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Wolf Alice - The Clearing LP

Wolf Alice

The Clearing LP

12inch19802909921
Sony Music
22.08.2025
También disponible

Black Vinyl


Die wegweisenden Alternative-Rocker von Wolf Alice melden sich mit ihrer brandneuen Single „Bloom Baby Bloom” zurück. Gleichzeitig verkündet die britische Formation Einzelheiten ihres ungeduldig erwarteten, vierten Studioalbums „The Clearing”, dessen Release für den 29. August 2025 angekündigt wurde und das weltweit auf ihrem neuen Label Sony Music erscheint.

Alle Songs wurden im Nord-Londoner Stadtteil Seven Sisters geschrieben und im vergangenen Jahr mit Grammy-Gewinner und Hauptproducer Greg Kurstin (Adele, Miley Cyrus, Beyoncé) in Los Angeles aufgenommen.
Mit „The Clearing“ legen Wolf Alice eine maximal selbstbewusste Songsammlung vor, die vor Ehrgeiz, ungewöhnlichen Ideen und Emotion nur so zu strotzen scheint und die eindrucksvoll veranschaulicht, wo sich das UK-Quartett im Jahr 2025 soundtechnisch verortet.

Mit anderen Worten: Ein wirklich zeitloses Album.

Reservar22.08.2025

debe ser publicado en 22.08.2025

RHODE & BROWN - AQUA TERRA EP

Rhode&Brown

AQUA TERRA EP

12inchPT017
PLANET TRIP
22.08.2025

Planet Trip Records is pleased to present Aqua Terra, the latest EP release from Friedrich Trede and Stephan Braun, the respected Munich-based DJ and production duo better known as Rhode & Brown. Since 2010, they’ve racked up a slew of quality releases through Permanent Vacation, Public Possession, Shall Not Fade, and their own Slam City Jams imprint, while playing well-received DJ sets across Europe. Along the way, the two longtime friends have spent the last fifteen years incorporating influences from electro, italo, synth-pop, breakbeat trance, rave music, and ambient into their blend of uptempo house and techno productions.

Shifting gearspeed, Aqua Terra sees Rhode & Brown trying something completely new and unexpected from them: a record inspired by UK street soul, digi-dub, and transatlantic R&B and boogie from the 1980s and 1990s. Beginning with the Loose Ends slanted synthesiser chords and shuffling machine beat of ‘Heart Attack’ and the glossy new jack swing bounce of ‘Passion Sauce’ (both featuring sultry Berlin-based New York singer Marlena Dae), Aqua Terra quickly reveals itself as a treasure chest of heavy tunes. Steeped in love and lust, ‘Heart Attack’ and ‘Passion Sauce’ are essential sing-along numbers for the warm-up and the warm-down.

The exemplar of a groove that keeps on giving, ‘Aqua Terra (Acid Frog Mix)’ is a note-perfect example of digi-dub redone for the 2020s. Keeping us guessing, Rhode & Brown flip the script on ‘Longo Doggo’ by borrowing elements from sampledelic ‘90s turntablism and blending them with a post-disco/electro beat and a slinky bassline for the ages. From there, ‘Multiflora’ sees our protagonists back in a bassy digi-dub mode, before closing things out with an acid breakbeat slanted demo mix of the title track.

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Ültimo hace: 6 Meses
Horace Andy - Get Wise
  • 1: I Will Forgive You
  • 2: Root Of All Evil
  • 3: Holy Mount Zion
  • 4: Sexy Jean
  • 5: Let The Teardrops Fall
  • 6: I Don’t Want To Be Outside
  • 7: Eighty Percent Badness
  • 8: Get Wise
  • 9: Youth Of Today
  • 10: Feel Good

With his honeyed falsetto, Horace Andy has long been considered one of roots reggae's most inimitable voices. His signature tune, "Skylarking," is one of a handful of songs that can be instantly recognized by even the most casual of reggae fans. Making his debut with producer and mentor Phil Pratt at the age of sixteen, Andy's expressive vocal style is immediately distinctive, bearing the soulful influence of American artists Otis Redding and Smokey Robinson as well as fellow countryman Alton Ellis.

1975's Get Wise collects a series of singles produced by Pratt including versions of hits "Money, Money" ("Root Of All Evil") and "Zion Gate" ("I Don't Want To Be Outside"). Recorded between 1972 and 1974, these sides were captured at legendary studios Channel One, Black Ark, Dynamic Sound and Randy's Studio 17 with house engineers Ernest Hoo Kim, Lee Perry, Carlton Lee and Errol Thompson at the helm.

Originally released on Pratt's Sunshot label, the album doubles as a showcase for The Soul Syndicate Band, a typically ad-hoc session group which featured Sly & Robbie, Aston "Family Man" Barrett and Earl "Chinna" Smith, among others.

Get Wise delivers ten tracks of Andy's finest material and should be in the collection of any aficionado of the classic '70s Kingston sound. Liner notes by JR Gonne.

Reservar22.08.2025

debe ser publicado en 22.08.2025

ULVER - SHADOWS OF THE SUN
  • Eos
  • All The Love
  • Like Music
  • Vigil
  • Shadows Of The Sun
  • Let The Children Go
  • Solitude
  • Funebre
  • What Happened?

Re-print of the Ulver milestone, which after its initial re-print in 2018 has already been sold out again for some years.

Reservar22.08.2025

debe ser publicado en 22.08.2025

The Tribulizations - Melody Babylon

The Tribulizations are a Brighton UK-based reggae vocal harmony duo living the rockers life style! They pay homage to UK style lovers’ rock and spiritual roots reggae. Music with a message! Fronted by Frankie Dread & Tara Gold.

‘Melody Babylon’ features tracks like “Freedom Fighter,” “Fade Away,” and “One Step Forward,” each reflecting Frankie Dread and Tara Gold’s roots in reggae and commitment to addressing both personal and societal themes through their music.

When asked, Frankie replied to World A Reggae: “Melody Babylon expresses our concern with negative messages in modern day music. The album portrays conscious lyrics with positive vibes.”

Reservar22.08.2025

debe ser publicado en 22.08.2025

The Allegorist - From Birth Until Death LP

A“This album is about what it means to be human, and its creation is my offering. I attempt to tell a tale of the human experience in the reflection of my own.”

‘In the Andean mythology, condors are believed to be immortal. It is said that once they feel old, without energy, and useless, they climb to the highest peak and let themselves fall to death.’

The Allegorist is a visionary, enigmatic, transmedia, and boundary-pushing artist known for crafting deep, immersive dark sonic tales. Embracing a wide array of influences, weaving together the mysteries, art and spirituality, the art project defies categorisation, resonating with those who seek the unconventional.

From Birth Until Death is an introspective and immersive concept album that reflects on the essence of the human experience. Crafted over six years by The Allegorist (aka Anna Jordan), the album traces the arc of life—from its fragile beginnings to its inevitable end—using sound art to explore existential and philosophical terrain. Inspired by the Andean mythology of the condor – a symbol of immortality – the album blends electronic soundscapes with raw field recordings, evoking a deep sense of connection between the natural world and human existence.

The album’s progression mirrors the stages of life, starting with the birth of new beginnings and culminating in death, with each track offering a unique reflection on the moments in between. From the dynamic energy of Momentum, to the ethereal, illusionary world of Fata Morgana, the tracks guide the listener through emotions, perceptions, and experiences that shape the human condition.

