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Lofi Girl - Ancient China 2x12

Lofi Girl

Ancient China 2x12

2x12inchLOFI2026002
Lofi Records
19.06.2026
  • A1: Wonderland
  • A2: Changan City
  • A3: The Last Frost
  • A4: Jasmine Flower (Lofi)
  • A5: Homesick
  • A6: New Beginnings
  • B1: Spring Lake
  • B2: Sunrise
  • B3: Tears Of Love
  • B4: Givre Blanc
  • B5: Winter Heart
  • B6: Silk Road
  • C1: Bamboo Horse
  • C2: The Vast Sky
  • C3: Guilin Landscape
  • C4: Jianghu
  • C5: Moon's Reflection
  • C6: Tea Leaves
  • D1: Dancing Under The Lanterns
  • D2: Mountains Mist
  • D3: Yu Garden
  • D4: End Of Snow
  • D5: Warmth In Tradition
  • D6: Songbird

Inspired by the Lunar New Year, "Ancient China" is a timeless auditory journey blending traditional Chinese musical elements with contemporary lofi beats. Across 24 tracks, live instruments like the pipa and xiao intertwine with modern production to create a soundscape designed specifically for focus and reflection. Presented as a limited "Jade Mist" double vinyl edition housed in a panoramic gatefold jacket, this compilation serves as the perfect peaceful companion to welcome the Year of the Horse.

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Gabriele Poso - Maraviglia LP

araviglia, the sixth album by Italian percussionist and producer Gabriele Poso, celebrates collective musicianship through a vibrant, groove-driven sound. Inspired by late 70s Italian disco and global rhythms, the record blends Mediterranean warmth, Afro Caribbean percussion and jazz sensibility, with one foot firmly on the dancefloor. Recorded live to tape in an analog studio in southern Italy, with heavy percussion, Rhodes, Hammond and a full brass section, the album delivers an organic, joyful sound built for both deep listening and global dance floors.

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Gabriele Poso - Maraviglia LP

Gabriele Poso

Maraviglia LP

12inchAG001LPC1
AG Recordings
19.06.2026

araviglia, the sixth album by Italian percussionist and producer Gabriele Poso, celebrates collective musicianship through a vibrant, groove-driven sound. Inspired by late 70s Italian disco and global rhythms, the record blends Mediterranean warmth, Afro Caribbean percussion and jazz sensibility, with one foot firmly on the dancefloor. Recorded live to tape in an analog studio in southern Italy, with heavy percussion, Rhodes, Hammond and a full brass section, the album delivers an organic, joyful sound built for both deep listening and global dance floors.

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NY’s Finest - Do You Feel Me LP

Do You Feel Me sees New York house staple NY’s Finest (Victor Simonelli) return with one of his most iconic productions, bringing the unmistakable garage house sound back to vinyl.

Built around uplifting piano lines, soulful vocal elements and groove-led rhythms, the track captures the feel-good energy of classic New York dancefloors and remains a timeless cut for DJs.

A recognised name within the New York house scene, Victor Simonelli’s productions sit comfortably alongside legendary artists such as Masters At Work, Todd Terry and Tommy Musto.

Back on fresh 12" red vinyl and featuring full suite of mixes including Club Mix, Instrumental, Dub, Bonus Beat and Piano Pella, this release brings an essential garage house record to a new generation while maintaining strong appeal for long-time collectors.

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Jan Jones - Independent Woman (Parts 1 & 2) (7")
  • A1: Independent Woman (Part 1)
  • B1: Independent Woman (Part 2)

Back on Celestial Echo Records with a true modern soul classic — Jan Jones “Independent Woman”, finally given the treatment it deserves.

A record that’s been circulating in DJ sets and collector circles for years, often via bootlegged pressings as the originals are incredibly rare, this is the first fully licensed reissue, presented properly and with both sides intact - something the bootleggers didn’t do.

A-side Part 1 delivers the track in its purest form — tight, uplifting, and driven by that unmistakable modern soul groove. On the flip, Part 2 stretches things out into a longer, more open version, letting the arrangement breathe and giving the dancefloor the 6 minutes it deserves.

Musically, it sits right in that sweet spot for us — rich vocals, warm keys, and a rhythm section that just grooves. It’s one of the ultimate modern soul tracks.

Licensed officially, as always. Celestial Echo is here to put proper soul records back into circulation — respectfully cut, properly pressed, and ready to play.

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Eliza Rose - FABRICLIVE. presents Eliza Rose (2x12")

Eliza Rose joins the ‘FABRICLIVE. presents’ series with a release that reflects the breadth of her creative journey in club music culture. A DJ, vocalist and songwriter from London’s vibrant underground, she has become one of the UK’s most compelling voices, equally at home in the DJ booth, on record, and crafting music that resonates across dancefloors and charts alike.

To accompany the release, fabric presents commissioned a bespoke, hand made tapestry depicting Eliza Rose and her friends at Carnival, a celebration of community, heritage and collective joy that runs through her story and the culture she represents. Rich in texture and detail, the piece transforms a living moment into something timeless and craft led. Eliza is pictured alongside the tapestry in an iconic hot pink tracksuit, set within a council estate garden that feels instantly recognisable as a portrait of London life. Surrounded by nostalgic children’s toys, from a rocking unicorn to a plastic slide, the scene captures the everyday intimacy and character of the city’s estates, spaces where music, family and friendship intertwine.

The contrast between the ornate woven artwork and the raw familiarity of the setting creates a striking visual metaphor, bridging past and present, celebration and reality. Together, the imagery reflects the spirit of the release itself: rooted in community, shaped by lived experience and grounded in the environments that continue to inform Eliza’s creative world.

