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Various - Category 1 Music Sampler - Vol. 3 - Dedicated To The Memory Of Ron Carroll

Category 1 Music Sampler - Vol. 3 illustrates how the world’s most talented artists, producers and remixers come together to create great house music.

Beginning with 'I’m Alive (Touch the Sky)' featuring 2 of Chicago’s most iconic figures, Ron Carroll and Glenn Underground, it contains all of the elements that represent the ultimate Chicago soulful house production.

Shawn Christopher, another Chicago mainstay, has teamed up with the UK’s Richard Earnshaw and Ron Carroll to deliver a rousing Gospel inspired gem, 'He’s Got It'. This track will get everybody moving, whether it’s onto the dancefloor or off the sofa!

Terry Dexter’s hit, 'You Saved Me' is given a hard driving Garage infusion by UK born Marc Cotterell. It’s a fresh approach that’s been universally acclaimed. Lastly, the world-renowned DJ, Eric Kupper is the force behind Ron Carroll’s production of Aires Adora 'Magic Carpet Ride'. Eric’s big room touch is unmistakable throughout this masterful remix

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Ültimo hace: 7 Meses
MANTECA - OYE

MANTECA

OYE

12inchGR38
GROSSO RECORDINGS
07.11.2025
  • Que Pasa
  • Oye
  • Groovy Samba
  • Descarga China
  • Bomba Chévere
  • Para Pello
  • The Jody Grind
  • Como Fue
  • Descarga China (Groove Version)

Manteca’s 2014 album, first time on vinyl. Manteca, the London Latin jazz/salsa funk combo, are back with a first-time vinyl release of their brilliant digital album “Oye” from 2014. “Oye” is a collection of heavy-duty Latin music that reaches well beyond the standard salsa or Cuban dance-band style, appealing to anyone and everyone, from mambo dancers to B-boys, jazz brothers to soul sisters! Led by Colombian singer Martha Acosta and bassist Javier Fioramonti, who have played with everyone from Roberto Pla and Candela, to Alex Wilson’s groups and Salsa Celtica, as well as backing Latin legends such as Joe Bataan, Jack Costanzo, Henry Fiol and Azuquita, this band really cooks! “Que Pasa” is smoking Latin funk, this will get your head nodding and foot tapping for sure.“Oye”, a lovely mid-tempo Afrobeat/Latin jazz fusion number with punching brass and super-funky kit playing. There are three cover versions on the album: Horace Silver’s “The Jody Grind”, a 1960s Blue Note Records soul jazz classic. Manteca does it justice, taking the original and turning it into a heavy Mongo Santamaria style funky Latin soul belter. Sergio Mendes’s “Groovy Samba” is also given the 1960s Mongo “Watermelon Man” style Latin soul jazz treatment. Very hip arrangement, and some fantastic brass soloing in there too. The last one is a brave choice. It’s the timeless bolero standard “Como Fue”, which the band plays beautifully. “Para Pello” (“For Pello”), a conga-style big percussive beat that evolved from Afro-Cuban street carnivals. Secondly, “Bomba Chevere”, a blend of Puerto Rican bomba and Colombian cumbia. The big Afro-Cuban track of the album is “Descarga China”, which has two different mixes. One is a descarga funk mix with some heavyweight kit playing and smoking trumpet soloing, while the other is a more straight-ahead Latin jam with Javier’s upright bass playing underpinning the whole number in a very Cachao way. Big shouts to the whole band, which features some of the best musicians from the London Latin music scene of the last three decades. These cats are as good as you’ll get in Latin music from anywhere across the world.This London Latin music gem has been crying out for a vinyl release for over a decade. At last, it's here. Slap it on the turntable, drop the needle on track one, turn the volume up, press play and be ready to dance. Standing still is NOT an option! DJ Lubi (One Jazz / Totally Wired Radio)

Reservar07.11.2025

debe ser publicado en 07.11.2025

ORQUESTRA AFRO-BRASILEIRA - 80 ANOS (REMIXED)

Firing remix package of cuts from two legendary album's from Brazil's Orquestra Afro-Brasileira. Feat

Two albums - Obaluayê (1957) and Orquestra Afro-Brasileira (1968) - were enough for Orquestra Afro-Brasileira to mark its history in music forever. Born in 1942 in Rio de Janeiro by its founder Abigail Moura, it remained active until 1970 and, in 2021, was revived by the only living member of the original line-up at the time, Carlos Negreiros, when the third and final album in the orchestra's career, entitled 80 years, was released by Amor in Sound/Night Dreamer. Today (31) the album gets its remix version with tracks signed by names of the caliber of Marcelo D2, Criolo, Pupillo, Emicida, Rael, Cut Chemist, Mexican Institute of Sound, among others.

Aiming to keep the legacy of the Orquestra Afro-Brasileira alive, the album 80 Anos (Remixes) reaffirms the group's relevance as a creative source for different generations of musicians and listeners, based on new interpretations produced by artists who are also fans of the orchestra. According to Mario Caldato Jr., the album's musical director, "it was a great joy when I got to know the work of the Afro-Brazilian Orchestra and, soon after, had the honor of meeting and working with Carlos Negreiros. Producing 80 Anos alongside him was a gift and being able to look back on it, having the remix album to celebrate this legacy, is really wonderful."

For Amor in Sound - Mario and Samantha Caldato's record label - this release faithfully represents their values: Respect for memory, diversity, friendship and the possibility of creating new worlds. Made in a totally collaborative way, the album is born as a historical record, interpreted by great names in current music and, above all, great friends. “Being able to do this is indescribable, the value of relationships makes up and continues the legacy of the Orquestra Afro Brasileira,” says Samantha.

The project brings together Brazilians Criolo, Emicida, Rael, Marcelo D2, Lucio Maia, Pupillo, Rogê, Tropkillaz, Kassin, Pedro Dom, Zilladxg, Nuts, Daniel Ganjaman, Imperatore and Nave, as well as international DJs and producers such as Mix Master Mike, Cut Chemist, Gaslamp Killer, J Rocc, TASO, Mexican Institute of Sound and Mophono.

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Ültimo hace: 4 Meses
Abacus - Erotic Illusions

Abacus

Erotic Illusions

12inchPHONOGRAMME67
PHONOGRAMME
30.10.2025

Back from ‘96 — Abacus’ legendary The Abacus EP returns, now reissued as Erotic Illusions. Deep, soulful and hypnotic house at its finest, straight from the Guidance era. Pure timeless heat — grab it before it vanishes again.


DJ Feedbacks :

Laurent Garnier : Classic <3 <3
Nick Hoppner : OOOOOH YES
Dan Beaumont (Chapter 10 / NTS) : Decadent dub for me! lovely
Louise Chen (NTS) : Huge fan, this is a wonderfully sexy reissue!
Joel Martin (Quiet Village) : Timeless Classic from one of the masters - Essential!
Kölsch (IPSO / Kompakt) : Still sounds so fresh
Sven von Thuelen (SVT / Work Them) : Sublime!
Josh Wink (Ovum) : Sounds just as great as when it first came out!
Satoshi Tomiie (Abstract Architecture) : Soooo good! Every details tuned precisely
Carista : sickkkk
Crackazat (Freerange / Local Talk) : yes. of course
Anthony Collins (Frank & Tony / Scissor & Thread) : fantastic record
Hunee (Rush Hour) : classic!
Call Super (Houndstooth) : lovely thxxx
Erol Alkan (Phantasy Sound) : Downloading Thanks!
Radio Slave (Rekids) : Such a big fan !!! Full support and congrats on the re-release. Peeps need to know about "Abacus".
Ben Sims : Now downloading... will check asap!
nd_baumecker (Ostgut Ton) : YAAAAAS! Finally I have this in a better quality than my vinyl rip from the original 12". Vinyl is preordered. Thanks!
Jonnie Wilkes (Optimo) : SEMINAL.
Lawrence (Dial) : OMG Fave Classic!
Fouk (House of Disco / Razor N Tape / Room With A View / Heist) : Ooooh yes! <3
Hector Romero (Def Mix) : Love it. H
Aleqs Notal : Lovely repress
Alinka (Twirl / Classic / Crosstown Rebels / Batty Bass) : Beautiful tracks
Terry Farley : fantastic reissue for those that missed the golden era
Ian Pooley (Pooledmusic) : Sooooooooo good !
Marcia Carr : The Dub without a lot less of the sleazy vocal is cool.
Nick Holder : FIRE
DJ Bone (FURTHER) : Poetic Illusions and Decadent Dub both work for me.
Nat Wendell (Depth of My Soul / Courtesy of Balance / Love & Loops) : classy!!
Luke Solomon (Classic / Freaks / Music For Freaks) : absolute classic Kenny Hawkes special xxx
ROD / Benny Rodrigues : !!!!
Domenic Cappello (Subclub) : still sounds fresh
Alexkid (Rawax / FUSE / NG Trax) : Total Dopeness
Jimpster (Freerange) : An absolute classic from the golden era! Got the vinyl but I'm sure these new masters will sound better than my well worn vinyl rip! Will keep on banging this beauty.
Bake (All Caps / Rinse FM) : the best! thank you for reissuing :)
Dj Deep (Deeply Rooted) : Nice to see this beautiful release available again
Kai Alce (Real Soon) : CLASSIK!!
Mr. V (Sole Channel / Strictly Rhythm / Salter / Defected) : Solid work on this classic Thanks
Baby Rollen (Holding Hands / Slump / Futureboogie) : timeless
DJ Gregory (Point G / Faya Combo) : Alwayes loved that classic
Tom Esselle (YAM / Rhythm Section / WOLF Music) : Killer reissue!
Harri (Sub Club) : nice, will play and support
Hifi Sean (Defected / Plastique) : Diggin' this dub big time
Jenifa Mayanja (Bumako Recordings) : This reissue sounds just as good second time around. Straight dance floor magic. Moody and dubby perfect to zone out to in a dark corner somewhere.
Demuja (MUJA / Let's Play House / Madhouse / Freerange) : nice!!
Marcel Dettmann : thx
Kosh (Syncrophone) : doesnt get any better than this
Dj Hutch (Ambers / Rinse FM) : Lovely deep business! Thank you!
Geir Aspenes (G-Ha / Sunkissed) : Kool, thanks
D'Julz (Bass Culture) : classic alert!

