quête:eps

Diagonal welcomes Scott Gordon to the fold. Scott has previously released on Editions Mego as one half of Oto Hiax, a collaborative project with Mark Clifford of Seefeel (Warp Records). He's also released a series of EPs and one album under his Loops Haunt alias via the Black Acre imprint. For his Diagonal debut, Scott offers up "Metals", a double EP of sorts: two sides of wax with two separate titles, "And Away" on side one backed with "Tilts" on side two. Each set is a study in using mechanical means to seek tone, rhythm and texture via unexpected objects and instruments. Both sides feature Scott's custom made Spinning Plate Instrument SPI. The SPI is a large, motorised vertical frame that spins a series of metal plates. These can be struck via midi - mechanical 'beaters'. These recordings also feature Scott playing the SPI manually. The results are both gripping and provocative. Mastered by Russell Haswell. Direct Metal Mastering (DMM) to vinyl.

Neroli reaches release number 50 during its 20th anniversary and celebrates with a special project, an album of songs by some of the label artists and friends. The title reference goes back to 20 years ago when label’s honcho Volcov decided to give the label the name of Brian Eno’s Neroli album, an hour long ambient opus inspired by the oil derived by the flowers of the Seville orange. So after 20 years and 50 releases the label goes full circle and offers an album of delicate and heartwarming melodies and atmospheric songs. The talent of original UK dons Kirk Degiorgio, Dego and Ian o’Brien is enrolled once again to guarantee sophistication and depth. Patrice Scott and Fred P, who had recently released eps on Neroli, are joined here by fellow spacecadet Aybee…all delivering warm futuristic pieces! K15 and Linkwood debut on the label, opening and closing the album with class. And there is even a lost composition by Volcov himself with Detroit’s Gerald Mitchell and Pirahnahead as part of some 2010 sessions that might resurface soon…THE FIRST CIRCLE is complete!

Design by Al White. Manufactured and Distributed by Mother Tongue, Verona.

Danza Tribale — the visionary label founded and curated by Adiel — presents Connessioni, the new release from Tamburi Neri, a two-part sonic exploration of connection, vibration, and ritual. Rooted in the spirit of tribal modernism, Danza Tribale has become a platform for artists who transcend genre boundaries — channeling raw energy, rhythm, and emotion into sound. With Connessioni, this philosophy deepens further, inviting listeners into a realm where body, city, and earth speak the same language. Connessioni is the reflection of water moving with the melody, the breath of air between intertwining lungs, the intersection of glances and voices that speak. It is an invisible map — cables carrying frequencies to speakers, amplifying not only sounds but also stories, emotions, and encounters. The release unfolds across two EPs that resonate on different frequencies yet share a single voice: that of the body, the city, and the earth.

The interstellar electronics are once more pushed to the fore on closer '80 Axes', where jaunty synth lines combine with soft bongo hits to create an instinctive rhythm, and intergalactic melodies sprint between the speakers. You can dance if you want to, but lying down is very much encouraged.
As part of the label's mission to champion Dutch talent, Voyage Direct has always promoted new, up and coming, and little-known producers. Boss Tom Trago's master plan includes building a family of artists, in part through helping unheralded local producers to fulfill their potential.

On the label's latest release, he continues that approach, serving up a debut 12' from a mysterious young producer known only as Darling. Those paying close attention to the wider Dutch house and techno scene may have spotted his recent rework of Awanto3's 'Star Butchers' on Dekmantel, in which the man or woman of mystery added some killer keys to the Amsterdam legend's woozy, deep house original.

While that rework was undoubtedly superb, Jacob's Lead offers a truer reflection of the shadowy producer's previously hidden talents. As debut EPs go, it's a bit of a cracker.

The title track, in particular, is a beauty. Its' restless, hypnotic rhythm tips a wink to classic Dutch techno of old, while the undulating, analogue electronics and swirling pads recall the far-sighted retro-futurism of vintage Motor City material. Throw in some of Darling's trademark spine-tingling keys and a deliciously loved-up breakdown, and you have a choice chunk of life-affirming techno.

On the flip, Darling heads towards deeper territory with the bubbling melodies, starburst electronics and saucer-eyed chords of 'Video'. Unashamedly positive in sound and intent, it sounds like the kind of track that will be cited as a classic in two decades time. Melodious and infectious, it casts Darling as the Netherlands' answer to Larry Heard.

Astropolis Records, the label born from the legendary Brest festival, marks a decade of electronic passion with a sprawling, heartfelt anniversary compilation — slightly delayed, but still delivered with flair.
It comes in two EPs, spotlighting the many facets of the Astropolis universe: in-house artists, long-time festival collaborators, and rising stars from France’s ever-bubbling scene. Eighteen artists guide us through a sonic journey where rave heritage, electronic dreamscapes, and collective fervor converge — true to a festival whose DNA has never recognized borders.


The second EP dives into darker territories, spanning original electro, multifaceted techno, and sunlit vibes toward the close.
Astropolis has always thrived on happy collisions, and this EP is a perfect demonstration.


For synth lovers, Legowelt & Cuften revive the spirit of early electroclash on Liar, a carnal fusion of analog synths and DIY attitude.
Zaatar & Trunkline inject raw energy on Come Into The Light, a sweaty, visceral banger bridging techno, dark disco, and EBM.
French scene stalwarts Scan X & Electric Rescue deliver a masterclass in elegant techno on Lost In Time.


When Manu Le Malin meets Kmyle, the result is as sharp as it is cinematic: Little Big Man builds dramatic tension, balancing raw emotion with contained fury.


On a more contemplative note, we’re thrilled to unveil one of the first productions from our dear Célélé with Théo Muller: the subtle Drum and Drift, threaded with dubby vibrations and sun-drenched bursts.
This anniversary compilation reaffirms the label’s openness to new generations and recent sonic hybrids while honoring the techno scene that shaped its beginnings. Like the festival itself, it embodies the same sincerity and collective energy: a small manifesto connecting generations, aesthetics, and territories — celebrating roots without nostalgia, and the future without bending to trends.

