Cerca:dj class

Paris Ford Bass Player Musician In the earliest years of New York’s post-disco era when roller skating rinks were packed to the rafters and dance floors were alive with funk, R&B, and early electro grooves a young artist named Paris Ford laid down a recording that would quietly endure for decades.

Roll a Skate was supposed to be release on Streetwise Records, the influential New York dance label founded by producer and DJ Arthur Baker
home to seminal club classics and cutting-edge dance sounds of the early ’80s.

Only few month ago, Paris Ford, the artist has uncovered the original 2-inch, 24-track master reel of that recording the very masters from which Streetwise pressed its vinyl rediscovered after nearly 40 years.

Listening back, even Arthur Baker reflected that if he’d heard what Ford had captured back then, he would have released it as a second single a testament to the timeless energy and feel of the recording.

Having transitioned between London, Lisbon and back again as a DJ and producer, as well as across the world as the drummer in beloved pop group, Metronomy, Anna Prior remains an essential and independent force in alternative and electronic music culture. The current epicentre of this creativity is undoubtedly Prior’s own label, Beat Palace. Established in 2021, it has showcased the talent and diversity of FLINTA producers carving an esoteric space within alt-pop and electronic music.

Returning to the imprint for the first time since its inception, Anna Prior utilises this vital platform to refine her own craft across the five-track ‘Firefly’ EP, exploring new moods and styles, balancing playfulness with vulnerability, shadow and light. Prior describes ‘Firefly’ as, “a collection of moments - some fleeting and some stubbornly lingering.... Each track came together almost by accident, but now feels to me like they've always belonged together.”

Lead single ‘True For You’ pulsates with soft euphoria, as Prior weaves softly cascading synths with her own earnest declarations, composing a sensual, sophisticated drama about “letting other people's differing truths sit alongside your own” that nonetheless carries a distinct club energy. In contrast, title track ‘Firefly’, written alongside co-producer Matt Karmil, unfolds as a spoken-word piece, investigating memory, “the tricky mirror that reveals more than it conceals”. Throughout, Prior’s inquisitive, native Yorkshire accent anchors a wide-eyed soundscape that gradually, impressively escalates into the cinematic.

Centerpiece track ‘Silence’ turns this approach inside out, escalating the tempo and revealing a DnB-influenced shade of Prior’s work that is certain to surprise and impress, scattering elegant syllables amongst serious soundsystem pressure as Prior navigates the feeling of being ghosted; by friends, lovers and even her own work. ‘No More Drama’ returns to pop, presenting a bold cover of Mary J. Blige’s classic that inverts the original’s unmatched intensity for a more serene, but no less affecting rendition.

Finally, ‘Beside You’ delivers one last, sublime blend of Prior’s songwriting and sequencing instincts, a simple pop incantation that coaxes dancers into a soft trance while concluding with a reminder from Prior that “amid life’s unanswered calls and fleeting highs, there is always space to feel safe and unjudged.” Concluding this sublime EP, Prior finds new ground to settle into her talents.

Originally released in 1996 via Big Beat/Atlantic Records, From Where??? is the debut album by Richmond, VA-based emcee Mad Skillz, which features countless classic cuts by some of the best producers in the game (roll call: J Dilla, Shawn J. Period, Buckwild, DJ Clark Kent, Nick Wiz, The Beatnuts & Large Professor). The

album was also praised for its strong lyrical content. Skillz, as we know him, was never short on captivating listeners with his punchlines and wordplay. In 2002, he began his annual “Rap Up” series, incorporating a year’s worth of headlines from the prior year. On From Where??? The singles “The Nod Factor and “Move Ya Body” received steady radio and video airplay while album cuts like “VA. In The House, “Doin Time In

The Cypha,” “The Jam,” and the showstopper “Extra Abstract Skillz” (Featuring Q-Tip & Large Professor) all round out the album with bangers from start to finish. Out of print on vinyl in the United States since its original release, Get On Down is proud to present another underrated Golden Era classic on vinyl. From Where??? is pressed on half-and-half with black splatter-colored vinyl, limited to 1000 copies.

New Zealand–born, Melbourne-based guitarist, producer, songwriter, DJ and recording artist Lance Ferguson returns with a killer follow-up: two new 7" releases from his third instalment of the acclaimed Rare Groove Spectrum series, offering a fresh set of reimagined and reworked classics. From '70s Australian jazz-funk and Latin-fusion to big-band soul and golden-era funk, Ferguson blends crate-digger sensibilities with modern studio craft.

The "Dominoes / Cold Bear" 7" features the exclusive track "Cold Bear", a fiery reinterpretation of The Gaturs' New Orleans funk classic. Sitting alongside it is a fan favourite among modern funk and soul lovers: Jungle's "Dominoes", stripped back, amped up and played live with an unpolished, authentic feel that pays homage to the essence of the original.

On and on, the beat goes on. Sound System culture plays a huge part in the history of House music, shaping Mysticisms, its founders and the music it brings into the spotlight. Continuing the dive into that history, in all its forms and permutations, Tranquil Elephantizer’s 1995 classic Zombie Dawn is reissued here in its original form.

A name that has been getting noticed on recent releases for the likes of legendary San Francisco collective Wicked Records and Manchester’s cult Red Laser label, the project has, in fact, been around for several decades.

Morphing out of the late 80s Acid House revolution, members Alexis Worrall, brothers Caspar and Darius Kedros and focal point, David Jenkins aka DJ Shakra came together in the South London melting pot of free parties and DIY anything is possible ethos.

Born of a collaboration between the short-lived Camberwell Butterflies project – featuring Alexis Worrall and DJ Shakra amongst others – and the Kedros’ bothers downtempo/trip hop forbears Slowly. With a shared label, on the ground-breaking Chill Out Records, and Thursday late-night encounters at London’s legendary Megatripolis club, they decided to pool studio resources and Tranquil Elephantizer was born.

Mixing lo-fi 808 heavy analog jams of the Butterflies, with the studio sophistication from the Slowly crew, sparked something new and Zombie Dawn was the first result. Local producer Crispin J Glover dropped by the studio, riding high with his Caucasian Boy project’s hypnotic Northern Lights (featuring DJ Shakra on Roland 303) – recently out on Strictly Rhythm – he offered to remix both Zombie Dawn and the Slowly album cut No Slo Dub for release on his own Matrix label and an underground hit on the London and West Coast 90s party scene was born.