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Kruder & Dorfmeister - DJ-Kicks Kruder & Dorfmeister (30th Anniversary Box)
  • A1: Herbaliser – A Mother
  • A2: Small World – Livin’ Free (Soundtrack Mix)
  • B1: Tango – Spellbound
  • B2: The Lab Rats – Give My Soul
  • B3: Statik Sound System – Revolutionary Pilot
  • C1: Jmj & Flytronix – In Too Deep
  • C2: Aquasky – Kauna
  • C3: James Bong – Mr. Kiss Kiss Bong Bong (Big Brothers Dubbing You Full On - Dub Tractor Remix)
  • D1: Hardfloor Presents Dadamnphreaknoizephunk – Dupdope (Dubdope)
  • D2: Thievery Corporation – Shaolin Satellite
  • D3: Kruder & Dorfmeister – High Noon
  • E1: Beanfield – Keep On Believing
  • E2: Sapien – Que Dolor
  • E3: Shantel – Bass And Several Cars
  • F1: Karma – Look Up Dere
  • F2: Showroom Recordings – Radio Burning Chrome
  • F3: Kruder & Dorfmeister – Black Baby (Dj-Kicks)

For its 30th anniversary, Kruder & Dorfmeister’s DJ-Kicks is available for the first time in mixed form on 3LP, remastered by Bernie Grundman and packaged in a special box set including original imagery. Kruder & Dorfmeister's rendition of the series created an era defining moment, which tied together a glowing array of musical registers. The Viennese downtempo royalty blended a fusion of slowed down moments across many genres with rolling Drum and Bass from the likes of Aquasky, the melting acid lines of deep Hardfloor and the 90s boom bap sampling, smoked out atmospherics of Thievery Corporation amongst many more.

These masters of mood channeled the sound of a moment with their DJ-Kicks, which still retains a certified cinematic sheen, the patina of the real – curation and mixing at its most playful and refined. It remains to this day one of the most recognizable DJ-Kicks and mixes of all time. Containing two certified cuts from K&D themselves; the wooze is strong on “High Noon” with Dorfmeister's intoxicating jazz flute licks and a trembling harmonica atop a mirage of breaks. Their DJ-Kicks original and legendary tune “Black Baby” closes the mix providing a piece of grandeur, riding off into the distance deep to the vanishing point.

When the mix dropped in 1996, the slo-beat pioneers were among the hottest producers in the dance universe. Even though they only produced two unreleased maxis, names like Count Basie, Bomb The Bass, Alex Reece or United Future Organization had some of their tracks remixed by these exceptional producers. Rumour has it during the work for DJ-Kicks and their debut album they refused doing remixes for U2, Grace Jones, Elvis Costello and the Fantastic Four! ‘DJ-Kicks: Kruder & Dorfmeister’ took its place in the pantheon a long while back, effortless in its ability to traverse sounds, styles and tempos while retaining a selection which remains timelessly recognisable as: Kruder & Dorfmeister.

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Brendon Moeller - 侍栽培一

Brendon Moeller

侍栽培一

12inchSAIBAI1
Saibai
19.06.2026

2026 Repress

Samurai Music heralds a new seam of spacious, rhythmically curious exploration with the launch of the Saibai sub label, opened in mesmerising fashion by Brendon Moeller.

The overarching premise of Saibai is to nurture a more delicate, meditative inversion of Samurai's physical, dense sound, leaning less on the dynamics of the dancefloor while holding true to the intricate drum play and dubby principles that bind the label's sound together.

In this open-eared, inquisitive environment, Moeller is the perfect fit as an artist with decades of diverse offerings across all kinds of dubwise manifestations. On SAIBAI1, the US-based, South Africa-born producer stretches out with a live-sounding drum palette and exquisitely rendered synth work loaded with detail, character and organic flourishes. It's a light-footed approach with plenty of air flowing through the mix, but there's considerable weight in every notch of the production, not least the imposing channels of sub bass coursing beneath the frequency range.

SAIBAI1 is a feast for the senses, wholly immediate and front-loaded with fascination, setting the perfect tone for Saibai as a platform for charming, immersive electronics that take a fresh diversion from the fundamental core of Samurai's sharply defined sonic focus.

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Last In: 5 months ago
Salt Queen - ARE U OK

Early DJ Support: Massimiliano Pagliara, Paranoid London, Logan Fisher, Terry Farley, James Holroyd, Rocky (X Press 2), Francois K, Marcel Vogel, Sean Johnston, Austin Ato, Ron Basejam, Richard Rogers, Oliver Dollar, Crazy P and many more

Creating an international name for itself over the past decade as a sample pack label, Samples From Mars made its inevitable venture into the music world originally as a home for founder Teddy Stuart’s work. Long before making samples, Stuart garnered credits working as a grammy-nominated recording engineer in the hip hop world, and DJing / producing with Justin Strauss as A/JUS/TED, for labels such as DFA, Domino Records and Southern Fried Records. Now the label is set to release a variety of genres - house, disco, techno, ambient, all with a vintage tinge and a focus on high quality, analog production.

Enter Salt Queen. Visual artist and musician Magali van Caloen together with Samples From Mars founder, Teddy Stuart. Based in New York, the duo combine hardware dance aesthetics with dry, salty takes on familiar club moments into music that sits somewhere between funny, raw and unpredictable.

Salt Queen’s debut ‘ARE U OK’ is an acid-laced, deadpan spoken word track with an opening line that snaps any room to attention. A disorienting club encounter unfolds over Italo-inflected 808s and a relentless 303 bassline. There are no chords and no melodies - just a skeletal groove and an intimate voice circling the dancefloor. Drifting between concern and provocation, the vocal runs through cliché club conversations before destabilizing completely into a siren-laden crash out. The ‘Freak Nasty Club Mix’ ditches the plot and lets the hardware breathe, with a thick SH-101 bassline anchoring the first half before a sudden switch into an unrelenting acid pattern that refuses to settle. Two versions of the same wild night out.

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This Heat - This Heat LP
  • 1: Testcard
  • 2: Horizontal Hold
  • 3: Not Waving
  • 4: Water
  • 5: Twilight Furniture
  • 6: 24 Track Loop
  • 7: Diet Of Worms
  • 8: Music Like Escaping Gas
  • 9: Rainforest
  • 10: The Fall Of Saigon
  • 11: Testcard (Locked Groove)

‘They went beyond punk before punk had properly started…the entire album is a controlled explosion of ideas. Nearly fifty years on, This Heat’s debut is something the world has still not completely caught up with.’ - Simon Reynolds

‘Over the years, there have been bands to play as aggressively, or even as strangely, but very few have been able to rise from their collective influences and histories to create music so singularly distinctive and inspiring.’ – Pitchfork 9/10

‘This Heat sounded like the future then ... and still do now.’ - Dan Snaith (Caribou)

Although widely considered to be Post-Punk’s finest, This Heat actually began performing and recording their music in 1976, the early days of London’s punk era. Within their two albums and an EP they perfected a strange and volatile new strain of avant-garde rock that time has proved to be massively influential, a blueprint for much that would follow: post-rock, math rock, homemade musique concrète, experimental electronica.