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Ültimo hace: 7 Días
THE MACKENZIE - TRANCE CLASSICS EP 2 (3x12")

THE MACKENZIE

TRANCE CLASSICS EP 2 (3x12")

3x12inchVC011SB
Vinyl Classics
29.10.2025

We're thrilled to announce the release of "The Mackenzie - Classics EP 2", the long-awaited follow-up to the popular EP 1 everyone was excited about. This limited edition pressing comes on stunning smoked black-colored vinyl, with only 500 copies available worldwide. Housed in a deluxe threefold sleeve, this release is a true collector's item.

The Mackenzie name is legendary in the Belgian trance scene, and this EP brings together some of their most sought-after classics and overlooked masterpieces. Each track has been carefully remastered for 2025, breathing new life into these timeless anthems. This EP 2 is spanning over more than 2 decades of hit releases, amongst of them are "Falling In Love", "Walk Away", "All I Need" and "You Got To Get Up".

Expect rich melodies, mesmerizing builds, enchanting vocals, and that unmistakable 90s spirit that made "The Mackenzie" iconic in trance. This is not just the successor of EP 1 – it's the final chapter in a tribute to the golden era of Belgian quality trance music.

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Ültimo hace: 6 Meses
Fracture x Tim Reaper - APHAFR001

Fracture x Tim Reaper

APHAFR001

12inchAPHAFR001
Astrophonica
28.10.2025

Four cuts of unapologetic, immediate Jungle that capture Tim Reaper’s frantic energy and Fracture’s deadly sonics — a perfect balance of aggression and detail. No holds barred, examined with a fine-tooth comb. Precision Pandemonium. Alongside the music, the collaboration extends to artwork, with each label’s iconic logo reimagined in the other’s style. This visual partnership spans the 12” label and sleeve design, as well as an extensive range of streetwear merch.

Fracture says:

I’ve known Ed for over 15 years, going back to the forum days of Subvert Central and Dogs On Acid. Even then, his approach to Jungle was authentic and compulsive. He’s stayed on that path with unwavering focus, never chasing trends—just pure, raw Jungle. What he’s built with Future Retro London is so desperately needed in this day and age: a space where music and community come first, shining a light on artists and DJs often overlooked by mainstream channels that favour gimmicks. His passion for Jungle is infectious, and I’ve always wanted to work with him so doing a full label collaboration feels completely right. Working with Ed is a real eye opener - he’s so full of ideas and the speed at which he can generate patterns is scary. Watching him fly around his laptop, chopping breaks and writing basslines is like watching a Grandmaster play speed chess—always on, never off. Shout out Tim Reaper each and every. An incredible DJ as well.

Tim Reaper says:

I think this is probably the longest ever I've spent on any release for Future Retro London, clocking in at just over 3 years of back & forth between me & Fracture in the making of this. There's a lot of backstory behind this project, so excuse my ramblings below.

The story starts with me hearing Sully playing a tune by Fracture called "Booyaka Style" which I really liked and thought would be great to release. I reached out to Fracture about it and found out later that he already made plans to include it on an album project (0860) that he was working on at the time which later came out on his label Astrophonica. He asked if I would be up for sending him any tunes to be considered for release on Astrophonica, but in response to this, I suggested a joint label project that both of us would have tunes on & he seemed keen to do it.
Few months later, I got back in touch to ask if he had done any tracks for this release but he was still busy with other things and instead sent me a track he had been working on, with the suggestion of us collaborating on it. We finished a track together that we both liked & felt as if it was a good starting point for the release. We then got a few more collabs done with a fair bit of back & forth, but upon reflection, he felt as if they could be a lot better than what they currently were and so, the release started to change in format a bit. Fracture suggested that we should meet up in his studio and work on some tunes together in person, with the aim of getting a few bits done over a bunch of sessions and getting it all sorted out in a much quicker timeline. Thankfully, this actually worked, we managed to get some collabs done that both of us are very happy with (even managing to sample a recording of Blackeye from a set from a Future Retro London event!)

Thanks to Fracture for his co-operation & perseverance with this release, helping to see it through to the end & not allowing it to be anything less than the best possible version of itself, thanks to Mark at Sequence for his role in helping with the logistics/manufacture of this release, thanks to Utile for assisting on the design on this release and most importantly, a very special thanks to all the obstacles along the way that I faced in the making of this release, which helped me appreciate getting to this point so much more than I ever could have!

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Ültimo hace: 55 Días
Tensal - Behind Consciousness

Tensal is the solo project of Héctor Sandoval, also known as half of Exium and Komatssu. Since its creation in 2014,
Tensal has become the channel for his most personal vision of Techno, blending diverse rhythms and textures with a
powerful and distinctive identity. Alongside his own imprint Tensal Ltd, he has released on some of the scene’s most influential labels, including Mord, Modularz, Perc Trax, Blueprint, Arcing Seas, PoleGroup, Float, Kynant, KR3, A.R.T.S,
Warm Up and Soma, where he delivered his first LP in 2018.

He has remixed artists such as Slam, Electric Indigo, Anthony Linell, Mike Parker, Shed, Pangaea and Shifted, while his
tracks are championed by leading DJs like Jeff Mills, Richie Hawtin, Marcel Dettmann, Ben Klock, Ellen Allien, Laurent Garnier and DVS1. His DJ sets, built largely from his own productions, have taken him to more than 60 countries
worldwide, with performances at iconic clubs and festivals including Berghain, Tresor, Awakenings and Fabrik.

Beyond Tensal, Sandoval explores different frontiers of electronic music: with Juan Rico (Reeko) he formed Komando Terrorismo Sonico (K.T.S.), releasing the album Insurrección in 2021; in 2022 he launched Syndromania on Oaks
Records, a vinyl-only project fusing Techno with Trance, EBM, Electro and Acid. In 2023 he joined BPitch Control,
releasing several EPs and performing at the label’s We Are Not Alone events, while in late 2024 he debuted on Blueprint
Records with Highland Landscapes, a collaboration with Vince Watson (Amorphic), followed by a joint EP on Mord in
2025.

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Ültimo hace: 6 Meses
MARVA WHITNEY - IT'S MY THING

MARVA WHITNEY

IT'S MY THING

12inchVAMPI329
Vampisoul
24.10.2025
  • A 1: It’s My Thing (Pt 1)
  • A 2: It’s My Thing (Pt 2)
  • A3: Things Got To Get Better (Get Together)
  • A 4: What Kind Of Man
  • A5: If You Love Me
  • A6: In The Middle
  • B 1: Unwind Yourself
  • B2: You Got To Have A Job
  • B 3: I’ll Work It Out
  • B4: Get Out Of My Life
  • B 5: I’m Tired, I’m Tired, I’m Tired
  • B6: Shades Of Brown

Among the most revered voices in funk, Marva Whitney holds a special place thanks to her fierce energy and unmistakable style on tracks like the classic 'Unwind Yourself,' a long-time favorite for DJs and dance floors alike. Emerging from the dynamic world of the James Brown Revue in the late 1960s--alongside iconic names like Lyn Collins and Vicki Anderson--Marva quickly carved out a name for herself. In 1969, she began recording as a solo artist under James Brown's King label, scoring a Top 20 R&B hit with 'It's My Thing.' While mainstream hits were few, her music resonated deeply with funk lovers and crate diggers around the world. Songs like 'You Got to Have a Job' and the endlessly sampled 'Unwind Yourself' have only grown in stature over the decades. Her album, "It's My Thing", dropped that same year and has since become a touchstone of the genre. Backed by the legendary JB's and produced by James Brown himself--who also contributed to most of the songwriting--the album captures a raw, unapologetic funk sound with a distinctly female voice at the forefront. From the explosive opening of 'It's My Thing'--a bold response to the Isley Brothers' 'It's Your Thing'--Marva channels sheer intensity, backed by a band that doesn't let up. The pace briefly softens with 'If You Love Me,' a soul soaked ballad in the spirit of Otis Redding, before diving back into the rhythmic grit of tracks like 'Unwind Yourself.' Decades later, "It's My Thing" continues to inspire, sampled by producers and treasured by collectors--a powerful snapshot of funk at its most uncompromising. Reissue on 180g vinyl.

