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J.Bernardt - Contigo LP

J.bernardt

Contigo LP

12inch39232311
PLAY IT AGAIN SAM
17.05.2024

Jinte Deprez aka J. Bernardt, eine Hälfte und Co-Frontmann der belgischen Band Balthazar, veröffentlicht sein zweites Solo-Album. 'Contigo' greift auf eine Vielzahl von Einflüssen zurück, darunter Pop, Soul, Funk und Spaghetti-Western-Soundtracks, und spiegelt Deprez' Liebe zu Künstlern wie Serge Gainsbourg oder Ennio Morricone wider. Das Album dient als Soundtrack für verlorene und verwundete Liebende, ist eine emotionale Achterbahnfahrt und fängt Deprez' persönliche Reise mit einer Mischung aus Melancholie und Humor ein. 'Contigo' ist ein dramatisches, fesselndes und farbenfrohes Werkund beweist J.Bernardts außergewöhnlichen Fähigkeiten als Sänger, Songwriter, Instrumentalist und Produzent.

pre-order now17.05.2024

expected to be published on 17.05.2024

ØXN - CYRM LP

Øxn

CYRM LP

12inch5857546
Claddagh Records
16.05.2024

ØXN pron. ox-en exist at the uncharted intersection of its constituent parts, melding Lankum’s experimental doom folk (Radie Peat), the motorik euphoria of Percolator (John ‘Spud’ Murphy’ & Eleanor Myler) & Katie Kim’s glorious Lynchian meta-verse. They create a peerless new sound which exists somewhere between the traditional, the future and the eternal. Try to imagine the missing link between Enya, Ennio Morricone, Richard Dawson and Neu! And then add a pinch of something you never thought of and you’ll start to have a sense of this gloriously unique sonic universe which ØXN inhabit



What began as a side project duo between Radie Peat & Katie Kim in 2018, blossomed into a full-on multi-textured tapestry, with the addition of Myler & Murphy during lockdown. This resulted in one of the streaming highlights of the Covid era with an unforgettable live performance from a Martello tower in Dublin in conjunction with visual artist & Lankum collaborator, Vicky Langan. Now they are set to release their highly anticipated debut album CYRM.



CYRM pron. sy-rum was recorded by Murphy (Lankum/Black Midi/Junior Brother) at the Hellfire Studios in just 5 dizzying days in 2022 and set for April 2024 release on the relaunched & rejuvenated Claddagh Records

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Last In: 2 years ago
Various - Italian Rare Groove LP 2x12"
 
22

Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume 100% italian, discover rare gems from soundtracks of erotic and detective movies as well as more confidential music libraries. With Ennio Morricone, Goblin, Piero Piccioni, Guido e Maurizio De Angelis, Armando Trovajoli, Alessandro Alessandri, Toto Cutugno...

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Last In: 9 months ago
NIT - BIG BANG PUZZLE LP 2x12"

nit is the genius underdog of the current French chanson scene. After playing along with Sébastien Tellier or Juliette Armanet (a huge success in France), after remixing Phoenix, Myd, Dita Von Teese, Cola Boyy, Tony Allen or Jane Birkin, here he comes with his debut album. The balearic sound is always a big nit influence, feel good electronics & lush acoustic chords.

Spotted by French label Record Makers (Sébastien Tellier, Kavinsky, AIR, Cola Boyy) with his 2017 “Dessous de plage” first EP, nit has since grown from funky DIY library music to a lush and complex groovy sound. The magic of this debut album “Big Bang Puzzle” is a keen sense of composition and an innate affinity for 90’s European electronica.
It’s a playful album, the work of an artist at the peak of his craft, determined to twist styles and references (Daft Punk, Ennio Morricone, Robert Miles, Vangelis...) in order to give them a new form.

“Big Bang Puzzle” is a tangle of psychedelic and cartoon-esque pieces, an abstract modernist painting of sounds inspired by vintage pop music. The cover, created by Swiss artist Flora Mottini, offers a first glimpse of his brand new universe.

But it’s also by collaborating with French iconic design studio H5 that nit suddenly enters the French Touch genealogy. nit takes the shape of an n that grows legs and arms to become a cheeky cartoon character traveling through a real space-time continuum. Parisian H5 studio has been involved since the end of the ‘90s in the design of strong visual concepts for French Touch’s elite (Etienne de Crécy, AIR, Mirwais). French music at its best from which nit is a direct descendant. And one who expands and opens even further: pop, italo-disco, trip-hop impulses, Morriconian cavalcades, lo-fi aesthetics, Caribbean music. Producer and mixer Lucien Krampf (Oklou, Ascendant Vierge, Casual Gabberz, CRYSTALLMESS) was the person in charge of mixing this ambitious record.

nit is both a question and an answer, and a musical enigma that pushes us to explore the far reaches of our imagination…

pre-order now26.04.2024

expected to be published on 26.04.2024

Il Volo - Ad Astra LP

Il Volo

Ad Astra LP

12inch19658882361
Sony Music
29.03.2024
also available

Coloured Vinyl


Auf dem Album "Ad astra" werden die virtuosen Stimmen der drei Ausnahmesänger des weltweit erfolgreichen Trios IL VOLO in elf, eigens für sie geschriebenen Songs inszeniert.Begleitet werden die jungen Tenöre Piero Barone, Ignazio Boschetto und Gianluca Ginoble von orchestralen Klängen und geschmackvollen Arrangements für eine große Band; so bringen sie diese einmalig emotionalen Titel zum Erstrahlen. Klanglich zwischen Pop-Balladen und zeitlosen Arien verortet, haben sie ein Album gestaltet, das Musikfans über alle Genre-Grenzen hinweg zu berühren vermag. Die erste Single des Albums ist "Capolavoro"; diesen Song hatte das Trio bereits beim in Italien legendären Sanremo-Gesangs-Wettbewerb 2024 uraufgeführt. IL VOLO hatten den Wettbewerb 2015 gewonnen, was ihnen in ihrem Heimatland den absoluten Superstar-Status einbrachte.Auch international konnte das Trio unglaubliche Erfolg feiern. IL VOLO sind bereits mit Barbra Streisand, Plácido Domingo, Andrea Bocelli oder Eros Ramazzotti aufgetreten und haben mit dem legendären italienischen Komponisten Ennio Morricone gearbeitet.

pre-order now29.03.2024

expected to be published on 29.03.2024

Il Volo - Ad Astra LP

Il Volo

Ad Astra LP

12inch19658882381
Sony Music
29.03.2024
also available

Black Vinyl


Auf dem Album "Ad astra" werden die virtuosen Stimmen der drei Ausnahmesänger des weltweit erfolgreichen Trios IL VOLO in elf, eigens für sie geschriebenen Songs inszeniert.Begleitet werden die jungen Tenöre Piero Barone, Ignazio Boschetto und Gianluca Ginoble von orchestralen Klängen und geschmackvollen Arrangements für eine große Band; so bringen sie diese einmalig emotionalen Titel zum Erstrahlen. Klanglich zwischen Pop-Balladen und zeitlosen Arien verortet, haben sie ein Album gestaltet, das Musikfans über alle Genre-Grenzen hinweg zu berühren vermag. Die erste Single des Albums ist "Capolavoro"; diesen Song hatte das Trio bereits beim in Italien legendären Sanremo-Gesangs-Wettbewerb 2024 uraufgeführt. IL VOLO hatten den Wettbewerb 2015 gewonnen, was ihnen in ihrem Heimatland den absoluten Superstar-Status einbrachte.Auch international konnte das Trio unglaubliche Erfolg feiern. IL VOLO sind bereits mit Barbra Streisand, Plácido Domingo, Andrea Bocelli oder Eros Ramazzotti aufgetreten und haben mit dem legendären italienischen Komponisten Ennio Morricone gearbeitet.

pre-order now29.03.2024

expected to be published on 29.03.2024

Soulsavers - 20 LP

Soulsavers veröffentlichen zum 20-jährigen Jubiläum ihres Debütalbums 'Tough Guys Don’t Dance' aus dem Jahr 2003 ein Rework des Albums mit dem Titel '20'. Remixed, remastered und mit neuem Artwork wird '20' mit einer sehr limitierten Auflage auf rotem Vinyl neu aufgelegt. Musikalisch zeigt das Album die Liebe des Duos zu Harmonia und NEU!, ist aber auch stark von den Film-Soundtracks von Ennio Morricone beeinflusst - Ein Einfluss, der sich über die nächsten zwei Jahrzehnte und drei Top20 Alben in Deutschland (u.a. zwei mit Depeche Mode Sänger Dave Gahan) noch stärker ausprägen sollte.