Numerous critics have recognised the band's influence on the music of Sonic Youth, Glenn Branca, Steven Wilson, Public Image Ltd., Radiohead, Swans, Shellac, Young Knives, Black Dice, Lightning Bolt and numerous other experimental and post-rock bands. Disbanding in 1982 they have left an undeniable legacy that has only continued to grow in stature and relevance.

The album This Heat, also known to fans and critics as the ‘Blue and Yellow’, was their eponymous debut release, recorded in sessions between February 1976 and September 1978 in a variety of studios including their own Cold Storage, a converted cold storage room in the Acme Studios complex. Innovating throughout, they combined loops and tape manipulation (producing for example the proto-drum and bass ‘24 Track Loop’) with live performance and haunting vocals to a complex, dissonant whole. The band recorded everything they ever did – including gigs – and tracks such as “Water” were entirely improvised in the studio.

Having recently passed the 50 year anniversary of their first gig, and the recording of material that appears on their debut album, the group’s surviving members Charles Bullen and Charles Hayward, true to their DIY roots, have set up an imprint to release their recordings for their growing fan base that is increasingly recognising their influential place in music history. 


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Panasonic - MUUNTAJA / MURTAJA
 
2

** 2026 stamped edition

Two raw minimal cuts from '94 that will piece up any self respecting dance floor;
Mika Vainio, Ilpo Väisänen & Sami Salo at the controls - an ESSENTIAL 12" from Sähkö Recordings, TIP!

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Goat - Goat 6 (Vinyl Only) LP

This is underground house music made in Detroit with real weight, moody, stylish and absolutely loaded with character. A bold and ultra-desirable vinyl-only drop that nails the spirit of Detroit-rooted dance music while keeping its own identity razor sharp. Massive record, massive presence, no compromise.

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Indira Paganotto - Arte Como Amante LP

Globally adored Spanish techno protagonist Indira Paganotto releases her debut album 'Arte Como Amante' via ARTCORE / PIAS Électronique. It brings together thirteen fearless tracks that stretch way beyond any one genre. It's high-pressure, high-energy, and deeply personal. A full-spectrum dive into the world of one of electronic music's most dynamic artists.

It follows a huge 2025. She debuted at Coachella. Played her first ever b2bs with Armin van Buuren at Sonar and Sara Landry at EXIT. She became the first woman to close Monegros. She held down her first Club Room residency at Hï Ibiza for 14 weeks, and even launched her own creative studio space, ARTOPIA, in Santa Eulalia. Her label ARTCORE the home of this special album also took their presence in the dance world to the next level with their own curated stages at Tomorrowland, Mysteryland and Dreambeach.

Now, she's telling her story. The title 'Arte Como Amante' means 'art as a lover'. For Indira, that's not just a phrase. It's her life. This album has been 14 years in the making. It began in Madrid in 2012, when she was 19, and was completed in 2024. She waited for the right moment. She lived life. She collected experiences. She built the sound. "I know to take 14 years to make an album seems crazy," she says, "but without living those experiences, how could I have made the music about them?"

The result is a diverse, adrenaline-fuelled body of work that hits hard and moves deep.

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JEFF MILLS - THE TRIP TO VEGA LP 3x12"

The Trip To Vega is about deep outer space odyssey that occurs in the process of traveling from Earth through the Cosmos to another "favorable" star system 25.3 light-years away.

The time is year 2097, Sept 23rd.

To this day, Earthlings have managed to dodge some of nature's more dangerous extremities, massive volcanic eruptions, Earthquakes, solar burst that knocked out the Planet's entire electrical grid for 3 years, numerous plagues of disease, food and fresh water shortages, domestic and International Wars and many other life-changing operas, but for this event, what remains is a realization that has no remedy. The cause: Earth's physicality has changed. It is no longer favorable for living things.

It is the constant shifting of the planet's internal tectonic plates which has unfortunately produced an unexpected and impassable dilemma.

Because of the collisions, deep within the planet's core, the planet is now producing an extraordinary amount of sound that includes a specific harmonic frequency that erodes the natural senses of all life on Earth.

It is intensifying. It is intolerable and it is unlivable.

Yet, some humans prefer to stay, to "ride it out" like the Titanic captain going down with his ship. Some, in total disbelief as some have concluded it is the second coming of Jesus Christ. But for most, the decision is clear. Tolive another day, leaving is the only rational choice.

At an increasing rate, scientific research data shows that humans and most animals, excluding the Jellyfish will eventually lose the usage of hearing and are to greatly suffer from an array of other neurological and psychological effects. The sense of touch and taste, sleep depreciation, severe nerve damage, constant hallucinations. Everyone will lose many of their cognitive abilities within an estimated 12 months from now.

On this day and every 7 days afterwards until all registered passengers have departed, the first of a fleet of large number of massive size spacecraft carrying approximately 1 million humans per vessel will permanently leave Earth to begin the long and adventurous trek across outer space to a new home: Vega.

This is not a precautionary tale as there is nothing to learn. Instead, a decision has been made and a Trip To Vega is the consequence.

- Jeff Mills

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Prophetic Justice Ministry - Key To World Peace (LP)

Key To World Peace is the third release by Prophetic Justice Ministry - aka Australian musician Sam Perry. An atmospheric, cinematic album that belies a striking pop songwriting nous at its core, its conductor Prophetic Justice Ministry is at the centre of a new wave of creative, rule-bending Melbourne artists. Romantic, smudged and hazy, Perry emerges from behind a wall of
half-light with a clutch of earworms and affecting emotions.