A distinctive feature of From Birth Until Death is its intricate production. The album incorporates field recordings from Grunewald Forest, a distant roar of a jet, barking dogs, blending the sounds of nature – footsteps in the snow, birdsong, ocean waves – with layered synthesisers and electronic beats. The bass and ambient textures are crafted using an array of analog hardware, while all vocals, both lead and backing, are performed and recorded by Jordan. Some of the vocal takes were intentionally left raw, capturing the spontaneous energy of early recordings, while others were re-recorded to balance the album’s organic yet polished feel. Each element is meticulously crafted, revealing its deeper meaning as the album unfolds like a multidimensional, living sculpture.

At its core, From Birth Until Death is a meditation on the full spectrum of life. The album’s title track, From Birth Until Death, encapsulates this journey, reflecting on the passage of time and the unique experience of being human. The final track, Death, offers a melancholic yet beautiful exploration of endings, not as finalities, but as moments in the grand cycle of life. With its combination of evocative sound design and deeply personal themes, From Birth Until Death invites listeners to contemplate their own lives, offering a moving experience of reflection, growth, and transformation.

About From Birth Until Death
Words By Robin Rimbaud (Scanner)

From Birth Until Death is a deeply personal and reflective album and beautifully crafted. A detailed listen reveals that Jordan was in search of a profoundly human and authentic expression. In an era when so much around us seems defined by speed, Anna Jordan, aka The Allegorist, stands apart – aware that skimming the surface of life is neither sufficient nor rewarding. She reminds us of the value of deep, authentic listening.

The track Andean Condor seductively draws us into a smoky, blurred rhythmic soundscape, capturing the essence of the darkest Berlin nightclub, while Birth pulses with an almost shamanic transformation of sound, moving from the organic to the musical. It features a recording of Jordan’s footsteps in the snow in Grunewald Forest, Germany.

At times, the music feels almost sculptural in shape and tone – lifting, pushing, lilting, opening, and closing – where each piece is given room to fully develop. Many of the works blend synthetic sound with the natural, incorporating the human voice alongside environmental recordings: the wild waves of the ocean, a jet flying overhead, and barking dogs.

With From Birth Until Death, Jordan, like an alchemical architect revealing in the process of getting lost and relinquishing control, leaves us with a taut, immersive soundtrack in which to lose ourselves.

About the album ‘From Birth Until Death’
words by The Allegorist

“The album From Birth Until Death did not come easily to me. I started working on it in 2019, and it underwent many alterations over the years. I produced multiple versions of the tracks each year, but the album name, the track titles, and the album cover art stayed the same for 6 years. Not everything I did fit into the album’s final form, but I hope the heavy selection just made it better. I played this piece live in my techno live set between 2019 and 2020, and in the years after, I performed different art, ambient, and vocal versions of it, most notably the one at the church St. Marienkirche in Berlin in 2022. It just wanted to live and didn’t want to be finished. As I aged, this album aged with me. And now I’m ready to let it go.”

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Ültimo hace: 7 Meses
NOURISHED BY TIME - THE PASSIONATE ONES
También disponible

Clear Vinyl


Das neue Album "The Passionate Ones" von dem Singer-Songwriter und Produzent Nourished By Time aus Baltimore erscheint auf XL Recordings. "The Passionate Ones", das zwischen Baltimore, London und New York City entstand, beschreibt auf 12 Tracks auch die kaputten Seiten des American Dreams beschreibt. Nourished By Time entstand Ende 2019 in Los Angeles als eine Art Flucht aus dem Alltag. Marcus Brown drohte an der Monotonie seines Tagesjobs zu zerbrechen und suchte nach einem Ausweg. Browns einzigartige Klangwelt ist geprägt von dem musikalischen Erbe seiner Heimatstadt Baltimore, in der Jazz, Punk, Indie, Hip-Hop, Elektronik und R&B in rauer Harmonie aufeinandertreffen. Auf "The Passionate Ones" beschäftigt sich Brown mit Liebe, Arbeit, Existenzialismus, Träumen, Desillusion und Hoffnung durch die Brille der Metamoderne und dokumentiert die amerikanische Geschichte eines Künstlers, der seinen Leidenschaften und Träumen folgt. "The Passionate Ones" folgt seinem gefeierten Debüt. "Erotic Probiotic 2 (Scenic Route)" erschien 2023 und wurde von US-amerikanischen Plattformen wie Pitchfork zu einem der besten Alben des Jahres erklärt, ebenso stand es auf der Jahresendliste von Gorilla vs. Bear ganz oben und wurde von The Guardian, The FADER, Paste und anderen gelobt. Die EP "Catching Chickens" (XL) von 2024 führte Nourished By Time auch in Europ als Künstler ein: Das CRACK Magazine setzte ihn auf sein Cover und kürte "Hell of a Ride" zum Track des Jahres. Der Song tauchte auf den Listen von NPR, Resident Advisor, CLASH, The FACE, Mixmag, UPROXX und Spotify für die besten Songs des Jahres 2024 auf. "The Passionate Ones" erscheint als LP (Schwarz & Crystal), CD und sowie digital.

Reservar22.08.2025

debe ser publicado en 22.08.2025

KID SUBLIME - YOU GOT ME RUNNIN

Words from the label:

Having made its mark with a strong debut outing by Jon E, Natural Element returns with a 12” single from the seasoned and versatile Amsterdam producer Kid Sublime. With previous releases on Kindred Spirits, Jazzy Sport and Co-Op, to name a few, this release serves as a little taster to an exciting full-length project to follow in the coming months. The featured track ‘You Got Me Runnin’ is a blissful piece of uptempo soul delivered straight from the heart, with a warm, infectious bounce and synths that cut deep. Georgian/American singer-songwriter Bako features on vocals with a smooth and subtle delivery that adds an extra layer of beauty, alongside Kid himself on the chorus.

The EP sees remixes from West London’s WheelUP, who has been steadily making his unique mark on the broken beat scene for the past few years, and fellow Amsterdam producer on the rise, Mo Wrights, who takes the energy up a notch delivering a raw and captivating arrangement for the dancefloor.

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Ültimo hace: 47 Días
KETTCAR - VON SPATZEN UND TAUBEN, DÄCHERN UND HÄNDEN  LP

Limitierte Gold Vinyl LP Edition des 2005er Albums "Von Spatzen und Tauben, Dächern und Händen" der Hamburger Indie Rock Band Kettcar. Dieser zweite Longplayer erschien erneut beim hauseigenen Label Grand Hotel van Cleef und stieg direkt auf Platz 5 der Charts ein. Songs wie "48 Stunden", "Deiche" oder "Balu" gehören zu den Klassikern der Band.

Reservar22.08.2025

debe ser publicado en 22.08.2025

Feed LA - More Feed LP
  • 1: Bun Bo (Higher)
  • 2: Der Erste Dritte Tag (We Were Young)
  • 3: Striezl Stuck
  • 4: Feed Lala
  • 5: Die Risikobegegnung
  • 6: Snare Fingers
  • 7: Last Orders
  • 8: Fast Cash (Up In Stratosphere)
  • 9: Da Anda Koana
  • 10: Verschwende Den Tag
  • 11: Even Higher

Are you ready for seconds? Feed LA are back once again with their sophomore full-length album, "More Feed’.

