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Italian producer Matteo Veroni returns with Vibez, the second 12″ on Much More Music, a label devoted to timeless house grooves with soul, warmth, and a touch of Mediterranean light. Vibez captures the essence of classic house: deep basslines, crisp percussion, and melodies that glow with emotion. Veroni crafts each mix as a different moment in the day, radiant, fluid, and irresistibly groovy. It’s the sound of open-air dancefloors, rooftop sunsets, and late-night laughter that never quite fades.
A beautifully balanced 12″ that embodies what house music does best, move the body and lift the spirit.

Here another Mokum Release on vinyl.

KRONERT003 continues the label’s mission: honest, floor-ready house music with depth and character. Warm low-end, rolling grooves and hazy chords shape an EP that feels tailor-made for late-night floors and after-hours rooms. Kronert delivers functional but emotional tools with his unmistakable touch. Subtle details, careful sound design and a strong sense of movement make each track both a DJ weapon and a story on its own, a modern house record that aims straight at the dancefloor without losing soul.

Mokum Records proudly presents a fresh slab of hardcore:
Remixed by:
Dysistor
RETRO
The Outside Agency
Faniac
Plus: the original track included on the record!
A must-have vinyl for collectors and hardcore heads — raw, dark, and uncompromising.

Following on from a very successful remix for the label in 2024, Dilby delivers his second EP of deep hypnotic house grooves on Sublease. Dilby's Without You EP features three fresh cuts, all infused with his signature dance floor flavour. The title track is a bouncy slab of house goodness, balancing driving stabs with atmospheric pads. Stay True is in a similar vein, tough drums and spacy washes with some classic house groove and dubby percussive synths. The final track, Elevate, keeps the
vibe alight with more of the New Zealander’s trademark deep and slinky house and including a massive breakdown.

Following on from a very successful remix for the label in 2024, Dilby delivers his second EP of deep hypnotic house grooves on Sublease. Dilby's Without You EP features three fresh cuts, all infused with his signature dance floor flavour. The title track is a bouncy slab of house goodness, balancing driving stabs with atmospheric pads. Stay True is in a similar vein, tough drums and spacy washes with some classic house groove and dubby percussive synths. The final track, Elevate, keeps the
vibe alight with more of the New Zealander’s trademark deep and slinky house and including a massive breakdown.

Hamburg’s very own Madison returns to his home base wanted BEATZ with a stripped-back, floor-driven 4-tracker that keeps things raw, warm and strictly about the groove. Get 2gether is pressed on 140g wax and built for dark basements, low ceilings and sweat on the walls, no gimmicks, just rolling tech house for DJs who still like to work the mixer.
WBZ024 – “Get 2gether” is Madison in pure DJ mode: four functional, characterful tracks that slide into any proper tech house or stripped techno set and stay there for a long time.

limited repress! marbled vinyl. kicking house tracks

KRONERT003 continues the label’s mission: honest, floor-ready house music with depth and character. Warm low-end, rolling grooves and hazy chords shape an EP that feels tailor-made for late-night floors and after-hours rooms. Kronert delivers functional but emotional tools with his unmistakable touch. Subtle details, careful sound design and a strong sense of movement make each track both a DJ weapon and a story on its own, a modern house record that aims straight at the dancefloor without losing soul.

Hercules & Love Affair music has always been about folding past, present and future together – and never more so than in the latest phase, encapsulated by the track that launches things, “Someone Else is Calling.”

If the song-first, ultra-gothic mind-movie of the last H&LA album In Amber was partly motivated by Andy Butler falling out of love with dance culture, this new body of work – an EP titled Someone Else Is Calling – is an unabashed resurgence of the love affair. A co-production with London underground veteran and inspiration to Butler, Quinn Whalley of Paranoid London and Decius, the lead single is a surging, tactile acid track woven around the vocal of Icelandic icon Hips & Lips aka Elín Ey – who hits that new wave disco sweet spot between Grace Jones and Yazoo era Alison Moyet.