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Last In: 2 years ago
Electric Feel Good - Janes Inn

Electric Feel Good a band from Hälsingland that has been around since 2015 are now releasing their
third Album "Jane's Inn" on the 23 of Feb! With their roots in the English seventies rock landscape they
started off with Faces as one their leading stars. Later on they've moved on to blend their seventies rock
sound with the Swedish pop-rock of the nineties. Electric Feel Good's third album is a must have for
anyone who's into Faces, The Rolling Stones, Atomic Swing and Ennio Morricone!

pre-order now22.03.2024

expected to be published on 22.03.2024

BRAINWAVE RESEARCH CENTER aka CHASE SMITH / CHRISTA MAJORAS - Mosaic LP

Chase Smith aka the W.T. Records and Apartment associate and documentary filmmaker Christa Majoras are back as brainwave research center with their second full length, Mosaic. Once again the sonically inquisitive pair mix up analogue synths with electro-acoustic experiments, epic and adventurous soundscapes and plenty of raw texture, hooky pop melodies and innocent rhythms. Along the way the duo take influence from their heroes including Ennio Morricone, John Carpenter and Kraftwerk on a record that was laid down in the back of Smith's synthesizer repair shop. It's an absorbing listen once more from this increasingly vital pair.

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Last In: 2 years ago
N'Zeng - The Trip

N'zeng

The Trip

12inchPGOV001LP
Parigo
08.03.2024

The Trip is the first solo album by N'Zeng, better known as Sébastien Blanchon. It has to be said that he hid behind his (hollow) nose to sniff out the right projects (ex Le Peuple de l'Herbe, member of Entourloop). His nose is hollow, but not for the trumpet, and yet it's with this instrument that he started out. And he reinvents it, giving it a subtle place on this musical road trip we call The Trip.
A journey open to all, with no tolls and no filters, apart from the cinematic filter of this lover of original soundtracks and trip hop. Beautiful images flash before our eyes, and in our ears, the smooth voice of Charlotte Savary (Wax Tailor). An album, a very good trip for lovers of Portishead, Gorillaz, and well-felt scratches in the form of controlled skids.
He's making a name for himself as N'Zeng, with his smooth arrangements.

N'Zeng's father played trumpet with his grandfather in the Feurs brass band in the Loire department. When he arrived in Saint Etienne, young Sébastien started out with a cornet à pistons at the Conservatoire. His teacher at the time, Marcel Heyte, had won a prize in Paris at the same time as a certain Maurice André.

His father took lessons in orchestral conducting, accompanying the offspring's budding musical career, which included a course at the Festival de Cuivre in Monastier-sur-Gazeille, where he met the soloists of the Radio France orchestra. A new awareness, a new confidence: off to Lyon, not for a soccer derby, but to "beef up his game". In 1997, he was awarded a gold medal for trumpet by a unanimous jury at the Conservatoire National de Lyon.

Lyon, capital of the Gauls, was the starting point for N'Zeng, who went on to become a member of the group Le Peuple de l'Herbe. 15 years later, with several successful records to his credit, a concert in 2003 at the Transmusicales with Beth Gibbons (Portishead), and a Victoire de la Musique award, it was time for N'Zeng to move on to other things.

Arrival in the City of Light, the place where dreams come true. Nzeng's dreams are not only sonic, but also visual, for Sébastien is not only a friendly presence and a talented musician, but also a cinephile. His knowledge of music theory, acquired during his years at the conservatory, enables him to tackle music for pictures.

He created a soundtrack for the cult film Alien - The 8th Passenger, and worked with musician Rone (collaborating with Baxter Dury) and his bandmates from Le Peuple de l'Herbe, composing 2 tracks for the soundtrack of Virginie Despentes's hard-hitting film "Baise-moi". On the album "Hollywood Hustlers", with the group "Mustang Force", he pays tribute to the soundtracks of Lalo Shiffrin, Ennio Morricone... The album is also well received by the critics. He conducts the arrangements and orchestrations for the Degiheuga Orchestra, and composes the original music for the Hôtel Bellevue dance show, another success!

2019 sees the birth of "The Trip" project. On this record, no masks, but a female voice, that of Charlotte Savary (Wax Taylor), laid on a carpet of strings. With this musical voyage, trip hop takes pride of place, with a balance between the body of the instruments and the mechanics of beatmaking.

There's no getting off track on this well-balanced record, with its silky orchestrations. N'Zeng accompanies us elegantly, with his trusty trumpet as GPS, here used subtly. The album cover is a photograph taken by Sébastien Blanchon's mother, in 1973, a year when Saint Etienne was about to become French champion for the 7th time.

pre-order now08.03.2024

expected to be published on 08.03.2024

EARLY LIFE FORMS - EARLY LIFE FORMS LP

Early Life Forms is a new quartet fronted by Belgian guitarist and sound wizard Vitja Pauwels, and on the 26th January, they are set to release their self-titled debut album via W.E.R.F. Records; a stunning, one-off live show recorded with American guitarist Marc Ribot (Robert Plant, Tom Waits, Wilson Pickett, Marianne Faithfull, The Black Keys, John Zorn).

Having already earned his spurs as a sideman with artists including Naïma Joris, Bombataz and Lara Rosseel, rising Belgian star Pauwels released his debut album 'Day at Half Speed' in 2019, which explored the possibilities of acoustic guitar and live electronics. This experiment became a new artistic path for Pauwels and showcased his musical versatility, with second album 'Drift By, Sink In', released to critical acclaim in 2022.

The same year, Pauwels was invited as special guest by the BRAND! Festival, Mechelen, to showcase new material and he came up with the idea of putting together his 'dream' live band which included his hero Marc Ribot, one of world's most accomplished and acclaimed guitar players. Reaching out to him via videos and early demos for this new recording project, Ribot liked what he heard and agreed to perform with Pauwels and his new project Early Life Forms in what would be the band's first ever live show.

Joined by Frederik Leroux (baritone guitar), Laurens Dierickx (Hammond organ) and Casper Van De Velde (drums), during the lead up to the festival, Pauwels wrote a number of songs he felt would work for the live show, with the only agreement being that there would be no rehearsals ahead of the performance, only a brief soundcheck beforehand with Ribot. The music was stripped down to its essentials - compelling melodies, themes, and clear forms but with the possibility to change direction at any given moment. "The music was played and heard for the first time, and it felt like a birth of something that needed to be alive. We felt connected in the right state of mind - relaxed and focused - and it all happened in a rush of shared energy. No ego's or fear, only connection and the music", states Pauwels.