Astropolis Records, the label born from the legendary Brest festival, marks a decade of electronic devotion with a sprawling, heartfelt anniversary compilation — slightly belated, but executed with undeniable flair.
It also comes in two EPs, showcasing the many facets of the Astropolis universe: in-house artists, long-time festival collaborators, and fresh talent from France’s ever-bubbling scene. Eighteen artists guide us through a sonic journey where rave heritage, electronic dreamscapes, and collective fervor intertwine — true to the spirit of a festival that has never recognized borders



The first EP bathes in warm tones across electronica, house, g-tech, old-school rave, and melodic techno.
It opens with grace and magic via Rone, whose electronic touch conjures the intimate and the infinite. Between electronica and downtempo, The Dolphin Ambassador delivers luminous melancholy, offering a gentle calm before the storm.


The unlikely pairing of Mézigue and Swooh catapults house into a g-tech vortex with the unrestrained Broken Roll To Venice, a compact fusion of groove, hybrid sounds, and playful inventiveness.
Belaria & Madben continue this alchemical thread on Into The Void, an incendiary anthem where 90s rave, EBM, and modern intensity collide in hypnotic trance.


For old-school dancefloor loyalists, KiNK finally resurrects a cult live set staple: Give Me, a bona fide banger merging breakbeat and vintage house, engineered for late-night sweat sessions.
Oniris & Benjamin Rippert revisit the melodic techno roots of the label on Sonate, demonstrating a masterful command of harmony.



This anniversary compilation underscores the label’s openness to new generations and recent sonic hybrids, while paying homage to the techno scene that shaped its early days. Much like the festival itself, it embodies the same sincerity and collective energy: a small manifesto connecting generations, aesthetics, and territories — celebrating roots without nostalgia, and the future without bowing to trends.

Continuing his refraction of the rave continuum into pointedly dislocated, delicately bruising sound system meditations, Low End Activist returns to Peak Oil with a second instalment in his Airdrop series. This time around, he channels the ghosts of foundational tech-step and the quantum leaps of late-90s D&B to provide the inspirational fuel for his skeletal, astral constructions. A strong stylistic thread continues to weave through the LEA output from his earlier self-released EPs and Sneaker Social Club albums, where haunted atmospherics, blown out subs and snatches of breaks dart around each other in empty dancehalls, but the finer point of the sound design and synthesis makes very specific references to landmark moments in hardcore's evolution.

By weaving his own autobiography into the music, the Activist maintains a fundamental theme of his work to date. 'Colin's Golf', 'Smithy's Porsche,' 'Merv's Lazy Eye' and 'Brillo's Teeth' are all personal codes harking back to the formative Oxford rave scene. With the framework in place, he uses textures, timbres and studio tricks from scene-leading pioneers and local heroes of the era as ingredients in thoroughly modernist concoctions. None of the reference points are deployed as literal callbacks — they're waymarkers for the creative process and faint triggers bedded deep into Airdrop II's strange formations. Fleeting sonics might trigger latent memories for those who were there. For everyone else, Airdrop II is another step further along rave's eternally unspooling odyssey, guided by decades of precedents on a path into the future.

2025 Repress

Sublunar is proud to welcome a new artist to the roster: French-Moroccan producer Bidoben. Widely acclaimed for his standout EPs on Clergy, Bidoben makes his debut on Sublunar with Torment, an EP that distills his vision of techno into a multifaceted journey, marked by precision, depth, and a sound that's unmistakably his own. The EP opens with Suspended Relief, a powerful and relentless track built to ignite the floor. It's followed by 28-33, a hypnotic cut with a gripping groove and refined sound design. Torment, the title track, brings a psychedelic atmosphere with an arrangement that sticks in your head. The B-side starts with Unfair, a peak-time weapon crafted to tear the floor apart, then moves into Calx, a trippy and mental journey deep into hypnotic territory. The release closes with Snakeholes, where nostalgia and power meet in a distinctive blend.3 Doors Down haben sich einen Weg als die Rockband schlechthin gebahnt und feiern mittlerweile einen ungebrochenen Mainstream-Erfolg. Dabei haben sie aber nie ihre Kleinstadt-Identität verloren hat, was sie zu den wahren Underdogs des Rock gemacht hat. Das Album ”The Better Life” enthält ihre bahnbrechende Hymne „Kryptonite“ und kommt nun nochmals auf einer 1LP Black Vinyl heraus.

For the 34th split of the series, we invited two of the best french projects of the contemporary electronic underground scene. On the A-Side, Bloody Mary, resident at Tresor Berlin and responsible of strong releases on Ovum Recordings, U-TRAX and of course her own imprint Dame-Music. On the B-Side, the exciting duo Human Rebellion aka HR101, already known for some killer EPs on Discos Atonicos, Science Cult or Earwiggle. The result is a 4-tracks EP combining acid lines, rave synths, 90's voices, mental soundscapes and catchy techno !

Oliver Dollar presents the ‘Contemporary’ LP on Rekids. The album features collaborations with producers and vocalists like ADMN, Seven Davis Jr., Brillstein, APROPOS, and more, releasing on 21st November 2025.

German House artist Oliver Dollar announces his ‘Contemporary’ LP on Rekids, arriving 21st November 2025. Since 2024, he has released four EPs on Radio Slave’s label, featuring collaborations with over a dozen artists and singer-songwriters, supported by the likes of Dam Swindle, Louie Vega, Honey Dijon, Hunee, Kai Alce, and more.

Since 2011, Industry Standard label boss Oliver Dollar has become a trusted name in House music, he was one of the leading proponents of its Fidget subgenre in Berlin at the height of its popularity, propelling him towards releases on labels such as Snatch!, Classic Music Company, and Defected, alongside a reputation as a formidable collaborator that’s worked with the likes of Crazy P, Mousse T, and Todd Edwards. For the ‘Contemporary’ LP, he doubles down on this spirit of partnership, bringing together a transatlantic cast of friends and peers, linking Berlin and Detroit through a shared House vision. The album begins with ‘The New Is Here’, where Oliver Dollar teams up with Nils Ohrman for a soulful sermon that sets the tone with warmth and gravity, which was previously reimagined into a club-focused dub for ‘Contemporary Part Four’. From there, the mood shifts into ‘Downtown’ with Phil WZK, a deep, Jazz-inflected groove underpinned by a spoken monologue that feels both intimate and eternal Vocalists like APROPOS, Boog Brown, and Billy Love then bring soul and gospel fire, while producers including ADMN, Seven Davis Jr., Harvard Bass, Brillstein, and Austin Ato shape grooves that range from Disco-tinged uplift to deep, dubby hypnotism. Rather than a showcase of features, the album flows as one unified statement, a celebration of community, connection, and the timeless energy of House music.

Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Tal Fussman, Frankey & Sandrino, Mathias Kaden, Huxley, and many more. Oliver Dollar’s ‘Contemporary’ LP on Rekids is a genuine team effort, bringing together some of the brightest voices and producers for a masterpiece that seamlessly blends modern and classic House, Dub, and Disco.

Ladies and gentlemen, please reserve a warm welcome to the eighth Outdom Records’ release on wax, proudly introducing an already known artist on the label, Denis Kostitsyn, with his new five-tracker EP: “Funny Games”.



A record as cheeky as its title suggests, Funny Games features an adventurous blend of techno, minimal, electro and tech-house, sprinkled with acid squelches, UK breaks & 2 steps grooves and a dash of dubby hypnotic atmosphere. Expect nothing less than Denis’ trademark creativity: playful, gritty and endlessly groovy, a proper bag of surprises for discerning selectors who love their tracks unpredictable, yet razor-sharp on the floor.



Denis Kostitsyn, respected Arma17 club resident and vinyl digger, strong producer with past acclaimed EPs on Exarde, Mung Records and also showcased on our previous Virtual Tools Vol.2 Series with “Rvbbit Hole”. This time, Kostitsyn dives deep into a palette of raw, analog-sounding textures and 90s-minded grooves, shaping tracks that carry both a vintage touch and a futuristic spirit. His production is full of twists—between hypnotic atmospheres, shuffling percussions, heavy basslines, and sudden left turns that keep the crowd locked and guessing. Built as pure dancefloor weapons, each piece doubles as both a tool and a trip, playful in form but deadly in effect!



Outdom Records once again shines a light on forward-thinking underground artistry—music that grooves, mutates, and flips expectations, while staying true to the label’s quirky yet uncompromising DNA.


WARNING: Handle with care, drop with confidence.

The complete collection of her elementally inspired series channelling Earth, Wind, Fire, and Water. Scotland’s own Mha Iri completes her elemental journey with the announcement of her first long player, the Four Elements album – a special vinyl collection bringing together the full force of her Earth (Leader of the Pack), Fire (Elements of Dance), Water (Come With Me), and Air (Fury) EPs. Out on vinyl on December 5, the album marks the culmination of an 18-month sonic and creative exploration through the natural elements that have defined her rise as one of techno’s most commanding new voices. The vinyl release will feature eight stand-out tracks and is pressed on black vinyl and presented in a spined single outer sleeve with printed inner.

Samuel Kerridge, with his signature sonic arsenal, stands alone in the worlds of rhythm and noise. A singular artist, his music is to be appreciated on its own terms. Here, he returns to James Ruskin's Blueprint Records with the eleven track album, "Memoir Of Disintegration".

The British producer has been carefully turning techno inside-out for over a decade. Taking a distinctly post-punk approach to the genre, he has become an integral part of Regis' legendary imprint Downwards. Kerridge has helped to define the label's contemporary sound: broken techno and snarling punk, informed by industrial music and metal.

Samuel Kerridge has released seven EPs and five albums (including a collaboration with Dva Damas' Taylor Burch) and his recent, "Kick To Kill", has become something of a statement of intent, blossoming into a new label and event series with a focus that broadens beyond techno tracks into full-blown song writing. Aside from his solo work, he collaborates with OAKE in what he describes as the "power metal techno" duo UF, and has recently started his own guitar band, Death Disco.

Kerridge ran the Berlin-based Contort label and party series and curated the legendary Berlin Atonal festival for three years, underlining his credentials as a stalwart figure in the world of experimental, boundary-pushing techno. He's also an accomplished live performer, most recently developing a hybrid live-DJ set that dismantles hundreds of tracks into a sampler to make new music in real time. It's an inventive process that places him in the lineage of iconic and ground-breaking techno acts, while still carrying the flag for the darkest corners of underground electronic music.

DJ Support: Dj Harvey, Artwork, Pete Herbert, Sean Johnston ALFOS, Howler, Bill Brewster, Logan Fisher (Tryouts)

The Totem Projects hit last year and caused a huge stir, especially after solid support and plays of “dream forever” from DJ Harvey for well over a year at most of his international sets. Therefore demand on a vinyl release was high, so we acted…so sow say hello to the new TOTEM PROJECTS vinyl series. with full EPs of original tracks, and more exclusive edits to come. TOTEM duo Justin Deighton and Leo Zero are joined on this first outing by Pete Herbert and Howler.

Müller Records, the Berlin-based label, has a long and proud tradition of high-quality releases. It also has a strong track record in sniffing out up-and-coming talent - acts like Berliner Falk Romstedt, alias Hawkinson. His EPs and remixes -

After two self-produced EPs, Sarah Maison (2018) and Soleils (2021), and the EP Karma (2021) with Anoraak, French singer, musician, author, composer, arranger, and producer Sarah Maison finally unveils her first album, DIVAD, the fruit of four years of creation. Sarah opens up, tackling personal themes through an exploration of the soul and existential questions. She also ventures into more autobiographical subjects such as melancholy, derealization, the search for meaning, and the breakdown of romantic or friendly relationships: often through coded language but always with a touch of humor. DIVAD is a manifesto of artistic independence, boldly and uncompromisingly fusing French chanson, Egyptian music, 70s disco, synth-pop, and English pop. Her influences draw on musical history while reinventing it, bringing together Alan Vega and Martin Rev, the 70s Egyptian band Al Massrieen, the king of Iranian psychedelia Kourosh Yaghmei, as well as Brigitte Fontaine and Françoise Hardy. Each track is a cinematic tableau, where the artist"s theatrical voice, both imperious and vulnerable, carries an intimate narrative with universal overtones. Co-produced with Steve Surmely (sound engineer) and Timotée Pédron (sound designer), the album blurs the lines and asserts an artist who defies categorization. Throughout these twelve tracks, we witnessa rebirth, with Sarah fully embracing her character as a dark, grandiose, and tragicomic diva straight out of a Dario Argentofilm, a sort of tribute to her Italian muses. Danceable, elegant, and elusive, DIVAD is a flamboyant work that reflects Sarah Maison"s image: free, sunny, and daring.

