinashe, Mac Miller, Future, Raphael Saadiq oder Faith Evans. Ihre berühmt-berüchtigte Live-Performance hat eine mittlerweile zehnjährige Tourneekarriere nach sich gezogen, in dessen Verlauf sie kürzlich gemeinsam mit Flying Lotus als Co-Headliner eine Show im Hollywood Bowl in Los Angeles gespielt haben, sowie auf einigen der weltweit angesehensten Festivals wie Coachella, Glastonbury, Bestival, Lollapalooza, Melt!, Dour, Sónar und dem Festival von Tyler, The Creator, „Camp Flog Gnaw“, aufgetreten sind.

Vollkommen alleine und ohne Unterstützung von außen im langjährigen und selbstgebauten Heim-Studio in Göteborg produziert und aufgenommen, repräsentiert „New Me, Same Us“ ein weiteres Kapitel in der kontinuierlichen Entwicklung von Little Dragon. Mit ihrem einzigartigen Stil finden sie eine neue Richtung von gemächlichem, unkonventionellem R'n'B, Pop und Elektronik und klingen damit so verjüngt und energiegeladen wie eh und je. Die Platte zeugt auch von einer reflektierenden Stimmung, mit Yukimis unverwechselbarer Stimme, die von Übergängen im Leben, Sehnsüchten und Abschieden sinniert.

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Last In: 15 months ago
Ike & Tina Turner - Feel Good LP
  • A1: Chopper 2:36
  • A2: Kay Got Laid (Joe Got Paid) 2:58
  • A3: Feel Good 3:25
  • A4: I Like It 1:58
  • A5: If You Can Hully Gully (I Can Hully Gully Too) 3:30
  • B1: Black Coffee
  • B2: She Came In Through The Bathroom Window 2:32
  • B3: If I Knew Then (What I Know Now) 2:47
  • B4: You Better Think Of Something 3:20
  • B5: Bolic
pré-commande29.11.2024

il devrait être publié sur 29.11.2024

Dennis Bovell - Sufferer Sounds (Rare Dubs, Roots & Lovers Rock) (LP 2x12")

Dennis Bovells produktive und vielseitige Karriere umfasst ein riesiges Spektrum an Musik: von Dub Poetry über Lovers Rock und Post-Punk bis hin zu Disco, Pop und mehr. Seine Produktionsarbeit umfasst so unterschiedliche Persönlichkeiten wie The Slits, I Roy, Maximum Joy, Fela Kuti, The Pop Group, Janet Kay, Saada Bonaire, Orange Juice, Golden Teacher, Steel Pulse und mehr.

Diese Zusammenstellung konzentriert sich auf die Zeit während und unmittelbar nach Bovells Engagement beim Jah Sufferer Sound System und gräbt tief, um deepe Cuts und weniger bekannte Versions zu finden, hauptsächlich aus den Jahren 1976-1980, samt eines umwerfenden und weniger bekannten Dub des ikonischen Tracks "Silly Games". Sorgfältig restauriert und remastered bei Dubplates & Mastering in Berlin, sodass diese Jahrzehnte alten Tracks makellos und dynamisch klingen und so angeordnet sind, dass sie den Hörer auf eine Reise durch Bovells Produktions- und Arrangement-Genie mitnehmen.

Die beiliegenden Sleevenotes sind das Ergebnis eines langen Gesprächs mit Dennis über diese Zeit seines Lebens, mit Erinnerungen an jeden einzelnen Track und faszinierenden biografischen Anmerkungen. Die Vinyl- und CD-Versionen weisen unterschiedliche Cover auf, wobei jedes Format ein einzigartiges Foto von Syd Shelton verwendet.

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Last In: 12 months ago
Sofie Royer - Young-Girl Forever (Ltd. LP)
  • A1: Babydoll
  • A2: Young-Girl (Illusion)
  • A3: Nichts Neues Im Westen
  • A4: Keep Running (Sebastian In Dreams)
  • A5: Indoor Sport
  • A6: Sage Comme Une Image
  • B1: I Forget (I’m So Young)
  • B2: Ghost Town
  • B3: Tigerbunny
  • B4: Lights Out Baby, Entropy!
  • B5: Saturdee Nite
  • B6: Fassbinder

Young-Girl Forever' ist das neue, schillernde Elektropop-Album der in Wien lebenden Künstlerin Sofie Royer. Es folgt auf ihr Debütalbum 'Cult Survivor' von 2020 und 'Harlequin' von 2022.

Das Album zeichnet ein kühnes Porträt davon, wie es ist, heute eine Künstlerin zu sein - inmitten der Fallen des Kapitalismus, der existenziellen Unsicherheit und des ständigen Gefühls, mit Gleichaltrigen nicht im gleichen Takt zu sein.

Royer entlehnt den Begriff 'Young-Girl' aus den Preliminary Materials on the Theory of a Young Girl, die ursprünglich in der französischen anarchistischen Zeitschrift Tiqqun veröffentlicht wurden. Darin wird das Young-Girl als Symbol für den Konsumismus der Moderne dargestellt.

'Young-Girl Forever' schwankt zwischen Optimismus und Verzweiflung - es feiert das junge Mädchen und tadelt gleichzeitig die Kultur, die es hervorgebracht hat, und drückt so den Wunsch nach wahrer Befreiung aus.

Sofie Royer ist bereits mit Künstlern wie LCD Soundsystem, Lana Del Rey und Air aufgetreten.

- Für Fans von Weyes Blood, Lewis OfMan, Okay Kaya, Caroline Polachek, The Weather Station, Charlotte Gainsbourg, Jockstrap.

pré-commande15.11.2024

il devrait être publié sur 15.11.2024

The Kilograms - Every Street B/w Drop That Guff
également disponible

Black Vinyl


The Kilograms, a newly formed supergroup, bring together seasoned musicians from the punk, ska, and reggae scenes for a debut 2-song 7".

Features Joe Gittleman, best known as the bassist for The Mighty Mighty Bosstones, and Michael McDermott, the drummer for The Bouncing Souls, a band that has been a staple of the punk rock scene since the late 1980s. Also includes Sammy Kay and Jay Duckworth.

pré-commande15.11.2024

il devrait être publié sur 15.11.2024

The Kilograms - Every Street B/w Drop That Guff
également disponible

Clear Vinyl


The Kilograms, a newly formed supergroup, bring together seasoned musicians from the punk, ska, and reggae scenes for a debut 2-song 7".

Features Joe Gittleman, best known as the bassist for The Mighty Mighty Bosstones, and Michael McDermott, the drummer for The Bouncing Souls, a band that has been a staple of the punk rock scene since the late 1980s. Also includes Sammy Kay and Jay Duckworth.

pré-commande15.11.2024

il devrait être publié sur 15.11.2024

Jamiroquai - Space Cowboy

Jamiroquai

Space Cowboy

12inchSL132
SULTRA
12.11.2024

September 26th, 1994 - Jamiroquai released a song that still to this day sounds futuristic. Blending electronic, funk, jazz, soul & pop.