Coming in the original “Saxmental Mix”, alongside Glover’s storming “Nu Dawn Club Mix” Zombie Dawn was a correlation of the past, present and future in one record. The history of British House can be heard in the bumpin’ nature of the beats, the sharp hats encompassed around dub overtones that give it added warmth. The slightly quirky, left field touches of the tracks, set against the then weekly overload of sharp US imports, brought the mix of influences from the Tonka and Sugarlump Sound Systems they had partied and been involved with, on to vinyl, adding touches of jazz keys and disco’s heritage for good measure.

A bedfellow for the emerging UK House sound coming on the likes of Luxury Service (Rob Mello / Zaki Dee), Other (A Man Called Adam / DJ D) and Nuphonic (Faze Action / Idjut Boys), that shaped and defined London clubs and far beyond. Some 30 years later, with a new album on the way, here is debut Tranquil Elephantizer’s release, remastered especially for this reissue, ready to bring that optimistic thinking back.

Tranquil the Mystery.

Red Vinyl

The Communards’ sophomore album ‘Red’ consolidated the genius of the musical partnership between Bronski Beat singer Jimmy Somerville and pianist Richard Coles. Fusing synths and hi-NRG production with lush string and horn arrangements, The Communards straddled pop and the political, the album’s themes set against the political unrest and moral panic of late 80s Britain. A global smash upon its release, this remastered and expanded 35Th Anniversary Edition features an extensive array of B-sides, live tracks, demo versions and remixes, including classic mixes by legendary 80s club doyens Shep Pettibone, Clivilles & Cole (better known as C&C Music Factory) and a euphoric new 2022 remix of ‘Never Can Say Goodbye’ by UK outfit The 2 Bears (Hot Chip’s Joe Goddard and DJ Raf Rundell). Available on Deluxe Double CD , Collector White & Red Double Vinyl , Black Vinyl. All editions remastered , with new sleeve notes.

TrioRox is a project born from the encounter between three leading figures on the Italian music scene (and beyond):
pianist Giovanni Guidi, bassist Joe Rehmer, and electronic musician DJ Rocca (Luca Roccatagliati).
Three individuals boast eclectic and impressive resumes. Guidi, a child prodigy of jazz piano, has released several
albums for the prestigious ECM label and has collaborated with top jazz and electronic musicians, from Enrico Rava
to Matthew Herbert, Joe Lovano, and Ricardo Villalobos. Joe Rehmer, an American living in Italy, is one of the most
sought-after bassists, sharing stages and recording studios with such luminaries as Bob Mintzer, James Moody, and
Danny Gottlieb. DJ Rocca has been a DJ and musician since the 1990s, boasting numerous albums, singles, and
remixes with and for key figures in the alternative dance scene (Andrew Weatherall, Dimitri From Paris, and Howie
B), as well as a stint in the jazz scene, releasing several albums with Franco D’Andrea.
The trio's music is a blend of electronic, dance, jazz, and pop, with hints of groove in house and techno, as well as
blends of electro, classical, and minimalism. A melting pot of styles between Keith Jarrett and Carl Craig. The album
will be released on IRMA Records in September 2024, featuring guests Luigi Di Nunzio, Gianluca Petrella, Dan
Kinzelman, and Jacopo Fagioli.
This EP of remixes is by:
Zed Bias: Manchester-based electronic musician, producer, and DJ in the Garage/2-step, Broken, and Funky
Breakbeat genres.
Alexander Robotnick: Italian record producer, DJ, and composer considered a cult figure in the New Wave and Italo
Disco scene.
Daniele Bladelli: One of the first and most important Italian DJs, famous for pioneering Afro and Cosmic music.
Bjorn Torske: Norwegian house and breakbeat producer. He has collaborated extensively with Röyksopp.

"The duo (ino)², Walterino & Marcellino, are back. Following 'Ralf Ciao Ralf', they return with their
second tribute to the ul Alongside this track, they have included two other songs that showcase their eclec roots in underground classics. The release blends heavy old-school vibes with a fresh,
contemporary sound and groove. With 'Le Cose Belle' and 'Il Mundo Dansa', the duo explores the
space between techno and minimal, infused with late '88-'89 house influences and killer vocal
hooks."

2026 Repress

DJ Quik is a giant of West Coast hip-hop. With his fourth album Rhythm-Al-Ism he created his masterpiece, a perfect hip-hop album. As Quik explains, “the name Rhythm-Al-Ism alone tells you what I was doing. I was mixing up rhythms. I was meshing R&B with hip-hop and jazz. And a little bit of comedy”. It’s absolutely sensational and as with a lot of mid-90s albums those original vinyl copies are now rare so here’s the Be With re-issue.

A preternaturally gifted producer/rapper, DJ Quik has produced scores of LA gangsta rap classics. He’s released platinum and gold records of his own, as well as helped craft them for the likes of Tupac, Snoop Dogg, and Dr Dre. Quik has always been quirkier and more interesting than his gangsta rap peers, both musically and lyrically. An old-school funk producer at heart, he’s also incredibly nice on the mic. His raps often deal in boasts, jokes and good times but also cover his beefs, his trials and his trauma. Partying and pain, all mixed up. DJing and producing hype beat tapes from age 14, Quik’s tracks blended the languid funk and rubbery synths of Zapp and George Clinton with a gangsta aesthetic, creating a more danceable foil to Compton’s more typical nihilistic hedonism. Ultimately, his records sound custom engineered to drift out over sun-soaked barbecues.

Released in 1998 on Profile, Rhythm-Al-Ism was the closest Quik ever got to making a commercial splash. “You’z A Ganxta” and “Hand in Hand” made radio waves across the country and the less radio-friendly tracks like “Medley For A ‘V’” were bumping out of car stereos. Combining his soulful, jazzy P-Funk/G-Funk beats with his effortlessly smooth flow, Rhythm-Al-Ism was the quintessential West Coast Party. Squelchy synths, bouncy bass, monstrously knocking drums and freaky keys - this is peaking acidic party-rap, straight out the gate. Music for gliding, for skating, for time with your people and your poison. Sunshine. No cares. BBQs. Heavy smoke in the air. Dripping with wit and good humour. A real swing to the vibe.

The album opens with Quik setting out his mission statement with “Rhythm-Al-Ism (Intro)”, telling us what this is all about before the self-explanatory “We Still Party” rocks the spot. It’s definitely all about the party here, complete with Quik’s signature head-nod/body-moving beat. Next up, the undeniable laidback funk and dripping swing of groove-laden “So Many Wayz”. This positively slaps.

