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Parisian production duo Radio Cargo steamroll onto Shall Not Fade with the killer 'Like You Move' EP!

Like You Move EP showcases why the Paris duo are one of the most exciting names to watch in the current French dance music scene, their debut for Shall Not Fade is a luscious blend of groovy breaks, dreamy synths and warm basslines, all merging together to create a stunning body of work.

Transparent Curacao Vinyl. Award-winning composer for video games and Scottish artist, Barry "Epoch" Topping (PARADISE KILLER, SENTRY, THATCHER'S TECHBASE, ENCOUNTERS) returns with "The Needs", 11 songs of lavish reflection in a modern city pop style. The album takes the listener through an emotional exploration of identity and change set against the backdrop of late summer. It fuses city pop, rock and dance music into a rich, dreamy blast of video game-tinged modern pop music. But "The Needs" is more than just an album title, like Barry explains: "It's a new ensemble built around a core of the musicians that worked with me on Paradise Killer: Fiona Lynch, Fabian Hernandez, Thomas Temple and Kyle Murray-Dickson. A new trio of horns Elin Andersson, Nicklas Dahlin and Simon Fransman round out the full lineup. Having such talented musicians involved in a much bigger way has allowed us to challenge ourselves and make the best, most over the top music we've made yet. 'The Needs' was created as a vehicle for my own reflections and is intended to help listeners reflect and find solace too. No album can be universal but if 'The Needs' can help people feel seen or understood then I'll feel like it's been a success. Getting to make the album has been an extremely rewarding experience."

Smile Sessions presents its most ambitious release to date, the highly anticipated second edition of the Workout Sessions series!

This double vinyl showcases an electrifying lineup, featuring both renowned artists and fresh talent, all coming together to create a diverse soundscape. Listeners can expect a dynamic mix of old school grooves, cutting-edge modern techno, and tribal influences, expertly crafted to ignite the dancefloor. This release is more than just a collection of tracks; its a celebration of the vibrant techno community and the energy that drives it.

signed by Marshall Allen & limited to 500

Auf „Lights On A Satellite“ ist der unnachahmliche Groove dieses Ausnahmeorchesters in der vollen Besetzung von 24 Musikern zu hören, aufgenommen in einer Qualität, die alle Stimmen zur Geltung kommen lässt und die Musik in ihrer ganzen Schönheit präsentiert.

Mit diesen Vorgaben und 24 Musikern als Produzent ins Studio zu gehen, war ein Wagnis. Frank Kleinschmidt von IN+OUT Records hat mit „Lights On A Satellite“ seiner über 40-jährigen Verbundenheit mit dem Sun Ra Arkestra den innigsten Ausdruck verliehen. Was für ein großartiges Projekt!

With this second record Shoko unveils a new genre called “Onsen Music”. Each track invites you on a relaxing journey, much like soaking away your troubles in the steamy hot waters of a traditional Japanese spa (Onsen). The variety of songs mimic the variety of onsens, some are salty and scorching, some are smooth and clear, some are bubbly and colorful, and others are a refreshing dip into crisp clear waters. In every instance, there's a sense of satisfaction as soothing and delightful as the tracks themselves. This ode to “relax”, while remaining irresistibly danceable, is filled with good vibrations, melodies and hooks that go straight to the heart, saxophone playing virtuosity, intricate electronic compositions, vocals that make us dream of new worlds, and beats that could keep us on a dancefloor all night long.

Shoko Igarashi was born in Yamagata Prefecture, Tsuruoka city, Japan. An accomplished tenor saxophonist, she is also a versatile flautist and plays alto and soprano saxophone fluently. She has already made her mark as both an arranger and a composer. Shoko grew up surrounded by dreamlike landscapes of abundant nature in the snowy countryside of Tsuruoka, a mysterious and surreal region renowned for producing the best quality rice in Japan, where she says, “the water and the air feel the purest," and where mountains and shrines overflow with ancient mysticism.

With Fancy Footwork Vol. 2, the french label continues its journey through the landscape of electronic music, stepping into darker and more sophisticated territory. This second release brings together a lineup of cutting-edge French artists who shape a unique sonic narrative, pushing the boundaries of dance floor energy. While staying true to the label’s danceable essence, this compilation infuses a moodier, more serious tone that distinguishes it from Fancy Footwork’s first release.

Each track pulses with intensity, fusing deep basslines, shadowy synths, and hypnotic rhythms that embody the raw edge of late-night club culture. This release is more than a collection of tracks; it’s an invitation into the deeper, darker corners of Fancy Footwork’s world..

Habibi Funk is excited to announce the release of Samh Almea'ad, a new 7" record by Libyan artist Cheb Bakr, hitting the shelves on December 6, 2024. Recorded in the early 2000s, Bakr’s music fuses the pulse of Libyan pop with R&B and hip-hop influences, bringing the energy of Benghazi to the dance floors of New York in the early 2000s. Cheb Bakr’s sound is a unique blend of styles that captures the essence of two worlds and includes production and vocals by Ahmed Ben Ali.

Our journey with Cheb Bakr’s music began when Yousef Alhoush, whose father Najib Alhoush led The Free Music from Libya, generously lent us boxes of cassettes to digitize. With the help of a journalist traveling from Tripoli to Cairo, we brought the tapes and a high-quality deck to Egypt. For three days in a hotel room on Zamalek island in Cairo, we sifted through nearly 100 tapes, finally landing on several from Cheb Bakr that dated back to the late 1990s and early 2000s. His albums stood out for their fresh, genre-defying sound—Bakr’s vocals flowed effortlessly over R&B and hip-hop beats with touches of jungle and drum and bass percussion, creating a fusion that crossed cultural and musical boundaries.

Returning to Berlin, we took a deeper dive into the digitized tapes, identifying bands, singers, and producers that excited us. In the process, we noticed familiar rap verses on a few of Bakr’s tracks—verses by none other than Ahmed Ben Ali, who was about to release an album with Habibi Funk. When we asked Ahmed about his connection with Bakr, he explained that they’d collaborated closely at Jamaica Studios in Benghazi, with Ahmed even producing some of Bakr’s songs.