Drawing on latin, jazz, cuban, and rock with a touch of exoticism and cinematic explorations, 'Early Life Forms' cites Ry Cooder, Henry Mancini, Los Lobos, Ennio Morricone and of course Ribot, as heavy influences. There is something existential, primary, something epic and at the same time youthfully uncomplicated, which is strongly associated with the music. From the mischievous and imaginative 'My Little Renaissance' to the adventurous and hypnotic 'Latin Dancer', 'Early Life Forms' is overflowing with sharp twists and turns, with Ribot's heavily rhythmic, distorted guitar amplifying the cinematic feel to the sound. The on-stage relationship between each member of the band and Ribot is childishly uncomplicated, something primary but always epic. The music is left to the moment and the magic of their first encounter with their hero Ribot. "Marc's commitment in the music was better than I could have hoped for. What he played was with 200% intention, putting the rest of us in a state of hyperfocus. Given the fact that it was a one-time thing and a recording, we took risks without 'overplaying' or overthinking it. Right before the gig, we felt an urge to play, Marc said, "Let's rock!!" and we hit the stage", says Pauwels.

pre-order now26.01.2024

expected to be published on 26.01.2024

Scenic - Incident at Cima LP

"Incident at Cima" is the debut album from SCENIC, the group formed by SAVAGE REPUBLIC and IPR founder Bruce Licher Conceived of as an allinstrumental soundtrack for the East Mojave Desert, Licher is joined by former SHIVA BURLESQUE bassist James Brenner and drummer Brock Wirtz, with guest musicians Jeffrey Clark (SHIVA BURLESQUE vocalist), Robert Loveless (former SAVAGE REPUBLIC and 17 PYGMIES member), Chris Manecke (from the ABECEDARIANS) and John Ganem Together, they have created an aural masterpiece which has received serious critical acclaim. David Fricke in ROLLING STONE magazine writes that SCENIC's music "suggests Ennio Morricone dune- surfing in Death Valley." SCENIC's music is like nothing else on the landscape, and while there is definitely a relation to some of the sounds explored by SAVAGE REPUBLIC during their eight- year existence, SCENIC have created a mature and focused album which is a great leap forward. "Incident at Cima" is an evocative aural journey, a quite listenable and incredibly honest piece of music, and as such it has the potential to be appreciated by a wide range of listeners. Four of the songs from "Incident At Cima" were used to great effect in Stuart Swezey's feature documentary film "Desolation Center," including the track "Carrying On To Cadiz" which underscores the opening title sequence of the film. This expanded release comes with a bonus CD featuring 11 previously unreleased early demo recordings by Scenic and band leader Bruce Licher. Packaging for this expanded release of "Incident at Cima" features letterpress printed packaging created at Independent Project Press, a newly- designed oversized CD pocket folder with 24-page booklet for the CD edition, featuring a series of photographs Licher has taken in the East Mojave which relate to the various pieces of music on the album, creating a complete audio/ visual experience.

pre-order now27.11.2023

expected to be published on 27.11.2023

Kotiomkin - Le Casalingue - The Satanic Rites Of Cobram LP
also available

Color Vinyl


The Kotiomkin band was born from a great passion for 60s-70s-80s Italian genre cinema, a series of movies characterized by aesthetically innovative approach, in complete opposition to the mainstream and to more or less politicized intellectual cinema of the time The duo are devoted to the creation of instrumental soundtracks for non-existent movies, with invented plots featured in the liner notes, having as a reference the classic soundtracks of the time but revisiting them with the violence of the most modern stoner, pushing the boundaries of doom. It is the rediscovery of a never really finished cinematic world that is also celebrated in terms of its extraordinary soundtracks by musicians such as the masters Ennio Morricone, Nico Fidenco, Fabio Frizzi, Franco Micalizzi, Berto Pisano, Lallo Gori, up to bands such as Goblin, Osanna, Libra, Marc 4 and many others. Kotiomkin not only look at horror movies but also at those more niche genres, ranging from erotic, to "giallo", to "poliziottesco" and more extreme subgenres such as cannibal movies, "mondo" movies or sexploitation, all with a violence of sounds unknown to Italian B-movies.

pre-order now27.11.2023

expected to be published on 27.11.2023

Kotiomkin - Le Casalingue - The Satanic Rites Of Cobram LP
also available

Black Vinyl


The Kotiomkin band was born from a great passion for 60s-70s-80s Italian genre cinema, a series of movies characterized by aesthetically innovative approach, in complete opposition to the mainstream and to more or less politicized intellectual cinema of the time The duo are devoted to the creation of instrumental soundtracks for non-existent movies, with invented plots featured in the liner notes, having as a reference the classic soundtracks of the time but revisiting them with the violence of the most modern stoner, pushing the boundaries of doom. It is the rediscovery of a never really finished cinematic world that is also celebrated in terms of its extraordinary soundtracks by musicians such as the masters Ennio Morricone, Nico Fidenco, Fabio Frizzi, Franco Micalizzi, Berto Pisano, Lallo Gori, up to bands such as Goblin, Osanna, Libra, Marc 4 and many others. Kotiomkin not only look at horror movies but also at those more niche genres, ranging from erotic, to "giallo", to "poliziottesco" and more extreme subgenres such as cannibal movies, "mondo" movies or sexploitation, all with a violence of sounds unknown to Italian B-movies.

pre-order now27.11.2023

expected to be published on 27.11.2023

Original Soundtrack - Legend Of 1900 (Morricone) LP

Ennio Morricone composed and arranged scores for more than 500 film and television productions, making him one of the most influential and best-selling film composers since the late 50s. The Legend of 1900 (Italian: La leggenda del pianista sull’oceano).

The Legend of 1900 is a 1998 Italian drama film directed by Giuseppe Tornatore and starring Tim Roth, Pruitt Taylor Vince, and Mélanie Thierry. The film is inspired by Novecento, a monologue by Alessandro Baricco. The Legend Of 1900 was nominated for a variety of international award, winning several for its soundtrack, including a Golden Globe for Best Original Score - Motion Picture. This release includes the song “Lost Boys Calling” featuring Roger Waters & Eddie van Halen.

Throughout his career, Morricone received an unprecedented amount of awards, including Grammys, Golden Globes, and BAFTAs. Ennio Morricone has influenced many artists including Danger Mouse, Dire Straits, Muse, Metallica, Radiohead, Hans Zimmer, and many more.

The Legend of 1900 is available limited edition of 5000 numbered copies on smoke coloured vinyl. The package includes an insert.

pre-order now17.11.2023

expected to be published on 17.11.2023

THE POLYPHONIC SPREE - SALVAGE ENTERPRISE LP

The phoenix symbolizes a new beginning. The fire burns off the last vestiges of the past as the bird spreads its wings and takes flight into the future. The Polyphonic Spree harness the flames of rebirth on their 2023 full-length offering, Salvage Enterprise. Led by frontman, founder, producer, multi-instrumentalist, and visionary Tim DeLaughter, the group embark on their next season. They're reverent of their history, yet they're also ready for an even brighter tomorrow. "Across all of the music I've done, lyrically there's a sense of desperation and a moment of convincing myself I'm going to make it through regardless of how the music dresses up," notes Tim. "On this one, I struggled with the amount of vulnerability I was experiencing and was willing to share both musically and lyrically, but ultimately decided to let it play out. Now that it's done, I'm happy with the dance between the two. It's a `rising-from-theashes' record." Salvage Enterprise beckons complete immersion. Opener "Galloping Seas (Section 44)" affixes softly strummed acoustic guitar to an orchestral hum as Tim urges, "Hold on through the galloping seas." "We're all galloping through rough waters," he says. "I tried to describe the process as well as I could and encourage people to keep their heads above the storm and the waves. Ride it out. It's going to be okay. It starts off very calm and introspective, and you can envision where it's going." Flute echoes over nimbly plucked guitar during "Shadows On The Hillside (Section 48)" as keys twinkle. A glorious harmony amplifies the nostalgia of "Hop Off The Fence (Section 49)." It concludes with "Morning Sun, I Built The Stairs (Section 52)." Optimism strains through his hopeful intonation, "I learned to fly, the more that I become a new reason, I want to try," uplifted by boisterous horns and cinematic strings. It crashes into an Ennio Morricone-style crescendo bolstered even higher by operatic vocals. "There is an arc of leaving the world behind, stripping your old self away, and becoming new again," he offers. "You're shedding off this old world, and you're heading into the future. It's an epic ending. You've made it. You're going to be alright." In the end, The Polyphonic Spree are the soundtrack to that light at the end of the tunne

