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Gilles Peterson & Stuart Baker - Freedom, Rhythm & Sound CHAPTER TWO: Revolutionary Jazz Cover Art

Freedom, Rhythm and Sound showcases the stunning graphic works of independently published jazz record cover designs in the 1960s, 70s, 80s and beyond, from radical jazz musicians such as Sun Ra, John Coltrane, Pharoah Sanders, The Art Ensemble of Chicago and others. This second Freedom, Rhythm and Sound book is a new ‘chapter’, featuring hundreds more unique, rare and beautiful jazz record cover designs.

This book documents the continued development in jazz as African-American artists set out on new journeys to enlightenment, heading out into Europe at the end of the 1960s. The artwork of these (often self-produced) record cover designs during this era reflected their radical agenda, spiritual awareness and singular search for musical and personal freedoms. From raw, DIY aesthetics to lyrical and poetic illustrations, sometimes containing futuristic worlds and ancient landscapes, the designs are always bold, strikingly graphic, and most importantly capture the spirit of the music, giving them a unique beauty. The book also includes sections on African-American poets and writers, Civil Rights and Black Power Movement leaders (Martin Luther King, Malcolm X) and early musical pioneers (Yusef Lateef, Max Roach, Art Blakey and others), all of which helped influence and shape the world of radical and spiritual jazz from the 1960s and onwards to its rebirth today. Since the 1980s, Gilles Peterson has been a pivotal figure in the club scene, renowned for his genre-defying approach to music with jazz at its core. As one of the UK’s most iconic DJs, he has spent over 40 years shaping music trends as a radio presenter, club DJ, producer, and festival curator.

He hosts a flagship show on BBC Radio 6 Music and, in 2016, launched Worldwide FM. He is founder of the Worldwide Festival in the South of France and We Out Here festival in the UK. He runs the label Brownswood Recordings, dedicated to discovering and promoting new talent and bringing fresh voices to the global stage. Stuart Baker founded Soul Jazz Records in 1992. For more than 30 years the record company has released over 500 records covering a genre-defying array of non-mainstream musical worlds – Jazz, Reggae, Punk, Latin, Brazilian, Disco, African, Gospel, Acid House and more.

In 2017, part of Stuart Baker’s jazz record collection (much of which appears in Freedom, Rhythm and Sound) was featured and displayed as part of the Soul of a Nation: Art in the Age of Black Power exhibition at Tate Modern in London, and subsequently at The Broad in Los Angeles (2019) and Brooklyn Museum (2019). Soul Jazz Books launched in 2007, a similarly diverse and critically acclaimed publishing house with graphic art, culture and photography titles that include ‘Voguing and The House Ballroom Scene of New York’, ‘Dancehall – The Rise of Jamaican Dancehall Culture’, ‘Yo! The Early Days of Hip-Hop’, ‘Freedom, Rhythm and Sound – Revolutionary Jazz Cover Art 1965-83’, ‘Punk 45 – The Singles Cover Art of Punk 1976-80’ and others. Reviews of the first Freedom, Rhythm and Sound: “A remarkable book” The New Yorker “If there can be such a thing as a revolutionary coffee table book, Freedom Rhythm & Sound is it―a chance to wallow in the Afrocentric visual language of the non-mainstream black jazz vinyl of this extraordinary fertile and creative period.” Eye “Like the uncompromising music they represent, all the covers broadcast a sense of bold, brazen ideology” Pitchfork “A definitive account of a complex passage of cultural upheaval.” The Independent “For decades, no one was sure how to refer to this extraordinary music.

Calling it ‘fire music’ does justice to its incandescent spirit, still burning from the pages of a book that preserves the memory of a special time.” The Guardian “These sleeves are the original independent legacy to America’s premier art form – Jazz. In terms of African-American cultural expression they are part of a long line of thought that was charged in the 1960s by John Coltrane, Martin Luther King, Ornette Coleman, Malcolm X and others” The Wire “A hefty compendium of radical jazz cover art” Mojo

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Last In: 29 days ago
Biboul Darouiche & The Bantu Jazz Connection - Strolling Through The Worlds

Strolling through the world by Biboul Darouiche & The Bantu Jazz Connection marks the first vinyl release on Crispy Water and is a vibrant fusion of African rhythms, jazz improvisation, and soulful storytelling, blending ancestral rhythm with contemporary jazz expression. Recorded with an ensemble of outstanding musicians, the album moves effortlessly between groove, spirit, and freedom — connecting continents through sound.

BIBOUL DAROUICHE is a singer, percussionist, composer and head of the ensemble. By playing the conga, djembe, calimba and - the African treetrunk drum (also called nkul or tam-tam, which by the way should not be missing at any concert!) Darouiche brings a very special color to his music. He works mainly in Europe, but his engagements also take him to the Middle East, the countries of the CIS, Brazil and the USA. Since1995 he has been a member of Klaus Doldinger's Passport. He has also worked with musicians such as Al Di Meola, Pee Wee Ellis, Roy Ayers, Graham Haynes, Paquito D'Rivera and the Jazz Baltica Ensemble.

The Austrian multi-instrumentalist and producer MICHAEL HORNEK, who is part of the permanent cast of Klaus Doldinger's Passport as a keyboardist, plays keyboards, percussion and sings. His free-jazzy percussive playing inspires every listener. Hornek's keyboard skills can be heard on over 750 music productions, and the trend is of course increasing!

Mauritian bassist LINLEY MARTHE is one of the world's best bassists. He was a long time permanent member of the band Joe Zawinul Syndicate,worked with musicians like Dave Liebmann, Richard Galliano, Omar Hakimand many more. Zawinul said of Linley Marthe in an interview: “Linley is a phenomenon. I don't know if anyone can match him in terms of bass playing."

ROGER BIWANDU, french musician born and raised in Bordeaux/France, with roots from Congo (DRC) is an artist resident at l'Apollo bar in Bordeaux since june 1997, he plays there one time per month. He played with a lot of great musicians all over the world, with some heavy weights too, like Joe Zawinul, Salif Keita, Marcus Miller, Lee Ritenour, John Beasley, Dee Dee Bridgewater, Franck McComb, to name a few.