With each release, Feed LA lifts away from familiar forms, offering listeners both inventive improvisations and unexpected harmonic textures. Based in Berlin, the band weaves freely across experimental jazz, punchy funk, and low rock treadings. Sidestepping neat categories and market gridlines, the group leans into the joy of jazz music—rich in wandering detours and pivoting surprises. Feed LA's tracks unfurl before our ears, inviting listeners to the intricate conversations between players, where every murmur, pause, and sudden spark waits to be discovered.

They describe their style as "Free Pop”, a blend of jazz, funk, and pop instrumentation, with a touch of vocal accompaniment.

Get a second helping of Feed LA's unique musical sounds with their newest album, "More Feed,” now available on black vinyl LP and compact disc. Only on Mighty Eye Records!

Reservar22.08.2025

debe ser publicado en 22.08.2025

Various - Histoire De Coeur - Lost French Synth-Pop 7’ers & Euro-Bombs (1980-89)
  • A1: Corinne Tell -Histoire De Coeur 3:24
  • A2: Fanny Forest - Les Lolitas Des Magazines 4:01
  • A3: Fabienne Stoko – Poupee 2:56
  • A4: Valene - Sauve-Moi 3:12
  • A5: Kelly Way-Illusion 3:37
  • A6: Sonia - Sur Ma Musique 3:59
  • B1: Tangui-Amour Combat 3:56
  • B2: Praline Et Toni -Meteo 3:57
  • B3: Generation Egoiste (Tout Tout D'suite) 3:03
  • B4: Kira – Vacances A Deux 2:47
  • B5: Geraldine Danon – Electric Eyes -3:05
  • B6: Nani Antoni - Faites Vos Jeux 3:45

Limited Edition ( 300 )

Heavy 180g Vinyl & Download Token Inside & Hype Sticker.

Full Colour Inners & Contextual Images
Curated & Sleevenotes By John Kertland Of CTR (English & French)

France-the 1980s. A local radio and studio system almost unsurpassed in Europe - add brilliantly inventive labels and producers with a sense of fun & adventure & the result ?

A golden age of Synth-Pop – Post-Disco..inventing the future ..celebrating the chanson of the past. Updating that for a new generation & a new dancefloor.

Virtually neglected until now - only the heads knowing...

Presented in the classic 45 (Quarante Cinq) 7" format - the way that these great records were produced for the radio and were meant to be heard at that moment..

Now, the "savoir" is yours also.

Hard to find 7"s by elusive artistes...

Glorious vocals ,soaring synths and irresistible basslines it’s all here ..

Bon écoute !

Reservar22.08.2025

debe ser publicado en 22.08.2025

THANK - PLEASE (10" EP)

Thank

PLEASE (10" EP)

10inchXAG18
Exag Records
22.08.2025
  • Commemorative Coin
  • Think Less
  • No Respect For The Arts
  • Two Hour Lunch

Leeds-based noise-rock band Thank drops their second EP Please. Coming out as a joint venture between Buzzhowl Records and Belgium's EXAG, Please is the follow-upto the group's debut EP, 2017's Sexghost Hellscape. While the tension in Please could be too much for some bands to hold, Thank sustainit expertly across the four tracks here. This is thanks in part to superbly-balanced production by Rob Slater and Jamie Lockhart (Greenmount Studios) as well as a meaty mastering job from Declared Sound's Dominic Clare. Furthermore, vocalist Freddy Vinehill-Cliffe (Beige Palace) acts as a lightning rod for both elements of Thank's sound. Vinehill-Cliffe's lyrics tackle by turns Catholic guilt, deaths in the family, his experiences in therapy, sex, loyalty and betrayal. Whatever the subject matter, every syllable of Please is delivered in a selfflagellatingyelp that is equal-parts Xiu Xiuand post-Nite Flights Scott Walker. Such a tragi-comic performance is the perfect focalpoint for Thank's harsh, powerful Please. "A brutally deranged band that mixes krautrock and experimental electronic music into their caterwauling punk, reforming noise rock with robotic grooves and manipulatedsynths." - Post Trash "Thank trade in groovily abrasive riffs, burbling synths, disco-punk drum patterns and high level ranter vocals." - The Quietus

Reservar22.08.2025

debe ser publicado en 22.08.2025

Thomas Anders - … sings Modern Talking: In The Middle Of Nowhere
 
24

THOMAS ANDERS SINGS MODERN TALKING: THE ULTIMATE ALBUM COLLECTION Brandneue Aufnahmen plus neue Bonustracks. Die ersten drei Alben aus der Jubiläumsreihe haben die Fans mehr als gefeiert und hoch in die Charts gebracht.

Album #4 "In The Middle Of Nowhere" ist der nächste Streich für die ultimative Sammelbox! Inkl. des Mega-Songs "Geronimo's Cadillac" und alle Songs als "In The Mix" + "Instrumentals", plus der neuen Songs "Voodo Love" und "Cherokee Highway", zu der es auch wieder einen Musikclip geben wird. Eine besondere Hommage an die unvergessliche Ära der 80er Jahre und den unvergesslichen Modern Talking Sound. Über 125 Millionen Tonträger hat das Kult-Duo bis dato in aller Welt verkauft.

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Ültimo hace: 7 Meses
TOR LUNDVALL - BEAUTIFUL ILLUSIONS

LTD. CLEAR BLUE VINYL

New York painter and musician exploratory industrialist Tor Lundvall initially envisioned his 14th album, Beautiful Illusions, as an entirely instrumental affair, "inspired by memories of sitting in a church or cathedral watching the shifting sunlight through stained glass." Although he ultimately chose to wreath the majority of the tracks with hushed, poetic vocals, his original muse still resonates. These are certainly songs of shadowplay and vaulted skies, the quiet grandeur of dusk deepening on the horizon. Lundvall characterizes the lyrical subject matter, too, in ways both specific and surreal, exploring "the doubts, the anxieties and even the bleak fantasies the mind spirals into during moments of isolation, separation and distance." Tricks of the eye, mind, and ear, magnified by silence and the looming long winter. Shivering pulses and muted bass lines tread the twilight while icicle synths and wiry guitar map the melody until the voice enters, narrating oblique moods of essence and absence, tenderness and truth. Glimpses of dark humor flicker in the wordplay but the greater sonic landscape is one of falling leaves and failing light, small gestures rendered as revelation, cloaked in reverb and spatial fog. Lundvall's mastery of nuance and negative space continues to heighten, whispered brushstrokes of the invisible and the unsaid, what lies beneath and what lies beyond: "Behind the shields and false fronts is usually a sadness. The heartbreaking reflections of what might have been."

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Ültimo hace: 8 Meses
JIMI TENOR - SÄHKÖMIES LP

Jimi Tenor

SÄHKÖMIES LP

12inchBB4511
Bureau B
21.08.2025

REISSUE

Mit Sähkömies veröffentlichte Jimi Tenor 1994 sein legendäres Solo-Debüt auf Puu, einem Ableger des 1993 von Tommi Grönlund und Mika Vainio gegründeten finnischen Labels Sähkö Recordings. Aufgenommen in Tenors ehemaligem Zuhause in New York, bietet das Album eine bisher ungehörte Mischung aus Drum-Machine-getriebenen, elektronischen Klängen und Sun Ra-inspiriertem Jazz. Die Stücke wurden komplett von Tenor in seiner Wohnung geschrieben, aufgenommen und produziert und haben bis heute nichts von ihrem spontanen, rauen Charme verloren. Die Platte kombiniert Lo-Fi-Elektronik mit Jimi Tenors typisch rauchigem Saxophonspiel und bietet ein faszinierendes Hörerlebnis, das einen Künstler voller Neugierde und Experimentierfreude dokumentiert.