pre-order now17.11.2023

expected to be published on 17.11.2023

THE POLYPHONIC SPREE - SALVAGE ENTERPRISE LP

The phoenix symbolizes a new beginning. The fire burns off the last vestiges of the past as the bird spreads its wings and takes flight into the future. The Polyphonic Spree harness the flames of rebirth on their 2023 full-length offering, Salvage Enterprise. Led by frontman, founder, producer, multi-instrumentalist, and visionary Tim DeLaughter, the group embark on their next season. They're reverent of their history, yet they're also ready for an even brighter tomorrow. "Across all of the music I've done, lyrically there's a sense of desperation and a moment of convincing myself I'm going to make it through regardless of how the music dresses up," notes Tim. "On this one, I struggled with the amount of vulnerability I was experiencing and was willing to share both musically and lyrically, but ultimately decided to let it play out. Now that it's done, I'm happy with the dance between the two. It's a `rising-from-theashes' record." Salvage Enterprise beckons complete immersion. Opener "Galloping Seas (Section 44)" affixes softly strummed acoustic guitar to an orchestral hum as Tim urges, "Hold on through the galloping seas." "We're all galloping through rough waters," he says. "I tried to describe the process as well as I could and encourage people to keep their heads above the storm and the waves. Ride it out. It's going to be okay. It starts off very calm and introspective, and you can envision where it's going." Flute echoes over nimbly plucked guitar during "Shadows On The Hillside (Section 48)" as keys twinkle. A glorious harmony amplifies the nostalgia of "Hop Off The Fence (Section 49)." It concludes with "Morning Sun, I Built The Stairs (Section 52)." Optimism strains through his hopeful intonation, "I learned to fly, the more that I become a new reason, I want to try," uplifted by boisterous horns and cinematic strings. It crashes into an Ennio Morricone-style crescendo bolstered even higher by operatic vocals. "There is an arc of leaving the world behind, stripping your old self away, and becoming new again," he offers. "You're shedding off this old world, and you're heading into the future. It's an epic ending. You've made it. You're going to be alright." In the end, The Polyphonic Spree are the soundtrack to that light at the end of the tunne

pre-order now17.11.2023

expected to be published on 17.11.2023

THE POLYPHONIC SPREE - SALVAGE ENTERPRISE

The phoenix symbolizes a new beginning. The fire burns off the last vestiges of the past as the bird spreads its wings and takes flight into the future. The Polyphonic Spree harness the flames of rebirth on their 2023 full-length offering, Salvage Enterprise. Led by frontman, founder, producer, multi-instrumentalist, and visionary Tim DeLaughter, the group embark on their next season. They're reverent of their history, yet they're also ready for an even brighter tomorrow. "Across all of the music I've done, lyrically there's a sense of desperation and a moment of convincing myself I'm going to make it through regardless of how the music dresses up," notes Tim. "On this one, I struggled with the amount of vulnerability I was experiencing and was willing to share both musically and lyrically, but ultimately decided to let it play out. Now that it's done, I'm happy with the dance between the two. It's a `rising-from-theashes' record." Salvage Enterprise beckons complete immersion. Opener "Galloping Seas (Section 44)" affixes softly strummed acoustic guitar to an orchestral hum as Tim urges, "Hold on through the galloping seas." "We're all galloping through rough waters," he says. "I tried to describe the process as well as I could and encourage people to keep their heads above the storm and the waves. Ride it out. It's going to be okay. It starts off very calm and introspective, and you can envision where it's going." Flute echoes over nimbly plucked guitar during "Shadows On The Hillside (Section 48)" as keys twinkle. A glorious harmony amplifies the nostalgia of "Hop Off The Fence (Section 49)." It concludes with "Morning Sun, I Built The Stairs (Section 52)." Optimism strains through his hopeful intonation, "I learned to fly, the more that I become a new reason, I want to try," uplifted by boisterous horns and cinematic strings. It crashes into an Ennio Morricone-style crescendo bolstered even higher by operatic vocals. "There is an arc of leaving the world behind, stripping your old self away, and becoming new again," he offers. "You're shedding off this old world, and you're heading into the future. It's an epic ending. You've made it. You're going to be alright." In the end, The Polyphonic Spree are the soundtrack to that light at the end of the tunne

pre-order now17.11.2023

expected to be published on 17.11.2023

MARNIE STERN - THE COMEBACK KID LP

Es ist ein Jahrzehnt her, dass wir das letzte Mal von Marnie Stern gehört haben, aber wenn ihre Gitarre auf „The Comeback Kid“, dem Nachfolger von „The Chronicles of Marnia“ (2013), wie ein Sternenstaubregen hereinbricht, ist es, als wäre keine Zeit vergangen. Aber dies ist kein Nostalgietrip. „The Comeback Kid“ ist ein Statement der Absicht. "I can't keep on moving backwards", wiederholt Stern im hymnischen Eröffnungstrack "Plain Speak", während ihre Finger wütend auf das Griffbrett klopfen und der Song wie eine Rakete mit Warp-Geschwindigkeit vorwärts schießt. Stern verlässt auf „The Comeback Kid“ immer wieder ihre gewohnte Umgebung, ohne sich auf die Klopftechnik zu verlassen, die ihr eintausend Eddie Van Halen-Vergleiche einbrachte. "Til It's Over" ist ein so geradliniger "Alternative Rock"-Song, wie Stern ihn je gemacht hat, und es gibt eine Coverversion von Ennio Morricones "Il Girotondo Della Note". „Es war so toll, wieder ich selbst sein zu können, und wenn ich dachte: "Oh, ist das zu schräg? Dann erinnerte ich mich daran, dass ich tun darf, was ich will! Das ist meins. Das bin ich", sagt Stern über das Schreiben von Songs für „The Comeback Kid“. "Ich versuche, mich gegen diesen Schwachsinn zu wehren, der besagt, dass man, wenn man älter wird, seinen Sinn für guten Geschmack verliert. Ich möchte den Leuten Mut machen, nicht so homogen zu sein und ein bisschen gegen den Strom zu schwimmen. Die Freude an der eigenen Individualität ist die Botschaft von „The Comeback Kid“, ebenso wie die Erkenntnis, dass Musik zu machen, die wirklich widerspiegelt, wer man in all seiner Helligkeit und Schrägheit ist, möglicherweise der Schlüssel zum Glück ist. Bei dieser Platte geht es darum, sich selbst zu versichern, dass es beim Glück nicht darum geht, was für Dinge man hat oder wie viele Dinge man hat oder was man nicht hat - es geht um all die guten Dinge, die man tut", sagt Stern.

pre-order now03.11.2023

expected to be published on 03.11.2023

MARNIE STERN - THE COMEBACK KID LP

Es ist ein Jahrzehnt her, dass wir das letzte Mal von Marnie Stern gehört haben, aber wenn ihre Gitarre auf „The Comeback Kid“, dem Nachfolger von „The Chronicles of Marnia“ (2013), wie ein Sternenstaubregen hereinbricht, ist es, als wäre keine Zeit vergangen. Aber dies ist kein Nostalgietrip. „The Comeback Kid“ ist ein Statement der Absicht. "I can't keep on moving backwards", wiederholt Stern im hymnischen Eröffnungstrack "Plain Speak", während ihre Finger wütend auf das Griffbrett klopfen und der Song wie eine Rakete mit Warp-Geschwindigkeit vorwärts schießt. Stern verlässt auf „The Comeback Kid“ immer wieder ihre gewohnte Umgebung, ohne sich auf die Klopftechnik zu verlassen, die ihr eintausend Eddie Van Halen-Vergleiche einbrachte. "Til It's Over" ist ein so geradliniger "Alternative Rock"-Song, wie Stern ihn je gemacht hat, und es gibt eine Coverversion von Ennio Morricones "Il Girotondo Della Note". „Es war so toll, wieder ich selbst sein zu können, und wenn ich dachte: "Oh, ist das zu schräg? Dann erinnerte ich mich daran, dass ich tun darf, was ich will! Das ist meins. Das bin ich", sagt Stern über das Schreiben von Songs für „The Comeback Kid“. "Ich versuche, mich gegen diesen Schwachsinn zu wehren, der besagt, dass man, wenn man älter wird, seinen Sinn für guten Geschmack verliert. Ich möchte den Leuten Mut machen, nicht so homogen zu sein und ein bisschen gegen den Strom zu schwimmen. Die Freude an der eigenen Individualität ist die Botschaft von „The Comeback Kid“, ebenso wie die Erkenntnis, dass Musik zu machen, die wirklich widerspiegelt, wer man in all seiner Helligkeit und Schrägheit ist, möglicherweise der Schlüssel zum Glück ist. Bei dieser Platte geht es darum, sich selbst zu versichern, dass es beim Glück nicht darum geht, was für Dinge man hat oder wie viele Dinge man hat oder was man nicht hat - es geht um all die guten Dinge, die man tut", sagt Stern.

pre-order now03.11.2023

expected to be published on 03.11.2023

The Routes - Reverberation Addict LP

Having tackled the music of KRAFTWERK on their 2022 album "The Twang Machine", THE ROUTES have applied their sound (described by IGGY POP as "beat-you-to-death surf music" on his BBC Radio 6 show) to the genius of PETE SHELLEY and BUZZCOCKS.