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Last In: 4 months ago
Virgin Vampires - Whores and Judaism
  • 1: Caligulae Insanus Imperator
  • 2: Martyrdoms And Crucifixions I
  • 3: At The Cemetery
  • 4: Are They Real Or Just Me?
  • 5: The Curse Of The Pharaons
  • 6: Tibet
  • 7: Beautiful
  • 8: Lost You In The Dark Unknown
  • 9: Medusa
  • 10: Martyrdoms And Crucifixions Ii
  • 11: I Feel Dead Here
pre-ordina ora05.12.2025

dovrebbe essere pubblicato su 05.12.2025

Al Foster - Live at Smoke LP 2x12"
  • 1: Amsterdam Blues
  • 2: Unrequited
  • 3: E.s.p
  • 4: Old Folks
  • 5: Pent-Up House
  • 1: Simone's Dance
  • 2: Everything Happens To Me
  • 3: Satellite
  • 4: Malida

Live at Smoke captures master drummer Al Foster in peak form during his final birthday celebration—a weekend of inspired performances at NYC’s Smoke Jazz Club in January 2025. Joined by an all-star quartet featuring Chris Potter, Brad Mehldau, and Joe Martin, Foster leads a group full of fire, grace, and deep swing. Drawn entirely from Saturday and Sunday night sets, this double LP-length live recording is both a celebration and a moving farewell from one of jazz’s great rhythmic voices.

pre-ordina ora05.12.2025

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Pacifica - In Your Face LP

Pacifica

In Your Face LP

12inchTAG25PM41
Many Hats
05.12.2025
  • What You Doing
  • Fixer Upper
  • Indie Boyz
  • Just No Fun
  • Don't Blame Me
  • Mine
  • Let Me Have This
  • Corridor
  • Show Your Credentials
  • In Your Face
  • For Us
  • Wasted A Drunk

Pacifica wurde 2021 von Inés Adam & Martina Nintzel in Buenos Aires aus einer Onlinefreundschaft und der gemeinsamen Liebe für The Strokes heraus gegründet. Was als eine Reihe von YouTube-Covern begann, entwickelte sich schnell zu einer vollwertigen kreativen Kraft und gipfelte in ihrer Unterschrift bei TAG Music nach einer von Fans finanzierten Reise zu The Strokes in New York City. Pacificas Musik schöpft von der rauen Dringlichkeit des Garage-Rock der frühen 2000er, der Prahlerei des Post-Punk und der emotionalen Unterströmung des 90er Alternative. Auf ihrem zweiten Album ""In Your Face"" wandelt die Band weiterhin auf dem schmalen Grat zwischen Verletzlichkeit und Rebellion und beweist, dass selbst in einer zersplitterten Welt zwei Freunde und ein paar Gitarren noch etwas Unvergessliches schaffen können.

pre-ordina ora05.12.2025

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Martha Argerich, Mstislav Rostropovich - Chopin: Sonate Op. 65, Polonaise Op. 3 / Schumann: Adagio & Allegro Op. 70 (Original Source Series #

Chopins Cellosonate op. 65 stammt aus den Jahren 1845/46 und vereint alle Reize seines Klavierwerks.
Mit einem erstaunlichen Verständnis für den Charakter des Cellos vergisst man, dass seine schöpferischen
Ideen anfangs pianistischen Ursprungs waren.
Schumann schrieb nur wenige Werke für Cello und Klavier, aber diese wenigen sind von herausragender
Bedeutung: das Adagio und Allegro op. 70 von 1849 ist charakteristisch für Schumanns Mischung aus
Melancholie und Natürlichkeit. Ein tiefgehendes Verständnis für einander und große Harmonie kennzeichnen diese außergewöhnliche Aufnahme von Argerich und Rostropovich.
Die audiophile Vinyl-Serie The Original Source präsentiert herausragende Aufnahmen der 1970er Jahre
in ganz neuer Klangqualität. Dafür haben die renommierten Emil Berliner Studios die originalen Vier- und
Achtspur-Bänder mit eigens für die Produktion der Serie entwickelten Technologien in 100% analoger Qualität (AAA) neu gemastert und geschnitten. Die klanglichen Unterschiede zu den Originalveröffentlichungen sind beträchtlich: Größere Klarheit, mehr Feinheiten und Verbesserungen im Frequenzgang, zugleich
weniger Nebengeräusche, Verzerrungen und Komprimierungen ermöglichen ein audiophiles Hörerlebnis wie
nie zuvor.
Auf 180g Vinylplatten und in einer Deluxe-Gatefold Edition mit Originalcovers und -texten werden die
Exemplare dieser Serie limitiert und nummeriert veröffentlicht, begleitet von zusätzlichen Fotos und Faksimiles der Aufnahmeprotokolle und Bandkartons.

pre-ordina ora05.12.2025

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The Joshua Hotel - Rapture Party LP
  • 1: Hometown 200
  • 2: Our Lonely Hearts
  • 3: Beautiful Day
  • 4: Easy Feeling
  • 5: Local Girl Builds A Rocket
  • 6: Show Me Around
  • 7: Clever (In The Eyes Of Others)
  • 8: Conversations In The Dark
  • 9: The Changes
  • 10: Martin Amiss
  • 11: The Final Joy Ride

Written in the Scottish Highlands, recorded on the West Coast in Largs and pressed on vinyl in East Lothian. Rapture Party was mixed and mastered by Jason Shaw and Fuzz Face Studios and is released by Last Night From Glasgow. ; The Joshua Hotel are an indie- pop trio from Inverness led by producer Joshua Mackenzie with Louis Slorach on guitar/ drones and Joshua Gilbert on drums/ percussion. Single Easy Feeling is released on Friday 21 March.

pre-ordina ora05.12.2025

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MARC AND THE MAMBAS - THREE BLACK NIGHTS OF LITTLE BLACK BITES LP 2x12"
  • My Former Self
  • Your Aura
  • The Animal In You
  • Black Heart
  • Narcissus
  • Gloomy Sunday
  • Vision
  • In My Room
  • The Bulls
  • Près Des Ramparts De Sévill
  • Catch A Fallen Star
  • Your Love Is A Lesion
  • Torment
  • Empty Eyes
  • Untitled
  • Angels
  • Caroline Says
  • First Time
  • Jacky

The complete recordings of the legendary Marc And The Mambas run of three live performances given at The Duke Of York's Theatre in London's West End in 1983. Restored from the original VHS tape recordings made by the late Peter 'Sleazy' Christopherson (Throbbing Gristle, Coil), these remain the only recordings that exist of Marc And The Mambas performing live. Originally released in 2012 on Marc Almond's (Soft Cell) own Strike Force Entertainment label as a CD/DVD set (long sold out), this edition, presented on vinyl for the first time, contains the 17 tracks from the SFE CD release, expanded to include the two bonus DVD-only tracks: 'Près Des Ramparts De Séville' and 'Jacky'. Completely remastered for vinyl by Martin Bowes (The Cage Studios). A combination of the chanson and torch songs which he still sings today, over piano, strings and woodwind-accompanied compositions. "It's quite a spectacle, especially when Almond hits his sweet spot of sinister lyrics, declared pompously over a droned string arrangement... Early signs of the full-on showtune and classical rearrangements that make up Almond's current albums are evident"(Record Collector). Presented on heavyweight double vinyl in a deluxe glossy gatefold sleeve featuring the extensive reminiscence by Marc Almond himself from the 2012 release. Also included is a reproduction of the 16-page programme printed for the three concerts in 1983. The stunning cover painting by Val Denham is exclusive to this release.