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Ültimo hace: 8 Meses
ELIANA GLASS - E

ELIANA GLASS

E

12inchSPLP160
Shelter Press
21.08.2025

Der schwüle Ton von Eliana Glass ist nicht zu überhören - sie wechselt zwischen einer unkonventionellen, suchenden Qualität und ihrer ergreifenden, ehrfurchtgebietenden Bandbreite. Auch ihr Klavierspiel besitzt dieses mitreißende Hin und Her zwischen dem Jenseitigen und dem schmerzlich Menschlichen - jede Melodie ist ihr eigenes, einzigartiges, schmerzhaftes Reich. Glass' spärliche, meditative Musik fängt oft, wie sie sagt, die ,Verdichtung des Alltags" ein, ein Bild, das zu der bittersüßen, flüchtigen und abstrakten Natur ihrer Arbeit passt. Glass' Debütalbum E erscheint bei Shelter Press und ist nicht nur ein zärtliches Porträt ihrer lebenslangen Beziehung zum Klavier, sondern auch eine Destillation ganzer Lebenszeiten. Vier Jahre lang arbeitete Glass mit dem Mitbegründer und Produzenten von Public Records, Francis Harris (Frank & Tony, Adultnapper), und dem Tontechniker Bill Skibbe (Shellac, Jack White) zusammen, um das Album E in verschiedenen Studios in Nashville, Brooklyn, Memphis und Benton Harbor, Michigan, aufzunehmen. Glass' experimentelle, improvisatorische Werke erinnern an den sinnlichen Minimalismus von Annette Peacock, die freudige Rätselhaftigkeit von Carla Bley und die wehmütige Intimität von Sibylle Baier. Ihre Verehrung für die Größen des Leftfield Jazz und der freien Improvisation ist unüberhörbar, aber immer gefiltert durch ihren unverwechselbaren, naturalistischen Sound. ,Dreams" ist eine majestätische Interpretation von Peacocks gleichnamigem Stück aus dem Jahr 1971, ,Sing Me Softly the Blues` ist eine minimale, fesselnde Neuinterpretation von Baiers Jazzstandard mit einem von der norwegischen Sängerin Karin Krog adaptierten Text, und ,Emahoy` ist eine schmachtende Hommage an die äthiopische Pianistin, Komponistin und Nonne Emahoy Tsegué-Maryam Guèbrou und ihre 2006 erschienene Kompilation Éthiopiques. Glass' Musik basiert auf einem taktilen, sprunghaften Klang und ihrer stimmlichen Kraft und Vielseitigkeit. E's glatte Stöße von Kontrabass und Schlagzeug kitzeln den Gehörgang und betonen die Schlagfertigkeit ihrer unverwechselbaren tiefen Stimme, die sonore, androgyne Gelassenheit mit flatterhafter Zartheit verbindet. E hat auch eine rätselhafte elektronische Note, die die verschwommenen Emotionen von Glass' Songwriting noch verstärkt. Von Hintergrundrauschen und windigem Gesang bis hin zu kaleidoskopischen Synthesizern stammen diese subtilen, geschmackvollen Verzierungen oft von speziellem analogem Equipment: einer unterirdischen Echokammer aus den 1960er Jahren, einem Cooper Time Cube (im Grunde das Hardware-Äquivalent der Audioverarbeitung durch einen Gartenschlauch) und einem AEA-Bandmikrofon aus den 1940er Jahren. Aber das bedeutet nicht, dass E veraltet klingt - Glass' Songs sind von einem zukunftsweisenden Geist durchdrungen und fungieren letztlich als Vehikel für ihre berauschenden Emotionen und fragmentierten Erinnerungen und Träume. Glass' eigentümliche stimmliche Alchemie und ihre lebhaften Klavierausflüge sind meisterhaft und ganz und gar ihre Sache, und ihr Debütalbum ist ein Geschenk von klangvoller Schönheit und lohnender Mehrdeutigkeit. Als Musikerin und Improvisatorin ist Glass von der Suche nach Bedeutung, nach Klängen, nach Neuem, nach Verbindung begeistert und beherrscht diese. Und wie Krog 1975 in ,Sing Me Softly the Blues" sang: ,Life's so thrilling / if you search."

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Ültimo hace: 7 Meses
PHI-PSONICS - EXPANDING TO ONE LP 2x12"

For his third long-player under the Phi-Psonics banner, Ford-Young marshalled a series of live recordings at the Healing Force Of The Universe record store in Pasadena, sculpting fourteen tracks, largely composed in the moment with a fluctuating cast of players, which wonderfully transmit his ideals of community and inner peace. Called "Expanding To One", it features exquisitely calming yet searching pieces like "There"s Still Hope", where Seth"s softly undulating bassline underpins beatific explorations from core Phi-Psonics members, Sylvain Carton and Randal Fisher (both on saxophone), and Josh Collazo (drums), alongside guests Zach Tenorio (Wurlitzer piano) and Mathias Künzli (percussion). Equally sublime, "Healing Time" ripples like a mountain stream, with Ford-Young, Carton, Fisher and Tenorio joined by Minta Spencer (harp), Dylan Day (guitar) and, on drums/percussion, Jay Bellerose, a revered LA stickman most recently under the spotlight in Jeff Parker ETA IVtet.

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Ültimo hace: 8 Meses
Tyler the Creator - Cherry Bomb 2x12"
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Ültimo hace: 7 Meses
Tyler the Creator - Cherry Bomb 2x12"
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Ültimo hace: 7 Meses
Steröid - Chainmail Commandos

Emerging from the Sydney punk scene alongside bands such as Gee Tee, R.M.F.C., and Tee Vee Repairmann, and with large side of Egg punk accompanying their NWOBHM bacon (also maybe the beans in this messy breakfast are AOR?… I think we might be overreaching with this metaphor). Steröid are ready to rock the main stage with more thunderous aplomb than an atom bomb, hard-boiled and clad in chainmail ripping blisteringly hot rockin’ riffs all night long. Brought to you by rock and roll savant Lord Gordith also known as (at least some of the brains) behind Gloomy Reflections and Quest Master proving once again that he might very well be the most exciting act to follow in heavy underground music these days.
This is a record about rocking, and never stopping, and then rocking some more. You can rock with friends at a gig or a show. Sometimes you have to rock alone, but thats okay. Just give it your best, and never miss your chance to rock.

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Ültimo hace: 7 Meses
NEIL ARDLEY - A SYMPHONY OF AMARANTHS

When we did the first ever vinyl reissue of this 1972 masterpiece back in 2012 it sold out so fast and so many lost the chance to grab a copy has translated into continuous messages asking us to do a repressing of this marvel - which we did and, again, it sold like hot bread. So here is a new edition of this UK jazz masterpiece, this time with a twist :

- Silk-screened cover art : we respect the original design, but have upgraded the printing from regular offset to silk screen to give it an artistic touch!