Elín’s lyrics work perfectly with the bodily momentum of the sounds, circling around themes of self-possession and the urge to move on to the next experience, the next sensation: hunger for reality. And this taps into Andy’s feelings on escaping New York and moving to Belgium, discovering that dance culture was anything but the hollowed-out, identikit-festival-lineup conveyor belt he’d feared, and still had plenty of outposts where it was still – as he’d first experience it as a teen – about the hot, sweaty reality of diverse people seeking communion, communication and heightened ways of being in the here and now.

The video, filmed by Tatsumi Milori couldn’t be a better expression of exactly this. A love letter to the strange and glorious party scene of Mexico City, it captures people who are both tapping into the eternal verities of those magical dancefloor communions, and thrilling – against all the odds of oppressive forces – at the sense of possibility in the flow of gender and sexuality in the present moment. It’s powered by innocence and experience as intertwined forces, and it amplifies the heartbeat of the song a thousandfold. There will be more, much more, to follow from the partnership of Andy, Elín and Quinn. It digs deeper still into the decades of dance and other underground cultures that feed into this modern moment – but this shining beacon should give you a pretty good hint.

Someone Else Is Calling will arrive on one of Los Angeles’s most exciting new independent labels and creative hubs, StrataSonic, on December 14. The lead single of the same name, along with the music video directed by Tatsumi Milori, is out now. This marks the first collaboration between Hercules & Love Affair and Stratasonic.

Pacha Ibiza is steeped in dance music history. Originally a playground for the rich and famous during the 70’s and 80’s, the club has transformed into a mecca for music lovers the world over. Pacha is to Ibiza what Studio 54 was to New York, encapsulating glamour and hedonism while regarded as an institution that turns underground hits into global house anthems.

Pacha House Classics compiles twelve undisputed anthems from the vaults of Defected Records’ vast catalogue, all of which have been championed year after year at the legendary nightclub. Spread across three individual records are classics from The Shapeshifters, Kings of Tomorrow, CamelPhat, Shakedown, Spiller and more; Pacha House Classics is the ultimate house soundtrack for Pacha Ibiza’s rich history.

The tapes for “Ronnie McNeir Makes A Move” were found in Mickey Stevenson’s extensive master tape collection. A full new LP of classic McNeir is an absolute treat for his many soul fans; particularly in Europe where he is so admired.
Ronnie recorded over twenty tracks with Mickey Stevenson’s production company in 1971. Eleven of these were featured on his RCA LP “Ronnie McNeir”, but another ten were left in the vaults.

The title track, ‘Let’s Make A Move’ is an urgent, exciting funk sound, composed with Ronnie’s frequent writing partner, Andre Moore. ‘I’m Sorry’ is an earlier version of ‘Gone Away’ which featured on the 1972 RCA “Ronnie McNeir” LP, without the female singer’s vocal response track.
‘Say You’ is the Motown song first recorded by the Monitors in 1965. It has a more laid-back treatment here, giving it a whole new dimension. We issued the single version on a Kent Select 45 in 2022; both versions are featured on the CD. Another re-envisaged Motown number is ‘The Girl’s Alright With Me’ which features Hodges, James, Smith & Crawford’s backing vocals − as do other tracks on this album. Surprisingly, Bob Dylan’s ‘Blowing In The Wind’ is also covered; in a pleasing, jaunty treatment.

‘My Day Will Come’ is a slow-burning number Ronnie co-wrote with his wife Mona. It is one he is particularly proud of and has been picked up by modern soul DJs as a potential crossover hit. ‘Tell Your Mama’ is a sensuous, Marvin Gaye-influenced groove, while ‘East Side, West Side’ is more streetwise, dealing with the social problems that face many young people.

As a multi-instrumentalist, heavily influenced by jazz, it comes as no surprise that Ronnie would record two jazz / soul instrumental jams which he simply named ‘Ronnie’s Bag #1’ and ‘Ronnie’s Bag #2’. The tracks are keyboard-lead, piano and possibly organ – or more likely one of the early synthesisers that Ronnie pioneered. ‘Ronnie’s Bag #1’ is more jazz-oriented, while ‘Ronnie’s Bag #2’ goes funky.