"Reverberation Addict" sees fifteen BUZZCOCKS- songs reimagined and rearranged as 60s surf guitar instrumental bangers (a la THE VENTURES, DICK DALE, TERAUCHI TAKESHI, LINK WRAY, THE SURFARIS and THE ASTRONAUTS and more). Prepare to be taken on a wild musical trip where "Orgasm Addict" and "Fast Cars" are transformed into the background music of a 60s drag race movie, "Just Lust" is presented all "Hey Bo Diddley!", and "What Do I Get" gets the ENNIO MORRICONE inspired spaghetti western treatment...

You don't have to be a fan of BUZZCOCKS to enjoy these tunes, and likewise if you're a BUZZCOCKS- fan you don't need to be a fan of surf music to enjoy them.

Finally, as most punks out there will instantly notice, the record cover is a reworking of that of the BUZZCOCKS single "Orgasm Addict".

And what better endorsement or seal of approval is there than having UK graphic design icon Malcolm Garrett MBE RDI himself onboard for the design? Yes, it's the real deal!

Whether you see it as musical blasphemy or musical alchemy, THE ROUTES have provided the world with another potential future cult classic, destined to irk or jerk future generations for years to come.

pre-order now27.10.2023

expected to be published on 27.10.2023

DOUGLAS ANDREW MCCOMBS - VMAK

Douglas Andrew Mccombs

VMAK

12inchTHRILLX589
Thrill Jockey
20.10.2023

McCombs is one of the most highly regarded bassists/guitarists working today, known for his pioneering band Tortoise, his bass playing in Chicago"s Eleventh Dream Day, and his innovative instrumental group Brokeback. He has released albums with guitarist David Daniell, and collaborated with the likes of Tom Zé to Yo La Tengo, Stereolab to Daniel Lanois. In addition to being the touring bassist for The Sea and Cake, McCombs has somehow found time to form a new trio Black Duck with guitarist Bill MacKay, and percussionist Charles Rumback. Douglas McCombs" VMAKMcCombs" debut solo album is a mix of improvisation, textural explorations and recurring melodic themes. Taking after Brokeback"s classic Morse Code in the Modern Age: Across the Americas, "Two To Coolness" is a piece that McCombs refined through a series of improvised performances and features Calexico drummer John Convertino, as well as singer/guitarist/synth player Sam Prekop (also of The Sea and Cake). "Green Crown"s Step" was largely improvised working through melodies and patterns. The stately "To Whose Falls Shallows" reshapes three key themes that Tortoise and Brokeback fans will find to be signature McCombs, buoyed by fellow Brokeback member James Elkington (Tweedy), who also engineered and mixed the album. On the album, McCombs plays with spare instrumentation and primarily plays electric and acoustic guitars as well as the Bass VI, drawing out textures that stretch the scope of his instruments. McCombs" work is pastoral and expansive, his playing is refined and nuanced, and his melodies often bely his admiration for Ennio Morricone as his guitar imbues endlessly sprawling fields of the midwest with the same sense of magic. It is a true pleasure to hear him perform in such an intimate way. This is an absolute essential for followers of McCombs and newcomers alike, as the album lays bare his influence on each of his groups as well as firmly stakes McCombs as a force all his own.

pre-order now20.10.2023

expected to be published on 20.10.2023

Andrzej Korzyński - Secret Enigma Tajemnica Enigmy - 1968-1981 LP 2x12"

Twenty-two rare and unreleased vintage tracks from the secret vaults of one of the most enigmatic composers in 60s/70s/80s European cinema. Originally recorded in the best studios in Poland, Italy and France for experimental film, political allegories, lost television shows, sound libraries and radio – these tracks have been hidden behind the Iron Curtain on lost master tapes and film reels until now! »Secret Enigma«, the first ever dedicated anthology of this great composer’s work, is now back in print.

Originally released exactly 30 years ag In artistic cinema Andrzej Korzyński’s unique experiments with jazz, pop, rock, orchestral and electronic music make his name synonymous with the most praised (Andrzej Wajda) and the most provocative (Andrzej Żuławski) Polish filmmakers (counting many more in between). As an early patron of the Polish New Wave and a key exponent of the development of conceptual Polish pop music his expansive portfolio has remained commercially unreleased and untravelled (like many of the original socialist era Polish made films) and has yet to find its deserved place next to the work of Ennio Morricone, François de Roubaix and John Barry. Now enhanced by a renewed interest in vintage art house film and a subculture of open minded music collectors many Easter European artists, such as Krzysztof Komeda (Poland), Zdeněk Liška (Czechoslovakia) and now Andrzej Korzynski,have finally begun to earn their place alongside their Central European peers.

For lovers of film music and experimental pop this debut anthology and appraisal of Andrzej Korzyński.

pre-order now29.09.2023

expected to be published on 29.09.2023

COMITÉ HYPNOTISÉ - DANZA DEL PIRI-PIRI LP

On his third album Comité Hypnotisé let you belly flop into his eleven chambers of the Danza Del Piri-Piri: expanding the feral and contagious universe he started to build a lifetime ago. Levitating and shimmering a glistering way through deep old skool 70's sitar vibes and jitterbug grooves. This boogieman aka the Millionaire-mind and part of the Evil Superstars has carved some hot smoked out bass and organ flared cuts on wax, ready to never leave you again. Whether it is with woodchopped kazou sounds stretching into hazy sunshine desire or dazzling basslines blending with interstellar and stuttering kick drums: the Danza Del Piri-Piri flip-flops and slams into a wiggly relentless sonic future.

FFO Sven Wunder, Ennio Morricone, Khruangbin, Flying Lotus, The Meters, Parliament, Edan, The Gaslamp Killer.

Comité Hypnotisé is the brainchild of Tim Vanhamel, frontman of Millionaire and Evil Superstars, two of Belgium's most famous alternative rock bands. In 2013 Tim started creating solo music that only got released in 2021 on his first solo album through the Belgian eclectic Cortizona label

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Last In: 2 years ago
A Giant Dog - Bite LP

