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It's rare to see Nassau, Covid and Grace Jones in the same sentence, but they were indeed part of the creative basis for DJ Vadim's brand new album, FEEL UP.

As a busy international DJ, this was nothing short of armageddon for Vadim. The skies were darkened, but rather than sink into inactivity and hibernation, DJ Vadim created within himself his own tropical music festival, an alternative universe that would share some kind of kinship with the recordings made at Compass Point Studios, orchestrated by Chris Blackwell for Grace Jones (1980-1982), James Brown, AC/DC, and many others...

It was a melting pot of world-class musicians, blending reggae, pop, soul and African rhythms and sounds... together creating one of the most influential albums of the period, and it was in this spirit that the inspiration and title of DJ Vadim's new album, FEEL UP (literally 'Feel good' / 'Have the strength, the courage'), was born.

Forty years after those sessions at Compass Point Studios, the same quest for discovery took place in Vadim's Barcelona studio. The desire for growth, self-discovery and the creation of new sounds took hold. The dubcatcher with its 80s digital sounds went out and came back with a wide variety of musical tapas.

Inhale, exhale, FEEL UP is the soundtrack you've been missing without even knowing it!

Inspired by Muddy Waters and other blues greats, the South London blues-rock band Killing Floor was formed in 1968 with lead singer and harmonica player Bill Thorndycraft, guitarist Mike Clarke, bassist Stuart McDonald, pianist Lou Martin and percussionist Bas Smith. This self-titled debut set, issued by the independent Spark label (and licensed to Sire for US pressings), was produced with care by former DJ John Edward, based on Chicago blues material, as heard on the cover of Willie Dixon’s ‘You Need Love.’ This is the band at their rawest beginnings, a grittier traditional blues set that contrasts with later work for Larry Page.

We are thrilled to kick off our label endeavors with one of the rarest and simultaneously best-recorded independently released German new wave singles in history: "Jede Nacht derselbe Traum" ("The Same Dream Every Night") by Total.

Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.

The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.

The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.

In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.

We are thrilled to kick off our label endeavors with one of the rarest and simultaneously best-recorded independently released German new wave singles in history: "Jede Nacht derselbe Traum" ("The Same Dream Every Night") by Total.

Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.

The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.

The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.

In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.

Die Musik von Arabrot ist zeitlos. Gerade wenn man glaubt, einen Einfluss oder Bezugspunkt ausgemacht zu haben, entzieht sie sich dem Zugriff, dreht und wendet sich in unerwartete Richtungen und formt einen Sound, der wirklich einzigartig ist. In den letzten zwei Jahrzehnten hat sich Arabrot durch mehrere Iterationen gewandelt; sie haben verschiedene Formen und Größen ausprobiert, verschiedene Stimmungen aufgenommen und die Außengrenzen verschiedener Genres erkundet und klangen dabei nie weniger als ganz sie selbst. 2023 erscheint ihr zehntes Album, Of Darkness and Light - ein Grund zum Feiern. Kjetil Nernes war der Kern und die Konstante von Arabrot, und seit einiger Zeit schlägt neben ihm ein weiteres Herz im perfekten Gleichklang. Karin Park, eine Partnerin im Leben, in der Liebe und in der Musik, trägt seit zehn Jahren in unterschiedlichem Maße zu Arabrot bei, und auf Of Darkness and Light ist ihre Präsenz sowohl gefestigt als auch verstärkt. Die beiden leben zusammen in einer Kirche in dem schwedischen Dorf, in dem Karin aufgewachsen ist, und haben sich ihr eigenes Reich geschaffen, in dem sie ihre Kinder, ihr Handwerk und ihre kreativen Visionen pflegen. Of Darkness and Light brauchte einige Zeit, um Gestalt anzunehmen. Der Lebenslauf von Produzent Alain Johannes liest sich wie ein Who's Who der Rockmusik. Er ist selbst ein versierter Musiker (er spielte mit PJ Harvey, Queens of the Stone Age und Them Crooked Vultures und hatte auch seine eigene Band Eleven) und verfügt über langjährige Erfahrung als Produzent. Es war seine Arbeit an Mark Lanegans Album Straight Songs of Sorrow aus dem Jahr 2020, die Kjetil auf ihn aufmerksam machte, bevor Kismet eingriff und die beiden zusammenbrachte. Alain erklärte, dass "mein Bauchgefühl immer richtig ist" und zog im August 2022 ins Djura Missionshus, auch bekannt als die Kirche von A°rabrot, um mit der Arbeit zu beginnen. Das Trio verbrachte mehrere Wochen damit, die Arbeit mit dem Familienleben zu verbinden und die Puzzleteile zusammenzusetzen, aus denen sich Of Darkness and Light zusammensetzt - ihr erstes Album, das komplett in der Kirche aufgenommen wurde. Das Ergebnis ist ein echtes Rockalbum - unter der elektrisierenden Fassade aus flirrenden Synthesizern und raffiniertem Glitzern schlägt ein schweres Rockherz. Die Worte werden dem unbändigen, konkupiszenten Verlangen kaum gerecht, das sich hinter ihrem Schlachtruf We Want Blood verbirgt - einem hymnischen, mit den Füßen stampfenden Vorstoß, der in der Mitte des Albums liegt. An anderer Stelle stehen düstere Mörderballaden neben feierlichen "Fuck Yeah"-Momenten der Freude; ihre reduzierte Herangehensweise an die Instrumentierung schmälert nicht den Reichtum ihres Sounds. Für Freunde von SWANS, KILLING JOKE, WOVENHAND, CHELSEA WOLFE, THE MELVINS, CAPTAIN BEEFHEART, NINE INCH NAILS Ltd Pink Single Colour LP (We Want Blood Edition), Gatefold Cover

The Capitols were an American, Detroit, Michigan-based soul trio, widely known in 1966 for their Billboard hit single "Cool Jerk". After playing predominantly small gigs, they were discovered by former Ann Arbor radio DJ Ollie McLaughlin after performing at a local dance.