- In adition to the limited black vinyl edition (400 copies), we offer an ultra limited clear vinyl version (100 copies-only!)

One of the big names in UK Jazz, Neil Ardley was offered the leadership of the seminal New Jazz Orchestra in 1964. Under his direction the Orchestra moved though different styles and changes of personnel, bringing in musicians such as Mike Gibbs (trombone), Harry Beckett andHenry Lowther (trumpets) or even Jack Bruce (bass), some of them also contributed with the writing of some original compositions, making the NJO the root from which the UK's 70's jazz scene was to blossom.

By 1972 the NJO was already defunct, but his legacy remained in the works of its members. Ardley's 'A Symphony Of Amaranths' is a perfect example of what was boiling in the UK jazz scene. It was Ardleys tribute to his idols Duke Ellington and Gil Evans, and featured the skills of some great musicians of the scene including Don Rendell,Stan Tracey, Henry Lowther, Harry Beckett, Jeff Clyne & Jon Hiseman. Side B is inspired by the words of Edward Lear, W. B. Yeats, James Joyce and Lewis Carroll that are musicated by Ardley and feature, among other highlights, Ivor Cutler's narration of 'The Dong With A Luminous Nose' and Norma Winstone's vocals on 'Will You Walk A Little Faster'.



Musicians that participated in the recording session :

- Derek Watkins, Nigel Carter, Henry Lowther, Harold Beckett (trumpets)
- Derek Wadsworth, Ray Premru (trombones)
- Dick Hart (tuba)
- Barbara Thompson, Dave Gelly, Don Rendell, Dick Heckstall-Smith (woodwind, saxes)
- John Clementson (oboe)
- Bunny Gould (bassoon)
- Dave Gelly (glockenspiel)
- Neil Ardley (prepared piano)
- David Snell, Sidonie Goossens (harp)
- Stan Tracey (piano, celeste)
- Karl Jenkins (electric piano)
- Alan Branscombe (harpsichord)
- Frank Ricotti (vibraphone, percussion)
- Chris Laurence, Jeff Clyne (bass)
- Jon Hiseman (drums, percussion)
- Eric Gruenberg, Jack Rothstein, Kelly Isaacs (violin)
- Ken Essex (viola)
- Charles Tunnell, Francis Gabarro (cello)
- Ivor Cutler (narrator)
- Norma Winstone (vocal)
- Jack Rothstein, Neil Ardley (conductors)

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Ültimo hace: 7 Meses
Evan Call - Frieren: Beyond Journey's End (Original Soundtrack) 2x12"
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Ültimo hace: 28 Días
11Schnull & Newinfluenzer - Ich und meine Ubahn

When you love a record too damn much, you will soon discover whether you "got what it takes” to make it yours. Such is the case with Turbo label head Tiga, who has played 11Schnull & Newinfluenzer’s 2023 underground hit “Ich und meine Ubahn” in each and every one of his DJ sets since its non-Turbo release. But unbridled track-passion is not always enough, and sometimes one must take a step back and recognize that the music business is also a business. So our in-house Corporate Development team, which has of late been entirely focused* on figuring out how best to monetize Tintin entering the public domain, set to work, successfully licensing the original while also creating the fun and potentially life-saving opportunity to visualize just how amicable the licensing process was.

All of which brings us to the remix pack at hand. The essentially perfect electro programming and vocal performance of the 2023 original leaves virtually no angle for improvement, save for the fact that the 4:20 runtime not enough for the median touring DJ to satisfy their chatbot mistress before they must begin the exacting work of selecting and mixing the next track. As such, we enlisted producers who could interpret the song from different planes of existence, namely Chilean-German wizard Matias Aguayo, French hardstyle prodigy Krarmpf, German aesthetes Extrawelt, Hamburg electro master DJ MELL G, and Asturian highbrow god Architectural. For reference, the planes conjured by these remixes are as follows: blacked out on Ivermectin; finally beat a pay-to-win mindfulness game; voted the Greatest Living Teen Artist by the readers of US Weekly; transformed into an expressionless little muscleman as if by magic; going viral; and curing jet lag in our lifetime. It is not for us to say which remix corresponds to which realm of human experience, but we do know that it is limited to those options.

Finally, please do not invite a chatbot lover into your marriage. Your spouse cannot hope to compete. And know that this advice comes from our best understanding of current world affairs, and does not represent what a repressed British man would calling “taking the pee.” At their very best, jokes are funny, and the fate of the human bedroom is no laughing matter at all.

*Like a laser!

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Ültimo hace: 87 Días
Kristen Noguès & John Surman - Diriaou

When they performed a handful of concerts as a duo in the summer of 1998, Kristen Noguès and John Surman had already worked a lot on the interweaving of genres: Noguès had confronted traditional Breton music with contemporary music and Surman had changed his jazz into atmospheric numbers that would be amongst the finest recording on the ECM label. As a duo, the harpist and the saxophonist would go on to invent something different: free folk, traditional ambient, modal ‘fest- noz’ … it is difficult to label, because the duo Noguès / Surman is one of a kind.

Diriaou, means “Thursday” in Breton. It is also the title of the first piece that Kristen Noguès and John Surman played together in 1991. Noguès learned the Breton language as a child, at the same time as the Celtic harp, – taking lessons with Denise Mégevand, who would go on to teach others, notably Alan Stivell. At the beginning of the 1970s, Noguès discovered Breton singing (soniou and gwerziou) At the beginning of the 1970s, she discovered the Breton song tradition (soniou and gwerziou) and became involved in Névénoé, a cooperative of traditional expression founded by Gérard Delahaye and Patrick Ewen. She recorded a single with the two musicians in 1974, then her first album, two years later.

Everyone who has listened to Kristen Noguès debut Marc’h Gouez, is now aware of her mysterious plucked strings. Her art, leaving Brittany, would go on to take in all landscapes and folklores, in the same as that of John Surman, conceived a little further north including vernacular jazz, international fusion with Chris McGregor or Miroslav Vitouš, and exploring more personal territory. Remember the Cornish landscapes in one of the best albums on the ECM label : Road To Saint Ives.

Kristen Noguès and John Surman thus shared an ‘extra-Celtic’ inspiration infused with free improvisation. On this recording, made in 1998 by Tanguy Le Doré at the Dre Ar Wenojenn festival, the duo uses original compositions which refer back to traditional songs (Maro Pontkalek, Le Scorff). The musicians then create fantastic impressions: Baz Valan, on which Noguès and Surman have a heavenly exchange; Kernow, on which the shared theme slowing disappears into the mist; Maro Pontkalek and Diriaou which move from the storm to the calm. Elsewhere, there is singing, first with Surman (Kleier) and then moving on to Noguès (Kerzhadenn and her signature song Berceuse). On a canvas of traditional music, the two musicians weave countless memorable landscapes.

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Ültimo hace: 8 Meses
Kim Hiorthøy - Ghost Note LP

Kim Hiorthøy

Ghost Note LP

12inchBLICKWINKEL15LP
blickwinkel
20.08.2025

More than a decade after his last full album, Kim Hiorthøy returns with Ghost Note, released by the Belgian label Blickwinkel. Though his music has quietly existed in the background—shaping contemporary dance, film, and theatre—this album brings it into focus once more. Ghost Note is an exploration of sound on the edge of presence and absence, a fictional world that is both constructed and organic.