Shoegaze slow dance where distortion and desire merge into a single narcotic pulse. Each track feels like a transmission from a beautiful but broken future, numbing the senses before consuming them completely. Much like the most immersive works of Tropic of Cancer or Death in Vegas, the album drifts beneath a flickering sodium sky, lost in reverb and ritual. This is not just another new release—it’s an unforgettable sonic hallucination, a cinematic comedown carved in echo and melancholy, where time and thought dissolve in waves of velvet static. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl, including printed innersleeve with lyrics.

For the first time, Endrik Schroeder and The Hacker have joined forces. Their unique sounds and styles have combined seamlessly to produce a 12” that draws on their own musical histories. The title track pulls the listener into a darkened sweaty basement, a space where neon lights leer and quivering speakers vibrate. Melting elements of new beat and rave revelry, the track is bawdy and bold. Robotic samples cut through siren blasts, clean snare rolls skidding in thick basslines and creamy breaks.

Two remixes follow, both care of fellow French producer: Back From The Wave. First up is the “Breaky Remix”. Adhering to the club origins of the source material, this remake sends melodies ever higher as drums lift elated lines to the stern refrain of “Emergency”. The “Indie Remix” closes. The glowsticks are sheathed in this version, instead it is the soaring keys that are given the limelight with beats bolstered for extra bite. Three tracks set to delight and ignite dancefloors.

Das 2024er Album des irischen Indie-Folk-Singer/Songwriters Fionn Regan wird erstmals auf Vinyl erhältlich: "O AVALANCHE" ist voller schwebender Intimitäten, abstrakt und intuitiv, durchdrungen von einem Gespür für die erhebende Verbindung zwischen Umgebung und Emotionen. Zwischen sonnendurchfluteten Kulissen und leuchtenden Arrangements entstand eine Reihe wundervoll-erhabener Songs. Koproduziert mit Ian Grimble (Travis, Manic Street Preachers, Texas), schafft Regans abseits gelegenes Gespür für Klima und Landschaft einen weiteren kreativen Höhepunkt und ein Album, in dem man sich verlieren kann.

In March 2025, "On the Love Beach" completed a highly successful solo concert in Shanghai and Beijing with Toushi Naoki.

In 2025, marking the 30th anniversary of their memorable debut album, "On the Love Beach," the band's first three albums will be reissued on CD and vinyl!
All three albums use the original master tapes, and each has been thoroughly remastered under the supervision of Shinji Shibayama for high-quality sound!

This is Nagisa Nite's second album and only live recording, released in 1998. Featuring an acoustic arrangement featuring acoustic guitar and djembe,
the band's imaginary concept is "A Tyrannosaurus Rex from Osaka." This is a realistic documentary of a solo performance held in a dilapidated wooden
apartment building in Tokyo during a scorching heat wave in July 1997, a space that was barely a free space. The band performed in the scorching heat
of July, with the venue lacking air conditioning, forcing them to play with the windows open. This resulted in "ambient music" that occasionally blended with
the sounds of the outside world and the barking of dogs. The band's determination to never perform in a place like that again led them to believe that this
unique and intriguing experience was what made this album so unique.

The environment forced the band members and the audience to remain unwavering, creating an undeniable tension in the small venue, creating a literally
"hot" groove despite the entire performance being acoustic. This experiential live album, the polar opposite of the '71 Nippon Genya Festival, is impossible
to recreate, even for the band members themselves, including the immersive recording.

The 1998 album was only available on CD, but this time, the album is available on vinyl for the first time on a 2LP!
Remastered using the original master DAT tape, it recreates the "hot" and "ambient music" atmosphere even more realistically. T
akeda's cover of Midori Mako's "Yasashii Nipponjin" is also a must-listen!

The pinnacle of total art pop, "yes, mama ok?", celebrates its 30th anniversary.