The mid-1960s saw many dance crazes; one of the most popular ones was a dance called "the jerk". Seeking to capitalize on the popularity of the dance, and dance songs in general, The Capitols member Donald Storball wrote the song "Cool Jerk", which was later recorded in Detroit with Motown house band The Funk Brothers. The single was released late March 1966 and became a hit, reaching number 7 on the Billboard Hot 100. Ever since, it has been used in many movie soundtracks, including More American Graffiti, Home Alone 2: Lost in New York, and Madagascar 3. The group released eight additional singles after "Cool Jerk".

So, let's crank up the stereo and Dance The Cool Jerk!

Dance The Cool Jerk is available as a limited edition of 750 individually numbered copies on red coloured vinyl.

Shortly after the great Envision EP (Xistence 001) Dublin based Phil Robertson DJ/Producer alias Arbilla back with it’s second release on his own imprint Xistence Records. This 4 tracker EP brings some dark Detroit Techno where classic meets the modern sound. The title track “Moving Forward” is from the deeper side of techno, futuristic synth melodies with heavy claps and bleeps.

Detroit’s techno legend, lifetime member of Underground Resistance, master of the darkness James Pennington aka Suburban Knight on remix duty... pure Detroit machine funk, more groove oriented version with filthy bass. Flip side track called Windjana is solid but with a classic claps/hihats which driving by a massive bassline.

Life Scenario with dark melodies,heavy percussions, and killer bassline inspired by James’ sound and shows mad respect & much love for Motor City underground.

On October 20, 2023, Anetha will release her third tempetuous compilation on her label Mama told ya entitled MTY-AIR «Mille attaques, les vents contrèrent», just one year after MTY-TERRE «Contre tout, toutes et tous, la terre demeure» and two years after MTY-EAU «L’eau repousse les feux agressifs».

Through air element, the compilation comes up with the collaboration of 22 artists with 20 tracks, divided into 4 vinyls: Once again, Anetha carried away with her a generation of electronic artists from around the world to simply blow our mind.

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ON AIR: After twelve successful releases on Mama told ya, Anetha paraglides in our skies with the stormful MTY-AIR, a volatile new compilation: 4 swirling vinyls, 20 aerodynamics tracks, 1 wind blowing perfume.

Entitled «Mille attaques, les vents contrèrent», it will be the third of a series around the four elements. Capricious yet vigorous, air sweeps out everything on its way. Nothing can save you when you’re in the eye of the cyclone: prepare to fly hard. Alongside our windbreaker artists, skydive into the celestial vastness of sound: Gusts of disturbed techno, squalls of groove, mental tornado, minimal bass hurricane, cloudburst of psytrance… Time to get some fresh air.

Piercing pampero, mad mistral, forceful cierzo are blowing, blazing khamsin, steady sirocco, sharp shamal, dank nor’wester are entwining… Techno winds from all around the world are joining the fight against humanity. This is « Endgame » (B2). Final chapter, twisters and typhoons are cleansing the surface of earth, overthrowing everything on their path. Poor soul, don’t try to confront air’s blast as it will « Facelift » (D2) the shit out of you in less than a second. Take shelter as air is untouchable, unpredictable, unstoppable. Or if you’re brave enough, you’ll jump into the sky, looking for the currents to carry you up, sailing whirlwinds, riding airwaves, on the road to the « Temples of Quantum » (H2). Now jump!

The artwork has been once again entrusted to visual artist Karin Kimel, who worked on MTY-EAU’s artwork. She delivers an aerial scenery where supernal wafts are swirling, embalming our air. Diplomatie Studio took care of the design, mastering was entrusted to Sixbitdeep. And for the second time, with a direct message from earth to Earth, we opted for recycled vinyls.

Introducing the eagerly awaited second instalment of Fabio's meticulously curated collection of liquid Drum & Bass classics - 'Generation Liquid.'

Fabio, a true legend in the music industry for over three decades, kickstarted his illustrious career as a Pirate Radio DJ in the mid-80s. Throughout the years, he masterfully evolved his style across various musical genres, ranging from Dub and Hip Hop to House, until he ultimately solidified his position as one of the pioneering forces behind Jungle and Drum and Bass. Fate played a remarkable role in Fabio's extraordinary musical journey. Serendipitously, he landed a pivotal spot on the pirate radio station Phase One, all thanks to a connection through a close friend. This opportunity allowed Fabio to showcase his raw talent and hone his early skills. As destiny continued to guide him, Fabio formed a powerful partnership with Grooverider, and together, they soared to fame, headlining numerous major outdoor raves and orbital M25 parties during the late '80s acid house boom. The duo's magnetic presence and innovative sound captivated audiences, setting them apart as trailblazers in the electronic music scene.

As club culture blossomed, Fabio and Grooverider became the distinguished residents at the iconic club night RAGE, hosted at Heaven in the heart of London. Their influence was immense, as they were credited with moulding the early Jungle sound and orchestrating the world's first-ever weekly Jungle night. Fabio's unwavering passion and dedication to music have not only left an indelible mark on the industry but have also inspired countless aspiring artists. His boundless creativity and willingness to push the boundaries continue to shape the ever-evolving landscape of electronic music, solidifying his status as a true pioneer and a living legend.

After the Jungle scene declined and underwent a distinct shift in sound and style, Fabio took the initiative to establish London's first dedicated soulful deep Drum and Bass night, known as Speed. Week after week, Fabio shared the decks with LTJ Bukem, and their skilful sets eventually garnered immense popularity, drawing in not only junglists but also celebrities, club kids, record label A&R representatives, and the who's who of the West End at that time. When the curtain fell on Speed Fabio's legacy continued to flourish with the inception of his legendary Swerve weekly residency at The Velvet Rooms, which later relocated to the iconic club, The End. The influence of Swerve was profound, serving as a catalyst for the creation of influential labels like Hospital Records, Tony Coleman (also known as London Elektricity) became a regular attendee, further contributing to the scene's growth and innovation.

The term 'Liquid', was born out of Fabio's deep admiration and support for his protégé, the talented Northern Irish producer and DJ, Dominick Martin, famously known as Calibre. This inspiration led to the creation of his acclaimed 14-year radio show on BBC Radio 1, 'The Liquid Funk Show', which drew from Calibre's masterful productions that Fabio likened to "liquid gold" for the ears. Through this show, Fabio played a crucial role in breaking numerous iconic records, and artists such as Chase & Status, High Contrast, and many many more.