Despite having lost touch for years, Ahmed helped us reconnect with Cheb Bakr through mutual friends. Their reunion took place in Bakr’s living room, where we joined them on a video call to discuss Bakr’s career and his influences. He explained how he sought to reinterpret eastern Libyan folk sounds for a new generation, blending them with contemporary genres.

This 45 marks the beginning of our work with Cheb Bakr, offering a glimpse into his unique musical style, with a full album to follow at a later date. The release includes two standout tracks that showcase Bakr’s dynamic range. Side A features “Samh Almea'ad,” a reinterpretation of a 2003 New York classic with Bakr’s signature spin. Since our first listen in that Cairo hotel room, it’s been played at every Habibi Funk set without exception. Side B, produced by Ahmed Ben Ali, features “Rjana Lamta,” a track that hints at American influences alongside a nod to Ahmed’s “Dameek Majeb.” Bakr’s artistry ties these contrasting elements into an original, dancefloor-ready track that remains as captivating today as it was two decades ago. As always, this 7" release comes with a booklet detailing some of the Cheb Bakr story. Samh Almea'ad will be out on vinyl December 6th.

Licensing info: These songs were licensed from Cheb Bakr. We pay the licensing partner 50% of the profits of this release. Only project related costs are deductible from the gross income, research and travel costs come out of our own share. Publishing was not included in our agreement (We feel it’s important to be transparent about these deals, therefore we will include these infos in all future releases).

"_Syd Barrett fronting Queens Of The Stone Age- surefooted, inventive and buzzing with surprises." - The Guardian "A refreshingly bold alt-rock sound." Alfitude NJ White - aka WHITEY - explodes out of the shadows with the announcement of his highly anticipated double LP MENTAL RADIO, out on 3rd October 2024. Pulling in influences from across decades of sound and putting it through the Whitey blender to create something musically fresh, MENTAL RADIO is an album that in turn is furious, raw, amused, politically razor sharp and poignant... a satirical take on 21st Century life, a musical pop art collage. As an individual, Whitey prefers to speak via his work, and has eluded all interviews for well over a decade - leading one journalist to describe him as 'the musical equivalent of Bigfoot'. Despite this elusive stance, his music continues to rack up many millions of plays and draw fans from all ages across the globe. Across a string of acclaimed albums, Whitey's music has made its mark, from rock'n'roll clubs to electronic dance floors, fashion catwalks to movie soundtracks, television to computer games, from Breaking Bad and the Sopranos to Grand Theft Auto. Whitey has built a strange home in the shadows between mainstream entertainment and the vanishing underground, an outsider who celebrates his outsider ethos in his work- and yet whose music is embraced by both popular and alternative culture. Whitey is a prominent spokesperson for independent music - his viral letter about 'fair fees for artists' was shared 500,000+ times; and made Newsweek, The Times, BBC Worldwide and the front editorial of Music Week. Whitey's back catalogue has previously received praise from the likes of The Independent, The Guardian, Record Collector, Uncut and Rock Sound to name a few. Available as a Double Vinyl LP, CD and cassette through NO! LABEL, published globally by Mute Song and repped for live by William Morris Entertainment- this is set to be a benchmark album of 2024. Housed in a Gatefold Sleeve (Gloss Finish plus Silver Foil Trim) Including two Printed Inner Sleeves (Gloss Finish).

Yo Gabba Gabba! is back! From the magical Yo Gabba GabbaLand!, comes 26 tracks of Dancey Dance-worthy tunes, featuring Kammy Kam, the Gabba Friends, and an amazing collection of special guests! This original soundtrack from the Apple TV+ smash hit series features guest artists Anderson .Paak, The Linda Lindas, Thundercat, Portugal. The Man, Betty Who, Local Natives, Big Daddy Kane, mxmtoon, and more! Receiving glowing reviews from The LA Times, Stereogum, Rolling Stone, New York Times, Parents Magazine and more, the soundtrack will delight both parents and kids alike! Available on 1CD standard softpack, and standard black 1LP with insert.

So, people. The penultimate edition of the Earquake Vinyl series is coming up. 1998. A great year for experiments on the edge of techno-laws and far beyond. Whether he lets the Schaffel bass drum dance with “Galoppmusik” or explores the resilience of trance through exuberant cluster atonality with “Loikum” on the riot label Auftrieb. Wolfgang Voigt's musical 360 degree universe mutates in all directions and once again reaches for the stars. Of course, a finely chiseled pinch of All/M:I:5 should not be missing, as should a generous measure of “Diskoschleifen 2000”, an art-music concept that saves disco from itself through abstraction and deconstruction, right? You have to go through that now.

So, Leute. Die vorletzte Ausgabe der Earquake Vinyl Reihe steht an. 1998. Ein super Jahr für Experimente am Rande der Techno-Gesetze und weit darüber hinaus. Ob er nun mit „Galoppmusik“ die gerade Bassdrum Schaffel tanzen lässt, oder mit „Loikum“ auf dem Krawall-Label Auftrieb die Belastbarkeit von Trance durch überbordende Cluster-Atonalität auslotet. Wolfgang Voigts musikalisches 360 Grad Universum mutiert in alle Himmelsrichtungen und greift mal wieder nach den Sternen. Da darf natürlich ebenso wenig eine fein-ziselierte Prise All/M:I:5 fehlen, wie ein gerüttelt Maß „Diskoschleifen 2000“, Konzeptkunst-Musik die vermittels Abstraktion und Dekonstruktion Disko vor sich selbst rettet, oder? Da müsst ihr jetzt durch.