Reservar24.10.2025

debe ser publicado en 24.10.2025

GOLDIE PRESENTS RUFIGE KRU - ALPHA OMEGA LP 2x12"

GOLDIE PRESENTS RUFIGE KRU

ALPHA OMEGA LP 2x12"

2x12inchLMS1725331
London Records
24.10.2025

" Goldie presents Rufige Kru "Alpha Omega" album.
" Rufige Kru was Goldie's collective with around him no fix members and including various drum & bass producers.
" This is the comeback & first new album of Goldie's iconic alias Rufige Kru since 2009's "Memoirs of an afterlife".
" This new album 'Alpha Omega' produced with James Davidson (Subjective)
" Rufige Kru now also features longtime collaborator Submotive alongside Goldie.
" First track collaboration with Casisdead (Best UK Hip Hope artist at Brit Awards 2024) announced & released February 26. Video for track featuring both artists.
" Goldie touring Europe & US to support album as DJ and with live band : US DJ tour in May , teaser (before the album release) dates in the UK & US + summer festivals in Europe
" 2025 will also mark 30 years of the album "Timeless" .

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Ültimo hace: 5 Meses
Various - NINE YEARS OF LOVE V/A - PART 2 (2x12")

As a label, we are specialists in musical diversity. With our newest installment of the annual System 108 compilation we present you two parts of hand picked creative output by our friends, residents and dearest guests. Curated by the artist Ira Bespalova, the concept of both parts is simple and deep: the good, the calm, the kind is part 1 and all anti-heroes, filthy electro-armored jams is part 2. All together - another twist of the planet, another beat of our big heart, that became shelter and home home for a whole new tribe. It pumps, it creates, unites and warms up, kicks it real hard, no matter how tough it is. Part 1 is densely populated by our new kids on the block! Isktrit, TURBOSH, BORIS REDWALL, DJ Yesyes, Dominique Mara have been releasing singles, EP's and album during 2023 and became an integral part of the collective. Here you will also find good old friends Maksimovna, Lipelis, Kito Jempere. Very special Siberian inspired trippy workout by RLGN and Sasha Kustov, Luchshiy Drug. And a super special guest appearance starring Magnus Opus and mo?se?. The running order is curated as a narrative, as an album that takes you on a journey. But separately, it all works as singles, DJ tracks and tools. Welcome to Nine Years Of Love!

Reservar24.10.2025

debe ser publicado en 24.10.2025

Big Surge - Project A / Project AA

DJ Support: Raresh, Ben UFO, Alex Kassian, Hamish & Toby, Chris Stussy, Dr. Banana, NIKS, Carista, Enzo Siragusa and more.

For their fourth release, Moonworks reissue a UK house rarity from 1995: Big Surge – Project A / Project AA.

Originally produced by Paul Kelly, Andrew Grimwood and John Viney in a small North London studio, the record has since become a secret weapon for seasoned selectors. Original copies are thin on the ground and command serious prices on the second-hand market, making this official reissue a welcome rescue.

The release channels the playful spirit of London’s mid-90s underground, full of character and unmistakable charm. ‘Project A’ is a rolling, bass-heavy progressive cut loaded with lush synths and chopped vocal snippets. Alongside it sits a brand-new edit from Kyiv-born Nizar Sarakbi, who strips things back into a subtle, driving version tailored for today’s floors. On the flip, ‘Project AA’ brings a euphoric rush of rumbling low-end, vocoder hooks and peak-time piano riffs – a timeless floor-filler through and through.

As with previous outings, Moonworks have worked directly with the original artists to remaster the tracks and refresh the artwork, giving this lost gem a proper return to circulation.

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Ültimo hace: 3 Días
PHYLIPE NUNES ARAUJO - Phylipe Nunes Araujo  LP

Phylipe Nunes Araújo's songs are as rich and varied as the diverse landscapes they were written in. The hills of Pernambuco, the lagoons of Alagoas, and the beaches of Bahia are all woven into his stripped-back, folk-inspired Brazilian songwriting. As part of a wider movement of musicians originating from Brazil's Northeast, Phylipe sees the process of music-making as the search for beauty itself.

Collaborating with fellow Northeastern artists Bruno Berle, Batata Boy and Nyron Higor among others, Phylipe's debut album represents the latest flowering of this exceptionally talented community's creative search.

The Northeast holds an almost sacred importance in Brazil's collective cultural imagination. The region bore witness to the brutal histories of Portuguese colonization and the African slave trade, while simultaneously amalgamating the diverse cultures, religions and traditions of those who have called it home. Countless Brazilian music greats - Gilberto Gil, Caetano Veloso, Hermeto Pascoal, Djavan and Luiz Gonzaga - have emerged from this vast cultural melting pot.

Born in Caruaru, Pernambuco state, and raised in the city of Santa Cruz do Capibaribe (famed for its textiles industry), Phylipe describes his music simply as "Brazilian music from the Agreste of Pernambuco". His masterful compositions thread together regional rhythm, folk poetry and sophisticated harmony.

Phylipe's musical foundations were laid in youth, listening to the local elders rehearsing their forrós, attending São João street parties in front of his house and watching the Junina Quadrilhas dance through his neighborhood. At street fairs he would read the Literatura de Cordel (handcrafted pamphlets of Brazilian folk literature), and watch the rhyme battles between cantadores, violeiros, and repentistas, who improvise verses on daily life, social commentary and philosophy. This tradition of Northeastern folk poetry proved particularly formative for Phylipe as a lyricist. "I always try to write things as simply as possible. I believe that beauty must be easily understood. If I can facilitate the path to the message, there's no reason not to. It's something I learned from the traditional poetry here: it's more beautiful if everyone understands."

At the age of 11, Phylipe first got access to the internet. As he explains: "Still in adolescence I was also able to discover things like The Beatles and Nick Drake - I started to get to know music from the rest of the world and later to correlate that with my local musical experiences." Rich with extended chords and artful dissonances, it's clear from his compositions that jazz and bossa nova also took hold, but he's quick to eschew stereotypes. "Inevitably, people associate a Brazilian musician playing a nylon-string guitar with bossa nova..." "But the foundation is another story," he asserts, "It's the Northeast."

On the guitar Phylipe experiments with the binary rhythms inherent in traditional Northeastern music. Coco, frevo, maracatu and baião are recontextualised, placed alongside Brazilian popular music (MPB), gentle lullabies and stunning ballads. "In these 10 songs, I am experimenting with making pop music on a nylon-string guitar with my foundation in the Northeastern songbook."

The contemporary musical community which Phylipe belongs to developed initially in Pernambuco's neighbouring state Alagoas. Phylipe lived in its capital Maceió for three years, where he built friendships and musical bonds with Bruno Berle and Batata Boy who together produced his album. Bruno also sings in unison with Phylipe on the duet "Valise", a song Phylipe wrote aged just 15.

In recent years, Phylipe, Bruno and Batata have migrated south to São Paulo, where the majority of the album was recorded. Other collaborators on the album include Alici, who provides vocals for the ebb and flow of "Temperim", Nyron Higor who plays drums on lead single "Asa" and the sweet indie moment "Ziz"", bassist Meno Del Picchia who plays on the mystical baião "Bixin" and the propulsive "Subindo a Ladeira", and Raphael Coelho who joins Bruno and Batata on percussion for "Santa Cruz", Phylipe's hypnotically powerful portrait of his hometown.

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Ültimo hace: 7 Meses
João do Pife - Garoto Do Pife / Homenagem a Ludugero (7")

Presenting a joyous double dose of Brazilian pífano magic by João do Pife, taken from his iconic Folclore Alagoano LP and pressed for the first time on 7” vinyl. The infectious, uplifting energy of the instrumental track 'Garoto Do Pife' has been a dancefloor weapon for revered selectors such as Gilles Peterson, Cliffy and the Mr Bongo DJs, and we are proud to be reissuing it for the first time.

The pífano, pifaro or pife, which creates the distinctive melodies in these tracks, is a simple seven-hole woodwind instrument from the Northeast region of Brazil. Often made out of bamboo or taquara wood, they are rich in folkloric music tradition and paired with percussion instruments to form the Bandas de Pífanos groups, which originated from the Northeastern states of the country. "Pifeiros” such as João do Pife, Edmilson do Pífano, and Carlos Malta brought the pífano into a wider public eye through their albums and vinyl recordings.

A part of pífano maestro João do Pife’s rich legacy, these two mesmerizing and timeless tracks originate from his sought-after 1975 LP Folclore Alagoano, released on the Tropicana label. Born João Alfredo Marques dos Santos in 1943, in Riacho das Almas, João do Pife became an ambassador of Northern Brazilian culture and folklore through his music, which placed the pífano centre stage.