The record was then famously remixed by the legendary David Morales, taking the song to a whole new audience and anthem level… giving the band their first ever Billboard Dance #1.

The iconic music video was directed by Vaughan Arnell & Anthea Benton, and features Jay Kay dancing around a blue room with multiple versions of him and the other band members appearing and disappearing. The use of motion control photography allowed for a seemingly continuous shot as the camera pans around the room.

2024, Michael Gray delivers a modern club interpretation of the classic Jamiroquai anthem on his Sultra Records imprint.

Keeping the original funk, soul undertones of Jamiroquai, he takes us on a housey ride of funky disco rhythms laden with hi-pitched synths, a soul oozing chord melody and grooving drum pattern that sits relaxed allowing the emphasis on Jay Kay’s vocal and new worked bass line to do it’s thing. A lovely alternative to the dance floor classic we all know and love.

En stock du21.04.2026


Derniere entrée: 7 jours
Kenlou - Moonshine

Kenlou

Moonshine

12inchMAW2024
MAW Records
06.11.2024

Maw Records are proud to present the Masters At Work Remixes of theKenLou Classic “Moonshine”. Masters At Work are in top form, ready to fill updance floors at clubs and festivals once again. Kenny Dope & Louie Vega met some months back at the Maw Kaydee Headquarters in Delaware for a few days and jammed together, the outcome, “Moonshine” (Masters At Work 2022 Remix), one of the KenLou classic tracks they put up in the studio to create new fresh versions with a unique Maw twist. ACE beats, drum–programming in excellence by Kenny Dope, layered with Louie Vega slick keyboards, synths & basslines, the two once again set it off with a bang!! Already tested and tried at major festival and club summer dates, the tune is ready for the vinyl run by all the wax afficionados.

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Last In: 17 months ago
Yoshiko Sai - Mangekyou LP

Yoshiko Sai

Mangekyou LP

12inchWWSLP96
WeWantSounds
05.11.2024

Wewantsounds is delighted to announce the release of one of Japan's most coveted albums of the 70s, "Mangekyou" by singer-songwriter Yoshiko Sai. Produced in 1975 by Master musician Yuji Ohno, the album features Yoshiko Sai's superbly crafted songs and crystal clear voice over Ohno's lush, funky sound and breezy arrangements. A strong buzz has been growing around the album over the years and original copies now change hands for large sums of money. This is the first time "Mangekyou" is available outside of Japan, featuring remastered audio, original artwork and a 4 page insert including new liner notes by Paul Bowler.

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Last In: 15 months ago
Various - Tokyo Riddim Vol. 2 1979-1986 (LP)

Diving deeper into the story of Japanese reggae pop, Tokyo Riddim Vol. 2 explores an electronic, new wave and often experimental sound unlike anything Japan or Jamaica had ever heard before.

The first time Ryuichi Sakamoto left Japan, he did not go to the United States or Europe - he went to Jamaica. It was 1978, YMO were about to release their debut album, but Sakamoto was in Kingston, invited to play synths for Japanese idol singer Teresa Noda at Dynamic Sound Studios in a band alongside Neville Hinds and none other than Rita Marley. It’s not a story many know, but one which would spark Sakamoto’s fascination with dub and mark a new chapter in the ongoing Japanese love affair with reggae.

The Teresa Noda tracks they cut - ‘Tropical Love’ and ‘Yellow Moon’ - bookend this second volume of Time Capsule’s Tokyo Riddim compilation, which tells the wider story of how a fascination with Jamrock swept Japan, adding a dash of lime to that sweet city pop sound, embracing a globalised musical palette and creating a whole new genre in the process.

For some, like Sakamoto, a diversion into reggae was part of broader fascination with new sounds and styles, tipped into the global disco of homage and appropriation that made Japanese music of the late ‘70s and early ‘80s some of the most creative and undefinable in the world.

You had iconic shape-shifter Yosui Inoue, who toyed with reggae, afro-beat and electro-Balearic, (and whose For Life Records released several tracks on this comp), and Kay Ishiguro, who enlisted J-reggae originator Pecker on the ambitious Stevie Wonder-esque ‘Red Drip’.

Then there were the Compass Point devotees - producers and musicians alike who were enthralled by the sound of the Bahamas studio and drew on the detached cool of Grace Jones - as heard in the music of Juicy Fruits, and the disco noir of Casablanca-signed femme fatale Yuki Nakayamate. Sometimes, as was the case with Risa Minami, the J-reggae influence said more about Japan than it did about Jamaica.

But where Tokyo Riddim Vol. 1 focused on the city pop sound, this compilation goes further, digging out the more experimental collaborations and hybrids exemplified by Tomoko Aran, who in working with Yusuaki Shimizu and Mariah emphasised just how far reggae had travelled to be recast into something entirely new on the other side of the world.

Perhaps more than anything, in connecting the dots between Tokyo and Kingston, between Jamaica and Japan, the Japanese reggae was building a musical language that existed outside of the paradigms of US and European cultural hegemony - an encounter shaped by commerce, capital and creativity that is now being recognised more broadly for the first time.

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Last In: 10 months ago
Sango - North Vol.2 LP 2x12"

Sango

North Vol.2 LP 2x12"

2x12inchSANGONV2
Diggers Factory
25.10.2024

Inspiriert von Flying Lotus und Jake One, aber auch von weiteren Acts aus den Bereichen Hip-Hop, R&B und Electronic (Kaytranada, Mount Kimbie, James Blake, Timbaland, J Dilla, The Neptunes, Madlib), veröffentlicht Sango sein zweites Album: "North Vol.2" knüpft an das gleichnamige 2013er Debüt des Seattler Produzenten an und kommt mit zahlreichen hochkarätigen Features, darunter von Masego, IAMNOBODI, Xavier Omär, Smino, Channel Tres, GoldLink, Jayla Darden, Rochelle Jordan und Ojerime.