Das Debüt der PINK MOUNTAINTOPS entstand eines Morgens im Hirn von Stephen McBean (ex JERK WITH A BOMB, BLACK MOUNTAIN). Ein einsamer Colorado Highway, Red Bull und Hallo Wach 200 SL im Kopf und im Tape Deck die letzte ordentliche PINKJ FLOYD Scheibe, aus diesen Zutaten entstand innerhalb eines Monats unter Mithilfe von Amber Webber, Joshua Wells(RADIO BERLIN) und Christoph Hofmeister das selbstbetitelte Debütalbum das von Bergen, Groupies und lockeren Höschen handelt. Unter Mithilfe der BLACK MOUNTAINS eingespielt, inklusive der JOY DIVISION Coverversion "Athmosphere".

"Aguaturbia" (1970) is an essential album to understand the construction of what we know today as Chilean rock. This very influential album is raw and dynamic, featuring heavy rhythms, distortion, and exceptional phased female vocals reminiscent of Jefferson Airplane. It comprises original compositions and electrifying renditions of songs brought to fame by the likes of Tommy James & The Shondells, The Beatles and, of course, Jefferson Airplane elevating these classics to new heights of intensity and rhythmic allure. We are thrilled to make this outstanding LP available again after many years out of stock. Aguaturbia's debut album was originally released in 1970 and showcases one of South America's most significant psychedelic bands from the late 60s and early 70s. Their influence in their native Chile -and beyond- was groundbreaking. It was played live in 1969 on 3 tracks, and it became an icon of transgression due to its unbridled musical aesthetics and cover art that - for the time of its irruption - meant a clear defiance of the conservative logics lived in Chile, which saw in the nudity of the cover a challenge to morality and good manners. The album is raw and dynamic, featuring heavy rhythms, distortion, and exceptional phased female vocals reminiscent of Jefferson Airplane. Guitarist Carlos Corales shines and when he played solos at the gigs, the effect on the audience was silence and euphoria at the same time, they couldn't believe what they heard. Everything was done with a professional attitude. In fact, Carlos Corales (guitar) and Willy Cavada (drums) were both professional musicians who had made a previous career in rock and roll bands. The LP showcases breathtaking moments, like Willy Cavada's masterful drum solo in 'Ah Ah Ah Ay' captured flawlessly in a single take. Dive into the sensual psychedelic journey of 'Erotica,' where Denise's alluring vocals dance harmoniously with Carlos' electrifying guitar. Plus, don't miss their thrilling renditions of 'Somebody to Love' and 'Crimson and Clover'-each track elevating classics to new heights of intensity and rhythmic allure. This album is more than music; it's an invitation to experience sheer auditory bliss! "Aguaturbia" is an essential album to understand the construction of what we know today as Chilean rock.

Limited Edition Pressing of 200 Copies on Neon Yellow Vinyl. 2022's "Land of Kali" album was the first under the Essential Logic moniker for over 40 years and was released alongside a career-spanning boxset "Logically Yours".

Now Essential Logic head honcho and former X-Ray Spex member Lora Logic has compiled an eclectic and ambitious remixed version of "Land of Kali" entitled "Rekalibrated" featuring reinterpretations from noted artists across a multitude of genres and styles including Grammy award winners, living legends and UK Singles Chart toppers. Lora's work with Essential Logic and X-Ray Spex while Punk in DNA and spirit has always pushed at boundaries. Rule-breaking from the start by bringing the sax into Punk while the jerky, irresistible post-Punk Funk of Essential Logic's "Beat Rhythm News" and Lora's solo album "Pedigree Charm" sit comfortably alongside more contemporary records with one ear on the cerebral and the other on the dancefloor. "Rekalibrated" highlights the many strands that intertwine to make Essential Logic and how they may be unfurled. The lead single will be "Alien Boys" remixed by Dave Audé. Dave is a Grammy Award winning remixer and producer, famed for having more number ones than any other producer on the Billboard Dance Club Songs chart. He is responsible for a staggering 132 No.1 remixes on this chart and has worked with artists as varied as U2, Beyonce, Yoko Ono, Faith No More and Madonna among many others. He won his Grammy for his remix of "Uptown Funk" by Mark Ronson and Bruno Mars. Youth, legendary bassist of Killing Joke and producer of The Verve, Pink Floyd and The Orb lends his vastly experienced ears to "Mother Earth" while there are further interpretations from Rave-pop legend Adamski, Scottish Kandy-poppers bis and New Order/Duran Duran collaborators Daybreakers who put their own stamp on the Poly Styrene-penned "Prayer For Peace". Lora has recently been in the spotlight thanks to the recent re-release of X-Ray Spex's lost second album "Conscious Consumer" which features her trademark saxophone lines alongside typically acerbic lyricism from the dear departed Poly Styrene.

The first pressing reaches the Official Record Store Chart No.1 position over Christmas 2023 and quickly sold out. Favourable reviews in Uncut, Mojo and Record Collector alongside a Vive le Rock cover feature helped raise public awareness as well as radio features on Woman's Hour and Craig Charles' 6 Music show. Fans who missed out on the first pressing patiently wait the arrival of a repress.

Cameron Jack returns to Crosstown Rebels as he delivers his first EP on the label with ‘The Late Shift’. The release, set to drop on 6th December 2024, delivers a standout offering featuring two collaborations with vocalist Liz Cass and two solo productions from the fast-rising house music talent.

London-born, Ibiza-based DJ/producer Cameron Jack has quickly become a name on the up, having been championed heavily by Crosstown Rebels’ founder Damian Lazarus, as well Blond:ish and Lee Burridge. While still young in his musical journey, 2024 has seen him sharing stages with heavyweights such as Seth Troxler, Jamie Jones and DJ Tennis. His five-show residency at Hï Ibiza coupled with appearances at Extrema Outdoor, PHAEX Festival, Get Lost Mexico and Fabric London as well as an upcoming Asia tour to round off the year, has cemented his rise as one house music’s most in-demand up-and-comers. Having previously appeared on the label as part of Crosstown’s SPIRITS VA series, and adding to releases via Knee Deep In Sound, Abracadabra Music, and All Day I Dream, Cameron now returns to Lazarus’ brainchild with his first EP on the label as he unveils a refined exploration of his late-hours sound with ‘The Late Shift’.