pre-ordina ora05.12.2025

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Two Door Cinema Club - Tourist History LP

Mit "Tourist History" veröffentlicht die britisch-irische Indieband Two Door Cinema Club eines der einflussreichsten Debütalben der 2010er Jahre in einer besonderen 15th Anniversary Edition. Das Album, das 2010 erschien, gewann den Choice Music Prize als Irish Album of the Year und markierte den Start einer Weltkarriere, die von Festival-Headliner-Shows bis zu über 1 Milliarde Streams von "What You Know" führte.

Zur Feier des Jubiläums erscheint Tourist History in drei liebevoll gestalteten Formaten - inklusive bisher unveröffentlichter Remixe und Raritäten.

Seit dem Garageprojekt in Bangor haben Alex Trimble, Sam Halliday und Kevin Baird eine beeindruckende Karriere hingelegt - mit Top-10-Alben wie Beacon, Gameshow, False Alarm und Keep On Smiling und ausverkauften Touren weltweit. Diese Jubiläumsausgabe ist ein Muss für Indie-Fans und Sammler - ein Meilenstein moderner Gitarrenmusik.

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Last In: 4 months ago
Various - Toolroom Sampler Vol. 19

DJ support: ALOK, Sam Feldt, Nicky Romero, Barry Can’t Swim, Gorgon City, Arielle FreeAFROJACK, Martin Garrix, Oliver Heldens, Tiesto, Claptone, Fatboy Slim, Dombresky, Mau P, John Summit, Danny Howard, Joel Corry, Oliver Heldens, Low Steppa, Tita Lau and more.

Toolroom’s next Sampler showcases 4 big releases from Martin Ikin, Sian-Lee, Illyus & Barrientos, Sharam Jey, Marco Lys and Weiss.

In stock dal22.04.2026


Last In: 22 days ago
Ivan Moult - Stood Out In The Storm LP
  • No More Lies
  • I Should Have Asked Your Name
  • Stood Out In The Storm
  • Everywhere I’m Searching
  • Losing It All To The Blues
  • What Have We Done
  • Did You Think That I Was Lost?
  • What If

Previously we’ve mentioned influences from the 1970s self-reflective work of Nick Drake & John Martyn to the lovelorn tragedy of troubadours such as Elliott Smith and Jeff Buckley creating a fusion of 1960s/70s folk and blues.

Now Cardiff-based indie folk singer-songwriter Ivan Moult returns with his most personal work to date, Stood Out In The Storm, due to be released on November 7th through Bubblewrap (home to The Gentle Good). The album follows the acclaimed Songs From Severn Grove (2023), which drew praise for its warmth, intricacy and timeless songwriting, cementing Ivan’s reputation as one of Wales’ most compelling contemporary voices.

While Songs From Severn Grove captured moments of renewal and joy - written in lockdown and
during the early days of fatherhood - its follow-up takes a braver, more vulnerable step. Stood Out
In The Storm was written in the aftermath of a personal crisis and charts Ivan’s gradual process of
healing and recovery. The record traverses darkness and light, despair and resilience, offering a
deeply honest exploration of fragility, survival and hope.

Ivan’s signature sound remains at the core: a seamless blend of 1960s/70s folk and blues infused
with modern textures, drawing influence from John Martyn, the late great Terry Reid and Ry
Cooder. On Stood Out In The Storm, that familiar intimacy is expanded with a greater presence
of guitars and organs, adding new depth and urgency to the sound. As with his previous records,
Ivan wrote, played, recorded and mixed the album at his Cardiff home studio, and the record sits
as a companion piece to Songs From Severn Grove.

Over the years, Ivan has gained support from BBC Radio 6 Music, BBC Radio Wales and KLOF
(Formerly Folk Radio UK), earned festival slots at Cornbury Festival, Festival of Voice and Sŵn,
and shared stages with the likes of This Is The Kit, Becca Mancari and Willy Mason. Now, with
Stood Out In The Storm (out November 7th), he offers his most powerful and affecting work yet –
an album born of struggle, but defined by resilience.

“Exquisite”- Folk Radio UK 

“Beautiful” - Huw Stephens, BBC Radio

“Utterly wonderful” - Adam Walton, BBC Radio Wales

”There is a wonderful delicateness that resonates through Ivan’s heartfelt lyrics, deamy music and vocals. Ivan is able to take listeners on their own journey of growth through his soft melodies and blissful atmosphere”
- Amplify The Noise

pre-ordina ora28.11.2025

dovrebbe essere pubblicato su 28.11.2025

ensemble 0 - L'Incroyable Femme Des Neiges

ensemble 0 (pronounced zero) is a band /contemporary music ensemble, whose line-up and instruments can change according to the repertoire performed. Directed by Stéphane Garin and Sylvain Chauveau, performing pieces by, mostly, contemporary composers including its own members, and working with numerous collaborators.

The year 0 of ensemble 0 was 2004, when four friends decided to assemble a vessel, essentially dedicated to acoustic music for the present time. A light and adaptable vessel, of varying geometry and geography (its members are based in different cities and countries, including France, Catalonia and Belgium.)

Zero, in cartography, is the reference level from which altitudes are erected. In other words, where the field of possibilities stands. Depending on the chosen direction, the disentangled or deciphered compositions, the musicians and instruments brought in, ensemble 0 performs upon a unique range of reliefs. First, its own compositions are specifically performed by the pulsating heart of the collective, i.e. a trio made of Sylvain Chauveau (acoustic guitar, glockenspiel), Stéphane Garin (metallic percussions) and Joël Mérah (acoustic guitar). Then, with a contemporary repertoire the ensemble expands according to the needs of each work. ensemble 0 occasionally performs pieces by Moondog, Julius Eastman or Ligeti but is particularly keen on living composers such as Tristan Perich, Michael Pisaro or Rachel Grimes.

