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This is the first release from the label, signed by Lukio (aka Luciano Gentile).

Four tracks built around a constant sense of depth and a clear focus on the dancefloor. The approach is straightforward: solid grooves, controlled saturation, and a sound palette designed for long sets and proper systems.

MPC-driven drums provide a strong backbone, while Blofeld pads and the vintage character of the Yamaha TQ5 add texture without cluttering the mix. The EP moves between minimalist passages and rougher, tech-driven sections, maintaining tension and cohesion throughout.

This record sets the foundation of the project: hardware-driven sound, deep dancefloor functionality, and a long-term vision.

For more than two decades, Eamon Harkin has helped shape New York’s communal pulse. As a founder of Mister Saturday Night, Mister Sunday, Planetarium, and Nowadays, he’s created and DJed in spaces where dance, listening, and connection blur into something deeper — places where people come together to make sense of the world through sound.

On his new album, The Place Where We Live, Harkin turns that lens inward. Drawing on 25 years as a DJ and curator, he moves between house, techno, and ambient currents with a sense of stillness and searching. The result is a record that feels both physical and introspective — the sound of the dance floor seen through memory.

The title comes from psychoanalyst D.W. Winnicott’s idea of “the place where we live,” the psychic space between the inner and outer world — where play, art, and culture help us build meaning. For Harkin, an Irish immigrant long settled in another land, that idea resonates both philosophically and personally. The Place Where We Live captures the tension and beauty of the pulse of the club and the quiet of reflection — an album about belonging, transition, and the quiet resonance of finding home somewhere in between.

Whether you’re cheering for Montreal or Boston, Hollanov always comes out on top. Relive every beat of Shane and Ilya’s yearslong rivalry--turned--romance with the official Heated Rivalry soundtrack on vinyl, featuring a curated selection of needle--d-rops from the series by Wolf Parade, Feist, t.A.T.u, Harrison and more, alongside selections from Peter Peter’s pulse-pounding, heart-m-elting original score, from the Vegas penthouse all the way to the cottage.

Pressed on two striking block-c-olored discs (Montreal Metros Blue/Red and Boston Raiders Black/Yellow), the deluxe gatefold edition includes printed sleeves, two trading cards, a fold-out poster, and liner notes by show creator Jacob Tierney.

Super Rhythm Trax are proud to present this reissue of one of the most loved, most underground and most sought after Breakbeat Hardcore records from 1991. Raw rugged and authentic, no silly chipmunk vocals or twee piano here, oh no!

Carefully remastered from the original dat tapes, both original versions of Underkut “Both Ends” are now available at a reasonable price after 35 years!!

Since its original release in 1991 it quickly gathered legendary status with it’s super slamming breaks and ‘that’ huge Bassline, it doesn’t get any better than this.

On the DAT tape, we also chanced upon an unreleased, unheard version, and We include this unheard vocal mix as an ‘of it’s time’ artefact for the collectors, as it really accentuates the record’s obvious HipHop leanings and there are parallels to be drawn with the whole Britcore movement of the time, where crews like Hijack, Gunshot, Cash Crew, Demon Boyz and London Posse were flourishing.

,Just Shoot Me Now" und ,Dollys Coat" - aufgenommen und produziert von MJ Lenderman. Ursprünglich als CD-R in Eigenregie veröffentlicht. Mit MJ Lenderman, Karly Hartzman, Colin Miller, Ethan Baechtold, Xandy Chelmis, Landon George und Jack Kraus. Produziert von MJ Lenderman. Aufgenommen von Colin Miller und MJ Lenderman. Abgemischt von Colin Miller und Jack Kraus. Gemastert von Amy Dragon.

Classic Barrington Levy Album from 1984 restored and remastered for best ever sound.

Features the hit singles 'Money Move; and the Jah Shaka sound system anthem 'Praise His Name'. Unavailable for 40 years and first time ever released outside Jamaica.

Sleeve artwork design by the great Jamaican illustrator Limonius - highly collectable. Solid all-star roots backing from Sly & Robbie, Lloyd Parks.
Recorded and mixed at Dynamic Sounds and Channel One

After the success of Made in the Emirates – Volume 1, which documented a wide spectrum of the UAE’s independent music scene, the series returns with its second installment.

Made in the Emirates – Volume 2 shifts focus to the country’s electronic underground, bringing together 8 original tracks spanning deep house, breaks, techno, and experimental club sounds. A snapshot of a thriving scene, built by artists shaping it on their own terms.