The EP kicks off with two collaborations featuring singer/songwriter Liz Cass, whose vocal talents have graced tracks from Hot Since 82 to Nora En Pure. The opening track, ‘Dusk Till Dawn,’ pairs deep, rolling grooves with Liz's seductive spoken word vocals, setting the tone for the late-night atmospheres that define the release. ‘Move Your Body’ follows, with driving rhythms and infectious energy, inviting listeners to get lost in dancefloor moments. On the flip side, Cameron showcases his prowess further with ‘Get High And Dance’, bringing a captivating fusion of rolling percussion grooves and playful tones, before ‘Won’t You?’ rounds out the EP with another drum-led workout perfect for keeping dancers in motion.

Tommy Boy reissues exclusive limited edition pressing of Afrika Bambatta & Soulsonic Force's "Planet Rock” Considered one of founding fathers of rap, Afrika Bambaataa has long been considered a revolutionary, both within the music business and beyond. Raised in the South Bronx, Afrika Bambaataa made his name as a DJ, rapper and songwriter, eventually becoming the foremost DJ, event organizer and promoter of the large block parties that rocked the neighbourhood during the mid-to-late 70's. Leading into the 80's, Bambaataa had found acclaim for releasing countless genre-defining tracks, infusing Hip Hop and Electronic elements into a sound that would influence other artists for years to come. With the groundbreaking release of Soulsonic Force assisted, "Planet Rock," in 1982, Afrika Bambaataa forever cemented his place in the history books as one of the most revered and innovative artists of his time. Since its release, "Planet Rock" has gone on to be recognized as one of the earliest Hip Hop hits and remains one of the genres most pioneering recordings. A long-time favourite amongst break-dancers, DJ's and music lovers alike, "Planet Rock" was ranked by Rolling Stone magazine at #240 on its list of the 500 Greatest Songs of All Time and has received Gold certification by the RIAA. Originally released in 1986 as a collection of previous singles, this highly sought after record has long since been out of production, until now. Ranked at #84 by Slant Magazine on their "Best Albums of the 1980s" list and was also included in the book, "1001 Albums You Must Hear Before You Die".

Introspective, surrealist techno on 'Doctrine EP' by 393AD for the maiden release of Full Range Motion! Three playful, layered cuts that draw inspiration from minimal visual arts, DIY culture, and the repetitive grind of everyday life. Based on long hardware jams followed by extended in-the-box production methods, Amsterdam-based artist and co-owner of Full Range Motion 393AD creatively crafts slowly-evolving, locked-in-place techno. While all tracks vary in intensity, the concept for 'Doctrine EP' is a clear one: explorative dancefloor music with a hint of mystery and curiosity to keep you moving. Mastering by Temudo. Distribution by Clone.

Singer Andy Stokes, billed as the 'Northwest King of Soul Music', may have recently worked with such industry luminaries as Snoop Dogg but, way back in the late 70s, he was fronting a hopeful Jazz-Funk group struggling to break into even just the Oregon circuit. Despite boasting members from internationally successful acts like Fantasy Records' own Pleasure, Lights Out never saw their one demo – cut in 1982 for the well-established Solar Records – even get a promo pressing. Two of the tightest and busiest of their dancefloor wreckers from the session now grace their only 7" to date.

First time ever on 7" 45rpm vinyl, dinked centre hole with picture sleeve, 500 numbered copies only.

Label and collaborative musical collective, +33JOY announce their debut release, this first one from Bopperson & Bikbaye.

Born out of a meeting at New York’s annual Winter Jazz Festival, back in 2020, this 4 track EP entitled ‘The Wellness Project’ is a very personal project.

Neil Bopperson is a DJ, musician and producer originally from Yorkshire. Having travelled the world working as a DJ and chef, he landed in London for a while where he remixed afrobeat legend Dele Sosimi for Wah Wah 45s. Now residing in Paris, France, a sharer and carer of music in every aspect, he chooses not to follow trends but instead follow his heart, with variety being an essential part of his musical DNA.

Based in Los Angeles, Bikbaye Inejnema works as a cultural activist, writer, teacher, counselor and spoken word artist. He has a bachelor’s degree in Sociology boasting over ten years experience in social work. He works as a A.T.O.D. (alcohol, tobacco & other drugs) prevention specialist for Homeless Healthcare in L.A. He is also the Executive Director of The Conscious Youth Global Network (CYGN)

Bikbaye strives to utilize art to equip the youth with the skills to become positive, productive citizens. Focusing on diverse topics ranging from leadership development to financial literacy to health and nutrition, Bikbaye gives youth the tools they need to create empowered and enlightened content.
As Bikbaye says, “The goal is to flood the airwaves, the media, everywhere with enlightened art.”

This first release on +33JOY comes in the form of a collaborative project, with music coming predominantly from Neil, with a little help from some additional players - Sam Crowe; keys (Lianne La Havas, Little Simz & Native Dancer) and the saxophone of Nick Briggs; (Joel Culpepper, Poté & The Last Skeptik). All words and vocals are from Bikbaye.

After a chance meeting in NYC, where Bikbaye was hosting talks at The Winter Jazz Festival, speaking mainly about mental health and wellness in the music industry. His words really resonated with Neil, they connected and this EP is the outcome.

Sitting somewhere in the alternative hip hop world, music is used as a vessel for Bikbaye’s words to ring out. Upon being presented with Bikbaye’s recordings, Neil composed music and collected sound design accordingly.

Starting out the set is the stripped back ‘Wellness Is A Practice’, as the opener to proceedings the vocals take forefront and the message is clear. Found sound, an old crunchy keyboard and some guitar pulses keep the poem afloat.

‘Who Are You?’ raises important questions, directed at other artists and music industry professionals. Flute, choirs and spacy drums come together for an eerie and dubbed out moment.