A Giant Dog

Bite LP

12inchMRG829LP
Merge Records
03.09.2023

Indies Only LP is opaque green vinyl. Both LPs come with a download. The moment the needle drops on Bite, the new A Giant Dog record, one’s conception of what an A Giant Dog record sounds like bends like space and time around a starship running at lightspeed. The biggest point of departure is that Bite is a concept album, concerning characters who find themselves moving in and out of a virtual reality called Avalonia. A Giant Dog’s first album of original songs since 2017’s Toy, Bite finds the band Sabrina Ellis, Andrew Cashen, Danny Blanchard, Graham Low, and Andy Bauer at their peak as musicians, challenging themselves with more complex arrangements and subject matter that forced them out of their heads and into those of the characters who occupy this supposed paradise. “We had to find ourselves within, or project ourselves into, the principal characters. We developed them, got to know their minds, emotions, and motivations, and then expressed those in nine songs,” Ellis explains. Themes of addiction, gender fluidity, living ethically in a capitalist society, physical autonomy, avarice, grief, and consent bubble beneath the promised happiness of Avalonia. This is evident in songs like “Different Than,” where Ellis sings, “My body can’t explain the things my mind don’t comprehend” as if societal gender pressure is squeezing its protagonist out of their skin. The songs on Bite are full of bombast, at turns calling to mind the spacefaring operatic rock of Electric Light Orchestra and the high drama of an Ennio Morricone film score. The album’s narrative sweep is epic in scope, its characters facing impossible odds and certain doom, existing as comfortably with the sci-fi grandiosity of Thin Lizzy’s Jailbreak as it does with the high fantasy of Dio and Iron Maiden. Appropriately, A Giant Dog came to this narrative armed to the teeth with new ideas, unleashing synthesizers and string sections to create what Ellis describes as orchestral, symphonic, futuristic punk. To achieve this, they left their home turf of Austin, Texas, for La Cuve Studio, just outside of Angers, France. Living in the French countryside, A Giant Dog laid down their vision of the future against a decidedly pastoral backdrop. On walks from Angers to La Cuve, Ellis says that they “would see many things, and also nothing at all. Swans on the river. Romani people living in little trailers, with a side hut built for their dog. A juggler on a unicycle—not fucking with you.” “We thought we wouldn’t be allowed back in France after this trip, to be honest,” they continued. “Five loud, stomping, clapping, rowdy Americans who ran through the streets of Angers for three weeks in November 2022.” The experience capped two years of planning and writing, fleshing out the universe of Avalonia beyond the bounds of most concept albums. The resulting nine songs do not merely occupy this space: They’ve lived in it, and they want out.

pre-order now03.09.2023

expected to be published on 03.09.2023

Heliocentrics - Infinity Of Now

The UK’s cosmic, psychedelic-funk ensemble issue their first album on maverick producer Madlib’s label, Madlib Invazion. The Heliocentrics’ albums are all confounding pieces of work. Drawing equally from the funk universe of James Brown, the disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone, the sublime fusion of David Axelrod, Pierre Henry’s turned-on musique concrète, and Can’s beat-heavy Krautrock, they have – regardless of the label on which they’ve released their music - pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans. Drummer Malcolm Catto and bassist Jake Ferguson are the Heliocentrics’ masterminds and producers, and they are obsessive weirdos in today’s musical climate, searching, progressive humans who are often out-of-time with current trends. They have been playing together for nearly two decades and their collective drive is to find an individual voice. The Heliocentrics search for it in an alternate galaxy where the orbits of funk, jazz, psychedelic, electronic, avant-garde and “ethnic” music all revolve around “The One.” With Madilb’s label Madlib Invazion for Infinity of Now, the Heliocentrics have returned to develop their epic vision of psychedelic funk, while exploring the possibilities created by their myriad influences, Latin, African, and more.

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Last In: 6 years ago
A GIANT DOG - BITE LP

A Giant Dog

BITE LP

12inchMRGLP829
Merge
25.08.2023

In dem Moment, als die Nadel auf die neue A Giant Dog-Platte fällt, krümmt sich die eigene Vorstellung davon, wie eine A Giant Dog-Platte klingen soll, wie Raum und Zeit um ein Raumschiff, das mit Lichtgeschwindigkeit fliegt. Bite ist ein Konzeptalbum, in dem es um Charaktere geht, die sich in einer virtuellen Realität namens Avalonia bewegen und zugleich ist es das erste Album von A Giant Dog mit eigenen Songs seit Toy von 2017.

Sabrina Ellis, Andrew Cashen, Danny Blanchard, Graham Low und Andy Bauer - auf ihrem Höhepunkt als Musiker, fordern sie sich mit komplexeren Arrangements heraus und versetzten sich hinein in die Köpfe der Figuren, die dieses vermeintliche Paradies Avalonia bewohnen. "Wir mussten uns in den Hauptfiguren wiederfinden oder uns in die Hauptfiguren hineinversetzen. Wir entwickelten sie, lernten ihre Gedanken, Emotionen und Motivationen kennen und brachten diese dann in neun Songs zum Ausdruck", erklärt Ellis. Themen wie Sucht, Geschlechterfluidität, ethisches Leben in einer kapitalistischen Gesellschaft, körperliche Autonomie, Geiz, Trauer und Zustimmung sprudeln unter dem versprochenen Glück von Avalonia.

Dies wird in Songs wie "Different Than" deutlich, in dem Ellis singt: "My body can't explain the things my mind don't comprehend", als ob der gesellschaftliche Geschlechterdruck seine Protagonistin aus ihrer Haut herausquetscht. Die Songs auf Bite sind voller Bombast und erinnern abwechselnd an den raumfahrenden Opernrock des Electric Light Orchestra und die hohe Dramatik einer Ennio Morricone Filmmusik. Der erzählerische Bogen des Albums ist von epischer Tragweite, seine Charaktere stehen vor unmöglichen Unwahrscheinlichkeiten und sind mit dem sicheren Untergang konfrontiert, und ist so bequem vergleichbar mit der Sci-Fi-Grandezza von Thin Lizzy's Jailbreak wie auch mit der High Fantasy von Dio und Iron Maiden. Passenderweise sind A Giant Dog bis an die Zähne bewaffnet mit neuen Ideen zu dieser Erzählung gekommen, mit Synthesizern und Streichern, um das zu schaffen, was Ellis als orchestral beschreibt: symphonischen, futuristischen Punk. Um dies zu erreichen, verließen sie ihre Heimat Austin, Texas, in das La Cuve Studio in der Nähe von Angers, Frankreich.

Auf dem französischen Land legten A Giant Dog ihre Zukunftsvision vor einer ausgesprochen pastoralen Kulisse nieder. Auf den Wanderungen von Angers nach La Cuve, so Ellis, sahen sie "viele Dinge, und auch gar nichts. Schwäne auf dem Fluss. Romani, die in kleinen Anhängern leben, mit einer Hütte für ihren Hund an der Seite Ein Jongleur auf einem Einrad - ich verarsche dich nicht. Wir dachten, wir dürften nach dieser Reise nicht mehr nach Frankreich zurück, um ehrlich zu sein", fährt sie fort. "Fünf laute, stampfende, klatschende, randalierende Amerikaner, die im November 2022 drei Wochen lang durch die Straßen von Angers gelaufen sind." Diese Erfahrung war der Höhepunkt von zwei Jahren Planung und Schreiben, in denen das Universum von Avalonia Gestalt annahm. Die daraus resultierenden neun Songs besetzen nicht nur diesen Raum: Sie haben darin gelebt und sie wollen raus.

pre-order now25.08.2023

expected to be published on 25.08.2023

A GIANT DOG - BITE LP

A Giant Dog

BITE LP

12inchMRGLPC1829
Merge
25.08.2023

In dem Moment, als die Nadel auf die neue A Giant Dog-Platte fällt, krümmt sich die eigene Vorstellung davon, wie eine A Giant Dog-Platte klingen soll, wie Raum und Zeit um ein Raumschiff, das mit Lichtgeschwindigkeit fliegt. Bite ist ein Konzeptalbum, in dem es um Charaktere geht, die sich in einer virtuellen Realität namens Avalonia bewegen und zugleich ist es das erste Album von A Giant Dog mit eigenen Songs seit Toy von 2017.

Sabrina Ellis, Andrew Cashen, Danny Blanchard, Graham Low und Andy Bauer - auf ihrem Höhepunkt als Musiker, fordern sie sich mit komplexeren Arrangements heraus und versetzten sich hinein in die Köpfe der Figuren, die dieses vermeintliche Paradies Avalonia bewohnen. "Wir mussten uns in den Hauptfiguren wiederfinden oder uns in die Hauptfiguren hineinversetzen. Wir entwickelten sie, lernten ihre Gedanken, Emotionen und Motivationen kennen und brachten diese dann in neun Songs zum Ausdruck", erklärt Ellis. Themen wie Sucht, Geschlechterfluidität, ethisches Leben in einer kapitalistischen Gesellschaft, körperliche Autonomie, Geiz, Trauer und Zustimmung sprudeln unter dem versprochenen Glück von Avalonia.