Now, 'Generation Liquid' takes the baton from the legacy of Speed, Swerve, and 'The Liquid Funk show', capturing the essence of the era and the soulful, deeper music that Fabio has championed throughout his illustrious career. This meticulously curated collection celebrates records that embody the spirit of soulful D&B, making it a must-have for anyone who has followed Fabio's musical journey since the vibrant days of the 1990s up until now.

The second volume of this immersive exploration into the soulful realm of Drum & Bass is just as indispensable as its predecessor. It boasts a curated collection of rarities, timeless classics, and straight-up anthems from the vibrant liquid D&B scene. Esteemed artists such as DJ Marky, Calibre, Calyx & TeeBee, and dBridge all contribute to what is undeniably becoming a seminal anthology of the subgenre. The track selection and seamless programming are expertly guided by none other than Fabio himself, providing listeners with a nostalgic glimpse into the electrifying atmosphere of being right on the dance-floor at iconic events Speed and Swerve.

Keita Sano is a prolific Japanese producer who has released on revered labels such as Mister Saturday Night, Lets Play House, Morris Audio and 1080P. His fusion of dark, distorted, acidic textures and crunchy disco beats gives his produc tions a unique sound which works perfectly for Delusions Of Grandeur and the label is proud to welcome him for his debut DOG EP entitled Love Is Emotion.

The title track comes on like a proverbial runaway train with heavy, pounding beats and bassline forging things ahead while the most twisted, tripped out FX rise and fall creating an absolute juggernaut of a track which takes no prisoners. A decept ively simple DJ tool which is loaded with drama for maximum impact on the more left of centre dance floors.

Up next we have Violet which takes a low-slung deep house approach but with the grit and dirt that Keita always brings to the party. The first half of the track teases with tension-building chords and syncopated bassline which bounces around a massive four on the floor kick drum. Things fall away in the middle of the track to reveal a beautiful, heartwarming piano part, setting the scene before things get truly epic with orchestral strings bringing a touch of the film noir to proceedings.

I’m A Man picks up the pace again for an intense acid work out which pushes the sonic boundaries to the limits with seriously warped FX creating mayhem around a simple, percussive disco groove. As secret weapon DJ tools go, this is right up there.

Closing out this mind-bending release Keita remains in experimental mode on Love Is Emotion offsetting melodic arpeggios and sweet chords with off-kilter sonic madness ensuring things remain dark, dirty and deep.

Summit Fever is a pair of industry veterans who opt to stay out of the spotlight and prefer to let the music speak for itself. Here they emerge from the shadows with a four-tracker entitled ‘Something Forever’ that includes a mesmerizing remix by Larse (Defected, Glitterbox, DFA, Eskimo). Prepare to be taken on an exhilarating journey back in time as they showcase their love for classic ‘90s house that is set to captivate the hearts and ears of house music enthusiasts and reignite the flame of nostalgia.

DJ support: Wolfram, Jimpster, Marcel Vogel, Graeme Park, Souldynamic, Hifi Sean, Androosh, Johannes Albert, Willie Graff, Dave Jarvis, Pastaboys, DJ Harri, Lisa Loud, Jerry Bouthier, Kiko Navarro, Kelvin Andrews, Neil, Diablo, Lex Athens, Rocksteady Disco, Flash Atkins, FSQ, Mr Shiver, Ravanelli Disco Club, Ed Maho

Three 6 Mafia fans canget their hands on Hypnotize Camp Posse's one and only album on limited edition vinyl. Originally released in 2000 only on CD and cassette, Get On Down gives this southern Hip-Hop classic a proper release on vinyl. Featuring all The Hypnotize Minds affiliates DJ Paul, Juicy J, Project Pat, Lord Infamous, Crunchy Black, Gangsta Boo, La Chat, T-Rock, & Koopsta Knicca.

This legendary compilation album from 1993 with the hardcore classics from ‘day one’ of #1 oldschool hardcore label, ‘Rotterdam Records’, now for the first time available on longplay vinyl. Limited edition on crystal clear vinyl.

Never Before Reissued On Vinyl! After the smash success of Deee-lite's debut record World Clique, and their now-iconic dance club hit "Groove Is In The Heart", anticipation was high for a follow-up from the New York-based dance music trio of vocalist Miss Lady Kier, and producers DJ Towa Tei and Super DJ Dmitri.

For their sophomore record Infinity Within, Deee-Lite opted to venture in a different direction of sorts. The club-embracing disco-funk sounds and groovy vibes of World Clique were everpresent, but while that record contained themes of global togetherness, Infinity Within took a more socially aware route, with politically charged themes of environmentalism, (To show their bonafidese, Infinity Within was one of the first titles to be issued in an ecologically friendly Eco-pak.) sexual liberation, voting rights, and critique of the juidicial system.

Taking major inspiration from the ancient Chinese divination text I Ching, Miss Lady Kier would later explain that Infinity Within was a natural progression for the group, not a departure. Elaborating in an interview with Reflex Magazine, she remarked: "The reason why we titled this new album Infinity Within to balance out World Clique’s idea of looking outward and thinking about unity is if you look outward, you should look inward to see what you’re doing as an individual.

Because people seem to be so passive I’d like to see people turn their TV sets off and start protesting." Infinity Within was not the overwhelming commercial success that World Clique was, but it's tracks shined on the Billboard Dance Club charts, with it's lead single "Runaway" reaching #1 on the chart, bolstered by a Gus Van Sant-directed music video.

The record also featured a slew of top-tier collaborators, including Parliament veterans Bernie Worrell, Maceo Parker and Bootsy Collins (Returning from their appearances on World Clique) as well as Bootsy's brother Catfish Collins, legendary house DJ Statoshi Tomiie, and rap verses from Michael Franti, Jamal-Ski, and a pre-"Tennessee" Arrested Development.

Even though critical reaction at the time was cooler than their debut, over the years Infinity Within has been considered an underrated
gem of 90's dance, a classic of early club and house music, and a remarkable follow-up for Deee-Lite.