The compilation brings together a cross-section of artists shaping the UAE’s electronic underground today:

- Tarik Omar opens the record with Sample Sunday, reflecting his deep-rooted approach to rhythm and sampling.
- Adam Rahman delivers K Lock, a tightly wound club tool driven by percussive precision.
- Sons Of Rhythm revisit their catalogue through a Rhythm Plate Italo 90 Remix, bridging classic house influences with a forward-facing Italo touch.
- Megadon Betamax - a co-founder of boutique imprint Voyeurhythm Records brings Maha Monastery, an atmospheric funk-infused cut that leans into experimental yet groovy electronics.
- Curator Shadi Megallaa contributes Word Jazz, reflecting his long-standing role in shaping Dubai’s underground through Ark to Ashes and The Flip Side.
- OHFFF a project born from spontaneity, sonic curiosity and sequencer experiments. Dwelling is a club-friendly.
- Tacit presents The Lakritze Suite, a multi-layered, hard beat composition that moves between abstraction and industrial structure.
- Closing the record, Nasrawi’s Intention Dub channels deep, and dubby, grounding the compilation in a reflective, low-end driven finale.
- Curated and compiled by Shadi Megallaa (Ark to Ashes / The Flip Side, Dubai).

The scope, variety and ambition of Ebbb’s debut album Shallow Hits is clear from the off. “Come Alive” whirs into being quietly before morphing into a sun-kissed, radiant piece of calypso-esque electronic pop; the Latin-flavoured “Now You Know” feels destined to soundtrack sun-drenched festivals this summer; “Shallow Hits” is as deft and detailed as it is big, bold and euphoric; while the wonky yet propulsive charge of “Side On” sounds like a drum ‘n’ bass club and church choir combined. A fervent eclecticism and unpredictable restlessness underpins the album. Latterly the record dives into the moody technoid textures and multi-layered harmonies that characterised their debut EP All At Once - exemplified by ‘Youth’ and the closing track “I’m Not Enough” that lands an emotional gut punch to an album that is already littered with them. However there’s a remarkable coherence and identity that underpins the album. Ebbb are exploring far and wide, deep and vast, yet they do so via an approach that remains unmistakably them.

Featuring Sarathy Korwar, Dudú Kouate, Marysia Osu and more

French-born, London-based composer and musician Pascal Bideau aka Akusmi announces his second full-length Terra Incognita, an album of intrepid sonic exploration that delights in the sensation of being somewhere you've never been before. The listener is invited to experience seven faraway sonic imaginariums, as global and spiritual jazz are fused with modern electronics and life affirming minimalism into a hypnotic, polyrhythmic odyssey.

The album's rich multilayered sound world features contributions from tabla virtuoso Sarathy Korwar, Senegalese musician Dudú Kouate adds an array of percussions, ngoni and flutes and Levitation Orchesta's Marysia Osu brings harp and flutes. Following Akusmi's widely acclaimed debut album Fleeting Future (2022) which was supported by The Guardian, The Quietus, MOJO , Gilles Peterson, Mary Anne Hobbs etc, this time, the sound palette for Terra Incognita is more vibrant, earthy and abundant, drawing inspiration from the radiating optimism and high-energy sources heard in Afrobeat, Highlife and Electronic Afro-pop music, sounding looser, free and primarily interested in raw sensations

Featuring Sarathy Korwar, Dudú Kouate, Marysia Osu and more

French-born, London-based composer and musician Pascal Bideau aka Akusmi announces his second full-length Terra Incognita, an album of intrepid sonic exploration that delights in the sensation of being somewhere you've never been before. The listener is invited to experience seven faraway sonic imaginariums, as global and spiritual jazz are fused with modern electronics and life affirming minimalism into a hypnotic, polyrhythmic odyssey.

The album's rich multilayered sound world features contributions from tabla virtuoso Sarathy Korwar, Senegalese musician Dudú Kouate adds an array of percussions, ngoni and flutes and Levitation Orchesta's Marysia Osu brings harp and flutes. Following Akusmi's widely acclaimed debut album Fleeting Future (2022) which was supported by The Guardian, The Quietus, MOJO , Gilles Peterson, Mary Anne Hobbs etc, this time, the sound palette for Terra Incognita is more vibrant, earthy and abundant, drawing inspiration from the radiating optimism and high-energy sources heard in Afrobeat, Highlife and Electronic Afro-pop music, sounding looser, free and primarily interested in raw sensations

2026 Repress

The long-awaited sequel to Ophidian's cult classic Blackbox (2003) arrives: "Blackbox: Kasamaan" picks up where the original left off, and strays further into the darkness.
Expect Industrial Hardcore and Hard Techno with grinding, distorted kicks, warped percussion, detailed rhythms and intricate sound design, all while being cloaked in haunting, eerie atmospheres.