Fragments was a completely new way of working for us. We’ve always worked with an internal brief, creating documents, pictures and videos, simply because keeping an idea on track with three individuals can be difficult. It's easy for someone to be edged out of the creative process when the focus is not clearly defined.
It’s a formula we’ve used since the early 2000s, but things have changed a lot since then, particularly when we decided to dip our collective toes into supporter memberships with Patreon. It made us think about what we could do directly for our support- ers rather than just the next album or project. At first, the whole thing felt odd and uncomfortable, but we decided that we’d try a few things and ask for feedback.
"Fragments" was initially a way for us to see how we could include others in an ongoing creative process. There was no over-arching concept, no defined characteristics or purpose, just the promise that there would be at least one new track for members to download every month. Consequently, we never knew what was coming next, so the old, very focused working method was irrelevant. It was difficult for us to let individual tracks go without knowing what was coming next, but this also made the project more interesting.
And then C19 hit and we were forced to continue the project remotely from our home studios. As difficult as the disruption was, it was during this period that we realised we could re-organise and remaster the individual tracks into a coherent album, captur- ing a specific moment in time and drawing a line under the first phase of the project.
Like our "Allegory" EPs, we’ve tried to keep everything stripped back. We used to hide many subtle elements within the layers, but not so much this time.
Fragments is our journey through many changes, both self-im- posed and those imposed upon us, and it ultimately led us to create things differently. We hope you like it.




b A2















r D1 b Yes Hello (Remastered BONUS) 1:53
s D2 No JuJu (Man Power Version - Remastered BONUS) 4:27
t D3 Cup Noodle (Unemployed Youth Version - Remastered [BONUS]) 5:43
[u] D4 Black Smoke (They Never Got Started) (Remastered [BONUS]) 2:18
[v] D5 Concrete Concentration (Remastered [BONUS]) 3:21
[b] They All Live In The Past (Remastered [BONUS]) 1:06

Continuing the trajectory set by last year's EPs and experimental long-player, Reeko returns to Samurai Music to deliver an expansive album that goes further into his experimental practice at the intersection of deep techno, drum & bass and electronica.

Since the early 00s Juan Rico has been applying his exacting vision to the deeper end of dance music culture. As Reeko, he's carved out an imposing presence in the modern techno scene by building up the steely, hard-hitting sound of Mental Disorder while also contributing to scene-leading labels like Modularz, Semantica and Delsin. With a trio of releases through 2024 for Samurai Music, the Spanish producer demonstrated the wider scope of his craft as he opened up to broken rhythms, spacious arrangements and a wholly diferent dimension to his music-making.

Continuing the trajectory set by last year's EPs and experimental long-player, Reeko returns to Samurai Music to deliver an expansive album that goes further into his experimental practice at the intersection of deep techno, drum & bass and electronica.

Since the early 00s Juan Rico has been applying his exacting vision to the deeper end of dance music culture. As Reeko, he's carved out an imposing presence in the modern techno scene by building up the steely, hard-hitting sound of Mental Disorder while also contributing to scene-leading labels like Modularz, Semantica and Delsin. With a trio of releases through 2024 for Samurai Music, the Spanish producer demonstrated the wider scope of his craft as he opened up to broken rhythms, spacious arrangements and a wholly diferent dimension to his music-making.

Advanced Art was formed in Tampere, Finland, in 1985 by Jana, Pete, and Vince. Too young to be part of the first wave of Finnish groups inspired by German synth pioneers and New Romantics, they instead forged their own path and soon became pioneers themselves. For the next ten years, Advanced Art defined and dominated Finland’s small but growing electronic underground. They inspired a new generation of Finns to experiment with synthesizers, built an international cult following, and were deeply involved in the local scene—running clubs, organizing events, and performing at some of the very first warehouse parties in the country.

Although the line-up shifted over time, the group’s creative drive consistently came from the partnership between Jana, who supplied the voice and words, and Vince, who shaped the music with his machines. Together they defined the band’s distinctive blend of sharp electronics and lyrical vision.

After several cassette demos and two 7-inch singles, Advanced Art signed to Poko Rekords in 1991. The EPs Scar and Time raised their profile both at home and abroad, especially thanks to valuable exposure on MTV Europe’s 120 Minutes. Known for their perfectionism, they finally released their debut album Product in January 1993. On Product the line-up was Jana (lyrics, vocals), Vince (music, production), and Factor (percussion, studio work). Having moved through phases of synth pop, EBM, and industrial, the album showcased Vince’s vision of a unified sound and style more clearly than ever before.

Force followed in 1994, conceived as a multi-part concept album (Update / Live / Retro). Recorded with live percussionist PW joining Jana and Vince, it expanded on the groundwork of Product with new beats, ideas, and a sharper, more defined identity.

By 1995, exactly ten years after their founding, Jana and Vince decided to bring Advanced Art to a close on the band’s birthday, 13 October. Their run had been precise: one decade of creative output, ending with a legacy that laid foundations for Finland’s electronic scene.

Now, conveniently coinciding with the band’s 40th anniversary, Advanced Art present Forced Product. This double-LP set, fully remastered, features Product in its entirety, alongside the Update and Retro sections of Force, plus additional EP tracks and remixes recorded between 1991 and 1994 at “Audible Art” – less a studio than a concept, existing wherever machines and people met.

Limited to 450 copies, Forced Product comes in a gatefold sleeve with poster and sticker, offering a definitive document of Finland’s pioneering electronic cult heroes — a band that helped invent their country’s scene and left a lasting influence far beyond it.

Numbers welcome New York’s Jubilee to the Glasgow based label - Main Character EP features ‘Trippin’’, a collaboration with Jersey club Queen UNIIQU3. One of the most vital voices in American underground dance music for over a decade, Jubilee brings her South Florida rave roots and East Coast sensibilities to the imprint.