Dies wird in Songs wie "Different Than" deutlich, in dem Ellis singt: "My body can't explain the things my mind don't comprehend", als ob der gesellschaftliche Geschlechterdruck seine Protagonistin aus ihrer Haut herausquetscht. Die Songs auf Bite sind voller Bombast und erinnern abwechselnd an den raumfahrenden Opernrock des Electric Light Orchestra und die hohe Dramatik einer Ennio Morricone Filmmusik. Der erzählerische Bogen des Albums ist von epischer Tragweite, seine Charaktere stehen vor unmöglichen Unwahrscheinlichkeiten und sind mit dem sicheren Untergang konfrontiert, und ist so bequem vergleichbar mit der Sci-Fi-Grandezza von Thin Lizzy's Jailbreak wie auch mit der High Fantasy von Dio und Iron Maiden. Passenderweise sind A Giant Dog bis an die Zähne bewaffnet mit neuen Ideen zu dieser Erzählung gekommen, mit Synthesizern und Streichern, um das zu schaffen, was Ellis als orchestral beschreibt: symphonischen, futuristischen Punk. Um dies zu erreichen, verließen sie ihre Heimat Austin, Texas, in das La Cuve Studio in der Nähe von Angers, Frankreich.

Auf dem französischen Land legten A Giant Dog ihre Zukunftsvision vor einer ausgesprochen pastoralen Kulisse nieder. Auf den Wanderungen von Angers nach La Cuve, so Ellis, sahen sie "viele Dinge, und auch gar nichts. Schwäne auf dem Fluss. Romani, die in kleinen Anhängern leben, mit einer Hütte für ihren Hund an der Seite Ein Jongleur auf einem Einrad - ich verarsche dich nicht. Wir dachten, wir dürften nach dieser Reise nicht mehr nach Frankreich zurück, um ehrlich zu sein", fährt sie fort. "Fünf laute, stampfende, klatschende, randalierende Amerikaner, die im November 2022 drei Wochen lang durch die Straßen von Angers gelaufen sind." Diese Erfahrung war der Höhepunkt von zwei Jahren Planung und Schreiben, in denen das Universum von Avalonia Gestalt annahm. Die daraus resultierenden neun Songs besetzen nicht nur diesen Raum: Sie haben darin gelebt und sie wollen raus.

pre-order now25.08.2023

expected to be published on 25.08.2023

RITUAL HOWLS - TURKISH LEATHER

Ritual Howls

TURKISH LEATHER

12inchFLTLPC217
Felte
22.08.2023

Marbled Green & Black Vinyl! Das Album Turkish Leather des Detroiter Trios RITUAL HOWLS erzählt Geschichten, die so auch aus der Feder von Poe und Lovecraft kommen könnten. Auf ihrem Debüt für Felte, ,Turkish Leather" vermischen sie viele verschiedene Spielarten zu einem selbstbewussten Mission Statement. Die Sounds von Ben Saginaw und Chris Samuels erschaffen den Spielraum für die düsteren Texte von Paul Bancell. Die Einflüsse von RITUAL HOWLS reichen vom britischem Post-Punk über NICK CAVE bis zum Industrial von SKINNY PUPPY; die Band schafft es, diese Einflüsse mit Expertise zu vermischen. Field Recordings treffen auf Elektronik; auf ,Turkish Leather" verwandelt sich Sound Design in Pop. Viele der Tracks haben eine cinematische Reichweite, ob das das Industrialstück ,A Taste Of You" mit seiner Lynch'schen Barszene oder die Goth-Synthies von ,Take Me Up", einem langsam schwelenden Track, der sich zu einem Melodram mausert, sind. Es fällt leicht, sich diese schrägen Gitarren zu einer Szene in einem Jarmusch-Film vorzustellen: die Ästhetik der Tracks zieht des Hut sowohl vor TOM WAITS als auch vor ENNIO MORRICONE. RITUAL HOWLS schaffen es, diese Einflüsse zu verbinden und absolut einzigartige morbide, roh und hart zu klingen. ,Turkish Leather" ist ein Album, das mit nichts hinter dem Berg hält; die Band kündigt sich mit dem Selbstbewusstsein harzgesottener Veteranen an.

pre-order now22.08.2023

expected to be published on 22.08.2023

Various - Paura

Various

Paura

2x12inch3831729
CAM/SUGAR
17.08.2023
 
25
also available

Red vinyl


PAURA explores the horror repertoire from the precious CAM Sugar archives taking us on a hypnotic journey into the labyrinths of fear, through the different variations that Italian horror took on from the esoteric and supernatural to the slasher films of the early 1970s; to reinterpretations of Romantic literature and gothic fiction to the splatter films of the ‘80s; and from witchcraft to metropolitan horror. This is not a real “best of” but an eclectic menu full of mysterious voices, childlike lullabies, sweet melodies, obsessive music boxes, obstinate harpsichords, crazy distortions and threatening synthesizers, conceived as a succession of sequences, as if a film edit. The new collection includes some of the most creative music ever written and strives to do justice not only to some of the best known composers in this genre, but also to many great unsung composers: From celebrated composers like Ennio Morricone, Riz Ortolani & Stelvio Cipriani to long-forgotten personalities who fed the industrial backbone of Italian cinema such as Daniele Patucchi, Marcelo Giombini & Berto Pisano. The collection includes 6 previously unreleased tracks plus 3 tracks released on vinyl for the first time and 5 tracks available commercially for the first time (originally released only as a limited promo item).

pre-order now17.08.2023

expected to be published on 17.08.2023

Sepalot - Neverlost LP

Sepalot

Neverlost LP

12inchESK138
Eskapaden
07.07.2023

Sepalot's upcoming studio album neverlost showcases his genre-blending abilities when he seamlessly blends elements of trip-hop, house and a touch of Ennio Morricone to create a unique, innovative and captivating sound.

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Last In: 12 months ago
Jean-Michel Bernard - His Songs 2x12"

Megastar Elton John befindet sich im Frühjahr und Sommer 2023 auf seiner Abschiedstour in Europa. Passend dazu hat sich Jean-Michal Bernard, französischer Pianist, Komponist und Arrangeur, der mit Koryphäen wie Ennio Morricone oder Lalo Schifrin gearbeitet hat, am Klavier 17 Songs von Elton John in eigenen, subtilen Arrangements angenommen. Mit dabei sind die bekanntesten Hits von "Rocket Man", "Your Song", "Tiny Dancer", "Crocodile Rock" bis zum traurig-süßen "Candle in the Wind".

pre-order now07.07.2023

expected to be published on 07.07.2023

DJ Paul Sitter - Macaroni Westerns Edits

DJ Paul Sitter returns with a new batch of hot hits, this time we get into Sergio Leone's westerns, with great music by Ennio Morricone, whose riffs are used on this 45. This is complemented by rap Anderson.Paak, T.I., Method Man and Busta Rhymes. Definitely a bomb for the dance floors (ask if you want to the b-side clip sent)

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Last In: 3 years ago
MEIKO KAJI - HAJIKI UTA (1973) LP