pré-commande25.10.2024

il devrait être publié sur 25.10.2024

Keenan/Russell Duo - Performs Monument Maker LP

The debut recording from the duo of multi-award-winning Scottish author David Keenan and Bruce Russell, the guitarist from the greatest underground rock band of the late 20th century, New Zealand’s The Dead C, was recorded live in Christchurch, NZ, as part of the WORD festival in August 2023. A series of live improvised settings that pair readings from Keenan’s monolithic and critically-acclaimed modernist masterpiece, Monument Maker (White Rabbit 2021), with guitar and electronics from Russell, the music takes off on the kind of post-VU fantasy of punk-primitive free music posited by Russell in projects like A Handful of Dust while expanding on Russell’s no-technique blues w/scalpel sharp riffs and aformal blats of pure electricity that match the religious eroto-mania of the text. Keenan reads w/shamanistic intensity and with a sonorous, incantatory rhythm, while Russell conjures the very ghost of the book straight out of the air. Think the early Patti Smith/Lenny Kaye spoken word/guitar jams informed by religious painting, Bach cantatas, Pierre Reverdy, Goya, Charles Olson, Arthur Doyle and Rudolph Grey. Features full colour photography by musician and artist Heather Leigh taken in-situ during the writing of Monument Maker in France in 2018. Bruce Russell is a practitioner in sound, who for forty years has been a member of The Dead C and A Handful of Dust. He mixes rock, electro-acoustics, noise and improvisation in equal measures. Also directed two of New Zealand’s vanguard independent labels, Xpressway and Corpus Hermeticum. His solo guitar practice reconfigures the blues as a form of improvisational auto-destruction. He is also a writer and his next book is titled ‘Rock’n’roll: my part in its downfall’. David Keenan is the author of six novels; This is Memorial Device (Faber & Faber) which won the London Magazine Prize for Debut Fiction and was shortlisted for the Gordon Burn Prize; For the Good Times (Faber & Faber), which won the Gordon Burn Prize and was shortlisted for the Encore Award for Second Novels; Xstabeth (White Rabbit), which was shortlisted for the Dublin Literary Prize; The Towers The Fields The Transmitters (White Rabbit); Monument Maker (White Rabbit), which was a Rough Trade Book of the Year; and Industry of Magic & Light (White Rabbit). Edna O’Brien has said of him “I sometimes think David Keenan dreams aloud. His prose has the effortless, enigmatic, unsettling quality of dreams… reading him feels like being cut open to the accompanying sound of ecstatic music.”

pré-commande25.10.2024

il devrait être publié sur 25.10.2024

Bakermat - Baiana (Ltd. Mint Green 10" Vinyl)

Exklusiver 10"-Release von Bakermats legendärem Hit "Baianá", einem lebendigen Mix aus House und Brazil-Sounds, der in Frankreich und Benelux mit Gold-, Platin- und Diamant-Auszeichungen überschüttet wurde. Die A-Seite enthält die Originalversion aus 2019, die B-Seite einen elektrisierenden Remix von Prince Kaybee, der diesem Klassiker frische Energie verleiht. Limitierte Auflage auf mint-grünem 10" Vinyl im farbigen Hochglanz-Cover.

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Last In: 9 months ago
Run DMC - Down With The King LP 2x12"

Run Dmc

Down With The King LP 2x12"

2x12inchGET51509GLP
GET ON DOWN
18.10.2024

RUN-DMC DOWN WITH THE KING 30th ANNIVERSARY Pressed On Red, White and Black Double Colored Vinyl With Commemorative Numbered OBI Limited To 2000 Copies Thirty years ago on May 4, 1993, Run-DMC made one of the greatest comebacks in Hip-Hop history with the release of their 6th studio album Down With The King. To understand the significance of this feat we have to go back a few years. Coming off an amazing four-album run ending with the platinum album Tougher Than Leather, Run-DMC released their 5th studio album, Back From Hell, to lackluster sales. Did Run-DMC fall off? Did the emergence of gangsta rap push them off to the side? It was sad to see your Hip-Hop heroes take a fall. Then in 1991, a 12-inch remix came out for the single "Back From Hell" featuring Chuck D and Ice Cube and fans took notice. It would be two more years before anyone would hear from Run-DMC again. In March of 1993, a new single and video “Down With The King” debuted on Yo! MTV Raps featuring the new Hip-Hop Gods Pete Rock and CL Smooth paying homage to The Kings calling back verses from Sucker MCs over a dope signature Pete Rock beat. The video would be in constant rotation on Ralph McDaniels Video Music Box, YO!, BET’s Rap City and more. Fans watched it over and over to catch all the cameos, everyone from Eazy-E to the Native Tongues Family of De La Soul and A Tribe Called Quest. The anticipation was building, but would the album live up to the lead single that knocked it out of the park? On May 4, 1993, the album dropped on CD, Cassette, and Vinyl. Run-DMC enlisted The Bomb Squad from Public Enemy, Q-Tip, EPMD, Jermaine Dupri, Kay Gee of Naughty By Nature, and Pete Rock to produce the album with a special appearance by Tom Morello rocking out his guitar emulating DJ scratches he made famous with Rage Against The Machine. Their rhyming was as enthusiastic and powerful as they were on their debut album 10 years prior. Run-DMC, the self-proclaimed Kings of Rock and original Kings of Hip Hop were indeed back. The album debuted at #1 on the R&B/Hip-Hop charts and #7 on the Billboard 200 and would go Gold within two months. Get On Down is proud to present for the first time on vinyl since its original release, a 30 Year Anniversary pressing on double-colored vinyl with numbered OBI in a gatefold jacket.

pré-commande18.10.2024

il devrait être publié sur 18.10.2024

Gizelle Smith & The Mighty Mocambos - This Is ... LP 2x12"

15 years onwards from the original release in October 2009, "This Is …" by Gizelle Smith & The Mighty Mocambos remains a classic in its genre. Upfront, raw and melodic, this super sister funk album has not aged at all. Now, in 2024, it is time for a proper re-release with unreleased bonus tracks, rare remixes and a limited edition double vinyl album. Welcome to the deluxe version of "This Is …" by Gizelle Smith & The Mighty Mocambos.

Read here what the original release sheet said about the album:

"Strong album – packs a serious punch" Craig Charles Funk and Soul Show, BBC 6 Music

"A breath of fresh air" Keb Darge

"Really amazing stuff, full of killers" Nick / Record Kicks

"Definitely recommended" Peter Wermelinger, Funky & Groovy Music Records Lexicon

"What a fantastic album – this is proper funk" Tobias Kirmayer, Tramp Records

Ever since their first collaboration on the "Mocambo Funk Forty Fives" compilation, things have gained momentum for Gizelle Smith, the "Golden Girl of Funk", and the much respected Hamburg-based label and live band The Mighty Mocambos. Their first single "Working Woman" became an overnight smash and a prime-time club favourite of funk & soul DJs from all over the world. Initially released on the Finnish private press label Old Capital, producer legend and Grammy nominee Kenny Dope (Masters at Work, Bucketheads) picked up and remixed the song for his own label Kay Dee Records. Gizelle Smith & Mocambo now step up with a full-length album of bonafide sister funk. In the days of digital recording and Pro Tools editing, they show true exception to modern techniques and create their highly regarded, unique and raw soul sound, by making use of simple dynamic microphones and reel-to-reel tape machines. In a genre which is often littered with overused clichés of the past, the charismatic Gizelle Smith adds a lot of her own flavour rather than slavishly copying icons of bygone decades. The result is a refreshing alternative to post-millenium plastic pop without being a mere retro rip-off. From the heavy and determined "Gonna Get You" to vulnerable, gospel-tinged laments such as "Coffee High", "This Is Gizelle Smith & The Mighty Mocambos" is just as deeply rooted in the music from the golden era of soul as it is a modern masterpiece in its own right. Blazing horns, soulful guitars, driving drums and basslines combined with Gizelle's gripping and powerful voice all weave together to create a long player that is varied and coherent at the same time.