Recorded in home studios in Belgrade (Serbia), Christchurch (New Zealand) and Melbourne (Australia) over the course of three years, Key To World Peace offers a dichotomy in approach. Shifting on a dime between ambient, filmic washes of sound and more traditional song structures, the approach feels natural, casually acid-tipped and emotionally revealing. While Perry’s
distinctive keys and production melding with melody is evidenced in Melbourne group Who Cares?, as Prophetic Justice Ministry there’s a heightened sense of mystery and space being used.

Swirling in a psychedelic fog with dry iced chords falling down like melting stars, the album pulses with an ominous, distorted intro that sculpts air into blocks of sound before Psyop offers a glimpse through the gloom at the artist navigating through crushed, shoe-gazing chords, singing a consolation into an abandoned building. Side A’s more abstract tone veers from industrial tracks (T-A) to pastoral, impressionistic pieces (Trance) before album highlight Life’s A Party showcases the effortless, classic songwriting lurking in Prophetic Justice Ministry. Built on the tension between the upbeat lyrics and suppressed, rich delivery, the song lopes on an alluring loop with acoustic guitars and Perry’s voice walking a tightrope between irony and sincerity. The song blooms into a bright burst of light, almost inducing synesthesia in the listener and reminding a little of The Beta Band’s most outre and catchy moments.

Opening Side B, Naked Shine’s scintillating guitar is punctuated by a sub bass swell that offsets the yearning vocal performance. With palpable sensitivity the song is shepherded into short, atmospheric passages before Love Drum’s direct delivery: Perry’s vocal and guitar, dancing over a hint of distortion feels like Syd Barrett at his most casually brilliant. Carrying on the tradition of a single cover on every Prophetic Justice Ministry release, here Lana Del Rey’s Mariner’s Apartment Complex is given a stripped back but faithful treatment. With a sound that feels like a hushed, Chris Isaak classic it’s testament to Perry’s own compositions that the cover doesn’t outshine the rest of the album. Album closer and single Spirit House Party combines a classic chord progression with Perry’s double-tracked vocal into a murky but brilliantly catchy chorus. While nowhere near as lush in its production, there’s something in the atmosphere of Prophetic Justice Ministry’s vocal sitting in the mix just so that reminds us of The Electric Prunes’ Holy Are You-era work with David Axelrod.
Key To World Peace flits between displaying a spectrum of blurred emotional resonance in its instrumental passages and vulnerability in the shape of raw, melodic songwriting. With his first release outside of Australia and vinyl debut, Sam Perry’s Prophetic Justice Ministry is a beguiling dance in and out shadows.

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Brandon Markell Holmes - Try Remixes

BRANDON MARKELL HOLMES brings more heat with remix version of his album "Try." 6 standout remixes from MOON BOOTS, AROOP ROY, BYRON THE AQUARIUS, 808 BEACH, AND BAD COLOURS crafted for peak-time sets and deep dancefloor Moments. Full pic sleeve.

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MINDSEYE - RIVAL CONSOLES (2x12")

MINDSEYE

RIVAL CONSOLES (2x12")

2x12inchERATP177LP
Erased Tapes
19.06.2026
  • A1: Theme
  • A2: Fluctuations
  • B1: The Chase
  • B2: Encounter
  • C1: Future Worlds
  • C2: Horizon
  • C3: Ticking Clock
  • D1: It Repeats
  • D2: Scanner
  • D3: Hackers

**LIMITED 500 UK COPIES ON BLACK VINYL** VINYL ONLY RELEASE for RSD: Rival Consoles, UK producer Ryan Lee West, shares his original score for MindsEye, the highly anticipated narrative-driven game from Build A Rocket Boy, the studio led by visionary game director Leslie Benzies. The industrial techno score doesn’t just accompany the game, it’s embedded in the code of the world they have created together. The full score sees its debut on vinyl for the first time as a limited-edition Record Store Day 2026 release.

Set in Redrock, a sprawling desert metropolis ruled by surveillance and automation, MindsEye follows Jacob Diaz, an ex-soldier haunted by fractured memories. As his personal mission escalates, he’s forced to navigate a world shaped by rogue AI, militarized tech, and a fragile grip on control, all while confronting the truth about his past. "In MindsEye, sound is a critical storytelling layer, from ambient detail to emotional drive, every element is designed to shape how players feel inside the world," said Craig Conner, audio director at Build A Rocket Boy. "Rival Consoles’ tracks brought something truly special to that vision. Ryan’s music adds a distinct emotional charge and texture that elevates key moments. It doesn’t just accompany the game, it sharpens its edge, deepens its atmosphere, and perfectly complements the world we’ve built." The score was produced over the span of three years in his London studio, and contains some of West’s most ambitious and heaviest compositions to date.

To coincide with today’s release of the game, the 10-track score is now available to stream in its entirety. MindsEye follows West’s previous scoring work, including bespoke music for 2019’s Black Mirror episode Striking Vipers, featuring ‘I Love This, I Love You’, 2022’s Netflix feature doc El Caso Figo about the legendary football player Luís Figo, and Alexander Whitley’s contemporary dance production Overflow, which was released as a studio album with the same name in 2021. The most recent Rival Consoles album, Landscape from Memory, was released in July 2025 to critical and fan acclaim. A world tour continues into mid-2026.

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Declan McDermott - Why Don't You Believe Me?

A golden repress for a golden record. Luke Una has been shouting about this one from the rooftops. Declan McDermott on Delusions of Grandeur w/ remixes from I:Cube & Luke’s ‘man of the moment’ DJ Nature, who provides a killer remix on B1 which has been transcending dancefloors far n wide! Buy or cry!!

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Los Van Van / Los Bocucos - Que Se Sepa

Cuban dancefloor history gets revisited here with the debut release from Luchando Music. This 7" - which has been drawn from the Egrem archives - pairs two fiery 1970s recordings, opening with 'Y Que Se Sepa' by Los Van Van. Written by Juan Formell, delivers a sharp dose of classic Cuban groove with big brass leading the way, enter chords keeping time and tambourine tinkles adding accents to the groove as the vocal offers soulful radiance. Flip it over for 'Mi Quimbin' by Los Bocucos, composed by Jose "Pepe" Couto. Long circulated internationally under a different title, the track is all sunny energy and trilling melodies, busy percussive shuffles and meandering bass that is pulled back into focus by various drum breaks.