Eine Disco-45 mit zwei heißen Tracks von Say She She's neuester LP ,Cut & Rewind". Die NYC Punk-Chic, Discodelic Funk Band hat letzten Oktober ihr drittes Studioalbum rausgebracht. Es ist ein politisch aufgeladenes, Dancefloor-zerstörendes Album, angeführt vom kraftvollen Gesangstrio Piya Malik, Sabrina Mileo Cunningham und Nya Gazelle Brown. Die A-Seite, der Titeltrack ,Cut & Rewind", ist ein Post-Punk-Femme-Funk-Track mit den mitreißenden Harmonien der Gruppe und einer unverkennbaren Funk-Base/Basslinie. Der Song ist hauptsächlich autobiografisch, enthält aber auch subtile Hommagen an Songwriting-Legenden. Die Gruppe hat kürzlich die B-Seite ,Disco Life" live bei Jimmy Kimmel gespielt. Der fröhliche, groovige Track verurteilt den Rassismus und die Homophobie von Steve Dahls ,Disco Demolition Night" aus dem Jahr 1979 und fordert die Tanzfläche als ,Spielfeld, auf dem alle frei sind" zurück.

Boogie Back Records proudly reissues BBR008 on 7-inch vinyl — a timeless slice of soulful innovation from Max Beesley, whose deep roots in the UK’s acid jazz and soul scene have influenced generations of musicians and listeners alike. A multi-instrumentalist, composer, and producer, Beesley has collaborated with some of the most iconic artists of our time — Stevie Wonder, Chaka Khan, Earth, Wind & Fire, James Brown, Incognito, Jamiroquai, and many more — contributing his signature touch on drums, percussion, keyboards, and vibraphone.

Originally released as part of Boogie Back’s 12” series, BBR008 captures Beesley’s unmistakable sound: rich harmonies, heavy grooves, and that soulful energy that bridges classic street soul and contemporary jazz-funk. This 7” reissue distills the essence of his acclaimed Boogie Back Records impacting era — a period defined by vibrant musicianship and cosmic jazz grooves ready for both the dancefloor and the deep listener. These two tracks showcase the full range of Beesley’s musical vision. “Night Daze” rides a hypnotic groove of cosmic Rhodes chords, tight percussion, and lush vibraphone lines, creating a cinematic, late-night atmosphere. On the flip, “Painful Truth” features the unmistakable voice of Omar, one of the UK’s most iconic soul vocalists — delivering a deep, heartfelt performance over Beesley’s rich, jazz-funk arrangements. This is another special and exclusive 45/7“ release via Soulkitchen Distribution…

Denver Cuss presents her first 7" single release and her debut with UK independent label LRK Records.

'Crossed My Mind' backed with 'You Don't Get It' is out on streaming services on the 30 January, with the 7" out on the 27th February. It follows her 2024 album 'Leaving Me', which was described as "a nostalgic masterpiece" - Sommer Zeit magazine, earning a feature in Rolling Stone Germany, and a series digital singles, which have been played on the Craig Charles Funk & Soul Show on BB6 Music as well as Noble & Heath's Soho Radio show.

Denver is an Irish, London-based musician and producer, who makes classic R&B and Soul-influenced music, having graduated as the prize-winning jazz vocalist from the London College Of Music. She has since stepped into a world of live and session singing, alongside her solo project, delving deep into girl-group harmony, Northern Soul and classic Rhythm and Blues.

For this release, she captures the essence of '60s record-making, working with collaborator/producer PM Warson and engineer Ed Deegan at the all-analogue Gizzard Recording in East London. Backed by some of London's finest young musicians, she cut her vocal live, bypassing the trend for layered productions and imitation, in favour of a direct, live and soulful approach, direct to tape. The result is two of the most authentic '60s Pop/Soul sides you're likely to hear this year

Worldwide Connexion (JGRVWAX007) is the seventh vinyl release on Junked Groove, bringing together five artists from four countries on one deep house / house record.

Side A opens with BMB SpaceKid, delivering an explosive cut driven by swinging percussion, vocal chops, and a heavy low-end. His beat-making roots are front and center, resulting in an undeniable dancefloor mover. Next up, DFRA & Nick Weaver take things into a more hypnotic territory: jazzy, minimal, and smooth, with flowing harmonies and subtle synth movements that quietly reveal a solid classical foundation behind the music.

On Side B, Detroit’s own Javonntte offers a raw house anthem. Pure groove, timeless energy, and that unmistakable feeling of being locked inside the track from the very first synth line. Closing the record, Junky Palms brings a UK-rooted groove built around classic house chords, layered with psychedelic and slightly tense synths. Cold Manchester air and rave nostalgia drift through the mix.

One record, four countries, five perspectives, one groove.

Mutant Volt emerges from the depths of the underworld with Bona Vista, a six track EP built from unreleased DAT recordings made during the early 90s. Drawn from a vast archive, much of the material had been long forgotten, written at a time when electronic music moved fast and rarely looked back.

Mutant Volt is one of several aliases used by Dan Piu, whose roots sit firmly in early European rave and club culture. The name was originally used to explore a stripped, machine driven sound shaped by early trance structures and bleep influence. Aside from a single release on Superluminal in 2020, much of this material has remained unheard. Recorded on a hardware setup that has changed little since 1991, the tracks were made instinctively and left behind to gather dust.

Today the tracks carry a different kind of weight. What was once made quickly and left behind now feels immediate, proof that some music does not belong to the past, it simply arrives there first.