The album includes a 14-track best-of LP featuring a comprehensive selection of tracks released between 1995 and 2000 on labels like LD&K, Nippon Columbia,
and Etiquette Recordings; a 26-track cassette tape featuring more best selections; a 7-inch single featuring the band's best killer tunes; and a long-awaited
two-disc CD featuring the works of legendary songwriter Takeshi Kongochi. These four titles, overseen by Takeshi Kongochi and Wataru Sawabe (Skirt), who
self-proclaims himself the world's biggest fan, are officially released in celebration of the band's 30th anniversary.

The long-awaited "yes, mama ok?" best-of album, a 14-track vinyl LP, is now available!

Der Soundtrack zur irischen Komödie ""The Spin"" (2024) in der Regie von Michael Head, der zahlreiche Auszeichnungen bei diversen unabhängigen Filmfestivals von Belfast über Chicago bis Toronto gewann und auch auf dem Filmfest Bremen lief. Die Originalmusik wurde von Mark McCausland (McKowski) komponiert und produziert und enthält Gastbeiträge von: Howe Gelb, Jolie Holland, John Parish, Nick Power, Dave Murphy, Pieta Brown, Dead Goat, Steve Wickham, Gemma Doherty, Laura McFadden, Brenock O’Connor und Drew McConnell. Die LP erscheint auf farbigem Ecomix-Vinyl, bei der jedes Format ein Unikat ist.

Dream Girls, Beauty And The Beast director Bill Condon returns to the movie musical in this dazzling Technicolor-hued fantasy. Valentín (Diego Luna), a political prisoner, shares a cell with Molina (Tonatiuh), a window dresser convicted of public indecency. The two form an unlikely bond as Molina recounts the plot of a Hollywood musical starring his favorite silver screen diva, Ingrid Luna (Jennifer Lopez). Based on the Tony Award-winning Broadway musical hit. "The film juxtaposes very gritty, graphic, prison scenes with equally extreme 1950s period authentic technicolor musical sequences that replicate both technicolor look and aspect ratio as the film switches between both environments. Lopez looks great and the musical sequences are glorious. The supporting cast, especially the two male leads are top shelf Oscar worthy performances. It is superbly executed.

Der aus Wyoming stammende Troubadour Jeb Loy Nichols kehrt mit ,This House is Empty Without You" zu Timmion Records zurück, einer zeitlosen Sammlung von Songs mit Soul-Wurzeln, die Wärme, Weisheit und stille Intensität ausstrahlen. Erneut unterstützt von Timmions Hausband Cold Diamond & Mink, liefert Jeb ein Album in voller Länge, das sich nahtlos in die Reihe der besten Veröffentlichungen des Labels einreiht - geprägt von den Traditionen des Southern Soul, aber getragen von seiner unverwechselbaren Stimme und seinem lyrischen Touch.Vom sanft dahinschreitenden Opener ,First Night Away from Home" bis zum Schlussstück ,Time On My Hands" entfaltet sich das Album wie ein gutes Sommerbuch, das man am besten mit einer warmen Brise im Gesicht genießt. Nichols hat die Fähigkeit, alles mühelos klingen zu lassen - als würde er nur für Sie singen, von der Veranda oder aus dem Hinterzimmer -, aber wenn man genau hinhört, entdeckt man Songwriting voller Tiefe, subtil arrangiert mit Orgelklängen, knackigen Drums und tiefen Grooves.Neben dem luftigen Midtempo-Romantikstück ,Here With You" gehören zu den weiteren Höhepunkten der rootsige Southern Shuffle ,Good Morning Monday", das herzergreifende ,Coming Home Love" und ,Step In", ein sanfter Groove über Wiederentdeckung und Wiedersehen. Zusammen mit Nichols - und Emilia Sisco, deren gospelartige Hintergrundharmonien mehrere Titel zieren - haben sie ein Album geschaffen, das sich an klassischen Einflüssen orientiert, aber unverkennbar persönlich und präsent klingt. ,This House is Empty Without You" ist eine Meisterklasse in zurückhaltendem Soul und beweist, dass Jeb Loy Nichols nicht nur immer noch da ist - er wächst weiter, strahlt und findet neue Wege, die Wahrheit zu sagen.