For this 7" issue, we have curated two of our favourite tracks from the album, 'Garoto Do Pife' and 'Homenagem a Ludugero', that exude a driving and joyous dancefloor energy. With lively accordion and organ accompaniments that weave around João do Pife's sublime pífano playing, they channel a folk spirit that will resonate deep within your soul.

As inspiration for the picture sleeve, we have adapted the original cover photo art for this 7 inch issue. João do Pife’s music, which is housed within, will sweep you away to Northeastern Brazil in an instant.

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Ültimo hace: 4 Meses
Mark Fell - Nite Closures EP

Mark Fell inaugurates his new label – The National Centre for Mark Fell Studies – with his first solo electronic material in years; a slinky, ravishing volley of unique dance drills that have been in the works for over a decade, feeling somehow like Derek Bailey dissecting Singeli, or Autechre and Hermeto Pascoal dancing in hyperspace. There’s nothing else quite like it.

Back on the floor for the first time since dealing a pair of deep house 12”s with DJ Sprinkles, sending a contemporary classic in »Protogravity« with Errorsmith, plus a lauded collab with Gábor Lázár – all in 2015 – Fell taps back into core club concerns last explored to this uncompromising extent on his string of »Sensate Focus« EPs released between 2012–2013. He’s hardly been slacking since then, with a slew of far-reaching avant collabs with everyone from Rian Treanor to Limpe Fuchs, Okkyung Lee to Pat Thomas, Explore Ensemble to Will Guthrie – each one blurring distinctions between producer, composer, and conductor.

The »Nite Closures« EP is worth the wait – and then some. As ever, Fell manages to retain a highly distinctive, instantly identifiable sound while also tracing and mapping new bends in the continuum. His exploration of contemporary styles and patterns is here distilled and articulated with a rare, daring playfulness and sinuous intricacy – for over half an hour he flows from frantic to almost emotional at the drop of a snare. Trust it’s not your everyday / everynight club music, with an asymmetric angularity bound to wrong-foot fresher feet, but also the type of absolutely future-facing, skewed machine funk that clubs are crying out for, even if they don’t quite realise it.

As someone who’s witnessed the dominance of colouring-book Jive Bunny DJs recycle tested ideas ad infinitum, the message is a firm do-one to myopic ravers in »Nite Closures«. From the displaced anticipations tested in its extended dub and ravishing, tweaked polymetrics on its version, through a »Large Modulos #3« teeming with organismic details, to the hair-kissing swang of »auchterhouse (inversion)« and its clipped, cascading 2.1-step reprise, Fell offers thrilling new options for the loosey-gooseyest dancers at each turn. For us, it’s perhaps his greatest record this century.

Reservar17.10.2025

debe ser publicado en 17.10.2025

Francis Lai - Play It Like Francis
  • A1: Robert & Robert (Mother Remix By Play Paul)
  • A2: London Airport (Remix Xavier Jamaux)
  • A3: Dans La Poussière Du Soleil / Un Amour De Soleil (Remix Kid Loco)
  • A4: L’amour D’aimer (Remix Marc Collin – Nouvelle Vague)
  • A5: L’aventure C’est L’aventure (Remix Alex Revox Jr)
  • B1: Child Under A Leaf (Remix Vicarious Bliss)
  • B2: Saint-Tropez (Remix Jazzy By Alex Revox Jr)
  • B3: Retour De Lourdes (Remix Dj Cam)
  • B4: Concerto Pour La Fin D’un Amour (Remix Play Paul)
  • B5: Plus Fort Que Nous (L’amour Est) {Remix Philippe Cohen Solal (Gotan Project)
  • B6: Young Freedom (Remix The Breathin’ Canyon)

Thierry Wolf und Frédéric Lai (Sohn des Komponisten) wählten rund zehn DJs aus, darunter bekannte Vertreter der French Touch-Szene, die für Sammlungen wie Hôtel Costes bekannt sind. Diese Künstler wurden mit der Aufgabe betraut, die Werke von Francis Lai neu zu interpretieren. Die DJs, die oft weniger bekannte Stücke auswählten, überraschen mit persönlichen Entscheidungen. So wählte Play Paul (Bruder von Guy-Manuel von Daft Punk) „Robert & Robert“, da es das letzte Stück war, das er mit seinem Vater hörte. Auch Philippe Cohen Solal von Gotan Project wählte „L’Amour est bien plus fort que nous“ als Epigraph auf dem Grabstein seiner Eltern.

Dieses Projekt verbindet musikalisches Erbe, Emotion und Innovation. Durch die Remixe erhält die Musik von Francis Lai eine frische Perspektive, während gleichzeitig seinem Pioniergeist gehuldigt wird.

Reservar17.10.2025

debe ser publicado en 17.10.2025

Various - Arcane League of Legends: Season 2 (Lp 2x12")
  • A1: Heavy Is The Crown - Original Score - Mike Shinoda, Emily Armstrong
  • A2: I Can't Hear It Now - Freya Ridings
  • A3: Sucker - Marcus King
  • A4: Renegade (We Never Run) - Raja Kumari, Stefflon Don, Jarina De Marco
  • A5: Hellfire - Fever 333
  • A6: To Ashes And Blood - Woodkid
  • B1: Paint The Town Blue - Ashnikko
  • B2: Remember Me - Intro - D4Vd
  • B3: Remember Me - D4Vd
  • B4: Track 10
  • B5: Cocktail Molotov - Zand
  • C1: What Have They Done To Us - Mako, Grey
  • C2: Rebel Heart - Djerv
  • C3: The Beast - Misha Mansoor
  • C4: Spin The Wheel
  • C5: Ma Meilleure Ennemie - Stromae, Pomme
  • C6: Fantastic - King Princess
  • D1: The Line - Twenty One Pilots
  • D2: Blood Sweat & Tears - Sheryl Lee Ralph
  • D3: Come Play - Stray Kids, Young Miko, Tom Morello
  • D4: Wasteland - Royal & The Serpent
  • D5: Enemy - Opening Title Version - Imagine Dragons, Jid

Der offizielle Soundtrack zur zweiten Staffel der Sensations-Animationsserie Arcane.
Standard schwarze LP mit dem Megahit „Ma Meilleure Ennemie“ und allen Lieblingssongs aus dem rekordverdächtigen Soundtrack der zweiten Staffel.

2x 180g Vinyl in Widespine Jacket, mit bedruckten Innenhüllen, Einlage und neuem Cover

Reservar17.10.2025

debe ser publicado en 17.10.2025

Ruth - Polaroïd Roman Photo (40th Anniversary Edition) + 7"

INTEMPORARY AND INDETRONABLE FRENCH COLD WAVE CLASSIC in a SPECIAL EDITION to celebrate the 40th anniversary of this mythical album.



This edition includes a 45T with 2 previously unreleased tracks, available nowhere else.



Thierry Müller, who initiated the RUTH project, is not at his first try when the album POLAROÏD/ROMAN/PHOTO including the eponymous track is released in 1985. His older brother Patrick along with one of their cousins make his musical education and he quickly becomes familiar with contemporary and experimental music. He starts quite early to tinker sounds on old tape recorders by himself but it is in 1977 that Thierry launches with some friends his first group, ARCANE, while studying at the School of Applied Arts. Their sound is weird, a mixture of saturated scratches and feedback tapes: there is no discographic or scenic testimony of this experience.



Alongside ARCANE, Thierry is already working solo on his ILITCH project / concept, an experimental and innovative work, whose first album Periodmindtrouble is released in 1978 on the Oxigène label. Despite insubstantial sales, this album brings Thierry recognition and success in the very elitist circles of experimental and underground music.



ILITCH’s musical bias was too narrow for Thierry’s ceaseless experimental curiosity, parallel to these activities, he therefore develops a Punk project called RUTH ELLYERI with the author, actress and photographer Murielle Huster. The title is an anagram of Thierry Müller (the complete name is Ruth M. Ellyeri). The character is meant to impersonate one of his schizophrenic facets and allows him to extend his field of expressions to musical styles differing from those in ILITCH.

From this work, the very cult punk piece Mescalito emerges, song that can be found on the mythical but unfortunately very rare compilation 125g de 33 1/3 tours (1979) of the Oxigène label (first “french punk” sampler). At the end of 1978, he meets Philippe Doray at the Oxigene office. Doray is another big name of French experimental music. Thierry moves to his home near Rouen, a remote farmhouse with a music studio made of odds and ends.