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Decent Rides - Like We Do

Decent Rides

Like We Do

12inchFORTUNEA040
fortunea
19.06.2026

The Austrian imprint Fortunea Records took a little break to fill up their batteries and comes back now this summer with a release by the Bavarian duo Decent Rides. They are around for a couple of years and are also the masterminds behind the label Interloot Records.

On the ‚Like We Do‘ EP they are your guides for a versatile house infiltrated tour. The title-track is an energetic floorfiller with modulated synth sequences and heart stomping drum patterns. Definitely the killer app on this wax.

The second track on the A-side features the tune ‚Mind Maze‘. A funky bouncing bassline, reverberant almost siren sounding tones, staccato vocal samples and high accentuated hats make you blister your feet from your high intensively dance moves.

On track B2, the duo adds further "Colours" to the record. This melancholic deep house tune exudes a beautiful, somber, and yet captivating atmosphere that is impossible to resist. This track could be very effective when played during sunrise or sundown.

And finally, they round off this release with cosmic dub sounds and shimmering chords. "Lembo" invigorates the senses. Every beat on this tech house track is an invitation to let go and feels you the pulse of the underground scene.

Go check this out!

Limited to 200 records. There will be no repress!
Mastering by Patrick Pulsinger.

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Anthony Hüseyin - O Geliyor - Making O LP

Anthony Hüseyin presents their new album O Geliyor (Making O), in which they return to the rediscovery of their gender, their childhood, and their attachment to Zeki Müren.

Müren is widely regarded as the most important queer exponent in the history of Turkish Art Music (Türk Sanat Müzigi). This genre of music was open to musical hybridism, and Müren himself also included elements of jazz and pop music.
Stylistically, O Geliyor (Making O) is a combination of contemporary discoid electro-pop music, based on Turkish Art Music by Zeki Müren. After successful current re-interpretations of Turkish music styles like neo-Anatolian pop and neo-Arabesk, this album provides a first take on neo-Turkish Art Music.

The album title is referring to the third genderless person pronoun in Turkish called "O", which encompasses all gender possibilities in one word. The album reflects on the memories that haunt us and the indescribable wounds of displacement. Set against the backdrop of Berlin, home to many immigrants and political and queer refugees, it exposes the profound emptiness in a metropolis wishing to imagine itself as a safe haven for the free-spirited, yet always reminding the Other that they don't belong. At the same time, it delivers anthems for the displaced, for the queer migrants who traverse internal and external landscapes in search of a place called home.

Anthony Hüseyin is a non-binary musician and performance artist of Kurdish-Turkish and Arabic descent who works with voice, text, film, dance, and installation. Raised in Urfa in Southeastern Turkey, where they learned traditional local music, they went on to study both classical and jazz singing in Istanbul and Rotterdam. Their works combine the personal and political to explore memory, identity, community, collective consciousness, and the body.

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MAURO PAWLOWSKI - UNSPECTACULAR TIMES

Mauro Pawlowski's 'Unspectacular Times' is the sound of an artist completely at ease with himself, and with the world, in all its ordinary, unglamorous beauty. Ten songs rooted in everyday observation and emotion, produced by Scorpio Twins (Stephane Misseghers and Bruno Coussée) with a full 24-carat 80s gloss: lush synths and basslines.

Where everything around us seems to demand maximum volume and instant outrage, Pawlowski turns that logic quietly inside out. These are songs about love that sneaks up on you, desire that builds in an art gallery, and a Nobel Prize winner falling off his bike and giving a thumbs up. Small moments, but in Pawlowski's hands, that's where everything worth paying attention to actually lives.

Guest appearances from Brianne Dunne (Daryl Hall & John Oates) and Pol Coussée, a Belgian saxophonist who found his way from London to Toronto and has played alongside Barry White and Isaac Hayes.

Following the 70s-tinged 'Eternal Sunday Drive', his second album on Unday Records 'Unspectacular Times' is Pawlowski's most pop focused to date. His most recent chapter in a career that has taken him from Evil Superstars to dEUS, through theater, dance, film and more alter egos than most artists have albums.

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il devrait être publié sur 19.06.2026

Dynamix - Bang Bang

Dynamix

Bang Bang

12inchAR034
Archeo Recordings
19.06.2026

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is a Limited Edition 12" (100 on Red and Black Marbled vinyl). New life and an expanded treatment for this 1990 French House classic with the 2 Original tracks + 2 special dancefloor Remixes by none other than Marcoradi.

pré-commande19.06.2026

il devrait être publié sur 19.06.2026

Dynamix - Bang Bang

Dynamix

Bang Bang

12inchAR034M
Archeo Recordings
19.06.2026

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is a Limited Edition 12" (100 on Red and Black Marbled vinyl). New life and an expanded treatment for this 1990 French House classic with the 2 Original tracks + 2 special dancefloor Remixes by none other than Marcoradi.

pré-commande19.06.2026

il devrait être publié sur 19.06.2026

Zed Bias x MJK - Keep On Livin' / Late To Camberwell
  • A1: Keep On Livin
  • B1: Late To Camberwell

Luke Una introduces a new series of original, dancefloor-focused productions on his É Soul Cultura imprint, in partnership with Mr Bongo. True to the label’s ethos, the series pushes sonic boundaries into deeper, more expansive territories, delivering forward-thinking music for discerning dancefloors. The first release brings together UK garage royalty Zed Bias and the underground talents of MJK, as we’re served up a double hit of hypnotic, futuristic techno and house.

Zed Bias is an artist that needs little introduction. The main moniker of Manchester’s Dave Jones, over the past 25+ years he’s cemented himself as a crucial figure in UK garage and dance music as a whole. He’s remixed hundreds of artists including Whitney Houston, The Streets and Azymuth, been nominated for a MOBO award and, through his more experimental take on 2 step garage, helped lay the foundations for the development of bass music into dubstep. For this new release he teams up with Ghanaian-British producer and DJ, MJK. Earmarked as ‘One To Watch’ by DJ Mag, and similarly championed by Mixmag, MJK’s sound draws from the worlds of bass, grime, house and beyond.