The latest release from 45trio is a single dedicated to the legendary pianist Tenorio Jr., who was a leading figure in Brazilian samba jazz. Side A, "#Tenorio,"
was created as an homage to his works. With its lively rhythms and refined chord progressions, the track delivers a groove where jazz and samba intertwine,
infused with a contemporary atmosphere.

On Side B, 45trio presents their own take on "Nebulos"" a landmark of piano jazz originally released in 1964 and still celebrated to this day. With delicate touch,
rich performance, and inventive arrangement, they breathe new life into this timeless classic.

This work, filled with universal beauty and warmth, is dedicated not only to lovers of Brazilian music and jazz but to all listeners who cherish music.

Released as a strictly limited first edition.

Alvorada is Montanha’s first long play: an ambient-leaning work, nocturnal in mood yet touched by electricity, tracing a journey from waking activity into dream logic. Recorded mostly in the late hours of the evening with windows open to the city, letting its air and sounds influence the music, it sometimes reached the early moments of sunrise. The title, meaning “dawn,” reflects both the liminal hours of its making and the band’s own renewal. These tracks are closer to drawings than songs: narratives written between instruments, moments of tension and release, fragments of memory and dream. The tracklist follows this nocturnal voyage with the patience of Eno, the disquiet of Uematsu, and the madness of Miles Davis’ Decoy, oscillating between streets and sleep, routine and reverie.

Montanha was formed in 2010 by André Azevedo, Nuno Oliveira, João Sarnadas, and Tito Silva, bonding over architecture school all-nighters on videogame soundtracks (Age of Empires, Super Mario). They began as a psychedelic rock combo and in 2013 released their self-titled EP which introduced a raw, improvised energy. But the album that was meant to follow was abandoned as the band entered hiatus. The four members turned their creative drive towards co-founding Favela Discos, where experimentation with media and form reshaped their ideas of music, and developed their taste, their way of playing, and a more personal sound that was more open and disconnected from a defined genre.

By 2017, Montanha had returned to the studio with new experience, no longer a rock band in the traditional sense but a project devoted to improvisation and electronic soundscapes. An ever gentrifying city forced them to abandon acoustic drums, and they embraced electronic beats instead, and became mobile; one guitar dissolved into full synths, leaving the other to converse with bass. Improvisation remained their compass. In improvisation there are no mistakes, only missed opportunities. Montanha found their opportunity in the routine of the studio to break routines of pop and experimental. The result is a body of nearly fifty hours of recordings, sculpted into an album.

Alvorada is not only Montanha’s first LP but also the dawn of their new phase. Improvised yet carefully sculpted, the record expands the territory of the song into nonlinear narratives, letting the language of night, dream, and city seep into its form.

Remastered Pink Vinyl 2LP

Jane Removers Debütalbum "Frailty" (2021) entstand mitten im fegefeuerhaften Sommer nach ihrem Highschool-Abschluss, kurz vor ihrem 18. Geburtstag im September. Der Text ist das eigensinnige Coming-of-Age-Tagebuch einer LGBT+-Teenagerin, die in den Vororten eines verwirrenden, gesellschaftspolitisch turbulenten Amerikas festsitzt. Die LP wurde begeistert aufgenommen: Platzierungen auf der Album-des-Jahres-Liste von Pitchfork und TheNeedleDrop, begeisterte Kritiken von Paste, Insider und FADER und breite Resonanz bei einem jungen Publikum, das das Album als kathartisch und nachvollziehbar empfindet. Doppel-LP auf Pink Vinyl, remastered.

Tagada-Rock vom Feinsten: Alpha Romeos neues Album 'Pluto im Wassermann'! Tagada-Rock nennt Michael Gutenbrunner alias Alpha Romeo mehr oder weniger augenzwinkernd seinen eingängigen Mundart-Pop, benannt nach dem legendären Karussell im Wiener Wurstelprater. Dabei mischt er großzügig Indie, Folk und Pop aus verschiedenen Musikepochen und hält das Ganze mit offenherzigen Dialekt-Texten, einer spielerischen italo-romantischen Note sowie einer Prise Selbstironie zusammen.