Gottwax is back with its seventh instalment, and this time, the reins are in the hands of the Beeyou co-founder and FUSE regular, Laidlaw. Laidlaw showcases his unparalleled talent and versatility as a producer in the 'Prophecy' EP, solidifying his status as one of the rising stars in the scene. This four-track EP takes listeners on a journey through deep house, stripped-back grooves, and breakbeat, making it an absolute essential for every discerning DJ's collection.

The EP kicks off with 'Wait Till The End,' a deep house gem with a playful bass line, moody chords, and sparkling top notes. Each element is thoughtfully crafted, blending harmoniously to create an atmosphere that subtly builds throughout the track. 'Wait Till The End' is a flawlessly realised tune, serving as an incredibly strong start to this EP.

Next up is 'Planet 727,’ is a minimal groover with deep, subby bass and hints of tribal drums, infusing the rhythm with captivating movement. This track is one for late-night, ensuring the dance floor keeps moving till the early hours.

As the title track of the EP, 'Prophecy' does not disappoint. This groove-laden breakbeat track is brimming with deep sub bass and intricate textures, leading into an infectious melody. A must-have in every DJ's bag, 'Prophecy' will undoubtedly be the soundtrack for countless future parties.

Closing out the EP is 'That Was Well Quick,' a high-energy composition adorned with mesmerising melodic textures. With its hypnotising baseline groove and captivating top lines, this track creates an infectious atmosphere, injecting an electrifying energy into the dance floor. 'That Was Well Quick' is an absolute essential for all devoted electronic music lovers.

We are beyond excited to welcome Laidlaw to the Gottwax family and share this incredible release you. Prepare to be taken on an unforgettable sonic journey with the ‘Prophecy EP’.

Nach dem Erfolg der ersten beiden TechnoBase.FM-LP‘s schickt ZYX Music nun die dritte Ausgabe ins Rennen, um die Herzen der Musikliebhaber des HandsUp-Genres zu erobern. Auch dieses Mal begeistert die Doppel-Vinyl mit vielen Hits und Ohrwürmern. Diesmal animieren Songs wie zum Beispiel „Drop The Bass“ von Rocco., „My Life Is A Party“ von ItaloBrothers, sowie „Come With Me“ von Special D. (u.v.m), zur idealen HandsUp-Party. Mit insgesamt 14 HandsUp-Songs eine starke Vinyl-Edition des Webradiosenders TechnoBase. FM!

Roy Davis Jr. & Byron The Aquarius and Jamie 3:26 & Danou P remix Radio Slave’s Wildlife.

‘Wildlife’, released a few months back, found Radio Slave tapping into his house and disco roots. It proved a dancefloor smash that got support from a wide array of artists, from DJ Bone and Tim Sweeney to Roman Flugel and Axel Boman. As such, the artists chosen to remix come from similar backgrounds and bring all new perspectives to this irresistible gem.

First up are Chicago house legend Roy Davis Jr. and keys playing maestro Byron The Aquarius. Both make the sort of dusty, feel-good deep house that will never grow old and have done so on the scene's best labels. Their sizzling seven-minute rework of 'Wildlife' has jazzy, life-affirming keys and smeared synths that bring the warmth. The drums are rubbery and inviting, and the whole thing brings real musicality to the floor.

The second remix is from original Chicago innovator, deep digger and edit king Jamie 3:26 and a young Dutch artist he has long since mentored, Danou P. Between them, they have cooked up gems like 'What It Is' together on Shake Records and remixed for Defected, all with a healthy respect for disco, funk and soul from the 80s onwards. Their take on 'Wildlife' is a piano-laced and upbeat party starter. Noodling bass riffs,zippy synth details and lavish chords make for a sophisticated sound that will swell the heart.

Omon Breaker aka Maksym Nazarov is a DJ and musician who grew up in Kyiv, Ukraine originally from Dnipro. Now he presents his first ever full EP, Compromat, that traverses from cyberpunk dancefloor techno to trance-like work outs and wave inflected anthems including a special appearance from labelhead Phase Fatale. In his early works, he delved into questions of electronic culture and its impact on his life. As a result of his musical development and his quest for forging his own sound image defined by breakbeats and grooves reminiscent of early 90s electronica combined with the edge of modern techno, he released his first vinyl split 12" with D.Dan on Standard Deviation - the label from the ? club in 2021. Meanwhile, he quickly established his DJ path in Ukraine as a skilled performer, even becoming a resident at Kyiv's first LGBTQ+ friendly club Crest. Following the full-scale invasion of Ukraine, Nazarov was forced to leave his home and relocate to Berlin. In this new city, he came under the wing of BITE where he debuted with his track 'Stinger' from their recent VA and played the label showcase at Berghain in April 2023. While acclimatising and reflecting on his intense life experiences, Omon Breaker began work on his EP in which he seeks to express his emotions brought on by the tragic situations in his life: the loss of home, loved ones, and love itself. Compromat is Nazarov's first solo vinyl release where he attempts to musically depict his inner world shaped by the tragedies in his life.

Flying high for the tenth anniversary of "Blackbird" album, we're pleased to announce the brand new Blackbird Returns remix album descending on the breeze. Friends from around the world, Nightmares on Wax, Jazzanova, KINGS, Syrup D, Christoph El Truento & Lucky Lane, DJ Philippa, Feiertag, Marcus Worgull, The KCBS, YARNI feat. Liv East, Dub Pistols vs Freestylers and Kid Fonque have remixed their favourite Blackbird tracks.

Bristol's soul jazz kings The Jazz Defenders release a new vinyl 45 single this autumn as a taster for their third album, which is destined for release in spring 2024. Once again, they are bringing together their love of 1960's soul jazz and golden era 90's hip-hop, just as they did on a couple of tracks on their last album "King Phoenix" (Haggis Records 2022). This new single sees them reunited with London MC/rapper Doc Brown, who guested on the track "Perfectly Imperfect", and his flow sits so naturally over the Jazz Defenders' music and beats, you'd think he's a permanent band member.