Harry McCanna is a DJ and producer who might be known to you for his role in running NorthSouth records for nine years with Sam Bangura and Dale Mussington, as well as staffing the decks across the capital for at least a decade and half and taking up a residency at fabric when we came out of lockdown in 2021. Here, he launches a new label, focussed on "the hypnotic, trippy, steady side of things," with his first release under his own name, having released his productions under the Henry Hyde moniker since 2015. Hypnotic it may be, but it's not lacking either in sonic imagination - check the shimmering guitar trimmings, frothy pecussion and vocal flashes of 'A Temporarily Happy Man' - or funkiness, with the basslines to 'Stand & Deliver' and 'Red Moon' the very essence of prodding urgency. Add some sparing but very effective use of neatly edited breakbeats - see the economic propulsion of 'Hard To Leave' - and you've got four track that will slip into the mix very smoothly but come with their own distinctive personality.

Two foundational releases from Toronto's Strobe Records get a well-deserved reissue on the Clone Classic Cuts series, spotlighting a pivotal moment in North American dance music. While often overshadowed by the Detroit and New York scenes, Toronto's underground in the early '90s was brewing its own potent blend of house and techno - and these tracks are prime examples of that cross-border synergy.

The Hayden Andre Project's contributions sit at the perfect intersection of tribal house rhythms and the emotive, machine-driven pulse of early Detroit techno. There's a raw elegance here - a sense of deep groove layered with just the right amount of percussive tension. It's no surprise that these tracks became staples in the crates of DJs both then and now. The production feels timeless, with hypnotic arrangements that still command the floor over three decades later.

On the flip, Kingdom Come, another alias of Ron Allen, delivers lush, blissed-out house music that channels the soulful energy of New York's golden era while adding a uniquely Canadian sensibility. Allen's piano work, layered with warm pads and swinging drums, gives these tracks an unmistakable vibe - equal parts deep house ecstasy and garage swagger. It's the sound of 3 a.m. euphoria, of packed dance floors and emotional peaks.

2026 Repress

After the promo version flew off the sleeves, now comes the full picture sleeve, yellow vinyl version of French live trio, Oden & Fatzo’s chart topping, house smash hit, ‘Lauren’ limited to 1000 copies. A bootleg experiment that got out of hand, Oden & Fatzo’s Radio 1 A-listed single is the accidental hit that everyone is talking about.

So how do you go about making an ‘accidental hit’, by accident of course... The track came about when French DJ Fatzo tried to demonstrate the difference between an edit and a remix to his dad, “... I took a song from the band Men I Trust, sped it up and added a drum beat and violin. After playing it to Oden, they loved it, and in turn, added their secret ingredients.”

Unlike the name might suggest, Oden & Fatzo consists of three people: The Parisian underground collective are a powerful fusion of the electronic live duo Oden, and house DJ Fatzo. Back in 2020 a bootleg version of ‘Lauren’ was uploaded to the YouTube channel of the electronic label Novaj, kicking off an unforeseeable wave of enthusiasm. That video is now approaching 3 million views. Enthralled listeners begged for a commercial release, a year later Ministry of Sound/B1 cleared the sample and the track started its march across the airwaves and up the charts.

With its captivating beat and nostalgic catchiness, ‘Lauren’ makes up for the party nights lost to the pandemic lockdowns, and sees people dancing in their homes and on the streets, as concerts, parties, and live sets are finally making a return. As the trio put it: “This song was all about hope, freedom and a party atmosphere at a time when you couldn't go anywhere. We think it gave everyone who heard it a little bit of an escape, including us.”

Meanwhile in the UK, the track has seen early support, not only by names like Franky Wah, Danny Howard, Pete Tong, Annie Mac, Jax Jones, Jodie Harsh, HUGEL, Bakermat, Cut Snake, Salomé Le Chat, Piem, David Gausa and many more, but also by the incredibly ecstatic party crowds.


Press:

6th week A List at Radio 1
Plays from Radio 2 and added to Hits Radio Pride playlist
Airplay up +3% week on week
#1 Cool Cuts Chart
#1 Upfront Club Chart
#1 Pop Club Chart
#5 UK Shazam Chart
Holding at #12 on Shazam – over 200k tags for the track in the UK to date
Over 8.6m+ streams WW now across all platforms
Over 200k+ views for the music video
Averaging 50k daily streams in the UK
47k+ sales across UK OCC to date
#1 on Beatports Deep House for 16 consecutive weeks

Trinidadian Deep is back with yet another deeply rooted house vibes EP entitled “Dub Nasty” EP!