Opening track ‘Keep On Livin’’ sees Zed Bias and MJK coming together in the studio. Passed to Luke by his manager If Khan, it’s a sonic alchemy rooted in black heart soul music yet seen through a prism of bass futurism. A heads-down cut of driving techno, with nods to Detroit, and firm UK foundations, that is both bass-heavy and otherworldly. It’s a simple yet effective, entrancing combination of percussion, bass, and keys, peppered with old soul samples that lock you into a groove and never let go. A track built for dancefloors big or small.

On the flip, MJK steps up solo with ‘Late to Camberwell’, diving into deeper, late-night territory. Known for his three-deck DJ mixing style, MJK has a real understanding of how to layer elements to keep people moving. A swirling cosmic feel reverberates through ‘Late to Camberwell’. Drum hits, shakers and synth loops are weaved together in style, creating a dose of deep, immersive rolling house. In Luke’s own words, “I found it very exciting to hear a new artist create such a beautiful sound that reminded me of Detroit and Artwork's late ‘90s techno alias Grain. It’s stripped-back raw house music of the highest calibre”.

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Planar Traits - Distance EP

Planar Traits adds to the Spectral Bounce catalog with SPEC08: Distance EP. Since 2021 the Stockholm-based artist’s creations have combined evocative soundscapes with dancefloor functionality. Here he steps up with four hydrographic cuts spanning the groove-led, the mysterious and the cerebral.

Beginning the expedition with the type of psychedelic and lithe tech-house for which Spectral Bounce is known, the A-side is glistening with aquatic shimmer. “Variations in Hue” and “Distance” are club cuts embellished with mystical melodies and sonar pulses, both propelled by chunky drums and driving sub frequencies.

The B-side goes deeper, revealing a more contemplative zone in which soft echoes of Detroit (“Bloom”) are spliced with 1990s Artificial Intelligence sensibilities (“Never-ending Light”). A perfect soundtrack for living room transcendence, as much as pelagic immersion.

SPEC08 — Dive in!

Credits:
Words by Cameron Leaf
Art by Susanne Janssen
Mastering & Cut by Analogcut

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Mar-Vista - Visions of Sodal Ye LP 2x12"
  • A2: Death's Shadows
  • A3: The Black Sun Shines Today
  • A4: Dance Of Darkness
  • A5: The End Of The Dream
  • B1: Sodal Ye
  • C1: Mikso
  • D1: Expedition
  • D2: Crash73

Originally Self-produced in 150 copies (1977), MAR-VISTA’s only album is one of France’s most strange and radical records. Psychedelic electronic music, experimental, and acid folk A collector’s holy grail for fans of Klaus Schulze, Terry Riley, Neu, and Silver Apples. Includes a previously unreleased second record (1973)

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Random Factor - Too Fast Into The Future LP 2x12"

First released back in 1998, Random Factor's Too Fast Into The Future returns to wax and serves as a reminder of just how far UK mainstay Carl Finlow was already thinking ahead. The album was also a standout moment in the Leeds-based 20/20 Vision label catalogue that threads house, techno and electro into something more unsettled and brilliant. 'Lead Me Blind' and the title track fold processed vocals into stark machine rhythms, while 'First Principles' and 'When Daylight Fades' remain DJ touchstones. There is tension in every bar and introspection rubbing against dancefloor drive. Decades on, it still bangs.

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Relative - he House Of Mikkit

Relative

he House Of Mikkit

12inchFLEX035
FLEXI CUTS
19.06.2026

You Can Believe it ??"

After five years Simone Guerra (aka Relative) returns to the "House of Mikkit" on his own Flexi Cuts imprint. This dancefloor-oriented album is a manifesto of raw obsession and future patterns, crafted for those who’ve stopped chasing trends to find something real.

The record breathes through deep fat analog basslines and hypnotic arpeggios, layered with dreamy synth lines and ghostly vocoder textures.

It’s a gritty, essential dive into the Italian underground—eight tracks where the machine finds its soul.

If you’re feeling down with your things, if you’re always chasing the tail end of the wave and looking back to it saying "wow"… this is a record you might want to listen to.

______________

Packaged in a protective PVC sleeve with a super raw hand-printed cover.

Including a postcard + 8 tracks download code.

******-----**

Produced, composed and mixed by Simone Guerra aka Relative at Studio Noce (Lugo) between dec '24 and sept '25.

Mastered by Francesco Brini

Design by Yari Calanna and Pietro Galeati.

Words by Matteo Garavini

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Various - Various Headz Vol.001

HouseHeadz Records presents Various Headz Vol.001, the first installment of a new VA series that brings together different artists under the same vision. A selection of four cuts that represent the label’s underground identity and its focus on club-driven house music. A side features Giuseppe Fava - What is She (Looking For Mix) and Domgreek - Dom in Heaven. B side features V.I.C.A.R.I - On and On and On and Samuele De Santis - Baile De Verano. A various artists release built for selectors and dancefloors, staying true to the HouseHeadz approach: raw, focused and rooted in contemporary club culture.

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Kilotoni - Marviken

Kilotoni

Marviken

12inchKILOTONI-05
Kilotoni
19.06.2026

Welcome back to a time when Bulletin Board Systems were the social media, it was too dark for influencers, hardware predated plugins, and a home studio was a cumbersome necessity in the absence of ghost producers.

The vinyl-only Kilotoni series returns with another faceless batch of radioactive techno from the previously unreleased tape archives.

A1 The classic acid techno anthem formula is utilized in its purest form for prime time main floor use. Steady build-ups keep the tension going in what is otherwise a simplistic live recording style performance.

A2 Compressed-to-death hard techno and a detuned lead that could have come straight out of late-90s Sweden. A rare cheeky vocal snippet from an old Trax record and submarine sonar pulses provide some relief from the pressure.

B1 Melancholic but funky acid house for warming up the dance floor in your local club basement. A bouncing bassline and flanging chords meet for the sweetest treat.

B2 Cruiserweight ghetto techno meets dubby, modulating chords — perhaps unexpectedly. The last sweat of the morning hours.