Here, ensemble 0 plays in according to the movie: L’Incroyable Femme Des Neiges (directed by Sébastien Betbeder with Blanche Gardin and Philippe Katerine) a soundtrack with their own strong and beautiful imprint.

pre-ordina ora28.11.2025

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AUTUMN TEARS - Crown Of The Clairvoyant
  • 1: Silhouettes At Sunset
  • 2: Lunar Coronation
  • 3: Ancestral Premonition
  • 4: Ghosts And Empaths
  • 5: The Knell Of My Birth- Hymn (Feat. Francesca Nicoli)
  • 6: Bloodline Offering
  • 7: Martyrdom - Catharsis (Where Gods Go To Die)
  • 8: The Light That Shapes Us
  • 9: Crown Of The Clairvoyant
  • 10: Orphan Monarchy

With the grace of an ancient oracle speaking through a veil of mist, the album unfurls in movements both haunting and divine, carrying the listener into a realm where sorrow and splendor waltz as one. Orchestrated with exquisite precision and opulent depth, the ensemble breathes life into every measure. Strings sweep like celestial tides, choirs rise like prayers from cloistered ruins, and woodwinds whisper secrets from lost mythologies. The multimember orchestra does not merely accompany the compositions, it becomes the very vessel through which Autumn Tears channels their clairvoyant vision.

Rooted in the neoclassical tradition yet unbound by its walls, the album weaves baroque intricacies with cinematic grandeur, crafting soundscapes that feel both sacred and boundless. Every track is a portal: to forgotten dreams, to veiled futures, to the silent poetry that lingers in the spaces between. Crown of the Clairvoyant will be available as a digital download,a limited Leather CD Box, a limited CD jewel case package with a CD exclusive bonus track as well as a limited vinyl package with a 12 page illustrated lyric book and vinyl exclusive bonus track.

pre-ordina ora28.11.2025

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ICED EARTH - Metal Camp (2x12")

ICED EARTH

Metal Camp (2x12")

2x12inchSM119170925G
The Circle Music
28.11.2025
  • 1: Dark Saga
  • 2: Vengeance Is Mine
  • 3: Burning Times
  • 4: Declaration Day
  • 5: Violate
  • 6: Pure Evil
  • 7: Watching Over Me
  • 8: Ten Thousand Strong
  • 9: Dracula
  • 10: The Coming Curse
  • 11: I Died For You
  • 12: Travel In Stygian
  • 13: A Question Of Heaven
  • 14: Melancholy (Holy Martyr)
  • 15: My Own Savior
  • 16: Iced Earth
disponibile anche

Black Vinyl


pre-ordina ora28.11.2025

dovrebbe essere pubblicato su 28.11.2025

ICED EARTH - Metal Camp (2x12")

ICED EARTH

Metal Camp (2x12")

2x12inchSM119170925
SEVAN MATER
28.11.2025
  • 1: Dark Saga
  • 2: Vengeance Is Mine
  • 3: Burning Times
  • 4: Declaration Day
  • 5: Violate
  • 6: Pure Evil
  • 7: Watching Over Me
  • 8: Ten Thousand Strong
  • 9: Dracula
  • 10: The Coming Curse
  • 11: I Died For You
  • 12: Travel In Stygian
  • 13: A Question Of Heaven
  • 14: Melancholy (Holy Martyr)
  • 15: My Own Savior
  • 16: Iced Earth
disponibile anche

Gold Vinyl


pre-ordina ora28.11.2025

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ICED EARTH - Rock Hard (Import)

ICED EARTH

Rock Hard (Import)

2x12inchSM120170925T
SEVAN MATER
28.11.2025
  • 1: Dark Saga
  • 2: Vengeance Is Mine
  • 3: Burning Times
  • 4: Declaration Day
  • 5: Violate
  • 6: Pure Evil
  • 7: Watching Over Me Ten
  • 8: Thousand Strong
  • 9: Dracula
  • 10: The Coming Curse
  • 11: Travel In Stygian
  • 12: A Question Of Heaven
  • 13: Melancholy (Holy Martyr)
  • 14: My Own Savior
  • 15: Iced Earth
pre-ordina ora28.11.2025

dovrebbe essere pubblicato su 28.11.2025

Oscar Anton - Archwood (The Playlist)
  • A1: Ancient Kings
  • A2: Wonderful World
  • A3: Ordinary Life
  • A4: Activists
  • A5: Dr. Martens
  • B1: Brown Eyes
  • B2: Stay
  • B3: Monde Nouveau
  • B4: Mr. Plastic
  • B5: Lisbon
  • B6: Je Ne Penserai Jamais Plus À Toi

End of 2023, changes surfaced in and around me. In the middle of it, I decided to pack a bag, turn off my phone and leave for Los Angeles. I found this tiny house on Airbnb that had a studio in the back. I spent 95% of my time there, figuring out what was happening inside of me while writing demo after demo. When I came back to France a couple of months later, everything had changed, my old life was gone.



The year that followed was full of new experiences, feelings, habits and occasional songs. I went back to my parents’, rented a 22m2 apartment in Paris for 6 months, travelled to the other side of the world, ran a lot, started therapy, had sex, missed, chased and eventually held.


One thing that never left was the music. I’m so grateful for what it has brought and keeps bringing into my life every day.



Archwood is the playlist of these past 2 years of my life. It’s the name of the street where I stayed in LA. Archwood is a chapter I’m finally able to share and it feels very, very good.

pre-ordina ora28.11.2025

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Martyn Joseph - Troubled Horses
  • 1: Let Me Hear Your Voice
  • 2: My Song And My Psalm
  • 3: Eternal Wandering
  • 4: Troubled Horses
  • 5: Each Day
  • 6: Last Night I Heard America
  • 7: I Wonder I Do
  • 8: Getting Older
  • 9: Mary's Tears
  • 10: In A World That Breaks Your Heart
  • 11: Let's Take Care Of Us
pre-ordina ora28.11.2025

dovrebbe essere pubblicato su 28.11.2025

Carlos Viola - Blasphemous 4x12
  • 1: Dame Tu Tormento
  • 2: La Muerte De Los Relinchos
  • 3: Tierras De Azafrán
  • 4: Que Las Campanas Me Doblen
  • 5: Una Senda De Pasos Blancos
  • 6: Gélida Expiración
  • 7: Entregarás Tu Rostro A La Señora
  • 8: Vuestra Faz Denegrida
  • 9: Cantes De Confesión
  • 1: Ten Piedad
  • 2: Arpegios En Ocre
  • 3: El Quejío
  • 4: Taranto A La Hermana Mía
  • 5: El Temple De Los Abanicos
  • 6: Coplas De Incienso
  • 7: Entre Bordados
  • 8: Prohibidos Y Cubiertos De Polvo
  • 9: Lágrimas De Grana Y Oro
  • 1: Al Compás De Tus Contornos
  • 2: Y Yo Fuego Te Daré
  • 3: Para Un Mártir Del Compás
  • 4: Saetas De Altos Balcones
  • 5: Su Beso De Plata
  • 6: Peldaños Hacia La Santidad
  • 7: Mirada De Culpa
  • 8: Que En Procesión Marchen
  • 9: Por La Vía De Las Procesiones Antiguas
  • 1: Baile De Violetas - Guitar Version
  • 2: Cinco Miradas Tiene La Aurora
  • 3: La Herida Del Ocaso
  • 4: Donde La Culpa Obtuvo Su Nacimiento
  • 5: Cante De Los Muertos
  • 6: Hermana Mía
  • 7: Luto Y Estrago
  • 8: Manto De Escamas Blancas
  • 9: Su Beso De Plata - Redux
  • 10: La Marcha Del Retorcido
pre-ordina ora28.11.2025