Third track ‘Consumption’ conveys perhaps the most important memo on the release. Sam Crowe’s grand piano floats beautifully over the reading, really highlighting Bikbaye’s statements.

Finally, and with a more hopeful feel, ‘Changes’ was the last addition to the recording sessions. A sketch Neil had been sitting on for a while, DJ Bobafatt added some cuts and Nick Brigg’s sax solo opens this track out to a goosebumps inducing ending. The most upbeat of the four tracks serves as a perfect prelude to the club-ready remixes that will follow this release.

London based label Natural Selection present their forthcoming release in the form of a 4-track 12" EP, courtesy of Annie Hall, entitled "Atomic 20", ft. remixes from label affiliates Plant43 & Kodah. Mastered by Dadub Studios, Berlin and cut by Simon at The Exchange Vinyl.

Born in Madrid, Annie Hall has been heavily active on the Electronica, IDM and Detroit circuits since 2007 and has seen her music released by the most highly esteemed of Electro labels such as Central Processing Unit, Delsin Records, 20/20 Vision, Detroit Underground, Semantica & more. She returns to Natural Selection, after releasing on 3 previous occasions since the label's inaugural release in 2021. Her track 'Panax Ginseng' (NS001) gained support from some of the most respected DJ's and producers worldwide, inc. Dave Clarke, The Advent, NULLPTR & more.

Atomic 20 is a beautifully crafted Electro release that maintains venomous aggression, amidst breathtaking textures and ambience. Hypnotic pads spiral into the ether, contrasted alongside heavy kicks, deep bass and meticulously programmed percussion patterns. Annie's eclectic and uniquely experimental style is fully evident throughout, taking the listener on an unpredictable, emotional journey, whether at home or on the dance floor.

The B side of the release features 2 well-placed, club-focussed remixes of each original A side tracks; B1 courtesy of Electro legend Plant43, with his immaculate remix of 'Goji Berry'. B2 courtesy of Natural Selection label head Kodah, with his power driven remix of 'Atomic 20'.

Influential DJ, producer, radio-presentator and founder of the Acid Jazz and Talkin’ Loud labels Gilles Peterson has handpicked his jazz favourites from the immense catalog of the Dutch jazz Timeless label. Included are Pharaoh Sanders’ cosmic jazz “Moonchild”, vocal-jazz from Carter Jefferson’s “Why”, danceable-jazz from Tom Grant “No Me Esqueca”, Art Blakey & The Jazz Messengers’ “In Case You Missed It”, making a total of 11 tracks.

In 2015, Peterson put together a Japan-only CD compilation of 10 of his favourite tracks, but for the vinyl version, the track list has been augmentend with the previously unreleased version of “Gibraltar (Alternate Take)” by Kirk Lightsey Trio feat. Freddie Hubbard, and “World Peace” by Timeless All Stars.

Timeless Jazz Classics Volume 1 is available on black vinyl and includes an insert with liner notes and track-by-track information by Gilles Peterson.

Roman Flügel returns to Phantasy with his second release of 2024 on Erol Alkan’s beloved London label, ‘No Solutions EP’. Following on from ‘Hotel Kathargo / Energies’, which garnered a summer of support from a typically diverse array of DJs including Gerd Janson, Jamie Jones and Saoirse, ‘No Solutions’ expands Flügel’s contributions to Phantasy into a triple track delight, another generous expression of his lifelong immersion in electronic music culture.

Transporting the zeitgeist of future-facing, eighties pop production onto modern dance floors, the title track ‘No Solutions’ is a fizzy, escalating ode to some of Flügel’s very earliest musical influences. Playfully channeling the wide-eyed electronics pioneered by The Human League or Soft Cell, it accelerates into a contemporary funhouse of wild oscillations and dreamy melodies.

‘Sapphire’ shifts this sound palette forward, a steady acid-not-acid bubbler that maintains maximum intrigue and pressure, occasionally breaking through its hazy clouds with pillowy breakdowns and a sense of space-age whimsy. Flügel takes the same palette in a different, more exacting direction on ‘Dragged’, spinning a creeping, Krautrock-esque groove that pays homage to the steady, lifting pulse of German kosmische traditions. Lift off!

Drasii is the duo of Chris Kalis and Lisa Armstrong. Since emerging as an offshoot of Chandeliers, denizens of Chicago’s loft party scene, they have been exploring more dance-oriented tempos and song structures equally suited for a large sound system or a pair of headphones.

Influenced by the American midwest electronic music scenes that they came out of, their new 12-inch record, Spirito Celeste (ETC Records, November 15th) combines deft melodic interplay and sublimely danceable rhythms conjuring everything from dreamy ambient, moody acid, and synth pop, to classic house and techno.

The Motion (Club Edit)
One of the biggest tracks from the album Arseholes, Liars & Electronic Pioneers gets a stripped back, DJ friendly remix from PL themselves. A “lose yourself” strobe-light beauty with a pay-off right at the end that makes it all worth while. Tested, proven dancefloor melter from the boys that know.

Help (DJ Version)
Straight up loopy techno type thing for the harder DJ’s out there. The swirling vocal gradually burrows into your brain, slowly driving you mad - in a good way. Once again tested to destruction on dancefloors all over the world.

A gem-diol is a type of organic compound in chemistry that contains two hydroxyl (–OH) groups attached to the same carbon atom. The term “geminal” refers to the fact that these hydroxyl groups are located on the same carbon, making the compound unique. Gem-diols can be formed through the hydration of aldehydes or ketones and are often unstable, readily converting back to their original carbonyl forms. They play significant roles in various chemical reactions and are intriguing due to their ability to influence the properties of molecules, making them important in organic synthesis.
In this EP by Abo Abo and Spekki Webu, the two DJs and sound artists draw inspiration from the properties of gem-diols, creating unstable and parallel dimensions. Each soundscape invites exploration, offering a dynamic experience that shifts and evolves over time.