Then we get to the three huge singles. The R&B-tinged radio-friendly minor-hit “Hand In Hand” closes the first side only for the flip to get straight into the rolling and scratching of bleepy computer-funk banger “Down, Down, Down” (featuring a particularly nice use of Howard Johnson’s epochal “So Fine”). The effortlessly smooth, flute and guitar-laced “You’z A Ganxta” completes the trio. Next up the fast-paced, vocoder-enhanced, woulda-beena-global-hit “I Useta Know Her”. This coulda (shoulda) been a single too. Head-nod funk workout “No Doubt”, with its ace sample of Prince's “Sexy Dancer”, closes out the second side.

“Speed” races out the gate on the second disc, sampling Edwin Birdsong’s “Rapper Dapper Snapper” in a harder, better, faster, stronger way than those daft Parisian punks. Amphetamine-swift raps over soaring, string-drenched b-boy beats. A total anthem. Up next, the staggering, near 8-minute laconic, lounge-y sax-rap of “Whateva U Do” cools things down and smooths things out with its flute wrapping around a sample of Smokey Robinson’s “So In Love” and some oh-so-classy lounge-piano tinkling. And speaking of smooth, things don’t get much smoother than the blissfully melodic glider-anthem “Thinkin’ ’Bout U” riding that ace flip of SWV’s “Use Your Heart”. Exceptional.

The exquisite funky-flute-slapper “Medley for a ‘V’ (The P***Y Medley)” opens the fourth and final side, with star turns from Snoop Dogg and a typically suave Nate Dogg. It’s followed by the supremely skanked-out “Bombudd II”, a beautifully sweet reggae-fuelled ode to the herb. “Get 2Getha Again” is slick funk. Stunning.

This 2022 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Pete Norman and pressed at Record Industry. Unusual for the time, Rhythm-Al-Ism was originally pressed as a double and we’ve reproduced the original LA vibe picture sleeve and insert to match.

As that original front cover says, this is “over 70 minutes of commercial free music” and it’s absolutely perfect from start to finish. There are no stand-out tracks here. It’s all gold.
: Rhythm-al-ism (2LP)

2026 Repress

Next year the iconic anthem Cafe Del Mar will celebrate its 30th anniversary, a landmark that will be celebrated with a series of brand new remixes alongside the finest existing remixes in specially remastered versions.
Launching the series of vinyl releases in September is a remastered vinyl-only release of the original mix, as well as the best-known version of this classic track, the iconic Three ‘N One Remix.
Nearly 30 years ago, Paul M aka DJ Kid Paul recording as Energy 52 unleashed a record onto an unsuspecting public that would go on to define club culture for an entire generation of dance music enthusiasts. Named as an homage to the legendary Ibiza sunset spot, Café Del Mar broke down boundaries between the underground and
the mainstream, charting in the UK singles charts on three separate occasions and named as the “best tune ever” by Mixmag at the start of the new millennium. In terms of cultural and emotional impact in dance music, it’s hard to find a record that comes close.
Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in the industry. Now, 30 years after its original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as remastered versions of some of the many remixes from across the last three decades. The vinyl-only remastered version of the original and Three ‘N One mixes will launch the series, with further details about the rest of the series announced in the coming weeks.

In 2021 Paul Van Dyk’s Café Del Mar remixes launched a series of vinyl and digital re-issues on the Superstition Records imprint after an almost 20 years hiatus. From 1993 until 2003 Superstition Records was a groundbreaking Techno, Tech-House and Trance Label and released some of the biggest and most revered records of the early German electronic scene.

Don Leisure has cemented his name as one of the most forward-thinking and experimental beatmakers & producers within the current musical ecosystem. As well as being 50% of Darkhouse Family (alongside Earl Jeffers) he has collaborated with the likes of Angel Bat Dawid, Gruff Rhys, DJ Spinna and First Word label-mates Amanda Whiting & Tyler Daley (Children of Zeus). Garnering serious support from Lauren Laverne, Tom Ravenscroft, Huw Stephens, Gilles Peterson, Huey Morgan, The Vinyl Factory, Clash, Uncut and many more. Following the release of ‘Cynnau Tân (feat. Carywyn Ellis)’ (which gained support across BBC Radio from Tom Ravenscroft, Zakia & Huw Stephens) Welsh beatmaker Don Leisure announces the release of a new album ‘Tyrchu Sain’) as he returns with a new single ‘Tyrchu’ due for release on 22nd January 2025. ‘Tyrchu’ features the soft-spoken vocal stylings of Gruff Rhys over a gently rolling, tape saturated and expertly chopped instrumental, creating (in Gruff’s own words) ‘Shiny new beat-treasures with ghostly reflections of Welsh pop’s past - skillfully dug from Sain Records’ deepest veins’

A dedicated student of music, over the years, Don has amassed a vast encyclopaedic knowledge of music genres and subcultures, including a fascination with Welsh psychedelic folk music from the mid-20th century. This introduction was made by respected musician, producer & selector Andy Votel’s 2005 two-part compilation series ‘Welsh Rare Beat’ (in collaboration with Gruff Rhys and Don Thomas), comprising twenty-five tracks from Sain Records’ back catalogue. Now the oldest independent record label in Wales, Sain is a wildly influential bastion of home-grown Welsh talent, co-founded by Welsh-language folk singer Dafydd Iwan, whose music has seen a cultural resurgence in recent years with his 1983 song Yma o Hyd (We’re Still Here) becoming a huge anthem for Wales football fans. Set up in the Welsh capital, many of Sain’s early releases were recorded at Rockfield Studios in Monmouthshire, but in the early 1970s the record company moved to the Caernarfon area and opened their first recording studio in 1974 near Llandwrog. Announcing a huge digitisation project throughout 2024, Sain Records took on the mammoth task of painstakingly digitising their entire back catalogue spanning 55 years, working in partnership with the National Library of Wales the resulting archive then be submitted for to the National Library of Wales in Aberystwyth, preserving them for future generations to enjoy. Taking this period of rediscovery as an opportunity to reimagine their impressive inventory, Sain invited Don Leisure to dig into their musical treasure chest, creating a sprawling sonic tapestry from the dusty gems within. On this exhilarating excursion, Sain Records founder Dafydd Iwan explains: ‘Imagine someone gave you access to over 50 years of Welsh popular music – almost all of it unknown to you before. It would be a strange experience of discovery, an unknown territory which could baffle and excite. This happened to Jamal (Don Leisure) – and he was captivated by a world of music he barely knew existed, and when he was asked to distill the experience into one album, he immediately warmed to the idea. And this is the result – a kaleidoscope of sounds to encapsulate a half century of Welsh music. To call it unique would be superfluous: no-one could ever recreate this album. Listen, and enjoy.’.