Soundtrack-LP mit Originalsongs aus den Staffeln 4, 5, 6 der erfolgreichen Netflix-Zeichentrick-Serie BIG MOUTH, geschrieben und komponiert von Mark Rivers. Das Album enthält Gesangsdarbietungen der angesehenen Besetzung, darunter Nick Kroll, Maya Rudolph, Andrew Rannells, John Mulaney, Crissy Guerrero, Jason Mantzoukas, Paul Pell, Jon Daly, Joe Wengert u.v.m. Rotes Vinyl.

This holiday season, Harlem’s Capo, Jim Jones, brings At the Church Steps to vinyl for the very first time — and it’s more than just a reissue. A founding member of The Diplomats, platinum-selling artist, and a pioneer of NYC street rap, Jones has long been a voice of the hustle, style, and raw authenticity that define East Coast hip-hop. With over 2 million records sold and a deep-rooted influence on music and culture, At the Church Steps is now set to become a collector’s essential — reimagined for vinyl in a way no fan has ever experienced.

This limited-edition, audiophile-grade 2LP set is crafted for true connoisseurs. Pressed on premium Neotech 100% virgin vinyl, the release uses exclusive mastering technology that employs predictive analysis to correct groove deformation — delivering unmatched clarity, fidelity, and warmth. Every detail, from the sonic depth to the physical finish, speaks to the cult following Jones commands. Tailored for both the streets and the crates, this vinyl is a tribute to legacy and craftsmanship. Store it upright, keep it out of direct sunlight — and know you’re holding a piece of hip-hop history made to last.

Key Marketing Highlights:
Available on vinyl for the first time as a limited numbered 2LP set on Audiophile-Grade, COllector's Quality Vinyl
Brand new studio album from Jim Jones now available on 2LP
Jim Jones is a member of legendary hiphop group The Diplomats

Hydro-grind maniacs CEPHALIC CARNAGE presents the deluxe 25th anniversary reissue of their monumental Relapse Records debut album Exploiting Dysfunction! The 2LP/2CD reissue was remixed and remastered by Dave Otero (Cattle Decapitation, Allegaeon, Khemmis) and features CEPHALIC CARNAGE classic tracks "Hybrid" & "Rehab" + previously unreleased bonus and demo tracks!

Midnight Oils Kultalbum "Diesel and Dust" ist zurück und jetzt erstmals seit Jahren wieder auf Vinyl außerhalb Australiens erhältlich!
Neu gemastert, auf schwarzem Biovinyl und nachhaltig verpackt, bringt das Album seine kraftvolle Botschaft über soziale Gerechtigkeit und Umwelt neu zum Klingen.Ein Meilenstein der Rockgeschichte, ausgezeichnet von Rolling Stone und als bestes australisches Album gelistet.

Celebrating their 40th anniversary in 2025, Japan's ska scene pioneers The SKA FLAMES － still going strong and continuing to exert a huge influenceboth

domestically and internationally － will release five 7-inch singles over three consecutive months!! First release features two titles simultaneously!
This release includes “I WON'T NEVER LET YOU GO” left behind by BLUES BUSTERS and a self-cover of The SKA FLAMES' classic early track
“GOOD MORNING” recorded with Daisuke Ono on drums!"

Nachdem Master's Hammer 2018 die letzte Show zur Unterstützung des Albums »Fascinator« gespielt hatten, schien es, als sei die Geschichte der tschechischen Legende endgültig zu Ende gegangen.

Aber glücklicherweise wurde die Band nicht begraben, sondern ging nur in den Winterschlaf und ist nun nach 7 Jahren mit einem neuen Album zurück! Master's Hammer, die sich nie darum gekümmert haben, sich anzupassen, weigern sich, sich auf bestimmte Genres festlegen zu lassen und nach den Regeln anderer zu spielen, was zu vielen höchst originellen Alben geführt hat, die sich jeder Kategorisierung entziehen. Obwohl »Maldorör Disco« unverkennbar Master's Hammer ist, ist es wahrscheinlich ihr bisher experimentellstes und am wenigsten nach Black Metal klingendes Album.