This collaboration captures the essence of fast-paced techno, blending organic influences with expansive, textured soundscapes that evoke the vibrant rave culture of the ’90s. Each track features pulsating rhythms and immersive sonic environments, with nods to tekno and psytrance, making it perfectly suited for the dancefloor. The EP invites listeners to lose themselves in the interplay of frequencies and textures, creating an immersive and contemporary dance experience.

Fat Techno. Real skill of a kind...
4 tunes for District1 liovers, AUK/Drumcode/Primate lovers..
BANGERS of a kind.

Even def i'll dance !

Sensual’ is the third chapter of Sacred Medicine’s sonic tale. A song carefully shaped by Ron Trent to resonate on the dancefloor through its deep powerful frequencies!
An odyssey of fierce percussions and thunderous basslines, a sound journey of the highest caliber, a very indemand jam played all over the world by Joe Claussell and Ron himself during the last few months is finally available!
Enjoy ‘Sensual’ in its full vibrating and hipnotising 11 minutes, cut on a phat slab of one sided vinyl!

Carmen Rodgers' acclaimed 2004 album, Free, marks it's 20th anniversary and is finally making its vinyl debut on DJ Spinna's label, Wonderwax. A cornerstone of modern soul, this record highlights Rodgers’ rich, emotive vocals paired with lush, soulful arrangements. This vinyl release is a must-have for fans of neo-soul and R&B, offering a fresh way to experience the depth and warmth of Carmen's artistry.

We end the year with the second in our series of The Coin EP featuring a different artist on each side. In case you missed Volume 1 - TLM033 it featured Cumulative Collective and Re:Fill in September 2023. This time on side A we have Italian brothers The Robinson who have previously released their track Song 1 on TLM034. They are back once again with two superb jazz infused house tracks, Passion Is The Key and A Satisfying Day. Both ideal for the dancefloor.

Moving onto the AA side and someone who has become a TLM regular, namely Japanese artist Takahiro Fuchigami who supplies us with three amazing tracks; Jazzing Bird, How’s That Sound? and In Motion. Fantastic broken beat from one of Japan’s rising stars. If you missed his two tracks that we previously released on TLM034 - Strange Acquaintance and TLM035 - Outer Heaven, you need to check them out.

2 balles de hardcore & Speedcore dancefloor. REAL HARDCORE AERA. ATR !!

Francesco Farfa's timeless club EP "Learn To Fly" freshly remixed 3 decades after its original release in 1991 by 4 of Berlin's finest DJs and producers. A generous arsenal to choose from in terms of dance floor tools, from DJs, for DJs, equipping the record bag with something for a wide range of occasions, can't go wrong. A-side descends into big room darkness with Trent's re-interpretation, effectively complimented with Juan Ramos' bulging trancey approach playfully collaging elements from multiple tracks in the original EP. B-side goes in more ravey/progressive directions with an elevating elucidation by E-talking while Hamsa produces a more stripped down enhancement to the original theme.

Sound Migration proudly brings forth one of the contributions of UVX (Ultra Violet Explorer) to Magick Eye Records that was initially released in 1993. This release serves a touchstone for the quality that emerges when the gap between Ambient and early Trance is thoughtfully bridged.

The 15 minute aural odyssey that is the 13 Floor Spectrum version of the A-side begins mired in a beatless fog of atmosphere that slowly crystallises into a grid of percussive elements before evaporating entirely, leaving only voices leaking through the primordial aether as a precursor to the grand finale of vibration raising rhythmic frequencies.

The appropriately titled Dancefloor Sub Bassment and Trancefloor Transporter versions on the B-side transmute these sonic strands into musical talismans that can be unitised to intensify ecstatic dance practices & extend the boundaries of astral excursions.

One side Hardstyle break, newstyle ? And one side Hardcore Downtempo Dancefloor. Nice one.

Lara Sarkissian’s long-awaited debut full-length, ‘Remnants’ is an ornate patchwork of ancient and modern sonic shapes that uses the vernacular of electronic music to reformulate Armenian traditions and memories. Taking digitally modeled instruments (such as the kanun, a large zither, and the duduk, an ancient double reed woodwind instrument), vocals, davul and dhol drums, tenor saxophone (from acclaimed Paris-based player Adrien Soleiman) and myriad electronic elements and techniques, Sarkissian tangles the old and the new, creating an immersive, narrative-driven experience that’s powered by history, mythology and her own familial connection to the West Asian landscape. It’s an album that’s best absorbed like a film; only multiple encounters can reveal its layered themes and references to industrial music, noise, various club styles, ambient and traditional folk.

Born and raised in San Francisco and currently based in Los Angeles, Sarkissian has developed her unique approach to composition over years of relentless experimentation across various disciplines. Her interest in music production initially stemmed from her filmmaking and video editing work, when she began to sculpt her own sound collages and scores to accompany the visuals. Since then, she’s constantly blurred the boundary between dance and experimental music, DJing around the world, producing AV installations and scoring film and video projects that have been exhibited in Berlin’s Gropius Bau, Montréal’s Musée d’art contemporain, the Music Center Los Angeles and other prestigious institutions, and releasing music with labels such as Tresor, Knekelhuis, All Centre, Silva Electronics and CLUB CHAI, the label and event series she co-founded. In recent years, she’s also been able to advance the theory behind her art, publishing a conversation with ethnomusicologist Sylvia Alajaji in the Journal of the Society of Armenian Studies in 2021, and unveiling her methodology in Norient’s ‘This Track Contains Politics – The Culture of Sampling in Experimental Electronica’ a year later.