They work on their respective creations but meet from time to time on experimentations in common, including CRASH (a tribute to JG Ballard) As early as 1982, a first version of the track Polaroïd/Roman/Photo is out under the name of the project RUTH. “I wanted to write a piece to make the girls dance and make fun of the boys. I plugged a small handmade clock on my Farfisa organ as a sequencer. I had a small Roland synth-guitar, I put the organ in it and that’s how it started.” Philippe is quite amused by the idea of working on a more Pop project and offers to write the text. Thierry works on other tracks for the future LP and asks some friends to write other texts : Edouard Nono, visual artist, writes the lyrics of Mots, Frédérique Lapierre those of Misty Mouse and Tu m’ennuies . It is her voice you hear on these 2 tracks and on the first version of Polaroïd/Roman/Photo. Later, Thierry settles down in the Anagramme recording studio to carry out acoustic sound recordings. But when the sessions are over, the 2 musicians are not too happy with the results of Polaroïd/Roman/Photo: according to them, they lack “flamboyance”. They decide then to record a new female voice with a professional singer and the sound engeneer Patrick Chevalot offers to mix the track in the Synthesis studio “so that it blows out”.



With his tape ready and the help of Jacques Pasquier (S.C.O.P.A. / Invisible records where Ilitch’s second album, 10 Suicides, is released) he starts to contact record companies. “I visited almost all the major record companies and was thrown out every time. Only at RCA’s I found someone interested in my music. It was Francis Fottorino who had signed Kas Product but when it reached the the big boss, no way! Philippe Constantin from Virgin records raised some hope but in vain.



The album was finally released in 1985 with Paris Album, a small independant label.” The album barely sells 50 copies in 1985, despite the eponymous title as a potential success. « In 2004, 2 DJs Marc Colin and Ivan Smagghe discover the track Polaroïd/Roman/Photo and decide to exhume it from oblvion. They release it on a compilation called So Young but so cold (Tigersushi) and then with Born Bad records on the BIPPP compilation in 2008. Thanks to them, the track and the album start a new life.



Alongside his activity as graphic designer, Thierry Müller carries on producing music under his name, those of ILITCH and RUTH for his own creations and various collaborations.

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Ültimo hace: 4 Meses
Djebali x Miroloja - Vista

The sixth release on Les Enfants Records marks a collaboration between two established names in the house music landscape: Djebali and Miroloja.

The record opens with "Vista", a track built around crisp percussion and a steady, evolving groove. On A2, Voigtmann delivers a remix that reinterprets the original with a tighter, more angular approach, adding a new dimension while respecting its core energy.

On the B-side, "Dance With Me" brings a warm, dynamic flow aimed at the dancefloor, followed by "Leather", a deep, percussive closer with weight and restraint.

A solid addition to the Les Enfants catalogue.

Disponible a partir del09.06.2026


Ültimo hace: 7 Días
AMALIAH - HYPNOSIS EP

Amaliah

HYPNOSIS EP

12inchPEACH024
Peach Discs
13.10.2025

Peach Discs’ first EP of the post-summer season comes from DJ, producer, and our good pal Amaliah.

The five tracks that make up the Hypnosis EP are a true showcase of Amaliah's rapidly growing skills as a producer, as she picks thoughtfully from her inspirations and flips them into a uniquely Amaliah-coded record – leaning into the housier side of her sound while incorporating elements of bass, garage, UK funky, and prog that have become her calling card.

Lead track "Hypnosis" draws a line straight back to her early UK raving days, with tuff, speed-garage-indebted drums bouncing off prowling subs and emosh, pinging synth lines, while "Watch This" harnesses a similarly heaving bassline but dips towards classic UKG territory with its swinging, broken beat and disembodied vocal chops.

The closest thing to straight-up house on the EP, "Hold Me Closer," features Amaliah's vocals for the first time, as well as additional production from Shanti – an influence evident in the tight, ascending bassline that wraps itself around the stomping percussion.

"Laser Tag" and "Earthling" are maybe the most Amaliah-coded tracks on the record – a pair of highly percussive, UK funky inspired tunes that balance shoulder-bumping drums with wild, arcing synths that prowl across the stereo field, trippy and screwface inducing in equal measure.

Amaliah is also the founder of Borne Fruits, an independent label, event series, and monthly Rinse FM show, showcasing new sounds and emerging talent. This record follows neatly in that vein, as her own emerging talent marries forward-thinking sound design with her roots in raving and soundsystem culture for an EP that's all her own, and one we're thrilled to release.

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Ültimo hace: 5 Meses
DJ H0TLINE - Mars 96

DJ H0TLINE

Mars 96

12inchCALL1996-064A
CALL 808
10.10.2025

DJ H0TLINE lands on his own imprint CALL 808 with an eclectic four-track EP – now on vinyl for the very first time! „Mars 96“ launches you right into martian orbit with wicked Jungle and playful Techno. On the flipside you forget about time and space with a deep Dubstep cut and finally touch down with floating Ambient.

Named after a failed Russian space mission in 1996 the record comes with an insert with more information – and even the hand stamped label matches the rust-red surface of Mars.

CALL 808 is more than a Cologne-based label, it’s a music hotline that pays artists up to 1000x more per listener than the average streaming service. Try it out & support local artists: 0900 3 808 303 (only 1,50€/min. Available in Germany.).

Product info: 12'' hand-stamped black vinyl + insert. + download

Small first pressing – limited copies available!
DJ H0TLINE landet auf seinem eigenen Label CALL 808 – mit einer abwechslungsreichen Vier-Track-EP, jetzt zum allerersten Mal auf Vinyl!

„Mars 96“ schickt dich direkt in den Orbit, mit wildem Oldschool-Jungle und verspieltem Techno. Verlier dich auf der B-Seite in Raum und Zeit mit einem deepen Dubstep-Track und schwebe mit Ambient in die Stratosphäre hinab.

Benannt nach der gescheiterten russischen Weltraummission von 1996, kommt die Platte mit einem Insert mit Infos und handgestempeltem Label – rostrot wie der Mars.

CALL 808 ist mehr als ein Kölner Label, es ist eine echte Musik-Hotline, die ihren Künstler:innen bis zu 1000× mehr pro Hörer:in auszahlt als Streamingdienste. Ruf an und hör selbst: 09003 808 303 (nur 1,50 €/Min.).

Produktinfo: 12'' schwarzes Vinyl (Hand-gestempelt) + Insert + Download

Kleine erste Pressung – wenige Exemplare verfügbar.

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Ültimo hace: 7 Meses
Sam Ruffillo - Tipo Cosi LP 2x12"

Italian producer, musician, DJ, and groove architect Sam Ruffillo drops his long-awaited debut album Tipo Così on Toy Tonics – a sun-drenched, genre-blurring statement that blends classic house with Mediterranean flair, romantic funk, and tongue-in-cheek Italo vibes. Over 11 expertly crafted tracks, Ruffillo delivers a dancefloor-ready, emotionally rich LP that connects deep musicality with irresistible rhythm and light-hearted elegance.

After three acclaimed EPs and collaborations with revered artists such as Barbara Boeing, Kapote, and Fimiani, Ruffillo has firmly cemented himself as a core artist on the Berlin-based label. Known for his unmistakable signature sound — a warm mix of vintage disco, 90s house, and Italian vocals — Sam’s music has garnered widespread DJ support from tastemakers like Gerd Janson, Palms Trax, Seth Troxler, and DJ Tennis, while becoming a staple on Italian airwaves. His infectious summer anthems like Danza Organica and Perfetta Così have soundtracked countless club nights and festivals, creating a loyal following that eagerly awaited this full-length debut.

Tipo Così is the natural culmination of a musical journey that’s both playful and profound — a travel diary written in grooves, synth stabs, and melodies that feel like postcards from a parallel Mediterranean universe. The album expands and deepens Ruffillo’s world into a fully immersive experience: lush emotional chords meet tight syncopated grooves, vintage synth textures collide with irresistibly catchy pop refrains, and the boundary between sincerity and playful irony is exquisitely blurred.

Entirely written, produced, and recorded in Italy, in his beloved hometown of Bologna, the album finds Ruffillo at the helm on keys, drum machines, and production, supported by a talented cast of musicians contributing live bass, guitar, and other organic elements — further enriching his trademark fusion of electronic grooves and natural instrumentation. There’s a tactile warmth in these tracks, a hands-on feel that adds soul and depth to every beat.

This album also marks Ruffillo’s heartfelt return to singing in Italian, with standout tracks like House Tipo Così, Mi Fa Volare, Ancora, and Dentro Di Me, where romantic naïveté meets pulsing club energy in a way that feels both timeless and refreshingly new. The vocal performances add an intimate, human touch to the music, reinforcing the personal stories woven into each song. There’s poetry in the casual, a bittersweet elegance in the way the lyrics float over groove-heavy production.

Having toured extensively across Europe, Australia, Indonesia, New Zealand, and Mexico — with sets at iconic venues like Panorama Bar and festivals such as Sónar Barcelona — Ruffillo has fine-tuned much of this album in front of live audiences. The real-world testing ground infused the record with a dynamic energy and immediacy that only comes from genuine crowd interaction. These songs weren’t just made in the studio — they were lived on dancefloors around the world.

Tipo Così is not just a collection of tracks. It’s a philosophy — playful, stylish and unmistakably personal. A modern club album bursting with heartfelt emotion and sophistication. Music for dancers with taste; for lovers of beauty, rhythm, and the little imperfections that make things feel real.