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Last In: 16 months ago
Kayleth - New Babylon

Kayleth

New Babylon

12inchREX2428LPR
Argonauta Records
11.10.2024

It has now been four years since our return to earth in "2020 back to earth". There we had found a cold and inhospitable place, humanity was inexorably channeled on the path to extinction. We therefore decided to flee immediately in search of another planet where we could dwell.
We therefore came to New Babylon, a planet inhabited by humanoids but also by monstrous and ravenous creatures. There are "giants" that march about raising immense clouds of dust, stealing and plundering everything from people. Giants much like our corporations, they know no defeat and have no weaknesses, at least apparent ones.
There are old warriors like jarek who wait for war to feel like heroes, to feel alive. They find their dimension within the battle, where the line between hero and assassin magically blurs.
There are pyramids erected by men who think they are gods and turn the things life gives them into weapons and death, changing their use and meaning. Little men who think themselves omnipotent, burying knowledge of how life works under piles of lies.
We find a myriad of slaves, surrendered to live in huge troughs. They toil at nothing and find meaning in nothing. They prefer a convenient lie to an inconvenient truth.
In short, we realize that we have arrived in a world very much like earth. We are aliens but in a certain way we feel at home. We want to know, to understand, to evolve. We don't recognize ourselves in this deceived humanity, we don't give in, we believe. Nature, life is wonderful but when one thing loses its usefulness life gently explains to it that it is time to make room for something else. This existence has already explained to the dinosaurs.
Kayleth continue their journey, never stopping because who seeks will find itself.

"New Babylon ranks next to Space Muffin as Kayleth’s best album for me and one that contains some of their best grooves of their career to date." - Outlaws Of The Sun
"Sit down and really take in We Are Aliens as it’s a joy to listen to, but are the aliens we think exist, just like us? Let Kayleth take you on their journey of discovery." - The Sleeping Shaman
"On this album the Italian five manage to translate heroism into wild and wonderful sounds, often sounding even more like a grungier, metal version of Monster Magnet, mixed with mix a definitive love for Kyuss, Orange Goblin and a prog rock outfit like Riverside." - Stoner Hive
"It’s a call to arms for the dreamers and the rebels, a reminder that no matter how dark the journey, there is always light to be found. This album is a must-listen for anyone into psych stoner rock!" - Witching Buzz
"New Babylon is a triumph. It’s an album that demands to be listened to in full, each track a journey through heavy riffs and cosmic themes." - Iron Backstage
"Listening to a piece like 'New Babylon's Wall,' you can appreciate the richness and sonic fertility of the group, with beautiful melodies enriched by the right amount of electronics, starting from a psych conception of the stoner sound, and there is no lack of prog elements, all with beautiful melodies. As mentioned earlier, a sci-fi band in both approach and essence." - InYourEyesEzine
"KAYLETH doesn't reinvent anything, but they absolutely crush it by the rules!" - Rock'N Force
"Stoner rock has rarely sounded as original, diverse and intoxicating as it does here!

pré-commande11.10.2024

il devrait être publié sur 11.10.2024

Jowee Omicil - SpiriTuaL HeaLinG: Bwa KaYimaN FreeDoM SuiTe (2x12")

Joseph Omicil, Jr, a.k.a. Jowee Omicil, is a Haitian-Canadian jazz musician. He has worked in the past with artists such as Roy Hargrove, Pharoah Sanders, Tony Allen, Kenny Garrett, Jacob Desvarieux, Glen Ballard, Harold Faustin, Michel Martell, etc. He hosted Quincy Jones' 85th birthday celebration at Montreux Festival. He also starred in the Netflix series The Eddy, produced by Damien Chazelle, and Le temps d'aimer, directed by Katell Quillévéré (Cannes Festival 2023). The Bois- Caïman ceremony was Haiti's first major collective uprising against slavery. On his new album, SpiriTuaL HeaLinG: Bwa KaYimaN FreeDoM SuiTe, Jowee performs his ancestors' revolution in his own way. Joweebroughttogetherallhisinnertubes,soprano,alto,tenor,wood,clarinets, piccolo flute, cornet, that blows, that winds, that rumbles. Thisrecord is an incantation, a therapy, it cleanses the world by drawing onthe fantasized memory of the Haitian revolution. There are FreedomSuites by Sonny Rollins, Max Roach and others. Prayer music, music tobreak the chains in your head and on your wrists, music of black powerandwhitemagic.ForJowee,akidfromMontreal,sonofaHaitianpastor, who sang Jesus in all the tones, and then Michael Jackson, andthen2Pac,wholearnedjazzfromOrnetteColeman,theceremonynecessarilyhasthetasteoffree.Thisrecordisahealinghour-longimprovisation.

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Last In: 18 months ago
VARIOUS - WHY DON'T YOU SMILE NOW: LOU REED AT LP 2x12"

Oxblood & Gold Vinyl. Light In The Attic präsentiert in Zusammenarbeit mit Laurie Anderson und dem Lou Reed Archive die erste offizielle Anthologie von Lou Reeds Arbeiten für Pickwick Records 1964-1965. "Why Don't You Smile Now: Lou Reed At Pickwick Records 1964-65"enthält Raritäten, Kultklassiker (The Primitives' "The Ostrich") und bisher unveröffentlichtes Material (The Beachnuts' "Sad, Lonely Orphan Boy") und ist eine Zusammenstellung von Popsongs aus Reeds Feder, die er Mitte der 60er Jahre als angestellter Songwriter für das längst untergegangene Label Pickwick Records schrieb. Die Zusammenstellung ist der neueste Teil der Lou Reed Archive Serie und folgt auf Lou Reeds "Words & Music, May 1965" (2022) und die Wiederveröffentlichung von "Hudson River Wind Meditations" (2023). Als eine der originellsten und innovativsten Persönlichkeiten der Musikgeschichte erlangte Reed (1942-2013) zunächst als Mitbegründer und Frontmann der einflussreichen Band Velvet Underground Anerkennung. Im Laufe seiner fünf Jahrzehnte währenden Karriere brachte der zweifache Rock & Roll Hall of Famer seine einzigartige Vision in eine eklektische Bandbreite musikalischer Unternehmungen ein, darunter epochale Alben wie "Transformer" (1972) und wild experimentelle Werke wie der avantgardistische Noise-Klassiker "Metal Machine Music" (1975). Doch bevor er sich als Sänger, Songschreiber, Musiker und Dichter etablierte, begann Reed als interner Songschreiber (und gelegentlicher Session-Gitarrist/Sänger) bei Pickwick Records, einem Label, das sich auf Sound-ähnliche Aufnahmen spezialisierte, die die großen Pop-Hits der damaligen Zeit nachahmten. Von Garage-Rock und Girl-Group-Pop bis hin zu Blue-Eyed-Soul und Teenie-Idol-Balladen bietet Reeds Schaffen für Pickwick einen faszinierenden frühen Einblick in sein sich ständig weiterentwickelndes und wahrhaft grenzenloses künstlerisches Schaffen, das vom GRAMMYr-nominierten Mastering-Ingenieur John Baldwin restauriert und remastered wurde. Sowohl die 2xLP- als auch die CD-Editionen enthalten ausführliche Booklets mit ungesehenen Fotos, Linernotes von Richie Unterberger (renommierter Musikjournalist und Autor von "White Light/White Heat: The Velvet Underground day-by-day") und ein Essay von Lenny Kaye (dem legendären Gitarristen, Mitbegründer der Patti Smith Group, Autor, Produzent und Kurator der bahnbrechenden Garage-Rock-Anthologie "Nuggets"). Die Doppel-LP-Verpackung wurde von dem mehrfach mit dem GRAMMYr ausgezeichneten Künstler Masaki Koike gestaltet. Eine spezielle farbige Vinyl-Edition wird auf "Oxblood"-Wachs (A/B-Seite) und "Gold"-Wachs (C/D-Seite) gepresst.