The A-side "Rolling On A High" is a real old school boom bap style party hip-hop jam. Big beats, rolling bassline (acoustic double bass), Ramsey Lewis soul jazz piano vamps, funky Hammond organ and some punchy horn section business, all topped off with Doc Brown bouncing bars back and forth with that laid back vibe he always brings to the mic. A guaranteed dance-floor bomb, whether you're a breaker, a jazz dancer or simply a Saturday night disco shuffler. The B-side "Looking Back" takes the tempo right down. An 'end of the night' number when the lights in the club are low, the last drinks are being drained and you're thinking and reminiscing about times gone by. The good times and bad, successes and mistakes. And made even more poignant and reflective halfway through when the mellow strings come into the song (once again excellently arranged by pianist/bandleader George Cooper). If "Rolling On A High" is the fire then "Looking Back" is definitely the ice. Proof that the Jazz Defenders can rock the party and grab the dancers but also dig deep with emotive tunes that draw in the discerning listener.

The Jazz Defenders, led by keyboard maestro George Cooper from The Haggis Horns, have been building a reputation as a great musical unit since their debut Blue Note/hard bop-inspired album "Scheming" appeared on Haggis Records back in 2019, which received a huge amount of praise from critics, and subsequently went on to spend 5 weeks in the top ten of the American jazz charts In 2021, their double A-side vinyl single "The Big Man/Love's Vestige" got them the breakthrough they deserved. It garnered heavy support on radio from top folks like Craig Charles (BBC6 Music), Helen Mayhew (Jazz FM), Jamie Cullum (BBC Radio 2), and Worldwide FM resident DJ's Ashley Beedle and Colin Curtis. They further enhanced their reputation as a rocking band with album number two "King Phoenix" and by electrifying audiences at sold out live shows across the UK, including the legendary Ronnie Scott's Jazz Club in London.

Album number three is well on its way but for now, check out this tasty limited edition 45 single on Haggis Records. The JDs and Doc Brown...the perfect combination, still keeping that sweet jazz/hip-hop love affair alive today.

On Quantum Realm, Oscar Mulero sets the bar high as per usual, dropping an uptempo but minimalistic cut. The second track is one from Fixeer, a familiar face of Dynamic Reflection. His contribution is the kind of slumbering track that will fit the moments before getting to peak time perfectly.

Taking over is Norbak, the Portugese youngster that has earned himself a reputation for slaying dancefloors with both his dj-sets and productions alike and his track 'Your Heroes May Fail You' is no exception. Lastly, Vladw provides the last track and the perfect closing of this EP. A lower beats per minute, some added ambience and spacious background noise make for the perfect outro.

Quantum Realm is part of Dynamic Reflection's 15 year anniversary celebration: Time Crystals. This is the third fof five EP's. Own all five and an all new, visual piece of art will appear.

LB aka LABAT reflects on the back catalogue of his Poumpet Records imprint with a special gatefold 3x12’’ release.

Since the launch of Poumpet Records back in February of 2022 French producer, DJ and live act LB aka LABAT has steadily unveiled a series of singles from himself and remixes from the likes of KiNK, X Club, Partiboi69, Sally C and KETTAMA, all of which feature on this special vinyl issue spread out across three records in a gatefold package.

The vinyl release also coincides with LB aka LABAT’s All Night Long tour which sees him travelling across Europe with dates in France, Belgium, Portugal, Switzerland, the UK and Scotland.

Vinyl mit Downloadcode. Die LP und CD Versionen dieses Albums unterscheiden sich in einigen Details: Nicht mit an Bord bei der LP-Version sind die Songs "Intro" und "Ends", die sich auf der CD finden lassen. Dafür gibt es auf der LP den Track ,Body And Blood" in einer längeren Version. Außerdem tummeln sich auf der D-Seite 100 Locked Groove Audio Loops, die exklusiv nur auf dem Vinyl auftauchen. ,CLIPPING. machen Partymusik für den Club, bei dem man sich wünscht, nie in ihm gelandet zu sein; das Auto, bei dem du dich nicht erinnerst, wie du eingestiegen bist und die Straßen, auf denen man sich nicht sicher fühlt." (Aus der Pressemitteilung für das CLIPPING. Debüt ,Midcity", das im September 2012 veröffentlicht wurde). Seit das verfasst wurde, hat sich einiges geändert für CLIPPING. Die Band fand heraus, dass die potentiellen Hörer bereiter für sie waren, als sie es erwartet hatten. Vor ,Midcity" erwartete keins der Mitglieder (Rapper Daveed Diggs und die Produzenten Jonathan Snipes und William Hutson), dass ihr kantiger Rap ein Publikum finden würde. Die Band war ursprünglich als Remixprojekt und Fußnote im wahren Leben der Mitglieder gedacht: Diggs ist ein Bühnenschauspieler; Snipes komponiert Filmmusik und Hutson ist ein etabliert Noise Musiker (Snipe und Hutson kollaborierten beim Soundtrack zur IFC Dokumentaion ,Room 237"). Doch seit der Gründung von CLIPPING. weitete sich das Feld der kommerziellen Musik leicht aus, so dass plötzlich Platz für mehr Noise und mehr Abenteuer in der elektronischen Produktion war (obwohl CLIPPING. selbst natürlich darauf bestehen, dass sie Rap Musik machen). ,Clppng" ist ambitionierter als ,Midcity". Das Album wartet mit Gästen wie Gangsta Boo (Ex-THREE 6 MAFIA und momentan bei DA MAFIA 6IX), Guce (Veteran der Bay Area; Mitglied von BULLYS WIT FULLYS), King T (Gangster Rap Legende der Westküste; Gründer der Likwit Crew; Mentor von XZIBIT und THA ALKAHOLIKS) und COCC PISTOL CREE (Newcomerin aus Compton, bekannt vom DJ MUSTARD Mixtape ,Ketchup"). ,Clppng" weitet die experimentellen Sounds der Band aus, um eine größere emotionale Palette zu bedienen. Doch die Band ist nicht zum Softie geworden; das Intro des Albums ist eins der brutalsten Stücke, das die Band je aufgenommen hat und ,Or Die" (feat. Guce) ist so bitterböse wie alles auf ,Midcity". ,CLPPNG" ist ein Album, das unter Beweis stellt, wie vielschichtig Sound sein kann, wenn die Regeln eines Genres mutwillig in Frage gestellt werden.