Born from the dizzying emotions of love and grief, the EP opens with the cheeky cackle of UNIIQU3 on ‘Trippin’’. Marking their hotly-anticipated first collaborative release, ‘Trippin’’ bridges Jubilee’s Miami bass heritage and UNIIQU3’s Jersey club sound to create a playful lead single featuring tantalizing vocals.

Starting to work on Main Character in 2019, Jubilee revisited the project during an intense period of change and loss. Bringing in further influences from electro, Baltimore club, 90’s dance and techno to create her signature sound, Jubilee channels the fun, drama and chaos that comes hand in hand during challenging times. A deeply personal release, Jubilee looks to her friends and family for inspiration, including a sample of her parents on ‘Lucky’.

Jubilee’s debut on Numbers continues a stand-out year for the dynamic artist who released two stellar EPs earlier this year alongside celebrating 10 years of Magic City - her party series and record label which was awarded DJ Mag’s ‘Best Record Label’ in 2023 - with a run of records, merch and events across the States.

Following on from the super-fast stock sell-outs of the 2LP of joyous Alfredo selections, Rebirth follow up with the first of the sample EPs of rare, cherished and formerly unreleased gems. Deep Joy of Brainiak (and Mo Wax) fame had their stunning “Fall” track remixed by lord Sabre, Andrew Weatherall himself; an often-missed indie-chug delight from the early 90’s. The Thrashing Doves and their scene stamping classic Je$u$ on the Payroll, needs very little introduction, but this Unreleased Instrumental Version, like it states, has never been on vinyl before. Flip over for another hip hop/club hybrid of a track with KC Flightt’s “Lets get Jazzy”, and its iconic sound which was remixed by the legendary Blaze; then finishing up with sunrise/sunset jamm, “Blinky Blue Eyed Sunrise”, by The Metaluna Mutant. A must for any lover of the white isle and it’s heritage.

Berlin’s Tal Fussman returns to Rekids with the ‘Walking on Mars’ EP, releasing 7th November 2025. It follows the Survival Tactics boss’ recent album on Binh’s Time Passages, as well as his ‘Definition’ (2024) and ‘I Feel’ (2025) EPs on Rekids, with Fussman’s fresh spin on classic House and Techno winning support from the likes of Raresh, Cromby, DVS1, Saoirse, Carista, Honey Dijon, and many more.

The ‘Walking on Mars’ EP opens with ‘Crystallized’, a cavernous cut exclusive to 12”, where Tal Fussman pares back his signature percussive style in favour of a rolling groove set against a deep, atmospheric backdrop. ‘Who’s Who?’ follows, its wild sequences and skewed drumlines colliding in restless motion. The title track, ‘Walking on Mars’, drives forward on hard-hitting drums that gradually unfold into a soulful house melody, setting the stage for ‘Knowledge < Machine’, a razor-sharp electro finale of snaking synths and an apt robotic vocal. Fussman’s versatility shines throughout, with the EP already winning support from Antal, Rene Wise, Marcel Dettmann, and Fred P. Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Frankey & Sandrino, Mathias Kaden, Huxley, and many more.

“sitting in the terminal at Barcelona airport, health safety warnings echo through empty architecture. feeling slow, and fast, out of sync with rituals and routines. structure and rhythm disintegrate into micro gestures appearing in random order, a daily psychedelia... amid all of the chaos and distraction in the last few years, it’s only through letting go that I've found solid ground to stand on.”

These are some of the experiences and reflections that gave shape to Slipstream, a hallucinatory mini-album by the artist PVAS and the fourth release on Objekt's label, Kapsela. Slipstream is an aural document of PVAS's interior life, conceived not as a grab-bag of DJ-friendly tracks (although it’s clearly inspired by the club) but as a single, delicately crafted artistic statement. The entire record is shrouded in a flickering haze, worn through by smudged breakbeats and wiry drum machines. “Wetland”, with its swampy percussion and crystalline arps, echoes T++ and Kraftwerk. The radiant incandescence of “Gathering Drift” recalls GAS or Monolake's “Hong Kong.” Sampled breakbeats dip and swerve asymmetrically through “Boba” and “Terminal”. Across the record, textures and voices are reshaped by PVAS's homemade algo-software, UMT, which, in PVAS’ own words, “reconstructs one audio file by sampling another, resulting in output that merges their aesthetic qualities, creating rhythm with non-rhythmic sound files and abusing the stereo field.” But the most striking union of technology and poetic self-exploration comes at the end of the record, in the title track, from words murmured through a classic vocoder:



“when i stop framing myself as a boundaried stone

immovable, and powerful, and heavy

when i stop figuring my deepest space as my own

something which i am solely responsible

i surrender, i surrender”



PVAS is Jordan Juras, a Berlin-based artist who grew up outside of Windsor, Ontario. He has released solo EPs on Isla and xpq?, and is half the duo NUG (3XL, West Mineral Ltd.). In addition to developing music software professionally, he has used his UMT software on records by Lyra Pramuk and Dylan Kerr. Slipstream was recorded from 2022 to 2025.

Written and produced by PVAS

Mixed by TJ Hertz

Mastered by Anne Taegert at D&M

Artwork and design by Brodie Kaman

Tokyo producer Yusuke Iguchi aka RGL makes his long-form debut with Touzan, an album that expands on the soulful, groove-rich sound introduced on his inaugural EPs for Breaker Breaker.

Named after the Kawagoe Tōzan fabric woven by Iguchi’s mother and featured on the artwork, the record weaves together house, hip-hop and jazz-tinged textures into RGL’s most distinctive statement yet - a deeply crafted vision of modern Japanese house music.

'Find a Way' is the new album from Manchester-based pianist, composer, and producer Matt Wilde, released via his own imprint Hello World Records. The album serves as a reminder that creativity should be accessible and the importance of opening yourself to the unexpected as you 'Find a Way' through all endeavours. Digging into improvisation and jazz harmony on the LP, he crafts a sound that bridges jazz, hip hop, and electronic music, adding: "The creative act is not a matter of waiting for the perfect conditions, but of moving gently, insistently, through the imperfect".