pré-commande27.09.2024

il devrait être publié sur 27.09.2024

VARIOUS - WHY DON'T YOU SMILE NOW: LOU REED AT LP 2x12"

Light In The Attic präsentiert in Zusammenarbeit mit Laurie Anderson und dem Lou Reed Archive die erste offizielle Anthologie von Lou Reeds Arbeiten für Pickwick Records 1964-1965. "Why Don't You Smile Now: Lou Reed At Pickwick Records 1964-65"enthält Raritäten, Kultklassiker (The Primitives' "The Ostrich") und bisher unveröffentlichtes Material (The Beachnuts' "Sad, Lonely Orphan Boy") und ist eine Zusammenstellung von Popsongs aus Reeds Feder, die er Mitte der 60er Jahre als angestellter Songwriter für das längst untergegangene Label Pickwick Records schrieb. Die Zusammenstellung ist der neueste Teil der Lou Reed Archive Serie und folgt auf Lou Reeds "Words & Music, May 1965" (2022) und die Wiederveröffentlichung von "Hudson River Wind Meditations" (2023). Als eine der originellsten und innovativsten Persönlichkeiten der Musikgeschichte erlangte Reed (1942-2013) zunächst als Mitbegründer und Frontmann der einflussreichen Band Velvet Underground Anerkennung. Im Laufe seiner fünf Jahrzehnte währenden Karriere brachte der zweifache Rock & Roll Hall of Famer seine einzigartige Vision in eine eklektische Bandbreite musikalischer Unternehmungen ein, darunter epochale Alben wie "Transformer" (1972) und wild experimentelle Werke wie der avantgardistische Noise-Klassiker "Metal Machine Music" (1975). Doch bevor er sich als Sänger, Songschreiber, Musiker und Dichter etablierte, begann Reed als interner Songschreiber (und gelegentlicher Session-Gitarrist/Sänger) bei Pickwick Records, einem Label, das sich auf Sound-ähnliche Aufnahmen spezialisierte, die die großen Pop-Hits der damaligen Zeit nachahmten. Von Garage-Rock und Girl-Group-Pop bis hin zu Blue-Eyed-Soul und Teenie-Idol-Balladen bietet Reeds Schaffen für Pickwick einen faszinierenden frühen Einblick in sein sich ständig weiterentwickelndes und wahrhaft grenzenloses künstlerisches Schaffen, das vom GRAMMYr-nominierten Mastering-Ingenieur John Baldwin restauriert und remastered wurde. Sowohl die 2xLP- als auch die CD-Editionen enthalten ausführliche Booklets mit ungesehenen Fotos, Linernotes von Richie Unterberger (renommierter Musikjournalist und Autor von "White Light/White Heat: The Velvet Underground day-by-day") und ein Essay von Lenny Kaye (dem legendären Gitarristen, Mitbegründer der Patti Smith Group, Autor, Produzent und Kurator der bahnbrechenden Garage-Rock-Anthologie "Nuggets"). Die Doppel-LP-Verpackung wurde von dem mehrfach mit dem GRAMMYr ausgezeichneten Künstler Masaki Koike gestaltet.

pré-commande27.09.2024

il devrait être publié sur 27.09.2024

Sad Night Dynamite - Welcome The Night LP

Written over the last two years - in Somerset, Los Angeles, and London; hotel rooms and tour vans; good places and rough patches - Welcome The Night is a mutant document of Sad Night Dynamite’s mission and scale. Deliberately chaotic, their grab-bag approach to sound creates an album ranging from dark club bangers, trippy folk, hip-hop and bugged-out storytelling. An ‘anything goes’ space that offers total creative freedom through absurdism.

pré-commande27.09.2024

il devrait être publié sur 27.09.2024

Tom Scott - The Honeysuckle Breeze

Repress! Before he developed into a star composer and arranger, Tom Scott was an ambitious 19 year-old saxophonist looking for his big break in 1967. The opportunity came when legendary jazz label Impulse paired Scott with 9-piece vocal group The California Dreamers and allowed the young musician to take the helm as a band leader, with The Honeysuckle Breeze as the spectacular result. This rare and long out-of-print album features Scott leading a stellar lineup of sessions players—Bill Plummer (sitar), Glen Campbell (guitar) and Carol Kaye (bass) among them—through warm, smooth versions of songs by The Beatles (“She’s Leaving Home”), Donovan (“Mellow Yellow”), Joan Baez (“North”) and Jefferson Airplane (“Today”), which many will recognize from it’s sampling in the Pete Rock & CL Smooth classic “T.R.O.Y.” Resurrected, refurbished and remastered by the talented folks at Get On Down, Scott’s debut record sparkles with a high quality digital audio transfer from the original master tapes and is packaged in a gatefold paste-on case with a dust sleeve and obi strip. Don’t let this “Breeze” pass you by.

pré-commande13.09.2024

il devrait être publié sur 13.09.2024

Various - PORTABLIST LOUNGE V1

bring you a 7 inch scratchsafe™ battle record.

A narrow head-gauged deep cut non skip 7" DJ battle tool at 83bpm.

Standard scratch samples with AI generated voices from well known celebrities!


Featuring - Alex Jones, Bart Simpson, Kermit the Frog, Stan Marsh, Angry Male, Adam Sandler, Alan Partridge, Cleveland Brown, Jerry Springer, Rick Sanchez, Snoop Dogg, Donald Trump, Tucker Carlson, Eric Cartman, Stewie Griffin, Greta Thumburg, Arnold Schwarzenegger, Joe Rogan, Limmy, Peter Griffin, Peter Kay & Simon Cowell
Includes an additional x2 Portablist Lounge vinyl marker stickers for easy application
Digital download not available.

Weighing in at 40gms.

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Last In: 19 months ago
Skeet - Simple Reality

Simple Reality cements the short lived legacy of Coventry DIY group Skeet.

Emerging from a scene of first-generation punks and 2 Tone kids, Skeet was instigated by Gary and Nigel Meffen in 1981, fusing tightrope instrumentals with a Roland CR-8000 under the glow of projected visuals. After a cassette of their debut performance found its way to Kay Booth who worked at Inferno Records, the unsuspecting frontwoman took the liberty of adding her own vocals. Instantly embraced as a permanent member, Booth’s shy delivery and open-diary expressions of social alienation and romantic rejection hovered over the brothers’ scratchy guitar and agitated bass.