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Jessie J - Don’t Tease Me With A Good Time

Jessie J´s sechstes Studioalbum ”Don’tTease Me With A Good Time” - ihr erstes seit fast acht Jahren
- ist ein kühnes Kaleidoskop der Emotionen, das die rohen Höhen und Tiefen des letzten Jahrzehnts
einfängt. Das Album, das in den letzten fünf Jahren in Los Angeles aufgenommen wurde, ist emotional,
ungefiltert und kompromisslos, es ist Musik, die ihr Herz auf der Zunge trägt und danach verlangt, in voller
Lautstärke gefühlt zu werden. In Zusammenarbeit mit einer eingeschworenen Gruppe von Kollaborateuren
arbeitet Jessie J mit Ryan Tedder (One Republic, Beyoncé, Adele), Jesse Boykins III, Los Hendrix (SZA,
Brent Faiyaz), Marty Maro (JohnLegend, Anitta) und anderen zusammen, um ein Werk zu schaffen, das
mühelos Sold-Skool-Alt-R&B, Upfront-Pop und zeitgenössischen R&B miteinander verbindet. Das 16-
Track-Album enthält herausragende Singles wie ”BelieveIn Magic”, das zutiefst persönliche ”NoSecrets”
und die euphorische Hymne ”Living My Best Life”, die den breiten Sound und die Thematik des Albums
andeuten. Das Album endet mit der Power-Ballade ’AwardGoes To’, mit der Jessie J Anfang des Jahres
bei den BAFTA Television Awards eine atemberaubende Live-Performance ablieferte

pre-ordina ora28.11.2025

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LACONIC ZERO - SUN TO DEATH

LACONIC ZERO

SUN TO DEATH

12inchHMR24
HANDMADE RECORDS
28.11.2025

Laconic Zero is a one man music machinery aka Trond Harald Jensen. Utilizing Commodore 64 programming combined with a heavy wall of distorted bass, Laconic Zero produce complex dagger-stabs of metaldriven chiptunes. Sun to Death is a killer presented on smoked orange vinyl, CD and Cassette. Laconic Zero has shared stages with Lighning Bolt, the famed Sonic Youth and Swans producer Martin Bisi and collaborated with the late music prodigy Joey Hopkins.

pre-ordina ora28.11.2025

dovrebbe essere pubblicato su 28.11.2025

The Bug vs Ghost Dubs - Implosion LP (2x12")

The Bug vs Ghost Dubs

Implosion LP (2x12")

2x12inchPRESH027LP
Pressure
26.11.2025

When Chuck D proclaimed "Bass, how low can you go?" on Public Enemy's anthemic 'Bring the Noise,' maybe he was pre-empting or inciting the 10,000 fathoms-deep, spine-bending basslines and sub-quake tremors of 'Implosion.'

Implosion is a crushing split album, appropriately released on The Bug's own PRESSURE label. Mapping out a new form of spectral dub, the sound is deliberately immersive, introverted, and yes, definitely implosive. In pursuit of heavy lids, blurred vision, and merciless bass bin punishment, it’s one part meditation, two parts low-end theory, and essentially a confession of devoted sound system addiction.

As expected from a tag team featuring British soundlab explorer and 'London Zoo' composer Kevin Martin, aka The Bug, and Michael Fiedler, aka Jah Schulz—a long-time graduate of Germany's new school of sound system reggae culture—the duo approaches their target differently yet share the goal of keeping their sound "raw" (Fiedler) and "brutally minimal" (Martin). This proves that opposites can attract, even if their tools are different and their methods sometimes diverge.

From such a disparate combo, hailing from different geographical and aesthetic backgrounds, contrasts are certainly on display, even within each artist's own contributions. From the melancholia and transcendence of 'Alien Virus (West Indian Centre, Leeds),' to the duality of ascension and descension on 'Hope,' or the Sunn 0))) in dub, visceral drone of 'Dread (The End, London),' to the tripped-out repetitions of 'Midnight,' which reinvents Chain Reaction for post-millennials, the result is both sacred and narcotic. Each track illuminates the emotional impact and atmospheric pressure being explored across this deceptively sparse album—a mastery of tone and texture.

This collection might be as reduced, minimal, and deep as The Bug has ever gone, perhaps echoing the solemnity of his recent Kevin Richard Martin Black release and invoking the futurist steppas self-pioneered on his previous Pressure album. Alternatively, Fiedler‘s Ghost Dubs project ventures into his most heavyweight direction yet, which is no mean feat considering his previous, the critically acclaimed album Damaged, was a monstrously massive triumph of analogue weight and enviable sound design.

Implosion is ice-cool, a stark contrast to the warmth and sociability of traditional Jamaican roots and the current trends in digi-dub. Instead, the mood is soaked in tension and intense dread, finding an unexpected melting point where classic dub's stark rhythm attack, isolationist ambience's eerie drift, dub techno's floatation strategies, and even the relentless riffs of doom metal collide. As the bass-obsessed pair drop what is arguably the heaviest ambient dub album to emerge from any electronic sector—a moody counterpoint to The Orb's fluffy clouds, etc, Martin has cited The Roots Radics, Black Jade, and On U Sound's Pounding System as heavily influencing his approach to the album, while Fiedler has expressed his admiration for Adrian Sherwood's productions and Rhythm & Sound's enchanting soundscape. Yet, the super heavyweight pulsations, emotive resonances, and bone-rattling vibrations detonated here effortlessly go far beyond these influences.

Shadowy and elusive, there’s a mysteriousness at this record's core. A haunting moodiness oscillating between nostalgia and future shock. Despite the deadly fixation with SLOW and HEAVY, the album maintains a totally hypnotic swing throughout. Implosion and its lead single 'Imploded Versions' are testaments to being enveloped in bass, seduced by bass, submerged in bass, and utterly crushed by bass, as The Bug and Ghost Dubs seek to craft a new form of dub for zonal headz and Babylon seekers.