Banshee is the new record label from internationally renowned DJ/producer Brianna Price (B.Traits/Baby T). Drawing “esoteric aggressive feminine energy” from the folkloric figure that gives Banshee its name, the imprint will focus on the output of Price’s Baby T alias.

Brianna knows her way around a dance. Years spent producing, DJing, and touring under the B.Traits alias have given Price a vast knowledge of rave culture. Now, all of that experience has been put to good use as part of Baby T’s “hardcore junglist shit only” approach. Anyone who has encountered a Baby T tune in a dark basement over the years should know that there will be no messing around with Banshee’s output. Baby T specialises in hardcore rave tackle schooled by junglism, electro and darkside techno, the project’s sound was honed via releases on labels like Samurai Music and Central Processing Unit. It’s a style at once wild yet focused, untamed yet laser-precise - This is music that will make the hairs on the back of your neck stand up – not unlike a banshee’s shriek, in fact…

The first Banshee release is not a collection for the faint of heart. Each of these four cuts is primed for deployment at the point of the party when things really kick into overdrive. Fiercely danceable, and unapologetically abrasive, Baby T’s productions here can school any challenger in the electro, techno, and jungle fields yet also carry themselves with a punkish spirit that sets them apart from the pack.

Zur Feier des 40-jährigen Jubiläums des belgischen Labels PIAS erscheint exklusive Auswahl an 12“-EPs mit Musik von einigen der wichtigsten und erfolgreichsten Wegbegleiter. Mark Thomas Griffin, besser bekannt als MC 900 FT JESUS, ist amerikanischer Rapper aus Dallas, Texas. Griffin ist ein klassisch ausgebildeter Musiker und Trompeter und bekannt für seine Mischung aus Hip-Hop, Jazz und Elektronik, die in den 90er-Jahren ihrer Zeit weit voraus war. Seine Texte sind oft sozialkritisch geprägt, aber durchzogen von seinem bissigen und bisweilen schrulligen Humor.

Flint, Michigan-based rapped MC Breed and his crew DFC (Da Funk Clan aka Dope Flint Connection) put the Midwest on the map in 1991 with the release of their self-titled debut album, an underrated gem of the early 90s. The lead single, "Ain't No Future in Yo' Frontin'" with a boomin’ west coast sound would get radio play across the country and video rotation on YO! MTV Raps, BET’s Rap City, and Ralph McDaniels' Video Music Box. The album’s second single “Just Kickin’ It” with MC Breed’s laid-back vocal style over a funky groove landed in the top 10 on the Hot Rap Singles Chart. Tracks like “Underground Slang” have an 80s electro vibe and “Better Terms” has Breed rapping a little faster over a Bomb Squad influenced beat with his DJ on the cut. MC Breed would go on to release another 11 albums and collaborated with artists such as 2Pac on "Gotta Get Mine" and Too $hortís "Gettin It” as well as features with Slum Village, Pimp C, Kurupt, Erick Sermon, and The D.O.C. among others. Breed passed away in 2008 from kidney failure, but his legacy lives on having influenced other Midwest artists including Eminem, Proof, D12, Common, and Slum Village. Out of print on vinyl since 2018, Get On Down is bringing back this Midwest 90s classic on limited edition colored vinyl.

Jessica Brankka makes her debut on Crosstown Rebels with new single ‘Musk’, joined by Audiojack and OMRI. on remix duties. Emerging from Brazil’s ever-evolving house music hotbed to make appearances at major venues across the globe, including Hï Ibiza this summer, DJ and producer Jessica Brankka is fast becoming an artist to keep an eye on. Debuting on Frau Blau alongside Floyd Lavine and racking up support from leading names in Solomun, Joris Voorn, Blond:ish and more, her outings via RADIANT. have only continued to help build and craft her growing sound. Stepping up for her most significant release to date, she joins the Crosstown Rebels family to open September with her new single ‘Musk’ - with remixes coming courtesy of Gruuv head honchos Audiojack and Tel Aviv’s OMRI.

Hooky, provocative vocals take hold from the off on ‘Musk’, with Brankka building via slick drum programming, vibrant stabs and sweeping melodies for an intensely catchy production shaped for all hours of the night. First up on remix duties are Crosstown regulars Audiojack, with their take introducing an abundance of additional energy via skippy percussion, zipping bassline grooves and swirling, off-kilter sonics, before launching into heady breakbeat territories. To close, returning Rebellion signee and OMRI. introduces his acid-tinged remix into proceedings, with wandering synth lines carrying the track towards more cosmic spheres.

Introducing Bavhu, a dynamic Kiwi duo who have delivered an absolute belter, 'Always Dancin' out on TMRW Music.

Sporting some knocking drums, heaving rhythms, funky bass, irresistibly hooky vocals and filthy disco percussion, 'Always Dancin' is a joyous disco-sampling house outing that’s already garnered heavyweight attention from the likes of Danny Howard, Pete Tong and Zane Lowe, who have already thrown their support behind the track.

DJ Support:

Plays on Radio 1 from Danny Howard, Pete Tong, Dance Anthems + on KISS from TCTS

The story of the invention of the term, 'deepfunk' is probably only known among fans and practitioners of this niche-genre. In short, it all started in the 1990s when DJs like Keb Darge, Mark 'Snowboy' Cotgrove and others began spinning obscure and feral Funk 45 RPM singles from local American bands, ostensibly generating another sub-category branch off of the mighty Northern Soul tree. The dance-club phenomenon inevitably spilled over to contemporary groups on the funk scene which immediately tried to record their music the way their idols did. The 'rare groove' and 'acid jazz' movements had run their course and there was a concerted effort to reinstate primitive idiomatic styles and techniques into the music, most notably by 90s funk collective The Poets of Rhythm. As more years passed by the number of bands steadily increased (although in tiny numbers, compared to the mainstream market). Almost every country had a representative with the majority of them coming from the United Kingdom. The deepfunk sound was still a niche, however a very few bands made it onto the mainstream charts, most notably Sharon Jones & the Dap Kings.