‘Remnants’ is a new stage in Sarkissian’s evolution as an artist; not only is it her first proper album, but it’s the inaugural release on her new platform btwn Earth+Sky. She sees the label as a place to encourage collaborations between musicians and producers and prioritize sound in visual arts realms, and ‘Remnants’ is the ideal proof of concept. It opens with ‘Heaven, or Paradise; and Hell’, a track that’s inspired by the layout of the Armenian sharakan (or hymn) ‘Aravot Luso’. Sarkissian imagines the original piece’s harmonies and melodies as parts of a dreamy electronic opera, using digital kanun sounds to punctuate her woozy, evocative synths. Soleimen joins on tenor sax in the third act, while Sarkissian repeats the chant and Jace Akira adds ghostly traces of electric guitar and bass. And on the rousing ‘Our Dead Can’t Rest (Old Jugha Flute Dance)’, Sarkissian chops urgent davul and dhol drum rhythms with spine-chilling shvi woodwind sounds lifted from a documentary about Old Jugha. The title is a reference to the moving of graves by Armenian families; the area initially housed over 10,000 elaborately carved khachkars (cross stones), one of which is pictured on the album’s cover, provided by historian Argam Aivazian’s archive.

On ‘Miracle’, Sarkissian samples atmospheres from the post-Soviet Armenian comedy film ‘Կիսանդրի’ (Kisandri). She takes this opportunity to lighten the mood a little, powdering her smudged samples with tightly edited breaks and bass thumps. It’s not until the album’s middle section that the duduk, perhaps Armenia’s best-known instrument, makes its appearance. Its familiar reedy tones, popularized by Djivan Gasparyan on his many Hollywood soundtrack appearances, emerge on ‘Unraveling (Interlude)’, weaving through the acidic ‘Zephyr’ and ‘Far from the eye far from the Heart’, a post-punk inspired stomper. Sarkissian mutates the instrument almost beyond recognition, pitching and layering it into a voice-like wail that creeps between her woody, dancefloor-primed percussion on the former, and turning it into a gentle, ghostly moan on the latter. And she brings ‘Remnants’ to a close with two of her most cryptic tracks, marrying digital kanun strings with Soleiman’s resonant tenor hums on ‘What Solace Can I Give’, and looping the same saxophone sounds until they dissolve into the air on the beatless closer ‘…nothing matters more than touching you although i haven’t touched you yet’.

It’s an album that ties up Sarkissian’s various interests and experiences, finding a romantic, poetic glimmer of light in history’s darkness. But most of all, ‘Remnants’ is about the optimism of starting anew, and rebuilding a life from the pieces of everything that’s been left behind.

Disrupt Records presents DJ Chromz - Love & Unity EP, featuring DJ Stretch & Double O!

Following the blueprint established in the first two releases by again providing the platform for the debut EP of one of the hottest new producers around, DJ Chromz!

DJ Chromz brings us four tracks of sublime 94 influenced jungle that take you on a nostalgic journey via the dancefloor to the scene's golden era whilst keeping the sound fresh and dynamic.

Featuring a colab with AKO Beatz General DJ Stretch, plus a remix from Rupture's very own Double-O!

Lush pads, crisp drums, dubbed out sounds that reflect a love of soundsystem influences, analogue sampling and drum programming, big vocals and slamming amens all wrapped up across 4 huge dancefloor tracks.

Clair Obscur, the new sub-division of Diki Records, is proud to unveil the latest gem from the duo Made On Sofa, formed by the talented Manu Kenton and Max Walder. These artists, well-known in southern Belgium for their impactful productions and residency at the famous Lagoa club, are back with an explosive track.



"I Love You So Much" is set to be a true anthem, built on a dynamic and captivating rhythm. Its hypnotic and majestic gimmick is sure to ignite dance floors and leave a memorable impression in the minds of the audience.



In addition, the second track, "Masterpiece," brings formidable effectiveness, enhanced by an emotional touch that will resonate with all hearts.



Clair Obscur, la nouvelle sub-division de Diki Records, est fière de dévoiler la dernière pépite du duo Made On Sofa, formé par les talentueux Manu Kenton et Max Walder. Ces artistes, bien connus dans le sud de la Belgique pour leurs productions percutantes et leur résidence au célèbre club Lagoa, nous reviennent avec un titre explosif.



"I Love You So Much" s’annonce comme un véritable hymne, construit sur un rythme dynamique et captivant. Sa gimmick hypnotique et majestueuse saura enflammer les pistes de danse et laissera une empreinte mémorable dans l'esprit du public.



En complément, le deuxième titre, "Masterpiece", apporte une efficacité redoutable, rehaussée d'une touche émotionnelle qui touchera tous les cœurs.

Welcome to the second in the Knite Force Crew series. This is a series of limited edition triple albums from the very best and dedicated of the Kniteforce artists.

This triple pack vinyl album contains 10 superb tracks from Sunny & Deck Hussy, plus two remixes from rave legends Luna-C, and from Jimmy J. The beautiful old skool rave styled artwork was hand drawn by the original Kniteforce Records artist, Rebecca Try.

It will never be repressed and is limited in number!

Repress.

The Italo dance classic that Carl Craig sampled for the legendary 69 track 'Rushed'

Finally available again on Dark Entries


We are honored to announce the next 12 in Dark Entries Editions is one of the all time Italo Disco club classics: My Mine - 'Hypnotic Tango'. My Mine were the trio of Stefano Micheli (vocals, keyboards), Carlo Malatesta (vocals, keyboards), and Danilo Rosati (drums, keyboards) formed from the ashes of Italian New Wave group Ipnotico Tango in 1982. They shifted focus from the experimental post punk sounds towards something more commercial with which to try and enter the market, namely to make a record. At that time Carlo was studying in Bologna and he had heard about producer and arranger Mauro Malavasi famous at that time for the many hits produced for Macho, Peter Jacques Band, Change, Luther Vandross, Ritchie Family. The group handed Malavasi a demo tape and four days later they were invited to Fonoprint Studios to record their first single, 'Hypnotic Tango'.