Mastered by Stefan Betke (a.k.a. POLE) at Scape Mastering studio, this record is heavy as f-ck without resorting to continuous distortion. It’s low-end worship taken to an absolute extreme, yet remains highly listenable and definitely danceable, albeit at the slowest of paces. Sacred and narcotic, this is low-end worship amplified to the max. Dive in if you dare.

In stock dal23.04.2026


Last In: 37 days ago
Grand Ole Opry & Various - Opry 100: Country’s Greatest Songs LP 2x12"
  • A1: Ashley Mcbryde - Your Cheatin’ Heart (Live On The Grand Ole Opry, September 7Th, 2024)
  • A2: Marty Robbins & Marty Stuart - El Paso (Full Circle Mix)
  • A3: Patsy Cline - Crazy (Live On The Grand Ole Opry, February 7Th, 1962)
  • A4: Johnny Cash - Ring Of Fire (Live On The Grand Ole Opry, August 30Th, 1968)
  • A5: Loretta Lynn - Coal Miner's Daughter (Live On The Grand Ole Opry, October 19Th, 1985)
  • A6: Darius Rucker - Kiss An Angel Good Mornin' (Live On The Grand Ole Opry, February 14Th, 2021)
  • B1: Dolly Parton Feat. Patty Loveless, Marty Stuart - I Will Always Love You (Live On The Grand Ole Opry, May 19Th, 2007)
  • B2: Don Schlitz Feat. Vince Gill - The Gambler (Live On The Grand Ole Opry, March 29Th, 2025)
  • B3: The Charlie Daniels Band - The Devil Went Down To Georgia (Live On The Grand Ole Opry, March 21St, 2014)
  • B4: The Oak Ridge Boys - Elvira (Live On The Grand Ole Opry, February 20Th, 1981)
  • B5: Luke Combs - Tennessee Whiskey (Live On The Grand Ole Opry, October 29Th, 2016)
  • C1: George Jones & Alan Jackson - He Stopped Loving Her Today (Full Circle Mix)
  • C2: Kelsea Ballerini - I Was Country When Country Wasn’t Cool (Live On The Grand Ole Opry, March 19Th, 2025)
  • C3: Randy Travis - Forever And Ever, Amen (Live On The Grand Ole Opry, October 4Th, 2011)
  • C4: Keith Whitley - Don't Close Your Eyes (Live On The Grand Ole Opry, March 19Th, 1988)
  • C5: Reba Mcentire - Fancy (Live On The Grand Ole Opry, September 22Nd, 2017)
  • D1: Alan Jackson - Chattahoochee (Live At The Grand Ole Opry's Carnegie Hall Performance, November 14Th, 2005)
  • D2: Vince Gill & Patty Loveless - Go Rest High On That Mountain (Live On The Grand Ole Opry, March 14Th, 2015)
  • D3: Carrie Underwood - Jesus, Take The Wheel (Live On The Grand Ole Opry, August 10Th, 2018)
  • D4: Old Crow Medicine Show, Dom Flemons, Billy Strings, Molly Tuttle - Mama Don’t Allow It / Will The Circle Be Unbroken? (Live On The Grand Ole Opry, August 8Th, 2020)
pre-ordina ora21.11.2025

dovrebbe essere pubblicato su 21.11.2025

Martin Brandlmayr - Interstitial Spaces
 
2

Interstitial Spaces is Martin Brandlmayr’s debut release on Faitiche. In this award-winning radio collage, the well-known drummer and composer (Radian, Polwechsel) explores the quiet moments in music and film recordings.

The last notes of a piece of music fade out in the space. The pianist and the violinist remain frozen in place, holding their breath. The sound engineer sits silently at the desk. Once he has switched off his tape machine, the dull drone of a ship’s horn is heard in the distance. Otherwise, not a sound. Or was there something else hidden in the white noise?

Interstitial Spaces is based on short excerpts from music recordings, films, TV adverts and field recordings. Brandlmayr takes these quiet scenes, intervals in which nothing seems to happen, and brings them into the foreground, subjecting them to a microscopic spotlight. Moments in which one hears only the space itself, or the subtle presence of someone in the space: faint breathing, footsteps and the soft creak of a chair. We also hear preparations for an orchestra rehearsal: the musicians are all busy tuning their instruments, talking to each other, the concert has not yet begun.

This leads to a shift in perception: incidental details hidden in the hubbub of voices or in the silence suddenly take on a leading role. In the empty spaces, we discover various shades of noise, sharpening our awareness of sonic peculiarities. In a gentle rhythm, Brandlmayr’s radio collage offers a sequence of strange, not immediately identifiable sounds that are woven in the second part into a dense structure. At the end, the carefully captured sounds are released back into the empty space. Interstitial Spaces is a bold spectacle that celebrates the eventful uneventfulness.

pre-ordina ora21.11.2025

dovrebbe essere pubblicato su 21.11.2025

The Beatles - Anthology Collection (2025 Edition)

12LP
Anthology 1-3: track listing remains as per original releases.

4 x 3LP albums in triple gatefold sleeves and slipcase

The Anthology Collection 12LP set includes the three groundbreaking Anthology albums from the mid-1990s, remastered in 2025 by Giles Martin, plus a new compilation, Anthology 4. Containing 191 tracks, the collection’s studio outtakes, live performances, broadcasts and demos reveal the musical development of The Beatles from 1958 to the final single ‘Now And Then’ released in 2023.

Anthology 4 features 13 previously unreleased tracks and 17 songs selected from Super Deluxe versions of five classic albums. In addition to fascinating outtakes dating from 1963 to 1969, the album includes new 2025 mixes by Jeff Lynne of ‘Free As A Bird’ and ‘Real Love’.

Furthermore, Anthology 4 presents 26 tracks that have never previously been released on vinyl.