The resulting product is ‘Tyrchu Sain' (translating to ‘Digging Sain’), a fearless and exploratory album, which sees Don put his signature unparalleled and unpredictable skills to work, weaving together moments of forgotten beauty into celestial and otherworldly compositions. The record features appearances by artists from Wales who have a similar obsession as Don Leisure in these classic Welsh rarities including Gruff Rhys, Carwyn Ellis, Earl Jeffers Amanda Whiting and Boy Azooga. A shimmering patchwork quilt of sound, ‘Tychru Sain’ traverses a shifting landscape of acid folk, eerie vocal melodies and interstellar soundscapes, propelled forth by crisp, head nod-inducing drums and grainy textures. Breathing new life into compositions lost to time, and paving a path for new listeners to discover the magic that lies within.

5 track EP including 2 remixes.

Embracing a rich Italo-heavy sound infused with global music elements, 'Ritmomento' firmly positions the duo as modern-day producers carrying on the legacy of both the late '80s Italo wave and the cosmic, tribal, and Afro-influenced Italian 90's electronic scene. In addition to the EP's three original tracks, London-based South African DJ/Producer Esa and Amsterdam’s Masalo both contribute stellar remixes and re-interpretations that transport the originals to new dimensions.

The EP kicks off with 'Luna Manga', where a strong Italo synth bassline and a catchy, Mory Kante-inspired vocal hook set the tone for the journey ahead. Following this is 'Echo Danza', with mid-tempo grooving rhythms and captivating vocals that highlight the duo's unique interpretation of the diverse influences that defined the late '90s Italian electronic scene - also showcased in 'Nakarap', a track featuring infectious synth stabs that delivers a classic cosmic vibe, paying homage to the genre's rich roots.

With Esa's live band version of 'Nakarap' things are taken up a notch, introducing a lively bassline and dynamic drums that weave throughout the track. Lastly, Masalo adds his unique touch to 'Luna Manga', transforming for the peak-time dancefloor with hypnotic arpeggios and an ecstatic build-up.

Born to Dominican and Brazilian parents, xavi grew up bouncing from place to place, picking up inspiration wherever he landed. His first love was baile funk, but he was raised on classic hip-hop, eventually notching up production and songwriting credits for Vince Staples, Demi Lovato and Ariana Grande. But the major label life wasn’t giving; sick of the industry, he headed back to São Paulo to soak up the atmosphere and connect with artists on the ground. Before long, he started uploading quickfire bangers to SoundCloud – at this point there are over 350 of them on his feed – an »evolutionary playlist« in his own words, bursting with ideas.

»balança e paixão« is his debut release, proper, a 12-cut snapshot of chaotic, trailblazing, turbulent genius – bending thrashed rhythms into relentless vocal chops from a laundry list of young brazillian MCs. Built on ear-zizzing »tuin« hits and razor’s edge cuts, he creates hypnotic ripples that wedge themselves between São Paulo’s weirdo fringe (artists like JLZ and Iguana) and the percussive, MC-heavy sound of funk ritmado, one of the contemporary scene’s most vital and recognisable strains. Crucially, you can hear a Photek-like approach to space in his productions too, filling the gaps with metallic clangs to lend his rhythms their own unique dimension. The flipside takes it slower, deeper. On »sei q tu gosta« (I know you like it), DJ Leal Original and MC Vuk Vuk’s voices are transformed into ghosted sibilances next to xavi’s sonar pings and woodblock hits with an almost avant-dancehall slant, like some choice Equiknoxx dub, while on »cuidado bandida« (be careful bandit), he deploys bone-rattling trills that bite down on atmospherics that wouldn’t be out of place on Akira Yamaoka’s »Silent Hill« OST.

25 years ago, at the turn of the millennium, downtown NYC was spoiled with record stores. In this pre-digital age, vinyl was king for club DJs, and shops such as Downtown 161, Dance Tracks, and Vinyl Mania peppered lower Manhattan, thriving businesses that supported an expanding scene of local and international DJs. Perhaps the largest and most established of these was Satellite Records, an institution of club sounds that also spawned multiple record labels, including the deep-house imprint Central Park Recordings.

At this time, Central Park Recordings and Satellite Records owner Scott Richmond signed a demo in need of a vocal from young British producer Alistair Colling, and enlisted John-Christian Urich to write it, who had just had a massive hit with “I Might Do Something Wrong” the debut Tortured Soul single on Central Park. He in turn brought in Sabina Sciubba of then newly-formed band Brazilian Girls to record the vocal, and with Jon Cutler on remix duties the record was complete. Tortured Soul went on to release numerous deep house classics like “Fall In Love,” “How’s Your Life” and have continued to tour as a groundbreaking live-house act to this day (of which RNT co-founder JKriv was bassist and collaborator for 10 years).

For the 25th anniversary of this turning point release, Razor-N-Tape has rebooted and remastered the original and classic Jon Cutler mixes, which have never been reissued in any format since the original release. RNT also commissioned two new exemplary remixes from DJ Spinna and musclecars, connecting the dots between the deep-house lineage of the past and present. Presented in a gorgeous jacket that calls back to the graphical style of the original Central Park Recordings aesthetic, this 12” is an absolute essential for any lover of soulful club sounds or purveyor of NYC dance music history.

After decades deep in the game, few names carry the same weight as D.I.T.C. veteran O.C. and East New York’s own PF Cuttin, the DJ and producer behind countless underground classics. Long respected for their consistency and craftsmanship, the two finally joined forces for Opium — a nine-track masterclass that channels the essence of true-school hip-hop.

Originally released to remind heads of what the real sound of the streets was, Opium plays like a time capsule from the era of block parties, 40s, and cipher sessions on the corner — where bars mattered and the beats hit hard. PF Cuttin’s rugged, sample-driven production perfectly complements O.C.’s sharp lyricism and timeless flow, delivering a record that bridges nostalgia with enduring relevance.

Reissued in 2025 with the same iconic artwork by Scarful, this edition celebrates a collaboration that captures the raw soul of New York hip-hop — pure, uncut, and eternal.

Iconic hip-hop duo The High & Mighty, composed of rapper Mr. Eon and producer DJ Mighty Mi, make their long-awaited return with Sound of Market, their first studio album in over twenty years. The release marks a powerful comeback for one of underground hip-hop’s most celebrated duos — a project steeped in nostalgia, boom-bap grit, and the timeless energy of East Coast rap.