Utilizing new electronic instruments like the now legendary Roland TB-303, Danilo improvised a simple but effective synthesizer bass line and passed it through the Roland Echo until something magical came out. 'Hypnotic Tango' was released on Progress Record in 1983 and became an international hit across Europe and US dance clubs in New York, Detroit and Chicago, capturing the imagination of House and Techno producers. In 1987 the legendary Frankie Knuckles remixed 'Hypnotic Tango' at Seagrape Studios in Chicago, with assistance from studio engineers Tommy White and Brett Wilcotts. Originally released on Danica Records as the 'Powerhouse Mix' paying tribute to the Windy City club atmosphere and adding his own "sighs" in the track as well. The Hypnotic Remix This reissue presents 4 mixes of 'Hypnotic Tango' including the 'Hypnotic Mix' only appearing together once before in 1990 on Rams Horn Records. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket with original artwork and includes an insert with photos and liner notes by Stefano Micheli. 'Look on the floor and all is spinning round, Someone told me this was just a dance And take a chance I ain't met before..Do you think I really have a chance"

Frenchie King is a veteran artist and producer from the world of Reggae music. He was born in Jamaica and moved to the UK at the age of 12, where he began singing in a church choir. In the late 1960s he formed a church band with two friends called "The Ressurectors". Their music caught the attention of Reggae star Alton Ellis. After meeting Alton a new band formed called "Black Stallion" and their first song on Venture Records was released entitled - "Love Power". Alton was mentor and guiding light for Frenchie and crew; enabling them to jam with a host of Studio One artists.

Frenchie went on to work with noteworthy Reggae arists like: Alton Ellis, Dennis Brown, Dennis Alcapone, Ken Parker, Tito Simon, Dave Barker, Bobby Davis (The Sensations), Ruff Cutt, Owen Gray and Akabu.We didn't tour with Dennis or John Holt but Alton would always call them to the stage to jam, but we did a few shows with Alton sister Hortense Ellis and few other too much to mention...

Moving into the 1980s, Frenchie started a solo career and switched to the label "M1" where he released projects like "Your Entitled" and "Poor Me Natty Dread". During this time he also worked with renowned producer Sid Buckner (Studio One), before taking a brief hiatus; returning to help produce artist Owen Gray. He also wrote the song "Blackbird" for the band Akabu which was released in 1995 on U-Sound. M1 recording produce yours truly under name countryman linkup with the man Ezekiel in Luton hence M1

Moving forward into the 2000s, along with other musical adventures the iconic album "People Had Enough" was released in 2017, along with singles, "Let Us Do Something" and "Dance Cork". On let us do something and dance (kark) is produce by Michael McNeil aka the original jah son , a good musical sou-jah.

Which brings us up to date. In 2023 Frenchie hooked up with The Blackstones. Through this came the opportunity to work with Iron Sound Records and producer Alien Dread. This is the first single on ISR, with a solid Roots vocal track backed by studio band: Alvin Davis, Asha B and Steven Wright. More to follow!

For Moxy Muzik’s 6th birthday, we’re excited to present Moxy Editions 008—a collection of tracks that perfectly encapsulates the label’s signature sound.

The first track comes from none other than Detroit techno pioneer Stacey Pullen. Darius Syrossian, Moxy's founder, has been a fan of Stacey since the '90s, and this track captures the essence of Moxy’s vibe: techno energy infused with disco and house influences. This track was a peak-time staple in Darius’s sets all summer, igniting dance floors from DC10 and Amnesia to festivals across the UK and Europe. The buzz is palpable, with daily requests flooding in for the track ID whenever a clip surfaces on Darius’s social media.

Next, Darius brings his own twist to Audiojack’s “Get Down,” capturing the spirit of DC10’s late 2000s terrace sound. Tribal percussion, a deep groove, and a massive drop make this remix a dance floor weapon. Videos of this track’s electric energy have surfaced from epic nights at KOKO London, Space Miami, and Solid Grooves DC10, showcasing its undeniable impact.

Kicking off the B side Vincent Caira contributes a refined US house and garage track that’s bound to resonate with purist house heads. This sophisticated production by the Canadian producer is as smooth as it is engaging—a true gem for those who appreciate the finer details of house music.

Rounding out the release is a track by Buckley, the legendary Back to Basics DJ from Leeds. This one’s a tribute to the old-school Todd Terry sound, perfect for fans of classic, raw house beats. If you’re into that vibe, this track is sure to hit the mark.

This collection brings together iconic artists and authentic sounds that will resonate with Moxy’s long-time fans and newcomers alike. Enjoy the journey!

2024 Repress


Johnny Clarke stands tall as one of the great vocalists that ruled the Jamaican reggae scene from the mid 1970's to the early 1980's Dancehall period. This re-issue of his 'Don't Stay Out Late' set shows his versatility to sing any song that was put in front of him and make it his own. Under producer Bunny 'Striker' Lee's guidance, Mr Clarke produced a run of singles and albums few could match.

Johnny Clarke (b 1955, Jamaica, West Indies) cut his first record 'God Made the See and Sun', after winning a local singing contest in the Bull Bay area of Jamaica. Although the single was not a hit, it led to two follow up tracks for producer Rupie Edwards, '
Everyday Wandering' and 'Julie' that fared much better, both on the island and overseas in England and Canada. These tracks also brought the singer to the attention of producer Bunny Lee and a working relationship that would go on to produce a prolific catalogue of music.
Johnny Clarke's Dread Conscious/ Love Song style were to grace many hits around this time in 1974. Such tunes as 'None Shall Escape The Judgement' , 'Move Out Of Babylon' , 'Rock With Me Baby' , 'Enter The Gates With Praise' to name but a few. All new songs added to a host of cover tunes, recommended by Bunny Lee, many taken from singer John Holt's catalogue, that suited Clarke's vocal style.
The rhythms were cut at various studios around the Island. Randy's Studio 17, Channel I, Treasure Isle, Dynamic Sounds and Harry J's by a group of musicians loosely called The Aggravators and voiced King Tubby's studio.

All great tracks backed by great rhythms, cut by Mr Johnny Clarke with a voice that few could equal.