Playing as few as 10 shows, their unnerving minimalism was recorded in a suburban home studio, borrowing a reel-to-reel from Toby Lyons (The Colourfield) and a mixer from Jerry Dammers (The Specials). Record labels gestured interest until one day they were no more - no arguments, no official split, just a silent parting of the ways and three people taking journeys in different directions. Unheard and unloved in the vaults for nearly four decades, 'Brief Call' finally resurfaced via the Coventry Music Museum compendium Alternative Sounds Volume 1, followed by a micro pressing of the full suite on Chris Long’s Almost Unknown imprint in 2023.

Simple Reality now offers a definitive snapshot of these must-hear neurotic post-punks. Mastered by Skeet fanatic Mikey Young, newly discovered instrumental multitracks are restored alongside a live recording of their final stand. Performed atop of a trailer in a pub beer garden, the release-worthy desk tape adds three new tracks and a more energised swing at ‘Left On the Shelf’s apathetic techno-pop.

RIYL: Fire Engines, 23 Skidoo, A Certain Ratio, Young Marble Giants, pel mel

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Last In: 20 months ago
VELOCITY GIRL - ULTRACOPACETIC LP 2x12"
  • Pretty Sister
  • Crazy Town
  • Copacetic
  • Here Comes
  • Pop Loser
  • Living Well
  • A Chang
  • Audrey's Eyes
  • Lisa Librarian
  • 57: Waltz
  • Candy Apples
  • Catching Squirrels
  • Warm/Crawl
  • Creepy
  • Stupid Thing
  • Even Die
  • Here Comes (Peel Session Version)
  • Always (Peel Session Version)
  • Crazy Town (Peel Session Version)
  • 57: Waltz (Peel Session Version)
  • Copacetic (Peel Session Version)

Doppel-LP auf rotem Vinyl, limitiert auf 2000 Stück. Das lange vergriffene Debütalbum der beliebten Indie-Rock-Band Velocity Girl aus dem Jahr 1993 ist wieder erhältlich, mit einem neuen, von der Band genehmigten Mix und einem kompletten Album mit Bonustracks, das Singles, Outtakes und die Peel Session der Band von 1993 enthält. Velocity Girl gründeten sich etwa 1989 an der Universität von Maryland außerhalb von Washington DC und setzten sich kurz darauf aus Gitarrist Archie Moore (Black Tambourine), Gitarrist Brian Nelson (Black Tambourine), Schlagzeuger Jim Spellman (Starry Eyes, Foxhall Stacks, High Back Chairs, Julie Ocean, Piper Club), Bassist Kelly Riles (Starry Eyes) und Sängerin Sarah Shannon (Starry Eyes, The Not Its) zusammen. Die Band kombinierte englisch inspirierten lärmenden Shoegaze-Fuzz mit rauem US-Indie-Rock und klassischem 60er-Jahre-Pop-Songwriting. Eine Killer-Single auf Slumberland und pausenloses Touren erregten die Aufmerksamkeit der damaligen Indie-Rock-Kenner, und nach einem hitzigen Werben, das sowohl Abendessen als auch Nachtisch beinhaltete, unterzeichneten Velocity Girl in Hoboken, New Jersey einen Vertrag auf einer Motorhaube, und machten Sub Pop zu ihrer Heimat. 1992 begann die Band mit der Arbeit an ihrem Debütalbum "Copacetic" in den Easley Studios in Memphis - einst Heimat der Bar-Kays und anderer klassischer Soul-Bands - unter der Leitung von Bob Weston (Volcano Suns, Shellac), und mischte das Album anschließend mit Weston in Chicago. Obwohl das Album starke Songs enthielt - Popsongs wie "Audrey's Eyes", "Pop Loser" und "Living Well" neben ehrgeizigen Erkundungen wie "Pretty Sister" und "Here Comes" - hatte die Band wenig Erfahrung mit der Produktion und es fehlte ihr an den Fähigkeiten, im Studio "das Boot zu steuern". Infolgedessen war das Album eine eher schlichte Angelegenheit, der es an der Üppigkeit der früheren Aufnahmen mangelte. In den Ohren der Band war das ein Schock, und sie merkten bald, dass dies nicht die Platte war, die sie zu machen hofften. Bob Weston hatte genau das getan, was von ihm verlangt wurde, und die Klänge eingefangen, aber die Band hatte nicht ihren Teil dazu beigetragen, eine klare Vision zu formulieren. Aber die Zeit der Band im Studio war vorbei, und Polvo war gerade aufgetaucht, um an ihrem Album zu arbeiten, also machten sich Velocity Girl auf, um das Video zu Audrey's Eyes" zu drehen. "Copacetic" kam 1993 auf den Markt und die Leute schienen es zu mögen, aber innerhalb der Band gab es ein Gefühl der Enttäuschung bis zu dem Punkt, an dem die meisten Mitglieder es nicht mehr ertragen konnten, die Platte zu hören. Seitdem hat die Band viel über Aufnahmen gelernt, und Archie Moore eine Karriere als Tontechniker eingeschlagen, so dass die Band schließlich beschloss, sich mit "Copacetic" nochmal auseinanderzusetzen. Nach umfangreichen Ausgrabungen tauchten die 2"-Bandspulen im Haus der Mutter von Jims Ex-Frau auf, und im Frühjahr 2023 begann Archie mit der Arbeit an einem Remix. Song für Song entstanden die neuen Abmischungen genau so, wie die Band sie sich vorgestellt hatte. Der erhabene Gesang von Sarah (die am College Oper studiert hat), die klingende Leadgitarre, die saftigen, verwaschenen Rhythmusgitarren und das klare, stampfende Schlagzeug. Die Popsongs sind viel poppiger. Der Klang ist kraftvoller, und die Platte ist ein zusammenhängendes Werk, das von Song zu Song fließt. Der Ansatz war nicht, ein Album zu machen, das nach 2024 klingt, sondern sich auf das Jahr 1992 zurückzubesinnen und das Album zu machen, das die Band damals hätte machen sollen. Das Ergebnis, "UltraCopacetic (Copacetic Remixed and Expanded)", ist eine spannende alternative Geschichte von "Copacetic". Und während sie dabei waren, hat die Band den Rest ihres Studiomaterials aus dieser Zeit ausgegraben und aufgefrischt: "Ultracopacetic" enthält "Warm/Crawl" von der Velocity Girl/Tsunami Split 7", ,Creepy' von der Crazy Town 7", "Stupid Thing" von der Audrey's Eyes 7" und die unveröffentlichte Albumauskopplung ,Even Die'. Abgerundet wird das Ganze durch die komplette John-Peel-Session der Band aus dem Jahr 1993 mit fünf Liedern, darunter zwei Tracks, die seit der ursprünglichen Sendung nicht mehr zu hören waren. "UltraCopacetic" ist wirklich die definitive Version von Velocity Girls erstem Album.