At the height of the retro-soul movement a questionable development took place. As more bands arrived on the scene, the production became more and more polished and pop-ish. Some of that squeaky-clean tidiness began to creep into the recordings, encouraged in part by the signature sounds of the digital recording technology available at that time. Some bands even tried to jump onto the possibility of promoting their music as 'deepfunk' although they were actually playing slick, funky pop music. This way some people who thought they were listening to raw, energetic funk actually felt quite ambushed when hit with real deepfunk. In fact, a certain percentage of funk music produced within the past 20 years does not deserve to be described as 'deepfunk' at all. Fortunately there were (and are) some pleasant exceptions which did not just imitate but actually rendered amazing funk music just like some of the finest funk combos of the 1960s and 70s.

One of those creative minds is without a doubt Joel Ricci aka Lucky Brown. Originally from Seattle, Washington, USA, he has enriched the deepfunk community since the mid-2000s with his stellar abilities. He is not only an amazing musician playing multiple instruments, but also a brilliant composer, arranger, and producer too. But for us here at Tramp he is much more, a close friend and remarkable human being. Whenever we were struggling, whether with the label or in private life, Joel and his musical work helped us to overcome everything and to keep going our path.

So here we are in 2023. The songs you are listening to right now are the complete Space Dream collection, split into two parts, representing the two living-room recording sessions from which his 2011 Tramp Records debut was compiled. Each fully remastered album contains unreleased material and comes with brand new, beautifully reimagined artwork by Ricci himself, housed in an authentic 1960s tip-on cover. A first class product from a first class musician for the discerning funk enthusiast.

The story of the invention of the term, 'deepfunk' is probably only known among fans and practitioners of this niche-genre. In short, it all started in the 1990s when DJs like Keb Darge, Mark 'Snowboy' Cotgrove and others began spinning obscure and feral Funk 45 RPM singles from local American bands, ostensibly generating another sub-category branch off of the mighty Northern Soul tree. The dance-club phenomenon inevitably spilled over to contemporary groups on the funk scene which immediately tried to record their music the way their idols did. The 'rare groove' and 'acid jazz' movements had run their course and there was a concerted effort to reinstate primitive idiomatic styles and techniques into the music, most notably by 90s funk collective The Poets of Rhythm. As more years passed by the number of bands steadily increased (although in tiny numbers, compared to the mainstream market). Almost every country had a representative with the majority of them coming from the United Kingdom. The deepfunk sound was still a niche, however a very few bands made it onto the mainstream charts, most notably Sharon Jones & the Dap Kings.

At the height of the retro-soul movement a questionable development took place. As more bands arrived on the scene, the production became more and more polished and pop-ish. Some of that squeaky-clean tidiness began to creep into the recordings, encouraged in part by the signature sounds of the digital recording technology available at that time. Some bands even tried to jump onto the possibility of promoting their music as 'deepfunk' although they were actually playing slick, funky pop music. This way some people who thought they were listening to raw, energetic funk actually felt quite ambushed when hit with real deepfunk. In fact, a certain percentage of funk music produced within the past 20 years does not deserve to be described as 'deepfunk' at all. Fortunately there were (and are) some pleasant exceptions which did not just imitate but actually rendered amazing funk music just like some of the finest funk combos of the 1960s and 70s.

One of those creative minds is without a doubt Joel Ricci aka Lucky Brown. Originally from Seattle, Washington, USA, he has enriched the deepfunk community since the mid-2000s with his stellar abilities. He is not only an amazing musician playing multiple instruments, but also a brilliant composer, arranger, and producer too. But for us here at Tramp he is much more, a close friend and remarkable human being. Whenever we were struggling, whether with the label or in private life, Joel and his musical work helped us to overcome everything and to keep going our path.

So here we are in 2023. The songs you are listening to right now are the complete Space Dream collection, split into two parts, representing the two living-room recording sessions from which his 2011 Tramp Records debut was compiled. Each fully remastered album contains unreleased material and comes with brand new, beautifully reimagined artwork by Ricci himself, housed in an authentic 1960s tip-on cover. A first class product from a first class musician for the discerning funk enthusiast.

Longtime friend of the Sweet Sensi Crew, Rumbleton brings his distinct style of Amenism, dubwise, bass RUMBLE junglism. For side A we get the future classic Codex Indica; a deep meditation on dub and junglism. On the side B, Rumbleton meets DJ Clear for Sweet Sensi Records first foray into true Drum Funk. Here we have a taste of what it would be like if soundclash met drum funk junglism.

DJ Support
Mantra, DJ Trax, Double O, Coco Bryce
Yorobi, Ben LQ (Australia), Tim Reaper, Kid Lib +More

2023 Repress

Millennial dream boy Gen-Y and his twisted takes on everything! With his roots in Iran, hailing from Berlin he goes deep in, mixing up styles like Kanye mixes up opinions. On this follow-up Ep to the critically acclaimed Saturn Flow Ep from 2021, he keeps it funky and upbeat! On the opener Dreamboy, he collabs with Estonian singer Maryn E. Coote and takes the dancers on a smooth ride with a touch of 80's proto-house, electronic funk sound and vocals from Maryn's original version. River of Light and Time Of Death are proper flowing electro-funkers while Type 0.7 and Rari Jack ft. DJ Ebhardy are proper jackin Dj favorites! Closer Kirby Step takes the term 'funky acid' to another level. When you make tunes that are this cool there is no need to stick to one style... just enjoy what the universe transmits to the ether and vibe along!

The latest project by "El Gusano", a moniker of the elusive Pablo Arrangoiz, aka Dj Fitness, Bauzer Vep, Señor Faxwater, Glue Boy, Goiz and too many more to list (seriously, check out his Bandcamp/discogs). Arrangoiz is a Mexican native based in Miami, known as much for his ever varying aliases as he is for his scrupulous production and sui generis live and DJ sets. Focused on incorporating Latin ritmos with contemporary elements of his other influences such as house, techno, free jazz, German new wave, electro, Miami bass, noise, and more, Arrangoiz’s production, much like the artist himself, is one of a kind.

Saka La Bolsita", the inaugural release on Impacto, the new label and love child of Miami powerhouse producers Nick León and Jonny From Space, is a sonic conglomeration of acid cumbia with slivering jazz chords, microtonal reggaetón constructed with a tuning system made by finding the overtones of air conditioners, demonic dembow with a dash of house, Autotune Festival sex music, and all out pure ratchet core with an El Chavó sample. Including collaborations with lifetime friend Matt Angel AKA "El Descarao".