Pressed on 180g black vinyl, each 3LP album will be housed within a triple gatefold sleeve, featuring the original art, sleevenotes by Mark Lewisohn, and restored photos for Anthology 1-3; Anthology 4 has brand new sleevenotes written by Kevin Howlett alongside photos. The outer slipcase features the original Klaus Voorman triptych art, and a 3/4 O-Card image of the band with detailed track listing.

pre-ordina ora21.11.2025

dovrebbe essere pubblicato su 21.11.2025

The Beatles - Anthology 4 (3x12")

The Beatles

Anthology 4 (3x12")

3x12inch7808491
UMR
21.11.2025
  • A1: I Saw Her Standing There (Take 2)
  • A2: Money (That’s What I Want) (Rm7 Undubbed)
  • A3: This Boy (Takes 12 And 13)
  • A4: Tell Me Why (Takes 4 And 5)
  • A5: If I Fell (Take 11)
  • A6: Matchbox (Take 1)
  • A7: Every Little Thing (Takes 6 And 7)
  • A8: I Need You (Take 1)
  • B1: I’ve Just Seen A Face (Take 3)
  • B2: In My Life (Take 1)
  • B3: Nowhere Man (First Version – Take 2)
  • B4: Got To Get You Into My Life (Second Version – Unnumbered Mix)
  • B5: Love You To (Take 7)
  • B6: Strawberry Fields Forever (Take 26)
  • B7: She’s Leaving Home (Take 1 – Instrumental)
  • C1: Baby, You’re A Rich Man (Takes 11 And 12)
  • C2: All You Need Is Love (Rehearsal For Bbc Broadcast)
  • C3: The Fool On The Hill (Take 5 – Instrumental)
  • C4: I Am The Walrus (Take 19 – Strings, Brass, Clarinet Overdub)
  • D1: Hey Bulldog (Take 4 – Instrumental)
  • D2: Good Night (Take 10 With A Guitar Part From Take 5)
  • D3: While My Guitar Gently Weeps (Third Version – Take 27)
  • D4: (You're So Square) Baby I Don't Care (Studio Jam)
  • D5: Helter Skelter (Second Version – Take 17)
  • D8: Julia (Two Rehearsals)
  • E1: Get Back (Take 8)
  • E2: Octopus's Garden (Rehearsal)
  • E3: Don't Let Me Down (First Rooftop Performance)
  • E4: You Never Give Me Your Money (Take 36)
  • E5: Here Comes The Sun (Take 9)
  • E6: Something (Take 39 – Instrumental – Strings Only)
  • F1: Free As A Bird (2025 Mix)
  • F2: Real Love (2025 Mix)
  • F3: Now And Then
  • D6: I Will (Take 29)
  • D7: Can You Take Me Back? (Take 1)

Anthology 4 - Triple LP. The new volume from The Beatles Anthology Collection.

Anthology 4, is newly curated by Giles Martin, including 13 previously unreleased demos, plus fascinating session and other rare recordings dating from 1963 to 1969. It also includes the band’s final single, ‘Now And Then’, released in 2023, and new mixes of The Beatles’ Anthology-associated hit singles: the GRAMMY-winning ‘Free As A Bird’ and ‘Real Love’, given new life by their original producer, Jeff Lynne, using de-mixed John Lennon vocals. Furthermore, Anthology 4 presents 26 tracks that have never previously been released on vinyl.

The track notes are written by Kevin Howlett with an introduction compiled from 1996 interviews recorded with The Beatles’ close friend and adviser Derek Taylor.

Pressed on 180g black vinyl, the triple LP is housed within poly-lined inner bags and a triple gatefold sleeve.

pre-ordina ora21.11.2025

dovrebbe essere pubblicato su 21.11.2025

Mia Moretti - Safe With Me ft. Irma Thomas (Incl. Tiger Stripes Remix)

Mia Moretti makes her Crosstown Rebels debut with ‘Safe With Me’, featuring Irma Thomas. The soulful new single, backed by a remix from Sweden’s Tiger Stripes.

Los Angeles-based DJ and producer Mia Moretti heads to Damian Lazarus’ Crosstown Rebels with ‘Safe With Me’, a disco-house celebration featuring New Orleans soul legend Irma Thomas, the Grammy-winning Soul Queen of New Orleans. Co-produced by award-winning producer Mark “Blakkat” Bell, a longtime figure in house and electronic music whose work spans from M People to King Britt, the release marks a full-circle moment for Moretti, who draws on her years of crate digging, gospel house expertise, and deep love for vocal-driven grooves.

‘Safe With Me’ pairs Moretti’s richly textured production with Thomas’ commanding vocal presence, creating a track that balances heartfelt emotion with dancefloor energy. Similar to Moretti's DJ sets, the track blends gospel, disco, and house sensibilities with storytelling. Swedish mainstay Tiger Stripes reinterprets the track with his own forward-thinking production. Known for his house and techno grooves that have energised clubs from Panorama Bar to Ministry of Sound, he injects ‘Safe With Me’ with shimmering synth layers and driving percussion, making it a perfect complement to the original production.Mia Moretti has established herself with vocal and gospel-driven house sets and productions. Her debut EP ‘Tambor’ (2023) marked a confident step as a producer sampling female bullerengue artists from Colombia, including Petrona Martinez and Toto La Momposina, followed by ‘Best I Can’ (2024) alongside gospel icon Vonita White and remixes from house music pioneers. In 2025, Mia has continued to build momentum with appearances from Ibiza to Paris Fashion Week alongside the launch of her Chef’s Kiss radio show on Diplo’s Revolution. ‘Safe With Me’ continues that trajectory, highlighting her instinct for timeless grooves and soulful storytelling.

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Last In: 24 days ago
Martin Carthy - Transform Me Then Into a Fish LP
  • 1: The Trees They Do Grow High
  • 2: Ye Mariners All
  • 3: Lovely Joan
  • 4: Dream Of Napoleon
  • 5: Eighteenth Of June
  • 6: The Handsome Cabin Boy
  • 7: A-Begging I Will Go
  • 8: High Germany
  • 9: The Famous Flower Of Serving Men
  • 10: Scarborough Fair
  • 11: The Ballad Of Springhill
pre-ordina ora21.11.2025

dovrebbe essere pubblicato su 21.11.2025

Saint Leonard - The Golden Hour LP
  • 1: Threshold
  • 2: Always Night
  • 3: Feel To Feel
  • 4: Wit's End
  • 5: The Florist
  • 6: Tell Me The Truth
  • 7: Bells & Ecstasy
  • 8: Martini Symphony
  • 9: Life Drawing
  • 10: God Give Me Strength
  • 11: The Red Book
  • 12: Red Drink With White I Once Drank A Blue Drink For A Blue Eyed Girl
  • 13: Napoleon's Oracle
  • 14: Marlon Brando
pre-ordina ora21.11.2025

dovrebbe essere pubblicato su 21.11.2025

Soft Cell - Martin

Soft Cell

Martin

12inchABF12
Big Frock
18.11.2025

Soft Cell - Marc Almond and Dave Ball - release their classic track ‘Martin’ as a single for the very first time this Hallowe’en, Friday 31st October.