Using mostly digital technology, Hiorthøy created a set of instruments that are real—you can hear them, they have tone, timbre, and resonance—but also not. The percussion, for instance, sounds like cheap scrap metal drums. But are they real? Do they exist? Hiorthøy plays with perception, challenging what feels real and what feels like a memory. In doing so, Ghost Note becomes an invitation to embrace uncertainty and indefinability.

“It's a kind of foggy area between theatre and daily life. Ghost notes. I wanted to try to make music that existed in this in-between space. Electronic music that is acoustic, a kind of emotional music that also hides in abstraction (or the other way around), and to try to make tracks that were sort of falling apart as I was making them.” ­- Kim Hiorthøy

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Ültimo hace: 8 Meses
XTCLVR - Blessed Loops

XTCLVR

Blessed Loops

12inchSFERIC018
sferic
20.08.2025

sferic land a debut album of thizzing and blown-out ambient trap x dub techno vapours from XTCLVR.

Produced under trying circumstances, Ukraine’s XTCLVR wrests an escapist sense of hazed beauty on a compelling maiden voyage for bleary-eyed specialists sferic, written and recorded during long nights under curfew and occasional shelling. Vocals are there, but mostly unintelligible, disrupted by a persistent offbeat churn and fragmentary instability, a paradoxically lush but anxious sound that reflects broader butterfly effects of war and its ripples of socio-economic fuckery on one level, and simply a trippy soundtrack to the afters on another.

Ten smudged shots unfurl across a 3D stereo space in gyring and shearing motion, cryptically shielding and scrambling a message meant to be deciphered by your sixth senses. A vocoder is diffused in aerosolised designs on the rugged lean of ‘Perspective’, setting up a chain reaction that buckles to more fraught feels on ‘Allergen’ and the ruptured raptures of a ‘Storm Shadow’ recalling Nazar’s recent sound design spheres for Hyperdub.

BSW948 lends nervous bars laced into the warped matrix of ’Night Shift Cut’, and OB3TH perfuses the iridescent dub techno of ‘The Wise Mystical Tree’, whilst Indy lends to the ambient drill of ‘Acid Flavour’, and closer ‘Dead Smoke’ perhaps best betrays, even if metaphorically, a feeling of psychic distress in its dank, submerged mire.

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Ültimo hace: 8 Meses
Dub & Wheel [Kid Lib] & Tim Reaper - FR034

Another record, another appearance from Kid Lib (& his many aliases) on Future Retro London... ????

As I said before on FR015, the Dub & Wheel stuff he makes is almost always making it into my selection for DJ sets, I honestly can't get enough of it. He had done this tune (originally titled Shaka Sound) in 2017 (I think?) but it was never fully finished on its own & I don't think there were any plans to finish it or release it. That didn't stop me from playing it in my sets of course haha

Eventually, I reached a point where I felt like I'd played it so much that I couldn't allow it to not come out, so I offered to finish the tune and then it could come out on Future Retro London & thankfully he allowed me to work on it and get it done.

In dub, they'll record many different versions/mixes of a tune with various differences in arrangement and sounds used & I felt it'd be cool to do that with this tune, with Mix One sounding more true to his original idea & Mix Two having a bit more variation in the bassline & drum patterns.

Anyway, big up to Kid Lib for letting me work on The Firmament & for letting me release it, hopefully there'll be more Dub & Wheel material from him in the future, I'm patiently waiting...

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Ültimo hace: 8 Meses
The Bar-Kays - Open Your Heart/ Feels Like I’m Falling In Love 7"

The Bar-Kays were originally formed in Memphis, Tennessee, 1966, as a sextet backing group for Stax Records. They had a promising career in front of them as a session band & recording outfit before the backbone of the group was killed, along with Otis Redding who had hired them as his backing band for a tour, in a plane crash. Only Ben Cauley survived the crash and went on to form what could be dubbed Bar-Kays Mark II. James Alexander (Bass) was also one of the original members but was not aboard the plane because of limited seats on Redding's plane. For Alexander and Cauley and new members Michael Toles, Willie Hall, Ronnie Gordon and Harvey Henderson, the track 'Sang & Dance' was one of the first tracks from the new group, cut in late 1969. They recorded steadily for Mercury records in the 70s & 80s, the two tracks on this 7” among their best loved and sought after. “Open Your Heart” only previously a 7” B-side in Spain

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Ültimo hace: 7 Meses
ALAN SPARHAWK - WITH TRAMPLED BY TURTLES

No one can help you build something beautiful quite like those who know you best. Alan Sparhawk knows this well. In his years in Low, he built decades of stirring music with his wife and lifelong creative partner Mimi Parker. In recent years, he has performed around Minnesota with his son Cyrus in DERECHO Rhythm Section, a funk band that also frequently features his daughter Hollis on vocals. There's an irreplaceable naturalism that comes with this kind of dynamic. Those who know you understand you. They love you. They want to help you bring your greatest passions to fruition. So it made sense that Sparhawk would turn to fellow Duluth musicians Trampled by Turtles to realize his latest record. As friends and mentees of Low's, taken under Sparhawk and Parker's wing from their earliest days as a bar band, Trampled by Turtles have performed with Sparhawk countless times over the years. The Duluth ties run deep: "There's a certain vibe that has to do with underdog syndrome, coming from a small town," Sparhawk muses. "Some of it is the weird grind and slackness that being at the mercy of Mother Nature puts in you. It humbles you." The two artists hold the kind of ironclad bond. Following Parker's passing in 2022, Trampled by Turtles invited Sparhawk to join them on tour to give him a space to be surrounded by friends. Occasionally, he would join them onstage. The outpouring of love was palpable every time they played together, a surge of warmth. When playing together is that powerful, why stop there? In winter, 2024, Sparhawk and Trampled by Turtles created With Trampled by Turtles, a record exactly as its name implies: Collective. Communal. Fraternal. Empathetic. A vessel for comfort, a reminder of the harmony that can exist when surrounded by those closest to you. Where White Roses, My God, Sparhawk's last album, plunged headfirst into electronica and radical vocal modulation, With Trampled by Turtles leans into the folk and bluegrass stylings of its backing band, Sparhawk's voice now completely unvarnished. With Trampled by Turtles is far more than just Alan Sparhawk and Trampled by Turtles. It's an affirmation of all the people who have been vital in Sparhawk's life and music, and an opportunity to hold each of their gifts into the light. It's producer Nat Harvie, who has been collaborating and performing with him for years. It's Sparhawk's daughter Hollis, who duets with her father on "Not Broken." And it's Mimi Parker, too: "Too High," "Princess Road Surgery," and "Not Broken" were all tracks she and Sparhawk had been working on in the last few years. These songs finally found a setting that stirringly commemorates them, bolstered by a full ensemble to make every note sing. Their presence is a kind of eternal connection to Parker, a way her musical grace will keep flourishing.