This powerful collection of three independent tracks starts with the title track, Dub Nasty a seriously deep house excursion with captivating harmonies sonics complimented with a guitar solo which washes over you as you loose yourself to the music.
Track 2 “Sonics and Steel Drums” think sun sea and beach as this one brings up the tempo induced with a groovy bass line and heavily played steel pans that immediately uplifts the vibes which progress into a Caribbean crescendo!!
Head to side b, where Trini brings it back to Native African roots to loose yourself on the dance floor with it’s layered percussion, deep stabs & chords, captivating keys. Along with enchanting and soothing African vocals of serenity that will surely keep you mesmerised !

As always, Trini’s production is infectious, and this EP is no exception! Take a deep breath, listen and enjoy !!

Dreamweavers II sees Mark de Clive-Lowe reunited with Italian rhythm masters Andrea Lombardini and Tommaso Cappellato for the next chapter in their electro-acoustic trio journey.
Recorded at Sotto il Mare Recording Studios in Verona, Italy in summer 2024, the album builds on the cosmic, hypnotic language established on Dreamweavers (2020) while pushing deeper into groove-driven terrain, dancefloor jazz and textural improvisation. Across eight tracks, the trio explore the elastic space between jazz tradition, beat culture, and club-influenced momentum – without samples or looping – relying purely on live interaction, feel and shared intuition.Opening with the Azymuth-inspired “Terra de Luz,” the album immediately signals its global outlook. “Kaze no Michi” follows with late-night Tokyo energy – dancefloor jazz that feels equally at home in jazz clubs or after-hours rooms. Two intentional reinterpretations bridge jazz and beat culture: J Dilla’s “Raise It Up” (from Slum Village – Fantastic Vol. 2) is reimagined with its original groove and bass line as the launch pad, while “The Bass That Don’t Stop” becomes a lush house-jazz tribute to the late Phil Asher, originally co-created by Asher and de Clive-Lowe in 2002 under the moniker musiclovelife.Bassist Andrea Lombardini’s “Pam” brings the album inward – introspective, spacious, and deeply melodic; while “Lucid Dreams” draws on the trio’s shared love of jungle, drum’n’bass and the exploratory spirit of greats like Chick Corea, amplifying the journey with forward motion and harmonic curiosity.Dreamweavers II is a concisely intentional sound narrative: a trio record rooted in jazz lineage, shaped by beat culture and guided by a collective curiosity for texture, rhythm, and movement.

Inner Creatures was the sophomore album from Irish producer and bass player Peter Vogelaar and now some of its key cuts have been remixed. The seasoned Charles Webster flips 'Mindless Youth' into a simmering piece of deep and organic house with wintery melodies that have already been getting support from big names like Black Coffee and Kolsch. As well as his dub, the Get Down Edits crew offer up some lush, gentle disco delights on their rework of 'Stole' and 'Inpulses' brings more layered harmonics and elegant strings before a new edit of 'Fantasy Lines' ends on a warm, cuddly vibe.

Kompakt is ringing in the New Year in style! ‘Freeze’ is a collaboration between Joyce Muniz and Andre VII, a beacon of Mexico City’s nightlife . This powerful hi-NRG track is reminiscent of Bobby Orlando’s finest moments and would have set ‘80s dancefloors in Rimini alight. A collaboration that celebrates diversity, friendship, and the power of music as a bridge between cultures and communities.

With Greta Levska, Kompakt is welcoming a fresh new artist to the fold. Her sound is hard to pinpoint, which is an attribute we’re traditionally attracted to. ’Who’s Here’ is one of these late night tunes that take their sweet time to cast their spell – but when it does there’s no holding back. With ‘Lizard Lick’ Greta ventures in quirky Electro waters… When that proverbial elevator door opens we see Superpitcher and Mr. Oizo sharing a laugh and some Mezcalitos, obviously.

For the ninth installment of his Hardspace series, Len Faki once again dives into his personal vault to present four reworks that bridge the gap between raw funk and modern, high-impact club dynamics. True to the project's ethos, Faki has selected tracks that have been reshaped through his specific sonic signature to maximize their energy on today's dancefloors.
A1. DJ Assault - U Can't See Me (Hardspace Mix) The release opens with a relentless edit of Detroit legend DJ Assault. Faki takes the raw Ghetto-tech energy of the original and embeds it into a massive, modern framework. While the iconic vocal hook retains its street-level grit, the Hardspace update provides a significantly tighter groove and a powerful low-end presence, propelling the track from the warehouse straight into the present.
A2. Myles Sergé - Trans Milenio (Hardspace Mix) With Myles Sergé, Faki explores more hypnotic territory. He extracts the driving, repetitive elements of the original and sharpens the rhythmic angles. The result is a prime example of the Hardspace sound: a deep, almost meditative loop that gains entirely new spatial depth through subtle filter movements and a crystal-clear percussion layer.
B1. Jad & The - Deep Dark Grimey Dancefloor Moment (Hardspace Mix) On the flip side, Faki leans into the brooding atmosphere of Jad & The. As the name suggests, this mix is crafted for the "wee hours". Faki amplifies the "grimey" textures and contrasts them with a stoic, forceful beat. The trippy, almost menacing synth elements are rearranged within the stereo field, creating an immersive pull that is impossible to escape.
B2. Deepchild - Baller (Hardspace Mix) To close out the EP, Faki brings the jacking spirit of Deepchild's "Baller" back into the ring. Through meticulous re-arrangement and quantization, he gives the track the "tightness" essential for a modern DJ set. The playful, bouncing synths remain, but are now grounded by a heavy-duty beat foundation.
H009 is a hand-picked collection that demonstrates how Len Faki unites diverse musical personalities and eras under the Hardspace umbrella. Whether it's raw ghetto vibes or hypnotic deepness, every track has been transformed with technical precision and deep respect for the original to meet the demands of global dancefloors.