Named in honor of Sound of Market Street, the legendary Philadelphia record store that served as a hub for crate diggers, DJs, and hip-hop heads for decades, the album pays homage to the culture that shaped The High & Mighty’s sound and identity. Much like the store itself, the record celebrates deep cuts, rare finds, and the shared love of vinyl that connects generations of hip-hop fans.

Across 17 tracks, Sound of Market revives the duo’s trademark wit and sharp lyricism while showcasing an impressive lineup of collaborators, including Kool Keith, The Alchemist, Your Old Droog, Large Professor, O.C., Chubb Rock, King T, Skillz, and many more. The result is a cohesive, sample-driven experience that bridges the classic and contemporary — reaffirming The High & Mighty’s status as true architects of independent hip-hop.

From the opening anthem “Two Man Crew” and the surreal swagger of “Pinky Tuskadero” with Kool Keith, to the cinematic boom of “Mighty’s Big 5 (Live from The Palestra)”, the record moves effortlessly through sharp lyricism, layered production, and a shared reverence for the foundations of the genre. Sound of Market is both a return and a reminder — a record that feels timeless in its authenticity.

Two of the most respected voices in the underground connect for a heavyweight collaboration that's been a long time coming — BULLETPROOF CHICKEN is out now!

CRIMEAPPLE, the bilingual New Jersey spitter known for razor-sharp wordplay and a steady run of cult-favorite projects like Aguardiente and his collaborations with DJ Muggs, cementing his spot as a force in modern hip-hop.

On the boards, V DON has become a staple for his signature dark, cinematic production style. From Harlem to the world, he’s laced tracks for the likes of Boldy James, Estee Nack, A$AP Rocky, Dave East, Benny The Butcher among several otehrs, while also building his own lane with the underground classics like Omerta and his Deutsche Marks and Blue Note series with Willie The Kid. His beats balance grit and atmosphere, making him one of the most sought-after producers in the underground and beyond.

With BULLETPROOF CHICKEN, the two bring their worlds together — sharp rhymes, moody textures, and guest appearances from T.F, Bruiser Wolf, and Primo Profit only add more weight. This album is a testament to where both artists are right now, rising higher with every drop, carrying the underground to new levels.

For the first outing of 2026, Klasse Wrecks harks back 10 years or so to a Luca Lozano classic that was originally released on U.K. based Hypercolour Records. 'Calling All Dancers' was a defining moment in the producers discography and proved an evergreen hit even a decade later, to celebrate the milestone Lozano has revisited the original and turned in 4 brand new remixed versions. Ranging from tribalistic rhythms, classic electro stomp and sleaze-ball electronica the remixes provide an updated imagining of the original for audiences both new and old. Grab a copy now and don't forget to put on those dancing shoes...

Australian talent DJ Swella making his debut on the Clone Royal Oak series! Known for his warm, chord-driven house sound (highlighted on his Pleasure Trax releases). He continues the trajectory here: classic-leaning, groove-focused club music with that late-night energy.

Integrate marks the debut release for both new UK electronic music label System One & label head D. Howard* No stranger to the music having worked with some of the most well known electronic acts over the last 30 years, Integrate marks the first time D.Howard has gone studio side to empty the contents of his mind

Integrate spans a range of classic influences over its 7 tracks. The warm vintage pads and arpeggiated acid sequences of Helford Dawn recall a touch of Warp era Black Dog. Solaris take a spacey electro driven trip adrift on evocative & reflective chords while Aja takes the beat further, melancholic & eerie atmospheres sits atop a lithe acid bass line and crisp drum programming

Dear James pays tribute to the much regarded producer James Rekab Baker who sadly passed away in September 2025 James was the first person to hear this project & his enthusiasm and support was the push needed to start System One and release the music. The track is a soulful melodic deep tech cut reminiscent of early Dutch techno and has received great reactions from radio DJs such as Damo B, Colin Dale, Luke Una, Ross Allen, Paul ‘Apiento’ Byrne & Ollie Chubb at NTS and Quinn Paranoid London (Rinse FM)

System One is a new label dedicated to soulful electronic music, late night grooves & intergalactic beats, drawing its inspiration from the early 90s techno & ambient sounds of Uk, Frankfurt, Detroit & beyond

System One - Bass, Beats, Pads & Bleeps

No Fuss is back with a 14th outing that levies up to its name of dealing in only quality, fad-free sounds. Saison kicks off here with 'The Truth' which is a deep, lithe and soulful sound laced with soft acid, before DJ Romain's 'I'm Gonna Love You' taps into 90s New York house depths with neat organ stabs. On the reverse, Manuel Sahagun gets loopy with his bumping and raw 'Rouff' and its deft melodic curlicues while classy house operator Toni Lionni's remix of Deepmore's 'Babe' is a prime slice of serene and gently back-lit deep house hypnosis.

Out of Buenos Aires, Argentina the ever-consistent Manuel Sahagun comes
correct for Sounds of Style Records with our 6th release titled “Feed The
Flame EP”.
With excellent releases on Freerange, Pomme Fritte and Fortunea we are
excited to welcome Manuel to the team!
We start off with a jam that's funky and moving titled “Stressed Out’ that’ll give
the heads something to think about while the dance floor boogie’s. Next up is
“1000 Shamans” with a nice spoken word over a funky chugger that will turn
out the heads whether its early in the night or full-on boogie till the sun comes
up.

The B side starts off with our title track “Feed The Flame” which gets to the
feels of classic House music that we love so much! We round out the ep with
“Younger Brother” that ties a catchy spoken word over solid chord work and
bumping low-end to round out this quality record!
Already getting play by DJ Sneak, Toomy Disco, Jay West, DJ Dazy, Mateo
Dufour, Cory Wells, Sound Process & more.
Up next, we have Eddie Leader ”Need To Pivot EP” that is due out January 30th!

Reissue 2026

"Call Me" is an electronic/house track by DJ Dino (Dino Lenny) on Nu-Tella Records, released in 2003.

It's praised for its deep, emotional, and melodic atmosphere, occasionally shifting from darker tones to uplifting major keys,

recalling classic electronic sounds with modern touches, though specific aggregate scores are scarce.

Official 2026 reissue includes, in addition to the original and remixes by Par-T-One and Santos, the previously unreleased version by Walterino.

Mixes completely remastered by Gianni Bini at HOG Studio.