A Larum, the debut album by singer and actor Johnny Flynn, was recorded in Seattle and is one of those rare albums that immediately creates its own world - Originally released on Vertigo Records in May 2008, this re-issue faithfully replicates the original 2LP release's pop up gatefold sleeve and is pressed on 180g vinyl Backed by his band The Sussex Wit, the album's songs were likened to the work of Fairport Convention and Bert Jansch by Rolling Stone.

Flynn has been described as "a musical prodigy turned Shakespearean actor, with the soul of a poet," and his songs offer a sweet gentility in an increasingly loud time. Close mic'ed and intimate, Flynn cast his eye over romance, religion and celebrity. A Larum became something of a beacon for the burgeoning folk scene at the time, with fellow travellers such as Mumford & Sons, Laura Marling and Noah and the Whale. Since A Larum, Flynn has carved out a singular path as both a critically acclaimed musician and award- winning actor. He has released a string of celebrated albums including Been Listening, Country Mile, and Sillion, continually evolving his sound while maintaining his signature storytelling. As an actor, he's earned accolades for roles on stage and screen, notably portraying David Bowie in Stardust and starring in films like Emma (2020) and Netflix's The Dig. He also composed and performed the beloved theme song for the BAFTA-winning series Detectorists, where his evocative music became inseparable from the show's gentle, melancholic charm. ...

Spanish Love Songs return with a new EP, a reflective collection created mid-process while writing their next full-length. Since forming in 2013, the band has grown from DIY roots into one of modern punk’s most vital voices with albums like Schmaltz, Brave Faces Everyone, and No Joy. Vocalist Dylan Slocum calls these songs “imperfect snapshots,” built in real time with friends and collaborators — including Kevin Devine, Illuminati Hotties, Dan Campbell, and Tigers Jaw. The vinyl release will pair the new EP with their previous No Joy – Sessions and Doom and Gloom Sessions, offering fans a comprehensive physical collection.

Faellesskab reveals their most critical and emotionally charged work to date, a deeply personal voyage into the heart of Nordic black metal, where raw emotion and melodic depth keep reveling in sorrow and longing beauty. Translating to "Community", Faellesskab's six tracks weave a strong musical oeuvre within the Afsky canon; their walls of haunting melancholia, interwoven with vital intensity, have never been more powerful. Yet, this new work also sees the band at its sharpest in social criticism, as Ole Luk of Afsky notes: Faellesskab - Overture to the Downfall. Here, community is praised like herd animals fleeing responsibility.

A parade of moral superiority, where truth is trampled in the name of consensus. Where unity means silence, and doubt is a crime. Six songs of shame disguised as care, of freedom suffocated, and of the solitary few who still dare to question. A chorus of hollow words, where silence screams the loudest. Welcome to the celebration - the curtain hasn't just risen, it's been torn away! Afsky will mark the release with a special show in Copenhagen on October 17, graced by a full European album release tour kicking off the following week. Two singles are set to be unveiled in the lead-up to the release. While Afsky continues to refine their signature sound, this release is set to be another landmark in the band's uncompromising discography.

The second release on Samurai Music sub label Saibai welcomes Italian sound-world-builder Pianeti Sintetici for a richly rendered foray into dynamic electronica that moves like a set of vibrant ecosystems.

Davide Perrone has developed his Pianeti Sintetici ('synthetic planets') alias to explore the idea of creating imaginary worlds through teeming, densely layered arrangements of modulating synthesis. He's previously delivered spellbinding albums and EPs to respected labels like Astral Industries and Hypnus. On SAIBAI2, Perrone ably blurs the lines between percussive, textural and melodic parts, letting voices bend and warp as each sound evolves through the labyrinthe lattice of his constructions. This is electronic music so dynamic and ever-shifting, it sounds positively sentient, and yet there's a strong emotional sentiment that binds these fantastic visions together as sincere expressions from a grounded, human perspective.

True to Saibai's focus on deeper, mellower flights of fantasy away from the dancefloor, SAIBAI2 offers a kinetic, engaging listening experience dressed up in opulent tones that gleam, shimmer, bend and flex with hypnotising dexterity.