pré-commande16.08.2024

il devrait être publié sur 16.08.2024

ELKHORN - THE RED VALLEY LP

Elkhorn

THE RED VALLEY LP

12inchVHF164
VHF
08.08.2024

Debut standalone VHF album by the Elkhorn duo of Drew Gardner and Jesse Sheppard, a tight set of six studio recordings in a variety of moods and featuring a lot of new sound textures. Elkhorn’s prolific stream of releases since 2016 has highlighted their mastery of sprawling long-form, acoustic-driven hypno-jams, with an emphasis on live performance (including on their collaboration with Pelt’s Mike Gangloff on the Shackamaxon Concert album). The Red Valley is a more layered and composed-sounding set, with the duo overdubbing extensively on top of their own dual guitars. Leading off the LP, “Crystal Hummingbird” features one of their signature minor-modal vamps, with layers of fuzz bass, zither, and frame drum providing weight and psychedelic density. “Gray Salt Trail” continues the vibe, with thick fuzz vibraphone supplementing the cinematic palate, leading into the spare side-closer “Black Wind Of Kayenta,” where Sheppard plays electric 12-string and Gardner solos on acoustic guitar. Side two starts with “Road to Chaco Canyon,” a brooding duet that builds momentum with Gardner’s insistent frame drum cadence, dropping down into the quiet string pool of “Inside Spider Rock” (featuring Fern Knight’s Jesse Sparhawk on gloriously swirling lever harp) and the graceful finale “Jackrabbit Hops.”

pré-commande08.08.2024

il devrait être publié sur 08.08.2024

Kool & The Gang Feat. Jamiroquai - Hollywood Swingin

Repress!

A power combo of funk heavyweights, see’s the legendary Kool and the Gang paired up with the Jamiroquai front man.

Taken from a live performance of killer track, “Hollywood Swingin” featuring guest vocalist Jay Kay, has now been reworked by duo Matt Early & Lee Jeffries the result is a track that pays homage to the original while injecting new energy and groove, making it perfect for both longtime fans and newcomers to enjoy on the dance floor.
Limited Vinyl Release Act Fast!

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Derniere entrée: 78 jours
Zanias - Chrysalis

Zanias

Chrysalis

12inchF//028 BLUE/BLACK
FLEISCH
30.07.2024

140g transparent blue and green galaxy marble vinyl housed in a matte 3mm cardboard sleeve with lyrics insert featuring photography and artwork by Hidrico Rubens. Limited to 300 copies. The creation of ‘Chrysalis’ was a retreat from a seemingly endless string of unfortunate events, a cocoon from which Zanias could weave hope from hopelessness. In each of its eight songs she has engineered unique worlds to express alternate facets of the modern human experience, from burnout and the toxicity of capitalism to processing death and the inherent isolation of personal trauma. Written and recorded between Berlin and the rainforest of Queensland, Australia, the sound design of ‘Chrysalis’ reflects the rich biodiversity of the latter environment, where she drew much of her inspiration. Her voice shifts and morphs into ghostly, alien forms between catchy hooks that plant this album firmly in the ‘pop’ genre, without losing the underground rawness and lyrical depth for which she is known. With her third full-length album, Zanias is expressing her truest form thus far, fusing her seemingly discordant influences into a genre-defying electronic artpop, as dark and evocative as it is ethereal and uplifting. Written and produced by Alison Lewis Bass guitar on ‘Lovelife’ by Laura Bailey Mixed by Ewan Kay Mastered by Alain Paul Photography and artwork by Hidrico Rubens Sigil by Nat Soba Design and layout by Alison Lewis Makeup by Eavan Derbyshire

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Last In: 20 months ago
JOE PASS - BETTER DAYS LP

Joe Pass

BETTER DAYS LP

12inchPLP7900
P-Vine Japan
25.07.2024

Long-awaited reissue of an interesting and rare masterpiece by jazz guitar virtuoso Joe Pass, who took on jazz funk! (Made in 1971) This is the first release on Gwyn Records, a minor label in California, and features a very impressive lineup. Paul Humphrey and Earl Palmer on drums, Carol Kaye (label owner) and Ray Brown on bass, J.J. Johnson, Tom Scott, and Conte Candoli on horns, this is truly a historical session that brought together the top musicians of the West Coast at the time. From the cool funk of "Better Days" at the beginning of the session, almost the entire album was a storm of jazz funk. Free Sample" by Joe Sample, "Burning Spear," with its impressive undulating beat, "Head Start," with its too-subtle bass line, and the boogie shuffle "Gotcha! The jazz bossa "Balloons" and the weepy medium soul "It's Too Late" also have an outstanding presence. Not only can you enjoy Pass' intelligent soul-jazz guitar playing that hits all the right notes in a single tone, but the groovy, funky rhythm section is the best you'll hear on the West Coast.

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Last In: 20 months ago
RAH & THE RUFFCATS - ORILE TO BERLIN LP

Berlin based Ruffcats are something of an institution This eight-piece outfit made up of some of the country"s most revered session musicians, pool all of their diverse influences and come together as "The Ruffcats" to create a unique take on the music they love. Rapturous Apollo Helios, better known as RAH, has been making a name for himself as one of Berlins" most outstanding rappers, songwriters and vocalists. Originally hailing from Lagos, Nigeria, RAH"s music has always been influenced by his environment as well as a rich history of black music from hip hop to soul and, of course, Afrobeat.

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Last In: 20 months ago
THROWING MUSES - Sun Racket

Throwing Muses

Sun Racket

12inchFIRELP574
Fire Records
15.07.2024

"Sun Racket" is the brand new album from legendary Boston trio Throwing Muses, consisting of Kristin Hersh, David Narcizo and Bernard Georges. The follow up to 2013's 'Purgatory/Paradise' is an outpouring of modal guitars, reverbed shapes, echoey drums and driving bass set behind Kristen Hersh's well-thumbed notebook of storylines. A ten-song opus of suitably wrought tales set against a wall of sound that's at once calm and ethereal before building into glorious cacophonous crescendos.

When Throwing Muses wrote their last album, they were shattered. Pieces were coming and going, elements repeating and charging the whole. "It sounded beautiful jumping around like that". Two-minute songs reappearing as twisted instrumentals or another song's bridge.

They mimicked the effect live which kept them on their toes. Whatever was happening was already over in other words. 'Sun Racket' is the opposite. It refused to do anything but sit still. It says, "sit here and deal". "All it asked of us was to comingle two completely disparate sonic vocabularies: one heavy noise, the other delicate music box.

Turns out we didn't have to do much. Sun Racket knew what it was doing and pushed us aside, which is always best. After thirty years of playing together, we trust each other implicitly but we trust the music more" - Kristin Hersh And so, they continue. Business unusual.

"A ground-breaking band who changed the face of alternative music rather than follow the rule book." MXDWN "Pioneers of the 80'/early 90's college rock sound" Pitchfork "One of America's finest guitar bands" - The Quietus.