Focus and title track "Find a Way" encapsulates this journey of process. Humans are known for adaptation and response when they face challenges, seeking solutions towards a better world. "Find a Way" leans into our instinctive reaction to improvise and reshape, taking the listener on an unexpected journey. The opening loop could as easily feel at home as part of an electronic soundscape, developing into a clock-like effect from the drums. This keeps time, allowing a duet between keys and trumpet to unfold, symbolising the individual, imperfect and non-linear paths we all carve out day to day.

The album was funded by Arts Council England and created in close collaboration with trumpeter and composer Aaron Wood, with the pair recording in Aaron's rural DIY studio in Huddersfield. Through improvising upright piano, Rhodes and trumpet over intricately programmed beats, the duo captured the spontaneity that makes jazz feel alive, but with the forward-facing touch of Ableton live production. "I actually had live drums recorded for this project and then deleted all of them and instead programmed intricate drums on Ableton live myself to create the kinds of drum sounds I could hear in my head," Matt adds, explaining the onerous process that truly made 'Find a Way' a labour of love.

Matt Wilde discovered jazz through an unconventional journey, and 'Find a Way' is an introspective map of this musical development. Starting out as a self-taught beatmaker, growing up Matt made tracks for friends in the grime scene before falling in love with jazz through the sample-heavy works of Madlib, J Dilla, and Pete Rock. Hints of this influence can be found on "Windup", driven by a deeper bass and a glitchy intensity not commonly associated with jazz. There are also nods to the weekly DJ residencies Matt had in his late teens, establishing a love for club music at iconic Manchester venues like Sankeys. "It's Ok, Feel it" incorporates pitched-up kicks and crisp, papery snares that pay tribute to UK dance culture and the foundation of connection in this world.

Guided by values of accessibility and creativity, Matt has become a key voice in the UK's boundary-pushing jazz and beats scene. His debut album 'Hello World' alongside EPs and single releases, have been championed by the likes of BBC Radio 1, Jamie Cullum and Soweto Kinch (BBC Radio 2), 'Round Midnight (BBC Radio 3), and across BBC 6Music, Jazz FM and Worldwide FM. He has performed headline shows at Band on the Wall (Manchester) and The Lower Third (London) and showcased his music at Brick Lane Jazz Festival and London's iconic Jazz Café.

A proud Mancunian with Polish roots, Matt's values-driven approach reflects his passion for community and empowering others through the arts. Matt founded the UK's first youth-led charity and is a trustee of Manchester music charity Brighter Sound. Driven by these values of equality and inclusion, Hello World Records strives to champion grassroots music with a backbone of fairness built into the business model. The imprint is named after Matt's debut album, released via Band on the Wall Recordings; simultaneously championing the music scene and global musical footprint of Manchester and highlighting the importance of artists reminding people: Hello World, I've made it. I'm still here.

- Martha Cleary, Glow Artists

Olof Dreijer (ex-The Knife) returns to Dekmantel with Iris, a new 4-track EP out this September, just in time for his North America tour. Featuring remixes by Nidia and Verraco, Iris follows his 2024 collab with Diva Cruz, remixes for Björk ft. Rosalía and Röyksopp, plus acclaimed solo EPs on Hessle Audio and AD 93.

Think breakdance-era energy, sound-humour, and body-synth mischief. Iris plays like a garden of sonic creatures—synths mimicking bodily sounds, chopped-up vocal textures, and ‘90s-style chord stabs inspired by Olof’s high school b-boy phase. It’s playful, raw, and weird in the best way.

With over two decades of shapeshifting behind machines and decks, Dreijer’s been a force in electronic music—from festival headliners across Europe to pushing the boundaries with his Oni Ayhun alias. He also co-founded Stockholm’s Bamba Club, a hub for progressive, percussive sounds.

Further recent highlights include co-producing tracks on Fever Ray’s latest album, producing Houeida Hedfi’s debut LP, contributing to projects by Planningtorock and Zhala, remixing Nine Inch Nails, Röyksopp & Robyn, and Emmanuel Jal.

Ben Pest and ARA-U unite for the next release on No Static / Automatic. Kaos Sympatic EP started life with the pair recording jams of various vintage studio kit, including an EMS VCS3, Roland VP330 and an Orgon Systems prototype known only as the “Silver Box”, which developed into full tracks over subsequent sessions. Ben Pest has been busy releasing high grade club tracks including collabs with Radioactive Man and Kursa for Asking For Trouble and Love Love Records last year, and with solo EPs dropping on Cultivated Electronics and Posh End music. Here he links with NS/A boss ARA-U, turning out some of their headiest material to date.

The EP kicks off with ‘Err Hello’, it’s wholly discordant, lairy, and unapologetically weird. ‘‘Get A Grip’ drifts in with hallucinatory wafts of sound over a warped riff, building into a granular, distorted headfuck of a hoover-bass moment. This one will make the subs rattle on the right side of distortion. On the B Side title track ‘Kaos Sympatic’ gets stuck in with a big broken beat and guttural sub that transforms into a techno drop to drive this track home. Finishing up, ‘Slapback’ serves up a cut of high energy electro funk, coming off like classic ERP on heat. Limited edition purple vinyl.

Following on from 2024's "Distant Landscapes EP" alongside Tensal, Amorphic returns (solo this time) to James Ruskin's Blueprint Records with a new ten-track album released digitally and as two four-track vinyl EPs released simultaneously.

Amorphic is a pseudonym of Scottish artist Vince Watson to explore more raw and hypnotic signatures. Launched in 2022, Amorphic has featured on labels such as Token, Symbolism and Modularz as well as the two labels Vince runs himself: Amorphic and Morph.

With almost 30 years in the industry, Vince has released over 1000 tracks, which has allowed him to work and gig with some of the very best in that time including Laurent Garnier, Richie Hawtin, Carl Craig and inthis year, Vince will release an LP with Carl Cox on his label Awesome Soundwave. As a touring musician has been able to play at some of the world's best clubs as both Amorphic and Vince Watson, including a residency at Tresor Berlin, DC10 Ibiza with Carl Cox, Berghain and Womb Tokyo as well as being a current resident of 909 Festival in Amsterdam.



earth had been watched by the keepers of the secrets for millennia.
the human experiment had evolved into chaos.
the subjects had destroyed themselves and the planet they were gifted.
a few were taken, leaving a dying planet behind.
the rest of human history was deleted.
the gods sought a new order.
the year zero...