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il devrait être publié sur 19.06.2026

STANZ AMOR - MERCURIAL

Stanz Amor delivers a five-track EP that blends crunchy sound design, tribal influences and driving grooves into a cohesive statement of energy, movement and atmosphere. Hailing from Blackpool UK, Stanz Amor emerged in 2023 with a distinctly old-school approach, channeling groove, rhythm and intensity into a modern context, which he showcases on his Backspin Records debut EP 'Mercurial'. ??Opening with 'Kong', the EP sets the tone with an old school spirit reimagined through a contemporary lens. Loopy structures, banging percussion and textured, gritty elements create a hypnotic flow designed for peak-time moments. 'Mercurial' raises the intensity, propelled by fast-paced hi-hats and shimmering rides that injectconstant motion, while a rolling low end gives the track serious weight. A striking Latin vocal lingers throughout, leaving a lasting impression long after the track fades. On the B-side 'Count' shifts the energy into a groove led by rolling bongos, underpinned by a heavy sub and catchy, repeating vocals that lock into a tight, circular rhythm. 'Yawhoo' follows with a punchy kick, rumbling foundation and driving percussion, elevated by a cheeky vocal and a whistle straight out of the 90s rave era, adding a playful, nostalgic edge. The closing track is a remix of 'Count' by Steve Redhead, who reinterprets the original with forceful yet hypnotic percussion and finely detailed vocal work. A Belgian techno mainstay since the early 2000s, Redhead is known for his uncompromising, groove-driven sound and lasting influence within the underground. ??With this release, Stanz Amor delivers a focused and effective collection built on groove, repetition and dancefloor functionality. Released on Regal's Backspin Records, a label rooted in the underground and dedicated to honoring techno's origins while pushing its future, the project balances nostalgia with modern clarity, designed to resonate in clubs and leave a lasting impact.

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BLUELESS - TAR LIOM EP

Dream Dancing are back with the second release in their series of rediscovering the underground gem, Blueless.

Here with the 'Tar Liom' EP, once again showcasing her timeless and true deep house sound.
'Maybe Nothing' & Are You Pleased?' came out on her own Capture Records back in 2005. Both with a fresh remaster ready for those late night or early morning sessions.
On A2 you will find 'Weep 'n Crash', which was written in around 2008 but never saw the light of day until now, clearly inspired by the emotive depths of Larry Heard.

A melting pot of danceable melancholy, uplifting and hypnotic rhythms !

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Alphawaves - A0910EP

Alphawaves

A0910EP

12inchA0910LOW
Lowpass Records
19.06.2026

Dive into the ultra deep field with the fourth release by Alphawaves.
A0910EP showcases Alphawaves' characteristic ability to fuse the organic and the synthetic into a cohesive, hypnotic whole. Across two tracks, a subtle but insistent surge of energy powers both dancefloors and hi-fidelity systems. Dubby and repetitive yet undeniably playful, a sound that feels both intimate and expansive. A sonic space rooted in past, present, and future, echoing far beyond the moment.

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DJ HARAM & SHA RAY - CRITICAL THOT (TAPE)
  • 1: The Material
  • 2: Champagne And Bouquets
  • 3: Thot Daughter
  • 4: Hey Queen Ft. Nappy Nina & J Words
  • 5: Shole Ain't
  • 6: Strictly Ft. Archangel
  • 7: Low End Skeeza
  • 8: Elixir
  • 9: Boudoir
également disponible

Vinyl


Critical Thot ist das kraftvolle neue Kollaborationsalbum der in der Bay Area ansässigen Rapperin und Produzentin Sha Ray sowie der Produzentin und Elektronikmusikerin DJ Haram - zwei kompromisslose Künstlerinnen, die Rap und experimentellen Sound neu definieren. Es ist eine spannende Kombination: Haram ist die eine Hälfte des Duos 700 Bliss zusammen mit der Rapperin und Poetin Moor Mother und hat zudem mehrere Soloalben veröffentlicht - darunter Beside Myself (Hyperdub, 2025), das von der Kritik gefeiert wurde - sowie hochkarätige Kollaborationen mit BbyMutha, Fever Ray, Ghais Guevara und Armand Hammer.Währenddessen handelt es sich bei Critical Thot zwar um Sha Rays offizielles Debütalbum, doch ihr Ruf als aufstrebendes Talent der nächsten Generation eilte ihr bereits voraus. DJ Haram wurde 2022 auf sie aufmerksam, als sie Sha Ray bei einem Auftritt in Brooklyn sah: ,Wir haben uns vor Ort unterhalten, und danach habe ich ihr auf Social Media gefolgt. Sie hat eine unglaubliche Performance abgeliefert, also war ich sofort dabei, als sie mir später eine Nachricht geschrieben und nach Beats gefragt hat", erklärt Haram.Ein Armand Hammer/DJ Haram-Konzert in Los Angeles wurde schließlich zum entscheidenden Moment, an dem sich diese Verbindungen konkretisierten. Sha Ray reiste aus der Bay Area an, um sich mit Haram zu treffen. Auch wenn an diesem Tag noch keine Aufnahmen entstanden, bildete er den Ausgangspunkt für die spätere Zusammenarbeit über große Distanz hinweg, die in Critical Thot mündete. Das gesamte Album entstand remote: Haram produzierte Beats in Brooklyn und schickte sie an Sha Ray, die ihrerseits Demos und Anmerkungen zurücksandte. Während der Arbeit an diesem Projekt lernten sie sich sowohl künstlerisch als auch persönlich besser kennen.,Haram und ich haben viele ähnliche Erfahrungen als Frauen in der Musikindustrie gemacht, was unsere Verbindung enorm gestärkt hat. Außerdem hat mich ihr markanter Produktionsstil stark beim Schreiben dieses Albums inspiriert", sagt Sha Ray.Diese Texte sind messerscharf und erfrischend direkt. Sha Ray beweist schnell, dass sie in ihrer eigenen Liga spielt und selbst die komplexesten Produktionen von DJ Haram mühelos meistert, ohne an Energie zu verlieren. Haram schöpft aus dem Vollen und bewegt sich mit ihren Beats zwischen experimentell-abrasiven Sounds, geschmeidiger Leichtigkeit und dunkel bedrohlicher Atmosphäre. Perkussive Einschläge und Schüsse werden mit feinen Details und weichen Klangflächen kombiniert. Ein traplastiger Banger löst sich plötzlich in einem Strom aus Streichern auf, während eine minimale industrielle Klanglandschaft sich langsam zu einer wuchtigen, kakophonischen Rap-Attacke steigert. Sha Ray navigiert sich souverän und trotzig durch jede Drumstruktur und jeden Synthesizer.,Als Rapperin interessiere ich mich fast ausschließlich dafür, Misogynie und Sexualität in meiner Arbeit zu hinterfragen. Critical Thot ist eine Auseinandersetzung mit unapologetischer weiblicher Autorität und gleichzeitig eine ehrliche Reflexion darüber, wie komplex es ist, an Selbstobjektifizierung teilzuhaben und Sexualität als soziale Währung zu begreifen", erläutert Sha Ray. ,Auf diesem Album geht es stark darum, Macht in weiblicher Sexualität als etwas Relationales und ständig Wandelndes zu definieren - und damit als grundsätzlich unvollkommen. Aber es ist eine Macht, die ich habe, und ich werde sie nutzen."Critical Thot enthält Beiträge von Nappy Nina, JWords und Archangel.