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Ültimo hace: 8 Meses
FIREFRIEND - 666 TO 999 TS STREEET LP
  • 1: Airport Scene 03:8
  • 2: Blackbird 05:15
  • 3: Dropouts 02:56
  • 4: Free Form Future 02:30
  • 5: Higher Path 0:3
  • 6: Kill All Indies 04:35
  • 7: Naked West 05:14
  • 8: Oleo Skull 04:11
  • 9: The Cat 05:48

Brazilian Psychedelic Rock Artist Firefriend via Cardinal Fuzz and Little Cloud Records announce a first time vinyl pressing for the classic - “999 to 666 ts Street” Prepare to take the long way through the void — Brazilian sonic architects Firefriend present the searing “999 to 666 TS Street”, a full-length LP that bends time, bleeds color, and dives deeper into the cracked corridors of psychedelic rock. With roots tangled deep in the underground of São Paulo and their eyes forever fixed on the cosmic unknown, Firefriend has carved out a space uniquely their own — a distorted dreamscape where shoegaze meets fuzz, noise folds into melody, and every track is a doorway. “999 to 666 TS Street” is a concept record that navigates a haunted psychogeography: an address etched between realities, where spiritual unrest collides with dystopian daydreams.

A Journey Through Sound and Shadow Drenched in fuzzed-out guitars, whispered vocals, analog synths, and pulsing rhythms, this LP sees the trio — Yury Hermuche (guitar/vocals), Julia Grassetti (bass/vocals), and Cacau Bandeira (drums) — begin to forge the fearless vision they seek. From the opening surge to the final fractured lullaby, “999 to 666 TS Street” is both a destination and a transmission: a call to the wanderers, the outsiders, and the seekers. But Firefriend's mission isn’t just sonic — it’s political.

As proudly left-wing artists with an internationalist vision, the band channels the disillusionment and resistance of a generation watching the world teeter. Their music radiates both critique and hope, connecting the dystopia of late capitalism with a dream of liberation. Whether playing São Paulo basements or European festivals, Firefriend brings an urgent message beneath the haze: solidarity is louder than silence. "This album is a street you can't find on any map — it's the place your mind goes when you turn the lights off," says frontman Yury Hermuche. "It's noise, beauty, and a little bit of danger." "We wanted to build a record that feels like a fever dream on vinyl," adds bassist Julia Grassetti. "Something physical, something that glows in the dark." About Firefriend Known for their hypnotic live shows and cult international following, Firefriend has shared stages with underground legends and graced the grooves of multiple celebrated independent releases.

They’ve become essential listening for fans of Spacemen 3, The Brian Jonestown Massacre, and The Velvet Underground — yet remain wholly, defiantly themselves. “999 to 666 TS Street” marks the start and is another milestone in their prolific catalog, pushing the limits of psychedelic rock while remaining anchored in the beautifully bleak emotionalism that defines their sound. Beneath the distortion lies a worldview — anti-authoritarian, borderless, and defiantly alive.

Reservar19.08.2025

debe ser publicado en 19.08.2025

The Mighty Tiny & The Many Few - Be The Good People

“The Mighty Tiny & The Many Few have released their debut Album ‘Be The Good People’

A life- and love-affirming record crafted with vintage techniques and timeless principles.

Walshy Fire (Major Lazer) bridges cross-continental connections in collaboration with Grammy-winning composer and writer Randy Valentine, a South London-based artist hailing from Clarendon, Jamaica. Joining them is Copenhagen-based improvisational jazz visionary Steven Jess Borth II, aka CHLLNGR (I Am An Instrument) along with the crème de la crème of Danish jazz talent, including Morten McCoy, Jonathan Bremer, Rumpistol, Mikkel Hess, Laurits Qwist Bilén, Frederik Scharff and more.

For over two decades, Randy Valentine has cultivated a distinctive voice in music, and his latest work with the concept band The Mighty Tiny and the Many Few brings this artistry to life in a fresh, vibrant way. Brought together by Steven Jess Borth II and Walshy Fire, the band unites over 15 musicians from three continents, celebrating collaboration and shared joy. Alongside Ånd&, the team has crafted a musical masterpiece that resonates with a global perspective and a collective spirit of creative expression.

"Be The Good People" is both a statement and a declaration of revolutionary love—a bold call to action. This seven-track album blends soul-drenched, horn-driven, and timeless instrumentation with forward-thinking, insightful lyrics inspired by life’s triumphs and challenges. The result is a powerful musical journey, promising to be a rewarding ride for every anchoring ear.

‘Be The Good People’ is released independently on new label imprint Ånd&.”

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Ültimo hace: 8 Meses
FaltyDL - Neurotica LP

FaltyDL

Neurotica LP

12inchZIQ475X
Planet Mu Records
19.08.2025

It’s been ten years since Drew Lustman aka FaltyDL last released on Planet Mu. In the meantime he's been running his own label Blueberry Records, been in-house producer for Mykki Blanco and has become a dad. The best things come out of play and it was Drew’s relationship with his young daughter that switched on this playful side of his music. The album in question, ‘Neurotica,’ expresses Drew’s fun in creating such energetic pieces people will want to move to. It's a dizzying sugar-rush at a high-speed bounce; the music is fresh and inviting and most important of all, joyful."Summer of ’24, we were in Catalonia. My girl, our young daughter, the old folks. Days by the village pool, afternoons on the dirtbike. At night, I made salads. Simple things. Good things. One afternoon, lying back, phone in hand, I saw a friend post a GRWM. The music behind it stopped me. A song grabbed hold. The track was ‘Secret’ by Mietze Conte, which is fast-paced euro-pop dance music, like soft fluffy gabber with childlike vocals. I hunted down the full version. Played it again. And again. Twenty times over the next few days. It unlocked something. The best music does that. Like the first time I heard Burial. Had to know what was happening under the surface. That time, it led to ‘Love Is A Liability’ in 2009. This time, it led to ‘Neurotica.’“ “I started to record, getting down fast, bright, sugar-rush sounds. 185 to 200 BPM. I wrote them quick—half a day per track. In between, I slowed things down. Gave space for breath. Mike Paradinas helped shape the album, his ear guiding the flow. I tested the tracks. Played them for kids barely out of diapers and grown folks who still move like they are. It worked, on all ages. I kept it simple. Only two rules: keep it moving and don’t look at my phone. Cut the vocals like I used to.” ‘Neurotica’ is FaltyDL with his mojo refreshed, a new life squared, do yourself a favour, crack a smile and feel the joy.

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Ültimo hace: 8 Meses
Thomas Dolby - Gate To The Mind`s Eye OST LP

Soundtrack work suits Thomas Dolby, who here turns in a variety of musical settings for a
computer animation video that include everything from moody electronic instrumentals and dance tracks to a ‘30s pop pastiche complete with horn section. Five of the nine tracks have vocals, two of which are contributed by Dr. Fiorella Terenzi. Dolby himself sings, raps. The Gate to the Mind’s Eye demonstrates Dolby’s continuing inventiveness.

Not quite as quirky as the Wireless album, not as moody as Flat Earth, not as wacky as Aliens Ate My Buick, but it has Dolby written all over it.

The Gate To The Mind’s Eye is for the first time available on vinyl as a limited edition of 750 individually numbered copies on silver coloured vinyl and contains an insert.

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Ültimo hace: 8 Meses
Brenda - Bath Time

Brenda

Bath Time

12inchCOK015WW
College Of Knowledge
19.08.2025

Brenda (Hudson Whitlock of Surprise Chef / Karate Boogaloo / The Pro-Teens) presents new album 'Bath Time', a suite of heartbreaking, cinematic indie-soul ballads from the hotbed of Melbourne, Australia.