Following on from 2024's "Distant Landscapes EP" alongside Tensal, Amorphic returns (solo this time) to James Ruskin's Blueprint Records with a new ten-track album released digitally and as two four-track vinyl EPs released simultaneously.

Amorphic is a pseudonym of Scottish artist Vince Watson to explore more raw and hypnotic signatures. Launched in 2022, Amorphic has featured on labels such as Token, Symbolism and Modularz as well as the two labels Vince runs himself: Amorphic and Morph.

With almost 30 years in the industry, Vince has released over 1000 tracks, which has allowed him to work and gig with some of the very best in that time including Laurent Garnier, Richie Hawtin, Carl Craig and in this year, Vince will release an LP with Carl Cox on his label Awesome Soundwave. As a touring musician has been able to play at some of the world's best clubs as both Amorphic and Vince Watson, including a residency at Tresor Berlin, DC10 Ibiza with Carl Cox, Berghain and Womb Tokyo as well as being a current resident of 909 Festival in Amsterdam.



earth had been watched by the keepers of the secrets for millennia.
the human experiment had evolved into chaos.
the subjects had destroyed themselves and the planet they were gifted.
a few were taken, leaving a dying planet behind.
the rest of human history was deleted.
the gods sought a new order.
the year zero...

Seefeel - eine der visionärsten und experimentierfreudigsten Elektronik-Bands der frühen 1990er - formte in London einen Klang, der Brücken schlug zwischen Shoegaze und elektronischer Musik. Mit ihren schimmernden Soundlandschaften, hypnotischen Minimal-Rhythmen und einer einzigartigen Ambient-Sensibilität schufen sie einen völlig neuen Kosmos. Die neu erweiterte Ausgabe von Pure, Impure vereint drei ikonische EPs der Band zu einem faszinierenden Gesamtwerk. In den legendären Abbey Road Studios von Geoff Pesche neu gemastert, umfasst die 11 Tracks starke Sammlung zudem ein frisch interpretiertes Artwork. Erhältlich als Doppel-LP oder CD, erscheint diese Edition als wahres Sammlerstück. Die enthaltenen EPs - More Like Space, Plainsong und Time to Find Me - präsentieren nicht nur Mixe von Aphex Twin, sondern auch ein bislang unveröffentlichtes Demo des Stücks "Moodswing". Bereits 1993 markierte Pure, Impure, erschienen auf Too Pure, einen Wendepunkt in der Entwicklung von Seefeel: reduzierter, intensiver, hypnotischer als das Debüt Quique. Die Tracks entfalten sich in endlos kreisenden Loops, sanften melodischen Verschiebungen und einem atemberaubenden Zusammenspiel von organischen Gitarrentexturen und maschineller Präzision. Sie spiegeln die wachsende Faszination der Band für Dub, Ambient Techno und Post-Rock wider. Mit Pure, Impure legten Seefeel den Grundstein für ihre weitere Reise - ein Werk von zeitloser Schönheit, das sich jeder Genregrenze entzieht und bis heute als Schlüsselstück ihres Ouvres erstrahlt.

One of the most popular French TV extracts of all time is the black and white image of a young and extremely nervous-looking Françoise Hardy being given a firm dressing-down by Mireille Hartush (the famous music teacher who ran La Petite Conservatoire de la Chanson in the 1960s). Presented here is her debut studio album Françoise Hardy (issued as The Yeh-Yeh Girl from Paris! in the USA). It was released in France in December 1962 by Disques Vogue with the catalogue number LD 600-30. Originally issued with no title, except for her name on the cover, the album has therefore colloquially become known by the title of its most successful song, Tous les garçons et les filles, and later reissues added this title. This sensational album compiles the twelve original French versions from her first three EPs released by Vogue during 1962. Hardy would also record versions of songs from the album in Italian (1962, four tracks released on singles have been added here as a bonus), English (1964) and German (1965). The iconic LP combines rockabilly, folk, jazz and blues, and has been noted for its simplicity, featuring a minimalist jazz percussion, bass, and both acoustic and electric guitar. 180 GRAM - GATEFOLD COVER - LIMITED EDITION

The always hard working Emotional Rescue now unveils the electronic disco project Exo Fender, helmed by esteemed New York producer Eric Calvi and featuring the legendary Steve D'Acquisto. The remastered songs 'Big Mood' and 'Music In My Mind' span two new EPs, with updated edited versions by NYC producer Justin Van Der Volgen. Calvi's journey from Paris to New York's music scene in the 1980s when he engineered hits for artists like Cameo and Africa Bambaataa, and laid the groundwork for Exo Fenders. Inspired by clubbing friendships, the project's infectious grooves and tongue-in-cheek nature gained club play and collector's acclaim, with Van Der Volgen's remix enhancing their timeless appeal for today's dancefloors.

Forgotten Paradise is a new vinyl series from Western Lore, focussed on exploring the full breakbeat hardcore &
Jungle Tekno tempo range through a collection of 12” singles & EPs

After an under the radar, vinyl only bootleg 12” kicked off the series in 2024 (and flew out so rapidly on Bandcamp, none of the ltd run of copies made it to retail), L own, the producer behind the record returns to the series for the first of a two part long player showcasing the depths of his sound.

Deep, musical, textural & blissed out jungle tekno wizardry across a range of tempos.

Best known for his cinematic jungle excursions, Seb Uncles returns to Livity Sound for a second extended release of introspective electronics with a strong influence from mystical sources.

As Eusebeia, Uncles has developed a strong, independent presence in modern electronic music defined by a prolific run of deep-diving, breakbeat-driven albums and EPs. In 2022 he released Cosmos on Livity Sound, a mini-album that zoomed out to a more reflective strain of electronica shaped by atmospheric synth lines in the hauntological vein of Ghost Box, Pye Corner Audio et al.

The Wyrding Way finds Uncles delving even deeper into this area of his output, keeping drums to a bare minimum and focusing instead on powerful melodic lines. There are still considered soundsystem moments that connect with Livity's long-standing sonic focus, not least the subtle dub inflection of EP centrepiece 'By The Light Of The Moon'. Elsewhere Uncles leaves the melodic parts unaccompanied, letting the phrasing and emotional pull of the title track tell its own story.