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Last In: 5 years ago
Kaycie Satterfield - Rosie

Kaycie Satterfield leans into the endless, prickly change inherent in life. So when the guitarist and singer-songwriter broke her wrist in 2020 and was entirely unable to play her instrument for months, she had no choice but to embrace change. “Guitar is my main source of continuity,” she says. “So I had to learn how to think outside of my current conventions and to work with limitations.” On one hand, she needed to figure out how to write and play with one hand tied behind her back. But the fact that around the same time she had to go through four moves and a breakup meant she'd have to make peace with far more drastic change. And rather than be stuck in dated patterns and stories, Satterfield was newly determined to tell her own story her own way. The resulting album, Rosie (due July 12th via Earth Libraries), is a glistening slice of indie rock that bolsters Satterfield’s impeccable songwriting with a new perspective and rich, synth-driven production.

pré-commande12.07.2024

il devrait être publié sur 12.07.2024

MARIO RUSCA TRIO - Monochrome Blues LP 2x12"

Mario Rusca is most probably the biggest living Italian jazzman. His major influences are Duke Ellingtons composing abilities and Hampton Hawes' brilliant sound. He immersed himself in the harmonic inventions of the incredible pianists of the 60s and 70s: from Bud Powell to Bobby Timmons, Wynton Kelly and Bill Evans. Mario Rusca has been the house pianist of Capolinea, the most important Italian jazz club of the 70s and 80s. He went on to perform in important national and international settings-representing Italy in the "Piano Solo'' category of the "International Festival of Varsavia" and participating with his quintet at the "International Festival of Montreal". He has collaborated with a multitude of prestigious names: Chet Baker, Tony Scott, Curtis Fuller, Gerry Mulligan, Lou Donaldson, Art Farmer, Bob Berg, Lee Konitz, Dusko Gojkovic, Al Gray, Kay Winding, as well as Stefano Bagnoli, Enrico Rava, Tullio De Piscopo, Kenny Clarke, Stan Getz, Jimmy Owens, Toots Thielemans, Gianni Basso, Pepper Adams, Steve Lacy, Steve Grossman, Franco Ambrosetti, Woody Shaw, and Eddie "Lockjaw" Davis. With Gerry Mulligan, in particular, he toured in 1976 and with Lee Konitz, he recorded Wheres The Blues? at the end of the 90s. In this regard, Suspension in 1975 with Tullio De Piscopo and Recreations in 1976 with the phenomenal Larry Nocella playing saxophone are still very beautiful and modern recordings. As Mario says, "In jazz, you choose the companions that you can dialogue the most with.there needs to be an interplay, there needs a...a way of feeling, which is why you choose musicians because they feel like you, or, if nothing else, they follow you". The chemistry between the three of them is perfectly aligned, synergistic. Tonys drums and Riccardos bass create a soft and essential rhythmic tapestry that never hinder the creative prowess of the band leader. Here Mario Rusca is interpreting the most dynamic jazz standards. Blues for Gwen by McCoy Tyner, Blues Walk by Lou Donaldson, Blue Minor by Sonny Clark, Turnaround by Ornette Coleman, Bass Blues by John Coltrane or even Super Jet by Tadd Dameron. You cant help but imagine yourself on top of a convertible, smiling and carefree, while they travel through the soloist progressions of Turnaround and Super Jet. We need to underline the four originals included in this recording: Blue Dream (for Allerim), Tempo Blues, Double Horn e Monochrome Blues, extremely suggestive compositions, rich of intuitions and which well exhibit Mario Rusca composition skills and his ability to play the blues. MONOCHROME BLUES is a winning trio album which will deeply please the most demanding jazz hears. The musicians Mario Rusca (piano) Riccardo Fioravanti (bass) Tony Arco (drums)

pré-commande05.07.2024

il devrait être publié sur 05.07.2024

Everton Chambers - I Can Feel 10"

* A solid double A-sider from Partial Records with Everton Chambers and S'Kaya sharing the bill.
* On the A-side we have Everton Chambers, a long-time Jamaican singer whose work stretches back the 80's where he cut several memorable digital thrillers. Here he does his thing over a cut Paul Fox's `Wolf in Sheep Clothing' rhythm.
* Flip to the AA side for bass-rumbling boom shot from S'Kaya, a young promising vocalist/deejay who already has two previous releases for Partial under his belt (`Police' and `Eyes of Jah'). On this track he ride the same rhythm as Jah Marnyah's `Nah Partial' which was released last year.
* Both tunes come with dub-wise versions mixed by Dougie Wardrop.

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Last In: 10 years ago
DR. K'S BLUES BAND - DR. K'S BLUES BAND LP
  • A1: I Can't Lose
  • A2: Walking
  • A3: Key To The Highway
  • A4: Crippled Clarence
  • A5: Pet Cream Man
  • B1: Messin' With The Kid
  • B2: Don't Quit The Man You Love For Me
  • B3: Rolty's Banjo Shuffle
  • B4: Strobe Lemming's Lament
  • B5: Long Distance Call
  • B6: Feel So Bad

After briefly replacing Eric Clapton in John Mayall’s Bluesbreakers, guitarist/bassist Geoff Krivit formed Doctor K’s Blue Band with pianist Richard Kay and singer/harmonica player Mick Hasse, the lineup completed by bassist Harold Vickers, slide guitarist Roger Rolt and future Steve Hillage drummer Eric Peachey. Their self-titled debut had top-notch renditions of blues classics such as ‘I Can’t Lose,’ ‘Key To The Highway’ and ‘Pet Cream Man,’ as well as spirited originals such as ‘Strobe Lemming’s Lament’ and the piano stomp ‘Crippled Clarence,’ but the album failed to break through. Grab a copy of this rarity to be blown away!

pré-commande01.07.2024

il devrait être publié sur 01.07.2024

Jesse Malin - Chasing The Light

Der begleitende Film von Dave Stekert und Xander Strohm fängt die Zeit in New York ein, als Covid 19 alles abschaltete, die Menschen Angst hatten
und nichts sicher war. Die Kreativen mussten trotzdem kreativ sein, und Jesse Malin fand einen Weg, die Menschen über seine wöchentliche
Streaming-Show "The Fine Art of Self Distancing" zu erreichen. Ein großes Publikum fand Gefallen daran, dass Jesse Geschichten erzählte, sang,
tanzte, uns zum Lachen brachte und uns wissen ließ, dass alles gut werden würde. Er lud seine Freunde ein, mit ihm über die Geschehnisse in der
Welt zu sprechen, darunter Lucinda Williams, Debbie Harry, Jimmy G, Alejandro, Bob Gruen, Craig Finn, Tommy Stinson, Fred Armisen, David Fricke,
Pete Yorn, Graham Parker, Butch Walker, Lenny Kaye, Michael Imperially, Jim Jarmusch, DMC, Uncle Floyd und Bob Strauss.
Zu den musikalischen Gästen gehören Tommy Stinson, H.R. (Bad Brains), Eugene Hutz (Gogol Bordello), Cat Popper (Puss N Boots, Jack White, Grace
Potter), David "Immy" Immerglück (Counting Crows). Sie singen die Lieder von Jesse Malin und Lieblingslieder von The Pogues, Bad Brains, The
Ramones.

pré-commande21.06.2024

il devrait être publié sur 21.06.2024

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