Cypress Hill’s self-titled debut album was hard as nails, with very few pop concessions. There was humor, but it was laced by cackling, homicidal sneering. Not well known outside of the hardcore hip-hop scene at first, faces of the three group members weren’t usually shown clearly in press photos; they preferred the shadows. As their first singles began hitting the airwaves and record racks, the press and music fans started to take notice.


From the opening notes of the group’s first single, “The Phuncky Feel One,” to deeper album cuts like “Stoned Is The Way Of The Walk” and “Tres Equis,” it was clear that Cypress Hill was something different. And very, very dope. The world Cypress Hill espoused was gang-ridden and far from cheery, but they managed to laugh through the pain. Lead rapper B-Real took each fuzzed-out, rock-hard DJ Muggs beat as a challenge, jumping around it like a spark off a joint as it makes its way to the concrete. MC Sen Dog always had B-Real’s back, to bring intensity and a no-bullshit gruffness that made the group both menacing and unpredictable.


When they introduced percussionist Eric Bobo to the mix in the early 90s, it brought new dimension to the band, making their live performances one of the most unique and accomplished shows in hip-hop. Journalist and author Chris Faraone highlights the group’s relationship in the reissue’s liner notes (which is included only in limited edition Skull) saying, “By the late ‘80s the undisputed Cypress unit finally formed. B and Sen realized that their diametric styles - the latter’s deep wrangle, the former’s inimitable high notes - complemented one another righteously. By then Muggs had bangers in the bag, as well as industry experience from a jaunt with the New York duo 7A3. B and Sen waited while Muggs messed with 7A3, and in that time began to build the blueprint for their raucous and weeded no-holds-barred style. Besides getting schooled on industry pitfalls, Muggs had also grown into hip-hop’s most formidable young producer, while straddling the bi-coastal gap.”

Cypress Hill’s debut went gold by the end of 1991 and has since pushed past double platinum status, making it the first album for a Latino-American hip hop group to do so. The album received raves from the likes of Rolling Stone and the Los Angeles Times, saw a #1 Hot Rap Single with the release of “The Phuncky One” and helped the band win Artist Of The Year at the 1992 Source Awards. After 25 years, it should come as no surprise that Cypress Hill is a cornerstone of the group’s live set to this day.

Following the success of their EPs released last year on Scissor and Thread, Frank & Tony return with another outing of deeper than deep house with a three track EP including an expansive collaborative exploration with Comatonse recording artist Will Long.
The title track, Understanding takes a nod to 90s Chicago deep house with a slow rolling groove set against plush pads and euphoric stabs sure to send dancefloors swirling in the earliest of nights and mornings alike. We Begin, a dreamy trip of emotive soundscapes, kicks things up a notch with jazzy undertones but a drive meant for peak times as it unfolds in moods and grooves for ages.
The EP then culminates with a vast rework of the same track in collaboration with Comatonse artist and DJ Sprinkles collaborator, Will Long, pushing the EP to psychedelic lengths as the essence of what we call a house groove reaches new idiosyncratic heights. Essential.

- Each record includes a download code for the release + 2 digital bonus tracks -

BlueBox is the first of its kind! The new colored series on Front Left by Elad Magdasi.

Elad is going back to his roots while trying something new. Keeping a balance between his serious and playful side, the release includes 4 DJ tools that are different yet embody Elad's sound in every way.

All the tracks are named by their position on the record, similar to the oldskool way, focusing on the music alone.

All BlueBox tracks were produced at the same time, on the same wave of inspiration, they compliment each other though being completely different.

Front Left Love.

SuperBlue: The Iridescent Spree is the electrifying new album from jazz legends Kurt Elling and Charlie Hunter, following the success of their eponymous Grammy-nominated debut and acclaimed EP Guilty Pleasures featuring Nate Smith. With a vocal range that seamlessly blends jazz, R&B, and funk, Elling is a virtuosic showman and deep collaborator with a comedic edge. Hailed by The Washington Post as the most daring, dynamic, and interesting singer in jazz since the mid-1990s, he and Hunter have pushed the boundaries of jazz and lyrics to create a one-of-a-kind sound that is uniquely their own. Teaming up with hip-hop masterminds Corey Fonville and DJ Harrison (Butcher Brown), Elling and Hunter showcase their virtuosity, showmanship, and musicianship to offer a deluge of roisterous funk, indelible beats, and all-too-current lyrics that will have you grooving like never before. SuperBlue is more than just another jazz album. It's a punch in your face, take no prisoners masterpiece that showcases the sheer talent, passion, and unpredictability of these extraordinary musicians. Get ready to be blown away by the brilliance of Kurt Elling and his collaborators in this groundbreaking project!

Fake Yourself is an act of revolt as much as it is a celebration of life and an expression of human alienation. As usual in most of his work, soFa here reflects contrasts and contradictions as our existence so often does. It’s about sadness and joy, ups and downs and the fine line which connects them to tell a story. Fake Yourself comes as a spontaneous output of an artist escaping a scene of which the constant superficiality is unavoidable. Mistakes and wrong production with a strong DIY flavor are a conscious choice to not lose the spontaneous feeling which defines these recordings. A pure and direct self, exploring a realm of sound with sharp curiosity, emotion and humour. Where simplicity and complexity marry. This album is a good example on how some of the most authentic musical explorations are the most personal ones. soFa leaves all boundaries behind and let many of his influences confluence. Unconsciously or not, traces of IDM, Disco, New Beat, Dub and mostly Krautrock cross heavenly paths, followed by ironic and confronted vocals and his hypnotic signature basslines. Everything seems to make sense, to fill the chapters of an adventurous short novel. What makes Fake Yourself remarkable is not the deep blend of genres, but the definition of one man shaping and finding his authentic sound. Killing boundaries to create this journey in his very own "style-no-style". All tunes were improvised, recorded and arranged within 10 days in a wooden cabin, isolated in the middle of the nature in Alentejo/Portugal in 2022. This album was not meant to happen and one can strongly feel its spontaneous soul. No overdubs.