Fides Records is ready to introduce the 4th chapter of the10-year anniversary series with. X4 leans into momentum and contrast with its hard-groove pressure, dub-chord depth, and melodic release that showcases a side of the label where functional club tools and emotional storytelling sit naturally together.

Side A begins with Rebecca Delle Piane’s “Genomica”, a driving techno train powered by tightly layered elements and rhythmic tenacity, marking another step forward for one of Italy’s most exciting rising artists. Rorschack follows with “Primeriti”, weaving dubby chords and rolling basslines around a haunting female vocal. Closing the side, Berlin-based SLV lands with “Ritual Resonance”, a hard-groove banger that fuses percussive urgency with dub-chord sophistication.

Flipping to Side B, OFF GRID’s “The Roots” stands out as a colorful, mental hardgroove tool: elegant in detail yet built for drive, striking a heady balance between control and impact. Francesco Devincenti’s “Joanaz” brings trance tinged melodic techno with harmonic depth and cinematic intensity, opening the door to a more emotive register. The record closes with Endrew’s “Alright”, a powerhous

Any follower of Andrew Weatherall (a particularly fervent and erudite tribe) will be familiar with 'The Sons of Slough.' Comprising Andrew's brother Ian and Duncan Gray, they have produced music together for twenty years and throughout Andrew has been an avid supporter playing their records at his shows, helping Duncan set up his Tici Taci label and generally being a good friend.

Their mutual admiration for Factory Records made it an obvious place to seek inspiration for a tribute record. The influence of Factory on Andrew and Ian's lives is difficult to overstate. They spent a fair chunk of the 80s travelling all over the country to catch the label's artists perform.

New Order were pretty much top of the list and the Factory ethos of creativity over commercialism was to become Andrew's main drive throughout his career.

Ian and Duncan have reworked New Order's "In a Lonely Place" as a homage to Factory and the inspiration they were to a whole generation. David Holmes, Keith Tenniswood and Sean Johnston (all long time Weatherall collaborators) used the track as a jumping off point bringing Factory, New Order, their own musical perspective and most of all Andrew together in a unique tribute to shared times and fond memories.

Excellent solo-release from Ad Nauseam; straight from Australia. Acid Core, Hardcore, Rave, Acid Techno; all combined in one brilliant package.

The third track is created back in 2004 and we have added this track on the vinyl as bonustrack - because there was high demand for it !!

Sicilian-born, Amsterdam-based Fran LF returns to Nastia's imprint with three Techno tracks built over a year of studio work, each one telling part of a single story that unfolds across the EP. The narrative moves through different chapters, starting with tracks that shift and transform as they play out, building tension through evolving elements rather than straightforward drops. These are straight-up warehouse cuts - the kind that start one way and shift into something heavier as they unfold. Dubby atmospheres that harden into driving rhythms, basslines that anchor the groove, and synths that evolve throughout.
Closing the record is a remix from Sicilian producer LPV, a close friend and admirer who reworks "Tsufuru Relaxation" with his signature dark, driving approach. He strips it down, adds a relentless bassline, and gives the track a completely different, moody and ethereal energy while respecting what made the original work.
Solid dancefloor techno with enough depth to keep things interesting.

"Wilson Records proudly presents the new LP by Fabio Monesi, an artist known for his uncompromising analog approach and his ability to merge heritage with innovation. This latest work draws from a rich palette of influences--new wave atmospheres, raw electronic structures, and the unmistakable pulse of Chicago house while projecting a distinctly future-facing vision. Crafted entirely through hardware sessions, the album showcases Monesi's deep command of analog equipment and his instinct for blending grit with elegance. On You Are The One For Me, Fabio lends his own voice, adding a personal touch that shapes the emotional core of the record. A profound and reflective body of work, the LP explores themes of self-awareness, resilience, and inner transformation. Based on a true story."

Lilly Palmer ist eine Vorreiterin in der Welt der elektronischen Musik, bekannt für ihren einzigartigen Sound, der energiegeladenen Techno mit grenzen sprengenden Elementen verbindet. Mit ihrem langerwartenden Debüt Album „Bigger Than Techno“ geht sie den nächsten Schritt Richtung Techno Olymp!
Die in Deutschland geborene Lilly ist schnell zu weltweiter Bekanntheit aufgestiegen, gilt als eine der einflussreichsten und innovativsten Künstlerinnen ihrer Generation und würde jüngst vom renommierten DJ Mag auf #57 der besten DJs weltweit gewählt.