A cult icon on the international film scene, Japanese actress Meiko Kaji, born in Tokyo, has been put into the spotlight internationally by Quentin Tarantino when he heavily based his Kill Bill film on the 1973 revenge genre film 'Lady Snowblood,' one of Kaji's most famous films. By the time she appeared in it, she had already made almost fifty feature films (she began her career in 1965) among which the cult 'Stray Cat Rock' and 'Female Prisoner Scorpion' film series and she was one of the most famous exploitation actresses in Japan doubling as a sex symbol. This gave the studios the idea of getting her to start a singing career and release music closely associated with the films she starred in often singing the theme songs. Thus she began releasing records at the dawn of the 70s, recording several 7" singles and five albums for Teichiku which have become sought-after and almost as cult as her films.
Drawing on her film roles, the music on these albums were an uber-cool mix of kayokyoku (Japanese Pop), traditional Enka Music, Acid Folk and Funky beats arranged by the best producers of the time in a cinematic way that could sound like Ennio Morricone or Jean-Claude Vannier. that explosive cocktail is featured in full blow on the first album from the Meiko Kaji reissue program, 'Hajiki Uta' released by Teichiku in 1973.
The album featured two film songs, namely 'Urami Bushi' used for the film series "Female Prisoner Scorpion" and 'Onna No Jumon' featured in the film 'Female Prisoner Scorpion - Jailhouse 41,' which have been composed by Shunsuke Kikuchi who also composed the score for these films. At first Kaji was unsure of her singing talents as told to Hashim Bharoocha in an interview but she quickly rose to the challenge: "I told Shunsuke Kikuchi that I couldn’t imagine myself singing the songs. He said I could ignore the melody that he wrote, and just sing it the way I wanted to. That really lifted the pressure off my shoulders, and I decided to sing the song as the character in the film. The director was also happy with that idea.”
The rest of the album follows the same pattern with atmospheric songs such as "Onna Hagure Uta" or "Onna Somuki Uta" displaying Meiko's sombre singing over a superb slow-burning groove, which precedes the funkier "Hitori Kaze" featuring a wah wah guitar, a breakbeat-like rhythm section and slick string arrangement, shaping the unique Meiko Kaji signature sound.
Wewantsounds is delighted to reissue "Hajiki Uta" and the rest of Meiko Kaji superb early 70s albums for the first time in fifty years in their glorious original Japanese artwork, with remastered audio, cementing further the actress' reputation as a true international pop culture icon.

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Last In: 14 months ago
Lee Stevens - Maskaron EP

Lee Stevens returns to Luv Shack Records for his first solo EP in over ten years, after exploring a more relaxed sound under his Rising Seed moniker.

The opening track “Right On” creates a sonic universe where Ennio Morricone and John Carpenter have joined forces to make synth heavy dance music.

„Maskaron“ sounds like a full homage to new wave and the obscure side of italo disco, topped with chanting reminiscent of 1970s western movies.

On "Trippin´ On Your Love" Lee Stevens taps into early proto-house and synth-dance, complete with arp bass and occasional breakbeats.

Track number four, "Ju Know," features Lee Stevens and long-time collaborator Simonlebon in a moody, upbeat jam with heavy low-end synths, bittersweet vocal samples, and 80s pop-style piano chords.

Finally, the closing track "Destruction" features tight 808 drums accompanying a dark bassline and eerie vocals, with uplifting synth chords reminding us there is still hope.

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Last In: 2 years ago
Steven Wilson - Grace For Drowning

Steven Wilson, four-time Grammy nominee, multi-instrumentalist,
producer & founder member of Porcupine Tree, released his critically
acclaimed third solo album 'The Raven Refused To Sing' in 2013, reaching
#28 in the UK charts & #3 in Germany
In 2017, he shot back into the charts with his fifth solo album 'To The Bone' at #3
in the UK & #2 in Germany, which built on the success of fourth solo album 'Hand.
Cannot. Erase.', which reached #13 in the UK & #3 in Germany.
Originally released in 2011, 'Grace For Drowning' is the second solo album from
Wilson. A more experimental & more eclectic record it built on the artistic inroads
he forged with 2009's exceptionally well- received Insurgentes. It is a modern
homage to the late 60's & early 70's spirit of using the album as an artist's primary
means of expression; combining jazz, classical & psychedelic music to create
"journeys in sound".
'For me the golden period for music was the late sixties & early seventies, when
the album became the primary means of artistic expression, when musicians
liberated themselves from the 3- minute pop song format & started to draw on
jazz & classical music especially, combining it with the spirit of psychedelia to
create "journeys in sound". So, without being retro, 'my album is a kind of homage
to that spirit. There's everything from Ennio Morricone- esque film themes to
choral music to piano ballads to a 23- minute progressive jazz- inspired piece' -
Steven Wilson

pre-order now21.04.2023

expected to be published on 21.04.2023

Matthew Herbert - The Wonder

Matthew Herbert

The Wonder

12inchACED198C1
Accidental JNR
31.03.2023

1862, 13 years after the Great Famine. An English Nightingale Nurse Lib Wright (Florence Pugh) is called to the Irish Midlands by a devout community to conduct a 15-day examination over one of their own. Anna O’Donnell (Kíla Lord Cassidy) is an 11-year-old girl who claims not to have eaten for four months, surviving miraculously on “manna from heaven”. As Anna's health rapidly deteriorates, Lib is determined to unearth the truth, challenging the faith of a community that would prefer to stay believing. Matthew Herbert is an award-winning composer. His artistic works extend from celebrated albums (Bodily Functions, One Pig) to scores for Oscar winning films (A Fantastic Woman, The Cave), including music for theatre, TV, video games, books, Broadway shows and art installations. He has performed as a DJ, as a solo artist, in venues from the Sydney Opera House to the Hollywood Bowl. He has remixed iconic artists including Quincy Jones, Serge Gainsbourg and Ennio Morricone; and collaborated regularly with acts from Björk to Dizzee Rascal.

pre-order now31.03.2023

expected to be published on 31.03.2023

DUTCH UNCLES - TRUE ENTERTAINMENT

Dutch Uncles, Manchester"s much-revered electro art rock quartet, return with their long-awaited sixth album, True Entertainment, on Memphis Industries. Taking inspiration from Yellow Magic Orchestra, Prince, Steely Dan, Ennio Morricone, The Blue Nile, Kate Bush and Roxy Music, "True Entertainment behaves like it knows it"s been away for some time, and doesn"t apologise for that," jokes vocalist / lyricist Duncan Wallis. "Ultimately, it"s written with the mindset that on our sixth album, we"re only in competition with ourselves when it comes to finding satisfaction in our craft." True to this mantra, True Entertainment bears some of the most delightfully fun Dutch Uncles music to date; paired with some of their most existential and introspective lyrics. What is success? Am I enough? How can I better? (and can I afford to be better?) The title was a DJ name bestowed upon Wallis by guitarist Peter Broadhead. Wallis, an in-demand DJ and compare in his native city, wrote the acid house and Sign O" The Times-era Prince-influenced title track when reflecting on the awkwardness he sometimes feels when he"s recognised as the singer in a band while working one of his many public-facing jobs.

pre-order now10.03.2023

expected to be published on 10.03.2023

Alessandro Alessandroni - Afro Discoteca

This EP contains unreleased music composed and produced by Alessandro Alessandroni in the 70s, taken from a dusty tape found in his vault. Afro Discoteca strikes immediately for its modernity and rich textures, sounding unbelievably contemporary.

Alessandro Alessandroni is one of those pioneers, a maestro that built the legend of Italian soundtracks and library music along with Ennio Morricone, Piero Umiliani and many others. His vault testifies how prolific had been those times, with hundreds of tapes and obscure recordings from that period. Among the many, a dusty tape bearing the hand-written label Afro Discoteca' captured the attention of Four Flies.

The music contained in the tape had never been released until now. When he listened to the tracks, Italian legendary DJ LEO MAS (one of the undisputed inventors of the Balearic sound) told us: It is surprising to listen to something that sounds

so modern... This EP is the perfect union of Afro influences and Italian taste. There's something Afro lounge here but also incredibly cinematic - it makes me think of John Carpenter's atmospheres. B1 (Afro Discoteca) reminds me of clubs I've been in Malindi in the late 70s and the closing track is absolutely spellbinding. This is wonderful.' PAOLO SCOTTI, head of Déjà vu Records and an authoritative Italian jazz expert said: Alessandroni's contribution to music is huge, he's a great musician and a great experimenter. Afro Discoteca sounds like it's been produced yesterday by a DJ of our times, an absolutely surprising EP and proof of Alessandroni's spontaneous genius!'

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