But what exactly is Tipo Così? More than just a phrase, it’s a way of being. It’s about embracing elegance without effort, mixing irony with sincerity, and letting nostalgia slip into the room without taking over the party. It’s Sam Ruffillo’s signature language: relaxed, confident, meticulous yet never rigid — where a chord progression can say as much as a lyric, and every beat carries intention.

The album’s visual identity complements this vision perfectly. The artwork and promotional materials lovingly reference Italian design from the ’80s and ’90s, combining bold graphic elements with playful pop culture nods. This aesthetic mirrors Ruffillo’s music — a fusion of vintage warmth and contemporary freshness, delivered with authenticity and charm.

Sam Ruffillo belongs to a new generation of European artists who are reshaping electronic music by blending past and present, analog and digital, groove and emotion — without nostalgia or pose. His artistic universe is coherent, vibrant, and alive; a rich tapestry of sound, images, and stories that coexist with lightness, precision, and a distinctive voice.

Reflecting on his artistic journey, Sam describes music as a vital, deeply human impulse — a tribal connection to rhythm and body that has driven him since he was a teenager. His creative process balances meticulous planning with room for spontaneity, usually sparked by clear melodic ideas that evolve naturally. Collaborations with close friends, especially vocalists like Ninfa, add warmth and authenticity, exemplified in tracks like “House Tipo Così.” For Sam, music is honest self-expression — crafted for listeners who crave memorable melodies and rhythms imbued with genuine feeling.

While technical perfection is tempting, Sam prioritizes emotion, knowing that what truly resonates is the soul behind the sounds. His long-standing partnership with Toy Tonics has been key in nurturing his vision, offering a blend of creative freedom and professional support. Looking ahead, Sam Ruffillo is excited to broaden his live performances, and release new projects that continue to blend electronic grooves with organic, heartfelt sounds — maintaining the delicate balance between playful irony and sincere emotion that defines Tipo Così.




Kurzversion:
Italian DJ, producer and musician Sam Ruffillo drops his debut album Tipo Così on Toy Tonics - a sunny blend of house, funk, Italo and pop, full of groove and emotion. Written and recorded in Bologna with live instruments and Italian vocals, it’s a playful, elegant journey shaped on dancefloors worldwide. A stylish, sincere club album where nostalgia, irony and rhythm meet in perfect harmony.

- Mi Fa Volare
Road-tested across continents and now finally released, “Mi Fa Volare” channels 90s uplifting euphoria with big breakbeats, lush chords, and Italian vocals built to stick. Somewhere between balearic bliss and piano house nostalgia, it’s a feel-good club weapon made for peak-time moments - already sung back by crowds after just one listen.


- Ancora
“Ancora” is a vibrant hi-NRG track inspired by 80s Italo disco, sung entirely in Italian. It blends driving rhythms with dreamy melodies, capturing the radiant spirit of the decade. This fresh yet nostalgic song delivers euphoric vibes and timeless energy, making it a perfect fit for both dancefloors and reflective listening moments worldwide.


- Dentro Di Me
“Dentro Di Me” channels ‘90s sensuality through a fast-paced, UK house-inspired lens. Entirely in Italian, it’s a bold and contemporary dance track where hypnotic vocals meet high-energy grooves. Blending nostalgic textures with forward-thinking production, the result is a seductive and euphoric trip - equal parts emotional and club-ready.


- Amigo
“Amigo” blends Latin groove, acoustic guitar-driven rhythm, and Mediterranean flair into a warm, magnetic, cross-cultural dance anthem. Sung in Spanish and Italian, it celebrates connection, inclusivity, and the joy of moving together - whether stranger or friend. With its unstoppable rhythm and vibrant energy, it’s a feel-good track with a unifying spirit.


- Ma Sei Fuori
“Ma Sei Fuori” is a tongue-in-cheek dancefloor bomb blending raw house energy with catchy vocal phrases and a nod to classic French touch. Driven by hypnotic vocal lines and a playful attitude, it doesn’t take itself too seriously - while still proving serious club impact. Built for late-night moments, it’s bold, bouncy, and impossible to ignore.

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Ültimo hace: 6 Meses
DJ Physical - Guess Who's Back EP

Two years after a debut EP that left a strong mark and defined his raw, distinctive sound, DJ Physical returns with Guess Who's Back, a powerful new chapter in his sonic journey on Molekul. This second EP is a bold and hybrid project, blending high impact influences from Techno, Rave, Breakbeat, UK Garage and Brazilian Phonk into a style that's both unapologetically wild and deeply authentic.
Comprising five explosive tracks, including a standout collaboration with rising artist Thelma, Guess Who's Back is as much a statement of intent as it is a natural evolution of DJ Physical's artistic identity. It's built for the club, full of energy, attitude, and unmistakable character.

Disponible a partir del10.06.2026


Ültimo hace: 35 Días
Yungwebster - II LP 2x12"

Yungwebster

II LP 2x12"

2x12inchSFERIC019
sferic
10.10.2025

In syrupy slow pursuit of a strong 2023 debut, Yungwebster's somnolent sequel is bolstered by pitch-perfect production from Space Afrika and Nathan Melja, who vaporise the rapper's auto-tuned post-Future drawl with euphoric orchestral drones, brittle micro-trap beats and weightless pads.

Over a decade ago at this point, Future released 'Codeine Crazy', the decelerated finale of 'Monster', one of his best-loved mixtapes. The track neatly summarised themes the Atlanta rapper had been circling for years at that point, layering his slurred, lean-dizzy rhymes over producer TM88's rubbery, melancholy synths. "Take all my problems and drink out the bottle," he moaned robotically, using the track's minor key bounce to represent the crushing delirium that followed fame and its tasting menu of intoxicants. It's still Future's high water mark creatively, and its traces can be observed in a full spectrum of contemporary sounds, from 6LACK's downtrodden, self-aware R&B to Lil Uzi Vert's feverish trap. But it's Yungwebster who's taken the haze to its logical conclusion, reimagining the Magic City-sculpted bumps as hypnagogic Actavis- 'n Xanax-hued ambient music. You could argue it was bound to happen - the more you sip, the slower it gets - and plays as a cracked mirror to cloud rap's long-smoked hybrid of Southern psychedelia and post-OutKast eccentricity.

Webster's opiated POV is clearer than ever before on 'II'. Just peep the cracks in his voice on the Space Afrika-produced opener 'Skyfall' as he coughs and splutters over watery samples, booming subs and SA's patented collage of soundtrack-ready strings and sirens. Presented at regular speed and in chipmunked form, it sets the pace for an album that, like its predecessor, constantly fucks with the timeline, pitching the whole master into doubletime or slowing it down to a crawl to present a curved, inebriated narrative rather than a straight line. Even without the tempo switches, Webster singles out beats that accent his warbled rhymes that sound as if they'll fall apart at any moment. French DJ and producer Nathan Melja backs 'Disheveled' with Black Ark-styled oscillations and airlock'd echoes, filtering the bassline until it almost disappears entirely; with room to breathe, Webster's able to take the lead - you might not be able to pick out the words, not entirely at least, but you get the message.

In fact it's Webster's voice that's the revelation on 'II' - with a coherent mix from producer tnotsobad, the nuances and fluttering tonalities emerge more vividly than they have before. It makes the flip between the regular speed and fast on 'Txts Red on iMessage' a textural decision, the different pace shifting the warbled cadences so Webster's voice becomes far more important than the additional elements. And on the album's Space Afrika-produced eight-minute centerpiece 'Crochet / I Swear', Webster's mumbled bio-mechanical whines create a much-needed foil for the decelerated boom-clack and suspended save room ambience. We get to encounter a personality here, not just an aesthetic, so as the album moves into its twilit fourth side, the beatless, voice-led somniferousness of 'YA SA' and ululating 'Phone' come off like a descent into tranquillised sedation. Rap has rarely sounded so chimeric.

Reservar10.10.2025

debe ser publicado en 10.10.2025

Various - SHOCK ROOM 2 LP 2x12"

This is the second volume of the double compila"on Shock Room. This collec"on features iconic
and sought-a(er "techno, trance & progressive" sounds that got en"re genera"ons dancing and
are s"ll being played and sought a(er by DJs and fans of this musical genre. The compila"on
takes its name from the "main room" inside the Ul"mo Impero nightclub in Turin, a historical
temple of '90s techno trance music in Italy

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Ültimo hace: 6 Meses
Charlotte de Witte - The Heads That Know feat. Comma Dee

Charlotte de Witte releases single ‘The Heads that Know’ feat. Comma Dee, out October 2nd on KNTXT. It’s the final LP single to keep excitement building before her self-titled debut album ‘Charlotte de Witte’ drops on November 7th.

The single release marks the start of her 2nd-5th October London city takeover. Following the insane success of her NYC takeover, she plays 5 shows in 4 days in London, including The Shard, fabric, The Cause, Magazine + one TBA. This mix of intimate cultural spaces and large uncompromising venues celebrates de Witte’s love of the city and its rave scene over her 10+ year career.