As the man who basically brought the conga into the modern age with his innovative multipercussion set-ups and tunable congas, and as a former member of Dizzy Gillespie and Stan Kenton’s bands, Cándido Camero Guerra a.k.a. Candido already had a long and storied career when he cut Dancin’ and Prancin’ for the Salsoul label in 1979 at the age of 58. So, you might have been excused at the time for assuming this was just another case of an old-timer trying to cash in on the disco craze, right? But you would have been very, very wrong…the record was pure brilliance, as the infusion of Candido’s Latin conga beats into the disco-fied 4 x 4 syncopated rhythm proved irresistible, revolutionizing the sound of underground disco while pointing the way to the house music to come. Indeed, both “Jingo” (an unstoppable version of the Olatunji classic) and “Thousand Finger Man” are still DJ favorites. Speaking of DJs, we’re putting this one out on black vinyl, perfect for queueing up and spinning. for A must for any dance music library!

The world renowned “Maestro” of the dancefloor Louie Vega continues to deliver Dance Floor gems at a rate almost impossible to conceive, given that he also maintains a weekly touring schedule that regularly takes him around the world. Louie’s upbringing in the Boogie Down Bronx exposed him to the entire evolution of Disco and Funk at a time when those genres were at their peak in the 80’s, and he brings that wealth of knowledge and passion when it comes to remakes of the classics. His remake of “Last Night A DJ Saved My Life” featuring Anané and Tony Touch in its original version on the NYC Disco Album was a masterful update that kept the essence of the original classic, but was imbued with the irresistible House Music energy that Louie and featured vocalists Anané and Tony Touch can bring to a project like nobody else. The remix from Louie himself gives this peak house groover even more pump, while the Dub from Anané demonstrates that this talented performer has a big future as a producer as well. The bonus track on the B-side “In Search Of Peace Of Mind” shows Louie once again creating a unstoppable groove that respects the foundation of House Music but once again inspires an originality that places him firmly at the forefront the Dance Music Producer community.

2024 repress

In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.
What the press said about Loop-Finding-Jazz-Records:
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)
“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)
“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)
“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)
“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)
“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)
PS:
“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth)

Following the release of Deltron 3030, all three members participated in the Gorillaz' self-titled debut album. With Del aka Deltron Zero on vocals, Dan the Automator aka The Cantankerous Captain Aptos on production, and Kid Koala aka Skiznoid the Boy Wonder on turntables, this album takes the listener on a paranoid journey set in a dystopian year 3030 dealing with viruses, the apocalypse, an oppressive government, and a war waged against a huge company called the Corporate Bank of Time that rules the universe, all to the well-crafted and consistent musical backing of the Automator. Appearances by Damon Albarn (The Gorillaz, Blur), Prince Paul, Peanut Butter Wolf, DJ Money Mark, Paul Barman, Mark Bell (Bjork, production), Sean Lennon, and Mr. Lif compliment Del's vocal style and add the right amount of flavor to this classic period piece.

Classy Deep House winners,,
Two tunes sent from an artist in a small town in the middle of Europe. The email signed off simply saying "Just A Chance".

St. David Unleashes 'Deep House Damage EP' on Definitive Recordings.

Definitive Recordings is proud to present a brand-new four-track outing from Italian house innovator St. David, titled 'Deep House Damage EP'. Following his acclaimed remixes earlier this year for label classics like 'Good Music' (John Acquaviva, Dan Diamond, Alex D'Elia, Nihil Young) and 'Do It' (Las Americas), St. David now steps forward with a full EP that delivers nothing less than pure oldschool house fire.

The release opens with 'Touch Me (Sexy Hard Dub)', a shuffling house cut with a vintage edge, driven by a rolling bassline and a sensual spoken-word female vocal that sets a playful, club-ready tone. 'I Like It Deep' heads into deep house territory, pairing organ stabs and a steady oldschool beat with both male and female spoken-word phrases, creating a hypnotic, afterhours mood. On 'Dub Swagin'', the energy kicks back up with stomping drums, chopped samples, and filtered percussion. All wrapped in unmistakable 90s house flavor. Closing things out, 'Gonna Work It' is a peak-time smasher stacked with classic vocal samples and grooving organ chords that lift the track into euphoric territory.

Born in Bari, St. David (real name Davide Disanto) has carved a reputation as one of today's most authentic purveyors of oldschool house. Deeply inspired by the American house scene, his tracks blend groove, funk, and raw analog warmth, consistently topping vinyl charts and earning support from global heavyweights like The Martinez Brothers, Riva Starr, Jovonn, and Chris Stussy. He is the founder of Theory of Swing Records, a vinyl-only label dedicated to preserving the magic of 90s house. His music has been featured on Cinthie's DJ-Kicks and he has released on respected imprints including Snatch! Records, Body N' Deep, Heist Recordings, Skylax, and Let's Play House.

With 'Deep House Damage EP', St. David confirms his role as one of the most vital voices in contemporary house, channeling the spirit of the past into tracks made for the dancefloors of today.

Special Characters, the acclaimed deep house project hailing from New York, comes to uswith "Subsurface Incantations"-a sonic journey that pays heartfelt tribute to the classicgrooves and textures that defined house music's golden eras. This latest record is astatement piece for the Based Faith imprint, and features a captivating remix from Berlin'sIron Curtis, a favorite among DJs and collectors for his deep, analog-driven interpretations.Blending evocative pads, intricate drum programming, and his signature in transforming abassline, Iron Curtis's take on the B-side seamlessly bridges the timeless with the modern,making this EP an essential addition to any discerning selector's crate.
Committed to the art of vinyl culture, "Subsurface Incantations" will be pressed strictly as avinyl-only release, with no represses planned.

Four Hardcore rave classics remastered and pressed at ISL-egendary label :

A1 comes from ISR27 (1994), AKA Sal Mineo.
A2 was unreleased on vinyl so far.
B1 used to be a Bastard Loud 06 (1995) killer !
B2 comes from Industrial Strength 11... in 1993.

Enjoy Lenny Dee's selecta for this third Hardcore Rave Classics Volume 3 !

Brand-new release for Legofunk Records. With this vinyl, Da Lukas officially inaugurates the new series “Re-Disco”, a concept dedicated to reworking, reimagining, and reshaping disco and funk influences through a modern, dancefloor-oriented lens.
Blending classic grooves with contemporary energy, Da Lukas delivers a refined selection of tracks that pay tribute to the roots of disco while pushing the sound forward. The Re-Disco series sets out to bridge past and present, celebrating timeless rhythms and transforming them into fresh tools for DJs and vinyl lovers alike.