Brenda encompasses the left-field soul sensibilities for which Whitlock has come to be recognised in cult instrumental groups Surprise Chef, Karate Boogaloo and The Pro-Teens, alongside heartfelt, introspective lyricism delivered in a sincere, delicate falsetto. Stylistically, lines can be drawn to the 1960s sweet soul ballads of The Delfonics, Jean-Claude Vannier's vivid arrangements for Serge Gainsbourg, and, of course, the unmistakable flavour of Melbourne's cinematic soul movement à la other Whitlock exploits Surprise Chef and Karate Boogaloo.



'Bath Time' contains ten entrancingly melancholic ballads that earnestly express Whitlock's dramatic indie-soul sensibilities; encompassing the classically introspective nature of the poetic lyricist and the idiosyncratic use of soulful instrumental arrangements. The songs encompass themes of old romantic habits dying hard, familial rifts and unrequited love.



True to his modest vagabond nature, Whitlock has 'released' six Brenda albums to date, each uploaded exclusively to bandcamp, gladly resigning the music to the underground. Whilst he created theses albums in solitude, playing each instrument himself, 'Bath Time' sees Whitlock relinquishes the isolationism of previous works in favour of including his trusted inner circle of friends and collaborators: Surprise Chef's Lachlan Stuckey and Jethro Curtin on guitar and keyboard respectively, Karate Boogaloo's Darvid Thor on bass, and production from Henry Jenkins (Surprise Chef, Karate Boogaloo, Frollen Music Library).

AVAILABLE IN BLACK ICE WITH ORANGE AND BLUE SPLATTER (COK015WW)

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Ültimo hace: 7 Meses
CHASTITY BELT / 764-HERO - LOADED PAINTED RED
  • Loaded Painted Red
  • Loaded Painted Red

Purple Vinyl 7" Single! limited edition! Chastity Belt's version of "Loaded Painted Red" doesn't just cover 764-Hero's original. It dissolves into it, rebuilding it with a gauzy, wide-open clarity. It's a song that's always carried a certain weight: bruised and echoing with late '90s Pacific Northwest melancholy. In their first-ever recorded cover, Chastity Belt traces that ache into new territory, drawing it out like bated breath. Lydia Lund threads a new guitar line through the song, tugging it towards their distinct style like a slow orbit around the song's core feeling. "I've been a fan of 764-Hero for a while now, and 'Loaded Painted Red' is one of my faves!" says Julia Shapiro. "It was hard to do the song justice because the original is so perfect, but we also had fun reimagining it and making it our own." Initially released in 1998 on 764-Hero's Get Here and Stay (Up Records), "Loaded Painted Red" has long been a fan-favorite, a softly jagged and charged meditation. The new split 7" pairs the cover with the original, a full-circle release that marks 764-Hero's catalog joining the Suicide Squeeze family. Together, the two versions collapse decades into a single foggy breath riding out the dusky golden-hour light of the Pacific Northwest.

Reservar15.08.2025

debe ser publicado en 15.08.2025

Various - LONELINESS ROAD LP 2x12"

Various

LONELINESS ROAD LP 2x12"

2x12inchRNRLPCV77
Rarenoise
15.08.2025
  • Ten Nights
  • Little Harbour
  • Bookmaking
  • Don't Lose Yourself
  • Henbane
  • Pinkus
  • The Barrier
  • Nainsook
  • Loneliness Road
  • Unclouded Moon
  • Gates
  • Everyday

Repress on transparent green vinyl. With Loneliness Road, pianist Jamie Saft, legendary bassist Steve Swallow, and versatile drummer Bobby Previte present a work that is as unexpected as it is captivating_elevated by the haunting voice of none other than Iggy Pop. Far from being just another jazz album, this recording is a bold artistic exploration that fuses contemplative jazz, elements of blues, and the gravelly baritone of a punk icon turned poet. At its core, the album is deeply rooted in modern jazz tradition. Saft's lyrical piano, Swallow's fluid electric bass lines, and Previte's dynamic, nuanced drumming create a soundscape that is intimate and atmospheric. The true surprise, however, comes with Iggy Pop's appearance on three tracks. Here, he doesn't snarl or shout as in his rock persona _ instead, he delivers words with a weathered, introspective tone that feels more spoken than sung. The lyrics touch on loneliness, impermanence, and existential searching _ perfectly in tune with the album's title. Tracks like the eponymous "Loneliness Road" and "Don't Lose Yourself" are steeped in lyrical depth and emotional gravity, drawing the listener into a reflective, late-night world.

Reservar15.08.2025

debe ser publicado en 15.08.2025

Memotone - smallest things

MEMOTONE, aka Will Yates, has announced details of a new 12-track album, smallest things, set for release on World of Echo on 1 August 2025 on vinyl and digitally.

The album launches today with first track, ‘Time Is Away Theme’, a live favourite that is finally available on album. Watch the video HERE Talking about the release, Will has said, “Staring at a square inch of neglected concrete, I recognise the beauty of existence. Quietly hysterical. While humanitarian catastrophes bubble across the planet, the tides remain in constant and disinterested motion. Your money is worth less than the dusty moss that powders this pavement.

It's certainly not worth a life. We are the smallest things, along with everything else." Will Yates has made music as Memotone since 2007. He operates in the tradition of what Robert Fripp has called 'a small, independent, mobile, and intelligent unit.' If you book him, he will come. When he arrives, he will have everything he needs to make his complex, engaging music: a clarinet, a guitar, synths, samplers and pedals, quickly unpacked in the corner of a club, gallery or village hall. Starting small, he will build layer upon layer of melody, accompanying himself and cutting across himself, creating a music that avoids cliche and moves beyond easy description. His recordings have followed the same trajectory. Moving quickly, he has released fifteen or so albums across various labels (including Trilogy Tapes, Discrepant, Soda Gong). Taken together, these recordings are the sound of a skilled, inventive composer pushing at the edges of what he wants to listen to himself. It is possible to hear a variety ofinfluences in his music: folk and jazz forms, the textural inventiveness of British DI electronica and Chicago post-rock and the blurred sci-fi brass of Jon Hassell are all discernible. But mostly, Will's work seems to stem from a constant drift between long hours in his home studio, and time spent outside in the woods and hills around his home in Wales.

Listening to the album, lushness creeps in at the edges, tiny green shoots appear on what might at first appear to be bare soil. smallest things sheds the skin of Will's previous recordings, removing the electronics and the looping and layering of previous work, to create something almost entirely acoustic. But don't be fooled into imagining music that's folksy, pastoral or twee. Opening track 'I Could See the Smallest Things' is a statement of intent. Widely spaced guitar is underpinned by earthy cello and sleepwalking clarinet, making a gorgeous threadbare pattern, which recalls a Morton Feldman miniature or a Morandi still life.

Beyond the skill involved and the years of self-taught music making that have gone into putting this record together, it is Will's close, careful attention and his talent for existing, observing and creating in the moment that make his work special. Memotone will perform at World of Echo’s annual birthday celebration on 8 Nov Expected Music, when they take over Walthamstow Trades Hall for an inter-genre, day-long investigation into some of the more outré manifestations of the contemporary worldwide underground.

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