Balancing light and dark elements and drawing inspiration from personal experiences and perspectives, combined with spiritual and existential observations, Uncles capitalises on the evocative streak in his studio practice to deliver a timeless, immersive experience unlike anything else in his considerable back catalogue.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.

London based label Natural Selection present their forthcoming release in the form of a 4-track 12" EP, courtesy of Swarm Intelligence, entitled "Radiance". Mastered by Alain Paul and cut by Simon at The Exchange Vinyl. Record Sleeve and labels printed to premium specification, featuring artwork by Kaan Ulgener.

Born in Dublin and now firmly based in Berlin, Simon Hayes aka Swarm Intelligence has cemented his place in the Techno underground with critically acclaimed LPs and EPs on labels such as 47, Instruments of Discipline and Voitax. He returns to Natural Selection, after releasing his track "Generative" on the label's latest VA release; "Natural Selection: Selected Works Vol. 1" in 2024. Featuring amongst an extensive list of heavyweight label affiliates such as SHXCXCHCXSH, Charlton, ASEC, Nørbak, MAEDON, Annie Hall & more. After further connections with the label via live performances at their regular label nights at FOLD London, it was inevitable that Simon would be invited to release a solo EP on their imprint.

His distinctive sound comes from over a decade of releases spanning multiple genres and tempos and oscillates between rhythmic noise, tense atmospherics, uncompromising levels of distortion, and stark, astute beats. This resolutely non-conformist approach to his productions has earned him a reputation as a true trailblazer in the realm of Techno and has led him to perform at some of the world's finest institutions including Berghain, Tresor and Basement NY.

For "Radiance", Swarm intelligence delves further into the sonic unknown, presenting a bold evolution in his uncompromising vision of Techno. Deep, fragmented textures form the backdrop for thunderous, distorted rhythms and IDM-laden drums and percussion, fused with meticulously designed cinematic soundscapes and powerful low-end muscle. Fierce, unrelenting, and deeply conceptual, all rules and boundaries are smashed to pieces and all tracks are equally suitable for blasting through the world's biggest club systems and rigs as they are for home listening.

Chloe Qisha makes her vinyl debut with Modern Romance: The EPs, a special 12" gatefold edition that brings together her acclaimed first two EPs in one beautifully crafted package. A rising figure who featured as one of British Vogue's 25 most important women this year & on the covers of NME & Rolling Stone, Chloe blends 80s art-pop with Abba melodies and Troye Sivan attitude. Selling out her debut show in 4 mins and after only 5 shows has supported both Sabrina Carpenter & Coldplay alongside slots at All Points East, Latitude & Pitchfork.

Housed in a striking gatefold sleeve with full lyrics and original artwork, the vinyl also includes an exclusive fold-out poster with printed lyrics all housed in a screen printed overbag.

Continuing the percussive-driven and emotive themes from his previous EPs, CAIN reaches beyond the boundaries of experimental electronic and Celtic music from the Scottish Highlands. "Lineage" is the result of a life-long goal to combine his passion and experience in these respective worlds. The album includes Brighde Chaimbeul on Scottish small pipes, James Mackenzie on flute and vocals by Katie Mackenzie.

The common thread that connects his discography is the intense rhythmic and melodic elements that convey his love of ‘infectious rhythm, ethereal beauty, or an otherworldly strangeness’. His productions have garnered support from DJs like Ben UFO, Gilles Peterson, Peggy Gou, Hunee, Haai, Erol Alkan, Ame, Oneman, and Midland, amongst others. Balancing rhythmic precision with profound harmonic depth, CAIN weaves evocative builders that ignite dancefloors at peak time and reveal intricate sonic tapestries in the intimate confines of headphones.

CAIN's musical background is rooted in traditional Scottish bagpipe music, which evolved through his competitive performances on an international level. His experience and knowledge enhanced CAIN’s understanding of how regional folk music reflects specific environments and cultures. Through the competition circuit he met Brìghde Chaimbeul, out on the scenic games fields of Uist, Glenfinnan and many others. He also competed against James Mackenzie, an amazing piper and flautist. James is a former member of the band Breabach. His wife, Katie Mackenzie is a superb Gaelic singer.

The recordings with James and Katie were done on the island of Bernera, off the Isle of Lewis in the Outer Hebrides and recordings with Brìghde were made in Edinburgh.

Mastered by Sam at Precise, Design by Alexander Horne, Pressed and printed at Record Industry

Today, Manchester’s Maruja announce their highly anticipated debut album ‘Pain to Power’, due for release by Music For Nations on 12th September and produced by Samuel W Jones, who the band worked with on their three EPs to date. The extraordinary eight track collection not only confirms the four piece as a creative force of nature but finds a deeply emotional and empathetic band concerned primarily with the power of community, both in the nuclear sense, as a tight knit creative unit, but also as a wider force for social and political change in the age of the individual.

Maruja believe passionately in the ability of art to empower, heal and unite and have created a body of work with ‘Pain to Power’ that they hope will offer both strength and an emotional release to anyone who is struggling with the impact of years of political turmoil and social isolation.

Harap-Alb is the first full-length album by Articulat, following a trilogy of EPs (two released on vinyl) and previous appearances on Rotterdam’s Afrobotic Musicology label. This new project deepens Articulat’s commitment to narrative-rich electronic music — blending structure, rhythm, and texture to evoke both dancefloor tension and cinematic storytelling.

“This album began as a personal exploration—an attempt to deconstruct a story that has been familiar to me since childhood and reimagine it through sound. I first encountered Harap Alb as a crackling, timeworn radio play on vinyl, and its atmosphere has lingered with me ever since. This is my way of keeping that story alive—not by preserving it in amber but by passing it forward in a different form, hoping it resonates in a new way.”

Perhaps, years from now, someone will discover this record the same way I found the original. And in doing so, they too will add their own craft and love to the tale.

Based on the 1964 radio play adaptation by Vasile Mănuceanu
Original story: Povestea lui Harap Alb, written by Ion Creangă in 1877