This limited 200 copies pressing presents 4 of the best digital destroyers out there! Taken from label-friends: SKUXX, EG303, Southside & Hydraulix! 303Alliance is member of the Flatlife Records Labelgroup.

Suburban Architecture continue their series of sought after 4 track EP releases with their 8th offering, 'Purpose'. This latest release is the most stylistically varied of the duo's releases to date, drawing on inspiration from a multitude of styles which emerged during Drum & Bass's mid to late 90s golden years.

The E.P opens with title track 'Purpose', clashing Jazz influenced instrumentation with deep atmospherics and sharp, angular drum programming, not to forget a tone-setting vocal sample. 'Tones' meanwhile puts the drums at the forefront: Lush keys, melancholy horns and subtle, shifting synth lines underpin an unconventional drum track, packed with rattling percussion and raw energy.

Over on the flip 'Focus' goes harder and darker. Eery synths, atmospherics and a driving drum track set the scene for an explosive second half drum switch. 'Stairways' closes out the EP, marrying uplifting atmosphere with live instrumentation in a style which will appeal to fans of 4hero and the like.

Amsterdam’s Lumberjacks in Hell celebrate their 15 year anniversary with yet another stellar assembly of dancefloor ready tunes featuring production and remixes by Luke Solomon & Chris Penny, Sophie Lloyd & Andre Espeut, JT Donaldson and label head Marcel Vogel himself.

DJ Support: Adam Auburn, DJ Nova, Norm De Plume (Delusions Of Grandeur), Guy Perryman, Simon 'Palmskin' Richmond, Rocco Rodamaal, Damian Lazarus, Demarkus Lewis, Douglas Arellanes, Craig Smith (Yoruba Affil), Lay-Far, Dr. StrangeDub, Dennis Ruyer, Kono Vidovic, Roberto Rodriguez, Bill Brewster, Chris Read, Richard Earnshaw, Hot Toddy, Handson Family, Dj Pope, Robbie Akbal, Golf Clap, Marques Wyatt, Kiko Navarro, Mr Beatnick, Jamie Jones - Hot Creations, Marcia DaVinyl MC, Mikael Ikalainen/ Dj Lord Fatty, Ian Friday, Mr V, Mathieu Schreyer, Willie Graff, Makossa, Stuart Knight, Timo Maas, Bruce Tantum, Sean Brosnan (Futuredisco), DJ Harri, Vinny Da Vinci, Trevor McNamee, Roger Sanchez, and Dom Servini

PDD are excited to welcome the return of the legendary Winding Road Records. Originally launched in 2002 by Schmoov! and home to releases by cult artists such as Ron Basejam, Hot Toddy, both of Crazy P fame as well Vincenzo, Rhythm Plate, Spirit Catcher and not to mention Lovebirds and their monster hit, I Want You In My Soul. After a hiatus, the label is back with a bang and teaming up once again with Lovebirds for another classic EP.

After bringing the heat on Volume 17, Croatian super-producer Umbo returns to Soul Flip with another hot one. Clyde Stubblefield gets in on the action for Otis Redding's “Hard to Handle” - making it funky from start to finish. 104 BPM

And it's label owner Del Gazeebo bringing up the rear again with a lush lift of the Judy Clay & William Bell classic, “Private Number” - adding new drums, fresh orchestration, and a few BPM into the bargain. 110 BPM

ICONYC's latest anthology of tracks blossoms forth into the light with the second instalment of the "Florilegia" series. Comprised of 10 spellbinding creations, this latest delivery features the sounds of Vomee, Enes Çakır & Yost Koen, Odeon, Gorgin, Baime & Jepe, ETRI, Auggië, Mironas, OLING & Harald Björk, and Nuage. Another quintessential compendium of modern club electronica, "Florilegia II" is a gorgeous bouquet of sounds set to define the modern dance floors and beyond.

Rolando’s back in the game with Syncrophone Remixes Vol.2—flipping DJ Qu’s “Undescribed3,” Detect Audio’s “Synchronize,” and Anthony Shake Shakir’s “Arise.” Three exclusive remixes, pure underground techno for real heads. Detroit spirit, cop this 12” before it disappears!