For two decades, Hudd Traxx has stood as a pillar of underground house music – a label defined by longevity, taste, and its ability to bridge the old school with the new. To mark its twentieth anniversary, the revered UK imprint presents ‘20 Traxx From The Hudd’, a specially curated, all-new twenty-track compilation handpicked by label founder Eddie Leader.

The compilation brings together a global, star-studded lineup of artists who embody the Hudd Traxx ethos: soulful, inventive, and uncompromisingly underground. Contributions come from Groove Armada, Seven Davis Jr., Chez Damier, Cinthie, Jovonn, Oliver Dollar and others, offering a snapshot of the label’s wide-ranging influence. From the silky deep house depths of Black Loops’ opener ‘Soul to Soul Communication’, to the unmistakable analog warmth across Cinthie’s ‘Hudd House’, to the raw, stripped-back energy of Seven Davis Jr.’s ‘Infrasound’, the collection captures the many deeper shades of house Hudd Traxx has championed for twenty years.

Founded in 2005, Hudd Traxx has served as a trusted home for pioneering artists such as Nightmares On Wax and Matthew Herbert, guided by Eddie Leader’s consistent curatorial vision and unwavering commitment to craft. As a producer, his releases on Classic, Robsoul, and Balance Alliance have been supported by Laurent Garnier, Josh Wink, Disclosure, and many more. ‘20 Traxx From The Hudd’ isn’t just a celebration of the past; it’s a fervent reminder that Hudd Traxx remains as relevant and vital as ever.

Collecting Orders For Repress

Long over due reissue of this timeless Jovonn classic on the re-launched Next Moov Records. Featuring 'Back In The Dark' with DJ Deep, 'Moov Sphere'. 'Jessies Speech' & 'Keep On Dancin'. All killer no filler! Tip!

More than thirty years after conquering dance floors across Europe, Mo-Do’s “Eins, Zwei,
Polizei” returns in a special picture disc reissue, available in record stores from January
30, 2026.
Originally released in 1994, the track quickly became a defining anthem of 90s eurodance,
blending driving electronic beats, a hypnotic German-language chant, and an infectious
club energy that still feels fresh today. Mo-Do turned a simple counting rhyme into a
worldwide phenomenon—one that continues to ignite dance floors, throwback playlists,
and DJ sets around the globe.
This new picture disc edition goes beyond sound, offering a highly collectible visual
experience. The striking design enhances the iconic imagery associated with the project,
making it as appealing to display as it is to play. It’s a reissue that honors both the artist
and an era, preserving the immediacy and impact that made “Eins, Zwei, Polizei” a true
timeless classic.

A must-have release for vinyl collectors, 90s dance enthusiasts, and anyone looking to
rediscover one of the most recognizable tracks in European dance music history.

Soul Jazz Records new Junglist! is a heavyweight new selection of classic and rare original jungle and features Krome & Time, Cutty Ranks, M-Beat, Bizzy B, Lemon D, Top Cat and more. 
Junglist! tells the story of how jungle and reggae came together to produce some of the heaviest tunes ever made. Get ready for more pounding basslines, fierce Amen breaks and heavyweight ragga vocals — strictly original jungle style from the earliest days of drum and bass. 
All these tracks date from 1993-95, at the height of jungle.

Killer Groove Records proudly presents the debut 45 by Italian cinematic funk trio Atabasca. A syncopated journey where funk, psychedelia, and cinematic groove merge into a timeless narrative suspended between rhythm and vision.


"Cacopoulos" and "Kundela Mawedi" mark the birth of Atabasca's sonic universe: the first two singles from the upcoming self-titled debut album,which will be released on March 27 in limited-edition LP, CD digipack, and digital formats.

On the A-side, "Cacopoulos" is an impetuous, visionary ride that fuses the power of instrumental groove with the evocative imagery of library music and Italian golden-age soundtracks. From the first beat, listeners are drawn into a dry, dusty landscape driven by a primal drum groove and the acid twang of a guitar that evokes the spirit of classic Westerns. Indeed, "Cacopoulos" pays homage to I Quattro dell'Ave Maria (Ace High) and to the legendary Eli Wallach, the sly outlaw who turns deception into revenge, a subtle yet powerful nod that ties the trio's sound to imagery steeped in dust, dreams, and redemption.


On the flip side, the sound of an old lap steel guitar evokes the gentle waves of the sea, opening the doors to "Kundela Mawedi", a dreamy track with exotic tones and heavenly atmospheres. The sonic journey unfolds through hypnotic rhythms and echoes of ancient cultures, where ethereal voices and warm, entrancing bass lines intertwine with psychedelic riffs and evocative guitar melodies, merging into a soundscape rich in warmth and mystery. The chorus, with its unexpected choral chant, adds a spark of magic. An elegant twist that gently stirs the dreamlike mood and transports the listener into a new sonic dimension, steeped in mysticism and tribal vibrations. "Kundela Mawedi" is more than just a song: it's a sensory experience, a musical ritual where tradition meets psychedelia, sand meets sea, and the soul dances upon the waves of time.


Recorded in a single take, the session captures the raw energy and natural atmosphere of the performance. Artistic production was handled by the trio alongside Andrea Fabrizii (digger, musician, producer, and catalogue curator for CAM Sugar), while Riccardo Ricci mastered the tracks at Velvet Room Mastering Studio in Brighton.


A killer double-sider, blending psychedelic and funk moods with percussive, jazzy textures. A must-have gem for every groove-loving DJ.


Like a desert blooming within the evergreen forests of the planet's far north, a unique, alien, disruptive environment: this is the vision behind Atabasca, the project of Luca Mongia (guitars, lap steel, keyboards, vocals), Paolo Mazziotti (bass, keyboards, vocals), and Valerio Pompei (drums, percussion, vocals). Individually active for over twenty years on both national and international scenes, the three musicians came together in 2023 to create a project that merges experience, experimentation, and creative freedom. Their music is imaginative and at times dreamlike, blending the classic concept of the instrumental trio with the worlds of film scoring and sound design.


Atabasca's sound moves through jazz-funk, world, and cinematic territories, weaving together afrobeat, desert, and psychedelic influences into a personal and timeless language. Each piece is a scene; each sound, a fragment of a world, a journey between reality and imagination where groove, texture, and organic timbre merge into a singular sonic ecosystem: a perpetually shifting balance that generates new inner landscapes.


Fans of Khruangbin, Surprise Chef, and instrumental psych-funk, take note!