‘I'm very excited to launch this single in London’ Charlotte says. ‘The city has played a massive role in my growth as an artist and I’ve had many memorable shows there, from the smaller and more intimate venues like Village Underground to Tobacco Dock, Printworks and Drumsheds and many summer festivals. The London crowd is special. I'm looking forward to playing different sets in different settings in your wonderful city to celebrate the launch of the third single of my upcoming album. This will be one for the books.’

The new single, the third release from the LP, is already a set highlight for de Witte, going back to May’s pop-up secret set on the Williamsburg Bridge. It features Welsh producer/DJ Comma Dee, D&B, Hip Hop, Rap, & Grime exponent. Says Charlotte, ‘it’s a poetic dispatch from the shadows. It's for the ones who move with quiet power. This track is a tribute to the underground. It's for the ones who move with certainty. It's for the heads that know.’

‘The Heads that Know’ feat. Comma Dee: Fast, rattling techno spiced with spacey sine wave sounds and an acid dose in the breakdown, supports a hypnotic high synth theme and Comma Dee’s rhyming rap double quatrain through a crescendo/diminuendo swoop.

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Ültimo hace: 41 Días
DJ Hell, Truncate, DJ T-1000, Mark Broom - AFM001

Heavy-weight club tracks! Activity FM launches with a bang. The first V/A EP sets a bold tone: four heavyweight cuts built for serious floors. DJ Hell leads with Scale, a pounding darkside anthem. Truncate follows with Where Do We Go - a peak-time acid weapon. Detroits DJ T-1000 delivers No Victims Only Volunteers, a fierce dose of machine funk mastery. Closing it out, UK legend Mark Broom unearths Nineties - an unreleased time capsule from 92-93, straight from the DAT vaults.
Artwork by Activity Vision.
Full support from Ben Sims, DJ Bone, Detroit In Effect, The Advent, Marcel Dettmann, Jerome Hill, Alienata, Slam, Sol Ortega, Om Unit.

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Ültimo hace: 61 Días
MR SAM - HERITAGE (LP Boxset 10x12")

Mr Sam

HERITAGE (LP Boxset 10x12")

8x12"-Vinyl5411172
541 Label
08.10.2025
 
40

Mr Sam - HERITAGE (1995-2025)

HERITAGE celebrates 30 years of Mr Sam's career in a world-first collector's edition: a monumental best-of gathering 40 tracks across 10 vinyls. Never before has an electronic DJ and producer released such a project - an unprecedented box set that stands as a unique, sincere and intimate journey, blending emotion, innovation and musical memory.

Each track has been carefully selected, remastered, and placed as part of a personal narrative. More than just a compilation, HERITAGE is a musical journey - the story of an artist who has shaped the trance and progressive scene worldwide since 1995, and who continues to write history, with this release sealing his legacy forever.

The album features his most iconic productions (Lotus, the Screen series, Forever Waiting, Lyteo...) alongside timeless contributions from artists who influenced a generation, including D*Note, Timo Maas, Jam & Spoon...

This is more than a retrospective - with HERITAGE, Mr Sam permanently engraves his legacy in the history of electronic music.

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Ültimo hace: 6 Meses
DJ Hell, Truncate, DJ T-1000, Mark Broom - AFM001

Heavy-weight club tracks! Activity FM launches with a bang. The first V/A EP sets a bold tone: four heavyweight cuts built for serious floors. DJ Hell leads with Scale, a pounding darkside anthem. Truncate follows with Where Do We Go - a peak-time acid weapon. Detroits DJ T-1000 delivers No Victims Only Volunteers, a fierce dose of machine funk mastery. Closing it out, UK legend Mark Broom unearths Nineties - an unreleased time capsule from 92-93, straight from the DAT vaults.
Artwork by Activity Vision.
Full support from Ben Sims, DJ Bone, Detroit In Effect, The Advent, Marcel Dettmann, Jerome Hill, Alienata, Slam, Sol Ortega, Om Unit.

Disponible a partir del10.06.2026


Ültimo hace: 42 Días
Various - Foreign Mail 03

Various

Foreign Mail 03

12inchFMAIL03
Foreign Mail
07.10.2025

Rising heavyweights of the World Wide Web's underground global market join their efforts to present the third entry in the Foreign Mail twelve-inch compilation series.

Two techno stompers filling the grooves of side A composed by two personalities of the American subversive rave scene. Flip the record for a completely different vibe carefully crafted by Mr. Steele, DJ Sacred and Foreign Mail (the brand new collaborative project between Antonio Patillas and DJ Boyfriend).

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Ültimo hace: 8 Meses
Brain Rays - Slime MC (TAPE)

Benjamin Hudson returns to Acroplane, following his last projects with us as Ebola (Wrong Music) and one half of Baconhead, with 'Slime'… and he's brought a load of his talented mates to collaborate with him.

Artwork by Everything Alllways

Mastering by James Forde Stewart @ Sorting Room Studios.

Brain Rays is part of queer collective, DOOMSCROLL, and Devon art & party crew, Bizarre Rituals. He is also a co-founder of Wrong Music alongside DJ Scotch Egg and Matt Lambert (Roger Species).

Known for his hectic, high pressure output with Quiet, and film soundtrack work (as part of Unknown Horrors) collaborating with director Dean Puckett (The Severed Sun, The Sermon, Satan's Bite) and Rhys Chapman (Wonderkid). As a DJ he has performed all over the world, including Transmediale Festival (Berlin), Today's Art (Den Haag) and Boomtown Fair, as well as two live sessions at Radio 1's legendary Maida Vale Studios. As a producer he has garnered support from the likes of Mary Anne Hobbs, ETCH, Huw Stephens, Drumskull, Annie Mac, and Nikki Nair.

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Ültimo hace: 8 Meses
Kerri Chandler & Dennis Quin Featuring Troy Denari - You Are In My System (Philip George Remix)

Kerri Chandler & Dennis Quin Featuring Troy Denari

You Are In My System (Philip George Remix)

12inchKT030REV
Kaoz Theory
03.10.2025

DJ Support: The Martinez Brothers, Luuk Van Dijk, Prunk, Locklead, Prospa and Sidney Charles.

Nottingham, UK born producer and DJ Philipp George returns with a fresh new remix of Kerri Chandler, Dennis Quin & Troy Denari's heavy hitting ‘You Are In My System’

A sleek, club-ready remix keeping the soulful essence of the original while injecting his signature crisp percussion and modern synth work. The result is a fresh, high-energy rework that bridges classic house grooves with contemporary dancefloor appeal.

Disponible a partir del12.06.2026


Ültimo hace: 7 Días
THE EXPERT - VIVID VISIONS
  • Vv Overture
  • Strange Visions (Ft. Aj Suede)
  • 40: Winks (Ft. Nahreally)
  • Dreams (Ft. Blu & Stik Figa)
  • What It Looks Like (Ft. Buck 65)
  • Take A Trip (Ft. Dillon, Donwill, Nahreally, Rob Cave & Dj Jus'me)
  • Acid Test (Ft. Penpals)
  • A Different Reality (Ft. Milc)
  • Mind Of A Maniac (Ft. Duncecap)
  • My Logic
  • Electric Kool-Aid House Band (Ft. Shrapknel)
  • Running (Ft. Andrew & Defcee)
  • Comfortable Blue Sofa (Ft. Regular Henry)
  • Remember The Summer (Ft. Defcee & Jehst)
  • Head In The Trees (Ft. Lungs)
  • Carrie (Laugh At You) (Ft. Anwar Highsign)
  • In The Style Of Bigg Jus (Ft. Defcee)
  • Perfect Trip

Vivid Visions ist eine psychedelische Reise durch modernen Indie-Rap, kreiert vom irischen Produzenten The Expert. Inspiriert von surrealen Traumlandschaften wie Twin Peaks und The Monkees' Head verbindet das Album abwechslungsreiche Klangwelten mit rauen Texten von 21 Gast-Rappern aus verschiedenen Generationen und Ländern. Das Ergebnis ist ein kaleidoskopisches Soundbild - mal luftig und geheimnisvoll, mal bunt und verspielt - getragen von The Experts markantem Bass. Ob Blu, Buck 65 oder aufstrebende Talente wie AJ Suede, jede Stimme bringt eine eigene Facette in diesen klanglichen Trip ein. Mehr als nur eine Beat-Kompilation fühlt sich Vivid Visions wie ein audiovisueller Film an: atmosphärisch, cineastisch und voller Persönlichkeit. Es ist eine Feier des Indie-Raps gestern, heute und morgen, zusammengeführt von einem der kreativsten Produzenten der Szene.

Reservar03.10.2025

debe ser publicado en 03.10.2025

Leon Vynehall - In Daytona Yellow LP

Acclaimed British artist Leon Vynehall presents is highly anticipated third album, In Daytona Yellow, via Ooze INC. Marking the next stage in the Ivor Novello-nominated producer and DJ’s evolving sound, In Daytona Yellow showcases Vynehall’s experimentations with fringe electronics, pop, and R&B, and his growing confidence through collaboration and live vocals. Across 10 hypnotically off-kilter tracks, we hear Vynehall at his most deft and diaristic.