Originally featured as one side of a bonus 12” released as part of the original The Art of Falling Apart album in 1983, Martin has since become one of the most popular and enduring Soft Cell deep cuts.

Limited to 500 copies and pressed on deluxe black and red vinyl, it features special Hallowe’en remixes from Dave Ball, as well as a club remix from French electroclash pioneer The Hacker. Martin will also be released download EP across all digital platforms.

‘Martin originated in the arts studio at Leeds Polytechnic, as it was then known. We wrote and recorded it at the same time as the track “The Art of Falling Apart”. After we left art school all the pop madness of Soft Cell began and those two tracks were shelved.

Suddenly, Phonogram Records were asking for a second album. We were unsure of a direction or concept then I reminded Marc of those two art school tracks. I suggested to him that “The Art of Falling Apart” would be a great album title and he agreed….

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Last In: 4 months ago
Harvey Sutherland - Debt LP

Debt is a new album by Harvey Sutherland about the cost of doing business in the meme economy. In his first LP since the 2022 debut, Boy, the Australian artist reduces his fusiony disco repertoire to ten microhoused funk essentials. This is minimalism not so much as aesthetic conceit than pressurised container, shaken in the Escherised time and space unique to our overdriven, red-lining present. The album's title nods to the financial contortions necessary to strive/survive/thrive as an independent artist. But Debt is better understood as the ledger of what we owe, and to whom, in the course of a creative life. What's the ROI on being an artist, a son, a friend, a partner, a father? Have we been worth our loved ones' own investments? If that sounds transactional, this is merely the lingua franca of our overwhelmingly digital culture, a grifter's bazaar in which Bob Dylan tunes up over Salt Bae, and Wordsworth's pitch is opposite the Rizzler.

Debt came to life when Harvey Sutherland acquired a freightload of Y2K minimal cargo from Akufen, Ricardo and Baby Ford—courtesy of local Melbourne hero Martin L—which bent the album towards a moreish pointillism. The resulting music's eyes-down minimal gestures within expressive pop shapes feels apt for the apparently contradictory things we can't help craving: immediacy and craft, on-tap "authenticity," life lessons drawn from Reel nonsense. A few years after the "neurotic funk" of Boy, a thorough excavation of interiority that comprised Harvey Sutherland's first LP proper, Debt is his to-the-point response to pressures that manifest outside the self. But in its own way it remains a reflection of Harvey Sutherland's musical innerscapes, which stretch across the grit and glitter of private-press disco and the sensual grids of Metro Area.

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Last In: 4 months ago
Dok & Martin - Impulse

Dok & Martin

Impulse

12inchDCLTD43
Drumcode
14.11.2025

Dok & Martin return to the brand, this time to DCLTD imprint with their 3-track EP 'Impulse'. 'Impulse' brings delicious chaos, mixing up rattling bass-driven energy, with the mayhem of peak house traffic, as a barrage of horns and jutting synths coalesce to create a fierce wall of sound. 'Reaktor' begins as a streamlined roller, marked by tightly woven drums before building like a skyscraper with thrilling intent. Later it drops down into punchy percussive territory, never losing any momentum. 'Believe' gallops with slick swagger, a late-night jam heavy on atmosphere and crisp sound design.

In stock dal23.04.2026


Last In: 30 days ago
CURSIVE - DOMESTICA

Cursive

DOMESTICA

12inchRFCLPC1305
Run For Cover Records
14.11.2025
  • The Casualty
  • The Martyr
  • Shallow Means, Deep Ends
  • Making Friends And Acquaintances
  • A Red So Deep
  • The Lament Of Pretty Baby
  • The Game Of Who Needs Who The Worst
  • The Radiator Hums
  • The Night I Lost The Will To Fight

critical darling and beloved by fans, the success and recognition of Domestica changed the trajectory of Cursive's career. It was recorded over nine days at Lincoln, NE's Whoop-Ass studios (the original studio of Mike and AJ Mogis), and the album's bracing, jagged, cathartic, and visceral songs capture the urgency of the reunited young band_and continue to resonate with fans 25 years later.

pre-ordina ora14.11.2025

dovrebbe essere pubblicato su 14.11.2025

Various - Grow! For It LP 3x12"

Various

Grow! For It LP 3x12"

3x12inchGROW!34LP01
Grow!
14.11.2025

Founded in early 1995, Grow! quickly established itself as a key player in the underground house music scene. The label was created by Christian Mahringer (aka Jeremiah) along with Michael Peter (Duke) and Martin Retschitzegger (Tin). Together, they released a steady stream of 12" records, often under various pseudonyms, focusing entirely on the music rather than individual profiles.

While Grow! remained their main creative outlet, the founders were also active beyond the label: Mahringer released music on Chez Damier’s Balance Alliance and the renowned Chicago label Guidance, while Peter and Retschitzegger collaborated on records for Daniel Bell’s 7th City and Robert Hood’s influential M-Plant label, and also launched their own imprint, Central.

This new compilation presents a first carefully curated selection of the most notable tracks from the label’s catalog, alongside previously unreleased versions. All tracks were edited and remastered from the original tape recordings. It offers a deep dive into the raw, analog-driven sound that defined Grow!’s identity.

With its consistent focus on quality, anonymity, and artistic integrity, Grow! Records has left a lasting impression far beyond Austria’s borders. This release is both a celebration and a rediscovery of one of the country’s most respected underground imprints.

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Last In: 18 days ago
The Ornette Coleman Double Quartet - Free Jazz LP
  • A1: Part 1
  • B1: Part 2

Free Jazz: A Collective Improvisation is a studio album by American jazz saxophonist Ornette Coleman, released in September 1961.
The album features what Coleman called a "double quartet," i.e., two self-contained jazz quartets: each with a reed instrument, trumpet, bass, and drums.

The two quartets are heard in separate channels, with Coleman's working quartet at the time in the left channel, and the second quartet, including
the former Coleman rhythm section of Charlie Haden and Ed Blackwell, on the right.

The two quartets play simultaneously. Free Jazz was the first album-length improvisation at thirty-seven minutes, unheard of at the time.

The original LP package incorporated Jackson Pollock's 1954 painting The White Light. The cover is a gatefold with a cutout window in the lower right corner allowing a glimpse of the painting;

opening the cover revealed the full artwork, along with liner notes by critic Martin Williams.
Free Jazz served as the blueprint for later large-ensemble free jazz recordings such as Ascension by John Coltrane and Machine Gun by Peter Brötzmann.

Free Jazz is available as a limited edition of 1000 individually numbered copies on white vinyl.

pre-ordina ora14.11.2025

dovrebbe essere pubblicato su 14.11.2025

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