Nick Holder’s Iconic ‘Dance, Dance, Dance’ Finally Arrives Digitally with New Remixes from Jason Hodges and Trackheadz.
Definitive Recordings proudly presents a long-awaited milestone: the first-ever digital release of ‘Dance, Dance, Dance’ by Nick Holder’s Fruit
Loops project, originally released in 1995 and repressed countless times on vinyl since. This timeless house anthem, a pure expression of discodriven groove, now returns remastered and refreshed — accompanied by two brand-new remixes from fellow Toronto house legends Jason
Hodges and Trackheadz.

The original version of ‘Dance, Dance, Dance’ captures the raw magic of mid-90s house — a stripped yet irresistible jam that fuses classic 70s
disco sampling with a deep, rolling bassline and a straight house groove. It’s simple, it’s soulful, and it’s pure disco-house sexiness.
Jason Hodges delivers a playful rework that modernizes the cut while keeping its soul intact. His remix adds shuffled percussion, chopped vocals,
and a subtly reworked bassline — injecting a fresh rhythmic twist that stays true to the track’s roots while enhancing its dancefloor punch.
Trackheadz then takes the track into deeper territory, layering lush synth chords, organ lines, and sweeping strings over a steady, hypnotic build
— a masterclass in musicality and atmosphere for the late-night crowd.

A true veteran of Toronto’s house scene, Nick Holder rose to international acclaim in the late ’90s and early 2000s with releases on Definitive,
NRK, Stickmen, and Studio K7, shaping the sound of deep and soulful house. As the founder of DNH Records, he’s been a driving force behind
countless underground classics, including ‘Da Sambafrique’, ‘Trying to Find Myself’, and ‘Summer Daze’.
Jason Hodges, another staple of the Toronto underground, is known for his tough yet groovy sound that bridges New York swing and Chicago
grit. Having remixed the likes of DJ Sneak, Derrick Carter, DJ Heather, and Kaskade, Hodges continues to be a name synonymous with timeless,
floor-filling house. Trackheadz, helmed by Kaje Trackheadz, brings decades of experience in blending sweet strings, soulful brass, and deep club
energy. Responsible for underground staples like ‘Our Music’ and ‘Feel’, he has remixed everyone from Todd Terry to The Sunburst Band, and
continues to expand his vision through Trackheadz Records.

Nearly three decades on, ‘Dance, Dance, Dance’ still grooves as hard as ever — now revitalized for the next generation of house lovers.

2026 Repress

Since its inception in 2016, Cornucopia has been a musical project synonymous with creativity and depth. The name itself, rooted in ancient mythology, symbolizes abundance and prosperity. Today, it evokes the same spirit- a metaphorical horn overflowing with ideas and innovation. This ethos emerges in the latest release, the fifth offering from the new label run by Guy J.

The music is a testament to artistic richness and a celebration of sonic exploration.
The release opens with Remember Me, a mellow yet groove-infused track tailor-made for sunset moments by the sea. Built on hypnotic layers, it evolves into an atmospheric journey that blends joy, subtle ecstasy, and vibrant energy. In an age of musical hyperproduction, Remember Me is a reason alone to celebrate Cornucopia's return. Yet,it is only the beginning; the unexpected euphoria unfolds as the release progresses.

Seasoned partygoers often categorize tracks by their vibe-some are designed for the night, while others are for the early hours. The title track, Early Morning, is an ode to the latter, crafted to accompany the most dedicated dancers as they greet the dawn. Driven by uplifting arpeggios, the track radiates unfiltered positivity, eliciting smiles and a deep connection among those on the dance floor. Already road-tested in DJ sets, this euphoric anthem has been hailed as a secret weapon of underground music, delivering pure joy with every beat.

Released by the Early Morning label, it is a fitting finale to this remarkable collection. With its undeniable potential to become a future classic, Cornucopia's latest offering is an experience that lingers long after the final note.

Nacho Marco drops Colors in Dub Vol.1—deep house soaked in warm analog dub. From the hypnotic “Midnight Blue” and its Satoshi Tomiie remix to the raw pulse of “Bumblebee Yellow” and “Electric Green,” this wax rides late-night frequencies straight from Valencia to Paris.

DJ Feedbacks :


Francois Kevorkian (Wave) : Love the Satoshi mix
Eddie Fowlkes (Detroit Wax, Rekids, Classic Music Company) : thanks
Travis Kirschbaum (Warehouse Preservation Society) : Loving this. Especially Midnight Blue!
Sascha Dive : Midnight Blue for me!!
Brothers' Vibe (Luv4Wax) : Super ep, great works!!
Radio Slave (Rekids) : Another superb ep from Phonogramme and Satoshi's mix is great.
Giles Smith : "midnight blue" is nice
Alexkid (Rawax / FUSE / NG Trax) : Totally my vibe. <3
Aleqs Notal : Yes !!
Italojohnson (Italojohnson) : Track 1 for me!
Ben Sims : Now downloading... will check asap!
Okain (Talman / Infuse / Pleasure Zone) : Electric Green is dope!
Satoshi Tomiie (Abstract Architecture) : Receiving great feedback from the dance floor!
Steffi (Dolly) : lovely release!!
Laurent Garnier : Cool tracks
DJ Bone (FURTHER) : Electric Green and Satoshi Tomiie remix work for me.
Harri (Sub Club) : lovely stuff, will play and support
Rob Pearson (Evasive Records / Sine 102.6fm) : lovely - right up my street, cheers ;-)
Felix Dickinson (Futureboogie, Rush Hour, Cynic) : Solid E.P. current fave Electric Green
Jorkes (Freeride Millenium) : lovely, thanks so much. xo
Kassian (Phonica White / Heist Recordings) : wicked
Jaye Ward (Dalston Super Store / Netil Radio) : massive quality as ever!! super deep and pulsing gear, electric green is ace! thx
Tim Sweeney (Beats In Space) : Sounds great
Chloe Caillet (Smile Records) : love this!
Stevie Cox (Sub Club) : really lush, thank you !
Raresh (ar:pi:ar) : thanks
Ame (Innervisions) : thanks
Geir Aspenes (G-Ha (Sunkissed)) : Thank u
Saoirse (Body Movements) : Super nice dubby vibes
Amotik : Very nice :)
Kai Alce (Real Soon) : Satoshi remix is hot!
Domenic Cappello (Subclub) : nice dubby house
Cee ElAssaad (ENSOULED) : Just the way I like it! dubby and groovy.
Mike Shannon (Cynosure) : Excellent work here from Valencia's finest!