DJ Feedbacks :


Honey Dijon : DJ Qu is the one for me. Will def support!
Raresh (ar:pi:ar) : super! thanks
Truncate : Thanks!
The Advent : Smooth bgrooves on here.. 3 - Anthony 'Shake' Shakir - Arise (Rolando Remix)
Anika Kunst (Symbolism / RSPX) : Cool release. Arise rmx is beautiful. Thanks!!
Harvey Sutherland (MCDE / PPU / Voltaire Records) : DJ Qu flip for me, thanks!
Scott Grooves : The Shake is the one
Satoshi Tomiie (Abstract Architecture) : Wooow hot hot hot
Roman Fluegel (Roman Fluegel, Dial, Cocoon, Playhouse, Robert Johnson) : The Remix for Shake is the one for me.
Erol Alkan (Phantasy Sound) : Downloading Thanks!
Enrica Falqui (ERIS, Plexus 4) : I like it!
Daniel Avery (Phantasy / Fabric) : Awesome
Laurent Garnier : cool release
Elisa Bee : Only love for Rolando, thanks x
Slam (Soma) : Brilliant - thanx
San Proper (Perlon / Rush Hour / Proper's Cult) : Totally what i needed to hear, Rolando remixing Shake & Q, my heroes lined up. I will enjoy playing all 3 mixes. One Love.
Axel Boman (Studio Barnhus) : killer remixes!
Terry Farley : DJ Qu mix my fave - heads down LETS GURN
D'Julz (Bass Culture) : great work !
gilbr (Dj Gilb'R / Chateau Flight (Versatile)) : Like the Shakir remix thanks for sending
Ben Sims : Now downloading... will check asap!
Lea Lisa (Phonica Records / Folklor Club) : mental, really good one
Dj Deep (Deeply Rooted) : Super nice package! Dj Qu's Undescribed3 remix for me here! Thank you
Mike Shannon (Cynosure) : Rrrrreeeeemix!! Thx
Efdemin (Dial) : Wonderful remix package!
Inland (Inland) : Hellooo. These are great. Qu and Shake versions both killer! Thanks
Kai Alce (Real Soon) : DJ QU remix bangin
Uncertain (RSPX, WRKTRX, Suara) : remix 1 for me
Harri (Sub Club) : very nice all three will play and support
Blasha & Allatt (Meat Free) : Thank you!
Marcel Dettmann : thx
Richie Hawtin (M_Nus) : downloaded for r hawtin
Luke Solomon (Classic / Freaks / Music For Freaks) : all killer
Luke Slater : Thanks Ro!
Ame (Innervisions) : thanks
Felix Dickinson (Futureboogie, Rush Hour, Cynic) : I like this
Geir Aspenes (G-Ha (Sunkissed)) : Thank u
Alienata (about blank) : Very nice remixes, all of them, thx!
Nat Wendell (Depth of My Soul, Courtesy of Balance, Love & Loops) : Dope remixes!
Dave Clarke (white noise radio) : Not my sound, but please keep them coming !

About Alec Pace’s “Respiro 22:16”
Breath as rhythm. Breath as memory. Respiro 22:16, the debut album by Alec Pace, is a world suspended between intimacy and impact — where personal confessions are carried by low-end frequencies and fragile melodies are shaped into physical space.
Written, produced and mixed between London and Turin, this record reveals Alec Pace not only as a producer but as a storyteller through sound. Layer by layer, his voice, guitars, piano, synthesizers, drum machines, samplers, and field recordings converge to form a sonic diary — one that whispers, cracks, shimmers and erupts.
The album moves fluidly between dream pop, modern UK bass, breaks, jungle, and club music, yet its essence lies in emotion: love, memory, anticipation, release. Each track is a breath, an exhale, a fragment of something lived.
“The30th” opens with nostalgic warmth, darkness and breaks; “For You (Hello)” captures the tender rush of a love song over a drum & bass heartbeat; “Venus Winds” floats in a balance of techno pulse and harmonic light. “Angular Invariance” reshapes the floor beneath your feet, while “Respiro” pauses to listen inward — piano and air, fragile and close. “Anticipation” closes it all with a forward surge: emotional, propulsive, unresolved.
Respiro 22:16 is not just a collection of tracks, but a portrait of an artist learning to breathe out loud.

Alec Pace said:
“This album is about putting myself out there — letting every sound, chord and rhythm breathe,” says Pace. “Respiro is both a personal archive and a release.”

“Respiro 22:16” is available across all platforms on Friday 6th March 2026.

Erweiterte Vinyl-Edition mit Gatefold-Hülle und 20-seitigem Booklet mit seltenen Fotos, Songtexten und neuen Liner Notes von Danielle Maggio, die Betty interviewt hat. LP gepresst auf Pearl Flip / Horizon Color Vinyl. Das 1974 erschienene zweite Album ,They Say I'm Different" der Punk-Funk-Provokateurin Betty Davis besticht durch ein futuristisches Cover, das es wert ist, eingerahmt zu werden, und das David Bowies Science-Fiction-Funk mit echtem rockigem Soul-Feuer herausfordert. Den Auftakt bilden die wild-sexuellen ,Shoo-B-Doop" und ,Cop Him" (später von Ice Cube gesampelt), dazu gesellen sich Klassiker wie ,Don't Call Her No Tramp" und der urkomische, harte, tiefe Funk von ,He Was A Big Freak".