Over the past 13 years, Vynehall has built a formidable reputation through his genre-defying artistry. From his early days as a leftfield house producer releasing on labels like Aus Music, Running Back, 3024, and Rush Hour, to his critically acclaimed debut album Nothing Is Still (2018) and the boundary-pushing Rare, Forever (2021), he has continually redefined his creative limits. While Rare, Forever was a bold step away from dance music—melding post-punk textures with experimental electronics—In Daytona Yellow pushes these experiments into a more traditional songwriting framework, inspired by both contemporary and 80s avant-pop.

In Daytona Yellow is set to be a career-defining release, cementing Leon Vynehall as one of electronic music’s most innovative and thought-provoking artists, part of a vanguard expanding the ambition of electronic music.

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Ültimo hace: 3 Meses
Slippy G - Multicolored Echoes EP

Slippy G

Multicolored Echoes EP

12inchRAWSOUL010
Raw Soul
03.10.2025

To celebrate our 10th release, we are proud to welcome Slippy G (@slippygmusic) to the RAW SOUL family.
The Cologne-based producer, DJ and freestyle rapper was inspired by the German beat scene, J Dilla and niche underground rap while growing up with hip-hop.
He also delved deeply into electronic music, discovering the shared DNA between beat-driven hip-hop and early house productions - from the raw energy to the production techniques of the legendary Akai MPC.
Over the years, Slippy G has built his own creative playground, crafting a sound that blends groove, warmth and raw authenticity with his own vocals.
RAWSOUL010 delivers six versatile tracks designed for the dance floor, smooth warm-ups and sunrise moments at festivals. Across the release, Slippy G showcases the vibrant soundscapes in his repertoire. If you're looking for grooves that get you in the pocket or house tracks that pay homage to the early '90s with a playful twist, RAW SOUL 010 has you covered.
With a fresh new look and a timeless, forward-thinking sound, this anniversary release marks a significant milestone for the label and the beginning of an exciting new chapter for Slippy G.

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Ültimo hace: 4 Meses
Fred P - Distant Travels EP

Francois Kevorkian (Wave) : Lovely EP, atmospheric vibes.
Chris Udoh (Various) : Lovely !!!
Lea Lisa (Phonica Records / Folklor Club) : Fred P is a master of deep house. Live Long Love & When in Miami for me.
Will Hofbauer (Third Place, Wisdom Teeth, Rinse) : nice n deep ty!
Radio Slave (Rekids) : The King is back and what an EP ! Full support.
Jon Hester (Rekids, EDEC, Les Enfants Terribles, L.A.G.) : Lovely vibes on When In Miami and Live Long Love!
Jacques Renault : Nice EP, into When In Miami and The Heights in particular
Danny Howells (Dig Deeper) : Love Fred so much, always the highest quality music with soul. All four are stunners.
Dan Beaumont (Chapter 10 / NTS) : Always brilliant.. deeep! When in Miami for me
DJ Sprinkles (Comatonse) : thank you
Kai Alce (Real Soon) : Live Long Fred P!
Tomoki Tamura (Holic Trax) : pure class, deep house
Raresh (ar:pi:ar) : super! thanks
Laurent Garnier : FRED P alwayssssssssssssssss
Marcel Dettmann : thx
Archie Hamilton (Microhertz / FUSE) : Nice thanks
DVS1 : thanks
Alinka (Twirl, Classic, Crosstown Rebels, Batty Bass) : Beautiful tracks
Pat Hyland (Northside Loft Society) : Fred P is a master of deep. AWEsome EP!
Thor (Thor-Thule Records) : Another great release by the master of Deep House. Full support
Colin Dale : One of my fave producers from way back! Excellent 4 tracker with all the cuts 'hittin' the mark'. Will rotate & support.
Geir Aspenes (G-Ha (Sunkissed)) : Thank u
Jaye Ward (Dalston Super Store / Netil Radio) : Syncrophone just continues to churn out the goodness.. love Fred P too. so deep and full of the good soul ace! thx
Ame (Innervisions) : thanks
Domenic Cappello (Subclub) : love this
Greg Gow (Restructured / Transmat / KMS) : cool vibes full support
Jerome Sydenham (Ibadan) : When Miami is the business! Overall nice E.P!
Bill Brewster (NTS) : FRED P RETURNS!
Bailey Ibbs (Metafloor Records / Habits / Dansu Discs) : Live Long Love <3

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Ültimo hace: 7 Días
Malka Family - Planète Claire LP 2x12"

Since their reunion in 2015, Malka Family has been enchanting stages once again and releasing fabulous albums. Le Retour Du Kif (2018) and SuperLune (2022), featuring almost all of the original musicians, have marked their comeback.
Today, Planète Claire, a 16 tracks album, is undoubtedly one of Malka Family’s best works.
It was urgent for the great Funk families to return and give the new generations a lesson of kif…
Back to the Roots

In 1987, after organizing the Chez Roger Boîte Funk parties with Dee Nasty and Actuel/Radio Nova, Joseph Mannix and Isaac Ben Araz (then guitarist and trombonist of the group Human Spirit) decided to create a French-style Funk band.
The group quickly became one of the most spectacular live sensations of the 1990s.
Their self-produced debut album, Malka On The Beach, was released in 1991. Both the press and the public went crazy for these little funkateers, leading to a series of non-stop tours. Their concerts—wild, costumed performances—drew massive crowds. Warner France took notice and signed them.

Their second album, Tous Des Ouf (WEA), a true Space Opera P-Funk featuring guests like Sidney (Hip-Hop), Dee Nasty, Marco Prince (FFF), Juan Rozoff, and more, was released in 1992.

After touring the world multiple times, the band became independent again in 1995 and recorded an EP for Big Cheese Records: Fricassé De Funk.

By the late ‘90s, the rise of DJs and electronic music signaled the decline of large live bands. Due to its logistical weight—the band had over 14 members on their last tour—Malka Family was forced to part ways in 1997 after touring for their album Fotoukonkass (RCA/BMG).

But that was without counting on the resilience and extraordinary freshness of these Funk performers…

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Ültimo hace: 6 Meses
Various - Naya Beat Volume 1: South Asian Dance and Electronic Music 1983-1992

Naya Beat Records is proud to present its release Naya Beat Volume 1: South Asian Dance and Electronic Music 1983-1992. This is the first in a series of compilations and full-length album reissues dedicated to uncovering hidden electronic and dance music gems from the overlooked ‘80s and ‘90s South Asian music scene.
The compilation features future classics from India, Pakistan, the U.K., Canada, Guyana and Suriname released between 1983 and 1992. From East-West’s dancefloor filler "Can't Face The Night (Club Mix)" to Remo’s balearic masterpiece "Jungle Days" (off his seminal album Bombay City!) to other disco, synth-pop, and balearic dancefloor bangers from artists like Babla & His Orchestra, Sheila Chandra, Bappi Lahiri and Asha Puthli to name a few, this double album includes highly sought after, previously never reissued and otherwise impossible to find grails.
The double album has been mastered by multi Grammy-nominated Frank Merritt at his mastering studio The Carvery and includes some killer remixes and edits by Naya Beat co-founders Turbotito and Ragz.
Turbotito and Ragz have this to say about the release: “We’ve spent the last year meticulously remastering some of the coolest finds from our collection and have had the honor of working in close partnership with many of the original artists. We are beyond excited to bring this music out to a new generation of dance and electronic music lovers.”
Founded by former Poolside member Filip Nikolic (Turbotito) and DJ and record collector Raghav Mani (Ragz) Naya Beat (loosely translated from Hindi as “New Beat”) is building on the success of seminal South Asian dance and electronic reissues like Rupa Disco Jazz and Charanjit Singh’s iconic Ten Ragas To A Disco Beat. Turbotito and Ragz have spent years digging for records in the most unusual places, from the crowded and dusty markets of New Delhi, Mumbai and Chennai to the Guyanese corner shops in Jamaica, Queens, to the Surinamese record stores in Amsterdam and the South Asian communities of London and Birmingham. They have amassed an exceptionally deep treasure trove of dance and groove-based music that has never been reissued

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Ültimo hace: 8 Meses
Various - 15 Years Of Dame-Music Vol. 3

15 Years Of Dame-Music Vol. 3 marks the final chapter in a celebratory trilogy from the label, closing out a decade and a half of fearless sonic exploration.

True to form, Vol. 3 delivers a curated cross-section of techno, electro, and acidic dancefloor pressure, each track a statement, each artist a pillar of the underground.
From outer space techno to basement electro, this record is a testament to the label’s enduring influence and unrelenting spirit, with six standout cuts from across the techno and electro spectrum which inc. artists such as Dr Smoke (aka Oscar Mulero), DJ MELL G, Millimetric, Alienata, Delectro and label head Bloody Mary.

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Ültimo hace: 6 Meses
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