pré-commande19.06.2026

il devrait être publié sur 19.06.2026

DJ HARAM & SHA RAY - CRITICAL THOT

Critical Thot ist das kraftvolle neue Kollaborationsalbum der in der Bay Area ansässigen Rapperin und Produzentin Sha Ray sowie der Produzentin und Elektronikmusikerin DJ Haram - zwei kompromisslose Künstlerinnen, die Rap und experimentellen Sound neu definieren. Es ist eine spannende Kombination: Haram ist die eine Hälfte des Duos 700 Bliss zusammen mit der Rapperin und Poetin Moor Mother und hat zudem mehrere Soloalben veröffentlicht - darunter Beside Myself (Hyperdub, 2025), das von der Kritik gefeiert wurde - sowie hochkarätige Kollaborationen mit BbyMutha, Fever Ray, Ghais Guevara und Armand Hammer.Währenddessen handelt es sich bei Critical Thot zwar um Sha Rays offizielles Debütalbum, doch ihr Ruf als aufstrebendes Talent der nächsten Generation eilte ihr bereits voraus. DJ Haram wurde 2022 auf sie aufmerksam, als sie Sha Ray bei einem Auftritt in Brooklyn sah: ,Wir haben uns vor Ort unterhalten, und danach habe ich ihr auf Social Media gefolgt. Sie hat eine unglaubliche Performance abgeliefert, also war ich sofort dabei, als sie mir später eine Nachricht geschrieben und nach Beats gefragt hat", erklärt Haram.Ein Armand Hammer/DJ Haram-Konzert in Los Angeles wurde schließlich zum entscheidenden Moment, an dem sich diese Verbindungen konkretisierten. Sha Ray reiste aus der Bay Area an, um sich mit Haram zu treffen. Auch wenn an diesem Tag noch keine Aufnahmen entstanden, bildete er den Ausgangspunkt für die spätere Zusammenarbeit über große Distanz hinweg, die in Critical Thot mündete. Das gesamte Album entstand remote: Haram produzierte Beats in Brooklyn und schickte sie an Sha Ray, die ihrerseits Demos und Anmerkungen zurücksandte. Während der Arbeit an diesem Projekt lernten sie sich sowohl künstlerisch als auch persönlich besser kennen.,Haram und ich haben viele ähnliche Erfahrungen als Frauen in der Musikindustrie gemacht, was unsere Verbindung enorm gestärkt hat. Außerdem hat mich ihr markanter Produktionsstil stark beim Schreiben dieses Albums inspiriert", sagt Sha Ray.Diese Texte sind messerscharf und erfrischend direkt. Sha Ray beweist schnell, dass sie in ihrer eigenen Liga spielt und selbst die komplexesten Produktionen von DJ Haram mühelos meistert, ohne an Energie zu verlieren. Haram schöpft aus dem Vollen und bewegt sich mit ihren Beats zwischen experimentell-abrasiven Sounds, geschmeidiger Leichtigkeit und dunkel bedrohlicher Atmosphäre. Perkussive Einschläge und Schüsse werden mit feinen Details und weichen Klangflächen kombiniert. Ein traplastiger Banger löst sich plötzlich in einem Strom aus Streichern auf, während eine minimale industrielle Klanglandschaft sich langsam zu einer wuchtigen, kakophonischen Rap-Attacke steigert. Sha Ray navigiert sich souverän und trotzig durch jede Drumstruktur und jeden Synthesizer.,Als Rapperin interessiere ich mich fast ausschließlich dafür, Misogynie und Sexualität in meiner Arbeit zu hinterfragen. Critical Thot ist eine Auseinandersetzung mit unapologetischer weiblicher Autorität und gleichzeitig eine ehrliche Reflexion darüber, wie komplex es ist, an Selbstobjektifizierung teilzuhaben und Sexualität als soziale Währung zu begreifen", erläutert Sha Ray. ,Auf diesem Album geht es stark darum, Macht in weiblicher Sexualität als etwas Relationales und ständig Wandelndes zu definieren - und damit als grundsätzlich unvollkommen. Aber es ist eine Macht, die ich habe, und ich werde sie nutzen."Critical Thot enthält Beiträge von Nappy Nina, JWords und Archangel.

pré-commande19.06.2026

il devrait être publié sur 19.06.2026

DJ Sneak - Bounce EP

DJ Sneak

Bounce EP

12inchRFGV009
Refuge Recordings
19.06.2026

DJ Sneak lands on Refuge Recordings with a 4 tracker for the ages. A signature feel to these joints that sends you straight to the dancefloor with a smile and undeniable groove. Sneak cuts feel timeless. Just the right amount of edge, grit and attitude. The Bounce EP is no different. He doesn’t miss.

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il devrait être publié sur 19.06.2026

Various - DC4 Vol. 3

Various

DC4 Vol. 3

12inchDC344
Drumcode
19.06.2026

The mighty Drumcode machine rolls on.. back again with the highly collectible DC4 Series now on its third volume. The DC4 series showcases a selection of four tracks from rising and established artists within the modern techno scene.

The EP features high-energy, peak-time techno tracks designed for dancefloors.

pré-commande19.06.2026

il devrait être publié sur 19.06.2026

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